PRISHTINË/PRIŠTINA, 9 May 2016 – A ten-day school of journalism organized by the OSCE Mission for around 20 young people from northern Kosovo started today in Mitrovica/Mitrovicё North.

In the course of the programme, led by Davor Glavaš, a renowned journalist and lecturer at the University of Zagreb, participants will gain practical knowledge in reporting, writing skills and the use of social media and new technologies, such as blogs and web portals. Enhancing these skills will help them in their careers as well as contribute to media pluralism in Kosovo.

“For democratic societies it is crucial to have well educated journalists able to report in an objective, factual and independent manner. It is also important to provide aspiring young people with education opportunities to pursue a career in journalism,” said Christopher Tuetsch, Director of the OSCE Mission in Kosovo Democratization Department. “With this activity the OSCE Mission aims to help media outlets in northern Kosovo strengthen their human capacities and enhance information pluralism offered to the public.”

Following the successful completion of the programme, the top four candidates will be selected to participate in a six-month apprenticeship programme, to be implemented jointly with four media outlets in northern Kosovo: TV Mir, Radio Kosovska Mitrovica, Radio Kontakt Plus and the KoSSev web portal.

The OSCE Mission in Kosovo is mandated with human rights protection and promotion, democratization and public safety sector development. It helps safeguard freedom of the media and freedom of expression, and supports media development.

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It may be easy to resort to binary thinking, or ‘thinking in black and white’, but it is too simplistic to understand our complex world. It forces us to focus on differences, “us” vs. “them”, rather than on our common ground, shared interests and aspirations: universal human rights, peace, security and prosperity.

The OSCE launched the #LetsDoodle contest in partnership with eYeka, a global community of talented creators, asking artists to create a cartoon character challenging violent extremism with creativity, imagination and humour. A total of 29 creative concepts from 16 OSCE participating States and Partners for Co-operation were received in support of the OSCE United in Countering Violent Extremism (#UnitedCVE) communications campaign.

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Together even stronger

My cartoon character, MIX the sheep, is born of diversity,” says Jalal Bouanani from France, who won the first prize with his ‘Together even Stronger’ concept. “This is a nice, peaceful lamb, like a human being from birth. MIX will be a bridge-builder and the champion of actions against ignorance, racism, and polarization that can lead to violence.”

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Come to the peace side

The second prize winner, Peno Mishoyan from Armenia, created his ‘Pigeon Legion’ comprised of the Teacher Preacher, Peace Guard and Media Master who peacefully challenge violent extremism together. “I chose pigeons, or doves, as characters since this bird is a well-known symbol of peace and non-violence. The three of them stand united, strong, confident and cheerful.”

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See a bigger picture

“Birdy takes a bird’s-eye-view of violent extremism,” says the third prize winner, Tim Cordell from the United Kingdom. “Seeing the bigger picture helps him see the world in a more sensible and nuanced way. He can focus on similarities between people, not the differences, and likes to spread his insightful observations as wide as his wings will let him.”

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Thinking positively with Clozz and Opun

‘Clozz and Opun’, created by Jerome Picard from France, the fourth winner, are also birds: they sit on a wire and ‘chat’ about everyday life situations. “Intelligence, both knowledge and emotional intelligence, is stronger than ignorance. Critical thinking will help overcome violent extremism,” said Jerome.

[node id="246381" preset="medium" align="left" description="Lamberto Zannier, OSCE Secretary General, joining the brainstorming in support of the #LetsDoodle contest launched for the young artists and designers as part of the OSCE #UnitedCVE campaign, Berlin, 31 May 2016."]

The #LetsDoodle contest was launched at the OSCE-wide Counter-Terrorism conference in Berlin, where youth participants together with the OSCE Secretary General Lamberto Zannier joined the brainstorming to help promote the contest.  “I was impressed and inspired by all the ideas that were submitted for this contest, how diverse and well thought-out they were,” said Zannier. “This only proves how much we, as the international community, stand to gain by tapping into the skills and creativity of an expanded range of people to prevent violent extremism.”

To see the complete entries of the winners, follow @UnitedCVE on Twitter and other OSCE social media channels.

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VIENNA, 28 July 2016 – Artists from France, Armenia and the United Kingdom won the #LetsDoodle drawing competition organized under the OSCE’s United in Countering Violent Extremism campaign.

The competition was launched on 31 May 2016 in partnership with eYeka, a global community of talented creators, calling for the development of a cartoon character that challenges the binary, us versus them, thinking that often underpins violent extremist narratives. A total of 29 creative concepts were submitted by artists and designers from 16 OSCE participating States and Partners for Co-operation.

“My cartoon character, MIX the sheep, is born of diversity,” says Jalal Bouanani from France, who won the first prize. “MIX will be a bridge-builder and the champion of actions against the ignorance, racism, and polarization that can lead to violence.”

The second prize winner, Peno Mishoyan from Armenia, created his ‘Pigeon Legion’ comprised of the Teacher Preacher, Peace Guard and Media Master who together peacefully challenge violent extremism.

The winners of the third and fourth prize, Tim Cordell of the United Kingdom and Jerome Picard from France, respectively, also used birds as the key characters in their entries.  

“I was impressed and inspired by all the ideas that were submitted for this contest, how diverse and well thought-out they were,” said OSCE Secretary General Lamberto Zannier. “This only proves how much we, as the international community, stand to gain by tapping into the skills and creativity of an expanded range of people to prevent violent extremism.”

The winning concepts will become part of the OSCE United in Countering Violent Extremism (#UnitedCVE) communications campaign. Launched in June 2015, the campaign highlights the OSCE’s comprehensive approach to countering violent extremism and radicalization leading to terrorism and reinforcing a global consensus against this threat. Follow the campaign on Twitter for more updates.

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In a personal interview with Dr. Linda Livingstone, Caroline Nahas, Managing Director for the Southern California Offices of Korn/Ferry International, shares her insight about executive recruitment, employment, and the economy.

Caroline Nahas, Managing Director for the Southern California Offices of Korn/Ferry International, shares her thoughts and insights in the field of executive recruitment, employment, and its impact on the current state of the economy. (Part 1 of 2)

Caroline Nahas, Managing Director for the Southern California Offices of Korn/Ferry International, sits down for an interview with Dr. Linda Livingstone, Dean of the Graziadio School of Business and Management. Caroline also answers various questions from audience members. (Part 2 of 2)

Uno Flip is on sale for the lowest price I have personally seen. Usually around $9 or $10

Would be a great stocking filler

Snuggle Hunny branded Christmas Milestone Cards usually $4.95 reduced to $0.99 as part of Black Friday sale.

Started looking at 360° cameras and I've got my eye on the Insta360 X3 and came across this deal which is cheaper than the current Insta360 branded deal but doesn't have the accessories.

WASHINGTON: Uber on Tuesday selected Melbourne, Australia, as the first non-US city for its aerial ridesharing service that is expected to launch in 2023, as it unveiled new partners for the ambitious initiative.

Five state and private agencies have joined hands to develop the electric vehicle (EV) industry through more R&D projects as well as better support for local startups and small and medium-sized enterprises (SMEs) in the automotive market.

"You're going nowhere... I'm telling you how this goes." Netflix has unveiled the full official trailer for an X-mas thriller called Carry-On, landing to watch in December on Netflix soon. It's a new action thriller from Jaume Collet-Serra (of Orphan, Unknown, Non-Stop, The Commuter, Jungle Cruise, Black Adam), who is giving us a present of a cat and mouse thriller with some cheesy direct-to-video vibes. The setup: A young TSA agent fights to outsmart a mysterious traveler who blackmails him into letting a dangerous package slip onto a Christmas Eve flight. Who is he and can he actually stop him? The impressive ensemble cast features Taron Egerton as the main TSA agent, Jason Bateman, Sofia Carson, Danielle Deadwyler, Logan Marshall-Green, Dean Norris, Sinqua Walls, and Jason Bateman. This is finally looking like a legit thriller - reminding me of Die Hard with a Vengeance with as many twists & turns in it. Have a look below. Here's the official trailer (+ poster) for Jaume Collet-Serra's Carry-On, direct from Netflix's YouTube: You can rewatch the teaser trailer for Jaume Collet-Serra's Carry-On right here, for the first look again. "Every holiday season, millions travel safely by air. This Christmas will be different." […]

"The Smile of Speed." Janus Films has unveiled the official US trailer for It's Not Me, the autobiographic self-portrait short documentary film made by Leos Carax. The mastermind French filmmaker premiered this at the 2024 Cannes Film Festival earlier this year, and it has played at tons of other fests including NYFF, London, Karlovy Vary. The 41-minute biopic film is a "self-portrait of the director and his oeuvre, revisiting in free-form more than 40 years of the author's filmography." This autobiography takes a look back at all of his films and his work, and examines politics over time and the art-form of cinema. The intro: "For an exhibition, that in the end never took place, the Pompidou Museum asked the filmmaker to reply, in pictures, to the question: Where are you at, Leos Carax? He attempts an answer – full of questions. About himself and 'his' world: I don't know, but if I did, I'd reply that..." C'est pas moi or It's Not Me. With Denis Lavant, Kateryna Yuspina, Loreta Juodkaite, Anna-Isabel Siefken, Nastya Golubeva Carax, & Petr Anevskii, plus Bianca Maddaluno. This will be streaming on Criterion Channel in December if anyone wants to watch. Here's the official US […]

What’s at stake for climate policy? ‘Who the hell cares,’ Trump says. The presidential race features unusually sharp contrasts by the candidates on whether to address rising temperatures. By Benjamin Storrow, Scott Waldman, Adam Aton Excerpt: In Phoenix, temperatures this year spent 70 days over 110 degrees. Hurricanes lashed the Southeast, with back-to-back storms killing more […]

It was on this day in 1967 that two groundbreaking programs made their debut: Patrick McGoohan's The Prisoner and Gerry Anderson's Captain Scarlet and the Mysterons. If mystery/adventure of the mid-1960s captured the youthful and optimistic energy of the jet-setters, these two programs marked a growing sense of consequences and uncertainty for agents during the later part of the decade.

McGoohan's Danger Man had been on the air since September, 1960. His stories often exposed the darker side of espionage: moral sacrifices deemed necessary to protect the common good. His John Drake, though slightly insubordinate, presented the image of a man who could recognize -but look beyond- the distasteful consequences of the job in order to carry out his duties. His critique rose to a boiling point in a number of episodes (Yesterday's Enemies, To Our Best Friend) and the theme ultimately was channeled into his next project, The Prisoner (1967-1968). McGoohan's character in The Prisoner, now an unnamed spy, has resigned as a matter of principle and finds himself kidnapped to a remote village, where he undergoes constant psychological torture to determine why he resigned and whether he will spill his secrets. Capturing a counter-culture-era mistrust of authority, he never discovers if his torturers are the enemy after his secrets or his own people testing his loyalty (or indeed, his own mind). Known as Number 6 in the Village, McGoohan's character epitomized the theme of individual freedom, liberty, and rebellion against a surveillance state and conformity. There was a 2010 mini-series based on The Prisoner, starring Ian McKellen. Although it didn't measure up to the original, the show did a good job bringing the "Village" concept up to date in the form of complacent, consumeristic communities we see developing around trends in globalization. Even in my area, I note the trend to build large apartment complexes above retail streets, for example.

Gerry Anderson's Supermarionation programs, high-octane Sci-Spy adventures, had appealed to kids throughout the early 1960s. After establishing himself with inventive programs like Supercar, Fireball XL5, and Stingray, Anderson and his team found international success with Thunderbirds (1965-1966). The show featured their familiar cocktail of futuristic gadgets and intrigue, while the blockbuster stories focused on a secret organization of international rescuers keeping the world safe. But as Anderson and his wife, Sylvia, moved into the later part of the decade, they shifted toward the darker sides of human nature and the theme of consequences, echoing conversations around the Vietnam War and Cold War. 

The next project would be Captain Scarlet and the Mysterons (1967-1968), which began with a story about a team of space explorers discovering a mysterious city of energy. In a rash act of misunderstanding, the explorers mistake an innocent Mysteron gadget as a weapon and obliterate the city from the planet. As it turns out, however, the aliens can re-create any matter that has been destroyed. Neat trick, and essential to the show's premise. The city magically returns and the Mysterons vow to take revenge on humanity for its cruel, aggressive nature. The program was a much more violent affair. The hero of the piece, Captain Scarlet, began the series as an alien-constructed double agent assigned to assassinate the world's president. There was even a devastating suicide-bomber scene in the pilot and the series is packed with violent killings and ominous plots to destroy the earthmen. Once Scarlet was killed, however, he was able to regenerate and escape alien control. This established the arc of each episode, where the hero ultimately experiences a brutal death followed by a resurrection. His colleague, Captain Black, remained a rogue killer-agent for the enemy. Children's programming? Dark times indeed! Style fans take note: the costumes in the series were inspired by Pierre Cardins' space fashions! 

If these two programs illustrated transitions in the popular imagination, the trend seemed to take an odd turn by the following year. In a visit to the 1968 Exhibit in Oakland some years back, I was struck by the odd juxtaposition of truly violent historical experiences in the news, public anxiety and protest, and the strange effort of American mainstream TV, in contrast to these UK shows discussed above, to create a lulling oasis with shows like Green Acres, Beverly Hillbillies, and I Dream of Jeanie. Independent filmmakers had more liberty to present subversive material, creating films such as Easy Rider, The Monkees Head, and Night of the Living Dead. In the UK, The Prisoner and Captain Scarlet illustrated a culture trying to cope with the circumstances of the times within a mainstream medium. Whether it was questioning freedom and individuality, or consequences and culpability, these programs stand the test of time because they weren't afraid to ask questions and to frame them in ways that evoked excitement, sparkled with cutting-edge playful fashion and design, and explored real empathy. Spy Vibe wishes a very Happy 57th anniversary to The Prisoner and Captain Scarlet and the Mysterons. Related posts: Review: The Prisoner Vol 2 (Big Finish), Interview: The Prisoner Guide,  Portmeirion Photography 1, Portmeirion Photography, The Prisoner London Flat, Alan Hayes Prisoner Audio Review, Interview: Ian Olgivy, Interview: Brian Gorman, Prisoner Supergrass, Prisoner XTC, Prisoner XTC 2, Prisoner DC Fontana, The Prisoner 50th Event, Gerry Anderson Comics, Inside Gerry Anderson, Anderson documentary, Thunderbirds Comic Collection, License to Kill Puppets, Anderson Models, Sylvia Anderson Fashion, The Prisoner and Captain Scarlet, Set Design Countdown #9, Nehru Jackets, Spy Vibe Radio #6 (The Prisoner). 

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