'It started as a kind of joke. Now I think it has gone far enough.'

'He took a lot of crap from a person who feels she knows how to direct a film.'

To say Aretha ticked all the boxes when it came to voice technique is like calling Cristiano Ronaldo an efficient footballer, says Kanika Datta.

'Stree's allegorical approach doesn't interfere with its need to endear and entertain.''Important ideas of empowerment and item songs as well as chills and chuckle coexist to fulfil its objective of thoda hasao, thoda darao,' says Sukanya Verma.

'This is a movie made with this gaze fixed on its immediate well-wishers, while at the same time it squints hard looking for those swaying back and forth on the fence,' notes Rohit Sathish Nair.

Why Ajay Devgn will play football... Did Mahesh Bhatt fling a chappal at Kangana...Breaking Bollywood news from Subhash K Jha.

'This film is a product of a dangerous trend to take just a sprinkling of truth, mix it with free-flowing speculation and present it as historical facts,' says Manavi Kapur.

'When so many noted universities -- including the likes of Harvard and the University of California -- are spending their resources on studying the world of GoT, it is fun to assess whether this fictional universe conforms with the laws of our real universe,' says Kumar Abhishek.

'If you can tell the quality of a movie-watching experience, only and only by referring to set standards, you *aren't really* going to the movies,' argues Sreehari Nair.

Quentin Tarantino, declares Sreehari Nair, will be remembered as someone who made just two great movies, and who then brought misery upon himself.

The long-awaited book is frank, funny, self-lacerating and full of gossip worthy anecdotes. What else could we ask of the Rocketman?

Only Bong Joon Ho -- whose film Parasite won the Oscars for Best Film, Best Director, Best International Feature -- knows how to work with a heavy hand and still get respectable results, says Ranjita Ganesan.

Aseem Chhabra imagines a time, 20 years from now, when movie-watching in theatres will be long gone, thanks to the coronavirus, and pens a letter to his grandchild, explaining the magic of the cinema hall.

'Why would Destiny play such a cruel game?'

Most of us have a memory like that with our fathers, tucked away in the back of our minds or hidden away in family albums. Irrfan's passing took us right back. It's also what made it so personal to so many of us, points out Abhishek Mande Bhot.

'All my hard work will be forgotten.'

A collection of thoughts from colonial interpreters on war. Visit this feature.

Carols, motets, hymns, songs, and madrigals reflect the enthusiastic joy and high spirits of Yuletide celebrations in Williamsburg.

Recorded in an authentic tavern environment similar to what might have been experienced in 18th-century Williamsburg.

On this recording of period music, the Cross Violin, Kirckman Harpsichord, Keene Spinet, Broadwood Pianoforte and three flutes are played just as they were in colonial times.

New lyrics set to familiar (or some not so familiar) English melodies, recorded using 18th-century instrumentation to recreate the ambience of a small tavern or public meeting place.

Another fine collection of military and marching music performed by the Fifes and Drums of Colonial Williamsburg.

Selected performances from nine of Colonial Williamsburg's recordings, including fife and drum marches, chamber music, slave chants, and tavern songs.

Collection of some of Thomas Jefferson's favorite musical pieces recorded on period musical instruments in the Governor's Palace in Colonial Williamsburg.

Lively dance tunes and spirited medleys are heard on the "The Fifes and Drums of Colonial Williamsburg 4th of July Concert." Performed live on Market Square July 4, 2005, the music also includes a salute to each of the 13 original colonies and concludes with "The Star Spangled Banner" and the sound of fireworks.

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

Hear the words that were catalyst to the Revolution, read by Bill Barker, Colonial Williamsburg's Thomas Jefferson.