Sanjay Gupta has been making sure that his work doesn't stop due to the ongoing lockdown and has been constantly working on the post-production of the film along with his editor remotely. "I've been continuously working. My editor Bunty Negi sends me the material every evening. Early morning I make my notes, I send them back to him.This is something I've been doing in the past because if I'm shooting, the edits go on. He sends it to me on laptop and I just send him my notes."

Sanjay also sends in some important sequences to John Abraham and Emraan Hashmi to have a look at and give their approval and involves them in the editing process, he stated in a recent interview with him and Emraan.

Talking about it, Emraan added, "Sanjay has shown me a bit, but I get too scared, I don't watch till the last bit till it's completed. I'm the kind of actor who doesn't really go and watch the monitor," he ends.

Mumbai Saga is produced by T-Series and White Feather Films. The film is produced by Bhushan Kumar, Krishan Kumar, Sangiita Ahir, and Anuradha Gupta.

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With fans continuing to rave about the cute and mature love story between Anuj (Sharman Joshi) and Gauravi (Asha Negi) in ALTBalaji and ZEE5's Baarish Season 2, the show makes us fall in love with this adorable pair once again with the release of a soulful track 'Dil Ki Gullak'.

The soft melody picturized on the Jodi highlights the ups and downs of their life, with the lyrics adding to the special bond that they share. What starts off with the cute moments soon turning into the couple contemplating divorce, this track further adds to the intrigue surrounding the fate of Anuj and Gauravi in this unusual love story.

Composed by the talented Shamir Tandon, who has given music for films like Mission Istanbul and Inkar, the soul of 'Dil Ki Gullak' is in its two singers Rik Basu and Pratibha Singh Baghel who have given fans a track to cherish forever. And it's the deep and heartfelt lyrics penned by Abhinav Nagar that adds meaning to the good and bad moments that Anuj and Gauravi go through. It's a song that's certainly going to make you realize that be it happy or sad, each and every moment in a relationship comes with a certain level of maturity.

Composer Shamir Tandon quips "It always has been a pleasure to score music for Balaji. My first outing with them was Ragini MMS where we had a very intimate melodic love song. And now it's time for Baarish. The song 'Dil ki Gullak' is one of my favourite and Ekta and her team were swift to pick this beautiful Raag based composition. I'm fortunate for this opportunity to work on this Sharman Joshi starrer and to everyone who wants to listen to this simple hummable track on repeat mode."

Baarish 2 begins with Anuj and Gauravi rediscovering their bond and finding love through every challenge that life throws at them, as they dream of a future together. Things don't seem to be going as per plan as Anuj, on seeing Gauravi face humiliation and hardships, changes as a human being in his quest to guarantee her happiness forever.

Having to pay a heavy price sees Anuj lose the very charm and innocence that made Gauravi fall in love with him in the first place which makes her take a firm stand to not settle for this change. With the couple taking separate paths, it's the rain that plays cupid once again to reunite these two hearts who yearn for each other.

Stay tuned to ALTBalaji and ZEE5 app for more!

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Allow us to say this but if Hrithik Roshan had a staggering debut with Kaho Naa... Pyaar Hai in 2000, Karishma Tanna made her debut with an equally successful piece of work- Kyunki Saas Bhi Kabhi Bahu Thi. Ekta Kapoor more or less revolutionised the television industry by introducing a concept that was never heard of until it became a dying genre as times passed by.

Talking about Tanna, she didn't have it easy at all, and which actor has. In a chat with Pinkvilla, she candidly spoke about her audition for this iconic show and how it was bad, very bad. "My audition for Balaji was horrible (laughs). I'm generally a good student when learning lines, but in front of the camera, things go haywire. I have fumbled multiple times and it was a very 'ganda' (bad) audition."

She added, "But still, I got chosen. Ekta (Kapoor) ma'am does not see dialogues, she wants the actor to fit in the role, acting is then taken care of. So, I guess I fit the role and that is how I got it." And today, thanks to her success and even the social media sensation, she's known by one and all. She was also seen in Sanju in a special appearance.

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The lockdown was supposed to end tomorrow on April 14, but given the extent to which the Coronavirus pandemic has spread, it seems things will take time to get back to normal. Not only that, but the cases are also only rising and this has led to buildings being sealed. One of the recent ones being the residency of Taarak Mehta Ka Ooltah Chashmah actress Sonalika Joshi.

Speaking to SpotBoyE, she confirmed that it had indeed happened. She said the building has been sealed since March 27. She resides in the Kandivli area of Mumbai. Another actor from the same show whose building was sealed is Tanmay Vekaria, who stays in the same area as Joshi. Tanmoy also confirmed this news to the same portal.

We wish that everyone stays safe and the pandemic is eradicated soon!

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Veteran Gujarati actor Arvind Trivedi, who became a household name all over India playing Raavan in Ramanand Sagar's Ramayan, got emotional while watching the re-run of the popular mythological serial.

In a video circulating on social media, Trivedi, who is in his eighties now, is seen watching the 'Sita Apaharan' (Kidnapping of Sita) episode with great attention. The video has gone viral on the internet.

In the video, Trivedi folds his hands in the end. The scene got him very emotional, as per a report by timesofindia.indiatimes.com.

Have a look:

 

 

 

View this post on Instagram

So touching. 84 year old veteran #ArvindTrivedi ji watched his #Ravana role after 30 years & seeks forgiveness from others 🙏🙏

A post shared by @ koro_na_hunter onApr 12, 2020 at 7:54am PDT

Amid the ongoing 21-day nationwide lockdown, the popular mythological series is being re-telecast on Doordarshan.

Ramayan aired in 1987-1988 and is created, written, and directed by Ramanand Sagar. The show was a television adaptation of the Indian Hindu epic of the same name.

The show was a game-changer for Indian television, hooking the nation to the show. Sunday mornings were never the same for families in India after the first episode of "Ramayan" aired on television. The impact was such that the actors associated with the show, continue to live under the shadow of their characters, with people remembering them for the roles they played in the show, which narrated the life story of Lord Ram and Sita.

The role of Ram was played by Arun Govil, Sita played by Deepika Chikhalia, Lakshman was played by Sunil Lahiri, and Hanuman by late Dara Singh. It also featured Sanjay Jog, late Vijay Arora, Sameer Rajda, late Mulraj Rajda and late Lalita Pawar.

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Every year, April 14 is observed as Ambedkar Jayanti, to celebrate the birth of one of most exceptional leaders in Indian history, who rallied a revolution and became a voice to reckon with – Dr. B.R. Ambedkar. Reverently called 'Babasaheb', his life and legacy have been an inspiration for many. This Ambedkar Jayanti, &TV launches the Ek Desh Ek Awaaz initiative, to pay a special tribute to Babasaheb and his vision of a unified India. As a part of this initiative, the channel urges everyone to come together for Bheem Vandana and pay special homage to Babasaheb on April 14 at 8:00 pm only on &TV.

Considered as the architect of the Indian constitution, Dr. B.R. Ambedkar was a leader par excellence and whose legacy is unparalleled. He believed that the only way India could foster national unity and stability was through instating a unified code of One Nation One Constitution.

Here's what television artists had to say about the great man who charted the course of the country, to become a nation unified by one constitution.

Prasad Jawade says "Dr B.R. Ambedkar laid the foundation of a unified India by bringing millions of Indians under the ambit of one nation and one constitution. His teachings and philosophy still resonate with the Indians across the country, even today. As we celebrate the 129th birth anniversary of Babasaheb on April 14th, I urge everyone to come forward and join us in paying a special tribute to him at 8:00 pm on &TV.'

Neha Joshi says "Babasaheb truly was a visionary leader. Today, the way our nation has progressed, a lot of credit goes to him. He not only brought people together but also got them to take collective action towards all forms of suppression. On Ambedkar Jayanti, let us all come together to pay our respect to Babasaheb at 8:00 pm on April 14th on &TV."

Jagannath Nivangune says, "Dr Ambedkar was truly a leader par excellence. His work has touched and impacted the lives of all Indians. On Ambedkar Jayanti, I urge everyone to join us at &TV to pay a special tribute to Babasaheb at 8:00 pm."

Sneha Wagh says, "Babasaheb has been an inspiration to many. His ability to challenge and mobilize a revolution that redefined the democracy for the Indian soil made him one of the greatest leaders of our times. Let us collectively come together to pay a special homage to him - Dr B.R. Ambedkar at 8:00 pm on &TV on Ambedkar Jayanti on April 14th."

Rohitashv Gour says, "Dr B. R. Ambedkar was a great visionary leader. His only dream was to make our country as one unified nation through various social and economic reforms and of course through the writing of the Indian constitution. On Ambedkar Jayanti, I urge all the citizens to come together at 8:00 pm on April 14th on &TV to pay a special tribute to this prolific leader and social reformer – Dr B.R. Ambedkar."

Aasif Sheikh says, "I have grown up reading stories of Dr B.R. Ambedkar, and his fight for equality has had a great influence on me. Dr Ambedkar has been the most powerful advocate of equality and fraternity in modern India. On Babasaheb's birth anniversary, I request all my fans and viewers to join us at 8:00 pm on &TV to pay a special tribute to Babasaheb for his immense contribution to this nation."

Gracy Singh says, "Babasaheb is one of the most prominent voices in Indian history. Be it his fight for equality, women empowerment, or his involvement in the reformation of education; he has impacted the lives of every Indian. As we honour Babasaheb through our special tribute at 8:00 pm on &TV, I urge everyone to join me in this initiative to celebrate Ambedkar Jayanti."

Yogesh Tripathi says, "Dr Ambedkar envisaged our society as one based on liberty, equality and fraternity. It takes great vision and belief to bring about social and economic reforms that touched so many lives. Few other leaders could unite the nation the way Babasaheb did. Let all of us collectively come together to pay a special tribute to this great leader at 8:00 pm on &TV on Ambedkar Jayanti."

So, let us unite to pay a special tribute to Dr. B.R. Ambedkar through Ek Desh Ek Awaaz initiative at 8:00 pm to celebrate Ambedkar Jayanti only on &TV.

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Things have begun to perk up for Sidharth Shukla, it seems! He won Bigg Boss 13 and ever since then, has been the talk of the town. He recently starred in the single Bhula Dunga with Shehnaaz Gill that currently has 52 million views on YouTube. And now, there seems to be another big offer in his kitty.

TellyChakkar reports that Sidharth might be hosting a reality show and that too with his favourite Shehnaaz. The show we are talking about is Dance Deewane that was earlier being hosted by Arjun Bijlani. Even though nothing about it has been confirmed yet, fans would surely go bonkers if the two unite one more time. Expect soaring TRPs.

Shehnaaz and Sidharth have been very close to each other ever since they participated in Bigg Boss 13. Theirs was one of those very few romances that didn't evaporate as soon as they stepped out of the house. Their social media fan-following is enormous and enviable, to say the least. Since both of them are in high demand currently, this is the best time for them to cash in on the same and make some extremely successful shows together. And how about a film too?

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Buniyaad is a gem of a serial that only continues to give. It was a show that tackled the horrors of the 1947 Indo-Pak partition and the aftermath that followed. How the love between the Hindus and Muslims turned into violence and hatred. Soni Razdan was one of the principal characters of the show and charmed everyone with her performance. She has recently recalled her show as it has come back on television and that too at the right time when there is a major dearth of content on the small screen.

For all those who haven't seen it, you all should discover this gem. Taking to her Instagram account, she shared a classic throwback picture where we got a glimpse of her character and she hurled herself into the realms of memories.

Have a look right here:

 

 

 

View this post on Instagram

Loved playing Lochan in this iconic series on @ddnational in the 80's. BUNIYAAD is now screening again at 5 pm on weekdays. Do catch it ! Any missed episodes can be seen on @youtubeindia Happy watching ! #buniyaad

A post shared by Soni Razdan (@sonirazdan) onApr 13, 2020 at 10:02pm PDT

And speaking to Mumbai Mirror, she spoke about her fond memories of the show and how it's even more relevant in today's times. She said, "It's a huge feeling of nostalgia. Buniyaad is such a well-written story and was ahead of its time. At some point, it was like a film also. Ramesh Sippy, who was shooting it, made it very much cinematic. I have watched a couple of episodes. I am enjoying it."

She added, "It means even more in the light of communal sentiment that is thrown around today. In Buniyaad, you can see how much hate Hindu families living in Lahore faced, during the partition. How they felt they never needed to move anywhere, which is India today. It breaks my heart. The script of Buniyaad was very well researched about the people and their real-life accounts. I feel very sad when I see what politics has done to both these countries (India and Pakistan). People were living happily with each other and would have lived together even today if partition had not happened. It is so sad that politics has changed our landscape forever."

On a lighter note, she also recalled the time when she was pregnant and how the whole unit took care of her. "When I started shooting Buniyaad, I was not married. There was a whole part of Buniyaad that goes into a flashback. It was then that I got married (to filmmaker Mahesh Bhatt). I got pregnant towards the end of the show. They had turned my room into something special. I was not well at the beginning of my pregnancy. They would call me only when I was needed. They would ask me to go and lie down in my room. The production house also sent a car to pick me up every day. Earlier, I used to come by taxi as we didn't have a car then. They looked after me very well."

She went on, "One day, I was craving for idli sambar. I was craving to the point that I couldn't focus on anything else but idli. I happened to mention it and Mazhar Khan (Roshanlal, who played Razdan's brother-in-law) was around. He was so sweet and sent his driver to get idlis for me from somewhere down the road. I can never forget that I ate eight idlis that day. In my life, I had never eaten more than 2-3 idlis. Shaheen, my daughter, loves idlis. Maybe, that's why."

Soni Razdan hasn't lost her touch as an actor one bit. In recent times, she has been seen in films like Raazi and War and in both films, she added the emotional touch of a mother to a thrilling story.

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"Hum Paanch" is back on the small screen, and actress Shoma Anand is enjoying seeing the younger version of herself in the sitcom.

"It felt really good to know that after nearly 15 years, the 'Hum Paanch' family is back to make people laugh, that too during such a testing phase of life. A lot of people who are at home were starting to feel depressed, but now they can forget everything and can have at least 30 minutes of fun and laughter with the 'Hum Paanch' family," she said.

Now, she sits with her family and watches the show on Zee TV.

"Just a few days back, while watching the show, me and my family were observing how much I have changed since the show went on floors. I really enjoy seeing the younger version of myself and all my other co-actors because when we used to shoot, we couldn't see the episodes. So while watching the show, we are reminded of all the good old memories," said Shoma, who played Veena in the show.

A story of an ordinary yet amusing middle-class family, "Hum Paanch" revolved around Anand Mathur, his second wife - Bina Mathur and his five daughters, who are constantly plotting plans to turn his world upside down. Adding more chaos and confusion to his life is the photo frame of his late wife, who occasionally talks to him and nags him on certain decisions.

Will she do comedy shows again? "Yes, of course! If I find something that I think will be liked by the audience, then I will definitely do it. In fact, we as artistes always keep learning and for us to come back, the writer needs to write a script that is strong and we fit into the script too," she said.

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Relationships in Tinsel Town can be very fragile. There are a lot of couples that got married and there are more couples that drifted apart due to irreparable differences. One of the couples is Shefali Jariwala and Sidharth Shukla. Shefali turned a lot of heads and made a lot of noise when she became the wild-card entry in Bigg Boss 13 last year, and her bonding with Shukla could clearly be seen. And speaking to BollywoodLife, she spilled the beans on her past and current relationship with the actor.

She said, "See, initially we bonded and then we had a bad fight. After he came back from the secret room, our equation got better. Both of us are very logical people. Also, we have similar interests, we would talk about travel, space, bullet trains and what not. Even after we stopped dating, we were always cordial whenever we bumped into each other."

And then, talking about his relationship with Shehnaaz Gill, she said, "See, that is my opinion of their equation from what I saw inside the house. Sidharth definitely cares for her but I did not find it a romantic equation per se. However, saying that, I would be happy if they indeed fell in love and got married. It would be great. It will be wonderful."

Would you also like to see Shehnaaz and Sidharth tie the knot soon? 

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On Monday evening, the hashtag #FraudArhaanKhan started trending on Twitter following claims by netizens that actor and "Bigg Boss 13" contestant Arhaan Khan has taken Rs 15 lakh from his former girlfriend Rashami Desai's account, and is allegedly threatening her. Arhaan withdrew the money when Rashami was still inside the "Bigg Boss" house, it has been claimed.

The accusations have mostly been levelled on Twitter by netizens who claim to Rashami's fans. They also shared screenshots of bank statements of monetary transactions from an account with the name Shivani Ajay Kumar Desai.

A user tweeted in Hindi claiming Arhaan Khan has taken Rs 15 Lakh from the actress' account in 15 days.

Another user alleged that Arhaan has even taken money for subscribing to a popular OTT platform.

A Fanclub of Rashami Desai tweeted: "We need justice for @TheRashamiDesai. She has earned money with lot of her hardwork and #FraudArhaanKhan misused her money. What a shame to society."

Calling Arhaan a "gold digger," Rashamians, as Rashami's fans like to call themselves claimed in a tweet: "This is a call to all fandoms - any and everyone who is sane enough to see the wrong in this situation- keep aside your Bigg boss grudges for once and please help us expose and shame a gold digger. #FraudArhaanKhan."

However, there has been no substantial basis to any such claim on the part of fans.

During her stay in the "Bigg Boss" house in the latest season, Rashami Desai was heartbroken after learning about Arhaan Khan's child and former wife. The two eventually parted ways. It seems a bigger shock is waiting for the "Naagin 4" actress if allegations made by her fans come true!

While this season of the reality show is already over long back, Rashami Desai continues to remain a favourite with her fans.

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Besides being an actor, Meghna Naidu is now turning life coach. "I have always been keen to be a certified life coach to help people find their self-worth. By professionally counselling someone, I am hoping to guide them to a better path," says Naidu after wrapping up her course.

Slambook

Arhaan Khan

One superpower you wish to possess?
The power of X-ray vision.

Your guilty pleasure movie?
Hum Hayeen Ganwaar (Bhojpuri, 2017).

The last nightmare you had?
That my phone bill went up by R100 every time I pressed the snooze button on my alarm.

Your best asset?
My butt.

Which same sex actor are you crushing on?
Always Salman Khan.

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Bigg Boss 13 still continues to be in the limelight and so does its contestants. One of them is Rashami Desai. You all must be aware of the '15 lakh' controversy that happened between her and Arhaan and a screenshot of the same was also shared on Twitter. And now, speaking to Times of India, Rashami broke her silence and slammed Arhaan.

She said, "These transactions were made in my absence, and that too, without my knowledge when I was inside the BB house. When I came out and learnt about it, I shared the screenshots of my personal documents and these transactions with my accounting staff and a few others. Why did Arhaan transfer my money into his account? Also, I don't know the people he has further transferred those funds to."

She added, "Apart from the 15 lakh that Arhaan has to pay me, as can be seen in the screenshots, he owes me more money, which he is refusing to return. Talking about the screenshots, I have no clue who has leaked them on social media. If I had to leak anything, I wouldn't have waited for two months after BB. I don't want anything to do with Arhaan. The whole incident is disturbing and it has taken a toll on me, emotionally."

Arhaan too broke his silence and commented on the entire controversy and clarified his side of the story. He said, "Half the transactions involving huge amounts aren't mine. Rashami had set up a production house, which I had joined as a partner. I have invested equally, both financially and emotionally. Any transfer of funds is either my rightful profit or return of debt. Also, before making such allegations, it is to be noted that transfer of funds wouldn't have been possible had Rashami not given me signed cheques."

He continued, "She had asked me to transfer money to certain people in her absence. It was work-related. She was fully aware of the transactions and I have bills to prove my claim. I strongly believe that this is a curated plan to malign me, as I had received messages, warning me against adversities post April 15. It's unfortunate that our relationship has reached a point of no return."

Will the matter escalate or subsidise as time passes by? Will a legal battle ensue?

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Actor Lakshay Khurana says that he is a "shy guy" in real life and is not like his character in the TV show "Naagin Bhagya Ka Zehreela Khel".

"In real life I'm very shy. I am not the one who flirts with girls. I'm totally opposite of what I play on screen. Hardik (his character) is a guy who can date many girls at one time. The character has many shades and I play that honestly," he said.

"Initially my friends used to tease me because of my character. They never thought that I could play something like this. My family also enjoy watching me and appreciates my acting," he added.

He is happy with his role right now, but in the future he would like to play a protagonist.

"I really like to experiment with my roles. So far the roles that I have played, I have done those parts honestly. In the future also, I am looking forward to doing something very challenging and I want to see myself playing a protagonist," he said.

The actor had earlier appeared in the show "Lajwanti".

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Actor Aasif Shaikh can give a comical twist to any scene because, as he says, comedy comes naturally to him. "Comedy comes naturally to me. Even if there is a serious scene with some hard-hitting dialogues, I can perform it in the most comical way," said the actor, who has a theatre background and years of experience in the entertainment industry.

He points out comedy is a very specialised genre. "It is very interesting and at the same time challenging as you have to keep updating your acts, so that they do not appear monotonous. I have been playing the role of Vibhuti in &TV's 'Bhabiji Ghar Par Hain' for five years and I keep on experimenting with my looks, dialogues, etc. to engage with the audience. This is how I raise the bar for myself," he shared.

Aasif follows international comedians and trends on social media to keep himself updated.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Jhansi Ki Rani is one of the most successful television shows and continues to enjoy a massive fan-following. It was known for its canvas and great performances and all the actors became extremely popular post its success. Two of them are Shaheer Sheikh and Ashnoor Kaur. And Kaur celebrates her birthday today and turns a year younger.

And taking to his Instagram account, her former colleague and co-actor wished her in the most fabulous way possible. He wrote- "Happy birthday to this little one, who's all grown up now ... but the charm and innocence is still intact!" (sic)

Have a look right here:

 

 

 

View this post on Instagram

Happy birthday to this little one, who’s all grown up now ... but the charm and innocence is still intact! May you achieve all that you’ve dreamt of and keep inspiring others to tread the right path. #happybirthday @ashnoorkaur

A post shared by Shaheer Sheikh (@shaheernsheikh) onMay 3, 2020 at 4:40am PDT

And also have a look at how the actress is celebrating her birthday amid the pandemic, as she describes herself, a very different celebration:

 

 

 

View this post on Instagram

A different experience this birthday in a lockdown... Somehow felt good... Celebrated with our Corona fighters, the people working for us, the watchmen(of my society) and the smile on their faces made up for all the restrictions! #lockdownbirthday #sweet16 #howicelebrated #BirthdayInALockdown

A post shared by Ashnoor Kaur (@ashnoorkaur) onMay 3, 2020 at 11:29am PDT

Hope we can see this Jodi on the small screen again!

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Shehnaaz Gill, ever since she entered the Bigg Boss 13 house last year, has become a household name and everyone seems to be fond of her. And immediately after the staggering success of the aforementioned reality show, she participated in another reality show, Mujhse Shaadi Karoge. The show attracted a lot of attention but she regrets doing it. Why? You may ask! She spilled the beans to Times of India.

Speaking about the show, she said, "While Bigg Boss was my dream, my heart wasn't in Mujhse Shaadi Karoge. After a point, I was irritated about guys coming on the show to appease and impress me. I regret taking up that show." And then talking about her equation with Sidharth Shukla, she said he was a friend. "He is a friend. I get to learn a lot from him and he is protective of me."

Sidharth and Shehnaaz became extremely popular in the Bigg Boss house and their fans have even combined their names to SidNaaz, you all must be aware of it. Now it would be great to see the two of them in a Bollywood film and it could be a money-spinner, given their massive fan-following.

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Once the lockdown that was imposed worldwide owning to the Coronavirus pandemic ends, a lot of people would change the way they look at life and themselves. People who are stuck alone and have no company would become a lot more responsible and those who were always dependent on others may stop taking things for granted. The one actress who has been taking care of herself all through this lockdown is Ratan Raajputh.

The Agle Janam Mohe Bitiya Hi Kijo actress is stuck in a village in Bihar due to the lockdown and has been sharing her lockdown story on Instagram almost every day. You should watch all the videos to know how she has been surviving. From cooking food to dealing with electricity problems to even cleansing the cows, she has been doing it all.

In her latest Instagram video, she showed us how she was cooking watered rice. It's a long video but we recommend you watch it from start to finish. What if you also end up learning how to cook them!

Have a look right here:

 

 

 

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God morning!😀 . पंता भात (Leftover watered Rice) . . P.S.- Aur haan! ..🍋 nimboo(lemon) Mil gaya 😀 . . #pantabhaat #newdish #foodlovers #lockdown3 #lockdown2020 #stayhome #jaibharat #रामभरोसे✨😇

A post shared by Ratan Raajputh (@ratanraajputh) onMay 6, 2020 at 6:43pm PDT

In another video, she could be seen cooking Chana Masala but asked us to google for the recipe. Well, don't miss this video either:

 

 

 

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नाकों चने चबाने के बाद अब बारी है खाने की..😜😋 . आज का मेन्यू- ‘चना मसाला (घुगनी) और चावल’ . . P.S.- Recipe के लिए गूगल करें😬 . . #chanamasla #ghugni #foodlovers #eathealthy #desikhana #stayhome #jaibharat #जयभारत #रामभरोसे✨😇

A post shared by Ratan Raajputh (@ratanraajputh) onMay 5, 2020 at 5:46pm PDT

There's a whole collection of such videos, as we stated above, which she has described as her lockdown stories. This is truly respectful that a star like her is living all by herself and making no bones about it.

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The year 2020 keeps getting worse. In another heartbreaking piece of news, Shehnaaz Gill's grandmother has been hospitalised due to liver ailment and this news was broken by her father Santokh Singh Sukh on his Instagram account.

Taking to his account, he shared a shattering image of his mother and wrote- "My mother hospital mein hai liver mein problem ho gayi hai God jaldi thik kar do." (sic)

Have a look right here:

 

 

 

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My mother hospital mein hai liver mein problem ho gayi hai God jaldi thik kar do

A post shared by SANTOKH SINGH SUKH (@santokhsukh1) onMay 6, 2020 at 4:43am PDT

If you all go through the comments, everyone, especially Shehnaaz's fans, are praying for her recovery and we also hope she gets well soon and comes back home! If you all followed Bigg Boss 13, the actress, on multiple occasions, used to share anecdotes of spending some special moments with her grandmother and how she is really funny.

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Shehnaaz Gill signed Mujhse Shaadi Karoge immediately after she exited the Bigg Boss 13 house. The idea of the show was to find her a potential groom through various tasks and activities. However, during her last interaction with a portal, Shehnaaz accepted that she was not interested in the show and that she regrets being a part of it. She has always been clear about her feelings for Sidharth Shukla and has confessed them to him.

Mayur Verma, one of the contestants on the show has reacted to her statement. He said that they knew she was not interested in the show from the third day itself. He said that she told them to have fun and enjoy their stay in the house and that it should look like the best boys were shortlisted for her. she further explained to them that she liked Sidharth and he liked her too. The boys would joke with her saying that when she got married, they would push the car for her groom and her.

What do you think of this entire reality show controversy? Be sure to let us know in the comments below.

Also Read: Shehnaaz Gill says she does not care about other people’s opinions, but feels bad when they target her fans

Shehnaaz Gill has been making it big ever since she became a part of Bigg Boss 13. The singer and actor was already quite a name in the Punjabi industry but now is being recognized as a national star. Making heads turn with her last single with Sidharth Shukla, ‘Bhula Dunga’, Shehnaaz Gill is now all set to collaborate with a fellow Punjabi superstar, Jassie Gill.

He has met her during the promotions of Panga when he visited the Bigg Boss house. Shehnaaz couldn’t help but cry after meeting him because he reminded her of her home. Jassie Gill was sweet enough to request people to vote for Shehnaaz soon after he met her. Both Shehnaaz Gill and Jassie Gill have a massive fan following respectively and the fans can’t wait to see what’s in store for them.

They had already hinted at something new brewing a while back and this news has left the fans ecstatic.

Also Read: Shehnaaz Gill says she does not care about other people’s opinions, but feels bad when they target her fans

Salman Khan has been spending the lockdown at his farmhouse in Panvel. Despite being away from the city, the actor through his foundation Being Human has been doing everything possible to help people in distress. From giving financial aid to thousands of daily wage workers to sponsoring ration for their families, he has been at the forefront in helping people in need. The actor has now launched a food truck with the words ‘Being Haangryy’ written on it. This is to provide food to the less privileged. 

In a tweet, Shiv Sena leader Rahul Kanal thanked Salman for doing his bit for the underprivileged. Sharing a video of the food truck, he wrote, “Thank you @Beingsalmankhan bhai for being there and silently doing something which is needed,service to mankind is service to the almighty!!!Jai Ho!!! I shall surely try and do my bit following the lockdown norms and request our Fanclub family to practice the same #BeingHaangryy.” 

Thank you @Beingsalmankhan bhai for being there and silently doing something which is needed,service to mankind is service to the almighty!!!Jai Ho!!! I shall surely try and do my bit following the lockdown norms and request our Fanclub family to practice the same #BeingHaangryy pic.twitter.com/nOeQncO9Er

— Rahul.N.Kanal (@Iamrahulkanal) May 6, 2020

Meanwhile, a few days ago Salman Khan recently took to his Instagram to share a video where he along with Jacqueline Fernandez, Iulia Vantur and others at the farmhouse are seen stacking bags of ration in vehicles to be sent out to those in need. He posted it with the caption, “Thanks for the contribution... thank you all”.

ALSO READ: Radhe – Your Most Wanted Bhai asking for Rs. 250 crores for direct OTT release? Salman Khan’s manager clarifies

In 2017, Aamir Khan started a project to boost budding writers in the Indian film industry. The second edition of Cinestaan India's Storyteller Script Contest, a nationwide hunt for scripts where the five winners take home a total cash prize of Rs. 50 lakh was launched this February. From the past few months, the four-member jury consisting of Aamir Khan, Anjum Rajabali, Juhi Chaturvedi and Rajkumar Hirani has gone through numerous entries to choose five compelling stories that can be taken to screen. 

However, this time instead of the on-ground event to announce the winners, Aamir Khan will unveil the winners on social media. Meanwhile, Khan is urging writers to not let the prevailing situation dampen their creativity. He said that budding writers should write with more enthusiasm, especially during these times. 

Says Rohit Khattar, Chairman of Cinestaan Digital, “I am grateful to our esteemed jury in working with us to bring Indian storytelling talent to the forefront especially during these surreal times. Thank you to the thousands of writers who had applied. The quality of the work was stellar and we would like to congratulate the winners who are truly deserving and wish them success.”

Speaking about the winners, Anjum Rajabali, the Jury Chairperson said, ‘We started this contest with the larger objective of attracting more people to write scripts. It’s very important that we improve the quality of our scriptwriting so that the quality of our cinema goes up. The caliber of scripts in this edition was better than last year and it’s heartening to see that the talent is developing. Thank you to the jury members for giving their valuable time in reading and assessing the scripts. Truly appreciate the Cinestaan team’s hard work. I have not seen this kind of unconditional support and generosity before, with the only reward being to encourage good writing in this country.’

Juhi Chaturvedi says, ‘As a writer, I understand the joy of being appreciated, especially on a big platform like this which motivates us to write more. Congratulations to the winners. I’m very happy that through this contest I was able to be a small part of your journey.’

Raju Hirani while congratulating the winners said, ‘I’m happy that the objective with which this contest was started, to inspire scriptwriters and give them a platform to send their scripts from all parts of the country - slowly and steadily we are moving towards our goal. The caliber of scripts this year has been better than last year.’

All the entries of the second edition of the contest went through a transparent and stringent process of evaluation at various levels. The shortlisted synopsis were asked to send in a complete script which were then assessed and then the winners selected by the jury. All scripts have been registered by the contestants with the Scriptwriters Association and other similar recognized bodies to ensure that the writers' content is completely protected.

‘Cinestaan India’s Storytellers Script Contest’ was launched by Cinestaan Digital Pvt. Ltd. and is India’s biggest Script Contest. The winners of the contest are awarded cash prizes worth Rs. 50 lakhs.

ALSO READ: Aamir Khan dismisses distributing money to the poor in wheat bag, says “Robin Hood doesn’t want to reveal himself”

<strong>EXPECTATIONS</strong> <em>Malaal</em> is a love story coming from Sanjay Leela Bhansali who has produced the film. Though his directorial offerings have always boasted of at least two or three memorable songs, same can't be said about his productions. Considering that he has composed majority of songs in <em>Malaal</em> with Prashant Ingole writing the lyrics, one waits to see what the team has to offer. <img class="aligncenter size-full wp-image-980862" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/05/Malaal-Official-Trailer-Sharmin-Segal-Meezaan.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> It is a 'dhinchaak' start that <em>Malaal</em> gets with Vishal Dadlani and Shreyas Puranik coming together for the 'tapori' number <strong><em>'Aila Re'</em></strong>. Vishal sounds quite different in this 'basti' and chawl number that has a good hook to it with beats that do catch your attention. Pritam has composed quite a few songs in this genre over the years and with Sanjay Leela Bhansali too following the 80s formula, you like what you hear here. With the core hook borrowed from <strong><em>'Apun Bola'</em></strong> [<em>Josh</em>], which was again based on Maharashtrian folk music, <em>'Udhal Ho'</em> too is attached to the roots with hard-core local flavour. Newcomer Adarsh Shinde is roped in for this number which is more Marathi than Hindi in its overall treatment and its styling too is such that it would have a restricted audience in only Maharashtra belt. Shreyas Puranik is the composer as well as singer of <strong><em>'Nadhkhula'</em></strong> and one only ends up wonders what exactly does the title of the song mean here. This one is a love song which is again set in an old fashion manner. Though unlike the first two songs in the album this one doesn't get into the Marathi zone, the lazy pace as well as an overall dull treatment doesn't help the cause. Another newcomer singer, Rutvik Talashilkar, is roped in for <strong><em>'Aai Shapat'</em></strong> and yet again the song gets into a Marathi zone. Right from the music to the lyrics as well as the manner in which the song is rendered, this one has a local Marathi feel to it. No wonder, you can't relate to the soundtrack here to have been created for a Hindi film as the overall treatment is too localized. Shreya Ghoshal, the most experienced of the lot and a top singer, makes a belated appearance in the soundtrack of <em>Malaal</em> with <strong><em>'Kathai Kathai'</em></strong>. Remember <em>'Kathai Aankhon Waali Ek Ladki'</em> [<em>Duplicate</em>]? Well, this time around the gender is reversed as the leading lady falls in love with her boy who boasts of 'kathai aankhen'. Not that this one goes ahead and makes one fall in love with the tune in the offering. Still, this A.M. Turaz and Prashant Ingole number is better than last few songs that one had heard so far and you can sit through the entire duration. Another newcomer singer, Aanandi Joshi, is the one to kick-start the proceedings for <strong><em>'Zara Suno'</em></strong>. A love song which has an Indi-pop contemporary feel to it, this Shail Hada composed tune may not be the one that you would fall in love with instantly; however it still makes for a decent enough listening. Rutvik Talashilkar is back in the fold after singing <em>'Aai Shapat'</em> and gives a different account of himself. Shail Hada steps in as a singer for the title song <strong><em>'Ek Malaal'</em></strong> which arrives right at the end of the soundtrack. Reminding one of the ghazals from the 80s, this one is really slow moving, sad in feel and overall dull in treatment, hence promising to make an impact on the pace of the film when it will appear. Hope this one has a short duration in the film's narrative. <strong>OVERALL</strong> The music of <em>Malaal</em> is barely passable with just a song or two managing to leave some kind of impression. <strong>OUR PICK(S)</strong> <em>‘Aila Re’</em>, <em>‘Kathai Kathai’</em>, <em>‘Zara Suno’</em>

<strong>EXPECTATIONS</strong> Considering that <em>Khandaani Shafakhana</em> is a Bollywood film, it has half a dozen songs in there. Otherwise a film with a subject revolving around 'let's talk about sex' hardly has the kind of premise which would warrant a music album. Nonetheless, this is indeed the case with this Sonakshi Sinha, Badshah and Varun Sharma film and one waits to hear what is in the offering. <img class="aligncenter size-full wp-image-999303" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/07/Khandaani-Shafakhana-Dil-Jaaniye-Sonakshi-Sinha.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> As is the trend, a couple of recreated numbers - both courtesy composer and lyricist Tanishk Bagchi - open the soundtrack. First to arrive is Jasbir Jassi's <strong><em>'Koka'</em></strong> which is a good party number that has an immense foot tapping appeal to it. With Badshah and Dhvani Bhanushali joining the fun and Mellow D chipping in with additional lyrics, <em>'Koka'</em> has been a chartbuster over a period of time and would only consolidate its hit status in months to come as well. Next to arrive is <strong><em>'Sheher Ki Ladki'</em></strong> which was a rage back in time when seen in the film Rakshak. The song is recreated with Badshah and Tulsi Kumar, and the overall results are quite good all over again. The core hook of the song is what makes you revisit this one all over again, and there is someting intoxicating about <em>'Sheher Ki Ladki'</em> that it sounds as fresh as ever. After a couple of dance songs arrives a romantic track which is put to tune by Payal Dev and written by Shabbir Ahmed. Titled <strong><em>'Dil Jaaniye'</em></strong>, this one rendered by Jubin Nautiyal and Tulsi Kumar is a pleasant hear and stays well with you for its near five minute duration. With a bit of Punjabi in there, this one is fine while it lasts though, its heard-before feel means you don't quite carry it with you after you are through listening to it. It's back to party time with Badshah playing a triple role of composer, lyricist and singer for <strong><em>'Saans To Le Le'</em></strong>. As is the case with Badshah tracks, there is an inherent hook sound here as well and that's what sticks in your mind after you have heard it a couple of times. Though overall the song, which also has Rico chipping in as a singer, doesn't really give the impression of a major chartbuster in the first go, one waits to see how it is picturised. That could well make a difference to the overall popularity that it ends up gaining eventually. The song which arrives next actually turns out to be a soothing outing that makes one feel that it could well have appeared a bit earlier in the soundtrack. The manner in which Tochi Raina sings <strong><em>'Udd Jaa'</em></strong> is indeed quite impressive and the overall effort by composer Rochak Kohli and lyricist Kumaar is also something that you do notice. Yet again, this one isn't the kind that turns out to be an instant chartbuster. However, there is something soulful and serene about this situational number that you wouldn't mind playing it in loop and listening to it for long. Rochak Kohli concludes the album with Altamash Faridi sung <strong><em>'Bheege Mann'</em></strong> and this time around the end result is just about ordinary. A slow moving situational track written by Gautam G Sharma and Gurpreet Saini, it actually brings down the pace of the soundtrack. Had there been one of the three party numbers placed as the last song in <em>Khandaani Shafakhana</em>, it may just have made for a better end result. <strong>OVERALL</strong> The music of <em>Khandaani Shafakhana</em> turns out to be better than expected. One expected that most of the songs in there would be situational but this one actually turns out to be a good collage of songs with dance numbers, situational songs and a romantic number thrown in as well. <strong>OUR PICK(S)</strong> <em>‘Koka’</em>, <em>‘Sheher Ki Ladki’</em>, <em>‘Saans To Le Le’</em>, <em>‘Udd Jaa’</em>

<strong>EXPECTATIONS</strong> A launch-pad is always special, especially so when it is that of a star son. Moreover, when the debut affair is a love story then you do expect soulful music as well. This is what makes one look forward to what does Sunny Deol has in store for the launch of his son Karan Deol along with newcomer Sahher Bambba. The good thing is that he brings on board hottest sensations Sachet-Parampara to put together the soundtrack with Siddharth-Garima doing the honours as the lyricists. Rishi Rich produces the music and his touch is quite visible in there. <img class="aligncenter size-full wp-image-1014370" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/09/Music-Review-Pal-Pal-Dil-Ke-Paas.jpg" alt="" width="720" height="450" /> <strong>MUSIC</strong> Newcomer Hansraj Raghuwanshi, who is known for his devotional songs, makes his Bollywood foray with <strong><em>'Aadha Bhi Zyaada'</em></strong>. A number about living life to the fullest, this one is a peppy outing and in fact reminds one of <em>'Sochna Kya Jo Bhi Hoga Dekha Jaayega'</em> from Sunny Deol's <em>Ghayal</em>. That song was rendered by Bappi Lahiri and incidentally Hansraj's voice pretty much sounds similar to that of the veteran composer-singer. Meanwhile, Karan Deol too makes an intermittent appearance as a rapper in this song which does carry the sound of <em>'Jai Bhole'</em>. The song that is set to become an anthem in time to come though is the title track <strong><em>'Pal Pal Dil Ke Paas'</em></strong>. An excellent number that is very high on melody and showcases the best side of composers Sachet-Parampara, it has poetic lyrics by Sidharth-Garima that makes a very strong impression. Meanwhile, the song is made special due to the voice of Arijit Singh who is superb all over again and also Parampara Thakur who shows once again that other than being an efficient composer, she is also a very good singer. No wonder, the song deserves to be heard in a repeat mode and that is evident in the kind of confidence that the makers have as well, what with <em>'Pal Pal Dil Ke Pass'</em> arriving in as many as three more versions. Whether it is the second version, the 'celebration' version or the one which goes by the title <strong><em>'Suun le Rabb'</em></strong>, the song is beautiful every time it is heard and one just can't let the melody go off from one's mind and heart. Composer Tanishk Bagchi makes a special appearance with a solitary number, <strong><em>'Ho Jaa Awara'</em></strong>. He too demonstrates once again that there is a lot more to him than the recreated versions that he is largely known for, what with this one turning out to be yet another beautiful number in <em>Pal Pal Dil Ke Paas</em>. Monali Thakur is the one who kick-starts the proceedings for the song and somewhere also reminds one of the kind of pitch that Hema Sardesai used to take in her songs back in the 90s. Ash King is her accompanying partner in this peppy-n-sweet outing. It is back to Sachet and Parampara and this time around other than being the composers, they are also the singers for three songs in a row. First to arrive is <strong><em>'Ishaq Chaliya'</em></strong> which has a good hook to it and makes one tap feet instantly. A Punjabi-Hindi number, this one has a good pace as well and lends a happy sound to the overall outing. A difficult song to sing, especially the manner in which Sachet brings on the hook words, this one takes a bit of time to grow on you but eventually you get a good hang of it. This is followed by <strong><em>'Dil Uda Patanga'</em></strong> which has Parampara Thakur taking the lead and Sachet Tandon joining her soon enough. A song which has a teenage feel to it with an Indi-pop flavour, there is certain innocence to it that should work with the teenagers if the film manages to strike a chord with the audiences. Play this one loop and you won't be disappointed at all. Third song that arrives in the voice of Sachet and Parampara is <strong><em>'Maa Ka Mann'</em></strong> and this one is a devotional piece with a difference. While the sound of 'Satnam Shri Waheguru' keeps playing in your mind during the track's duration, you like the manner in which there is a soulful feel being carried. This one should make for a good situational piece in the film's narrative. <strong>OVERALL</strong> The music of <em>Pal Pal Dil Ke Pass</em> was expected to be good but the soundtrack actually goes on to exceed expectations. Sahcet-Parampara, Sidharth-Garima and Richie Rich do quite well in their biggest album till date where they are entrusted to put together music for the two newcomers. There is certain consistency in the film's music and that is always on the cards as well when there is a single team put together in charge instead of multiple composers, lyricists and singers. This one is a winner. <strong>OUR PICK(S)</strong> <em>‘Pal Pal Dil Ke Paas’</em>, <em>‘Ishaq Chaliya’</em>, <em>‘Ho Jaa Awara’</em>

<p dir="ltr"><strong>EXPECTATIONS</strong></p> <p dir="ltr">Well before Marjaavaan was gearing up for release, a lot was being spoken about the music that had been put together for the romantic action drama. With the soundtrack comprising of almost a dozen songs, it was further established loud and clear that music would play a major role in taking forward the narrative of this Milap Zaveri directed film. Multiple composers, lyricists and singers come together to put together music of Marjaavaan which has multiple recreated versions of the yesteryear hits as well.</p> <img class="aligncenter size-full wp-image-1059330" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Marjaavaan-Music-Review.jpg" alt="Marjaavaan Music Review" width="750" height="450" /> <p dir="ltr"><strong>MUSIC</strong></p> <p dir="ltr">As expected, it’s an out and out love song 'Tum Hi Aana' that opens the soundtrack of Marjaavaan. Payal Dev is the composer of this beautiful melody that should find its way into one of the most popular love songs of 2019. Pretty well written by Kunaal Vermaa whose lyrics are heart rendering to say the least, the strength of 'Tum Hi Aana' also lies in the manner Jubin Nautiyal sings this one. No wonder, as many as four versions of the song are heard with Jubin also going for a happy and sad version each and then pairing up with Dhvani Bhanushali for a duet too.</p> <p dir="ltr">The love song that takes the soundtrack forward is 'Thodi Jagah' which has really sentimental lyrics put together by Rashmi Virag. Moreover, with Arijit Singh taking over the center-stage, you know that the outcome would be straight from the heart, and that indeed turns out to be the case as well. Reminding one of the kind of music that was heard in Aashiqui 2, this one is an original composition by Tanishk Bagchi who does quite well here. Later, the song is heard in Tulsi Kumar's voice as well and she too is impressive with her rendition here.</p> <p dir="ltr">Tanishk Bagchi gets into a recreation mode soon after though with as many as two numbers to his credit, 'Ek Toh Kum Zindagani' and 'Haiya Ho'. Both songs are originally written by Indeevar and have late Firoz Khan as the director. While 'Ek Toh Kum Zindagani' is a Kalyanji-Anandji composition ['Pyar Do Pyar Lo'] from Janbaaz, 'Haiya Ho' is based on Laxmikant-Pyarelal's 'Chahe Meri Jaan Tu Le Le' from Dayavan.</p> <p dir="ltr">Though Neha Kakkar's rendition is just apt as she comes with an apt follow up to Sapna Mukherjee's voice, the male inclusion by Yash Narvekar in 'Ek Toh Kum Zindagani' could have been totally avoided. On the other hand Tulsi Kumar &amp; Jubin Nautiyal's rendition of 'Haiyaa Ho' [originally sung by Jolly Mukherjee and Sapna Mukherjee] turns out to be actually a better version and could well have been more aggressively promoted.</p> <p dir="ltr">Another recreated version that arrives next is 'Kinna Sona' which has Meet Bros and Kumaar coming up with their own take with Jubin Nautiyal &amp; Dhvani Bhanushali doing the honors behind the mike. This one in fact turns out to be rather mild in comparison to the versions that one has heard in the past and surprisingly also takes a lot of time to actually come to the point.</p> <p dir="ltr">Next to arrive are situational numbers that remind one of songs like these that were placed in the action packed narrative of the 70s and the 80s. As a matter of fact this genre of songs are still quote popular in films being made down South and it is apparent that Milap Zaveri was influenced by that style of filmmaking here. No wonder, he has Palak Muchhal lead from the front for 'Raghupati Raghav Raja Ram' which is composed by Tanishk Bagchi, written by Manoj Muntashir and appears just before the climax of the film. A passable track.</p> <p dir="ltr">The one that does lend goose bumps though is Aditya Dev composed 'Hasbi Rabbi' which has Altamash Faridi &amp; Kamaal Khan come up with the kind of rendition that has a haunting appeal. Based on traditional lyrics, this one too is old fashioned in style but goes well with the overall treatment of the film. The version that did elevate the proceedings of the film is 'Hasbi Rabbi Naat' which is composed by Sanjay Chaudhary and written and sung by Mujtaba Aziz Naza. This one lends a short and impactful closure to the soundtrack.</p> <p dir="ltr"><strong>OVERALL</strong></p> <p dir="ltr">The music of Marjaavaan is quite satisfying and is in fact even better than expected. A well rounded affair which has everything for everyone, be it the masses or the classes, Marjaavaan would be picked up by music lovers in time to come as well.</p> <p dir="ltr"><strong>OUR PICK(S)</strong></p> <p dir="ltr">'Tum Hi Aana', 'Thodi Jagah', 'Ek Toh Kum Zindagaani', 'Haiya Ho'</p>

<strong>EXPECTATIONS</strong> When it comes to a concept film like <em>Chhapaak</em>, one expects a situational soundtrack at best. Moreover, director Meghna Gulzar has a certain style of music in her films and one is assured of that with Gulzar as the lyricist. Shankar - Ehsaan - Loy are the composers of <em>Chhapaak</em> which has just four songs. <img class="aligncenter size-full wp-image-1063057" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Chhapaak-18.jpg" alt="" width="750" height="450" /> <strong>MUSIC</strong> Arijit Singh gets to croon three out of four songs in Chh<em>a</em>paak and none of these is a romantic number. Title song <strong><em>'Chhapaak'</em></strong> comes next and it narrates the plight of how a few drops of acid can scar a person for life. This one in fact has the kind of sound that one associates with Vishal Bhardwaj, given the kind of collaborations that he has had with Gulzar over the years. Siddharth Mahadevan comes behind the mike for a love song <strong><em>'Nok Jhok'</em></strong> which is again situational in appeal. Not the kind of song that one would expect to have a chartbuster appeal, it in fact has the kind of sound that one heard back in the 90s as a part of Indi-pop albums. A decent number which is soothing to listen to, though not quite expected to cover a long distance. It is back to Arijit Singh as he begins from where he left in the title song <strong><em>'Chhapaak'</em></strong>. This time around the song in question is <strong><em>'Khulne Do'</em></strong> and the theme is that of hope and belief around something good about to happen. The song has an ordinary tune and doesn't really carry the kind of pull that would make a listener play it on repeatedly after listening to it once. There is a bit of a follow up version of the song though that comes in the form of <strong><em>'Sab Jhulas Gaya'</em></strong>, and the results are just the same. <strong>OVERALL</strong> As expected, the music of <em>Chhapaak</em> is strictly situational and the recollection is restricted to just its placement in the film's narrative. <strong>OUR PICK(S)</strong> <em>Chhapaak, Nok Jhok</em> &nbsp;

<strong>EXPECTATIONS</strong> Back in 2009 when <em>Love Aaj Kal</em> had released, its music had turned out to be a roaring success. Yet again, it's the team of Pritam and Irshad Kamil coming together for Imtiaz Ali and one waits to see that after creating magic for Saif Ali Khan and Deepika Padukone a decade ago, whether they have repeated the same for Kartik Aaryan and Sara Ali Khan as well. <img class="aligncenter size-full wp-image-1074708" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/02/Love-Aaj-Kal-16.jpg" alt="" width="720" height="450" /> <strong>MUSIC</strong> It is old world charm revisited with <strong><em>'Shayad'</em></strong> which has Arijit Singh taking center-stage. Just the kind of song that is made for hearts deeply in love, this one is for die hard romantics. Be it the lyrics, music or the manner in which Arijit Singh goes about rendering this one, <strong><em>'Shayad'</em></strong> is a winner all the way. No wonder, its 'reprise version' comes later in the soundtrack as well with newcomer Madhubanti  Bagchi giving Arijit coming. Had this song been promoted more aggressively, it could well have turned out to be a major chartbuster already. Next to arrive is <strong><em>'Mehrama'</em></strong> and the song just picks up from where <strong><em>'Shayad'</em></strong> left, hence turning out to be yet another beautiful melody that makes an entry right into your heart. Darshan Raval and Antara Mitra pair up for <strong><em>'Mehrama'</em></strong> which later also arrives in an 'extended version' and makes you long for the one you love. These two songs, coupled with an additional version each, set the 'sur' of <em>Love Aaj Kal</em> and one expects the romantic mood to continue right through. This is the reason why ‘<strong><em>Raftaar’</em></strong> rendered rap track <strong><em>'Parmeshwara'</em></strong> turns out to be nothing but a rude shock. A truly annoying piece which just doesn't manage to register itself and is a misfit both in the soundtrack as well as the film's narrative, it tries to be all cool and smart but fails big time. This one just didn't have a place in the music of <em>Love Aaj Kal</em>. Arijit Singh is back in the fold and he croons two back to back tracks, <strong><em>'Rahogi Meri'</em></strong> and <strong><em>'Haan Tum Ho'</em></strong>. Yet again, it's the usual romantic mood that is created in these love songs that are just the kind that one expects in an Imtiaz Ali film. Not that these songs are chartbusters in the making as they aren't really massy in their presentation and outlook. However if you just want to sit back, relax and think about the one whom you love the most, <strong><em>'Rahogi Meri</em></strong>' and <strong><em>'Haan Tum Ho'</em></strong> (which has Shipra Rao entering the fray as well) truly end up fitting the bill. Mohit Chauhan had rendered <strong><em>'Yeh Dooriyaan'</em></strong> in the first <em>Love Aaj Kal</em> and there is a new version of the song that arrives in the latest <em>Love Aaj Kal</em> with the same title. The singer brings all his experience into play with this heartfelt number that is just the kind which is to be heard with quietness and serenity all around. Carrying a good dose of pain with it, this one has the signature theme that went in the background of <strong><em>'Yeh Dooriyaan'</em></strong>, hence bringing on the nostalgia. The tonality of the soundtrack changes though with <strong><em>'Dhak Dhak'</em></strong> and though this one is at least somewhat better than <strong><em>'Parmeshwara'</em></strong>, yet again it is a misfit into the soundtrack. Trying to infuse 'pahadi' style into the contemporary sound, this Nikhita Gandhi and Akasa rendered track tries to bring in everything from Rumi to internet in one go but doesn't really make you play it in loop all over again. Thankfully, it is back to romantic zone with <strong><em>'Aur Tanha'</em></strong> which sees KK return after a hiatus. With a guitar in the background, this is yet another song which has a heart in love longing for the one closest to it. A soft rock number that goes well with the film's narrative, this one could well make it as a bonfire affair amongst youth. The soundtrack concludes with a bang though with Arijit Singh and Shashwat Singh coming together for <strong><em>'Haan Main Galat'</em></strong>. A new age version of <strong><em>'Twist'</em></strong> that had made huge waves in <em>Love Aaj Kal</em> [2009] more than a decade back, this one actually turns out to be a very good version of the original. Number of times one has complains around recreated versions not really matching up to the original but this one actually succeeds in taking it to the next level. Chartbuster. <strong>OVERALL</strong> The music of <em>Love Aaj Kal</em> has consistency written all over it, barring a couple of songs which are misfits. There may not be many chartbusters out there but if you are the one who is either truly in love with someone or is nursing a broken heart, <em>Love Aaj Kal</em> does well in rekindling those emotions well enough. <strong>OUR PICK(S)</strong> ‘Haan Main Galat’, ‘Shayad’, ‘Mehrama’, ‘Yeh Dooriyaan’

<strong>EXPECTATIONS</strong> As is the current trend with majority of Bollywood flicks, soundtrack of <em>Shubh Mangal Zyada Saavdhan</em> too has released alongside the arrival of the film in theatres. Though an early release of the jukebox can well help gain added popularity in days preceding to the film's release, one wonders if this trend would reverse in time to come. Moreover, yet again there are three recreated songs in this album which has over half a dozen numbers in there. <img class="aligncenter wp-image-1077562 size-full" title="Music Review: Shubh Mangal Zyada Saavdhan" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/02/Music-Review-Shubh-Mangal-Zyada-Saavdhan.jpg" alt="Music Review: Shubh Mangal Zyada Saavdhan" width="720" height="450" /> <strong>MUSIC</strong> Yo Yo Honey Singh (composer), Kinder Deol (lyricist) and singer J-Star's <strong><em>'Gabru'</em> </strong>from the album International Villager is recreated by, who else but, Tanishk Bagchi as <strong><em>'Pyaar Tenu Karda Gabru'</em></strong>. A fun track all the way which is already quite popular, especially up North, this one is a celebratory outing with newer lyrics by Vayu. Singer Romy does quite well in rendering this hard-core Punjabi number that is set to be a chartbuster all over again. Tanishk - Vayu come together to create number of songs in <em>Shubh Mangal Zyada Saavdhan</em> and one of their first collaborations is <strong><em>'Mere Liye Tum Kaafi Ho'</em></strong>. Ayushmann Khurranna brings himself behind the mike for this Vayu written number and his voice actually comes across as quite different in here. A decent track which is easy on ears, it comes across as a situational number at best as it doesn't really have that punch in there to emerge as a chartbuster. Second recreated song in the album is <strong><em>'Arey Pyaar Kar Le'</em></strong> which is a take-off on Bappi Lahiri and Anjaan's <strong><em>'Yaar Bina Chain Kaha Re'</em></strong> from Anil Kapoor and Amrita Singh's <em>Saheb</em>. A good recreation by Tanishk Bagchi and Vayu, this one has Bappi Lahiri's voice been retained which actually works tremendously for the song. While Ayushmann Khurranna chips in as well, the real fun is to listen to Bappi Lahiri due to his unique vocals. A good take on 80s nostalgia. It's time for the Kakkar family to come together for <strong><em>'Ooh La La'</em></strong>. While Tony Kakkar writes and composes this one (along with Tanishk Bagchi), his sisters Sonu Kakkar and Neha Kakkar take centre-stage to let their hair down. A fun number all the way, its promotion surprisingly kick-started quite late in the film's campaign and it could well have been beneficial had this been earlier. Not that the song is a huge chartbuster in the making but still it has the kind of energy in there that would have pepped the film even further. Mika steps in soon after for Tanishk - Vayu created <strong><em>'Aisi Taisi'</em>.</strong> Though the fun element is intact this time around as well, as has been the case with most of the songs heard before, at the end of the day it only fits in the needs of being a situational outing. Same is the case with <strong><em>'Raakh'</em></strong> which is actually a melancholic outing and arrives out of nowhere. Though Arijit has sung for this Tanishk - Vayu creation, the punch is not really there and you don't quite crave to return and give this one a repeat hearing. There is some fun that comes to the proceedings though Anuradha Paudwal and Mohammad Aziz's <strong><em>‘Kya Karthe The Saajna’</em></strong> from Anand-Milind's <strong><em>'Lal Dupatta Malmal Ka'</em></strong> is sampled for <strong><em>'Kya Karte Thay'</em></strong> by Tanishk Bagchi and Vayu. Though Zara Khan tries to bring in something quirky to the proceedings, the fun element actually comes in when the original makes an appearance. <strong>OVERALL</strong> The music of <em>Shubh Mangal Zyada Saavdhan</em> turns out to be decent enough with a couple of songs making an impression, albeit both being recreations. Somehow the new songs that have been created for the film don't quite cover the distance and had there been a chartbuster ortwo there, it would have only helped the soundtrack further. <strong>OUR PICK(S)</strong> <em>‘Pyaar Tenu Karda Gabru’, ‘Arey Pyaar Kar Le’, ‘Ooh La La’</em>

<strong>EXPECTATIONS</strong> A big film always comes with major expectations when it comes to music. Moreover, with Tiger Shroff and Shraddha Kapoor coming together for a film which is produced by Sajid Nadiadwala, who has an ear for music, and directed by Ahmed Khan, who has been a choreographer for over two decades, it is a given that the music would turn out to be good. That said, as is the trend, most of the songs on <em>Baaghi 3 </em> are recreated versions and one waits to check out what does the soundtrack have to offer. <img class="aligncenter wp-image-1082518 size-full" title="Music Review Baaghi 3" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/03/Music-Review-Baaghi-3.jpg" alt="Music Review Baaghi 3" width="720" height="405" /> <strong>MUSIC</strong> <em>Baaghi 3</em> kick-starts on a 'dhamakedaar' note as Vishal-Shekhar recreate their own chartbuster hit '<strong>Dus Bahane 2.0</strong>'. In the times when this is a job done by those who specialize in recreating hit songs of others, it is a pleasant surprise to see Vishal-Shekhar picking this up and doing complete justice to this Panchhi Jalonvi written track. While the beats are all there and the hook is thrilling as ever, one can well see the kind of maturity that comes on display with the experienced composers doing it themselves with singers KK, Shaan &amp; Tulsi Kumar. Well, this is where the originality around original composers recreating their own songs stops as Tanishk Bagchi, the specialist, is roped in for Bappi Lahiri's <strong>'Bhankas'</strong>. A recreation of Kishore Kumar and Asha Bhosle's <strong>'Ek Ankh Marun To</strong>' from <em>Tohfa</em>, this song (which as originally written by Indeevar) is given a pacy treatment by Tanishk Bagchi with Dev Negi and Jonita Gandhi doing the job along with lyricist Shabbir Ahmed. An out and out massy number which is aimed for the single screen audiences, this one does the job. The song which is picturised for the single screen audiences and has a tone and mood which is multiplex oriented is Nikhita Gandhi rendered '<strong>Do You Love Me</strong>'. Originally written, composed and sung by Lebanese artist Rene Bendali, this one has Disha Patani sizzling it up for screen. Let the fact be stated that the recreated version is actually better than the original. Moreover, the hook of <strong>'Do You Love Me'</strong> is impressive too. However, somewhere the energy of the song could have been better as it could well have complimented Disha's striking presence on screen. There is good energy on display though when Pranaay composed <strong>'Get Ready to Fight'</strong> returns from where it left in <em>Baaghi 2</em> after being heard first in <em>Baaghi</em>. There is something truly thematic about this track that always works and it could well act as a motivational and inspiring piece as well which isn't restricted just to the play of the film. Written by Ginny Diwan and composed by Siddharth Basrur, this one fits in quite well as a part of the film's thrilling action packed narrative. Sachet Tandon sung <strong>'Faaslon Mein'</strong> is actually the first original number, which is created only for <em>Baaghi 3</em>, to arrive in the soundtrack. Written by Shabbir Ahmed, this love song could well have managed to cover some sort of distance had it been released earlier and promoted more aggressively. In fact this Sachet-Parampara song has a melodic base to it and could well have found more popularity had it been a part of a romantic drama like<em> Kabir Singh</em> instead. Last to arrive is <strong>'Tujhe Rab Mana</strong>' which is about the bond between two brothers (played by Tiger Shroff and Riteish Deshmukh). This one features right at the beginning of the film and is inspired by<strong> 'Tere Jaisa Yaar Kahan'</strong> that was heard in Amitabh Bachchan's <em>Yaarana</em>. However, the buck stops at the hook line as the rest of the song has an entirely different tonality set by composer Rochak Kohli with new lyrics by Gurpreet Saini and Gautam G Sharma. It is good to hear Shaan in a new song here, though he did set the tone with '<strong>Dus Bahane 2.0</strong>' earlier on. <strong>OVERALL</strong> The music of <em>Baaghi 3</em> works for the 'masala' genre of the film. Though a couple of songs could have done better with added pace, tried and tested numbers like <strong>'Dus Bahane 2.0'</strong>, '<strong>Get Ready to Fight'</strong> and <strong>'Bhankas'</strong> make up for that.<strong> </strong> <strong>OUR PICK(S)</strong> 'Dus Bahane 2.0', 'Get Ready to Fight', 'Bhankas'

31/01/2020

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Actor-turned-politician Kamal Haasan on Monday re-imagined India for the "post-COVID world" and suggested measures across different sectors, including an "epidemic preparedness budget" for the health sector.

"While there are concerns, it's worth praising how this crisis is setting a precedent with state governments coming together and co-operating with each other as well as with the Centre. I sincerely hope this becomes a norm and help overcome perennial battles like the water crisis, pollution, migrants' woes, women's safety, communal violence, healthcare etc," Haasan said on his Twitter account.

"The last full-scale war India fought was almost half a century ago, but poor healthcare is an everyday war leading to 1.6 million deaths annually. Yet, year after year our Defence budget overshadows the healthcare budget," Haasan stated and added that it's a "pity that India continues seeing Defence as a more newsworthy proposition compared to healthcare".

He suggested that India needs to earmark an "epidemic preparedness budget with immediate effect".

"We are under threat a lot more from within than from outside our borders. Our priority towards Health needs to be reimagined with a handsome budget to match," Haasan said.

The Makkal Needhi Maiam (MNM) President later went on to talk about the Agriculture sector and said that India requires a 'Green Plus' revolution that firstly converts part of our agricultural land for an allied enterprise like processing, logistics, etc.

"Secondly, we need to accelerate productivity maximization on a war footing. Boosting agro based MSMEs will help retain youth in the sector and build a sustainable and prosperous future for farming. This will also solve the problem of seasonal lack of work for farmers," Haasan said.

He also suggested bringing India's vast informal sector into the formal fold.

"Bringing India's informal workers under the formal fold must become the biggest national exercise that the government needs to undertake in the near future. Other than boosting the morale of this segment and paving way for its growth, it will also mean enhanced tax collection, a lot of which can be ploughed back to improve infrastructure and offer welfare to the same workers," Haasan said.

"There is also a need to change our outlook towards the vast majority of women who toil their lives away under the status of 'housewife'. Women engaging in housework must be accorded job status. They have little or no savings and a Universal Income Guarantee will give a boost to their savings. Savings always help during any kind of crisis," he added.

Haasan even suggested correction in income inequality and poverty alleviation.

He added, "COVID-19 has shown us that poverty still remains India's most critical challenge. In a crisis, the rich will take a hit but they will not starve to death. Our leaders must learn to integrate the poor man's life in how they plan the running of the country. Relief measures are mere afterthoughts."

In conclusion, Haasan said, "It's time we reinvent the word superpower, India's pipe dream for decades. Let's be a universal thought leader, to put it in parlance a Vishwa-Guru and for all the right reasons."

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A month after the lockdown, Kerala Finance Minister Thomas Isaac on Saturday said that the state has been reeling under huge financial crisis as all that the state government could raise in April was a mere R250 crore. "If we include what the Centre would give us in all, we will be able to touch R2,000 crore. For payment of salaries, we require R2,500 crore," said Isaac.

"Then, a way out is to draw from the Ways and Means System (WAMS) and, including overdraft, it will come to R2,500 crore. After that the treasury would be closed. Such is the situation that we are in," the Finance Minister said. Isaac was peeved at the way the various staff organisations attached to the Congress-led UDF strongly opposed the suggestion of requesting all state government employees to contribute one month's salary to the CM COVID Relief Fund.

"We are at a loss to gauge the mentality of such people who opposed our request. We demanded it to help our people who are suffering. Since they have opposed, we could not go forward with it. Hence we have decided to cut the salary of all. It will start from next month. Salary for six days every month will be cut for the next five months," said the former economist Isaac.

Meanwhile, with the Centre considering repatriation of the Indian diaspora who wish to return to Kerala, a state minister said the government is ready to accept whatever the number is. State Minister for Higher Education KT Jaleel said that one lakh people are likely to return. According to studies, there are an estimated 2.5 million Keralites, 90 per cent of them in various Middle East countries.

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Prime Minister Narendra Modi on Sunday said that India's fight against the coronavirus is "people-driven" and is being fought by the masses and the administration together. "India's fight against coronavirus is actually people-driven. This fight is being fought by the people and the administration together. Every citizen as a soldier is fighting this war," Prime Minister Modi said in his monthly 'Mann ki Baat' address.

The Prime Minister said a vast country like India which is starving for development and fighting a decisive battle against poverty has only this option to fight against coronavirus. "I am confident that in future, whenever there is a discussion regarding the pandemic there will be a reference to Indian's people-driven fight against the infection," he said

The Prime Minister said today's Mann Ki Baat is taking place "when we are in the midst of a 'Yuddh' (war).

"When I talk about a mask, I remember an old thing. You also would be remembering, there was a time when a person seen buying fruits would be questioned whether someone in the family was sick. It meant, fruits could only be consumed during illness, such was the thinking that time. But with changing times, this thinking also changed," he said.

"Similarly, perception regarding the mask is also about to change. You will see that mask will now become a symbol of civilised society. If you want to save yourself and others from disease, then you will have to use a mask. And, I have a simple suggestion, 'Gamcha'," he added.

He added that in changing times due to COVID-19, masks are becoming part of our lives. "We have not been habitual of seeing people around us with masks but this is happening now. It doesn't mean that all those who use masks are sick," the Prime Minister said.

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As the world struggles to fight the novel coronavirus pandemic, Prime Minister Narendra Modi on Sunday appealed to the people to shun the habit of spitting in public places. Pointing out that it was a case of "better late than never", the Prime Minister said society has understood the negative impact of the spitting habit, which affects health and cleanliness of surroundings.

"We in India always knew that spitting in public places is wrong. Yet, it continued in places. Now is the best time to ensure we do not spit," Modi said in the 64th edition of his monthly radio programme 'Mann Ki Baat'. "This will increase basic hygiene and strengthen the fight against COVID-19."

The Prime Minister's address came at a time when the entire country is under complete lockdown -- a measure to contain the spread of the novel coronavirus which has so far claimed 824 lives and over 19,800 confirmed cases across the country.

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Uttarakhand Chief Minister Trivendra Singh Rawat on Monday said that he is following Prime Minister Narendra Modi's mantra of 'Jaan Bhi Jahan Bhi' as the state government is gradually working on improving the economic situation while adhering to coronavirus guidelines.

His remarks came after attending the meeting of Chief Ministers with the Prime Minister over the prevailing COVID-19 situation. "Now we are working on the mantra 'Jaan Bhi Jahan Bhi' given by the Prime Minister. While strictly following the guidelines of the Government of India, we are gradually working on improving the economic situation. Pharma, food processing units are working, many industries have started under the guidelines,"

Rawat said, according to a release by Uttarakhand CMO "Nine hill districts of the state are free from the influence of Corona. The works of National Highway, MNREGA have been started keeping in mind everything. For the economic revival of the state, a committee of cabinet sub-committee and experts has been formed, whose report will be received soon," he said.

The Chief Minister said that it should be looked at and which economic activities can be started while adhering to all guidelines to combat COVID-19.

Rawat said that Uttarakhand being a tourism and pilgrimage destination has been greatly affected by the lockdown. "But I am confident that under the leadership of the Prime Minister, the situation in the state will improve again," he added. He said that the gates of Gangotri and Yamunotri have been opened on Akshaya Tritiya while maintaining all precautions.

The Chief Minister also suggested that the duration of employment in MNREGA be increased from 100 days to 150 days.

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Ajay (Rajeev Khandelwal) is studying to be a Collector. It is his father’s (S.M. Zaheer) dream that Ajay becomes a Collector. However, Ajay is sucked into the world of crime because of another student, Gyanu Singh (Abhimanyu Singh), and his elder brother, Ajit (Shaji Chaudhary). While Gyanu is a student leader and a rowdy, brother Ajit is a kind of don. As the drama progresses, Ajay is accused of murdering Gyanu although the fact is that he was only trying to save himself from being murdered by Gyanu. Obviously, Ajay is on the run. He later kills Ajit too. When, finally, Ajay wants to surrender, his girlfriend, Manjiri (Sameksha Singh), who is now an IAS officer, arrests him.

The story revolves around a rich business Yash running a successful business in Switzerland.He falls for a gorgeous Model and soon they are married.While husband showers and pampers his wife with all the love and riches and is keen to start a family, little does he realise that they are not on the same page. The model is an ambitious woman willing to sacrifice love and family for her career. His world comes crumbling down when he spots his wife cheating on him. What follows is a chilling narrative of betrayel after betrayel that forces the husband to not take it any more. He seeks his revenge but destiny has something else in store for him. In a dramatic turn of events Yash is killed and buried alive by his wife alongwith her boyfriend. After killing Yash as they eye his properties and plan a clean exit they are caught in a web of haunting spectacles. Yash had promised to come back sseeking his revenge. Main Zaroor Aaunga’s narrative will keep the audience glued to their seats. The film unlike typical horror film does not seek to scare with gory scenes instead creates chill against the cold snowy backdrop. It is pleasing to the eyes with beautiful scenes but at the same time they will be on their edge of the seat as the story unfolds

Love is the most pious feeling in the world. But what if love happens and you come to know only after love is no more around you. This is the story of love, friendship and fate. How fate controls your life and love in today's fast paced world. Love blossoms in childhood but takes shape in teenage. Pari is a girl who is in love with her classmate but by the time she expresses her love, she finds out it's too late. Fate takes her love away and when he comes back life has already taken a turn for the worst. This journey brings you the question - love is what remains with in you even after the person is not with you anymore. A light hearted realistic tear jerker musical, story of every heartbeat!

An uncomplicated man Shiva finds himself in a vortex of desperate and miserable life after an act of mindless violence by the demonic village Thakur. Shiva avenges his father and sister’s murder by killing Thakur and his men and soon after, prodded by his saviour and partner-in-crime Sukhlaal, joins the gang of a deranged dacoit Raja Rangoli. Since Shiva and Sukhlaal had also killed cops while escaping, the local police led by SP Suraj Pratap and Inspector Jamaal, initiate an investigation on Shiva... There Shiva is not happy joining Raja for his whimsical and absurd ways. Fortunately he meets Daya Baba, a wise man of the gang who becomes his advisor and guru. Shiva turns out to be a quick learner and proves his worth to the gang. Yet despite his contribution, Raja continues to insult and abuse Shiva. Eventually, during a raid at a rich trader’s house, when Raja attempts to rape the trader's daughter, Shiva revolts and leaves with Sukhlaal and Ganga to form his own gang. This is the turning point in Shiva’s life and the beginning of a journey of his becoming the most feared outlaw of Bundelkhand. As Shiva’s might and reputation grows, many powerful people reach out to him seeking his favour. And amongst them is a wily politician Jagat Prabhu. Jagat Prabhu is looking for Shiva’s support for a win in the forthcoming election. Shiva obliges by perpetrating terror and murdering the Election Presiding Officer to get him elected. Jagat Prabhu’s win initiates Shiva into the corridors of political power… The murder of Election Presiding Officer does not go well with the upper echelons of administration who appoint a young and dynamic DSP  Ranbir Singh on the job of getting Shiva.  Ranbir is an honest and daring officer but reckless in his approach. In his enthusiasm he puts Shiva’s mother In jail who unfortunately dies in custody. An inconsolable Shiva, abducts the DSP and decapitates him in retaliation. This turns out to be an unwise act. Panicking, Jagat Prabhu reaches out to assuage Shiva, but Shiva chooses to humiliate him. He strips him in front of all and sends him back. It is yet another mindless act which ultimately leads to Shiva’s downfall Shiva’s story finally turns out to be a clash of aspirations. It is a tale signifying the futility of violence as a means of dominance and power. Almost as quickly the newly appointed SP Ajay Sinha takes the charge, he ruthlessly moves against Shiva and his men.  The irony of Shiva’s story is, even the mighty SP would  have failed to get him and dismantle his empire, had he not been betrayed by a man he so deeply trusted.

“We need to just understand the management of water for our "Present and Future”. This is a story of about Rohan (Abraam Pandey) and Pooja (Jashpreet Kaur) who are eager to learn about rain water harvesting in college. They set out to adopt the idea of conserving water. While they do face a lot of obstacles, they overcome it all eventually. The story and dialogues are penned by Shravan Kumar Rathore.

Phati Padi Hai Yaar is a struggling actor who goes on a wrong path after he fails to get a break in films. In hope to become an actor, Rushi (Indra Kumar) arrives in Mumbai from Delhi to become an actor. After rejections and failures, he is not able to handle the complications and takes up drinking, smoking and even becomes a womanizer. He receives the biggest shock when he is diagnosed with sexually transmitted disease. He attempts suicide on several occasions after being dejected but is too afraid to end his life.  However, he continues to sleep around with women. He once again tries to commit suicide by jumping into the sea but is saved by the locals. His medical report states he doesn’t have the disease anymore. At cinemas, Rushi says to the audience to not do whatever he has done in his life. Hereon, begins the story of Rushi!

<strong><em>Pagle Aazam</em></strong><strong><em> </em></strong>is the story of three friends who don’t have girlfriends. They love it when finally, they meet a girl and fall for her. They have a mission in life — to loot a don. What happens to their mission? And what comes out of their feelings for the girl they meet?

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