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BEETHOVEN, L. van: Piano Concertos Nos. 2 and 6 (fragment) / Piano Concerto, WoO 4 (S.-M. Vetter, Hamburg Symphony, Ruzicka) (OC1710)




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BEETHOVEN, L. van: König Stephan / Leonore Prohaska (excerpts) (The Key Ensemble, Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574042)

Aside from his only opera Fidelio, Beethoven’s general link with the theatre in Vienna came about largely with incidental music or songs to be inserted into the works of other composers—insertion arias. König Stephan was written to celebrate the politically significant opening of a new theatre in Pest, its triumphant mood honouring the ruling Austrian Emperor. Standard-bearer of female heroism Leonore Prohaska is commemorated with a Soldier’s Chorus and a Romance with harp accompaniment. In Friedrich von Matthisson’s poem Opferlied (‘Sacrificial Song’), a young man prays to Zeus to bestow upon him beauty and goodness in youth and old age. Two of Beethoven’s four settings are heard on this wide-ranging programme.




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BEETHOVEN, L. van: Fugues and Rarities for String Quartet (Fine Arts Quartet) (8.574051)

The string quartets of Beethoven are among the greatest works of their kind, but he composed other works for quartet which have been neglected. This album is dedicated to these intriguing rarities. Alongside the wild and monumental Grosse Fuge, in many ways the culmination of Beethoven’s achievements in the string quartet genre, this recording further displays his mastery of counterpoint by bringing to light brilliant yet forgotten original versions of his quartets Op. 18, No. 1 and Op. 131, plus six virtually unknown miniatures, including his Preludes and Fugues.




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BEETHOVEN, L. van: Celebrate Beethoven - Symphonies and Orchestral Music (9.30209)




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BEETHOVEN, L. van: Ruinen von Athen (Die) (The Ruins of Athens) (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574076)

Die Ruinen von Athen (‘The Ruins of Athens’) was composed to celebrate the opening of the new German theatre in Pest in 1812. Designed to accompany the play of that name by August von Kotzebue, its incidental music is substantial enough to form a kind of one-act Singspiel and is full of attractive arias, duets and choruses and includes the famous Turkish March. Though the work’s theme was rooted in Greek mythology, in reality it was explicitly political in nature, celebrating Pest as ‘the new Athens’. This is the first ever recording of the work with full narration.




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BEETHOVEN, L. van: Piano Pieces and Fragments (Gallo) (8.574131)

Including premiere recordings, this programme provides us with a privileged opportunity to engage with 36 of Ludwig van Beethoven’s rarely heard sketches, variations and briefest of compositions, even the earliest of which have much to teach us about the emergence of his unique voice and style. The range of Beethoven’s musical experimentation reveals a lasting interest in counterpoint, as well as practical pages such as cadenzas for a Mozart concerto, an incomplete sonata and a second version of the famous bagatelle Für Elise. A significant supplement to his greatest works, these miniatures bring the full arc of Beethoven’s singular genius into ever clearer focus.




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BEETHOVEN, L. van: Celebrate Beethoven - Music from His Middle Compositional Period (9.30206)




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BEETHOVEN, L. van: Celebrate Beethoven - Concertos (9.30210)




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BEETHOVEN, L. van: Cantata on the Death of Emperor Joseph II / Cantata on the Accession of Leopold II (Chorus Cathedralis Aboensis, Segerstam) (8.574077)

By the time of Emperor Joseph II’s death in 1790 Beethoven was a member of the court musical establishment in Bonn. To mark the occasion, Beethoven was commissioned to write two cantatas, one to mourn Joseph’s death and the other to celebrate the accession to the throne of Emperor Leopold II. Although Beethoven was only 19 years old at the time, both works show the embryonic marks of his greatness: intense expression and control of structure in one, and an almost operatic panache in the other. Neither piece was performed during Beethoven’s lifetime.




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BEETHOVEN REIMAGINED (G. Prokofiev, BBC National Orchestra of Wales, Segal) (8.574020)

2020 is the 250th anniversary of Beethoven’s birth, and this album presents three works that reshape the composer’s awe-inspiring music for the 21st century. The Sonata for Orchestra considers how the Violin Sonata No. 7 would sound had it been written for orchestra, while A Fidelio Symphony transforms vocal lines into symphonic textures to take us through the entire arc of the composer’s sole opera. Based on the famous Ode to Joy of Beethoven’s final symphony, BEETHOVEN9 Symphonic Remix uses loops, grooves and musical transformations to create a contemporary tribute to Beethoven’s universal message.




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Podcast: Ludwig van Beethoven. Music from his late compositional period. (Apr 24, 2020)

BEETHOVEN, L. van: Celebrate Beethoven – Music from His Late Compositional Period (c.1815–1827) 9.30207 Raymond Bisha introduces the latest release in the Naxos Beethoven anniversary digital album series. Ranging from a solo piano to the huge resources required for his final symphony, the programme comprises ten works that define the last ten years of Beethoven’s creative life, exemplifying his ever more technically c ...more




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Podcast: The symphonies of Ludwig van Beethoven (Feb 13, 2020)

BEETHOVEN, L. van: Celebrate Beethoven – Symphonies and Orchestral 9.30209 Raymond Bisha presents an overview of Beethoven’s nine symphonies as a companion resource to the first of Naxos’ monthly digital albums presenting the music of Beethoven in this 250th anniversary year of his birth. January’s compilation album (9.30209) spotlights the symphonic journey and stylistic progression from Beethoven&rs ...more




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Podcast: Ludwig van Beethoven. Works from his middle years. (Feb 28, 2020)

Celebrate Beethoven – Music from His Middle Compositional Period 9.30206 Raymond Bisha presents an overview of works written by Beethoven during his middle years period. It’s a companion resource to the latest release in Naxos’ monthly digital album series featuring the music of Beethoven in this 250th anniversary year of his birth. February’s compilation album (9.30206) presents a programme of wo ...more




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Podcast: Ludwig van Beethoven–the concertos (Mar 27, 2020)

BEETHOVEN, L. van: Celebrate Beethoven - Concertos 9.30210 Beethoven’s concertos enjoy the spotlight in this podcast from Raymond Bisha. It serves as a companion resource to the latest digital album in our series marking the 250th anniversary of the composer’s birth. The technical and musical demands Beethoven makes of his concerto soloists shine centre-stage in this compilation of wonderful performances of movements from his ...more




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Piano Recital: Gulda, Friedrich - BEETHOVEN, L. van / BACH, J.S. / SCHUBERT, F. / COUPERIN, F. (The Stuttgart Solo Recitals) (1966-1979) (SWR19081CD)

International Piano, May 2020

View PDF  




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Piano Concertos - MOZART, W.A. / BEETHOVEN, L. van / HAYDN, J. (Gulda, Keilberth, Müller-Kray, Rosbaud) (1959-1962) (SWR19088CD)

International Piano, May 2020

View PDF  




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BEETHOVEN, L. van: Piano Quartets, WoO 36, Nos. 1-3 (The Young Beethoven) (Lüthi, Sonoko Asabuki, A. Foster, Miucci) (CDS7854)




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BEETHOVEN, L. van: Symphonies (Complete) / Missa Solemnis (Vienna Philharmonic, Dresden Staatskapelle, Thielemann) (4-Blu-ray Disc Box Set) (749904)




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NEUMEIER, J.: Beethoven Project [Ballet] (Hamburg Ballet, 2019) (NTSC) (753608)




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NEUMEIER, J.: Beethoven Project [Ballet] (Hamburg Ballet, 2019) (Blu-ray, HD) (753704)




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BEETHOVEN, L. van: Symphonies Nos. 1-9 (Warsaw Philharmonic Choir and Orchestra, Kord) (CDAccordACD075)




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BEETHOVEN, L. van: Symphonies (Complete) (Stuttgart Radio Symphony, Norrington) (SWR19525CD)




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BEETHOVEN, L. van: String Quartets Nos. 13 and 15 / Grosse Fuge (Tetzlaff Quartet) (ODE1347-2D)




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BEETHOVEN, L. van: Mass in C Major / Vestas Feuer / Meeresstille und Glückliche Fahrt (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574017)

The custom of marking the name-day of Princess Esterházy with a newly composed Mass began in the 1790s and for many years was carried out by Joseph Haydn. In 1807 Beethoven was commissioned and responded with his Mass in C major. Coolly received at court, it is a celebratory work of large-scale brilliance. The cantata Meeresstille und glückliche Fahrt is set to Goethe’s poems and contrasts calm with exuberance. In 1803 Beethoven set two numbers from Vestas Feuer, written by Emanuel Schikaneder, the librettist of Mozart’s Die Zauberflöte.




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BEETHOVEN, L. van: Chamber Music - Piano Quartet, Op. 16 / Minuets and Dances (Sofia Kim, Kroh, Segal, Sarid, IU Wind Ensemble, Dorsey) (8.574040-41)

In his first decade in Vienna, Beethoven seems to have been preoccupied with music for wind instruments. The best-known example is his Quintet in E flat major, Op. 16, which he arranged at the same time for piano quartet. He also wrote music for dances and settings of folk songs, and reflected the public’s interest in automata by writing for musical clock. The Napoleonic wars were mirrored in Beethoven’s music of the period, especially in his military compositions such as a series of Marches and the Equali, scored for trombones, which were later played at his funeral.




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BEETHOVEN, L. van: Celebrate Beethoven - Music from His Late Compositional Period (c.1815–1827) (9.30207)




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BEETHOVEN, L. van: 30 of the Best (8.578350-52)

Beethoven is regarded by many to be the greatest composer who ever lived, and this collection presents 30 essential recordings of his most well-known works. From the beautiful moods of lamentation in the ‘Moonlight’ Sonata to the amorous sophistication of Für Elise, and from the heroism of Fidelio to the mighty finale of the ‘Choral’ Symphony, every significant facet of Beethoven’s monumental achievement is represented in this collection of exemplary performances from the Naxos catalogue.




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GROVEN, E.: Symphonies Nos. 1 and 2 (Kristiansand Symphony, Szilvay) (8.573871)

Many interwar Norwegian composers tried to create a new national music by combining elements of authentic folk music with new techniques. Eivind Groven was considered one of the most innovative composers in this quest, integrating the structure of folk dances from his rural upbringing into familiar formal principles. Both symphonies make use of techniques of so-called ‘progressive transformation’, which led fellow composer Arne Nordheim to declare: ‘While others made instrumentations of folk tunes, Groven created sounds, for example in his [two] symphonies which, in my opinion, are quite unique.’




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BEETHOVEN, L. van: Symphonies / Concertos / Overtures (Cologne Radio Symphony, South West German Radio Symphony, Baden-Baden, Rosbaud) (SWR19089CD)




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BEETHOVEN, L. van: Piano Concertos (Complete) (Mustonen, Tapiola Sinfonietta) (ODE1359-2T)




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BEETHOVEN, L. van: Folk Songs (Bohnet, D. Johannsen, Klimbacher, Herzer, Christelbauer, B. Bartos) (8.574174)

George Thomson of Edinburgh, a notable promoter of Scottish music, encouraged settings of his nation’s folk songs. In particular, he found a rich source of arrangements in Vienna, where he commissioned first Haydn and then Beethoven to set a large sequence of poems, including those of Robert Burns and Sir Walter Scott. Thomson envisaged simple works, agreeable to amateurs, but Beethoven found it impossible to compose within such limitations and his settings, which include Irish and Welsh songs, with the accompaniment of strings and piano, have proved perennially popular.




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BEETHOVEN, L. van: Celebrate Beethoven – Keyboard Music (9.30211)




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BEETHOVEN, L. van: Best of Beethoven (Biret) (8.504055)

“Love of Beethoven’s works threads through Idil Biret’s life like a red ribbon. Her studio recordings and live concerts show this in an unequivocal language… Next to all the Piano Concertos and the Choral Fantasy she has also performed on stage and recorded (on 19 CDs) all the Piano Sonatas and Symphony Transcriptions becoming perhaps the only artist to reach this level of completeness… This knowledge of Beethoven one hears in every nuance in Idil Biret’s playing.” – Carsten Dürer (editor) Piano News (Germany) 2021 “Idil Biret not only recorded all nine of the Beethoven symphonies in less than a year but, in a superhuman feat which astounded all those who know about music she also publicly performed all of them in four recitals at the Montpellier Festival in France. To learn and also memorise scores of such length and difficulty in such a short time is a mind-boggling achievement.” – Peter Cossé Fono Forum (Germany) 1986 “Idil Biret, who arriving in Paris at the age of seven astonished Alfred Cortot, Wilhelm Kempff and Marc Pincherle, remains a remarkable pianist who combines brilliant technical skill with the subdued touch, the interior voices, or her mentor Cortot… At her Paris recital, Beethoven’s Sonata Op. 106 Hammerklavier brought us the fighter, armed from top to toe, like a valiant Clorinde, combining the most beautiful of styles with a fabulous virtuosity.” – Le Monde (France) 1981




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Ludwig van Beethoven - The Beethoven Journey: Piano Concertos Nos. 1 & 3 (feat. piano: Leif Ove Andsnes; Mahler Chamber Orchestra)

The first step on what seems to be a joyous journey for the Norwegian pianist.




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Ludwig van Beethoven - Violin Sonatas (violin: Leonidas Kavakos, piano: Enrico Pace)

This joyous set of Beethoven's sonatas takes its place among the very best.




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Unproven stem cell treatments provide expensive last resort in families' search for hope

What's driving Australian families overseas to gamble on "magical" stem cell treatments at sky-high prices?




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Coventry Health Care of Mo., Inc. v. Nevils

(United States Supreme Court) - In an insurance class action arising in the context of the Federal Employees Health Benefits Act of 1959 (FEHBA) authorization of the Office of Personnel Management (OPM) to contract with private carriers for federal employees' health insurance, 5 U.S.C. section 8902(a) and (d), the Missouri Supreme Court's decision, preventing federal employee insurance carries from seeking subrogation and reimbursement if there is a conflicting state law, is reversed where, because contractual subrogation and reimbursement prescriptions plainly 'relate to . . . payments with respect to benefits,' section 8902(m)(1), they override state laws barring subrogation and reimbursement.




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WildEarth Guardians v. Provencio

(United States Ninth Circuit) - Held that environmental advocacy groups could not proceed with their challenge to the U.S. Forest Service's decision to permit the limited use of motor vehicles off-road in a national forest in Arizona for certain purposes. Affirmed summary judgment against the environmental groups' claims.




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WildEarth Guardians v. Provencio

(United States Ninth Circuit) - In an amended opinion, held that environmental advocacy groups could not proceed with their challenge to the U.S. Forest Service's decision to permit limited motorized big game retrieval in a national forest in Arizona. Affirmed summary judgment against the environmental groups' claims.




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MTT conducts MTT and Beethoven




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Beethoven's 9th

Michael Tilson Thomas conducts 'Seven Early Songs' by Alban Berg and Beethoven's 9th Symphony.




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Historická obec Čičmany: Světově proslulý architektonický skvost středního Slovenska

Pletení, to přece není práce pro chlapa, řeknete si. Ovšem ve slovenských Čičmanech (a vůbec v celé oblasti Horního Pováží) by mnozí nesouhlasili. Tady bývalo pletení ponožek z ovčí vlny výsostnou činností tamních bačů. V dnešní době je ovšem takový pletač nadmíru vzácný.




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Owlet Discovers Beethoven

Owlet started learning about Beethoven in music class at school just before March break. She ran to meet me at the school gate and this is the conversation we had: OWLET: Mummy, do you know Beethoven? ME: Not personally, but I know his music. OWLET: Why not? ME: Well, honey, he’s dead. OWLET: WHAT. He […]




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Видео с текстом от NOVENA

"Sail Away", новое анимационное видео с текстом от группы NOVENA, доступно для просмотра ниже. Эта песня взята из альбома Secondary Genesis, выпущенного шестого марта на Frontiers Music Srl.

Трек-лист:

"22:58"
"22:59"
"Sun Dance"
"Disconnected"
"Sail Away"
"Lucidity"
"Corazón"
"Indestructible"
"The Tyrant"
"Prison Walls" #Novena




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Ve Škodě Auto pracovali nakažení koronavirem, obnovený provoz se nezastaví

U dvou zaměstnanců mladoboleslavské automobilky Škoda Auto byla zjištěna nákaza covid-19. Podle zjištění Práva to však nebude mít vliv na nedávno obnovený provoz závodu.



  • Praha - Praha - zprávy

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Slovensku kvůli dopadům pandemie klesla úvěrová spolehlivost na úroveň A

Mezinárodní ratingová agentura Fitch Ratings snížila hodnocení úvěrové spolehlivosti Slovenska o jeden stupeň na úroveň A se stabilním výhledem. Důvodem jsou hlavně dopady koronaviru na slovenskou ekonomiku. Jde o první změnu ratingu země v době pandemie.



  • Ekonomika - Zahraniční

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Will He Get A Second Term?Donald Trump has proven himself to be...



Will He Get A Second Term?

Donald Trump has proven himself to be the most corrupt, dishonest, and incompetent president in American history. 

But despite all of the lies, abuses of power, and damage to the country – I must warn you – there’s a very real possibility he could be reelected. This doesn’t have to be the case. 

Let me explain.

Although Trump has been impeached and is one of the most unpopular presidents in modern history, he still has devoted support among his core base. Nearly 90 percent of Republicans still approve of the job he’s doing, a rate that’s held constant throughout his presidency. According to one survey, a third of Trump supporters said there was nothing he could do to lose their support.

Trump still maintains substantial support in key swing states as well. Recent polls show him neck and neck with leading Democratic candidates in the key states of Michigan, Pennsylvania, Wisconsin, Florida, Arizona, and North Carolina. Remember, Hillary Clinton won the popular vote in 2016 by 3 million votes but still lost the election because of the power of these states in the Electoral College.

Big money donors are also forking over record sums of money to keep Trump in office. In the last quarter of 2019 alone, he raked in a staggering $46 million, far outpacing any of his Democratic opponents. He now has more than $100 million in the bank, not to mention the millions raised by pro-Trump Super PACs. The GOP’s biggest donors – some of whom didn’t support him in 2016, but received massive windfalls from Trump’s tax cut – are now paying him back.  

At the same time, voter suppression is on the rise. To suppress turnout by likely Democratic voters, Republican officials have doubled down on their efforts to keep low-income and minority voters from the polls. They are intimidating immigrant voters, purging voter rolls, closing polling places, and making it harder to register in the first place. 

Florida went so far as to institute a modern-day poll tax, requiring people with past felony convictions to pay off any fines or fees before exercising their right to vote. In 2016, over 20 percent of black voting-age Floridians weren’t able to vote due to past felony convictions, and now, hundreds of thousands could still be prevented from going to the polls this November in this key state.

We are also at risk of foreign powers trying to interfere in the election, as they did in 2016. Experts warn that many states still lack the necessary safeguards to protect against interference. The FBI, Department of Justice and National Security Agency have also raised concerns that Russia, China, and Iran might attempt misinformation campaigns. I can’t believe I even have to say this, but foreign governments should not have a say in our elections.

So why am I telling you all of this? I don’t mean to scare you. And the last thing I want to do is cause you to be hopeless, and give up. To the contrary, I want you to be more determined than ever. Despite all these attacks on democracy, we have what it takes to make Trump a one-term president. But only if we remain focused and united.

It may seem daunting. We’re up against a full-fledged attack on our democratic institutions. But there is a way forward: 

We can defeat Trump and his enablers by building a multiracial, multi-class coalition. And we do that by supporting a true progressive with a bold vision for an economy and democracy that works for all Americans. That way enough voters will be inspired to show up to the polls and stop Trump’s authoritarian machine for good.

This isn’t a pipe dream. We already beat the liar-in-chief by 2.8 million votes in 2016. And the 2018 elections had the highest turnout of any midterm election since 1914 – handing House Republicans their most resounding defeat in decades. People are outraged – and we must keep fighting.

If we come together, we will prevail.




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Ken and Robin Talk About Stuff: The Apache Helicopter of Toaster Ovens

In the latest episode of their crispy-in-a-good-way podcast, Ken and Robin talk agency in the sandbox, air frying, Alphonse Bertillon, and numbers stations.



  • Ken and Robin Talk About Stuff

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Again, the Maltese judicial system is proven to have collapsed and now it also seems ridiculous



Today one can read in The Times of a man being sentenced to one month in prison and fined 233€ for illegal gambling. The fantastic and almost unbelievable fact is that the crime was committed in 2001 and the man pleaded guilty in 2002. The man had to wait ten years to be punished for a crime he had admitted almost immediately! To make this even more surprising (well, maybe not so surprising; this is probably typically for the judicial system in Malta) the judge found that the prosecution had failed to prove the allegations against the man, but, since he had admitted the crime the judge had to find him guilty. The Observer sincerely hopes that the latter is not true. In most other countries, with a more sophisticated and functioning judicial system than Malta, an admission is not enough to prove that a person has committed a crime.  When famous murders occur, quite many people come to the police and plead guilty. This is a well-known fact among Alphacriminologists. Probably and hopefully The Times has not published full details about why the judge had to find the man guilty.