goo Ranking recently published a straightforward survey on which Pixar movie moved people the most. For me it has to be Toy Story 3, although I’ve never actually seen Monsters University, and I only caught the last 15 minutes of Finding Dory in Japanese once, but it seemed more silly than moving to me! Anyway, […]

My newest article for acmQueue magazine is called Demo Data as Code: https://queue.acm.org/detail.cfm?id=3355565

  Posted to Flickr – at the window, lower right margin. Or here.

Sumo deadlifts against increasing tension. It is Jan 2 and the gym is not yet full of new year’s resolutioneers. https://ift.tt/37wIcUa

Gradually putting more on the bar… https://ift.tt/2To1Nlt

The best way to get young people to invest their time in reading is being willing to invest time in it ourselves.

At the beginning of every year, I reevaluate my reading habits. I love to read but sometimes I find that reading gets put on the back burner more often while other activities take priority. Sometimes these activities, especially family-related and work-related, NEED to take priority, but I find there are still ways to find more time to read. How do YOU make more time to read? Answer my survey here. I'll post results in this blog.

This year, I've signed up for Goodreads 2020 Reading Challenge. I'm starting out with a goal of 100 books. This includes picture books, so I'm actually aiming for MORE than 100. In addition to being realistic, however, I also don't want to be tempted to speed-read. With picture books, for example, I want to start going through new and not-so-new picture books and read them more thoughtfully, both for enjoyment but also more analytically (how the text and illustrations interact, etc).

Anyway....I've updated my post below in case one or more tips might help others. You might also want to check out what parents suggested in my "Finding Time To Write (Even If You Have Kids)" survey.

1. I have multiple print books on the go, and keep them around the house. I usually have print books that I'm in the midst of reading in our bedroom, my office, living room, dining room, etc. Print books have the advantage over ebooks here in that just SEEING them reminds me to read them.

2. I read books on my iPhone. Yes, the screen is small but I enlarge the text to make reading comfortable. This is super-handy for reading when I may only have a few minutes, like when I'm in a line-up or waiting for someone. Or when I'm in a super-crowded subway train and am holding onto a support pole with one hand....but I can easily reach into my purse, pull out my iPhone and flip through pages with my other hand.

3. I read books on my iPad. I have an iPad Pro and find it a bit too heavy to hold for reading unless it's propped up somehow, but I find that using a pillow or my knees works fine. I prefer print books for the esthetic experience (turning print pages, feel of of a physical book etc.) but I do find that the backlit screen on my iPad enables me to read even in places with dim lighting. Some are ebooks I've bought, some are borrowed from the Toronto Public Library.

4. I read books on my Kindle. Because the Kindle is lightweight and loaded up with a lot of my ebooks, I can avoid angsting over what book to take on out-of-town trips ("I'm 3/4 of way through this book so if I finish it on the plane, what do I read next? Should I bring an extra just in case? But I'm trying to travel with just carry-on augh" etc.), I just take my Kindle and I have access to many books-on-the-go.

5. I listen to audiobooks. I remember avoiding audiobooks in the beginning because I never considered it REAL reading, plus I didn't think I could really enjoy a book by just listening to it. Then my husband played an audiobook (I can't remember the title...something about divers and scavenging in deep waters) on a long car trip and I was surprised to find it an immersive reading experience. The narration is important, though -- a bad narrator will totally turn me off a book, so I make it a habit of always listening to a sample first. I have an Audible subscription but I also borrow audiobooks from the Toronto Public Library. Whenever I'm at certain stages in book illustration, I listening to audiobooks as I draw.

SUMMARY:

As long as the story is good, I am willing to read it in any format. I do make a point of buying books from indie bookstores but I have found that my appetite for reading makes it impractical (from a budget standpoint) to buy all my reading material. The Toronto Public Library is a wonderful resource, with print and ebook and audiobooks available.

Also, I squeeze in reading whenever I can. While I'd love to save my reading stints for when I have an entire afternoon to curl up on the couch with a good book, reality is that if I always waited for The Perfect Reading Day, I wouldn't be reading nearly as many books as I do now. Before my recent eye surgery, I also found it a challenge to read a regular print book.

And as summer approaches, consider participating in Donalyn Miller's #BookADay Challenge!

SURVEY:

How do YOU make time to read? Answer my 3-question poll here.

OTHER RESOURCES ON HOW TO MAXIMIZE YOUR READING TIME:

11 Ways Busy People Make Time To Read - by Eva Lantsoght on Lifehack.org

The Best Way To Find More TIme To Read - on FS Farnam Street's blog

How To Read Even More In 2019 by Strand bookstore

5 Ways To Find More Time To Read - by Kristin Wong on Mentalfloss.com

25 Expert Tips To Reading WAY More Books This Year - by John Rampton on Inc.com

Finding it a challenge to carve out time for your writing because of other work or life commitments? I encourage you to join me in my Daily Writing Challenge. Even 100 words a day adds up! I also have an Inkygirl Daily Writing Challenge Facebook Page.

One of my goals in 2020 is to not only be more diligent about writing something FIRST THING in the day, but also not to be so picky about what I write (social media posts don't count, though :-)).

Reason: Last year, I was always trying to work on my middle grade novel first thing in the morning. While my goal of morning writing worked sometimes, there were many mornings when I just had too much going on. I'd be distracted because I'd be on the road, or have morning appointments, be stressed about book illustration deadlines.

As a result, I ended up NOT writing many mornings. That fed into my growing overall frustration at my lack of progress, and eventually I just gave up.

Keep in mind that I never have trouble focusing on contracted book work. If someone is expecting work from me and I have a deadline, that's one thing. My middle grade novel project, however, tend to always be shoved to the back burner. Part of the reason, I know, is psychological. In the stupid part of my brain: "Once I finish writing and revising, I'll have to start sending them out into the world, and what if I end up getting nothing but rejections again?" 

But I'm also aware that I've spent so many years focusing on illustration work that my writing muscles still feel rusty, and that's feeding into my whole "but what if I can't write anymore" insecurities.

The solution, I think, is that I need to write a LOT more, and on a daily basis, even if it's not writing for my middle grade novels. I like what Jeff Goins said in his post, My Morning Routine In 10 Simple Steps. After breakfast every morning, he writes something.

From the Goinswriter.com article on a morning routine:

This can be a blog post, book chapter, article, or just some random notes to myself. For me, it’s not about what I write as much as it is important just to write. Usually, I wrote around 1000 words; sometimes less, sometimes more.

I've started to do this as well. Sometimes I write by hand in one of my Rhodia hardbound journals (also an excuse to use one of my fountain pens), sometimes I write on the computer. Sometimes poetry, a sentence or two from an imaginary story that doesn't (yet) exist, stream-of-consciousness first-person of one of the characters in my book, sometimes a blog post.

Do you do morning writing? Do you have a life that makes finding writing time a challenge? Feel free to post below.

This is a zine an amazing aquaintance of mine is putting together.
Please send your stories to: polypatriarchyzine@gmail.com, or mail them to 4951 Catharine St., Philadelphia, PA 19143.


Polyamory and Patriarchy Zine Questionnaire

These questions are for a zine I’m writing about polyamory and patriarchy. So often, people feel either that polyamory is the only revolutionary way to be intimate, or the worst way. I’d like to hear what you’ve learned from polyamory – ways it felt liberatory, and ways it may have felt like familiar oppressive gender roles dressed up in revolutionary language. My agenda isn’t to discredit polyamory, but to identify how much we have to learn about truly liberatory relationships.
These questions are fairly personal and ask you to revisit some painful memories, so please take your time, answer only what you feel comfortable answering, and let me know how you want your anonymity protected. Please use pseudonyms! Do give me contact info, though, if you want to review how I use your material before the zine is published.

1. Let’s start with gender. What gender roles did you learn from your family of origin? From the media? From your chosen community? How do you express gender now – is it different than how you were socialized to express gender?

2. What were your reasons for first trying polyamory? Was it your idea or a partner’s? Did you have any models in your community for successful polyamorous relationships?

3. What was the most empowering experience you’ve had in polyamory?

4. What was the hardest situation to handle in a polyamorous relationship? Looking back, what would you have done differently, if anything?

5. What kinds of insecurities did polyamory raise? Did they concern your gender or body image? How did you handle these insecurities?

6. How have you felt most empowered in polyamory? How has it felt expansive, liberatory, or healing?

7. Do you have a different kind of intimacy with lovers than with friends? Who are you more likely to turn to for emotional support?

8. How do your expectations change based on what kind of relationship you’re in? Do you have different standards of behavior for partners and lovers?

9. Has polyamory ever made you feel silenced, or unable to ask for what you needed?
What have your relationships with your lover’s other lovers been like? How have you handled feelings of jealousy and competition? How have you handled your partner’s jealousy?

10. Tell me a little about your best relationship, polyamorous or otherwise, and what made it work so well.

11. Today, what is your ideal relationship?

12. Do you want to see the zine before it’s published? Do you want a copy mailed to you? If so, let me know how to reach you.

Please send your stories to: polypatriarchyzine@gmail.com, or mail them to 4951 Catharine St., Philadelphia, PA 19143.

I also welcome your analysis and thoughts about sexual politics, polyamory, and this project – thanks!

Here is Microcosm's statement and my response.

Microcosm's Statement:
It has been way too long since Cindy Crabb asked us to write a public statement regarding allegations of Joe Biel’s history of emotional abuse and manipulation. It is not because we have chosen to ignore this issue. On the contrary, we have spent many hours discussing this topic. But we are not writing today to provide excuses. We hope to provide some answers and to encourage more questions.

Cindy is right that collectives need to confront abuse in all its forms by members within their collectives, even if it is just a collectively-ran business, but especially when that business lays claim to radical politics. It is for this reason that we want to say that we do recognize Joe’s history of emotional abuse and manipulation. Not just with Alex, but within other relationships as well. We know that Joe has been involved in one failed mediation attempt with Alex. We also know that he was involved in a more recent process that fell apart (this was outlined in posts by Cindy and Alex). Unfortunately, the collective was made aware of this latter accountability process only shortly before it fell apart. We, the collective and Joe, have recently started working with a counselor who is helping us to reconcile many issues within the collective. We do not believe this is a replacement for a larger accountability process, but we do see it as an important first step for our involvement and for the betterment of Microcosm as a collectively-ran company.

We recognize and agree with the statement put out by the Athens Support Network, who mediated the last accountability process.

“Joe is in therapy, and we feel that he is making progress through therapy. He has identified a large number of behavior issues and has done work and continues to do work to change them. He believes that he honors Alex’s experience. We, however, feel that he still has extreme problems with control, manipulation, defensiveness, and portraying himself as the victim.”
We have noticed some positive improvements in Joe’s behavior, but he does have a long way to go. We do believe that he can work through this and therefore choose, at this time, to continue working with him. We welcome suggestions on how we, the collective, can better facilitate this process. In the meantime, we will continue to work through this and figure things out as we go.

Cindy also pointed out that she would like more transparency about how things are run at microcosm. For that reason, we will soon be releasing some information on our website about how we run things. We honestly want to be a more transparent organization (which is why we’ve started posting annual financial statements). Over the past year, we have begun to change and implement a lot of new policies to help spread power among all of the collective members. We are excited about these changes and equally excited to share them with you.

Alex was right in that we need to hear from you. We know that Microcosm could be better and we want it to be so. For that reason, we need to know what it is that you think we need to fix. We’ve already heard some great things and we’ve worked to improve those. We’ll share more about that later, though. We want the focus to stay where Cindy and others have asked us to focus it for now - on Joe’s accountability.

Thank you Cindy, Alex, Ciara, and everyone who has put pressure on us to make change. It is a wonderful example of collective action. And we hope it proves that while we may be relatively large in the zine world, we are still just a small group of people who still love the community we are a part of and hope to make it a better place.

With sincerity and humility,
The Microcosm Collective


In response to Microcosms statement about Joes manipulative and abusive behavior.

This statement is to let it be known that despite Microcosms recent public statement finally acknowledging Joe Biel’s abusive and manipulative behavior, I will not be distributing Doris though Microcosm any longer. They published Doris 23, the Doris Anthology, the Support zine and Learning Good Consent, so I don’t have control of those publications.

In July, 2010, I asked Microcosm to write a statement, or have each collective member contact me with a personal statement, as a precondition to my continuing to work with them. I was following my sincere belief that organizations should have a chance to admit to the abusive behaviors of members, and that as long as they show a commitment to change, they should not necessarily be shunned. Below is part of the statement I made.

I believe that collectives, even when they are just collective businesses, are responsible for confronting issues of patriarchy (and other forms of domination) within their collectives, and working on change and transparency. I believe that Joe's behavior stems from patriarchy … the communication/manipulation models he uses are … patriarchtical.
In order to feel comfortable continuing to be published by Microcosm, I would need to know either from each collective member or from the collective as a whole (with a minority dissenting opinion) that they don't think Alex was crazy or that the attempts to deal with the situation are a witch-hunt. I would need to know from each member, or the collective as a whole (with a minority dissenting opinion,) that the collective recognizes that Joe still has issues with control and manipulation… I need to feel like the collective takes this seriously and does not put the burden of instigating change on the survivor/s, or on people negatively affected by Joe's behavior.

I do believe there are good people who work at Microcosm. I don’t want those people to suffer because of Joe’s behavior. I wanted to give the workers at Microcosm a chance to show their commitment to confronting Joe’s manipulative behavior, and a chance to make a strong stance against abuse. The statement that was recently released by Microcosm is too little, too late. I can’t believe it took 6 months to write a statement that could easily be summed up as “we agree with the statement made by the Athens Support Network.” Microcosm’s statement gives the impression that Joe has made more changes than he has.

I was hopeful that Microcosm might be able to take a strong stand against abuse. I feel like they failed. If this statement had come out immediately, and they had followed up with concrete examples of change months later, that would have been great. If they had waited six months and come up with a statement that firmly placed the responsibility of change on Joe’s feet, discussed concrete changes the collective was making to deal with his abusive behavior, and took a strong stand against abuse, that would have been great. This statement is very weak, particularly considering that Joe’s abuse has been known for years.

There have also been a number of incidents and issues that have come up since I made my request for a public statement that have contributed to my decision to not work with Microcosm anymore:

- I had asked that a public statement be made or that each collective member contact me with a statement about their beliefs. I received two statements, both of which referred to problems between Joe and Alex; neither called it abuse.

- Joe wrote a statement about his behavior, which I found extremely disturbing. Among other problems, it was very minimizing of Alex’s experiences of abuse, and minimizing of the extent of his current manipulative behavioral problems.

- I had a number of business discussions with people at Microcosm, where the communication was unclear and I felt like I was being manipulated.

- I was told by someone at Microcosm that they were unclear what exactly Microcosm would need to do for me to continue working with them. This was months after I had made these conditions known. Often, in accountability situations, the perpetrator and the people who benefit from continued friendship/relationship with the perpetrator want to know exactly what needs to be done to fix it. This need for an exact recipe puts the burden back on the survivor/people who support the survivor.

All of these things have added to my feeling that the collective is not taking Joe’s abusive patterns seriously.

I would like to take this chance to clear up some misconceptions about the accountability process I was involved in with Joe:

In late 2009, Joe told me that he had been in intensive therapy, had changed, and had no way of clearing his name. I helped set up an accountability team that was designed to confirm that Joe had recognized and changed his behavior; to help him deal with rumors, and to help him make amends. It was not designed to be a full accountability process.

Early on, it became clear that Joe still had very abusive/manipulative behaviors and that he was unwilling to own up to most of it. Joe had lied about the level of changes he had made. Because of this, the accountability process was disbanded.

I am disgusted by Joe’s abuse of his former partner, disgusted by his continuing manipulative behavior. I do not think he has even begun to make the kinds of fundamental changes necessary. I take abuse very seriously and while I think there are some people in Microcosm who are committed to working for a world without abuse, I also think there is complicity within the organization. I have been disturbed by my recent interactions with people working at Microcosm. I am glad they made a public statement, and that they have a counselor helping them deal with internal issues but am skeptical about their priorities, since they have not posted their public statement on their website. I feel mistrustful of the organization. I have a hard time not thinking that most people just signed on to the statement, hoping to save their pants. I understand that they have been working to be more transparent. I hope that they are able to change. I, however, will not be working with Microcosm any longer.

There's a ton of new zines in the distro! doris distro
Fifteen

if you want a story that will make you suspicious of every teenager you meet!" This is the best written zine I've read in awhile. It's Mia's first zine. She wrote it when she was 15. I'm not sure if it's truth or fiction, but it's really good, disturbing, bitter. sex, drugs, getting locked up, the hypocrisy and blindness of adults, and of herself. Not for the light-of-heart or the easily offended.

I Just Don't Know What To Do With Myself:a series of rants

another great zine by Mia (of Fifteen zine). This one is about being mixed race. Articles about hair, and the lack of representation in the media, dealing with racism and stereotypes, and more. Really good!

Brainscan #26:so what's the deal with you and Microcosm

If you've been wondering what the problems with Microcosm Publishing are, this zine lays out Joe Beils abusive behaviors, failed attempts to hold him accountable, and what can be done about it.

Cometbus #54: in China with Green Day

Aaron goes on tour with Green Day to China! Epic. More than a travel zine. The part I liked best was talking about how selling out is judged, but people just giving up their creative lives and doing nothing really worthwhile is not judged.


Adorn #21

very intense and brave zine about rape, abusive relationships and drug abuse, and becoming sober. There are sweet lists of good things in her life between the painful recollections and despair.

No Better Than Apples #7

really pretty zine, beautiful drawings and layout. I've been missing this kind of zine. a fragmented journey into her life that leaves you wanting to know more. love and tour and unresolved family demons. The helpless feeling of trying to take care of a sick mother. I know this feeling, and how alone I felt in it, how much of a secret it seemed. There is a story in here about visiting one of my all time favorite authors, Kate Millett! There's just so much in this thick little zine.

All Things Ordinary #4

A sweet zine, mostly of letters to people in his family telling them how much they mean to him. It's so nice. I wish we all did this kind of thing more often.

The Apple Pickers Union #2: Tow Chain: A monologue about my Experiences at Camp Trans 2010

Pissed off, funny and intense zine written by Curious Jane, who was an organizer of Camp Trans (outside the Michigans Women's Fest, which is/was a "women born women" space - I think they might have a don't ask don't tell policy now, I can't remember for sure.)
This zine kicks ass! It is partially about a situation that happened at the camp, where a tow truck driver threatened the Camp Trans people with a Tow Chain. I mean scary threatening, and the security at Mich.Fest defended the Tow Truck dude. This zine is a scathing critique of Patriarchy, Second Wave Feminism, and "community".

Snarlas will be playing May 24 in Columbus at the 15th street house, and May 30 in Athens OH at the Smiling Skull. Also, there's a Girls Rock Camp benefit show May 27 at Subama Women's Land, near Athens. It's women only trans inclusive. We'll be in Chattanooga TN for Do You Hear We Fest, June 3-5!

More new zines in the distro doris distro

!!!!!!!!!!Featured Music of the Season!!!!!!!!!!
Wild Miners CDR
singer/songwriter, sultry, beautiful singing. She's in a band called Octopus and Owl now, which should be on tour this summer, so check it out. click here
listen to wild miners

Shotgun Seamstress #5
A zine by and for black punks, queers, feminists, artists, musicians. Articles about bands Death and ESG, interviews with DJ Soul Sister, Aye Naico and Kicktease. plus a critique of corporate sponsored Afro-punk

Rad Girlz: my struggles with sexism, racism and violence
looking personally and critically about how sexism and violence have shaped her life. what it means that all white people are racist, what it mean politically and in her life. She talks about being queer, trying to reclaim her sexuality, dealing with eating disorders and cutting.

When the Crash Meets Something Solid #6: organs of voice and respiration
deals with time spent in the sex industry, drug addiction and recovery and being a mother. Poems and stories and journal entries.

The "T" Word: pass the mission
a zine made by Tranzmission about all kinds of stuff - How to be a good ally, language definitions, poems, personal stories, flyers from events, questioning DIY ethics in the Trans Liberation Movement, transexual prisoners, and reading recommendations. Procededs go to Transmission Prison Books Project

When the Crash Meets Something Solid #007: Widowmaker
continuation of the story of sexindustry and addiction. This one has a section on an abusive relationship she got out of in 2009.

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♐ Sagittarius - Archer (Thighs)

Seeds planted now will do poorly and yield little.