Lately I’ve been working with some cast stone products and have found that product to be a good complement to EIFS in terms of dealing with the damage-susceptible edges of EIFS. This month’s column gives some examples of how cast stone can be used with EIFS.

For a change of pace, I’ve decided to periodically write about contracting and field issues, including case studies of interesting projects. The idea is to offer insights that will help readers deal with aspects of EIFS in their work.

When I do technical seminars about EIFS, one of the most frequent questions is, “Should I use adhesives or mechanical fasteners (screws plus washers), or even both, to attach the foam insulation to the wall?” The answer depends on a number of factors, and sometimes you have no choice about which to use. 

Since when did architects become responsible for ensuring occupant health resulting from exposure to building material ingredients?

Designing exterior wall assemblies that satisfy both energy and building code requirements is a challenge.

Will passive houses gain more momentum in the U.S.?

SIA OSDP version 2.2.2 resolves errors that had appeared in the short-lived 2.2.1 update and introduces proper supervised input states, addressing previous issues.

Sensitive to environmental considerations in the security and video surveillance industry, Panasonic System Networks Company of America, Secaucus, N.J., is taking leadership by offering products manufactured in energy-efficient facilities, using fewer hazardous materials and emitting less CO2, and which also consume less power than previous Panasonic comparable models.

K9s United is a dedicated non-profit organization that focuses on providing essential training, equipment and resources to support law enforcement canines.

Floyd & Associates has launched its new e-commerce website: www.sampleboards.biz.

A non-sag polymer fortified adhesive mortar that mixes with just water and provides an ultra white color that is ideal for installations of translucent tile and stone.

Strategis has outdone itself again with their all new PICASSO Artwood program, a product unlike any other hardwood you have ever seen.

Karastan’s new Bellingham Collection delivers the warmth and durability of eco-friendly wool in a diverse selection of transitional and traditional styles.

Rock, a colorful new quartzite recreation in glazed porcelain, uses HD Technology for a natural effect.

FreeAxez is an all-steel, quick-connect, low-profile access floor that provides unparalleled capacity and flexibility for the modern office and high technology environment, saving life cycle costs and improving workplace efficiency.

The Reclaimé Collection’s new line extensions offer the visual and charm of a floor constructed from reclaimed, vintage wood in a laminate flooring construction, according to Quick-Step.

Propex will promote Isis, the company’s innovative platform of backings made with woven PCR PET, at FloorTek Expo.

Electrolit's planned 600,000-sq.-ft. greenfield project is slated to open in early 2026.

This lecture is the inaugural Berkeley Distinguished Lecture in the Social Sciences (formerly the Moses Memorial Lectures) About this lecture In this lecture, Ted Miguel will present findings from a development economics research project based on a large-scale randomized controlled trial (RCT) in Kenya that he and collaborators have been conducting since 2014. He will start by discussing the rise of experimental methods and open science tools in economics research. Ted will then focus on new results from the Kenyan RCT that investigates the impact of cash transfers on infant mortality, leveraging a unique large-scale census of local households’ birth histories. The findings provide novel evidence on the broader impacts of cash transfers on the health and wellbeing of a poor rural population, and illustrate the value of the experimental approach in development economics for public policy.About Edward Miguel Edward (Ted) Miguel is Distinguished Professor of Economics, the Oxfam Professor of Environmental and Resource Economics, & Faculty co-Director of the Center for Effective Global Action at the University of California, Berkeley. He earned S.B. degrees in both Economics and Mathematics from MIT, received a Ph.D. in Economics from Harvard University, where he was a National Science Foundation Fellow. Ted’s main research focus is African economic development, including work on the economic causes and consequences of violence; interactions between health, education, environment, and productivity for the poor; and methods for transparency in social science research. He has published over 120 articles and chapters in leading academic journals and collected volumes. Prof. Miguel was elected as a Member of the American Academy of Arts and Sciences in 2020, and awarded the Econometric Society Frisch Medal in 2024.

PBOT leaders say they’ve already addressed many of the auditor’s recommendations. They also say the scale of Portland’s traffic violence crisis is too big for just one bureau to address. by Taylor Griggs

The Portland Bureau of Transportation (PBOT) adopted its Vision Zero Action Plan in December 2016, with the goal of eliminating traffic crash deaths and injuries in the city. But in recent years, Portland has seen its highest numbers of traffic injuries and fatalities in decades. Pedestrians have faced a heightened risk of traffic violence in recent years, and parts of Portland with higher low-income populations and communities of color are also disproportionately impacted. 

The daylight between PBOT’s stated Vision Zero goals and the increase in recent traffic crash deaths prompted scrutiny from the Portland Auditor’s Office. A new report from the Auditor’s Office, released Wednesday, says PBOT “partially completed” safety projects identified in its Vision Zero plan, but notes the bureau doesn’t adequately evaluate the outcomes of the safety projects it completes. 

The Auditor’s Office recommends PBOT create a plan to evaluate its projects “to determine which get the desired outcomes and where Vision Zero efforts are most needed.” The office also asks the bureau to install promised speed cameras to help with traffic safety enforcement and recommends PBOT “revisit its equity methodology to ensure it accounts for smaller scale improvements that could have positive equity impacts.” 

“These efforts to collect data, analyze, evaluate, and carefully track which safety projects have the most desired outcomes could help move toward Vision Zero’s goal of zero fatal and serious injury traffic crashes,” the audit report states. 

The audit report highlights concerns about the Vision Zero program that many transportation and safe streets activists have raised for years—though the Auditor’s Office didn’t issue as harsh an indictment of PBOT as some critics may want. Earlier this year, when PBOT leaders presented their 2023 Vision Zero report to City Council, some Portland advocates didn’t mince words about their thoughts on the city’s implementation of the program. 

“There is no question that Portland's Vision Zero Program has been an abject failure,” Sarah Risser, a local transportation safety activist, wrote in public testimony to City Council in April. “Given its abysmal track record, it is reasonable to conclude that it will continue to be a failure.”

The Portland Auditor’s Office didn’t mark PBOT’s Vision Zero plan as a failure in its report, and PBOT leaders ultimately agreed with its recommendations, some of which the bureau says it has already implemented on its own. 

PBOT, too, acknowledges that larger structural changes are needed to save lives on the streets. Bureau leaders say they will continue working on their Vision Zero plans, but they hope the city government transition will break down silos and encourage more involvement in solving the problem of traffic violence on Portland’s streets. 

Auditor’s Office Suggests More Evaluation, Qualitative Data Collection Methods 

The year PBOT adopted the Vision Zero plan, 42 people died in traffic crashes on Portland’s streets. In 2019, when the bureau updated the plan to emphasize transportation system safety and focus more on actions within PBOT’s control, 48 people were the victims of traffic violence. In the last three years, more than 60 people have died in traffic crashes in Portland each year, with 69 fatalities in 2023. 

When PBOT leaders presented the 2023 Vision Zero report to City Council earlier this year, they acknowledged the rise in traffic fatalities since the program was adopted. But they said the program is successful in areas PBOT has been able to invest in, and said the bureau’s budget woes have curtailed its progress. The audit report suggests PBOT could get more out of the projects it does complete by improving its evaluation processes, which have historically been lacking. 

“Without systemic evaluation of safety outcomes, the Bureau is missing the opportunity to create more alignment between the work they do on safety projects and the overall goal of Vision Zero,” the report states. “A more systematic approach would allow trends to be identified and analyzed to better understand the outcomes of completed projects, and which may need to be altered or dropped. As traffic deaths continue to increase it is vital that the Bureau consistently evaluate completed safety projects so they can see which are working best at shifting the trend towards the intended goal of zero traffic deaths and serious injuries.” 

The second major recommendation the audit report suggests is that PBOT “do more to enforce speed limits” by following through on its promise to install more speed cameras throughout the city. Despite research showing the effectiveness of enforcement cameras as a way to reduce speeds and increase traffic safety—without involving the police—PBOT has been slow to install them. The bureau has blamed its camera vendor for the lag in speed camera implementation, but says it now has 37 cameras in operation or construction, and current contracted cameras will be online early next year. (By March 2023, PBOT had only installed nine cameras in the prior eight years.) 

The report also states despite PBOT’s attempt to prioritize and fund safety projects equitably—based on both crash data and neighborhood demographics—it may be missing “smaller safety projects with possible equitable outcomes” if they aren’t located on high-crash corridors. The Auditor’s Office recommends PBOT use more qualitative data to determine the projects it carries out. 

In response to the auditor’s recommendations, Public Works Service Area Deputy City Administrator Priya Dhanapal and PBOT Director Millicent Williams said while they “largely agree with the recommendations in the audit,” it’s a bit outdated. Last year, PBOT issued a Vision Zero Action Plan update for 2024 and 2025, which addresses many of the issues outlined in the audit report. 

“Our current Vision Zero Action Plan includes priorities directly tied to evaluation, delivery of the camera program and speed management as well as equity objectives,” Dhanapal and Williams wrote. “The audit was conducted on work and commitments outlined 3-5 years ago and work that took place during the peak of the COVID-19 pandemic.” 

Dhanapal and Williams also said PBOT needs help from other city bureaus to solve the crisis of traffic violence. 

“Eliminating traffic deaths and serious injuries in Portland is possible [and] PBOT can lead the way,” Dhanapal and Williams wrote in a letter responding to the auditor’s report. “However, Portland will not reach Vision Zero with street design alone…. A societal commitment to meet basic human needs and implement strategies to change current conditions are necessary to reach many of our shared goals, including Vision Zero. These changes require leadership, investment, and commitment from partners beyond PBOT.”

PBOT leaders say they hope that collaboration and commitment will be easier due to the upcoming changes in Portland’s government. 

“Eliminating traffic deaths and serious injuries is a City commitment and goal, but as a City we have focused the discussion on what PBOT does to change streets,” Dhanapal and Williams wrote. “We believe the City transition provides an opportunity to reengage City bureaus in Portland’s Vision Zero commitment and integrate the Safe System approach to traffic safety as a comprehensive prevention strategy to save lives.” 

The newspaper asserts that Ranked Choice Voting "cratered" voter engagement. That's bullshit. by Wm. Steven Humphrey

Starting in January 2025, Portland will have the most diverse, and politically balanced City Council in the history of our city. Full stop.

The reason why we’re able to celebrate this indisputable fact is thanks to charter reform and ranked choice voting, which allowed citizens from every demographic and Portland neighborhood the opportunity to serve their city (and the rest of us to vote for them). 

But despite those two objectively correct statements, local media continues to platform the dishonest cynics who have been fighting charter reform and ranked choice voting from the beginning. The Oregonian, who loves writing intellectually dishonest headlines like this, really outdid themselves with this recent post-election article: Portland’s ranked-choice debut causes voter engagement to crater; 1 in 5 who cast ballots chose no one for City Council. 

Let’s break it down, shall we? Using the word “crater” to describe Portland’s voter engagement, and attempting to lay the blame on the doorstep of ranked choice voting, is not only an unethical choice, it’s factually incorrect. While overall voter turnout wasn’t what it was in 2020 (79%), Portland engagement still reached 74.5%—that’s still three-quarters of our total population. Does that sound like overall engagement “cratered” to you?

 And perhaps it’s true that one-out-of-five voters chose not to rank any candidates for City Council and mayor—though, as a reasonable person, I might wait until that number got a little bit higher before labeling it as “cratering.” And yes, it is absolutely correct that a historically large group of candidates ran for City Council this year, which probably stunned some voters who aren’t used to doing a lot of research. BUT! And let me say this loud and proud so everyone in the back can hear it: Having a lot of candidates who love their community and want to serve it is A VERY GOOD THING. (And it’s even better for democracy.) And while we can definitely do more as a city to make sure minority and low-income communities have the information they need in future races, according to the Oregonian’s own numbers, four out of five Portlanders successfully filled out their ballots without their brains exploding. So actually, I’d call that a big win. 

And that’s my problem with this poorly headlined article: The main thesis seems to be that just because one-in-five Portland voters chose not to cast votes in two races, this is somehow the fault of ranked choice voting. That’s bullshit. And here’s why: Let’s imagine ranked choice voting never existed, and Portlanders were still choosing just a single candidate for every office. Thanks to the general ineptitude of the current City Council—which inspired so many people to run against them—a huge number of candidates would’ve still been on that ballot. And if that had occurred, voters would have been confronted with the exact same conundrum.

Oh, and if you do happen to dip into the O’s article, here’s a little media studies trick: While most news outlets claim objectivity as their guiding star, if you want to spot potential bias, head to the final paragraph of just about any article, and see who gets the last word. In the case of this Oregonian story, the last word was given to a failed conservative Council candidate, Bob Weinstein, who freely admits he was never in favor of charter reform in the first place, and issued this damning indictment of ranked choice voting: “It’s very anti-democratic, to me, to have a result like this.”

I’m curious: Which of the following results is the most “anti-democratic”? Was it three-quarters of the population voting? Was it the large number of candidates who, after 100 years of being shut out of elections, were finally given a chance to fairly compete? Was it the actual result, which was getting (as mentioned before) the most diverse and politically balanced City Council we’ve had in the history of our city? Or was it “anti-democratic” simply because he lost?

Unfortunately, we’ll probably be reading a lot more thoughtless headlines and hearing a lot more anti-Charter Reform language from Portland’s conservative business class. Frankly, the old system worked GREAT for them, giving the wealthy an outsized voice and control over policy in City Hall. And even though the new council will have conservative voices who will fight valiantly to ensure the rich continue getting richer, that’s not good enough for those who want absolute power. In short, if you like what conservatives did to Measure 110, keep an eye out on what they’re planning to do to Charter Reform.

For the rest of us, there’s an old saying: “Progress, not perfection.” We’re sorry to break the hearts of the Oregonian headline writers and the bad actors who have dominated Portland politics for over a century, but new, vital forms of government—like any new plan or system that regular folks like you put into action every single day—will NEVER be perfect from the start, and need time and grace in order to operate at top proficiency. That said, if one-in-five voters refusing to choose a candidate in two races is the worst thing to happen in an election where we make sweeping changes for the very first time? I’d say democracy continues to be in pretty good shape. 

But that’s just my opinion—from deep in the “crater.”

After 20 years, Oregon's largest anime convention is still volunteer-led and bursting with enthusiastic energy. by Corbin Smith

More than twelve thousand fans descended on Portland last weekend to celebrate 20 years of Kumoricon, Oregon’s largest convention for appreciators of anime and the content world that surrounds it.

From Friday through Sunday attendees competed in video game tournaments, stood in as chess pieces in human-sized games, browsed the works of hundreds of artists and vendors in a massive market, and even waited in line to meet the person who voiced Shamir in Fire Emblem: Three Houses. But primarily, they wore cosplay, looked at cosplay, repaired cosplay, and plotted future cosplays. 

Compared to other conventions, like a big sports trading card convention I attended earlier this year, Kumoricon carries a softer, cheerier vibe. The fest is still proudly volunteer-run, despite its longevity and steady growth. While that trading card event was driven by the thrill of the exchange—the dream of something exploding in value—Kumoricon seems driven by the thrill of giving and receiving cosplay costume compliments.

You see the exchange often: cosplayers stopping others to say, “I love that, amazing job.” The complimented might mention something about the character or the other person's costume. It’s quick; everyone keeps walking on, but with a new little miniature bond sitting in their back pocket—forged from a pop culture connection and some light kindness. It’s all very earnest, and enthusiastic; a gentler world for gentler people. 

We photographed some cosplayers in attendance, and they told us why they attend conventions and a little about what goes into their costuming.

Jay is dressed as an original character, a Chinese moon moth named Uei. photo corbin smith

Jay showed off a cosplay of an original character—a Chinese moon moth named Uei—saying, "moon moths are from Asia and southwest China, so I tried to base her on an ancient Hanfu style. I bought a traditional Hanfu skirt from a reputable source called NewMoonDance. I’ve been cosplaying for fifteen years, and I’ve never been able to make anything that is my own. I made the top, handmade the wings, and painted them myself."

“Being in a con space when I was 13 was very supportive," Jay continued. "Everybody was always hyping each other up; there were silly little dances everywhere. It’s where I met my current fiancee, and all of my long standing friends. Cons were where you found your people."

Wesley as Lelouch from Code Geass. photo by corbin smith

Dressed as Lelouch Lamperouge from anime show Code Geass, Wesley expressed a love for Lamperouge's character arc—"going from a morally gray character, to pure evil, but for the good of good things. He’s just interesting. And also, I love big cape." Asked about the cape, Wesley clarified, "I love how it gets caught on things."

Hannah as Theodore from the rodent-led pop band 'Alvin and the Chipmunks.' Photo by corbin smith

Hannah's choice to dress as Theodore—of the virtual band Alvin and the Chipmunks—was based on the character being "fun and silly… we just munk around.” The costume's large black contacts are from Uniqso. "These are actually the mini-sclera, I’m afraid of the big normal sclera that covers your entire eye... I’ve seen them get stuck, so you can’t get your nail under there to pull them out."

Bonnie dressed as Anya from the indie horror game ‘Mouthwashing.’ photo by corbin smith Niko Suits dressed as Xie lian from 'Heaven’s Official Blessing.' photo by corbin smith

Niko Suits competes at the Master level of cosplay competition because they are actually a professional costumer, working in theater. "Pretty much anything—opera, ballet,” they explained. "If you’ve been [to a local show] in the last three years,  I’ve probably worked on it.”

Suits' mother encouraged them to take up sewing when they were young. “I have ADHD, so my mom was like, 'You need to have a hobby that is cheap and can keep you kind of quiet and sat for a bit," they recalled. "When I was 10, I was looking up Fullmetal Alchemist, and I found the cosplayer Reika—she’s kind of The Cosplayer. I found her, and I was like ‘YOU CAN DRESS UP LIKE THEM?' and it went from there.”

Tyler as Wirt from 'Over the Garden Wall.' photo by corbin smith

Tyler busked, tooting out videos game melodies and other popular tunes on a wireless electronic wind instrument, for all three days of the con. The activity worked well with cosplaying Wirt from Cartoon Network's Over the Garden Wall, who plays clarinet on the show. "I’m pleasantly surprised by how kind people have been," Tyler said. "I’ve been to Kumoricon the last five years, and I always see musicians out here play. So I finally decided to do it, and I’m glad I did. I’ve made over two hundred dollars so far."

April as Pumpkin Gal from 'Over the Garden Wall.' Photo by corbin Smith

The pumpkin head on April's costume—Pumpkin Gal from Over the Garden Wall—was much lighter than it looked, as it was crafted with an expanding foam, instead of papier-mché. April explained: “It's got a hard hat to hold it all together, cardboard on the inside to make the frame, and you just cover all the holes, spray it on, shave it, and boom."

Elee as Gyokuyō from 'The Apothecary Diaries.' Photo by Corbin Smith

“I actually learned to sew before I got into cosplay," Elee recalled. "My friends were like: Hey, you wanna come to this con, you wanna dress like silly little guys? And I was like, heck yes! It’s so fun to plan your outfits, spend all this time making your cosplay, and making everything for your outfit. Everyone is very excited to see what character you chose, and you have a fun time seeing what everyone else dressed up as—it’s just a very fun and positive experience."

Adrian as Isabelle from 'Animal Crossing.' Photo by corbin smith

Goblin as Maomao, also from 'The Apothecary Diaries.' Photo by Corbin Smith

Goblin is part of a cosplay collective called Too Broke for Cosplay, with fellow crafters Elee and Adrian, and credits Elee with teaching them to sew. At first, Goblin just did "tasks [Elee] didn’t like, like seam-ripping." Now they're working with furniture or upholstery fabrics on a heavy-duty Singer sewing machine. "When I hand make stuff, it lasts WAY longer than stuff I would buy online," they said. "There’s stuff I bought online that dies within one use and it cost $50-$70 dollars. This is my fourth time wearing this costume; I’ve only added to it, and it’s stayed as good."

You know the tune... sing along! by Ricky Pee Pee Ricky Pee Pee (@rickypeepee_official)

 

Four examples of music that take a decidedly
different spin on the holidays. by Corbin Smith

Over the years, the recording industry has managed to create Christmas music for every mood. Thousands of sad piano takes on "The Christmas Song" (Chestnuts Roasting Over an Open Fire), the pure pop joy of Mariah Carey belting out “All I want for Christmas is you,” the simple, light brain damage you get from a loud, irritating version of “Sleigh Ride.” But what about when you are in a VERY particular mood? When the season has transported you into one of life’s bizarre gutters, left you in such a particular place where you need a very particular sort of Christmas music to haul you out of it? For you, for this, I offer this guide to Christmas music for truly any mood. 

••••

For when you and your fellow teenage orphans—residents of a foster home owned by kindly old women in deep with the bank— just pulled off the Christmas Eve heist of the century to pay her mortgage and are tipping back a big ol’ glass of hot cider while looking over Portland: Bob Dylan, Christmas in the Heart

A few years back, Bob Dylan, our truest and most loving uncle, made a Christmas album. Surface analysis: it’s weird he did that. Deeper analysis: it’s not actually weird, because Bob admires folk music and the Great American Songbook, and Christmas music is a canon built from both. Even deeper analysis: it’s still pretty weird, because it’s weird to listen to Bob Dylan unleashing his signature late career Warm Croak on Christmas songs you’ve been inundated with your entire life.

But when you get past the sheer novelty of King Gravel intoning “Have Yourself a Merry Little Christmas,” a song made famous by Judy Garland, you remember that, oh yeah, Bob Dylan is one of history’s greatest musicians, and offers a wealth of feeling, warmth and energy—even (especially) when he’s pursuing a strange muse. His “Must Be Santa,” anchored by a loud accordion and augmented by a rechristening of the reindeer as post-war presidents, is pure jalopy shit—a sound of the Christmas gathering flying apart at the seams as candy-ridden children roam through the hallway and shove each other into toilets. “I’ll Be Home for Christmas,” is a standard ‘50s pop music take, lifted into something transcendent by Bob’s presence behind the microphone. “Winter Wonderland” and “Christmas Island” presents an alternate world Dylan, one more into vibing and tipping back, as opposed to an artist with an endless appetite for work and startling discipline.

The best song on here is Bob’s version of “Do You Hear What I Hear.” He is, after all, an old wise man now, wandering through deserts, handing out gifts. His intonation on “A child, a child/Sleeping in the night/He will bring us goodness and light,” is struck through with a warmth and sincerity that you don’t associate with Trickster Bob. Is it a performance of awe, trying to capture a world that still had some sense of the divine? Is it a true wonder in the potential of the child, a hope for the future? Is it just a straightforward exaltation of Christ himself? You can never really know with Bob, of course, but it stirs.

••••

Courtesy Hallmark

For when your company—an international logistics concern—sent you on a last minute overseas business trip over Christmas, and you stroll the streets alone and alienated on Christmas Eve, until you walk into a fancy cocktail bar and lock eyes with another disaffected expat at the bar: Duke Ellington, The Nutcracker Suite

Did you know that Duke isn’t his real name? You see, when Duke Ellington was a child, everyone who lived in his neighborhood thought he seemed like minor royalty, and just started calling him Duke as a result. That was how smooth this man was, folks. But it would not have meant much if the Duke was not also a world historic musical genius. A bandleader, composer, a thinker, whose work brought a formal precision and imagination to jazz that changed the enterprise forever, transmuting it from an outgrowth of blues into the great American musical form.

One of the ways that Duke built this new form was taking forays into classical music, breaking apart or injecting the classical canon with improvisation and swing time, or likewise, taking the forms of classical music and overlaying them with original compositions informed by his lifetime as an orchestra leader working in a jazz idiom. In Duke’s hands, genre distinctions, of dance music or concert music, become wobbly, fall off the boat, drown in the ocean of his genius, and are reborn into an object of pure American greatness. 

In 1960, Duke, riding a popular revival as newfangled bebop artists codified his importance in their own development, worked with Billy Strayhorn—his longtime arranging partner—to break apart Tchaikovsky’s Nutcracker suite, perhaps the most famous piece of dance music ever composed, and reforge it into this album, which takes Pytor’s famous melodies and remakes them into nine swing numbers. 

“The Dance of The Sugar Plum Fairy,” all ethereal glockenspiels in the ballet, becomes “Sugar Rum Cherry,” a terribly horny reforging that asks a question that would not occur to you otherwise: What if I kind of want to fuck the Sugar Plum Fairy? “The Nutcracker March” is now “Peanut Brittle Brigade,” a New Orleans parade of nutcracker men. “Chinoiserie,” the Duke’s version of “The Chinese Dance,” loosens up the source material to the point where it sounds like something someone might actually dance to as opposed to the Tchaikovsky original, bloodless to the point of making its subject seem alien.

••••

Courtesy Sony Legacy

For when you’re driving home from your family’s yearly Christmas gathering—which was good, for the most part, but your Aunt Shelly got WAY too blitzed on eggnog and hot toddies and vomm’d in the backyard: Wynton Marsalis, Crescent City Christmas Card

There’s a lot to know about Wynton Marsalis, the trumpeter, band leader, and academic, who has long represented a kind of traditionalist approach to jazz performance and composition that can maybe seem a little square. And while I personally don’t know a lot about Marsalis, I do know about this album, a suite of Christmas standards he released in 1989. A lot of it is fairly standard jazz takes on Christmas classics: a trumpet playing a slightly off-kilter rendition of “Winter Wonderland,” a brassy vocal take on “Sleigh Ride,” “Carol of the Bells” with the forward momentum of the death chant replaced by laconic swing music jamming, and “Jingle Bells,” with a li’l woodblock that brings horse evocations to the party. 

But some of it is insane—insane in a way that makes you wonder what Wynton is trying to get out. Take this album’s version of “Silent Night”: a standard female vocal, trilling and ethereal, but set to a backdrop of woozy, uncertain horns, that give the thing a vaguely creepy vibe. What does it mean to set a hymn of the infant Christ in front of trumpets that suggest a danger lurking on the horizon? Is it an evocation of Herod’s men in the field, looking for the child so he may butcher any competition for his spot at the top of Israel’s local government? Is it broadcasting uncertainty about the future of this child’s life, over the fanaticism he would come to embrace, the horror of his violent death? Is it a way of juxtaposing the sentimental story of Jesus’ birth with the world of unease and terror that would form in his wake? 

Why would someone make a version of “Little Drummer Boy” that seems to intentionally bury the drums in the mix? Trumpeter’s jealousy? What does a laid back swing version of “We Three Kings” mean? That the kings were cool? Were they cool? I have never thought about it, really. By insisting that he press as much jazz shit as possible into these standards, Wynton runs up against the idea of these things as content about Christmas and into the idea of them as forms.

••••

Courtesy CD Baby

For when she took the kids home after their mandatory Christmas Eve visit and you have wandered out into the cold night, purchased a six pack of Rolling Rock and a bottle of Mad Dog, and—two brewskies and five sips of fortified in—you plop down in the arched, gothic-style doorway of a neighborhood church, and just sit there, sipping and watching the rain come in, wondering when and how it all went so wrong: Benjamin Britten, Ceremony of Carols

20th Century British Composer Benjamin Britten was a sad man who made beautiful music. Ceremony of Carols is a song cycle for boys choir and solo harp, written on a boat coming back to England during the middle of World War II, when U-Boats were scouring the ocean, looking to send boats full of British guys plunging into the icy ocean. It takes a bunch of old Christmas and Baby Jesus related poems in various languages, sets them to music, and goes at it hard as hell. It’s beautiful, it’s faintly sad, it’s everything you need for a Christmas where the disappointments of the year fight against the idea of a wee babe, born in a barn, bringing hope into the world. NOT FOR LIGHT LISTENING, but essential for any soul slipping into darkness. 

A roundup of the best holiday sweets and snacks for your festivities. by Martha Daghlian

Throughout centuries of human civilization, people have sought out ways to combat the darkness and cold temperatures of winter: from ancient temples that aligned with the rising solstice sun to the ceremonial burning of symbolic fir trees, we have devised many strategies to brighten up the longest season. But perhaps the best solution to the winter doldrums is to have a little treat? Cultures all around the world have invented their own special cookies, cakes, and sweets to be enjoyed at this time of year, and we’ve rounded up some of our faves that are available right here in Portland!

Fancy Cake Thinks it’s a Tree

Arguably the most iconic of Christmas desserts, the bûche de noël (or yule log) predates current “is it cake” fads by well over a century. Traditionally made with light sponge cake rolled around a rich filling and adorned with cute meringue mushrooms, this whimsical faux tree echoes the ancient Celtic tradition of burning a ceremonial log at Winter Solstice and really amps up the classic holiday aesthetic. Don’t have a spare 57 hours and a background in French pastry? Let the professionals at Pix Patisserie take care of all your bûche needs with one of their glossy high concept stumps, available to order through December. Pix Patisserie, 2225 E Burnside, pixpatisserie.com

Baklava URCU ATALAY TANKUT / GETTY IMAGES

Baklava Just Like
Grandma Used to Make

Within the Armenian-American side of my family, baklava—a buttery, syrupy nut-and-phyllo pastry popular across the Mediterranean, Central/West Asian, and North African regions—is a mandatory holiday treat. I grew up on my grandmother’s recipe, which calls for walnuts only (no pistachios, thank you), an entire pound of clarified butter, NO cinnamon (how dare you even suggest it!), and a sneaky splash of bourbon, presumably a modern twist added by grandma. But TBH, I haven’t met a baklava I didn’t love, and there are a few particularly strong ready-made contenders here in Portland: World Foods Market, with locations in the Pearl and on Barbur Boulevard, makes a few varieties of baklava and similar pastries, all of which are exquisite (even with pistachios). 

Sophisticated Citrus

It’s a serendipitous fact that winter is not only a season for feasting on rich foods, it’s also the time of year when bright, refreshing citrus is at its peak. Who doesn’t love a bowl of oranges at a holiday party? In addition to enjoying fresh citrus fruit straight up (my favorite is the dekopon or sumo mandarin), there are all sorts of fancy things you can make with the help of our zesty friends: fresh grapefruit mimosas, traditional pomander balls (that’s when you poke a ton of little holes in an orange and shove a whole dried clove in each one, creating a spicy little air freshener that also kind of looks like a medieval weapon as it slowly dries up throughout the winter), hot toddies with tons of lemon. If you really want to impress your friends, try making your own candied citrus peel—it’s like a grown up version of those fruit slice gummy candies! 

Candied Citrus Peel

Cut the peel from a bunch of citrus fruits (make sure not to include any of the white part!) into strips. Blanch them three times (that means placing them in a saucepan, covering with water, and boiling for five minutes, then you’ll drain and boil them for five more minutes in fresh water, then do the same thing one more time). Then, cover them with a 1:1 mixture of water and granulated sugar. Bring to a boil, then simmer for 40-60 minutes over low heat. They should become soft and a little translucent at the edges. Drain and place on a drying rack until cool (put some foil or parchment underneath to catch any drips). Once they are dry, you can toss them in sugar for a sparkly and crunchy coating.

Candied citrus peel makes a super classy garnish for fancy desserts, and can also be used in cake and muffin recipes. Or just snack on them in between all the cookies for a “healthy” treat—it’s fruit, isn’t it??

Sticky Sweets for Lunar New Year

Lunar New Year may still be a little ways off, but I’m already planning what I’ll bring to the annual party our friends throw to celebrate this traditional East Asian holiday. A lot of the foods associated with Lunar New Year celebrations symbolize some specific kind of luck that one might hope to attract in the coming months. Noodles, dumplings, fish, and citrus all connect in some way to ideas including longevity, wealth, and unity. But in my humble opinion, treats featuring sticky rice are the star of the show. This time around, I plan to visit Li Min Bakery at 81st and SE Division, and Shop Halo Halo on 50th and SE Woodstock, for traditional nian gao (sticky rice cakes) and moon cakes filled with sweet bean paste. Lin Min’s Bakery & Bistro, 8615 SE Division; Shop Halo Halo, 4981 SE Woodstock, STE 2, shophalohalo.com

Rugelach Nataly Hanin / Getty Images

Rad Rugelach

My first encounter with rugelach was at an elementary-school friend’s house, where her mom taught us to make this classic holiday cookie, originally dreamed up hundreds of years ago by Jewish bakers in Poland. Wait, is it a cookie? Or is it a pastry? You know what, I don’t care… all I know is it comes in lots of different flavors (Apricot! Raspberry! Chocolate!) and its twisty little crescent-moon shape really spices up a cookie plate. Like many delicious wintertime snacks, they do take a bit of effort to make at home, so if you’re short on time you might want to check out Henry Higgins Bagels, which contrary to their name, also serves up rugelach, babka, and challah on the regular. Henry Higgins Boiled Bagels, multiple locations, hhboiledbagels.com

Scandinavian-Style Snacks

If this list of festive treats still isn’t enough for you, mark your calendars for the 40th annual Scan Fair! This massive event, hosted by Nordic Northwest at the Oregon Convention Center December 7 and 8, is inspired by traditional Scandinavian Christmas markets. Think traditional singing and dancing, cozy knitwear, and tons of delicious sweets, snacks, and drinks–basically a massive party to brighten up the dark wintertime with some serious hygge. My most trusted Scandinavian treat advisor suggests loading up on Æbleskiver (little round pancakes, often served with lingonberry jam), pickled herring, and glögg (spiced wine punch). Scan Fair runs Dec. 7-8 at the Oregon Convention Center, 777 NE MLK Jr, get your tickets and find more info at nordicnorthwest.org/scanfair 

Nothing says “you’re cool” like the gift of vinyl. by Jenni Moore

The holidays are a great time to support your loved one’s passions (read: greatest obsessions) by splurging on vinyl copies of their favorite albums and cult classic soundtracks. Selected from my home record collection, my own Christmas list, and some that I’ve had fun wrapping up as gifts, here are eight vinyl releases that make great gifts for the holidays in 2024.

1. 
Cowboy Carter & Homecoming:
The Live Album, Beyoncé 

For a while, Beyoncé only made special edition cover versions of Cowboy Carter available for purchase—I have one such copy—but today you can buy the classic cover version with that iconic image of Bey as the blonde-haired rodeo queen holding the American flag on horseback at places like Target and Amazon. If the Beyoncé fan in your life isn’t the biggest fan of Cowboy Carter (for whatever stupid reason), consider splurging on Homecoming: The Live Album, so your loved one can enjoy the Queen’s world-stopping Coachella performance that sees her slay nearly two hours of back-to-back hits from her three-decade career—Destiny’s Child reunion included—even when the internet goes out. The Homecoming vinyl includes four LPs that are enclosed in double-sided artwork sleeves, and the box set also comes with a 52-page booklet featuring stunning album artwork, which alone is worth the purchase.

2.
Wicked: The Soundtrack

We have full-body chills from the sneak listen of “Defying Gravity” in the Wicked theatrical trailers. As someone whose musical theater beginnings were shaped by the original cast soundtrack, the fact that the movie roles of Elphaba (Cynthia Erivo) and Glinda (Ariana Grande) are being played by two megastar performers in their prime is comforting. Nearing EGOT status and only missing an Oscar, Cynthia Erivo is a stunning talent whether she’s slaying roles like Aretha Franklin, Harriet Tubman, or Celie in a Broadway revival of The Color Purple. And Ariana Grande has more than proven herself as a top tier vocalist—just watch her concert doc Excuse Me, I Love You for the receipts. These are two women who could sing the phonebook (do those still exist?) and make it Grammy worthy. I can’t wait to hear how the two interpret songs like “Popular,” “Defying Gravity,” and how their voices blend on those iconic Wicked harmonies. Sadly, we’ll have to wait for the second film (to be released in November 2025) to hear this cast’s versions of favorite tracks like ”Thank Goodness,” “As Long As You’re Mine,” and of course, the heartfelt duet finale “For Good.” Available exclusively at Target and dropping November 22, the same day the movie hits theaters, we already know the first volume of the Wicked soundtrack is worth buying for the musical theater kid in your life. (For the Wicked purest or skeptics of the new cast, consider acquiring a vinyl copy of the original cast recording featuring Kristin Chenoweth and Idina Menzel.) 

3.
Merry Christmas, Mariah Carey

As far as Christmas albums go, you can’t lose with 1994’s classic Merry Christmas from Mariah Carey, which is basically synonymous with the period between Thanksgiving and Christmas. While “All I Want for Christmas Is You” tends to get a lot of the attention, there’s a reason MC’s album is one of the most acclaimed Christmas albums of all time; Mariah’s at her vocal peak on her renditions of songs like “O Holy Night,” “Christmas (Baby Please Come Home),” “Santa Claus Is Coming to Town,” and gospel tracks “Joy to the World,” and “Jesus (Oh What A Wonderful Child).”

Chappel Roan

4.
The Rise And Fall of a Midwest Princess, Chappell Roan

For the pop-loving progressivist and campy music fan in your life, get your hands on Chappell Roan’s debut, which clearly pulls aesthetic influences from the drag world, and sonic influences from 1980s synth-pop. The cinematic album depicts the artist’s journey of falling in queer love for the first time, and includes highlights like “Red Wine Supernova,” “Hot to Go!,” and “Pink Pony Club.”

5.
Self-Titled, Roman Norfleet and
Be Present Art Group

Driven by Roman Norfleet, improvised jazz and soul collective Be Present Art Group’s self-titled debut emerged from drum gatherings in Washington DC’s Malcolm X Park, which the album’s liner notes describe as “a pocket of freedom built on collective improvisation and shared rhythm.” In Portland, Norfleet assembled a collective of artists including Jacque Hammond and members of Brown Calculus to channel the spirit of those DC sessions. The group’s resulting earthy and spiritual self-titled album was released via Portland-to-Chicago label Mississippi Records in 2023. [Record label Mississippi Records is under the impression it lives in Chicago now, but the store and SPIRIT remain in Portland. -eds.]

6.
Songs in the Key of Life, Stevie Wonder

I was handed down a vintage copy of Stevie Wonder’s Songs in the Key of Life from my family’s record collection accumulated in the ’70s. The Grammy-winning Stevie classic is one of my favorites to bump around the house, especially while doing housework. Widely accepted as one of the best and most influential albums in history, Stevie’s 18th studio album embodies—if not invents—the concept of “no skips” with songs like “Love’s In Need of Love Today,” “Sir Duke,” “Village Ghetto Land,” “I Wish,” “Knocks Me Off My Feet,” “Ordinary Pain,” “Isn’t She Lovely,” “Joy Inside My Tears,” and “Black Man.” The subject matter feels as relevant as ever, with Stevie singing about evergreen topics like his childhood, first love, lost love, and poignantly tackling heavier topics like racial justice, and social justice for the poor and disenfranchised. 

7.
The Nightmare Before Christmas (Soundtrack)

I have a younger brother who was absolutely obsessed with The Nightmare Before Christmas growing up, and by proxy, I too came to love the creepy stop-motion film, especially the music. Whether you consider it a Halloween movie or a Christmas movie—I happen to believe it’s both—The Nightmare Before Christmas is a family-friendly cult classic, and the soundtrack is nostalgic, campy, moody, but most of all fun! The soundtrack can be enjoyed from October all the way to Christmas, bringing joy to its recipient with songs like “This Is Halloween,” “What’s This?,” “Making Christmas,” and “Jack’s Obsession.” 

MF Doom

8.
Mm..Food, MF Doom
(20th Anniversary Edition) 

For the MF Doom superfan in your life (we all have at least one), many a vinyl gift will do—from his studio debut album Operation: Doomsday to his epic collab with Madlib, Madvillainy. But this year is a particularly good time to gift the 2004 concept album Mm..Food, Doom’s fifth studio album with lyrics and song titles that reference different foods, as it celebrates its 20-year anniversary with a special edition vinyl release that comes with super cool new artwork that depicts a new take on the original illustrated cover, which features Doom sitting down to eat breakfast. On the updated cover, Doom is seen through a window, sitting down in the booth of a classic American diner.

Spend time NOT talking to family with our preview
of the holidays’ most-hyped new releases. by Dom Sinacola

Holidays are usually meant for time with family, which is obviously why so many people elect to go to the movies on Thanksgiving and Christmas. Thanks to theaters being open, you now have a ready-made excuse to avoid talking to loved ones for a solid two hours. 

From St. Johns Twin Cinemas to Regal Division Street, every corner of Portland is thriving with film love, be it a first-run chain or local rep theater. So, to gird thy loins for the upcoming high holy days, I’ve assembled a preview of the movies you can see in theaters on Thanksgiving and/or Christmas day when conversation runs as dry as an overcooked bird. 

Thanksgiving (November 28)

Red One

Following the box office shrug that was 2022’s Black Adam, The Rock optimistically reported from the set of Red One that his new blockbuster, co-starring Chris Evans and JK Simmons (as muscle daddy Santa Claus), is a “big, fun, action packed [sic] and fresh new take on Christmas Lore [sic].” After The Rock’s supposed chronic lateness and “unprofessional” on-set behavior helped push Red One to late 2024, this “new take” on the late-December holiday will finally see the overcast light of mid-November. Apparently, when Santa Claus is kidnapped, the head of North Pole security, Callum Drift (Rock), must join forces with world-class bounty hunter (come on now) Jack O’Malley (Evans, seemingly running on fumes), to save Kris Kringle. Whatever. I have no doubt this movie will be excrement, struck with surprisingly upsetting violence splayed against the most conservative values you can carve from a $250 million budget. This comes out on November 15; will it still be in theaters on Thanksgiving? Let’s hope not.

Gladiator II

If you’ve seen Ridley Scott’s Napoleon, you know that the octogenarian director cannot be bothered by such woke trappings of cinematic culture as “historical accuracy” or “consistent accents.” Instead, Scott trades obsession for the spectacle of history; he’s in thrall more to the bloom of organs erupting from cannonball wounds than allegiance to facts most audiences wouldn’t know anyway. 

That energy will carry into Gladiator II, Scott’s sequel to his 2000 original, which will surely be a stupendously gory feast for IMAX screens. Arms all veined up, Paul Mescal is New Gladiator, the fate of Rome on his shoulders for some reason, with Denzel Washington clearly having a blast playing an ancient weapons dealer. Finally able to put a career’s worth of ideas onto the screen, Scott’s never been more prolific, and never less beholden to anyone than himself. Respect. 

Wicked Part One

The first half of an adaptation of the musical—as well as of the 1995 novel on which the musical’s based and the Wizard of Oz writings of Frank L. Baum—Wicked has a runtime of two hours and 40 minutes. More like Wicked Long Movie [pats self on back]. Growing to the width of the Garfield balloon at the Macy’s Thanksgiving Day parade, Ariana Grande’s dinner plate eyes will ultimately occlude all other light. Suddenly, lifetimes will pass in the dark of that theater. You will wake in another epoch, another land, and you will discover there is still a second movie to sit through.

Moana 2

The November of The Rock continues with the last IP he hasn’t stripmined of all goodwill. That’s right, Rockheads, Maui, the beefy demigod from Moana, is back for the sequel. Originally developed as an animated series, Moana 2 went theatrical eight months ago when Bob Iger announced the series had been reconfigured following a revamping of the producing and directing teams—for solely artistic reasons, I’m sure. Rarely are reports like this a good sign, usually accompanied by accounts of animators enduring hellish work conditions or presaging a movie that feels functionally incomplete. Still, I can’t imagine families not defaulting to this Thanksgiving weekend. Will our thumb-headed megastar once again drop a People’s Elbow on the box office? I sincerely do not care.

Christmas (December 25)

The Brutalist 

Brady Corbet’s gushed-over saga about architect László Toth (Adrien Brody) has the accolades (garnering Corbet the Silver Lion at the Venice Film Festival), distribution deal (A24), and runtime (215 minutes) to make it the year’s biggest small release. Couple this with Corbet and cinematographer Lol Crawley shooting in Vistavision—a process that can make 35mm film look as huge as 70mm in the theater just by running the stock through the camera sideways—and expect to see this engorged on the swollest screens in town. It’s so intentionally and obviously epic, you’d be forgiven for assuming architect László Toth is a real person. The magic of cinema!

Babygirl

I was going to make a joke about Halina Reijn’s Babygirl being the perfect choice for families wanting to watch a horny movie together on Christmas, but looking into the film’s reception at the Toronto International Film Festival, I find critics saying that Nicole Kidman’s performance as a repressed CEO who forms a sub-dom bond with an intern (Harris Dickinson) is a brave and reflexive exploration of her career and aging physicality. So I will be similarly brave and refrain from making that joke.

Nosferatu

A young foil to Ridley Scott and his disregard for the exigencies of time, Robert Eggers is a horror filmmaker who makes macabre period pieces—The Witch, The Lighthouse, The Northman—that are so thoroughly researched they feel like stolen visions, like sights from the past that we have no right to witness. With Nosferatu, he seems to be pulling from F.W. Murnau’s 1922 silent film as much as from Werner Herzog’s 1979 remake and Bram Stoker’s 1897 Dracula novel, filtering his hyper-literate taste through a century of German expressionism. 

A Complete Unknown

James Mangold responds to Walk Hard: The Dewey Cox Story—a satire responding to the pestilence of Oscar-bait biopics birthed by Mangold’s Walk the Line—by making an even more by-the-numbers take on an iconic musician. This time it’s Bob Dylan, given approximate life by Timothée Chalamet. A Complete Unknown will almost certainly hinge on Dylan going electric at the 1965 Newport Folk Festival, giving him the opportunity to reminisce about what led up to this all-culminating cultural moment. Its financial returns will be optimistic, its award season obligatory. So it is foretold.

Better Man

While we’re on the subject of biopics: Better Man is about the life of UK pop idol Robbie Williams… only he’s a CGI chimpanzee and no one else in the movie acknowledges he’s a CGI chimpanzee. I hesitate to call this conceit so stupid it may be genius, but I won’t hesitate to recommend it, because we both know it will be [my eyes glaze over and soul noticeably disappears from my body] bananas.

In Portland even our airport presents are thoughtful, lovely, and local. by Suzette Smith

At 10 pm on Christmas Eve you could generally find my father at an office supply store; the chains used to stay open late (for corporate reasons) even on holidays. The next morning we’d pull thick squares of Post-it notes out of our holiday socks and know it was from Dad, even if he’d signed it “P. A. Perclip.”

Last minute gift buying is a fine tradition. Some may see the practice as thoughtless; I would argue it can be rooted in sweetness. After all, a last minute present is still a present. And now that flying has made it increasingly difficult to travel with gifts—airline luggage charges, unrelenting TSA clerks—you may as well just grab that stuff when you arrive, if you happen to be flying into Portland. 

Visitors may not know that our airport requires shops to maintain “street pricing,” so you won’t pay more for goods at PDX than you would in town.

If you’re flying out, you’re still sitting pretty—provided they’ll let you on the plane with ten boozy advent calendars sticking precariously out of a Powell’s tote. 

Portland airport has seen to it that even last minute presents from PDX are—by nature of the shops onhand—thoughtful, lovely, and local.

Pre-security

No one is suggesting you make a trip to the airport just to shop—well, other than the Port of Portland; they would probably support the idea—but those arriving at PDX have their pick of both concourse and “the garden” shops. 

In keeping with our love of last minute office supplies, you’ll want to check out Paper Epiphanies, which packs an impressive variety of journals, art books, design periodicals, and a rainbow wall of markers (!) into a cute corner shop. The woman-owned business specializes in femme-empowerment messages, so you’ll find trendy books about feminist philosophy, art, and activism. On a practical level, this shop also has an entire wall of greeting cards. Pro tip: Want to hear more from someone who lives far away? A stationary set is a sweet incentive.

Paper Epiphanies suzette smith

Orox Leather is an epicenter of cool in this area. Not only does it sell handmade leather goods ($250 purse for when you’ve really pissed someone off; $10 leather coasters for the uncle who wants you to put one under your drink), but the people behind Orox also invited their fellow Latinx and Oaxaqueño makers from the Portland area to sell items there as well. So you can get dreamy little half-pints of Nico’s Ice Cream from a freezer in the back, and sampler packs of HAB hot sauce from shelves in the front. It’s about community, but it also appears to be about having amazing taste.

Just next door, you’ll find the delicious and vegan AND gluten-free goodies of Missionary Chocolates. They have a lot on offer, but we’ll vouch for the chocolate-covered sandwich cookies. Further in, the deeply basic, but super crowd-pleasing Hello from Portland store carries THE THING YOU NEED when basically any Portland-y / Oregon-y present will do. A “Keep Portland Weird” mug it is.

Concourses B and C

Post-security shops have an obvious advantage because whatever you pick up after TSA’s disrobe/re-robe challenge doesn’t have to meet its dogmatic restrictions. That means booze! 

The GENIUSES at Straightaway Cocktails have created a craft cocktail advent calendar that has seemingly no attachment to any particular religion or any assigned set of dates. It’s just a nicely designed box with 12 mystery doors, and behind each is an alcoholic drink in a can. This is the present very good adult siblings give one another to weather the hard times of visiting family. If it helps, it’s of a similar size and shape to an oversize Bible (wink). Straightaway already has these little masterpieces available at their kiosk.

Cocktail advent calendar straightaway cocktails

Concourse C has a lot going for it because it’s also where you’ll find the PDX Powell’s Books pop-up. The selection has nothing on City of Books, but there’s always some interesting titles selected by staff, showcases of local authors, whatever nonfiction book everyone is mad about, a variety of card games, and the new Stephen King in stock.

Now, your gate dictates what concourse you’re flying from, so some concourse options simply won’t be available, depending what side you’re on. However, if your mother sternly warned you “not to come home again without a Pendleton wool blanket”—they have booths in both C or on the way to D and E. Similarly, Westward Whiskey also put down roots on either side of security (C & E).

Concourses D and E

Stronghold of cute, local, and punk Tender Loving Empire manifested two locations as well, in both D and E, on the same side of security. TLE has a long history of reliably solid care packages, tailored to foodies, self-care softies, and even people who just like Jacobsen Sea Salt. They’ve got a basket for it, and if they don’t, they can make you one.

While I am in no way related to Smith Tea founder Steven Smith, I do frequently receive his company’s tea as a gag gift, and I love that. Please continue this very funny joke, because the tea is a little on the spendy side. The full-leaf flavors are perfect for splurges and special occasions, though, and the company always has interesting collabs in the works. This fall, they brought back a Westward Whiskey team up, Ode to Whiskey, where black tea is aged in wet whiskey barrels to convey tasting notes/vibes—it’s perfect for your moody, lettered cousin.

That’s your winter gift gauntlet handled! We hope this list helped; it’s not really just for the holidays, because there are plenty more times throughout the year when you’ll want to take along a gift to say, “I’m sorry I didn’t get a hotel,” or “so it turns out we both have the same dad.” Life can be messy, but a last minute present is still a present.

Christmas came early for these city bureaus and agencies. Let’s see what ‘Taxpayer Santa’ brought them! by Courtney Vaughn

What you do with your money is nobody’s business, but what the government does with your money is everyone’s business. 

At a time of year when parents across the nation get suckered into splurging on pricey, short-lived toys (sorry, but your kid is never gonna learn to play that keyboard and there’s a good chance that Easy-Bake Oven will burn your house down), we set out to see which public agencies and city bureaus received the biggest, coolest, and most expensive toys—thanks to you and your tax dollars. 

While these agencies may have been blessed with many of the toys on their wish lists, we know austerity measures are coming. The Portland mayor’s office recently offered a budget preview that reveals city bureaus will likely need to cut another 5 percent from their budgets in the upcoming fiscal year. If that sounds like a bone dry way of explaining the city’s money sitch, imagine if you already had to cancel all your streaming services and lower your grocery bill last year, and now you have to cut even more expenses, to the point where you’re considering canceling your internet service and just stealing the shoddy WiFi signal from that coffee shop down the street.

And though the government shopping sprees may be coming to an end for now, let’s take stock of some big-ticket toys, tools, and trucks that taxpayers recently bought for our public agencies. Show this to your kids to explain why “Santa” had to scale back this year.

Courtesy PPB Portland Police Bureau

Body cameras

What they are: small video cameras roughly the size of a credit card that clip onto officers’ uniforms. In December 2023, Portland City Council authorized police to spend up to $10 million on body-worn cameras over the next five years. The end-of-year purchase was a bit of an impulse buy. The council approved the expense in an effort to save the bureau $1.5 million by approving a contract with camera manufacturer Axon before the new year. This feels like the equivalent of springing for a new washer and dryer during a Presidents Day sale because the deal is too good to pass up. 

Estimated cost: $10 million

Courtesy PPB Portland Police Bureau

Drones

What they are: small, aerial cameras also known as unmanned aircraft systems, which record video and images from the vantage point of a bird or an insect buzzing above your head. PPB started using drones in 2023 as part of a pilot program. This year, the City Council coughed up nearly $100,000 for the bureau to buy more devices. Police mainly use them to help get images at major crime and crash scenes. 

The bureau says the high-flying cameras allow officers to “monitor critical incidents from a distance, assist with search and rescue, and provide evidence of crimes.” Recently, PPB has deployed drones at crisis scenes involving uncooperative, potentially dangerous subjects, to try to peer into windows or gain a view of other hard-to-reach spaces. Police swear they’re not using drones for any type of facial recognition efforts. 

Estimated cost: $166,000

Portland Police Bureau

Crowd control weapons; armor

What it is: tear gas, riot shields, and impact munitions. Earlier this year, the Portland Police Bureau revived its crowd control specialists, formerly called the Rapid Response Team. Crowd control officers responded to large-scale protests over the spring at Portland State University and now, the bureau is preparing for demonstrations and potentially violent protests following the November election. The city didn’t skimp on PPB’s shopping budget, authorizing $1.1 million for the purchase of 100 shields; 350 tear gas canisters; 350 kinetic impact projectiles; 300 impact munitions with chemical irritants; 100 flash-bang incendiary devices, and munitions training. 

Note: Since they’re spending your tax money, all of these weapons will be used on you, dear readers… which gives new meaning to the phrase, “You get what you ask for.”

Estimated cost: $1.1 million

TriMet

Articulated transit bus,
AKA “bendy bus”

What it is: a long, 60-person public transit bus with an accordion-like middle section, allowing the long bus to maneuver around tight roads while carrying more passengers. The buses are diesel-powered and allow TriMet to expand capacity on select, highly-used routes. Frequent service and more seats = more fentanyl traces, baby!

Estimated cost: $935,000

Courtesy Portland Fire & Rescue Portland Fire & Rescue

Tractor-drawn aerial truck

What it is: a big-ass fire engine with superpowers. Tractor-drawn aerial trucks give firefighters extra maneuverability and include an aerial ladder for reaching tall and tight spaces. They also have independent rear steering, so the trailer attached to the truck can be angled even when the cab isn’t. These behemoths typically range in length from 55 to 65 feet. 

Estimated cost: $1.7 million

Portland Bureau of Transportation

Street sweeper

What it is: A heavy-duty truck that sweeps and vacuums. The latest street sweeper purchase by PBOT was a 2023 Elgin Eagle. The model boasts a conveyor that won’t jam, a variable height lift system and a high-capacity dump feature (paging Sir Mix-a-Lot!) As the manufacturer notes, the Eagle sweeper can maintain highway speeds and ensures “dumping is a breeze.”

Estimated cost: $424,500 

Courtesy PBOT Portland Water Bureau

Snow plow 

What it is: A SnowDogg plow attachment for heavy-duty trucks that can scoop snow and debris off roads. You probably thought PBOT was the only bureau to come to our rescue during a snowstorm. Not so! The Water Bureau is also responsible for keeping roads clear during crummy weather, while responding to water main breaks and other crises. The Water Bureau recently bought two plow attachments and even opted for discontinued 2019 models to save some dough. The latest purchases weren’t meant for general use around the city. Instead they’re mostly meant to secure watersheds, clear access paths to the Water Bureau’s own facilities, and other bureau-specific responses—but still, it never hurts to have more of these puppies available during the next snowpocalypse.

Estimated cost: $5,600

Follow us down memory lane for the best and worst trash of 2024! by Elinor Jones

Happy Holidays, Trash Pandas! ‘Tis I, Elinor Jones, AKA the Ghost of Trash Past, here to guide you through 2024—a year that I could best describe as “a year that happened.”

January 8 

I hate to break it to us, but despite anyone’s resolutions, this is probably not going to be a year when anybody becomes better. You know how in professional sports, when a bunch of the big names have retired or left and then it’s just rookies and no-names, they call it a “Rebuilding Year”? 2024 will be the opposite of that for us. A destroying year. All of us are going to get worse, it’s just a matter of how quickly, and how much. 

February 12

I am all about the monoculture and I love to love things, but I am so tired of football and Taylor Swift! No more brain space; I simply cannot. I mean look: Am I glad she made it to the game in time after her Tokyo shows? Yes. Do I think this was a challenge or hardship for her when she has her own airplane and team of professionals to ensure it happens comfortably and efficiently? No. Am I impressed that her lipstick always looks so damn good? Yes. Did I like her pants? No, I hated them. Do I think it’s hilarious that Republicans hate Taylor Swift so much that they’d rather root for the team out of San Francisco than the corn-fed midwestern one? Yes, a thousand times yes, this is incredible, put it in my veins. Will I listen to her new album? OBVIOUSLY. But that’s it! No more thoughts!!

April 1 

The world has gone country, and by that I mean we have all been listening to Beyoncé’s latest album Cowboy Carter all weekend. I’m a fan! Several years ago I found a pair of those magical thrift store cowboy boots that somehow both fit perfectly and are extremely cool, and I always knew there was a reason to hang on to them. I’m excited to plan an outfit to wear to her next concert that probably won’t come anywhere near Portland anyway. A girl can dream. That’s country. 

April 15 

[Regarding a possible Monopoly movie.] “What’s next, Checkers? Jenga? You wanna make a Jenga movie? What, fuckin’ CONNECT FOUR?” And I will stop you right there, because that one works. Four is the correct number for a collection of people. It’s the best table in a restaurant—no pulling up an extra chair for some poor schmuck to sit at one end. Four is the maximum number of heads that will fit into a photobooth picture. Four is how many adults fit comfortably in a car. So let’s talk about this Connect Four movie: I am seeing three friends realize that something is missing and they desperately seek a fourth, but they keep being blocked by outside forces, until finally, one day, through either meticulous planning or pure dumb luck, the pieces line up just so, and they find their fourth friend, thus creating a powerful block which shall emerge victorious! “But Elinor,” you say. “Is this not the plot of the 1990s supernatural teen thriller THE CRAFT?” To which I say: “DING FUCKING DING.” A Connect Four movie already exists, it stars Fairuza Balk and Neve Campbell, and it’s perfect!

May 13 

First Lady Jill Biden stopped in Portland last week to attend a quick fundraiser in Lake Oswego. Portland Mayor Ted Wheeler was there, and later told the press “it’s nice to see the First Lady supporting our city and taking an interest in what we do here.” Buddy! She wasn’t even in our city! Was there nowhere decent in Portland proper for her to glad-hand wealthy Democrats? You know, I almost think she was trying to keep away from the riffraff by going to Lake Oswego, and that is especially not “what we do here.” In Portland, riffraff is the name of the game!

May 20 

Rudy Giuliani somehow (and for days) evaded Arizona officials trying to serve him an indictment for his (alleged) 2020 election crimes. I could use a lot of words to describe Rudy Giuliani, but “indiscreet” and “stealthy” are definitely not among them. I feel like one could locate Rudy Giuliani using whatever magic makes a cartoon mouse float towards cheese, but the wafting odor is a mix of cigars, cologne, and farts. Alas, the man was found, and at his own 80th birthday party. Giuliani even shared an absolutely psychotic Amazon wish list of the stuff he wanted, which included “stain blocking ceiling paint.” That Giuliani worries about his ceiling getting dirty really captures the explosive gooeyness of this chapter in his life.

June 10

Sabrina Carpenter released a fun and steamy video for her new single “Please Please Please” which features boyfriend Barry Keoghan. These two are giving the sultry slutty young relaysh vibes they were trying to sell us with Glen Powell and Sydney Sweeney last year. I could never fully get behind those two because they look like they were generated by an AI prompt of “hot white heteros.” Barry and Sabrina are hot too, but also interesting, sexy, a little dangerous, and maybe kinda mean? Like Glen and Sydney would break your heart by ghosting you, but they’d never tell anyone else your secrets, whereas Barry and Sabrina would get a tattoo of your name and then try to run over you with their car.

June 17 

The AtmosFEAR ride at Oak’s Park got stuck upside down last week, leaving some 30 people stuck upside down for 25 minutes. Roller coaster-avoiders like me will get YEARS of excuses out of this. It’s not that we’re scared; it’s that we’re smart. (We’re also very scared.)

July 8 

Gwyneth Paltrow held a party at her home in the Hamptons and somebody got diarrhea. I’m sorry, not just diarrhea—"catastrophic” diarrhea, which is a pretty horrifying combination of words! The diarrhea was allegedly caused by Ozempic, which all the stars are taking, so think about this the next time you see a star-studded red carpet: know that the bathrooms at that event are a grade-A paint show, and you’re lucky you’re not there.

July 15

Iconic sex therapist Dr. Ruth passed away last week at the age of 96. There was not a major event she couldn’t make into a reason to get laid, and it’s really a shame she died before this attempted assassination of Donald Trump; she would have made it so horny. 

August 5

I am loving the Olympics! God, the amount of pride I feel for the US Olympics Team is overwhelming; borderline ew, like am I becoming a flag girlie? Seeing tacky bedazzled Republicans at the RNC a couple weeks ago made me want to hurl, but throw some gemstones on a leotard and I am in line. I’ve been especially tickled by the vibes of the shooting competitors despite hating guns with every fiber of my being. The gun lobby might be appealing to the wrong instincts in trying to garner support. I mean, has the NRA ever considered simply serving cunt? 

August 26

Republican Vice Presidential candidate JD Vance is trying to prove he’s not weird and failing spectacularly. He recently stopped by a donut shop where the workers didn’t want to be on camera and ordered “whatever makes sense,” for which he has been mercilessly mocked. And look, I get it: When JD Vance orders “whatever makes sense” it sounds like a robot prepping for his first day of human school. That said, I do think this makes sense! I like the idea of ordering “~items~.” Put “whatever makes sense” on the late-night menu at a bar and I guarantee you it will go gangbusters. Sometimes you’ll get a vat of french fries and a pitcher of beer. Other times you’ll get a Sprite and two ibuprofen. Credit where credit is due—this couch-fucker might be on to something! 

September 16

Actor James Earl Jones passed away last week at the age of 93. He was the last good Jones. Now it’s just me. And my Mufasa voice is shit.

October 14

The widow of Bobby Kennedy and mother of presidential candidate RFK Jr., Ethel Kennedy, passed away last week at the age of 96. I think if the son of a deceased person repeatedly requests that the casket not be locked and sealed, you gotta wonder what he’s got planned for that corpse.

What wonders will these final days of 2024 have in store for us? I have absolutely no idea, but you can guarantee that I’ll be around to make a silly joke about it (hopefully!) I hope your -ber months are safe, warm, and cute.

Santa-ly,

President-elect Trump announced he intends to nominate Florida Rep. Matt Gaetz as attorney general, putting a fierce critic of federal law enforcement in charge of the Justice Department.

NPR's Michel Martin speaks with Penn State labor and employment relations professor Paul Clark about blue-collar voters and their decision to back President-elect Trump in this election.

Robert F. Kennedy Jr. says President-elect Trump wants "measurable impacts" toward ending chronic disease within two years. About 60% of Americans suffer from at least one chronic disease.

Rebroadcast September 26, 2014 It's been almost two months since 18 year old Michael Brown was shot and killed by Ferguson, MO police officer Darren Wilson, but the reverberations surrounding his death continue. Brown's death was the fourth last summer in as many weeks in which an African American man was killed by law enforcement. In a special conversation this week, Basic Black goes beyond the headlines to explore the racial, historical, and cultural underpinnings of the relationship of law enforcement to communities of color and the meaning of protest in a post-civil rights movement era.

Panelists:
- Callie Crossley, Host, Under The Radar With Callie Crossley, WGBH News
- Phillip Martin, Senior Reporter, WGBH News
- Frank Rudy Cooper, Professor of Law, Suffolk University Law School
- Marcela Garcia, Regular Contributor to The Boston Globe, Editorial and Op-Ed Pages
- Peniel Joseph, Professor of History, Tufts University

Photo: A man is moved by a line of police as authorities disperse a protest in Ferguson, Mo. early Wednesday, Aug. 20, 2014. On Saturday, Aug. 9, 2014, a white police officer fatally shot Michael Brown, an unarmed black teenager, in the St. Louis suburb. (AP Photo/Charlie Riedel)

October 3, 2014 This week on Basic Black: an editorial cartoon about Secret Service lapses creates a firestorm and we look at Eric Holder's legacy in civil rights law and racial justice. From special programs such as the death of Nelson Mandela and a deep dive into the causes of the racial eruption in Ferguson, MO, to an exploration of the rapid rise of black immigration in Massachusetts or the use of the n-word in major league locker rooms, Basic Black conversations respond in the moment to events in politics, culture, art, and community. Panelists:
- Callie Crossley, Host, Under the Radar with Callie Crossley, WGBH News
- Phillip Martin, Senior Reporter, WGBH Radio
- Kim McLarin, Assistant Professor of Writing, Literature, and Publishing, Emerson College
- Michael Jeffries, Associate Professor of American Studies, Wellesley College

October 10, 2014 This week on Basic Black: perceptions and realities on two fronts. First, we take a look at Ebola and race. With the death of Thomas Duncan attention has focused even more closely on his initial and subsequent contact with Texas Health Presbyterian Hospital in Dallas; although Mr. Duncan received round-the-clock care once admitted to the hospital, his case has raised questions about the relationship of communities of color, the poor, and the uninsured to the US health care system. Also, the ACLU of Massachusetts released a report charging the Boston Police Department with racial bias, a charge the Department vigorously rejects, pointing to advances made in the last few years under the leadership of Commissioner William Evans. But beyond the report, which only uses data from 2007-2010, how should we look at Boston's policing of communities of color in the context of the national conversation that sprung from events in Ferguson?

Panelists: - Latoyia Edwards, Anchor, New England Cable News - Kim McLarin, Assistant Professor of Writing, Emerson College - Phillip Martin, Senior Reporter, WGBH News - Peniel Joseph, Professor of History, Tufts University - Yawu Miller, Senior Editor, Bay State Banner
Photo: Licensed clinician Roseda Marshall, of Liberia, disrobes after a simulated training session on Monday, Oct. 6, 2014, in Anniston, Ala. (AP Photo/Brynn Anderson)

October 17, 2014 Democrat Martha Coakley and Republican Charlie Baker are in a dead heat in the Massachusetts governor's race. The margin of error in the polls for both candidates is slim, but can voters in communities of color fill the margin with a victory, sending one of them to the governor's office? Are the campaigns of the independent candidates resonating with black, Latino, or Asian voters? This week on Basic Black, we look at how the candidates for governor are delivering their message to communities of color in the race to the finish line on November 4. Panelists:
- Latoyia Edwards, Anchor, New England Cable News
- Phillip Martin, Senior Reporter, WGBH News
- Peniel Joseph, Professor of History, Tufts University
- Marcela Garcia, Regular Contributor to the Boston Globe's Editorial and Op-Ed Pages
- Paul Watanabe, Director of the Institute for Asian American Studies, UMass, Boston

Originally broadcast October 24, 2014 In the aftermath of his arrest protesting the killing of Michael Brown, a young black man shot to death by a white police officer, Cornel West sits down for a conversation with Callie Crossley about his new book Black Prophetic Fire, an examination of the lives of historic African American icons and how their courage to speak truth to power still resonates with contemporary activism from the events in Ferguson, MO to taking a stand against the policies of the Obama Administration. Panelists: - Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH Radio - Kim McLarin, Assistant Professor of Writing, Emerson College - Peniel Joseph, Professor of History, Tufts University - Phillip Martin, Senior Reporter, WGBH News
Photo credit: Meredith Nierman, WGBH.

October 31, 2014
In remembering the legacy of former Mayor Thomas Menino, State Senator Linda Dorcena Forry remarked, "He didn't just focus on downtown, it was also our neighborhoods." This week on Basic Black, we look back at the city's longest serving Mayor and the huge imprint he left on Boston's neighborhoods and communities of color. Panelists: - Latoyia Edwards, Anchor, NECN - Charles Yancey, Boston City Council, District 4 - Yawu Miller, Senior Editor, Bay State Banner - Phillip Martin, Senior Reporter, WGBH News

On the ground and in the street…

Charlie Baker beat the highly touted Democratic ground game to win the Massachusetts Governor’s race. What does his victory mean for communities of color? And later in the show, the viral video that to date has gotten over 30 million views: men catcalling a woman while she's performing the simple act of walking through the streets of New York City. We’ll talk about what it shows, and why it has sparked a heated debate about street harassment, race, and sexism. Panelists:
- Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH News
- Kim McLarin, Assistant Professor of Writing, Emerson College
- Peniel Joseph, Professor of History, Tufts University
- Phillip Martin, Senior Reporter, WGBH News
- Akilah Johnson, Reporter, The Boston Globe
(Image: Screenshot from the video by Hollaback!)

November 14, 2014 Identity is an ever evolving, some would say elusive concept in American culture: Grammy award-winning artist Pharrell declares himself part of the “new black” generation… The US Army only last week eliminated “Negro” as a racial designation… “More Hispanics declaring themselves white” was a New York Times headline in May… and Asian American and Pacific Islander students at Harvard recently held a forum to bring their issues to the forefront. This week on Basic Black we look at the common thread through these and other stories identity, and what it means on a personal level and the global landscape. Panelists: - Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH News - Kim McLarin, Assistant Professor of Writing, Emerson College -Peniel Joseph, Professor of History, Tufts University - Phillip Martin, Senior Reporter, WGBH News - Julio Varela, journalist and founder, Latino Rebels (Photo: Pharrell/Jonathan Short - Invision- Associated Press, 2014.)

November 21, 2014 This week on Basic Black: President Obama has thrown down the gauntlet to his detractors on immigration reform in the form of an executive action. Who does it impact and does this signal the beginning of a battle with Congress? Later in the show, the unmaking of an icon, as up to 13 women have come forward with accusations of sexual assault against comedian Bill Cosby.

Panelists: - Latoyia Edwards, anchor, NECN - Phillip Martin, senior reporter, WGBH News - Kim McLarin, cultural commentator and Assistant Professor of Writing, Emerson College - Michael Jeffries, Associate Professor of American Studies, Wellesley College - Julio Varela, journalist and founder, Latino Rebels
Photo: President Obama delivers an address on immigration reform from the East Room of the White House, November 20, 2014. (Official White House photo by Pete Souza.)

December 5, 2014 December 1st marked the 59th anniversary of Rosa Parks refusing to give up her seat on the bus to a white passenger, setting in motion the Montgomery Bus Boycott and the emerging modern civil rights movement. We observe this anniversary amidst a wave of protests: online, on the streets, and in the marketplace… actions in response to the deaths of several African American men and boys at the hands of law enforcement. This week on Basic Black, we consider the changing face and force of future social justice movements.

Panelists:
- Callie Crossley, Host, Under the Radar with Callie Crossley, WGBH News
- Kim McLarin, Assistant Professor of Writing, Emerson College
- Phillip Martin, Senior Reporter, WGBH News
- Peniel Joseph, Professor of History, Tufts University
- Pamela Lightsey, Associate Dean for Community Life and Lifelong Learning, Boston University School of Theology
Students and community members hold their hands up on campus at Boston University in Boston, Monday, Dec. 1, 2014 to show solidarity with protesters in Ferguson, Mo. (AP Photo/Elise Amendola)

December 5, 2014
December 1st marked the 59th anniversary of Rosa Parks refusing to give up her seat on the bus to a white passenger, setting in motion the Montgomery Bus Boycott and the emerging modern civil rights movement. We observe this anniversary amidst a wave of protests: online, on the streets, and in the marketplace… actions in response to the deaths of several African American men and boys at the hands of law enforcement. This week on Basic Black, we consider the changing face and force of future social justice movements.?? Panelists:? - Callie Crossley, Host, Under the Radar with Callie Crossley, WGBH News ?- Kim McLarin, Assistant Professor of Writing, Emerson College ?- Phillip Martin, Senior Reporter, WGBH News ?- Peniel Joseph, Professor of History, Tufts University? - Pamela Lightsey, Associate Dean for Community Life and Lifelong Learning, Boston University School of Theology?
Photo: Students and community members hold their hands up on campus at Boston University in Boston, Monday, Dec. 1, 2014 to show solidarity with protesters in Ferguson, Mo. (AP Photo/Elise Amendola)

December 19, 2014
As we head into the festivities of the holiday season, we talk about the good, the bad, and the ugly of soul food. We’re joined by Frederick Douglass Opie, author of Hog and Hominy: Soul Food from Africa to America. Later in the show, as the #BlackLivesMatter protests continue, we pause to consider what’s next for the movement and what happens after the die-ins, the shut-downs, and the walk-outs. Panelists: - Callie Crossley, host, Under the Radar with Callie Crossley, WGBH News - Peniel Joseph, Professor of History, Tufts University - Kim McLarin, Assistant Professor of Writing, Literature, and Publishing, Emerson College - Frederick Douglass Opie, Professor of History and Foodways, Babson College

January 9, 2015 This week Charlie Baker was sworn in as the 72nd governor of Massachusetts, with promises of bipartisanship and a renewed economic growth agenda for the Commonwealth’s urban communities. Later in the show we remember Senator Edward Brooke who died last week at the age of 95. Panelists:
- Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH News
- Phillip Martin, Senior Reporter, WGBH News
- Darnell Williams, President and CEO, Urban League of Eastern Massachusetts
- Judge Joyce London Alexander Ford, formerly US District Court, Massachusetts
- Robert Fortes, Founder and President, The Fortes Group

Massachusetts Republican Gov. Charlie Baker, center, acknowledges applause after taking the oath of office, Thursday, Jan. 8, 2015, in the House Chamber of the Statehouse, in Boston. Mass. (AP Photo/Steven Senne)

January 16, 2015 Demonstrators shutdown 1-93 near Boston this week crippling traffic for hours, putting the black lives matter and I can't breathe protests back on the front page. The latest actions occurred days after the opening of the critically acclaimed movie Selma.Selma's social justice campaign is on the big screen just as current protests push the conversation about race and civil rights beyond the teachable moment to a more forceful, uncomfortable demand for change. We look at the artistry and history portrayed in Selma against a backdrop of contemporary social justice movements.


Panelists:
- Callie Crossley, host, Under the Radar with Callie Crossley, WGBH News
- Kim McLarin, Assistant Professor of Writing, Literature, and Publishing, Emerson College
- Brandon Terry, Prize Fellow in Economics, History, and Politics at Harvard University
- Sarah Jackson, Assistant Professor in Communication Studies, Northeastern University
- Brenna Greer, Assistant Professor of Social Sciences and History, Wellesley College (Italics: from Rev. Dr. Martin Luther King’s speech at the March on Washington 1963. Photo credit: Atsushi Nishijimi)

January 23, 2015 Boston won the opportunity to represent the United States in a bid to host the 2024 Summer Olympics, erupting a host of opinions, with very few opinions coming down the middle, but all of them mentioning the cost. What will be the impact good or bad, for Boston's neighborhoods? Later in the show, we review Boston Mayor Marty Walsh¹s first State of the City address. What do his plans mean for the future of race relations, economic development, and public safety?

Panelists:
- Latoyia Edwards, anchor, NECN
- Kim McLarin, Assistant Professor of Writing, Literature and Publishing, Emerson College
- Phillip Martin, Senior Reporter, WGBH News
- Shirley Leung, Business Columnist, The Boston Globe
- Marcela Garcia, Regular Contributor, Editorial & OpEd Pages, The Boston Globe

January 30, 2015 The pictures and stories of Bostonians whose stories have been sidelined are now highlighted in a book more than 20 years in the making. Now in 107 portraits coupled with narrative profiles, the contributions of some notable Bostonians of color are preserved for all time. The book is Portraits of Purpose: A Tribute to Leadership and we’re joined by photographer Don West and writer, Kenneth Cooper.

Panelists:
- Callie Crossley, host, Under the Radar with Callie Crossley, WGBH News
- Phillip Martin, senior reporter, WGBH News
- Don West, photographer and photojournalist, Portraits of Purpose: A Tribute to Leadership
- Kenneth J. Cooper, journalist and writer, Portraits of Purpose: A Tribute to Leadership

February 6, 2015 This week on Basic Black’s roundtable: • With the rise of television shows like Black-ish and Empire and the newly-released movie Black and White, we ask if Hollywood is on the way to realistic portrayals of families of color.
• A measles outbreak earlier this week at Disneyland in California re-ignited the debate over vaccinations - with oftentimes limited access to healthcare are children of color at particular risk?
Panelists: - Latoyia Edwards, Anchor, NECN - Phillip Martin, Senior Reporter, WGBH News - Kim McLarin, assistant professor of writing, literature and publishing, Emerson College - Donna Patterson, Assistant Professor fo Africana Studies, Wellesley College