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DUE TO DEMAND... 'SONGS OF A LOST WORLD' (DELUXE EDITION) IS NOW AVAILABLE TO DOWNLOAD UNTIL MIDNIGHT TONIGHT. PLEASE BE SURE TO CHECK EMAILS & DOWNLOAD TO HEAR THE FIVE EXCLUSIVE LIVE TRACKS AT TheCure.lnk.to/WorldwideDeluxe

Update: also debuts at #1 in Scotland, Germany and on these other UK charts - Vinyl, Record Store, Physical Albums and Album Downloads. #3 in Ireland.

From Official Charts:

The Cure's Songs Of A Lost World becomes band's first Number 1 album in 32 years

The band's 14th studio LP outsells the rest of the Top 5 combined to reach the summit

By Carl Smith

The English rock legends, whose current line-up comprises Robert Smith, Simon Gallup, Roger O’Donnell, Perry Bamonte, Jason Cooper and Reeves Gabrels, last topped the Official Albums Chart with 1992 record Wish. 

16 years in the making, Songs Of A Lost World outsells the rest of the Top 5 combined to reach the summit, and earns the group a 23rd Top 40 album overall.

Reacting to the news, The Cure’s Robert Smith says: 

“It is enormously uplifting, genuinely heartwarming to experience such a wonderful reaction to the release of the new Cure album. 

“To everyone who has bought it, listened to it, loved it, believed in us over the years - THANK YOU!”

Song Of A Lost World also tops the Official Vinyl Albums Chart, the week’s biggest seller on wax, and the Official Record Store Chart, proving the most popular LP of the past seven days in independent UK record shops. 

The record’s release reignites interest in The Cure’s back catalogue, too. 2001’s Greatest Hits returns to the Top 40 for the first time in five years, vaulting 76 spots (30).

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From The Cure:

SONGS OF A LOST WORLD IS ALBUM OF THE WEEK ON @BBCRADIO2. TUNE IN THIS WEEK TO VERNON KEY & OJ BORG TO HEAR TRACKS FROM THE ALBUM

From Variety:

From Food & Wine:

On the genius of The Cure's Robert Smith

"Disintegration is one of my favorite albums. Young people listening to this podcast right now, are like, 'What the f--- are they talking about?' It's the 'Friday I'm in Love' guys. Check it out. 'Just Like Heaven' is a perfect pop song. It is like carbon on the periodic table of perfectly executed, joyous, catchiest, most perfect things. 'Pictures of You' is probably one of the most tragic pop songs ever written, and it's perfect. 'A Forest' — I remember when Nouvelle Vague covered that, and I was just like, 'Oh my gosh.' I don't know why The Cure doesn't get more recognition for how important they were.

To go from punk into New Wave, into — I think at any moment if Robert Smith wanted to, he could be like, 'I can write the poppiest song of all time.' Like Kurt Cobain, where it's just, 'I can do this all day long. But I'm going to put sandpaper in it and make your brain turn upside down.' But then you're like, 'What just happened to me?'"

This month's nycdevops meetup speaker is Nathen Harvey of Google, who will give a talk titled "Introduction to Site Reliability Engineering".

The talk starts at 5pm sharp! (NY is in US/Eastern)

Please RSVP! See you there!

https://www.meetup.com/nycdevops/events/272956481/

(This is a virtual meetup. Everyone around the world is invited!)

https://softwareengineeringdaily.com/2021/07/22/stack-overflow-for-teams-a-centralized-knowledge-sharing-and-collaboration-platform-with-tom-limoncelli/

If you've ever googled a CS or programming question, you likely found an answer (or many) on Stack Overflow. Founded in 2008 and named after a common computing error, Stack Overflow empowers the world to develop technology through collective knowledge. More than 100 million people visit Stack Overflow every month making it one of the 50 most-visited websites in the world. Stack Overflow's products include its market-leading knowledge sharing and collaboration platform, Stack Overflow for Teams, in addition to Stack Overflow Reach & Relevance, which is focused on advertising.

Stack Overflow for Teams is a knowledge sharing and collaboration solution that developers and managers already know and trust. It's for companies who need to increase productivity, decrease cycle times, accelerate time to market, and protect institutional knowledge. In this episode we talk with Tom Limoncelli, a manager at Stack Overflow, author, and tech advocate.

Listen to the podcast by clicking here!

Twenty years ago the first edition of The Practice of System and Network Administration shipped! Since then there has been a 2nd and 3rd edition (2006 and 2014), plus a sequel book The Practice of Cloud System Administration, and many printings. (see the timeline here)

When we started the project we had no idea if it would be a success. There was a real chance it could be a flop. Many people told us that our proposal was illogical: How could you have a book about system administration that is vendor agnostic and talks about process and people instead of specific tools and operating systems? Well, to be honest, we took a deep breath and started writing anyway. It took 2+ years but in Sept/Oct 2001 the book finally shipped!

Instead of a flop, the reaction we got was very positive! It has sold tens of thousands of copies. Many universities have used the book and its future editions as text books. It received the Usenix LISA Outstanding Achievement Award. One DevOps pundit told me she considers it to be "the first devops book" which was quite humbling.

When I visited Google in 2004 (a year before I considered joining) I was told everyone in the "systems operations" team was given a copy on their first day. The person giving me a tour then took me to a supply closet with 30 copies awaiting to be distributed to new hires.

However the real satisfaction comes from how it has helped others. Fans have related many heartwarming stories. Many fans have told us they felt like reading the book was a turning point in their life, that the book "turned me into a professional system administrator".

To thank our readers, our publisher is offering a special deal: 45% off the latest editions now until Oct 31, 2021 What? You still have the 2nd edition and haven't seen the dozens of chapters of new material in the 3rd edition? Or maybe you haven't heard of our Cloud book? Now is your chance to get the 3rd edition or the cloud sequel!

• Use this link: https://informit.com/tposa
• Use this coupon code: TPOSA

Thank you to everyone that gave us feedback on the early drafts! Thank you to all our readers! This book changed our lives and we hope it changed yours too!

P.S. We would love to hear from you! Please post a comment with reflections on the book.

Getting hit with one hurricane is bad enough, but new research from Princeton Engineering shows that back-to-back versions may become common for many areas in coming decades.

A Princeton-led team of astrophysicists has measured a surprising value for the “clumpiness” of the universe’s dark matter.

Princeton chemists used MacMillan's µMap, a molecular mapping technology, to watch tiny changes in a DNA-protein complex called chromatin — essentially, an architecture that allows for the compaction of DNA — in the presence of genetic mutations associated with cancer.

Research by Princeton scholars at the Atacama Cosmology Telescope collaboration has culminated in a significant breakthrough in understanding the evolution of the universe.

Sugar gliders and bats are about as distantly related as any two mammals on Earth, but new Princeton research shows their wings are formed from the same genetic ingredients. 

The Princeton professor's research follows elephants, wolves and urban lizards. He hosts the new PBS series, "Human Footprint."

The landmark 2022 Inflation Reduction Act (IRA) has committed nearly $400 billion to mitigating climate change. Nine research teams across the U.S, including a Princeton team led by Jesse Jenkins, have now modeled the law's effect on U.S. carbon emissions.

SPIA’s Andrew Guess and research colleagues used de-identified data from Facebook and Instagram to explore how changes in the way content was delivered affected people's attitudes and behavior.

Princeton's Jesse Jenkins on the new momentum in clean energy, and big challenges left to solve.

The world wastes enough food to feed a billion people. A collaboration between Princeton and Microsoft Research is engineering a 6G wireless sensor to be part of the solution.

Princeton's 'extremely supportive' environment for new ideas laid the foundation for an aha moment about a toggle switch in the fruit fly brain. Do humans have one, too? 

Two NASA telescopes helped an international team of astrophysicists peer far enough back in time to gain new insight on how black holes form.

The scientific feat is also "a breakthrough for practical applications because entangled molecules can be the building blocks for many future applications.” says physicist Lawrence Cheuk.

New paper from Princeton team challenges the conventional wisdom of superconducting quantum transitions.

In the field, digital technology saves immense amounts of time and limits fruitless digging. In the classroom, VR recreations help bring the past to life.

Modern humans and Neanderthals interacted over a 200,000-year period, says geneticist Joshua Akey.

Events this fall include a sold-out conversation with Icelandic-Chinese recording artist Laufey.

An international team of researchers and gamers, led by Princeton’s Mala Murthy and Sebastian Seung, mapped every neuron and every synaptic connection in an adult fruit fly's brain, building a comprehensive “connectome” that represents a massive step toward understanding the human brain.

Decision informed by report of the CPUC Committee on Naming.

A commitment to the liberal arts is at the core of Princeton University's mission. A new cohort of outstanding postdocs has joined the Society of Fellows for three years of teaching and research.

The 9 a.m. service on Monday, Nov. 11, will also be livestreamed.

He reflected on literature, compassion, belonging, home and the "qualities which make us human."

This is me, preparing for an evening of copyediting articles for The Pomegranate: The International Journal of Pagan Studies. There is in fact a small shrine within arm’s length of my desktop computer, but I usually don’t have so many … Continue reading →

I blogged here before about things disappearing in my house — kitchen utensils, corkscrews, keys, etc. (See “Pixie Problems, or Working Things Out with the ‘Cousins’ (1)” and Part 2, Part 3, and Part 4.) Things have been better since then. … Continue reading →

The New York Post had two articles recently on apparent animal sacrifice in the Jamaica Bay area of Long Island (politically in both Brooklyn and Queens). “Animal Sacrifices on the Rise in Queens with Chickens, Pigs being Tortured in ‘Twisted’ … Continue reading →

Register here for the live cast I am not a Pagan teacher, Witchcraft influencer, or anything like that. Usually i see myself as the person approaching a panelist at an American Academy of Religion session, saying, “Would you consider turning … Continue reading →

Let the velvet-voiced Dr. Puca explains how the festival of Samhain gained its present form — and remember, Samhain is a season, a -“tide.”

If you're a Beadlust reader, you know I worked for three years (more than 1,300 hours) to hand piece, hand embroider, and hand quilt Mama's Garden, with 4,700 3/4-inch hexies, a true labor of love. A big push this spring got it finished in time to enter into the International Quilt Festival in La Conner, WA. Hooray, hooray, the judges accepted it into the show!!!!

This coming weekend, October 2-4, all you quilting enthusiasts will find it rewarding to make the effort and get to La Conner (WA) for the Festival, where you will see an excellent selection of quilts and fiber arts, plus a variety of interesting vendors! Here is the information. Head first for Maple Hall, a huge 2-story building, filled with quilts, at the corner of 1st Street (the main drag) and Douglas Street! Bring your camera, because photos are allowed (at least in the past they were).

What do you think? After all those hours, would it be crazy to even THINK about making another hexie quilt, another one with 3/4-inch hexies? Well, then I guess I'm crazy, because the irresistible call of the hexie hooked me again. And why not re-use the same paper pieces?

This one will not be traditional, and will definitely NOT be hand quilted. It will be hand pieced, using small left-over fabrics (I refuse to call them scraps), cotton prints (but not batiks). I have no idea how I will arrange them, how big it will be, or anything else about how this new project will develop.

The first step was to cut out sets of  2" x 2" squares (6 per set) to make flower petals. So far, I've cut about 130 sets. Here are 80 of them, ready to baste onto the 3/4" paper hexie pieces.

From very small pieces, I cut single 2"  x 2" squares to make flower centers. These I've already basted to the paper hexie pieces.

After basting some of the petals and centers, I started choosing centers for the petal sets. This part is fun! I enjoy "auditioning" various centers until one of them seems right. I'm avoiding high value contrast between petals and centers, because I might want to do a color study with them (no borders).

When the urge gets really strong, I allow myself to start stitching the hexies together to make flowers.

This quilt will probably have about 650 flowers! I've cut 130 so far, each different. I cut flower petals from all of my small pieces, every one. My preference is to have all 650 flowers different.

Sooooooo, if YOU have some small fabric pieces you'd be willing to donate, I'd love to have part of you in my quilt. This is what I need:

The quilting community is awesomely generous!!!  Thanks to all who have sent me scraps for making hexie flowers:


I really understand and appreciate that it takes time to sort through your scraps, selecting some that you feel might work for me, packing them to send, getting them to the post office. In some cases, you even took time to cut them into 2" squares for me... WOW! Bless your hearts!

The most interesting thing is that all the fabrics I've received so far are ones I might have picked myself, yet so far there are no duplicates. As of Oct. 19th, I have cut petal sets for about 650 flowers (from my own scraps and fat quarter stash, as well as scraps I've received from other quilters), all of them unique! That's about 90% of what I need to make the quilt, and certainly enough to keep me busy for a looooooong time. It will probably take me a year or so to baste and stitch all of the flowers, although I admit to going at it with a lot of gusto.

My brother, Thom Atkins, is a very talented quilt and bead artist!

He's written a popular book about how to make beaded quilts.


Recently he sent me a wonderful birthday present - a box of his scraps to use for making hexie flowers for my in-progress, hand-pieced, hexie quilt. Forty-nine different fabrics makes quite a stack of flowers.


Here they are again, this time arranged on a flat surface (click photo to enlarge for details). It's way fun to play with the flowers, re-arranging them in different ways, re-stacking them, and then spreading them out again.


All the while I was cutting, basting, and stitching these flowers I was thinking about Thom, about our history and our mutual love of stitching. I recognized most of the fabrics. One was in a quilt we made 19 years ago for our mom's 80th birthday. Some were from blouses, dresses, shirts he made for himself and his wife. Some were from pillows and other home decor he made for their home. Some were from his early quilts. Most of them brought up a ton of memories for me!

I always like (and sometimes love) things that Thom makes, and yet I've also noticed when we are in a fabric store together, we do not gravitate toward the same fabrics. I wouldn't have guessed that I would use almost every one of the fabric scraps he sent. There were a few that were too glitzy, had a stronger metallic look than I like. But 90% or more could have come from my own stash. That's how much I like them.... leaving me to conclude that we are more alike than I thought.


Here we are as kids... book ends.  Me 16 months older than him.

What's it like when brother and sister, close in age, are both quilters and beaders, both of us entering our quilts in shows, both of us teaching workshops and writing books?

Are we competitive?

A little, but not very much in my opinion. I admit to being a little "nervous" when he took up bead embroidery a few years after I make it the focus of both my art and my career. In artistic matters, he has a quicker learning curve than I do, rapidly achieving excellence in any medium he tries.

The fact that he likes bling and representational, while I like matte and symbolic, makes our work look different, which helps. We're also very different in our approach to quilt designing. While I am heavily influenced by traditional quilts, his quilts are all "art quilts." Most of his are heavily beaded, while mine are mostly not. Right from the start, he usually has a complete "picture" in his mind of what his quilt will look like when finished; whereas I rarely have a clue what mine will be like until I'm nearly finished with it.

Nor have we had issues with our teaching. I mostly teach beaders, emphasizing bead embroidery techniques rather than projects. He mostly teaches quilters, concentrating on methods for sewing beads onto quilts. There are enough teaching opportunities for both of us to accept as many gigs as we can handle.

What's the best thing about our mutual passions for beading and quilting?

Well, we talk on the phone for hours at a time about our current projects. Our conversations would bore everybody else in our families to death, but for us it's exciting to share our ideas, challenges, and victories. We do it often! It seems each of us has always respected the artistic sensibility and skills of the other. It's great to have somebody you can count on to say, "That's really wonderful," when you show them your latest work.

We also share information about photography, opportunities for showing our quilts, inspirations, promotion of our books, and countless other related things. We help each other to solve problems and to grow artistically.

It seems pretty ideal; was it always like that?

If you've read my first book, One Bead at a Time, available here as a free download, you know that Thom grew up favored to be the artist in the family, showing his talents at a very early age. My bend was more academic, although I had no clear pathway. After majoring in art in college, Thom rapidly became established as an artist. After majoring in English and psychology, I muddled around in a couple of careers for many years. I didn't discover my passion for beading or start to think of myself as an artist until I was 46 years old. Until then I always admired Thom's art, but didn't relate directly to him about it. I'm glad it is different now; glad we are both talented and creative... together!

Oh dear, I'm sorry to have neglected posting here for so long. Although many suitable topics and photos have passed through my mind and camera, there just hasn't seemed to be a nice chunk of time available for putting it all together. Today is the day to begin again!

Inspired by Alice, by Marilyn Lidstrom Larson of Willow City, ND (detail of border)

For the past two months, it's been all about quilts and quilting for me, with beading taking a bit of a back seat for a while. My quilt and travel buddy, Lunnette, and I flew to Ontario, California for The Road to California, which is a ginormous quilt show with more than 1,000 quilts on exhibition and over 200 vendors. We gawked (and spent all of our allotted budget) for 3 whole days, barely noticing our fatigue and sore footies.

There are several intriguing subjects to cover, inspired by our experiences there. Today's post is about traditional applique and machine quilting.

Inspired by Alice, by Marilyn Lidstrom Larson of Willow City, ND photo credit (for this photo only): Road 2 CA

Inspired by Alice, by Marilyn Lidstrom Larson, detail showing back

Inspired by Alice, by Marilyn Lidstrom Larson, detail of center

Inspired by Alice, by Marilyn Lidstrom Larson, detail of center quilting

Inspired by Alice, shown in the photos above, won the first prize of $1,000 in the Traditional, Wall, Applique category of the main (judged) exhibit! Take a moment to study the pictures, click on them to enlarge them, notice the way the applique and machine quilting compliment each other. Also think about what this might have looked like if the maker, Marilyn Lidstrom Larson, had hand-quilted her work the way Alice, her grandmother (and inspiration for the central portion of the quilt), would have done. I love this quilt, totally love it, and believe it deserved the award it received.

At the same time, it saddens me that in all the juried/judged shows I've seen (and entered) recently, there is no category specifically for hand sewn quilts... quilts which are hand-pieced, hand-appliqued, hand-embroidered, and/or hand-embellished, and finished with hand-quilting. Nope, hand-sewn quilts are judged right along with machine-sewn quilts. In my observation, machine-quilted pieces are the ones that win almost all the prizes, even in the traditional categories. Why is that? Is hand-quilting considered passe, a thing of our grandmothers' time? Is it because machine-quilting has more pizzazz in the viewers' and makers' eyes? Is it because the machine manufacturers are huge financial supporters of these shows and providers of much of the prize money? Is it because the machine manufacturers run the training programs for judges?

OK, let's look into this subject a bit more. Later, I'll tackle the subject of the influence of the machine manufacturers. For now let's consider this question:

Does machine-quilting enhance quilts that are otherwise hand-sewn?

Kenneth Strother Jr., director of operations in Princeton University's Department of Public Safety (DPS), has been named assistant vice president for public safety, effective June 1.

Gilbert Harman, the James S. McDonnell Distinguished University Professor of Philosophy, Emeritus, died at his home in Princeton on Nov. 13 after a long illness with Alzheimer’s. He was 83.

The new producing artistic director of the theater and music theater season at the arts center sat for an interview for our ‘What I think’ series.

Eric Franklin Wood, a world-renowned hydrologist who did groundbreaking work in drought prediction and served on the Princeton faculty for 43 years, died from cancer in Brooklyn, New York, on Nov. 3. He was 74.

Jacques R. Fresco, the emeritus Damon B. Pfeiffer Professor in the Life Sciences and an emeritus professor of molecular biology, died on Dec. 5. He served on Princeton's faculty for 53 years before retiring in July 2013.