The American Ingenuity Award winner describes what it takes to tell a great story

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

The sweet science behind our sense of taste

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

In the early 20th century, the medical establishment became fixated with the idea that gay people could be “cured.” To achieve this, they turned to a litany of brutal practices: from electrotherapy to lobotomies.

Ancient Greeks were endlessly fascinated by Egyptian culture, and especially the Egyptian Gods whom they saw as versions of their own. So much so that they ended up adopting Egyptian culture and customs as their own.

Obviously it's a bad idea to go out into space without a trusty spacesuit, but what exactly happens?

Gasp! The answer will amaze you. Still Image Credit: MaFelipe / iStock

[Harry Carney Home Movies], Ruth Ellington Collection, Archives Center, National Museum of American History

The Peacock Room at the Smithsonian’s National Museum of Asian Art has it all: friendship, betrayal, revenge, and… peacocks. Learn more about the iconic artist James McNeill Whistler and his shocking feud with patron Frederick Leyland in this new episode of National Treasure. --------- To learn more about the Peacock Room at Smithsonian's National Museum of Asian Art, read below: How Golden Peacocks on a Dining Room Wall Destroyed a Longstanding Friendship in Victorian Society https://www.smithsonianmag.com/smithsonian-institution/how-golden-peacocks-on-a-dining-room-wall-destroyed-a-longstanding-friendship-in-victorian-society-180984735/ Digital Editorial Director: Brian Wolly Director of Programming: Nicki Marko Supervising Producer & Scriptwriter: Michelle Mehrtens Producer & Editor: Sierra Theobald Motion Designer: Ricardo Jaimes

Not to worry—shut-eye comes easily to these aquatic mammals

Have you ever wondered how a simple shot can keep you from dying a horrible death? In this one-minute video, Ask Smithsonian’s host, Eric Schulze, unravels how vaccines boot-camp our bodies into shape, getting us ready to fight off deadly diseases.

Take a guess - the answer might surprise you

Related to rabbits and hares and adapted to high-elevation habitat, the American pika faces a bleak future as temperatures rise and snow cover disappears

Our photographer gets up close and personal with orcas in Norway. Credit: Jacques de Vos and Jeremy Goncalves with Valhalla Orca Expedition

Hungry for an answer? Host, Eric Schulze, dishes one up in less than a minute.

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

You don’t actually see microwaves, you only see what they do to your food. So how, exactly, does it warm up your lunch?

Taylor Swift and Beyoncé have achieved a degree of power in the music industry that singer/songwriters of earlier eras like Joan Baez—as the folk icon tells us—never even contemplated. Six decades ago, Baez was part of a folk revival that regarded music not merely as entertainment but as a vessel for political engagement and social change. In the documentary Joan Baez: I Am a Noise, the now-83-year-old musician and activist reflects on her career and legacy. Smithsonian senior editor Jennie Rothenberg Gritz interviewed Baez about the film and about the shifting intersection of art and activism. We present excerpts from that conversation in this episode. Then, veteran music critic Evelyn McDonnell discusses how the political dimensions of pop music have changed since Baez’s era, and what it means that many fans now look Beyoncé and Taylor Swift not just for great music, but for comment on the state of the world. Clips from Joan Baez: I Am a Noise in this episode are used with permission from Magnolia Pictures & Mead Street Films. Learn more about that film here (https://www.magpictures.com/joanbaez/) . Evelyn McDonnell’s latest book is The World According to Joan Didion (https://www.harpercollins.com/products/the-world-according-to-joan-didion-evelyn-mcdonnell?variant=41001679487010) . You can learn more about Evelyn and her work at her site, Populism (https://populismblog.wordpress.com/about-2/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Have you ever wondered why these birds strike this peculiar pose? Find out in this one-minute video, where Ask Smithsonian host Eric Schulze walks us through the reasons behind the majestic bird’s one-legged stance.

From the inventor's New Jersey film studio, the delight of cats doing things on film was discovered early in 1894

The figurative painter talks about the artistic process, his education and his influences.

Geese have known something for millions of years that humans have only recently figured out for themselves.

The team at the Ol Pejeta Conservancy needs to transport Kinani, a blind male elephant, to a 4,000-acre compound where he'll be able to roam freely without disturbing other wildlife. Weighing in at nearly eight tons, it'll take careful maneuvering and custom equipment to bring the animal to his new sanctuary.

Feel a sneeze coming on? Don’t hold it in! In this one-minute video, our Ask Smithsonian host, Eric Schulze, explains why we sneeze.

From decorative urns and plates to chandeliers, the Corning Museum of Glass features glass blown items from today to as far back as ancient Egypt.

Have you ever wondered why Yellowstone is full of hot springs, bubbling mudpots and geysers like Old Faithful? In this one-minute video, Ask Smithsonian host Eric Schulze explains the supervolcano that lies beneath this national park and answers the life-or-death question: Will it erupt in a fiery inferno anytime soon?

Archaeologists uncover an exciting find: a tomb that predates most of the others in the area by around 2,000 years. Inside, is a series of perfectly preserved inscriptions on a panel known as a "false door’."

The 6888th Central Postal Directory Battalion was the only unit comprised entirely of Black women to have been deployed overseas during World War II, and it had served a critical function: clearing the backlog of mail that marked the only line of communication between American soldiers in Europe and their loved ones back home. In this episode, we speak with retired Army Colonel Edna Cummings, who made it her business to get the 6888 their belated recognition, and with Smithsonian magazine senior writer Jennie Rothenberg Gritz, who wrote about Col. Cummings' quest (https://www.smithsonianmag.com/history/how-all-black-female-WWII-unit-saved-morale-battlefield-180981540/) for the March 2023 issue of Smithsonian. NOTE: In the interval since we recorded our interview with Col. Cummings, another veteran from the 6888 has died. With the passing of Crescencia J. Garcia last month at the age of 103, there are now five women who served in the 6888 during World War II who remain alive. Learn more about the women of the 6888th Central Postal Battalion at the Women of the 6888th site (https://www.womenofthe6888th.org/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Reclining and dining in the ancient classical world

Autodesk vice president Brian Mathews talks with the NASA science communicator about the search for life on other planets and why it’s important

The science behind rat zombies

The Chicago White Sox were heavy favorites going into the 1919 World Series. But they were defeated by the Cincinnati Reds - and it soon became clear that the game was rigged

In 1913, British Royalty would come in direct contact with a changing social order, thanks to a suffragette named Emily Davison. Her death at Epsom Falls would send shockwaves through the nation.

Explore the lesser-known details of the founder’s childhood, home life and career and gain a deeper understanding of his contributions to the United States. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

It's been helping humans in myriad ways for over a million years, our host Eric Schulze has more

Read more about Thomas Jefferson: http://j.mp/w07Y8G At the turn of the 18th century, Americans learned what their leaders looked like through paintings and drawings, explains a historian at the National Portrait Gallery

Garrison Brothers use local ingredients and antique machinery to create the smooth spirit

The science of earwax in under a minute

In this clip from the documentary, see how Cassady embodied the spirit of Jack Kerouac's iconic character from On the Road

For over 80 years, the Scurlock photography studio catalogued the lives of the black middle class of Washington, D.C (The exhibit, The Scurlock Studio and Black Washington: Picturing the Promise, is on view at the National Museum of American History through November 15, 2009. Thanks to Lonnie Bunch, Director of the National Museum of African American History and Culture, which co-organized the exhibit). Read more at http://www.smithsonianmag.com/people-places/The-Scurlock-Studio-Picture-of-Prosperity.html

In the 19th century, there was a watermill almost every mile of the river, such was the huge demand for flour and bread. Today, Eastnor castle’s own mill is still operational–an important piece of local history.

The answer…and why you should care

Discover how Ella Jenkins' joyful songs and storytelling have inspired generations of young listeners, while her commitment to advocacy has profoundly affected the world of music and beyond. --------- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Director of Programming: Nicki Marko Supervising Producer & Scriptwriter: Michelle Mehrtens Producer & Editor: Sierra Theobald Motion Designer: Ricardo Jaimes

The two discussed their ancestors’ legacy more than 150 years after the famous figures both attended the Seneca Falls Convention. (Credit: Drew Gardner)

Read more at http://blogs.smithsonianmag.com/aroundthemall/2011/06/dancing-splash-mob-floods-the-natural-history-museum In an effort to celebrate World Oceans Day, organizers planned a "splash" mob at the National Museum of Natural History's Sant Ocean Hall.

Last summer, news reports of orcas deliberately tearing the propellers off of yachts in the Strait of Gibraltar thrilled observers who were eager to cast these intelligent and social pack hunters as class warriors striking a blow for the “common mammals” against the one percent. That turned out to be wishful thinking, according to guest Lori Marino, a biopsychologist who studies whale and dolphin intelligence. She told us that these six-ton whales were just having fun—if they wanted to harm the occupants of those boats, we’d know it.  Even so, these encounters are becoming a predictable seasonal occurrence between the months of May and August: A 50-foot charter vessel sank after its hull and rudder were damaged in an orca encounter near the Strait of Gibraltar on May 12. So here again is our episode on the perils of assigning human motives to wild animals, featuring Marino and Smithsonian assistant digital science editor Carlyn Kranking. This episode was originally released in September 2023.   Dr. Marino invites you to learn more about The Whale Sanctuary Project at their site (https://whalesanctuaryproject.org/about-the-whale-sanctuary-project/) . You can also see Dr. Marino in the documentary films Blackfish (2013), Unlocking the Cage (2016), and Long Gone Wild (2019). Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . And read the transcript of this episode here (https://www.smithsonianmag.com/science-nature/are-wild-animals-really-just-like-us-180982939/) . There’s More to That (https://www.smithsonianmag.com/podcast) is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

On September 2, 1935, Florida was hit by the most intense hurricane ever recorded—a category 5. Despite early warnings by the weather authorities, a calamitous loss of life shocked the nation

OK Go, Damian Kulash Jr. and Trish Sie | Smithsonian Magazine’s 2016 American Ingenuity Award Winners for Visual Arts Specializing in the whimsical and unexpected, these artistic dynamos have collaborated on some of the most arresting music videos ever made. This year’s “Upside Down & Inside Out” showcases the OK Go band members in a gravity-defying gambol shot aboard a Russian jetliner flying parabolas to induce periods of weightlessness. (“Here It Goes Again,” a treadmill ballet released in 2006, won a Grammy Award for best short-form video.) OK Go, formed in Chicago in 1998 and now based in Los Angeles, features Tim Nordwind (bass), Andy Ross (guitar), Dan Konopka (drums) and Damian Kulash Jr. (vocals and guitar). “Upside Down & Inside Out” is the fourth video that Kulash has co-directed with Sie, an acclaimed choreographer and film director who is also his sister. Read more about their work: http://smithmag.co/HZ8vzr | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy