The Board of Control for Cricket in India (BCCI) President and former India captain Sourav Ganguly on Tuesday wished his followers on the occasion of Bengali New Year.

"Shubho noboborsho," said Ganguly in his tweet.

Shubho noboborsho pic.twitter.com/WmVGhXogTS

— Sourav Ganguly (@SGanguly99) April 14, 2020

As BCCI President, Ganguly is faced with the unique task of leading the board through a period when the coronavirus pandemic has put a halt to all cricket around the world.

India's home ODI series against South Africa was indefinitely postponed after the first match was washed out while the 2020 season of the IPL faces uncertainty due to the virus showing no signs of stemming.

Ganguly had said earlier that the environment looks bleak for all sports, not just IPL. "We keep monitoring developments. At the present moment, we can't say anything. And what is there to say anyway? Airports are shut, people are stuck at home, offices are locked down, nobody can go anywhere. And it seems this is how it's going to be till the middle of May," Ganguly told the New Indian Express.

"Where will you get players from, where do players travel. It's just simple common sense that at the moment, nothing is in favour of any kind of sport anywhere in the world, forget IPL."

The BCCI is now looking at the October-November window to hold the league, but that can only happen if the World T20 is postponed.

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Mahi Malini Pujari says initially she would avoid interacting with guests, but has now grown more confident

Last year, restaurant manager Josein Fernanda found herself in a tough spot when a colleague spotted a bodice and a bunch of padded bras in her bag while they were working on a cruise liner in Goa, where she was working as a manager. The 44-year-old, born a boy in Mumbai's Lamington Road area, says she has always felt like a girl and would clandestinely cross-dress. But, it was a secret that Fernanda had zealously guarded until then. "My boss called me and said, 'I don't want this news to leak. So stop indulging in this.' Well into my 40s, I had reached a point where I couldn't conform to society anymore. There was an overwhelming sense to come out of the closet," she says. Fernanda resigned from the job and returned to Mumbai, liberated but uncertain about what the future held.

Shonali Mude, a former runner-up at Miss Trans Queen 2017 joined in January this year. Mude, who might have in another gender made it as a model or an actor, says jobs for transgender are limited. Having gone to auditions at fashion weeks, Mude says she had no luck. She now works as a floor attendant

Being in the public eye
When we meet Fernanda on a weekday afternoon at Third eye Cafe, located on the ground floor of Palm Galleria Mall, Navi Mumbai, she is sitting near the bar with her laptop. The wall facing her reads, 'Be the Change You Want to See'. Wearing a black blazer with slim fit pants and glinting earrings, Fernanda - formerly known as Innocento - has finally embraced change. She chanced upon the cafe while browsing through YouTube, and got in touch with the owners. She now proudly identifies herself as a woman. Along with her, five other trans-women found their lives transformed when were hired as staffers at the restaurant. The cafe currently has six transgender employees, five of whom work as table attendants, while one works as the manager. The restaurant employs around 20 persons.

Josein Fernanda - formerly known as Innocento - finally came out of the closet on learning of this job in January

"As the name suggests, the restaurant was launched with the intention of providing the third gender an opportunity to lead a more respectable life," says co-owner and architect Nimesh Shetty, who started the venture with his partners Prasad Shetty and Nitesh Kandarkar. Nimesh, 27, conceptualised the cafe almost six years ago while working on an architectural thesis around building a community centre for the transgenders. As envisioned, the cafe would be part of the centre. He even conducted a survey to understand whether people would visit a place like this during the thesis. "A lot of people said yes, we accept the third gender. But, are you willing to accept your sister or closest friend as a transgender? That's when people fumbled. This is something we want to work on," says Shetty, who hails from a family of hoteliers.

A typical day
At the restaurant, we see Mahi Malini Pujari, 24, on her feet taking orders and interacting with guests. She's aware of the reaction her presence normally invites - raised eyebrows, unflinching stare, giggles and sometimes nonchalance - but she has learnt to take it all in her stride. In fact, when a bunch of guests arrive, she's the first to guide them to the table and make them comfortable by offering water and exchanging pleasantries. "Initially, I wouldn't utter a word to the guests. I'd take orders and do clearances. I didn't have the confidence to initiate or a hold conversation," says Pujari. The make-up is minimal, just enough to make her look fresh-faced. The 24-year-old worked at Arzoo Foundation, a de-addiction and rehabilitation centre situated at Palghar. Before that she would beg on the streets and in trains. "I joined the hijra community in Bandra after I left home. I didn't even complete my Std X because my parents gave me an ultimatum: 'either I behave like a boy or leave'," she says. Pujari chose the latter. She now lives in an apartment provided by the owners, in Vashi along with the other staff. While the response from the hijra community to her choice of a new career has been fairly encouraging, her family has still not accepted her. "I've let it go," she says.

Know your food
In almost two months' time, Pujari has upped her social skills and also memorised the menu. A part of the credit goes to Fernanda, who the staff treats as 'didi'. "Of course, they need to know how conduct themselves in public. Along with that, she must know the food that we serve here and what goes into its making like the back of their hand. The guests always check with the server first," says Fernanda.

Spread over eleven pages, the menu is extensive with sections separating Italian, Oriental and Indian cuisine. Currently, the restaurant doesn't serve alcohol but it's in the pipeline. We order the beetroot falafel made with parsley pesto, tahini yoghurt and pomegranate for R199. The portion is impressive and scores well on the taste front. "Many come here for the novelty value. But, they'll return only if the food and service is good," says senior staffer Shonali Venkatesh Mude, a former runner-up at Miss Trans Queen 2017, who joined in January this year. Mude, who might have in another gender made it as a model or an actor, says careers as a transgender are limited. Having gone to auditions at fashion weeks or even advertisements, where she'd have to portray a woman, Mude says she had no luck. "I wanted a job where I'd get a steady income."

A group of women sitting next to our table have dropped by from Nerul during lunch hour to celebrate a colleague's birthday. That's the overt reason. The real one is to experience what's it like to be served by transgender staff. "I don't mean to treat them as specimens, but we wanted to experience this. I'm happy that we're finally getting to see them in mainstream jobs. Till now, you would see them begging inside trains," says Divyani Fulzele, who works at an IT firm. When they're about to leave, they compliment Mude and promise to return. This time for the peppy vibe and the food. "Compliments work as a confidence-booster. While I'm more educated and experienced than the rest, there was a trepidation about how it'd pan out. But I like coming to work," smiles Mude, who lives with her partner in Khargar.

Setting an example
In 12 months, owner Nimesh Shetty has interviewed over 600 transgenders for the job by seeking help from NGOs and transgender activist Gouri Sawant. "Actually, it's they who interviewed me because they had more questions than I did. It's natural, because they are leaving their comfort zone and for an all-new territory," he adds. He admits some quit the job within weeks because of adjustment issues. "It's a high-pressure job, where sometimes you clock in 10-12 hours. Some couldn't deal with that," he says.

Shetty feels the challenges of being transgender are different from what gay men or women face. "Here, we are talking about survival. Many get thrown out of the house when they come out." For now, Shetty is hopeful that the restaurant will inspire others to follow suit. "We don't want to capitalise on this as a gimmick. The goal is to inspire."

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After a huge delay, the Navi Mumbai Metro trains are finally here. Two trains of three cars each have landed at the Mumbai port from China, and will soon make their way to Navi Mumbai. mid-day gets you a first look at the sleek trains with swank exteriors.

The Navi Mumbai Metro has been delayed much beyond schedule. The first phase (now under implementation) begins from Belapur railway station and ends at Pendhar station near Taloja. The total length of this route is 11.10 km and it will have eleven stations and a depot-cum-workshop which is being developed at Taloja.

"The trains will undergo trials soon. The target is to commission them by 2020," Deepak Hartalkar, Superintending Engineer, Navi Mumbai Metro, told mid-day. He said work on the elevated spans has been 100 pc complete, work on stations and signalling etc is in progress. "Once various kinds of trials and tests are done, the Commissioner of Metro Rail Safety will be approached for clearances which will take a few months," he added.

The Metro will open for public only after the safety commissioner gives his approval and this might take time till 2020. Work on the first phase approximately costs Rs 3,063.63 crore.

FINALLY! Here they are. Navi Mumbai Metro trains arrive. Two three-car trains land at Mumbai port. My story in @mid_day today and a few more pics. Click here to read: https://t.co/f0VswpLZJz pic.twitter.com/aZAWQdv2KE

— Rajendra B. Aklekar (@rajtoday) March 11, 2019

The second phase has been planned between Khandeshwar and Taloja MIDC. The third phase will connect Pendhar and Taloja MIDC and the fourth phase will connect Khandeshwar and the upcoming Navi Mumbai International Airport (NMIA) near Panvel.

Also read: Navi Mumbai Metro brings Howrah Bridge to Mumbai

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Kartik Aaryan has truly proved to be a crusader in these difficult times. It first all began with his hit monologue #CoronaStopKaroNa which took the social media by storm where he explained the importance of social-distancing. And he didn't stop his self-made awareness-programme for the masses there. Aaryan went ahead and turned his hit monologue into a rap and later even turned into a virtual chat show host to spread the right information about the pandemic.

Kartik Aaryan launched his hit show Koki Poochega a couple of days back on his YouTube channel and broke the internet. His smart initiative to use his star power, to enlighten his innumerable followers about Coronavirus is commendable. Our Koki not just met COVID-19 warriors and got insights about the fatal infection and the plight, but he also made the chat show lighter in these dark times with his effortless charm. His first interview with Sumiti Singh, India's first COVID-19 survivor, was filled with humour and laughter. Kartik followed the pattern in his other two episodes - Dr Meemansu Buch and MP, Police officer Madhurveena. All three episodes were packed with knowledge, laughter and fun moments which left a lasting effect on social media, but it also has to be noted that Kartik has chosen all of three of his interviewees to be women.

Kartik Aaryan has done extensive research for his chat show. He made sure that his first chat show is not just an amateur one, where he just interviews them and experts only details out of them. Amidst all this, Kartik wanted all his initial episodes to have female interviewees. A source close to the actor tells us, that the heartthrob wanted the women to speak out loud through his show. "While the first COVID 19 survivor happened to be a girl, he made sure that the doctor and a cop that he interviews are women. He wanted to know how a young female doctor is curing patients and selflessly working for the nation. Even with his police-episode, he wanted to know how a lady cop's life in this lockdown when she's on duty. And it wasn't done with as an act of sympathy, but he just wanted to show the world, that how women can achieve anything they want to. Women are also a driving force in serving the nation, which is usually not brought out in the media and Kartik made sure he puts across this strong point out there too without even making a hullabaloo about it. He also made sure he just doesn't centre his show around Mumbai and get the warriors from the city. But he picked these real-life heroes across the nation."

Kartik Aaryan recently pledged Rs 1 crore to the PM Cares Relief Funds and this act hailed him as a true hero in the public eye, for donating such a generous amount at such a young age.

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The unstoppable Vidya Balan who always has surprised her audience is making new discovery during this lockdown. We have earlier seen Vidya making some interesting revelations of how she has been spending her quarantine cleaning her house and other household chores. She made a surprising revelation that she is not fond of cooking and hence doesn't know how to cook well but since the past few days, she has been trying to cook and discovered that it is quite fun.

We recently saw Vidya Balan making Modak which is also her favourite dish, and we can say that she is undoubtedly enjoying the cooking process in her home during this lockdown. Cooking is a hectic job and Vidya many times candidly told that she doesn't know how to cook and cooking never interested her, but during this lockdown, we have seen many celebrities cooking and posting pictures on Instagram and other social media platforms. We have seen quite a few numbers of actors who have been posting their cooking videos and pictures on social media for some time now and now we have our diva Vidya Balan who is a very fun way shows us how she is loving the concept of cooking and went on making modaks.

Vidya gleefully said in an interview with Bombay Times, "I always saw cooking as a symbol of domestication, but in the lockdown it was a new discovery." Vidya who has always been known for playing a women-centric role and being headstrong was of the opinion that cooking is a very domesticated role and she would never fit perfectly in it but this lockdown enabled her to find out a new trait in her and is she is enjoying it with her whole heart.

We hope to see Vidya posting more of cooking videos now and like each role we hope she will ace in cooking too. Vidya is going to rock her audience with her much-awaited Shakuntala Devi that is expected to hit screens post the lockdown and also will be seen in much-celebrated film Sherni where for the first time she will be seen playing the role of a forest officer.

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Bollywood's chirpy beauty Sara Ali Khan and brother Ibrahim, are keeping up with their fitness regime during the coronavirus lockdown period by working out at home. However, on Saturday, they were joined by a new friend -- Fuffy Singh, their pet dog.

The 'Love Aaj Kal' actor took to Instagram to share a picture during their workout session. In the shared picture, the 24-year-old actor can be seen posing for the camera with her 'Pilates Girl' tee. On the other hand, Ibrahim is lying on the floor shirtless in his shorts and shoes.

 

 

 

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Knock knock 👊🏻👊🏻 Who’s there? Not us- we’re working out 💪🏻 🙌🏻 Yes, us includes Fuffy Singh 🐕 🐶 @fuffy07 #happyweekend #stayhome #staysafe #staypositive

A post shared by Sara Ali Khan (@saraalikhan95) onApr 25, 2020 at 11:10am PDT

Meanwhile, their adorable pet dog, Fluffy, can be seen watching the brother-sister duo. Taking it to the captions with another 'Knock Knock' reference, she wrote: "Knock knock Who's there?Not us- we're working out Yes, us includes Fuffy Singh @fuffy07#happyweekend #stayhome #staysafe #staypositive"

On Friday, the brother-sister pair tried to beat the lockdown blues and shared an adorably sweet video shot while playing 'Knock Knock joke.' Meanwhile, the 'Simmba' star keeps on sharing glimpses of her quarantine time to keep her fans updated on her social media.

 

 

 

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For now, we all live under a rock 🏡 All of us- the nerd 🤓the jock ⚽️ In the meantime Ibrahim and sister you can mock 👫🙊🙈 While we do our favourite Knock Knock🐣🤷‍♀️🚪👊🏻👊🏻 #knockout

A post shared by Sara Ali Khan (@saraalikhan95) onApr 24, 2020 at 6:01am PDT

Ahead of the Earth Day, Khan shared her love for mother Earth through a collage of beautiful throwback pictures with exotic natural beauty forming the backdrop.

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In a bid to amuse his fans with a "joke," actor Riteish Deshmukh on Sunday shared a humourous video of himself on Instagram. The video begins with Deshmukh sitting and looking at the camera while the background features voices of people asking the actor to crack one joke in Marathi.

 

 

 

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Ek Joke Saanga Na

A post shared by Riteish Deshmukh (@riteishd) onApr 27, 2020 at 5:36am PDT

"Ek Joke saanga na (please tell one joke)," the voice in the background said.

To which the 41-year-old actor politely refuses and tells people that he is a "celebrity" which makes people chuckle and leaves Deshmukh shocked. "Mi celebrity aaye (I am a celebrity)," responded Deshmukh.

The 'Housefull' actor has been quite active on social media ever since the lockdown was imposed in the country. He keeps posting TikTok videos featuring himself and his wife Genelia Deshmukh.

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If your workplace is supporting its employees by reducing their job strain, it may boost in preventing new cases of common mental illness from occurring up to 14 per cent, a new study suggests.

The findings, published in the journal Lancet Psychiatry, confirm that high job strain is associated with an increased risk of developing common mental disorders such as depression and anxiety amongst middle-aged workers.

Job strain is a term used to describe the combination of high work pace, intensity, and conflicting demands, coupled with low control or decision-making capacity.

"The results indicate that if we were able to eliminate job strain situations in the workplace, up to 14 per cent of cases of common mental illness could be avoided," said lead author Samuel Harvey, Associate Professor at the Black Dog Institute in Australia.

"These findings serve as a wake-up call for the role workplace initiatives should play in our efforts to curb the rising costs of mental disorders," Harvey added.

To determine levels of job strain, 6,870 participants completed questionnaires at age 45 testing for factors including decision authority, skill discretion and questions about job pace, intensity and conflicting demands.

The researchers also accounted for non-workplace factors including divorce, financial problems, housing instability, and other stressful life events like death or illness.

The models developed in this study controlled for individual workers' temperament and personality, their IQ, level of education, prior mental health problems and a range of other factors from across their early lives.

The final modelling suggested that those experiencing higher job demands, lower job control and higher job strain were at greater odds of developing mental illness by age 50, regardless of sex or occupational class.

"Workplaces can adopt a range of measures to reduce job strain, and finding ways to increase workers' perceived control of their work is often a good practical first step. This can be achieved through initiatives that involve workers in as many decisions as possible," Harvey, who is also affiliated with the University of New South Wales in Australia, noted.

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Chef Cham Hun Chakap plates a portion of chilli chicken. Chilli chicken is one of the spicier dishes that can be traced back to Tangra. But the food of the Kolkata locality is often a lot sweeter than other Indo-Chinese dishes because that’s how the Bengalis prefered it. This can be evidenced in something like honey chilli potato.

Chef Cham Hun Chakap moves around the kitchen with the assurance of a well-set batsman completing a comfortable single down to deep midwicket. He is running the show behind the scenes at a restaurant in an upscale Powai hotel, which is hosting an event called Tangra Festival. The dish that the chef is whipping up for us is chilli chicken, possibly the most ubiquitous item in the culinary spectrum of Indo-Chinese dishes. And he tells us that it was invented in Tangra, the new Chinatown in Kolkata, considered by many to be the Mecca of this particular cuisine.

Tangra does indeed occupy a unique spot in the country’s food-scape. It all goes back to about 100 years ago, when the British — along with Kolkata’s older Chinese community in Tirreti Bazaar — established the area, setting up leather factories there to manufacture boots and other goods for soldiers at the battlefront during World War I. Business picked up further during World War II. But then, the British packed their bags in 1947. So, the Chinese community took over the tanning operations. Their life ambled comfortably along, only to be turned upside down by the Indo-China war of 1962, when many indigenous Chinese people immigrated to safer havens like Canada, Australia and Taiwan. And suddenly, the community in Kolkata found its numbers to have considerably dwindled.

Food to the rescue
What’s worse is that the ones who were left behind, and who had picked up the mantle of the leather business from their predecessors, found themselves on the wrong side of the law after the state government deemed the tanning industry to be an environmental hazard in the mid-’90s. A large number of factories thus faced closure, with some being shifted to the nearby neighbourhood of Bantala. Many of the owners faced overnight financial ruin. So, to get out of the soup they found themselves in, they turned their attention to another business that had been gaining momentum in the area over the ’70s and ’80s — restaurants serving “Chinese” dishes.

“Initially, these restaurants were serving the authentic cuisine of the Chinese mainland. But that did not suit the palate of Kolkata’s Bengalis, who found it to be too bland. So the restaurants were running in losses in the beginning, till their owners decided to alter the recipes, adding Indian herbs and flavours,” chef Cham says, adding that this formed the genesis of what we call Chindian cuisine.

Illustration/Ravi Jadhav

These dishes, of course, bore as much resemblance to true-blue Chinese food as idli-sambar does to tandoori chicken. Instead of being stir-fried, for instance, most of the preparations were gravy-based. The spice quotient was also so much higher than a Shanghai local would put his chopsticks down to fan his mouth after one bite. Plus, while something like a Peking duck is roasted over a length of time, Tangra food was geared to suit the purposes of the quick-service restaurants there. This automatically also meant that the meat — including the fish items — was almost invariably diced into pieces, instead of being served whole, like some of the dishes in mainland China.

Pan-Indian acceptance
Be that as it may, the cuisine gradually started spreading to other parts of the country. Nelson Wang, a Tangra local who opened SoBo’s China Garden in 1984, is widely credited with having invented chicken Manchurian, a dish which if you say is Chinese, you might also say that the giant panda is India’s national animal. Punjabis also caught on to the trend, developing a brand of Sino-Ludhianvi dishes. And with time, Indo-Chinese food became a mainstay of restaurants in various cities, including Mumbai, where lunch home menus reserve equal space for “Chinese” dishes as they do for stuff like chana masala and aloo matar.

The credit for this goes to the original restaurateurs of Tangra who Indianised their indigenous dishes. But things are no longer hunky-dory in the Kolkata neighbourhood, says Dominic Lee, a fourth-generation Tangra local. “Many of the smaller restaurants are finding it difficult to sustain themselves, with only the bigger eateries, which have space for parking, constantly managing to upgrade themselves because they have the requisite capital,” he tells us, adding that the recent controversy around dubious meat being supposedly sold in the city’s restaurants has led to a further dip in fortunes.

Nonetheless, he continues, the legacy of the cuisine has left a permanent imprint on the history of India’s food. Take chilli chicken, something so popular that it’s travelled all the way from the humble Kolkata locality to the swish Powai hotel where chef Cham is making us his version of it. But when he is done in a matter of mere minutes, he recognises the look of doubt on our face after we have had a taste. “I have to make a blander variety because most of our customers are from the West, and they wouldn’t be able to handle something too spicy,” he explains, revealing how Indo-Chinese cuisine of the Tangra variety is a preserve of only our own countrymen.

Looking for it anywhere else in the world would be like looking for a needle in a haystack, for all practical purposes.

Awesome sauce
A huge contribution that Tangra has had is popularising the concept of chilli sauce. “You will find it in all the kathi roll shops dotted around Kolkata. But before we added it to our food to suit Indian taste buds, people had no clue about it,” says Lee.
Till May 27, 7 pm
To 11.30 pm
AT Emperor's Court, Renaissance Mumbai Convention Centre Hotel, near Chinmayanand Ashram, Powai.
Call 8291165421

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Welcome to Gutterland. Nothing is normal down here. There is a bakery, but it sells potty cakes. There is a king, but he's mad (his minister, though, is sinister, as can happen in real life). The sewage workers are locked in battle with vicious demons disguised as poisonous gases and polythene bags. And in case you're in the mood for music, the resident French opera singer is happy to oblige.

That's the sort of cuckoo world that the audience for a new musical will be introduced to when it's staged this weekend. It's called Utterly Gutterly Atrocious after a delicious butter brand's tagline. And the two central characters in it are a hare and tortoise, who have set out to change the way we all run the rat race, asking us, "Why climb the ladder of success if we are anyway headed for disaster?"

The zany plot also has space for a love story between a mysterious old man, D'Lalit, and Lady Saga, the opera singer. But it's the main relationship between D'Lalit and a boy named Suvarna that director Purva Naresh uses to address injustices that arise out of caste and class divides. For, on the surface, Utterly Gutterly Atrocious might seem like a loony musical meant for laughs. But there are deep insights within the story that make us sit up and think about why, for instance, the job of manual scavenging is burdened only on one set of people.

The cast

The production stars children from Worli Koliwada, who have had little or no prior experience in theatre. Their involvement was a result of Project Swachh Worli Koliwada, which the play's venue has initiated in collaboration with various organisations. Speaking about the experience, child actor Shubham says, "When we were told about the reason behind the activities and the story of the performance, we realised how drama and theatre are a reflection of life. And if a big group is giving us the opportunity to be a part of theatre, why should we miss out?"

Why indeed, and you shouldn't miss out either on watching a play that highlights how we need to make the world a fairer place. For, it's high time we collectively ensure that Gutterland never becomes a true-to-life depiction of our own world.

ON March 3, 12 pm and 4 pm
AT G5A, Shakti Mills Lane, Mahalaxmi 
Log on to bookmyshow.com
Entry Rs 200

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Ghatkopar has some great food destinations for vegetarian patrons. So when Vedge XPRS, a new Quick-Service-Restaurant (QSR) opened its shutters at Ghatkopar's R-City Mall, we decided to check it out.

The Vedge XPRS offered a vast menu comprising the best of vegan food, including options for Jain guests.

Vedge XPRS serves some delicious quick bites ranging from soups, street food, pizzas, combos, shakes and much more

Humble beginnings…
We tucked ourselves into one corner of the food court and ordered some fries and signature nachos on the recommendation of manager Prathamesh. The Fully Loaded Nachos (Rs 265), their signature dish was crunchy with a generous amount of cheese topping, which made the dish a delight, especially for a nachos fan. The animal style fries (Rs 199) came next with five types of toppings - Peri Peri, Sriracha Mayo, Orange Garlic to name a few. Spoilt for choice, we opted for Jalapeño cheese. The potato fries were fried until lightly golden to make them crispy and topped with finely chopped Jalapenos.

Off coolers and pizzas
Next up, we tried our hands at Con Le Verdure Arrosto (Rs 285), a thin crust pizza. The piping hot 9-inch thin crust pizza was laden with loads of veggies and cheese. With every bite, the pizza just got crunchier and tastier. We surely recommend this one! The chilled coolers we ordered to compliment the pizzas arrived on our table. The Raw Mango (Rs 105) cooler was a soothing experience after our tryst with the fiery fries and nachos, while the Peach Ice Tea (Rs 185) was a refreshing twist. 

Choose from different combos on offer or opt for some authentic Indian street food, Chinese dumplings, and more to satiate one's hunger pangs

Dealing ‘In’ combos and pasta's
It was time for the main course and we opted for a Soup Noodle Combo (Rs 510) that consisted of Man chow soup and wok tossed noodles cooked in burnt chilli basil sauce. The generous portion good enough for two average eaters was served piping hot. We mopped up the dish quickly and went for a Penne Pasta (Rs 255) in a pink sauce. Along with the pink sauce twist, the outlet also offers two other funky options in pasta, cooked in white and red sauce.

We were put away by the colour of the dish and the taste of the pasta also did not meet up to our expectations. We would not recommend this variation of the Italian pasta.

Shaking with ‘Shakes’
We finished our meal on a 'sweet' note by going for their signature shake, the Chocolate Hazelnut (Rs 190) and an Oreo Cookies (Rs 185) shake from their ‘Shake It Up - Shakes’ section of the menu. 

You can even choose to have some chilled coolers and shakes as you shop till you drop at R City Mall in Ghatkopar (W)

Our view
The restaurant offers mouth-watering quick bites at affordable prices with a variety of choices ranging from soups, street food, pizzas, combos, shakes and other popular food items. If you are a foodie and love delicious vegetarian cuisines, then Vedge Xprs is a fabulous place to be.

Where: 3rd Floor, Food Court, R City Mall, LBS Marg, Ghatkopar West, Mumbai
Meal for two: Rs 600 to Rs 1,000
Alcohol served: No
Contact: 022 25175500

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It's a busy morning inside the sprawling open kitchen at Chembur's Pot Pourri with blogger-author Saee Koranne-Khandekar helming the activity with help from executive chef Vinod Garde. In the last 10 days she has been pretty much relegated to this section of the 175-seater space. The only time we see her stepping out is to answer a phone call or greet a guest. The reason is a new culinary experiment that will see the restaurant, known for dabbling in global cuisine, present a new face of Maharashtrian food. One that you might not identify by its appearance — we did not — but certainly by taste.

Chicken Bhujing is a street dish available inVirar. Bhujing, derived from the Marathi word, bhujne, is a process of roasting chicken with potatoes on charcoal and then mixing it with nylon poha and masalas

Creating a new avatar
Starting today, Pot Pourri will roll out a new menu curated by Khandekar that will be available only till October 24. The objective is to showcase how traditional Maharashtrian recipes can be tweaked and made palatable to an evolving audience, who might otherwise gawk at the idea of eating faraali misal or varan phala at a gourmet restaurant. Having said that, Khandekar is clear that food won't carry any 'deconstructivist' baggage. Portion sizes are hearty, and there are no foam, vapours and gasses to accompany it.

Pathare Prabhu pot pie with tomato saar

"I had to mainly work on the way I approached certain traditional dishes," says Khandekar, who in 2016, authored Crumbs! Bread Stories and Recipes for the Indian Kitchen, that offered more than 40 recipes of Indian and international breads. She adds, "For instance, if I said thalipeeth with koshimbir, people who are not familiar with the cuisine, might say, 'Oh, this is just too experimental for me'. They might find it intimidating and rustic, and not want to eat it at all." In order to give the spiced Maharashtrian pancake a makeover, Khandekar has created thalipeeth tostadas, topped with a creamy guava-based yoghurt salad. The dish, prepared using bhajanee (flour made from roasted grains, legumes and spices), has been fashioned to look like the Mexican tortilla with guacamole. If you have tasted the Maharashtrian snack, a powerhouse of nutrition, the taste will hit home. It's the yoghurt that helps balance the spiciness of the pancake, making it a sumptuous bar snack.

Faraali misal is eaten while fasting. Here's it's served with a peanut dip

Khandekar believes that although, thalipeeth has for centuries been a 'multigrain' offering, the idea of bringing into the mainstream never took off due to its seemingly regional strappings. "Somewhere, in the name of 'evolution', we have drifted away from what's intrinsic to the culture. Our cuisine which was earlier very millet and rice-heavy has now moved to being wheat heavy. Seasonal items like gourds barely make an appearance," she adds.

Modak icecrean with crispy vermicelli; Baked coconut fudge karanji with vanilla icecream

Getting global recognition
For any regional cuisine to reach the pedestal of a fine dine, it needs to go through a rite of passage, believes Rajendra Agnihotri, executive chef, at White Charcoal Fine Dine, Empressa Hotel, Andheri. "In terms of food, the key lies in the attention to detail when it comes to ingredients and methods of preparation. The ingredients need to be sourced from where it originates and the chefs need to be local who have specialised in the cuisine; it has to be authentic to the T. If you're making the classic kombdi rassa, you would need gavthi chicken. The one purchased from a supermarket won't have the same taste," he says. When it comes to Maharashtrian cuisine, it's the diversity that makes it complex. In fact, the vegetable Kolhapuri that you might have seen on almost every Indian restaurant's menu doesn't exist in the region, adds Khandekar.

Saee Koranne-Khandekar with chef Vinod Garde. Pics/Sayyed Sameer Abedi

"There is nothing called as Veg Kolhapuri. If you go to Kolhapur, there are so many different masalas. There's no one-size-fits all masala." Akshay Deshpande, Sous Chef (Indian specialty), Conrad Pune, who grew up eating Maharashtrian food at home, admits that he's seen little of the food on the fine dine space. "It has been over eight years that I have taken up regional cooking professionally, but I admit that the cuisine in its entirety is an extremely unexplored cuisine. I think it's because it's extremely rustic and there's no standardisation so to speak," he says.

The cuisine from Vidharbha, the north-eastern region of Maharashtra, known for its extreme climates, is famous for its extremely spicy flavours, while Konkan is more mellow given all the coconut and kokum that goes into it. According to Khanderkar, who has extensively researched traditional Maharastrian cuisine, what has made winners out of misal pav and puranpoli, are the people who migrated from Western Maharashtra, introducing it to Mumbai through khanavals. "They made a business out of it and that's why it is what it is," she says. But those dishes that did not transition to the mainland, are yet to enjoy their moment in the sun.

Back to basics
The 'unsophisticated' appearance makes it a tricky business. She, for one, had to battle one critic in her own home. "My husband was of the opinion that Maharashtrian food is not visually appetising," she says. But chefs are now channelling their energies into presentation. The modernist element is consistent throughout Khandekar's menu. Take the Pathare Prabhu Pot Pie with tomato saar, served in a shot glass. The latter is a spicy tomato soup made with curry leaves and chillies. It's eaten with rice in parts of Maharashtra and Karnataka. Here, the dish is a take on the shepherd pie. The taste is unmistakably Pathare Prabhu, courtesy the signature fragrant garam masala which gets its edge from the fennel seeds that are ground along with Bengal gram, fenugreek, whole wheat and black peppercorn. All ingredients, we are told, have been sourced locally.

Agnihotri feels the local and regional cuisines are slowly making their way into the mainstream. And, it's a lot to do with the growing realisation of the food miles concept, which is a way of expressing just how far the food we eat travels from the farm where it is first produced, before it ends up on our tables. Although the expression was first coined back in the 1990s, it has entered public consciousness given the awareness of carbon footprint and environmental degradation. "You want to tap into indigenous resources. It's to do with chefs who are going back to roots. There's a return to basics," he says.

The winners

• Chicken Bhujing, a signature street dish popular in the confines of Virar and Vasai. Those living outside the parameters may have no clue. The chicken is roasted along with potatoes and then fried and steamed with onion. It's then mixed with nylon poha and a special masala mix
• Orange kharvas with dink crumb and kaakvi is a colostrum pudding served with fried edible gum, fresh orange and sugarcane molasses
• Varan Phala Ravioli is their take on the Maharashtrian pasta. It is made with whole wheat and stuffed with coriander and goda masala in a tuar dal sauce

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"Aye dil hai mushkil jeena yaha, zara bachke zara hatke yehe Mumbai meri jaan." We hum the song in our head, as we alight a train from the Ghatkopar Metro station. We are headed towards Chembur's Via Bombay. This is a city that grew from being a swampland that didn't interest the British East India Company to a bustling port city of the Empire, and eventually India's commercial centre. All of this is on our mind as we check out the menu that will circumnavigate its historic legacy.

We start with a paan pasand (Rs 340), an excellent pour of dark rum, betel leaf, mint, lime, gulkand and soda which is refreshing on the palate without being too sugary. We sip, and soak in its interiors, a green dress circle bar that is lit up and walls done up in frames of old newspaper scans.

From starters, we pick the baida pakoda (Rs 190) a deep-fried snack with a thick coat of gram flour. We wish the batter had been salted and spiced, for we have to resort to the green chutney for flavour. The Bombay duck rawa fry (Rs 275) on the other hand, is shallow fried and coated in semolina. The kick of desi masalas transports us to the streets of Bandra where Koli ladies selling the specialty. The Bhavnagri chillies (rs xx) taste good. It's stuffed with a coconut filling and served with a yummy side of peru dahi, which we feel deserves a special salute.

Baida pakoda

We wash it down with a Bombay gulab (Rs 320). After a fiery dish, the saccharine sweet drink helps, but the Rooh Afza and vodka jugalbandi sends our head into a tizzy. And not in a good way. For mains, we pick the mutton thali (R475), which comes with salad, gajar ka halwa, curd, mutton sukka and curry, daal and chapati. The dish is nowhere near the fare that's whipped up at its humble Maharashtrian counterparts scattered across the city.

(Clockwise from left on Thali) Salad, gajar, dudhi and beetroot halwa, curd, mutton sukka, mutton curry, daal and chapati

One spoonful of the dessert Amar Akbar Anthony (Rs 250), and we wish we had ordered it first. A delicious medley of gajaar, dudhi and beetroot halwa, the sweet treat is laden with ghee; just the way it should be. After all, unless you're calling yourself a health café, desi dishes ought to stick to their original recipes, never mind a dollop or two of extra fat.

Bombay gulaab

And though we loved the halwa, we leave the restaurant wishing the fare was a truer representation of asli Bombaywallah swaad.

AT Via Bombay, Jewel of Chembur, Chembur East 
TIME 12 pm to 3 pm; 7 pm to 11.30 pm
CALL 67099988

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Via Bombay didn't know we were there. The Guide reviews anonymously and pays for meals

Eleven years since work began on the fifth and sixth railway lines between Diva and Thane, the project still awaits completion. Certain to miss its March 2019 deadline, the project across nine kilometres, has been facing several hurdles since its inception. mid-day took a walk along the stretch this week to get the ground report.

Rapid work at stations
Near Diva, on the line towards CSMT, space still needs to be created near the existing level-crossing for the new lines, and rails will have to be aligned to the old tracks. Slightly ahead, work of levelling land next to the mangroves is being done in patches while work on Mumbra station is being done at a rapid pace.

After Mumbra, the new line bypasses the existing line to cross over the creek and the highway with a rail-overbridge. The line from this point to the new Kalwa station is complete with work on the station under process. Between Kalwa and Thane, the major bridges have been completed, but work of building walls and levelling is still under process at certain places.

'Too many hurdles'
Mumbai Railway Vikas Corporation (MRVC) officials said that there have been delays because of too many external hurdles and complications. "The alignment meant rehabilitating people, with the involvement of numerous state government bodies," a senior official said. An MRVC spokesperson said that the project should be completed in 2019 itself.

The 2008 project
The project, which was sanctioned in 2008 as part of MUTP 2B, is crucial for the Central Railway as it will segregate the outstation and local train rail corridors and thus decongest the line. It has already missed deadlines in December 2015 and December 2017.

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Motorists who travel from Mumbai to Thane are in for good news as the traffic of Mumbai city is going to unclog. With these bridges, motorists are likely to face fewer traffic problems in the city.

In order to beat the slow-moving traffic on Eastern Expressway, commuters can use the internal flyovers constructed over LBS Marg near Castle Mill and MG Road at Naupada.

Yuva Sena chief Aaditya Thackeray inaugurated the two bridges on Sunday which was built by MMRDA under intercity flyover project plan.

The time taken to exit the city using the new flyovers will be lesser as compared to the existing one, which is currently over clogged because of the movement of heavy vehicles and ongoing Metro and Kopri bridge widening work.

Noise and view barriers have been installed on the two newly inaugurated bridges.

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In what can be termed as an important discovery from Mumbai, a new jumping spider species has been discovered from Aarey Milk Colony once again highlighting the fact that the area has a rich biodiversity and the need of the hour is to protect the forested patch in the area. The species has been named after Senior IFS officer Sunil Limaye the Additional Principal Chief Conservator of Forest APCCF; Wildlife who during his tenure as the Chief Conservator of Forest of SGNP had started the Mumbaikars for SGNP project.

Senior IFS Officer Sunil Limaye

The study was carried out by a team of arachnologists including Rajesh Sanap, Archaeologist Dr. John Caleb T.D and Biologist Anuradha Joagalekar. With the new discovery of jumping spider from Aarey, Wildlife Lovers and green activists have once again demanded that the Aarey Milk Colony forest needs to be protected from unplanned development and illegal encroachments that are eating into the green space of the one the most important green space of Mumbai.

According to Sanap who has discovered several species from Aarey, the jumping spider family (Salticidae) is the most diverse spider family, with their world fauna consisting of 6126 described species. These tiny creatures can be easily recognised by their lager anterior median eyes. They are diurnal hunters and possess brilliant vision and swift reflexes. In India, there are about 256 species of jumping spiders known till date. In fact, the total diversity of jumping spiders represented from India is greatly understated compared with that from other regions. For example, countries like Australia, Brazil, and China are represented by a diversity of more than 450 species each. There is, therefore, a great diversity in India still waiting to be uncovered, which needs to be discovered and conserved before it is lost forever.

Rajesh Sanap

"The new species belongs to the hisponine jumping spider genus Jerzego, which was established by Maddison in 2014. The genus currently comprises three described species in the world. Of these, only one species is known from the Indian subcontinent (India and Sri Lanka). Two other species are known from Southeast Asia from Sumatra and Borneo. All three species were described based either on immature females or both males and females, but no details of their natural history were reported. Jerzego sunillimaye is the first ever species of this genus whose taxonomic details, mating behavior and egg development have been documented. The observations are supported by excellent digital images of the spider in life," said Archaeologist Sanap.

Species: 'Jerzego sunillimaye'

The researcher, after carefully studying its feature form photographs and published papers and discussing with experts, arrived to a conclusion that this is the new species. :

"Initially, species identification was challenging since we had data on females only. So we planned another survey and found two males. After a comprehensive examination, we notice that the morphology of this species closely resembled that of a Southeast Asian species, J. corticicola, which was described from Borneo in 2014. Hence, we placed this species tentatively under the same genus. Jerzego sunillimaye can be easily distinguished from other known species by the larger body size (Females, 10.30 mm) and a different colour pattern on the abdomen. A transverse crescent-shaped golden–yellow stripe is present in the posterior half of the abdomen. The males (5.52 mm) can be readily distinguished by their unique genitalia (palps) with a flattened and twisted embolus. " added Sanap.

Archaeologist Dr. John Caleb T.D

"It should be noted that the new species Jerzego sunillimaye was found for the first time in 2016 during a survey in the unique, eco-sensitive, dry-deciduous habitat of Aarey Milk Colony in Mumbai. The research was carried out for almost 3 years to understand the natural history of this species. Within this period, we reported some interesting observations, which have never been documented before."

In this research, the researchers explored different habitats such as grasslands and rocky and forested patches to find out the habitat these tiny spiders preferred. These spiders were found in areas covered with a thick canopy, largely dominated by trees, such as Mangifera indica, Adenanthera sp., Acacia auriculiformis, and Anacardium occidentale. The forest floor was covered with dry leaf litter, and the habitat was shared by other jumping spiders such as Hasarius sp., Stenaelurillus sp., Langelurillus sp., and Langona sp. Several males and females of various life stages were observed throughout the years. Specifically, in monsoon, females were observed guarding their egg sacs, while males were observed wandering under the rocks. There were variations in vegetation cover in the landscape during summer and monsoon. In winter and summer, spiders were mostly found on the underside of rocks, in dry leaf litter, or sometimes under tree barks close to the ground; most sub-adults were ground dwelling. The sub-adults of the species appeared like ants. Interestingly, four to five sub-adults were observed in close proximity with small brown ants of the genus Crematogaster. Two to three adult females with egg sacs were observed under rock surfaces and were surrounded by small black ants of the genus Paratrechina. However, there is no evidence to suggest a mimetic relationship with these ants and further behavioral studies are warranted.

Anuradha Joglekar

Speaking to mid-day Biologist Anuradha Joglekar said, "Aarey Milk Colony has constantly been in the limelight for the discovery of several new species of spiders and scorpions. The vegetation structure is particularly undisturbed and is home to several interesting species. Aarey Milk Colony is also home to other enigmatic jumping spiders such as Langelurillus onyx and Langelurillus lacteus, both described in 2017. Piranthus decoruswas also recorded for the first time in 122 years from the same location. More studies pertaining to their complete biology, habits, and interactions with other species are yet to be carried out. Moreover, their conservation status has not been assessed yet because of lack of information on their population status, distribution, ecology, and biology."

Spiders are microhabitat specialists and are highly sensitive to minuscule changes in their immediate environment. Habitat loss due to anthropogenic activities (encroachment and degradation of forests) is the main concern. The recent discovery of several new species from this region adds to the pressing need for conservation of this particular region, which may harbor much more undiscovered life.

Jumping spider. Pic/Rajesh Sanap

About IFS Officer Sunil Limaye:

Senior IFS Officer Sunil Limaye was a former Director and Chief Conservator of Forest (CCF) of Sanjay Gandhi National Park(SGNP) and has been involved in the conservation of urban biodiversity in Mumbai and the neighboring areas. He is also the same officer who started the Mumbaikars for SGNP project in SGNP along with Biologist and Leopard Expert Dr. Vidya Athreya. The MfSGNP project which has seen involvement and participation of various stakeholders like people staying on the periphery of the park, BMC officers/Police officers /Schools has been a successful model which is being replicated in other states including Uttarakhand /UP too. As a part of the project, awareness sessions among various stakeholders related to Human-Leopard interactions are being done on the periphery of the park and people are being taught the measures that they should take to prevent man-animal conflicts.

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Yami Gautam moved to Mumbai a few years ago to pursue her dream career to be an actor. She has achieved that dream of hers in a fast-paced city of Mumbai finding many successes to her credit. The year 2019 has begun on a high for the actress who's January release, Uri became a blockbuster success. The actress is soon going to be seen in various projects, announcements of which are soon to happen.

It's been said Mumbai is a city of dreams, also it is famously known it's a city that never sleeps. After having lived in suburbs of Mumbai these years, Yami Gautam took to the not so easy task to find herself her dream home in Mumbai. The URI actress has just moved into her new house from western suburbs to Bandra.

Yami Gautam hails from Chandigarh where she lived during her education and growing up years and originally was born in Bilaspur in Himachal Pradesh. Whenever she is not shooting she packs her bag to live with her family in Chandigarh and Himachal. But she always dreamt of a good spacious home of her choice in Mumbai. Due to her busy work schedule and constantly travelling across the world for work she was unable to find the home sooner. She will be now he spending time to design the interiors on her new cosy abode.

Speaking about it, the source said, "Yami was in a hunt for a new house for some time now. She was peculiarly looking for something specific. Having lived for a considerable time in western suburbs, she was looking at several options and finally narrowed down at a house in Bandra. She's just moved into the apartment and will be working to putting the house together for the next few weeks as per her likes. Her sister Surilie too would be moving in with her. The house suits the likes of Yami's sensibilities of a pretty but operational functional house and that's how she plans to do it up too."

Also read: Yami Gautam visits her hometown in Himachal

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It is easy to feel like a tourist in your own city. We know we feel that way when we reach Ranwar village on Bandra's Chapel Road — because we're wandering around staring at house numbers, until we finally find number 43. The space is called Cohostel — a hostel for backpackers that's around six months old.

The managers Ashu and Shekhar welcome us in, through a passage where doors on either side are named after Bandra's villages — Malla, Waroda, Ranwar, Boran, Pali, and others. "Our visitors are always curious when they observe the name plate, and ask us about Bandra's history. Some of the villages aren't even seen anymore but we thought it was important to at least put it out there," Ashu tells us. But there's a space beyond the standard dorm rooms, too. A rooftop area that plays host to comedy gigs by new collectives such as The Squibhouse Comedy that will host one called Knocktale Night tonight.

Managers Ashu (extreme left) and Shekhar (extreme right) interact with tourists

"Other venues tend to be more professional so they charge for the entry, equipment, etc. Our events are complimentary for the guests and for outsiders, we have a small cover fee for pizza and soft drinks. The comedians are also from small groups and we give an opportunity to anyone who wants to showcase their talents. It's an intimate setting," he says, while a backpacker from Iceland enters the room to check out.
Prashant Nihalani, who helms the hostel with his father and partner, tells us that the idea was to create a social space with cheap accommodation. "The rooftop setting is so fluid that when we host a movie screening, we just move the chairs by the kitchen to create a theatre setting. We wanted this to feel like home and not intimidate anyone as even travellers want to make friends." In addition to stand-up and screenings, the venue will continue to host storytelling and poetry performances.

The doors of each room are named after Bandra's villages — Malla, Pali and Boran among others. Pics/Atul Kamble

For comedians like Prasad Mathkar, who will perform tonight along with nine others, the hostel provides a diverse audience that you wouldn't get to meet at other mainstream venues. "It is fun to perform for an international audience. You have to try to get where they are from and tailor your set accordingly. This is the fourth time that I'm performing here and the audience has always been very receptive because they treat this like their own homes," he shares.

Prasad Mathkar

For Rs 800 a night, visitors get stay and breakfast, but they are free to order what they like or cook in the kitchen on the rooftop. Books and magazines are also stacked in a shelf and the managers, who have moved to the city from Varanasi, interact with guests as if they've known them for a long time — and that's perhaps what it means to be home away from home.

ON Tonight, 7.30 pm to 10 pm
AT Cohostel, 43, Chapel Road, Ranwar village, Bandra West.
CALL 9856564545
LOG ON TO www.eventshigh.com
Cost Rs 200

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Representational picture

San Francisco: Facebook has announced a new tool for website owners and developers that will alert them about phishing attacks on their platforms. "We are extending the capabilities of our 'Certificate Transparency Monitoring' tool to make it easier for developers to learn about new domains that are maliciously created to implement phishing attacks," security engineer David Huang and software engineers Bartosz Niemczura and Amy Xu said in a blog post late on Wednesday.

Phishing websites try to trick people into revealing their passwords, credit card numbers, or other sensitive information.

The tool, announced during the F8 annual developer conference in San Jose, alerts website owners of these scams so that they can take action to protect their domain and the people who use their websites.

"Certificate Transparency Logs" are designed to keep a record of all valid security certificates issued by publicly-trusted Certificate Authorities.

"We have been using these logs to monitor certificates issued for domains owned by Facebook and have created tools to help developers take advantage of the same approach," the post said.

Using these tools, developers can learn about certificates that are mis-issued for the domains they control.

"We are extending the capabilities of our tool to send alerts when certificates are issued for potential phishing domains," the post added.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Popular image and video-sharing platform, Instagram, on Thursday, announced new ways to share content on 'Stories', connect with friends over videos, and discover new interests on 'Explore'. The platform also announced measures to protect Instagrammers from bullies.

Here are the changes:

Sharing to Stories

From a sticker of one's new favourite song on Spotify to action shots from GoPro, it's now easy to share what one is up to or how they are feeling by posting directly to Instagram Stories from other apps. More apps will be adding the sharing to Stories feature soon.

Just tap the share button in the Spotify or GoPro app and the content is pulled directly into the Instagram camera. From there one can edit and add to their story or send it via Direct. One does not need to connect their Instagram account to other apps in order to share to Stories.

Camera effects platform for Instagram

Face filters, text styles and stickers help turn casual moments into experiences one can't wait to share. Instagram is now unlocking the ability for third parties to design unique, interactive camera experiences for their followers.

That means that one can turn any video into an NBA dunkcam or add a cloud of hearts and Pomeranians to fluff up their photo.

Further, more fun creative effects from one's favourite accounts are coming soon, including Ariana Grande, Baby Ariel, Liza Koshy, Vogue, and Buzzfeed.

Video Chat

More than 100 million Instagrammers watch or share on Live every day. But the community sometimes also wants to experience real-time video in a smaller group.

In the coming weeks, Instagram will bring video chat to its platform and give friends a new way to spend time together - even when they aren't actually together.

To start a video chat, simply tap the new camera icon at the top of a Direct thread.

One can chat one-on-one or with a small group ¿ and they can keep the conversation going for as long as they like. Further, one can also minimise the video and continue the chat while doing other things on Instagram.

Video chat is testing now and will roll out globally soon.

The New Explore

People come to Explore every day to discover new ideas, people, and experiences. And now the redesigned Explore makes discovery even easier.

It will still be personalised, but the content will now be organised into topic channels so that one can browse across their interests and go deeper into any area they like.

The new Explore will be rolling out over the coming weeks.

Further, Instagram will filter bullying comments intended to harass or upset people on the platform.

In 2017, Instagram had announced an offensive comment filter, which would automatically hide toxic and divisive comments, particularly those aimed at at-risk groups.

This new filter hides comments containing attacks on a person's appearance or character, as well as threats to a person's well-being or health.

The bullying filter is on for the global community and can be disabled in the Comment Controls center in the app.

The new filter will also alert Instagram to repeated problems so that the company can take action.

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After drawing criticism from users worldwide about its controversial redesign, audio-video sharing platform Snapchat has rolled out another app redesign for iOS users.

In the new design, snaps and chats are aligned chronologically and "Stories" from friends have been moved back to the right-hand side of the camera screen.

Snapchat has added a separate "Subscriptions" feature to keep "Stories" from popular creators and publishers in the loop while letting the other "Stories" be separated, The Verge reported late on Thursday.

"We are currently rolling out an update to address this by sorting communication by recency and moving 'Stories' from friends to the right side of the application, while maintaining the structural changes we have made around separating friends from creators and sorting friends' 'Stories' by relationships," Evan Spiegel, CEO, Snapchat had said earlier this month, in the company's first quarter earnings call.

Snapchat was testing a new design in April that would move the user's "friends' stories" alongside the "celebrity content" in the "Discover" section again to ensure that the user's feed would not be dominated by the "celebrity content".

There is no word yet on when the update would be available on Android.

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Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Keeping up with the promise made at its I/O Developer Conference last week, Google has now officially rolled out its "Google News" for iOS, the media reported.

The new Artificial Intelligence (AI)-powered app is designed with machine-learning technology to make news finding, analysing and fact-checking, crisp and to-the-point, Engadget reported on Wednesday.

"Google News" comes with three options, "For You, "Full Coverage" and "Newsstand," to help users find news of relevance based on their reading habits, let them have an in-depth read of a topic and give access to users to subscribe to a publication and view its content.

Additionally, the app comes with a "favorites section" for users to star topics across entertainment, news and academia and save stories for pocket-style reading later.

The newly launched "Google News" has replaced the previous "Google Play Newsstand" launched on iOS in 2014 as a news and magazine subscription hub.

Representational Image

Surgeons are developing a new smartphone-based tool that can detect urethral or urine blockage, potentially making it easier for patients to test themselves for the condition from the comfort of their own homes.

The novel technique could take high-speed photography which could capture subtle differences between a normal steady stream of liquid and a stream of liquid with an obstruction.

Urethral strictures are a slowing or blocking of the natural flow of urine due to an injury or infection. It is normally diagnosed by uroflowmetry, a test administered at a physician's office.

"The problem is that patient follow-up after we treat this condition is very poor," said Matthew Gretzer, Associate Professor at the University of Arizona in the US.

"But we need patients to come back to our clinic for a uroflow test to determine if the obstruction is still present," he added.

In order to test Gretzer's hypothesis on high-speed photography, the team created a model of a urethral structure using tubing hooked to a saline bag that could drain through.

Saline fluid was passed through the tubing with and without blockages, created using 3D printed strictures,placed within the tubing. High-speed photography captured both the regular and blocked stream of liquid exiting the tube.

Gretzer contended that photos can be a medium to diagnose blockages and he hopes that patients could send him these images to analyse and make the diagnosis. He plans to create a mobile app which can be downloaded by the patients.

"All patients would need to do is take high-speed images of their urine flow using a strobe light," Gretzer said.

"Strobe light apps are readily available right now for people to use on their phones".

According to the researchers, as fluid exits an opening, a natural breakpoint occurs where the liquid stream forms droplets, but with obstructions in place, it changes.

The results showed that by analysing photos, they could measure the length to this point of droplet formation. This length then directly related to the presence of an obstruction in the tube.

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The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello

I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?

Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?

I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.

As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.

Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.

It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.

I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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Two years ago, Jaidwaj Malhotra was running a Google search for a motor for his model airplane when he instead started reading about drones and how to build them. He was immediately taken in by the little object that could fly at 120 km per hour. Today, the 18-year-old is working for an organisation, helping them design surveillance drones for the Indian Army.

Malhotra is part of a tight-knit community of young drone racers in the city that came into being around the time the Indian Drone Racing League (IDRL) was founded by Karan Kamdar in 2016. Over the past two years, the field has gained a sizeable traction with IDRL having 875 pilots registered with them from all over India. The pursuit is expensive.

Building a drone can cost as much as '40,000, and the not-so-cheap batteries must be replaced every three months. The police continues to remain suspicious of fliers. However, for these pumped up youngsters, no obstacle is too big. Even with the odds stacked against them, they are finding ways to let their dreams fly.

'Burnt the circuit board while building my first drone'
Jaidwaj Malhotra, 18

His father being into aero-modelling, Juhu resident Jaidwaj Malhotra has always had a fascination for flying objects. Two years ago he participated in an aeromodelling competition held by Boeing, at the IIT TechFest. Around the same time, he came across the drone, or the "quadcopter". "If you want to fly a drone, it is important that you build it as well. You need to understand the mechanics, to ensure best control. And, in case of trouble, you must know how to fix it in a second," Malhotra says. Like Nayak, he too is a self-taught drone-maker, who got all his knowledge from the Internet.

Jaidwaj Malhotra. Pic/Satej Shinde

"My first attempt was not successful. I burnt the circuit board. But, you live and learn," says the first-year mechanical engineering student. He spread the word on his drone-making abilities on social media and soon people began to approach him. "That's how I got roped in by a startup to design UAVs (Unmanned Aerial Vehicle) for the Army." When he doesn't have exams, he practises six hours a day on a track that he builds himself, on the Jamnabai School Grounds. "A racing track comprises elements like gates, flags and cones that act as obstacles. I practise on one track, then change it completely and practise again."

One Race I want to participate in: World Drone Prix

'I am the first pilot to register from the country'
Siddharth Nayak, 26

Employed in the construction sector, Nayak is currently neck-deep into the Mumbai Metro project. It's only in the weekends that he manages to fly. "Sometimes, it's not even that, as there are working Sundays too," he tells us. Nayak, who grew up in Nala Sopara and got a degree in instrumentation engineering from a Vasai's Vartak college, has always been keen on robotics. "But, that was mostly stuff on land; I had a craze for flying."

Siddharth Nayak. Pic/Datta Kumbhar

Randomly stumbling upon a drone-racing video on YouTube in 2016 was a deciding moment for him. Nayak, of course, had no experience in drones up until that point. He went through several tutorials online and managed to build his first drone. "I tried it out in the dried salt pans in Vasai, where there were no people. It went up till about 30 feet," he says, speaking of his test run.

The height is not the point of importance in drone racing, where they race not more than seven feet above the ground. "It's precision and control that counts, because you're flying at 120 kmph. It's a lot tougher to control drones at a lower height." Nayak had his first race in IIT Gandhinagar in 2016 and his latest victory was last month at Smaaash, besides three races in Kochi and Pilani. "I had once quit my job to do this professionally, but that didn't work," he says with a smile. Nayak's next aim is to represent an organisation as a drone racer. "My dream is to represent India as a drone racer in an international league, someday."

One Race I want to participate in: Drone Champion League

'I sold my first drone to build my second one'
Himadri Roy, 21

When he was in Std X, Himadri Roy asked his father for money to build his first drone. "I had done my research. I showed him the outline of my plan, which I had developed after going through hundreds of tutorials and blogs. When he saw that I was not talking out of thin air, he agreed," says Roy. The first drone that he built had a larger frame and was heavy. It took him over a month to finish, with help from his father. "Now, I can build it in a week." In the years that followed, he upgraded his machine. "I learnt about more sophisticated methods online and then I sold my first drone to a friend who is an engineer, and used that money to build my second one. This one is a racing drone. It's smaller, faster and more agile." Roy, who was a member of an online forum called Remote Controlled India, came across IDRL on it. He got invited to his first race in Gandhinagar in 2016. "I did a few laps and crashed. It's crucial to keep your mind steady in this race. If you worry you'll crash, you will. I have become calmer now."

Himadri Roy. Pic/Sneha Kharabe

He uses the same calm to deal with authorities when they come in the way. "The laws regarding droning are not clear in India. So, the police continues to stop us. Last week, a police vehicle followed me while I was flying. When something like that happens, I try to explain that it is a sport. I also let them watch the video feed that has recorded what the drone has seen, so they know that we are anything but troublemakers." Currently, he is employing his drone knowledge in his fourth year project. "We are trying to develop drones that can be used for industry surveillance, to identify defects in mobile towers, in particular," he says.

One Race I want to participate in: Smaaash Drone Race at Gateway of India

Tight jackets and tunics in diaphanous materials replaced the more pragmatic, flowing qabas, Jahangir did not marry anyone after Noor Jahan, Women wore jamas of fine muslin, so sought-after that they were named running water and night dew. Pics/Courtesy Aleph

While we all remember the story of 16th century Timurid warrior and scholar Babur's arduous journey from Kabul to Punjab, from where he waged war on Delhi to become the first Emperor of the Mughal dynasty, little is known of the wives, sisters, daughters and aunts, who travelled with him, and helped him establish his empire in the Indian sub-continent.

A new book by Gurgaon-based author Ira Mukhoty, Daughters of the Sun (Aleph Book Company), is a first-of-its-kind attempt to chronicle the role of the women in building the empire, and whose stories have suffered the neglect of both, history and memory. "Women, in general, are a misremembered group in history," says Mukhoty, in an email interview. "Their achievements are constantly ignored or diminished in favour of the histories of men. For the Mughals, it is further complicated by the fact that a lot of the works are in Persian, a language that is seriously out of favour in India. There is a Persian document called the Pilgrims' Confidant, about the Haj pilgrim to Mecca, sponsored by Aurangzeb's daughter Zeb-un Nisa. I tried very hard to have the document translated into English, but was unable to. This is a beautifully illustrated manuscript, which may have interesting references to its imperial patron. The original document is, moreover, in a collection abroad, as are many Mughal documents following the great plunder by the British. So there are many layers obscuring the legacy of the Mughal women; language, despoliation and disinterest," she adds.

Ira Mukhoty

For Mukhoty, the idea of researching this book came to her when she stumbled on the story of Jahanara Begum, daughter of Emperor Shah Jahan, who reigned from 1628 to 1658. "The over-arching scope of her ambition, so clearly spelt out in all her works, took my breath away. At a time when even globally women were expected to live lives of quiet submission, Jahanara blazed such a fiery trail. And yet we really don't remember the extent of her achievements at all," she says.

The book is split into three parts. The first discusses the peripatetic queens, who travelled from Persia to Hindustan, and includes Khanzada Begum, Babur's elder sister, and his wife Dildar Begum, among others. The next talks of the wives during the imperial splendour. Here, Jahangir's wife Mehr-un-Nisa Begum alias Noor Jahan and Mumtaz Mahal — Shah Jahan's wife — find mention. The last section of the book takes us into the waning years of the Mughal empire, fraught with greed and overreaching ambition. The story of Jahanara Begum, the beloved eldest, unmarried daughter of Shah Jahan stands out here.

An interesting source for Mukhoty's book was Gulbadan Begum's Humayun-nama. Gulbadan was sister to Humayun and daughter to Babur, who arrived in Hindustan at the age of five. "She was asked many decades later by her grandnephew, Akbar, to write a biography of Babur and Humayun," Mukhoty writes in the book. "Gulbadan's account is a fascinating insight into the households of Babur and Humayun as seen by an insider. Her writing is forthright, frank and rambunctious," says Mukhoty. "It is her lack of a self-conscious eye on posterity, which made her account so invaluable. She gives us details which help us imagine a living, breathing space instead of a splendid, but unknowable place which the male biographers wrote about. Male historians of that time wrote in grave and obscure prose, about battles and ancestors. Gulbadan wrote about Humayun's opium habit and his relationship with one of his feisty wives," says the writer.

Among the Mughal women, whom Mukhoty has most affection for is Khanzada Begum, who at 65, rode on horseback through 750 km of icy passes to parley on behalf of her nephew, Humayun. "This fearless and indomitable lady made sacrifices all her life for the legacy of her younger brother Babur, and for the future of her family. She was constantly sent as peace ambassador to warring brothers and travelled endless miles through icy terrain on horseback. She wept upon seeing the infant Akbar, because he reminded her of her long dead 'baby' brother Babur. This gives us such a different insight into Babur too, no longer the marauding foreigner of legend but a dearly beloved and mourned brother," she says.

Mukhoty, however, finds Mumtaz Mahal to be the most voiceless of the lot she researched about — the irony being that she was also the most famous. "I think the Taj Mahal, and the 20th century construct of an 'exclusive love' that it generated is definitely the reason Mumtaz Mahal is viewed with affection by so many. But she left no writings, no substantial buildings, no clear evocation of an ambition. She was busy raising 14 children in 19 years, travelling the length and breadth of the country with her restless husband. She will forever be hidden by the splendour of the Taj Mahal."

Also Read: Mughal-Era Artefacts Seized From Antique Smuggler's Secret SoBo Godown

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Cousins Ayush, Aryan and Arjun Asher enjoy some quiet book reading time with their friend Rudra Shukla at their Worli residence. Pic/Ashish Raje

Of gods and humans

Author Arshia Sattar is no stranger to mythological retellings. Best known for her English translation of Valmiki's Ramayana, Sattar recently released a new children's collection titled Garuda and the Serpents (Juggernaut Books), which draws from the Puranas, the Mahabharata and the Ramayana to deliver stories that will evoke both wonder and delight. From tales of why the gods and the asuras churned the ocean, to how Vishwamitra and Vasishtha became enemies for life, these marvellous adventures of gods and humans is not to be given a miss. And, with Sattar, who has a PhD in South Asian Languages and Civilizations from the University of Chicago, helming the narrative, these stories, we know, rest in safe hands.

Garuda and the Serpents by Arshia Sattar
Age Group: 10+
Price: Rs 350

A rare friendship

The recently-released graphic novel, Indira (Context, Westland), definitely has a special place in history. The young adult novel, which has been brilliantly executed by writer Devapriya Roy and animation filmmaker and illustrator Priya Kuriyan, begins with the story of Indira Thapa, a Std VI student at a government school, who is given an assignment to write an essay around her namesake. Over the course of a long, hot summer and a curious friendship with an artist who is working on a biography of Gandhi, Thapa gets tangled up in the life and times of the country's only female prime minister Indira Gandhi. Through graphic panels and beautiful prose, Roy and Kuriyan lead us through Gandhi's rich legacy, including her rise during the Bangladesh War (1971) and fall, post the Emergency (1975-77). This one is for teenagers who'd like to revisit history differently.

Indira by Devapriya Roy and Priya Kuriyan
Age Group: 13+
Price: Rs 599

Magic on wheels

Lavanya Karthik's Neel on Wheels (Duckbill) is what we think, should be on every kid's must-read list. The book, illustrated by Habib Al, tells the story of Neel, who is wheelchair bound. But, that's hardly holding him back. Neel's wheelchair transforms itself to fight dragons and monsters and chase away scary creatures of the night. One of the prize winners in the Children First contest — started to create more books featuring children with disabilities as protagonists — this book deals sensitively with his challenges and the lovely relationship between Neel and his younger brother, who regards him with awe and respect.

Neel on Wheels by Lavanya Karthik and Habib Al
Age Group: 5+
Price: Rs 299

Family matters

Sharanya Manivannan's poetry is a sheer delight to read. With The Ammuchi Puchi (Puffin Books), the poet and writer has collaborated with illustrator Nerina Canzi to tell the story of Aditya and Anjali, who love listening to their grandmother's stories. Unfortunately, their lives fall apart on the night their grandmother passes away. Suddenly, her stories seem to lose their meaning. It's only when something magical happens that they feel their grandma is with them, after all. The dreamy illustrations complement the poetic prose, for a poignant story.

The Ammuchi Puchi by Sharanya Manivannan and Nerina Canzi
Age Group: 4-7
Price: Rs 199

Grandma knows best

No summer reading is complete without escaping into the stories by author Ruskin Bond. In his new book, Memories of Hills and Dales (Rupa), Bond's protagonist is an affectionate, brimming-with-stories grandmother, who shares tales of the past with her granddaughter Koki. From a mysterious kiss by a stranger in the dark to schoolboys taking off for a trek to a glacier, an old kite-maker reminiscing about his heydays and a beautiful village girl whose charms a city boy can't resist, this slice-of-life collection — many of which are autobiographical — takes us through the life in the hills and the joys, sorrows and excitement it holds.

Memories of Hills and Dales by Ruskin Bond
Age Group: 8+
Price: Rs 195

Suitcase memories

Nidhi Chanani's heart-warming debut graphic novel, Pashmina (HarperCollins India) weaves a tale about the hardship and self-discovery that is born from juggling two cultures. The story revolves around Priyanka Das, who has many unanswered questions — why did her mother abandon her home in India? What was it like there? And, most importantly, who is her father, and why did her mom leave him behind? Pri's mom avoids all these questions. For Pri, her homeland only exists in her imagination, until she finds a mysterious pashmina tucked away in a forgotten suitcase. When she wraps herself in it, she is transported to a fantasy world more vivid and colourful than anything she could have ever imagined. But to know whether this world is for real, she needs to travel further. For young readers, Chanani creates a world that magical through her prose and illustrations.

Pashmina by Nidhi Chanani
Age Group: 8+
Price: Rs 399

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Things have not been going well for The Simpsons. Aside from the fact that it became America's longest running scripted TV series last month, having clocked 636 episodes. Last November, Hari Kondabulu, in his documentary The Problem With Apu, drew the world's attention to what Apu really was — a problem. The characterisation of this immigrant convenience store owner who had a PhD and eight children was sharply criticised. Describing Hank Azaria's voice of Apu, Kondabulu said it resembled "a white guy doing an impression of a white guy, making fun of my father".

The world took note, but, the creators of the series decided there was no problem with Apu. In a veiled attack on Kondabolu's film, the "Apu problem" is dismissed as a hazard of being "politically incorrect" in the words of Lisa, in an episode titled No Good Read Goes Unpunished. That, followed by The Simpsons' creator Matt Groening saying that people "love to pretend they are offended", it was a slippery slope for Apu and his makers. And while keyboard crusaders continue to express their ire, Indian-American producer Adi Shankar and John Rhodes, co-founder of a Hollywood screenwriting talent-discovery platform, launched a contest inviting writers to rewrite Apu. The winning script shall be pitched to the The Simpsons' makers. Here are three writers who have been on the job.

'I changed his voice'
Shreyas Manohar, 23, screenwriter

Nagpur born Shreyas Manohar moved to the US three years ago. He just graduated from Columbia university in English and Creative writing. He had also been working on spec scripts for diversity TV programs conducted by CBS and NBC, especially The Simpsons and Veep, when he came across this contest. "I couldn't comprehend how a show of this calibre could address the controversy in such a tone-deaf manner," he says. Priyanka Chopra was not the only one asked in high school in the US why wouldn't she speak like Apu. "One of my closest friends once remarked, 'If you could talk normally, would you?' It was hurtful, but, not surprising." Manohar's Apu in Much Apu About Nothing enrolls in an accent workshop being taught by Peter Sellers, the actor who inspired the character of Apu. The trials that the episode takes Apu through lends him a manner of speaking that's not a lazy caricature. "I changed Apu's voice, so that his actual voice, and not just his accent, is heard," he says.

'He could be more useful'
Forest Kirst, 61, flight instructor

A flight instructor by profession, 61-year-old Forest Kirst started watching the show in the early 90s. His students would carve Apu, Bart, Lisa in aluminum and brass. When Kirst learnt about the contest, he wanted to try his hand in creating a new Apu, because he too had certain reservations. Having travelled extensively in India and Pakistan, Apu's accent did not sit well with him. "It's annoying, but comical. It's a product of how the writers of the show remember accents of convenience store employees in LA." Kirst's Apu in Apu Saves Springfield is a hero. "I feel Apu could be a more useful character. In my story, world leaders and spies are on the hunt for Apu, the hacker. My Apu could use his knowledge in computers to reprogram a nuclear reactor. He could block Trump from tweeting thus saving the US from much embarrassment. But, Apu must remain a comedy character, who calmly runs his store while keeping his brilliance a secret." He points out that everyone on the show is a stereotype. "They are bumbling idiots. I hope people don't think Americans are as dumb and fat as depicted on this show."

'He reminded me of my dad'
Herman Dhaliwal, 25, aspiring filmmaker

Born to immigrant parents, Herman Dhaliwal grew up in Charlottesville. His dad, who passed away in 2015, used to own a convenience store. "Seeing any Indian guy on TV who owned a convenience store, was of course going to remind me of my father. I would say, both Apu and my dad were comically overqualified for the job. My father was also bit of a workaholic, and, like Apu, he was friendly but also stubborn," says Dhaliwal who was only four when he started watching the show. "Stereotypes are rooted in truth. When taken at face value, and out of context, they become caricatures. As writers, we need to educate ourselves to be able to create something sensitive and human," he says. His script, titled "The World of Apu", is taken from the third installment of Satyajit Ray's The Apu Trilogy. In this story, Apu is mute. "He has an accident at the store and turns mute. The rest of the story has him figuring how to deal with life after that," Dhaliwal says. Apu is not the only character he has changed. "I also wanted to give his wife Manjula something to do. If representation of South Asian men in American media is bad, South Asian women have it worse." In Dhaliwal's story, Manjula, takes on the reins of the store after Apu's accident. The man instead gets to use his skills as a computer science doctorate.

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Dario Brandt

The frenetic pace of life in Mumbai is such that it can sometimes suck you in like the last bit of water disappearing down the sinkhole of a swimming pool that's being emptied out. And before you know it, you become enmeshed in the social fabric of the city, riding a see-saw that oscillates between chasing dreams and paying absurd rent for a matchbox house. Yet, we trudge on, like troopers who feel most at home in a battleground. For, despite an inevitable sense of ruthlessness, there is also the milk of human kindness that nourishes this city's soul. And everyone's thus welcome to ride that see-saw. But sometimes, it's best to take a step back, pause, reflect and then start hurtling once again towards your goal.

Lydia Hendrikje Hornung. Pic/Datta Kumbhar

That, in a nutshell, is the message in Bombay Aaram Se, a new song that encapsulates what living in this city is all about. And what sets it apart from other musical tributes to Mumbai, such as the folksy 1969 classic Bombay Meri Hai, is that the two people who have composed it - Lydia Hendrikje Hornung and Dario Brandt - are both German. They landed in the city a few years ago to teach at The True School of Music in Lower Parel, and started sharing a flat in the process. Then, at some point, Hornung floated the idea to Brandt that they use the medium of music to give concrete shape to what their experience of living in the city has been like.

A still from the Bombay Aaram Se video

Brandt tells us, "Lydia is the one who came up with the chorus, and it felt perfect because going 'aaram se' is exactly how we were both feeling about being here. I then added some beats to it and she came up with the hook lines, and we had time to work on it since we were living together. So, we would just knock on each other's doors and say, 'Hey, what do you think about this input, or that one?'"

The product they eventually came up with is a catchy, EDM-inflected number with a modern, hip-hop vibe. The track starts with a 1970s-like Bollywood song sample, before it takes an edgy turn five seconds in. The lyrics capture the intrinsic tumult of the Maximum City, with lines like "I'm hailing kaali-peeli cabs/ I'm waking up in Bombay flats" interspersed with "Let me cough up rickshaw fumes/ Don't care what time we do". And the accompanying video feels as if the two of them are on a drive around town, stopping at quintessential Bambaiyya locations such as the Gateway of India, an Irani café, Land's End in Bandra and Marine Drive.

So all in all, it seems as if both Hornung and Brandt have internalised Mumbai to the extent that they, too, are riding the see-saw that life here can be about. Brandt says, "I find that despite it being such a welcoming place, it's also easy to disappear in this city. I mean, I step out of my house and I feel as if I have vanished sometimes," while Hornung adds, "Moving here was a completely life-changing matter for me. I got the feeling of, 'This is going to be my new home for a while.' And that made me find my peace with some of the things that annoy me, like traffic for instance. And eventually that's what also led me to think, 'Bombay, aaram se.' I mean, just chill, right?"

Log on to: YouTube and type "Bombay Aaram Se" to listen to the track

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When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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Caroline (Laura Mishra) pours out her fears about her rocky marriage to the governess Ms Chacko (Pooja Nair)

All the world's a stage, but that doesn't make all of us actors, as we discovered after three long hours of watching an adaptation of Agatha Christie's Go Back For Murder by the theatre group, Making Noise. The play follows the protagonist Chloe Miranda (played by director Laura Mishra), on her journey to prove her mother innocent of her father's murder.

The catch is, the murder happened 15 years ago, and her mother is no longer around to defend herself, having passed away in prison. So, Chloe joins hands with her lawyer Filip Calisto (male lead essayed by Navin Talreja) to piece together who really killed her father. They track down friends and family members who were present on the day of the murder. Everyone returns to the scene of a crime in Goa to recreate the events leading up to the murder.

True to form, the tight plot devised by the queen of crime writing keeps the audience guessing until the very end when the killer is finally revealed in the denouement.

Unfortunately, there is another murder that needs to be addressed — that of the play itself. The warning signs appeared from the very beginning: Actors stumbling over their words, even forgetting their lines at times; lacklustre delivery was a problem throughout the play. Direction was, dare we say, missing. Actors killed a ridiculous amount of time milling about on stage, unable to hold still even during conversations with other characters. As a result, even though the advertised run time was two hours and 15 minutes (including the interval), the audience was trapped for an extra 45 minutes. The delay did not go unnoticed by the director, who apologised for having taken up so much time.

It would not be an exaggeration to call the performance a snoozefest; many in the audience had nodded off within the first half hour, while others gave up and left the auditorium midway.

Actor-director Laura delivered one of the few believable performances but failed to draw out the same from her cast. There were other peculiar directorial calls, such as one of the characters holding the same cigarette to his mouth for over two hours. In all the scenes with multiple characters, several actors had visibly zoned out on stage while the lead actors droned on. A theatre aficionado who accompanied us said it was like a "school play", hardly the kind of fare one would expect to see at St Andrew's Auditorium.
When: May 27, 7.30 pm
Where: St Andrews Auditorium
Entry: Rs 200-Rs 1,000
Contact: 26410926

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Kylie Jenner on vacation with her daughter Stormi. pic courtesy/ instagram.com/kylie jenner

Last month, social media star Kylie Jenner was severely mom-shamed by keyboard warriors for heading to a music festival without her infant daughter, Stormi. While Internet trolls are no experts, what exactly does it take to form a bond with your baby?

“Fundamental human nature includes adapting to changes. For a woman to transition into motherhood is common, nevertheless, it’s not a cakewalk. Many women experience post-partum blues for about two weeks after delivery. Should it extend beyond this period, it could be a sign of a post-partum disorder. Therefore, we need to build a society that accepts and understands the plethora of emotions that a new mother experiences,” says Maithili Thanawala Kanabar, counselling psychologist.

Dr. Bindu KS

Here’s our primer on how to face up to it, and move on.

1. Return to working out
“The body needs six weeks to heal — whether it’s a natural birth, caesarean or an episiotomy [which involves a vaginal cut]. The body’s physiology gets back to normal in six weeks, the uterus comes back to shape and body fluids return to normalcy. Whether a housewife or a working woman, it is advisable that she resumes her fitness regime in six weeks,” says Dr Ranjana Dhanu, consultant, gynaecology and obstetrics, Hinduja Healthcare Surgical. But if you have been regular with your fitness routine before and during your pregnancy, you can even go back to working out within a week if you have had a normal delivery. “Start with light exercises such as stretches and walks,” says Dr Bindhu KS, consultant, gynaecology, Apollo Hospitals, Navi Mumbai. The body, especially the spine, kidneys, heart and lungs and not just the reproductive organs, undergo changes, says Dr Bindhu.

2. Get back to the office
Kanabar explains that there is no “mother manual” that defines the best time for a new mother to dive into a competitive workspace. “Try being around the baby for the first few months. Talk to your baby about beginning work and scaffold it for him/her. If your baby is used to co-sleeping, breastfeeding, and you are finding it difficult to wean him/her off, they may take some time to get used to your absence,” says Kanabar. Unfortunately, not many companies in India have a full-time crèche facility. “Indian companies must make it mandatory to have a full-time crèche at the workplace. This will increase the overall efficiency of working women, especially when it comes to the corporate workplace,”
believes Dr Dhanu.

Dr Ranjana Dhanu

“Almost all companies have a six-month maternity leave policy. The key is to strike a balance between motherhood and work,” says Dr Bindhu. If it gets overwhelming, Kanabar suggests reaching out to your support system. However, she warns that it is imperative for mothers to remember to not board the overcompensating train, which might drive one to overdo things and become more lenient.

3. Take a break
“Any wound takes six weeks to heal and it heals well in this period for any kind of birth. Hardcore physical or adventure activities are absolutely safe after six weeks. All the medical textbooks say that the body needs to resume some kind of exercise or physical activity post six weeks of delivery. If you can afford it, take a nanny along,” suggests Dr Dhanu.

4. Slip into a chic mode
Be it exercising or getting your glam on, pursuing something that makes you look and feel good is a good way to boost your morale. “Me-time is viewed as a selfish concept while in reality, it is a safe space that every human needs to visit to rejuvenate,” says Kanabar. It is the quality of time spent with the baby that matters.
Dr Bindhu adds that people also spend only two to three hours with their child but that does not mean there is no bonding.

Maithili Thanawala Kanabar

Mother, baby and attachment

Some studies suggest that the first three months are the most crucial. Infants develop representations of attachments based on the bond with the primary caregiver. Pioneering British psychiatrist John Bowlby suggested that this attachment acts as a prototype for their future relationships and psychological health.

An infant communicates in rudimental ways and attending to those needs reinforces the infant’s sense of security. It is essential that the mother is attentive and spends quality time with the infant, but there is no need to spend every breathing moment with them. Comforting, breastfeeding on time (or feeding the baby yourself), and communicating with the baby leads to a secure attachment.

Usually, securely attached babies cry when the mother leaves and allow the mother to comfort them when she returns. Every baby responds differently. Remain receptive to the baby’s needs and spend quality time without distractions.

Watch for signs like how the baby responds when you return after a brief absence. Most would allow you to comfort them and look at you when they are inching towards exploring something new. And lastly, mum knows best. So look out for every sign.

Mandira Bedi with her son Veer, who is six today. pic courtesy/jitu savlani

I was fit when I was pregnant. After birth, I had to wait for 40 days before I could exercise again. On the 41st day, I stepped out for my first walk. It was pouring at the time but I had decided that come rain or storm, I will go for it. Later, I started jogging, moved to gymming and lifting weights. I had gained 22kg and was able to return to my pre-pregnancy weight in six months. I had serious post-partum depression that lasted for those 40 days. My depression disappeared after I started exercising. I had a baby pretty late in my life [at 39]. I didn’t fall in love with him at first sight. I wondered, ‘This is the end of my freedom. Will I get work after this?’. It was overwhelming. It’s important to be aware that what’s going on with you is normal and okay. But in that period of 40 days I eventually fell in love with him. Giving birth to him is the best thing I have done. But motherhood is not the only thing that defines me. I am hands-on, but I think you can be a better mother if you are not thinking about it 24/7. That little time for you is crucial. The rule in our house is either parent has to be there at home, always. Working out has less to do for me physically than what it does for me mentally.

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Palash Kothari. Pic Courtesy/Fahama Sawant

It's a hot, toasty afternoon in Mumbai. We can see bits of the pumpkin-coloured sky through the window blinds. The phone rings once, twice. On the other end is 21-year-old Palash Kothari aka Sparkle and Fade. "I really don't know what to expect," Kothari admits, speaking about his upcoming gig with Bengaluru-based producer-drummer duo Nikhil Narendra and Shreyas Dipali.

The Fringe is a new gig series to be launched in the city, which will feature artistes who create hybrid music. "Hybrid is very open. It can be analogue or digital, classical or jazz, acoustic or electronic, basically the coming together of conventional and non-conventional methods," explains Sainath Bhagwat, programmer at Mixtape, a Mumbai-based artist and event management company.

Nikhil Narendra + Shreyas Dipali. Pic courtesy/Mayuresh Vartak

"In the current scenario, there's a bulk of electronic and live music being made, which cannot be performed/consumed in a traditional club space. The idea for this night was born out of a collective desire to create a platform to showcase these artists in the right environment," Sainath adds.

Unsure of what to call Kothari's music, we dawdle between electronic and bedroom producer (a term used for musicians making and producing experimental music in their bedrooms) hoping to understand the use of Hindustani classical samples in his older EPs. "I am not sure what to call my music either. I began playing the synth when I was three and then, I trained in Hindustani classical. That was my first step into music, so the influence comes from wanting to put a little bit of me as a child into the music I make now," he elaborates.

"I was listening to pop and EDM in high school. Swedish House Mafia's concert in India inspired me to finally put my music out. Then I got bored, because it wasn't satisfying. So, I started making music that I felt right about. I mellowed down a little as a person and I guess that comes through in the sound, which is more solitary now," he says.

For Kothari, while the influences are aplenty, not mimicking takes conscious effort. "I am working on something now. So, I am going to stop listening to other music because it's difficult not to emulate them. I don't see any point in making music that already exists. In effect, this will probably also be my last gig before my new stuff is out," he signs off.

ON: May 10, 9 pm onwards
AT: The Quarter, Royal Opera House, Girgaum.
LOG ON: TO insider.in
CALL: 8329110638
COST: Rs 499

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An EU-funded project has driven collaboration on renewable energy between businesses and researchers in Armenia, Belarus, Georgia and Moldova with counterparts from EU countries. The links are boosting innovation - helping the participating countries make the transition to more sustainable energy sources.

Bhrigu Sahni at a concert at antiSOCIAL earlier this week. Pic/Satej Shinde

The use of guitar isn't limited to playing solos and rhythms using a plectrum (a small flexible piece of plastic). When a discussion emerges about the co-existence of genres within the guitar language, there is a lack of clarity between Flamenco, Western Classical and finger-style. One can pluck (guitar) strings with their fingers but finger-style is a technique that involves the usage of fingertips, nails and the palm. You need to hit the woodwork for percussions. The sound is a perfect balance of bass, treble and harmonies. These days, Mumbai is witnessing the rise of finger-style guitarists. While some learnt from watching videos of legends like Andy McKee and Tommy Emmanuel, others took a cue out of popular songs.

Manan Gupta

One-man band
"By playing finger-style, one can arrange a whole song by playing the bass line, melody, rhythm and harmony simultaneously without using any backing track," shares Manan Gupta. The 23-year-old started off as a pianist but the track Drifting (by McKee) brought him closer to guitar.

Gupta believes finger-style also helps a musician to be self-sufficient. "You are a one-man band; there is no need to rely on other musicians to co-ordinate rehearsal timings," chuckles Gupta, whose tune Dear Mother (released in 2013) is an online hit.

Local inspirations
Bhrigu Sahni, who has toured the Mumbai-Pune circuit, took to the genre after watching his father play Western Classical. "As a kid, I realised that this style had the ability to create a rich musical tapestry. It is challenging to sustain being just a finger-style player but that shouldn't deter one from following his heart," says Sahni, who is a Berklee graduate and has jammed with Karsh Kale and Angelique Kidjo.

Unlike others, he also pointed out a few names among Indians who inspired him. "I went to Rock and Jazz concerts when I was 15. I used to improvise after watching guitarists like Sanjay Joseph and Derek Julian," he adds. Sahni released his debut album, What is Now, last year in New York. "I shuffle between Brooklyn, Khadki (Pune) and Mumbai for gigs," he shares.

Varun Singh started his journey listening to Eric Clapton. He even played for Metal band Albatross for sometime, but the song More Than Words (Extreme) pushed him towards finger-style. He seconds Sahni highlighting guitarists from India who are fluent with it. "Mahesh Tinaikar (Indus Creed) and Floyd Fernandes are great examples. Clapton's Tears In Heaven is a finger-style song too," he shares. The 23-year-old recently released a video of a song called Midnight Express paying tribute to Nuno Bettencourt. "He is my hero."

The dim light of candles engulfs Andheri's Harkat Studios in a warm glow. A 25-member audience settles on the mattresses around an elevated gadda under a spotlight. The mushaira's (poetic symposium) setting is perfect. Before seven Urdu shayars begin the performance, Devroop Sharma of Irshaad poetry collective acquaints the audience with the basics: Say 'mukarrar' for an encore and 'waah waah' as applause.

(Clockwise from top) Artistes Devroop Sharma, Khan Faisal Barkaati and Ashwani perform at the mushaira held last weekend. Pics/Tanvi Phondekar

For the next two hours, the fragrance of Urdu fills the room as the shayars - including 20-year-old Khan Faisal Barkaati, and Ashwani, who recites poetry in a Haryanvi accent - share original nazms on love, heartbreak, politics, education and motherhood. They make it interactive, asking the audience to complete a misra (a couplet line). They also ensure the guests aren't overwhelmed by the language, by explaining the meaning of lesser-known words like ilm (knowledge) and baa-safaa (chaste) before narrating the verses. Some members in the audience repeat the words under their breath to savour their taste. One of them, Sankalp Rawal, tells us after the show that was held last Saturday, "I understood 70 per cent of what was recited but still enjoyed the performance."

Shamir Reuben and Hussain Haidry

For Sharma, that's an achievement. "The idea isn't to spoon-feed but help expand your vocabulary. When you don't understand a word, you look it up and then, enjoy the shayari more. It stays with you even after the performance," says the 29-year-old poet and salsa dance teacher, who launched Irshaad six months ago, to promote regional language poetry.

Mohammed Sadriwala

Urdu takes the centre stage
Recent months have seen a spurt in groups supporting the language. Earlier this year, Studio Tamaasha kicked off Urdu Readings, a series of dramatic readings of Urdu short stories, conceived with the help of academic Aslam Parvez. Its finale will be held on October 28.

The Poetry Club (TPC) introduced Mehfil, where members discuss popular Urdu poets, besides Hindi and English. "We wanted to challenge the notion that Urdu is difficult to understand. We use words from it in everyday conversation without realising it. Like, darwaza," says Ankita Shah, co-founder of TPC, which will host the next session in November at G5A.

Write and learn
Workshops that help you hone Urdu poetry skills are also finding takers. Last month, Karan Talwar, curator at Harkat Studios, collaborated with Sharma to present a ghazal-writing workshop. Led by college professor Abhishek Choudhary, it deconstructed the form to drive home the point that every ghazal uses the same kind of metre. "The idea was to help the participants realise that a ghazal isn't difficult to master, if you know the math of it," says Talwar. On October 27, the duo is also collaborating for Kissagoi, comprising theatrical readings of original Urdu stories by three young poets.

Meanwhile, a Hindi and Urdu spoken word masterclass, titled Lafzon Ki Kaarigari, saw 15 participants aged 18 to 40 in attendance. Held last Sunday, it was curated by YourQuote, a mobile app for writers to share original poetry. The 25-year-old poet Mohammed Sadriwala, who conducted it with fellow poet Rakesh Tiwari, says he was impressed at the turnout. "When I started out in 2014, I saw eight out of 10 poets performing in English at open mics. Today, over 50 per cent use Urdu in their performance. It's more expressive. There's also a certain pride in performing in your own language," he observes. Another masterclass is scheduled for next month.

"Of the 2.5 lakh Indian users of our app, 35 per cent [87,500] prefer writing in Hindi and Urdu. That's also because today, more content consumed online is in regional languages," says the app's co-founder Harsh Snehanshu.

Case in point: 31-year-old Indore-born, Mumbai-based Hussain Haidry's poem, Hindustani Musalmaan, which went viral as soon as Kommune launched it on its platform in February, and at last count had seen 5 lakh views. "People are more receptive and attentive to Urdu. Credit goes to [Delhi-based] organisations such as Rekhta Foundation, which are responsible for reviving and preserving the language," says Haidry, a go-to artiste to add to the line-up at Hindustani poetry performances. He also narrated his poems at The Urdu Exhibit, a launch event for Design Fabric's latest issue featuring artworks themed on the language.

Haidry will perform next on October 12 at a Hindi-Urdu poetry open mic at The Cuckoo Club, curated by Kommune as a prelude to their debut spoken word festival. "We've also prepared a list of new, young poets writing in the language. A pure Urdu poem may be difficult to understand but the younger poets are mixing it with Hindi to make it conversational and audience-friendly. It also has a greater impact when used to make a political and social commentary. While at it, they are keeping Urdu alive," says Shamir Reuben, member of the storytelling collective.

Poetry meets activism
Talwar adds that celebrating Urdu is important in today's political scenario. "Recently, at a curatorial workshop in Delhi, I learnt that India doesn't have an Islamic art gallery. That's strange considering it's an integral part of our culture. At a time when Islamic influences in Indian art and culture are being underplayed, curating Urdu-focused events is our shot at activism, where we try to rediscover the language in a safe space."

Notebook
U/A: Romance
Dir: Nitin Kakkar
Cast: Zaheer Iqbal, Pranutan Bahl
Ratings: 

I, for one, am not of the belief that remakes are a bad thing. If made well, they can stand their ground and even shine, in some cases, better than the original. Given that Notebook is directed by Nitin Kakkar (the man behind the luminous gem Filmistaan), I had a fair share of expectations, despite the underwhelming trailer. Kakkar's powerful storytelling in the unassuming Filmistaan played in my mind as I walked in to watch Notebook, an adaptation of the Thai film, The Teacher's Diary that released in 2014.

It's not a good sign when, in a love story, children steal your heart over the lead pair. Individually, both debutants Zaheer Iqbal and Pranutan Bahl sparkle, but they meet only at the fag end of the film. Kakkar draws out adequate performances from both, playing to their strengths, using the naivety of the novices to build on some screen charm. But with so much solo heavy lifting and a wobbly screenplay in tow, Kakkar delivers far short of what he is capable of.

Watch the trailer here:

As a plus, the film uses the picturesque settings of Kashmir, blending it with good music. The story, much like the original, traces the unlikely love life of Firdaus (Bahl) and Kabir (Iqbal). She leaves behind a notebook full of sketches and doodles; he is her replacement in a school where they teach. The notebook becomes a source of hope for Kabir, who connects deeply with her over the pages. She is an unusual teacher in an abusive relationship. As Kabir struggles to bond with the children, the notebook comes handy. The rest of the film paves the way to their final interaction.

Kakkar remains faithful to the original design, transporting his viewers into a world of innocence. It is concerning that the director never delves deep into the problems of the state, bringing forth its elements for a pure cosmetic use. A child with a fundamentalist father is a needless addition to the plot. Kabir's former job as a soldier, and his Kashmiri pandit background, also do little to add to the larger plot. It's a balanced view, but not a bold one; too simplistically handled, which is unlike Kakkar's risque style.

Watch it for the adorable kids, and if you are excited about star children in general, Pranutan is a good deal as a first timer.

Also Read: Notebook celeb review: Bollywood unanimously touts the film as a sweet and genuine

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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Thje city is facing many challenges amid the Coronavirus lockdown, but the one thing in its favour is the water stock. The lakes that provide water to the city have enough water to fulfil the city's needs through the summer.

As of Monday, the lakes have 29 per cent of the water stock, which will last for almost another 80 days, that is, until July.

This means, there will be no water cut this summer. Last year, when the city was facing a water cut, the total water stock was 19 per cent on the same date.

The BMC had imposed a 10 per cent water cut from November 2018 till July 2019. During the last monsoon, the lakes received rain till early December and as such, the water stock is still

The seven lakes — Bhatsa, Tansa, Upper Vaitarna, Middle Vaitarna, Modak Sagar, Tulsi and Vihar — supply water to the city.

Their total water storage capacity is 14.47 lakhs MLD (million litres per day). As of Monday, there is 4.31 lakh MLD water in the lakes.

Last year, on the same date, the water stock was 2.88 lakh MLD.

The BMC supplies 3,800 MLD water to the city every day. Around 700 MLD water is being used by industries while the floating population — people coming from other cities — use around 50 MLD water.

"After the lockdown, the industrial water supply is obviously reduced but the city gets normal water supply. It means there is more water for residential areas," said Ashok Rathore, chief of the Hydraulic Engineering Department.

Due to the manpower crunch, the meter reading has not been taken and the exact use by industries and residences has not been measured.

As per the IMD forecast, the monsoon will be normal this year.

29
Percentage of water stock currently available

Available water stock (in mn litres)

Upper Vaitarna: 2,802
Modak Sagar: 61,632
Tansa: 38,539
Middle Vaitarna: 89,953
Bhatsa: 224,881
Vihar: 10,133
Tulsi: 3,478
Total: 4,31,418

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It felt totally like a eureka moment to me at the grounds of Jaipur Literature Festival, 2012, soon as my eyes turned and I saw on stage, Oprah Winfrey, seated for a conversation, with Barkha Dutt.

Up until then, one had, of course, followed Dutt's work as an indefatigable newscaster, best known for lending a human touch to her dispatches/reports. Quite literally so sometimes — as she'd tenderly pat her interviewees on the shoulder, gently goading them to reveal issues they faced, before a camera. Audiences were hopefully moved, witnessing the plight of the socially distant other!

Many may have had issues with this style of emotional/exploitative news-casting, as if it was a Bollywood film. But the fact is the penny dropped only when I saw Dutt with Winfrey. It's totally my bad that I had misinterpreted her form of communication as journalism alone. Firstly, given the subject, no, not gonna fall into the tiring Twitter-troll trap that, for years, has been demonising Dutt and the lot as 'biased'/'paid' media. As if there can be any other!

Which loser works in a profession without ever being paid for it? And does the fact that you can't possibly publish all that's fit to print not indicate bias anyway? One only hopes this doesn't veer towards prejudices. And that whatever calls a news-outlet takes, don't involve sneaky, private deals, or peddling blatant lies in public.

Making motivations known only helps consumers make a choice. Mahatma Gandhi, like Bal Thackeray, ran one-sided newspapers. Neither is accused of bad journalism. Do the same arguments apply to news television?

Though all that there is to it are debates and arguments, anyway? It's odd what the medium grew into, given satellite television in India itself owes its origin to a news event—the 1991 Gulf War, that led to an enterprising South Bombay hotel (then Taj President) placing a satellite dish on the terrace, for its guests to access news on CNN!

The first TV channel delivering 24-hours news, of course, came up only at the fag-end of last millennium. For a medium with a history as short as the story of a boy, who's grown up on steroids, neglected by parents, with a much brighter younger sibling (Internet), and having just about attained legal age for marital sex, it's impossible to tell where it stands currently, let alone where it's headed into the future.

Here are a few facts still. That in less than a decade since the launch of the first Indian round-the-clock news station, there were 300 in competition, for unique eye-balls, often across the nation. All these viewers should ideally have been interested in exactly the same visual-item on screen, while the importance of news per se, is determined by the proximity of the event to the consumer!

How does one compete then? In 2002, when the medium was too nascent, all its three main channels were accused of partisanship in reporting the Gujarat riots — ostensibly aimed at their respective viewerships. Wherein Zee and Aaj Tak were called out for mentioning the religion of victims in the Godhra carnage, but conveniently concealing so while covering the riots that followed. Likewise Star/NDTV was accused of overplaying the possible complicity of the state/police; fanning negativity against both.

But this is still within purview of news. By mid 2000s, when the scene had totally exploded with too many channels to keep count, the country, it was assumed, could only be united by cricket and Bollywood. That's what you saw a whole lot of on Hindi channels. And that you don't anymore. Also, religion (bhakti) and superstition (UFO landings/sightings) reigned supreme.

The creative crescendo of this movement away from news though occurred in July, 2006, with the fall of a five-year-old Prince, into a 55-feet pit, in a village called Aldeharhi, 150 kms off Delhi. For 50 hours that it took for the boy come out of the well, several channels had broadcast his rescue (or the lack of it) for over 24 hours! Since general entertainment had possibly failed, this was television news acknowledging its competition was reality TV. No knock.

The turning point for this genre was of course the 2008 Mumbai terror attacks—live-television for three days straight, involving cameras stationed mainly outside hotels Taj and Oberoi-Trident, but with obviously no fresh footage to upload. What do you do then? Open live commentary, package it as debate, express shock, rally around pent-up emotions. 26/11, a reporter's story, turned TV news into an anchor's medium, with Arnab Goswami at Times Now as its patron saint.

Pretty much all stations feel/sound the same since. Leader dictates competition. Goswami, a pop-culture phenomenon inspiring skits and memes, runs his own channel, heating up a studio, introducing nightly villains, firing at folk on multiple windows, picking up cues primarily from social media—feeding off the mob and feeding right back into it. But come what may, delivering weekly ratings at the box-office of television.

It's been 12 years. Obviously he's not just a journalist. Now he has a rep to protect, and expectations of core-audiences to meet. He defined the era he belongs to, and people are used to seeing him a certain way. Read again. Sounds like Shah Rukh Khan to me.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

The views expressed in this column are the individual's and don't represent those of the paper

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Even as India is awaiting announcements on the Coronavirus gameplan post lockdown on May 3, there is one Mazagaon couple which is on absolute tenterhooks about the announcement. Mumbai’s Darryl, 75, and Grace Cabral, 69, marooned in Newark city in New Jersey, USA said they "are hoping fervently that we can come back to Mumbai."

The couple flew to Australia and boarded a cruise liner late February from Sydney bound for the South Pacific islands. They were looking forward to their holiday, with no inkling of the ominous Corona cloud looming on their horizon. "We boarded the ship on February 28 and were supposed to end the cruise on March 20," they said.

They were the only two Indian passengers on board. All seemed smooth sailing at first, with the cruise ship making a few scheduled stops, but trouble started brewing as a couple of ports did not allow the ship to dock because of Coronavirus concerns. "We could not see all the places on the itinerary as the ship did not get permission to dock," they said.

Stranded now
A series of events then took place in rapid succession as the schedule went awry with nations reacting with new policies and rules as the pandemic spread. The ship docked at Honolulu after permissions were given and Grace and Darryl were taken by a chartered flight to Newark airport towards March end, along with some other passengers who were planning to reach different destinations. The Cabrals said, "We reached Newark on March 25. We booked tickets to Brussels as flights to India had stopped. We have a daughter in Brussels and we planned to stay with her."

To their shock though, at the boarding counter, they were told that the flight could take only Schengen passport holders. "We had a Schengen visa not a Schengen passport," they explained.

The couple has been in Newark ever since India was locked down. They are in touch with the Indian Consulate in New York. "We have had no flights operating to India. We had our tickets booked on April 17 as the first phase of the lockdown ended. The extension dashed our hopes," they said. Now, they have booked tickets for May 4 through a city travel agent, hoping for the lockdown to be lifted at least to rescue stranded Indians, if nothing else.

Expenses mount
Darryl, a professor of management, and Grace are living in an AirBnB apartment in Newark, with the exchange rate absolutely bleeding them. "Our finances are stretched thin, we are paying at least USD 80 dollars (approximately R6,048) a day only on accommodation. Though we live as carefully as possible, there are food expenses too," said Grace.

"It is fairly easy getting provisions here though since the shops are open. But there is a great amount of discipline when it comes to social distancing. Everybody has a mask on, in fact, shops will not allow you if you do not wear a mask. Within these parameters, we do see people walking their dogs, exercising and a few cars on the roads," she added. Even with all the measures, they have some trepidation though, as Corona cases in the USA are very high, with New York and New Jersey worse hit and the couple’s age means they fall within the vulnerable bracket.

Diabetes medication
This Mumbai duo is struggling to access their diabetic medication, "as Indian prescriptions do not work here," they explained. Under tremendous stress now, the Cabrals just wish "to return home."

They said, "It is the uncertainty that is killing. We can be quarantined on returning, adhere to whatever the rules say, but we want to return. It is becoming quite impossible for us to stay here any longer," they finished, echoing the dire straits so many Indians overseas find themselves in.

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While the COVID-19 cases continue to rise in Navi Mumbai Municipal Corporation (NMMC), the Navi Mumbai police department is having a tough time dealing with rumours. In last four days, rumours claiming Janta Curfew or a complete lockdown resulted in a panic-like situation in various parts of Navi Mumbai. However, alert cops managed to tackle the misinformation by alerting the citizens and booked two people.

Despite the systematic management and strategy, COVID-19 cases in NMMC and Panvel Municipal Corporation area are on the rise with more than 250 cases in Navi Mumbai Police Commissionerate area.

"On the night of April 27, a message was posted on a WhatsApp group that, as cases of Coronavirus had increased in Kamothe, to break the chain, a complete lockdown or Janta Curfew was announced from April 30 to May 3. The message further said that only medical shops and hospitals would function," an officer from Kamothe police station said.

"A police officer was part of the group who alerted us and we immediately started verifying the message which was fake. So we summoned the group admins Amol Shitole and Ganesh Shinde, who were questioned and booked," added the officer.

But as a result of the message, on April 28, several residents came out to buy groceries and other household items. To contain the situation, cops went to every shop and stores to assure people.

The same panic-like situation was observed at Kopar Khairane and Juinagar on Wednesday, after the same message with the name of 'Corona Nirmulan Samiti' went viral – with the only difference being the location. As soon as the message went viral, grocery stores ran dry within a few hours. "We don't know the origin of these messages. But some people deliberately spread such messages, which not only spreads panic but also hampers our tireless work of almost a month" a senior police officer said.

Speaking with mid-day, Sanjay Kumar, Navi Mumbai Police Commissioner said, "We have noticed the spread of messages in the social media groups of non-existent curfew and are dealing strongly with such rumour mongers. People should keep track of official accounts and words about such important decisions."

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You gasped on hearing that Reliance Industries Limited has slashed the salary of its employees. You feel this will have all companies, including yours, to follow suit, for they will think India's numero uno business house must know the strategy of surviving the Coronavirus-induced lockdown and its aftermath. Soon, EMI, the abbreviation of equated monthly instalment, would swim before your eyes, just the way your head would when your solar plexus was socked in high school.

You binged on loans to own at the same time the house you live in, the four-wheeler you drive around, and the latest model of mobile phones and laptops your family members use. These are yours as long as you pay the EMIs, which you committed to because you assumed your income will rise every year. On hearing about Reliance's decision, you totted up your EMIs to figure out at what percentage cut in your salary you would not fail to pay them. You decided to reduce certain types of expenditure, such as not dining out as frequently as you did.

You are anxious, even scared of the future, you accept.

In reality, though, you have been subliminally anxious ever since India turned into an EMI nation post-liberalisation. You have handled the stress of paying your EMIs by exchanging the pleasures of consumption for submissiveness at office. You have endured your nasty boss because you have an EMI to pay, precisely also why you have not opposed unethical practices at office. You were tempted to quit at times, but you did not because your EMI overload implied you could not do without a salary for even a month, the minimum time required to get another job. A submissive middle class has turned the EMI nation into a reactionary one, evident from our politics.

You are not an exception. I spoke to a loan manager of a leading private bank, who services 1,000 clients. On average, these borrowers have an EMI commitment of R60,000 to R70,000 on home loans. Of his clients, 60 per cent live in hypothecated houses, the remaining in rented accommodation even as they pay EMIs on houses still under construction. Surely, their monthly income must be three times their EMI? "No," the loan manager said. "At least 30 per cent of them will default on payment."

Economic boom is a function of consumption on credit. With salary-cuts and paucity of jobs, credit and consumption shrink and, therefore, also the economy. Yes, you have been caught on the wrong side of history. A 2015 survey of the Pew Charitable Trusts in America showed that the Silent Generation (born between 1928 and 1945) and Baby Boomers (1946-1964) were more likely than the Generation X (1965-1980) and Millennials (1981-1997) to say that debts enhanced their life. Why?

The Pew report explained, "They experienced the Great Recession [beginning 2007-08] acutely. Millennials came of age during the period and saw that high levels of debt took a toll on households' immediate financial security and prevented them from saving enough for later, and Gen Xers endured the loss of housing wealth and other consequences of the recession at higher rates than many other Americans."

In different cultures, epochal events, as the recession was to Americans, influence consumers differently. Leo Burnett's managing director, Dheeraj Sinha, wrote a remarkable paper in 2014 – Three Generations, One Big Market: A New Segmentation of India – in which he said the Indian market comprises the Partition generation, the Transition Generation, and the No-Strings Generation. These, roughly, are the Indian equivalents of Baby Boomers, the Gen X and Millennials.

The Partition Generation experienced the epochal event of India's division and Independence, but their hopes of an upswing in life were dashed. This had them pine for stability and security, of living within their means. They eschewed debts. For the Transition Generation, liberalisation was the epochal event. Negotiating between tradition and modernity, they did not think enjoyment was a sin. Yet they also taught themselves to fly "high with feet on the ground." Their high EMIs, in today's gloom, will likely have them think that their parents were wise to have lived within their means.

The No-Strings Generation, born in affluence, finds stability a yawn, divides life and work between what is boring and not boring, and prefers to manipulate the system than rebel against it. Sinha said to me that he expects the No-Strings dudes to continue borrowing for a phone or laptop, even to buy a motorcycle, than take an Uber post-lockdown, post-COVID-19 to evade the contagion.

There is always a possibility that COVID-19 could turn out to be an epochal event and alter the mindset of No-Strings and Transition Generations, both saddled with high EMIs. They will have no choice but to believe, like Ernest Hemingway's protagonist in the Old Man and the Sea, that "man can be destroyed but never defeated." They will undoubtedly struggle and discover, perhaps, a new way of living – and borrowing and spending."

The writer is a senior journalist

Send your feedback to mailbag@mid-day.com

The views expressed in this column are the individual's and don't represent those of the paper

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Eminent industrialist Ratan Tata, on Sunday took to Instagram to call out a fake news article and a quote which was attributed to him. Taking to the gram, the 82-year-old business veteran shared a picture of a news clipping that read, "Ratan Tata's message: 2020 is the year of survival, don’t worry about profit and loss."

A screengrab of Ratan Tata's Instagram story

While sharing a story on Instagram, Ratan Tata wrote, "The following article has not been written or said by me. He also shared a picture of the article with 'Fake News' written on the newspaper cutting. Urging people to always verify news sources, Ratan Tata said, "I will endeavour to call out fake news whenever I can."

Talking about the fake article which has a quote attributed to him, Ratan Tata stated, "My picture alongside a quote does not guarantee me having said it, a problem that many people face." The business magnate also called out the fake news and shared it with his 8.5 million followers on Twitter.

I’m afraid this too, has not been said by me. I will endeavour to call out fake news whenever I can, but would encourage you to always verify news sources. My picture alongside a quote does not guarantee me having said it, a problem that many people face. pic.twitter.com/pk0S75FxPA

— Ratan N. Tata (@RNTata2000) May 3, 2020

Since being shared online, Ratan Tata's tweet has garnered over one lakh likes and about 25,000 re-tweets and counting. This isn't the first time that the senior statesman has taken on fake news circulating under his name. Earlier, Mr. Tata had shared another fake article attributed to him and which spoke about the impact of coronavirus on the economy.

In the spirit of solidarity pic.twitter.com/1Svx5JZ0Vb

— Ratan N. Tata (@RNTata2000) April 5, 2020

While sharing that the article was fake, the industrialist stated that if he has to say something, he would say it on his official social media channels. Debunking the false article, Mr. Tata urged people to stay safe and take care of themselves amid the coronavirus crisis.

Nearly a month ago, Ratan Tata shared a beautiful picture of India's COVID-19 warriors. While sharing the picture with his followers, Mr. Tata urged people across the country to unite in the battle against the global pandemic.

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In view of the financial hit the state is likely to take owing to the pandemic, the state government has taken several austerity measures.

New schemes, construction, purchases by the state have been barred while new jobs will not be created. Employees will not be transferred and promoted this financial year.

A resolution issued by the chief secretary on Monday said that the current schemes will have to run on 33 per cent grant instead of 100 per cent. Health, medical education, relief and rehabilitation, food and civil supplies departments will get priority in state funding.

'Review schemes'
The departments have been asked to review current schemes and work on them with a limited budget.

However, there will be no cut in essential spendings like salaries and pension payments.

Pending bills to be paid
Buying gizmos, furniture and hiring offices have not been allowed. The expenses on event management have been curtailed. The pending bills will be paid using whatever the finances are available.

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Tesla CEO Elon Musk and singer-girlfriend Grimes have become parents to a baby boy. Musk announced the birth of the child on his Twitter account on Monday. And on Tuesday, he broke the internet by posting the pictures of his son on Twitter, abiding to his followers’ requests.  

Musk has been dating the Canadian singer, whose real name is Claire Boucher since 2018 and the couple announced the pregnancy on January 8 this year on Instagram. As this is Grimes’ first child, Musk, who heads Tesla and SpaceX, already has five sons and has been divorced thrice—twice from the same woman.

After a follower asked him for picture of the child, he posted a picture on Twitter where he is holding the newborn in his arms

pic.twitter.com/lm30U60OtO

— Elon Musk (@elonmusk) May 5, 2020

When a fan asked him to send another photo of the child, he obliged and sent an edited picture saying, "Never too young for some ink haha."

pic.twitter.com/chk0Scuixp

— Elon Musk (@elonmusk) May 5, 2020

When he was asked about the name he has in mind for his sixth child, Musk gave a cryptic response.

X Æ A-12 Musk

— Elon Musk (@elonmusk) May 5, 2020

Explaining the name, Grimes, tweeted that the 'X' stands for "the unknown variable," 'AE' is the musician's 'elven spelling of Ai (love &/or artificial intelligence),' 'A-12' is, as gathered, a reference to the Lockheed A-12, or, in Grimes' words, the 'precursor to [the] SR-17 (our favourite aircraft). No weapons, no defences, just speed. Great in battle, but non-violent."

•X, the unknown variable ⚔️
•Æ, my elven spelling of Ai (love &/or Artificial intelligence)
•A-12 = precursor to SR-17 (our favorite aircraft). No weapons, no defenses, just speed. Great in battle, but non-violent 🤍
+
(A=Archangel, my favorite song)
(⚔️🐁 metal rat)

— ꧁ ༒ Gℜiꪔ⃕es ༒꧂ 🍓🐉🎀 小仙女 (@Grimezsz) May 6, 2020

After announcing the pregnancy in January, Grimes had posted a photo of her flaunting her baby bump in which she called herself a ‘Chubby fairy’ in the caption.

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Amid allegations of hospital mismanagement and with the rise in COVID-19 cases in Mumbai, the Maharashtra government completely overhauled the top administrative set-up of the Brihanmumbai Municipal Corporation (BMC) , by transferring commissioner Praveen Pardeshi and two additional commissioners on Friday.

Iqbal Singh Chahal will replace Praveen Pardeshi as the new chief of BMC. Pardeshi will take charge of urban development department in Mantralaya which was headed by Chahal. Ashwini Bhide, who was waiting for a posting after the Metro 3 controversy and subsequent transfer, was appointed as the additional municipal commissioner along with ex-Thane civic Sanjeev Jaiswal, who also joined Bhide in the same capacity. The will replace incumbent Babasaheb Jarad and Jayshree Bhoj, who were transferred.

Talks of possible clash of opinion between Pravin Pardeshi and his political and administrative bosses in Mantralaya seems to have proven correct even as the opposition parties said on Friday that the Shiv Sena-led government was trying to underplay its failure by shifting the blame to the bureaucrats by transferring them.

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