Brazil push Les Bleues to the limit

Last week, mid-day reported that Manoj Desai, owner of Gaiety-Galaxy, had to take a bank loan to provide salaries to his employees amid the lockdown (How will the show go on?, April 16). Four days since, Akshay Kumar has come forward to ensure that Mumbai's much loved cinema does not suffer a harsh fate as the theatre shutdown runs into its second month. "Three days ago, I got a call from Akshayji. He offered to provide financial assistance if the scenario continues. It was kind of him to offer help, but we should find a way to sustain ourselves. We have managed to collect enough funds to pay the salaries for this month, but the theatre shutdown will have long-term ramifications. Our focus is to ensure we don't trim staff or resort to pay cuts," says Desai.

Two weeks into the shutdown, Desai and business partner Arun Nair had decided to increase the ticket prices once the cinemas re-opened. However, with the lockdown being extended to May 3, Desai is aware that making up for the losses of 45 days is a pipe dream. "I will head to Gaiety and Maratha Mandir today to finalise our plan of action for May. We are reworking our plans to ensure that we don't have to seek support from the industry folk."

Manoj Desai

No aid from YRF?

Desai is also the owner of Maratha Mandir that screened Dilwale Dulhania Le Jayenge (1995) for 25 years, thus making the Shah Rukh Khan and Kajol starrer the longest-running film in the history of Indian cinema. He laments that Yash Raj Films, the studio behind the love story, has not offered a helping hand. "We have been running the film for so long. I can't go begging to them; they should have spared a thought," he said in an interview to mid-day last week.

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Gurinder Chadha's aunt passed away on Sunday due to Coronavirus complications. The UK-based filmmaker shared the news on social media. "She was my buaji, dad's sister. She survived the Partition and, sadly for us, no one could be with her in person in her final moments. But two nurses in the Surrey hospital held her hand, FaceTimed her children who chanted Sikh prayers. God bless the #NHS heroes who made my dear aunt's passing humane (sic)," wrote the Beecham House (2019) director.

"Today we said goodbye to my dearest bhuaji /aunt from #covid19 complications. She was my dad's little sister," Gurinder wrote alongside a family picture.

 

 

 

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Today we said goodbye to my dearest bhuaji /aunt from #covi̇d19 complications. She was my dads little sister She is the aunt sitting down in these final pictures from #viceroyshouse and doted on me. She survived the Partiton of India and sadly for us, her family no one could be with her in person in her final moments 😢 BUT two nurses in the Surrey hospital held her hand, FaceTimed her children who all chanted Sikh prayers during which her soul departed. God bless the #nhsheroes who made my dear aunts passing humane. 🙏🙏🙏

A post shared by Gurinder Chadha, OBE (@gurinder.chadha) onApr 19, 2020 at 5:10am PDT

"God bless the #nhsheroes who made my dear aunts passing humane," she added.

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Radhika Madan was heartbroken when Angrezi Medium — a film that she had dedicated the past four months to — ran in theatres for only a day, before the shutdown of cinemas came into effect from March 14. But good things come to those who wait. The Irrfan-starrer was recently released on Disney+Hotstar and has been winning viewers' hearts.

"I feel the movie is getting its due finally," says the actor, relieved that their labour of love has reached the audience. Though producer Dinesh Vijan initially toyed with the idea of releasing the comedy again after the situation returns to normalcy, the makers did a rethink. "We understood that the pandemic and its repercussions were far bigger than our individual interests. As a team, we reflected that we had made the film because we wanted to share the story and make people smile. So, it didn't make sense to delay the digital release. We did not want to wait and re-release the movie because there [is a backlog of] too many films."

Madan believes that viewers are able to identify with the father-daughter story more strongly today because the current scenario has made them value their relationships more than ever before. "People have written to me about the scenes they liked in the film. It was adorable to see fathers and daughters watching the film together and bonding over it. People are re-evaluating their priorities because of the lockdown. Now that I am away from my parents, I value them so much more, and the film highlights that emotion."

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Actor Arjun Kapoor is trying to keep the netizens motivated amidst testing times. The actor on Wednesday shared an inspiring video with a positive message amid the lockdown to curb the spread of coronavirus.

The 34-year-old actor took to Instagram and shared a video that featured little kid Audrey Nethery trying to learn Cuban dance 'Cha- Cha- Cha'. In the adorable video, Nethery is seen dancing innocently while she steps ahead and counts, "1-2-Cha- Cha- Cha."

 

 

 

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I came across this adorable video of #AudreyNethery and I was awe-struck! Audrey was 2 months old when doctors diagnosed her with Diamond Blackfan Anemia, a rare blood disease that means Audrey doesn't make enough red blood cells. As a result, she's on steroids and sometimes has to get blood transfusions, but her positivity and view of life just struck me, and made me think that if this girl can be so positive in her life, then why can't we all at least try to be positive through this unfortunate lockdown.

A post shared by Arjun Kapoor (@arjunkapoor) onApr 22, 2020 at 2:42am PDT

The 'Panipat' star shared the video as with a message that read, "I came across this adorable video of #AudreyNethery and I was awe-struck! Audrey was 2 months old when doctors diagnosed her with Diamond Blackfan Anaemia, a rare blood disease that means Audrey doesn't make enough red blood cells."

"As a result, she's on steroids and sometimes has to get blood transfusions, but her positivity and view of life just struck me, and made me think that if this girl can be so positive in her life, then why can't we all at least try to be positive through this unfortunate lockdown," he added.

The post on the photo-sharing platform garnered more than 2 lakh views, and the celebrity followers including Katrina Kaif, Malaika Arora, Yami Gautam and Sophie Choudry left appreciating comments on the post.

Arjun has been educating people over the deadly virus through his social media handles.

Recently, he went on a virtual date with 5 lucky winners over the weekend to raise funds for daily wage earners of India who are currently earning no income. He raised enough funds to feed the families of 300 daily wage earners for a month amid the lockdown.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Adnan Sami has come out in support of Sonu Nigam after he was trolled by a section of netizens over his 2017 tweets on the azaan when he had questioned the use of loudspeakers for it. Nigam is spending lockdown in Dubai. Netizens wondered how he was surviving in Dubai "with the azaan heard everywhere (sic)."

Sonu Nigam has been sharing vlogs with the audience about her quarantine sessions. Here's one of the videos.

 

 

 

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Concept and written by Bharat Kukreti and Sonu Nigam Location : Sundar Niwas, Courtesy Sarina Vaswani Shot on : Samsung Fold

A post shared by Sonu Nigam (@sonunigamofficial) onApr 20, 2020 at 10:44pm PDT

Calling him his 'true brother', Sami posted, "Forget about his singing, which is incredibly beautiful, he has always been by my side and loved me like my own. I know for a fact that he respects all faiths. Kindly leave him alone (sic)."

As far as Sonu Nigam is concerned, forget about his singing which is incredibly beautiful; he is a true brother who has always been by my side & loved me like my own!! I know for a fact, personally, that he respects all faiths!! Kindly leave him alone... #WithYouSonuNigam pic.twitter.com/0NQb6L3f9y

— Adnan Sami (@AdnanSamiLive) April 21, 2020

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Veteran actor Anil Kapoor has shared a few fitness tips, revealing how has maintained a fit physique over the years -- that too without consumption of supplements. "I made this post not to show off or talk myself up, but to pass on some simple advice on. When it comes to body building, nothing is beyond us. At different ages we can work differently to achieve great results. If you're asking if you need to spend a lot of money on supplements to achieve this, the answer is no. I have not taken any kind of supplements in this process," he wrote on Instagram.

 

 

 

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A post shared by anilskapoor (@anilskapoor) onApr 25, 2020 at 1:52am PDT

The 63-year-old-star also shared that he has been working on his body for six years to achieve the best results. And now when the world is going through major health crisis, the actor urges people to pay proper attention to physical health.

"My trainer Marc and I have been talking about doing this kind of rebuild of my body for as many years as we have been together, which is 6 years! Time was always a stumbling block, or filming requirements, endorsements, social obligations or family time. Every year we would say we - this year for sure.

"Now in these very difficult circumstances, time is something we all seem to have a great deal of, so why not use this time to do the things you always promised yourself you would do. Strengthen your body, build muscle, build immunity, build flexibility. Respect your body. We might never have this much time available to us ever again," Kapoor added.

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Summer brings along with the struggle to find the right thirst quencher, or rather the healthy thirst quenchers. You should not opt for aerated drinks for aerated drinks to quench your thirst, because drinking aerated drinks can add unnecessary body weight. Instead, try lassi, coconut water, and sugarcane juice, suggest experts. Culinary researcher Akanksha Dean lists some healthy thirst quenchers to opt for in this scorching summer:

1. Coconut water: This is the most natural drink after regular water that helps you keep yourself hydrated during summers. It is naturally refreshing and boasts of a sweet nutty taste. Coconut water is the clear liquid that is extracted from a young green coconut, usually a harvest between 5-7 months. It rehydrates the body as it comprises of processed carbohydrates in the form of electrolytes and sugar, which in turn help balance the water levels in the body.

2. Lemonade: Possibly the most popular beverage in the world, it helps energise your body as well as kill your thirst. It is an excellent source of Vitamin C and helps in improving digestion. The good part about this beverage is that it helps in cleansing your body and reduces the risk of experiencing heartburn or bloating.

3. Lassi: The beverage is traditionally served in earthen clay pots, referred to as 'matkas', which aid in providing the instant coolness that is associated with the drink. This smoothie-like drink is made from yoghurt and boasts of a creamy texture. It is sweet in flavour, but can also be enjoyed in a savoury form. It is an excellent digestive and helps in energising the body as well.

4. Sugarcane juice: This is the perfect drink to beat the heat during the summer months. Sugarcane juice also serves as an energy drink. A glass of cold sugarcane juice can help rebuild the depleting energy levels in your body. It is rich in antioxidants, acts as a diuretic and helps keep your liver strong.

Dietician Jasleen Kaur, also the Founder of Just Diet, said: "It is loaded with abundant carbohydrates, proteins and minerals that our body needs. It is rich in antioxidants so it is great for dehydration. It has a surprising number of health benefits."

She lists four major benefits of sugarcane juice:

1. Immunity booster: Sugarcane juice is one of the best sources of instant energy. It is full of essential antioxidants that help our immune system. It reduces infections in the stomach, liver and respiratory zone. It fights against a number of diseases like cancer. It can help you to boost energy levels.

2. Rich in antioxidants: Sugarcane juice helps in cleansing the harmful toxins and other bad components from our body. It helps in boosting the metabolism of the body. It contains natural sugar which helps us to manage our weight.

3. Helps in proper digestion: Sugarcane juice acts as a good digestive tonic. It is very useful in treating the problem of constipation. It also helps maintain the acid base balance in our body.

4. Removes mouth odour: If you have a problem of bad breath or mouth odour, you should consider sugarcane juice as a home remedy. It contains calcium that helps build our strength including bones and teeth.

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Several wedding guests, including children, fell ill after lunch

Gajar ka halwa made for a bitter end to a wedding in Kelwa on Sunday, after 175 guests fell violently ill. All those admitted to hospital for food poisoning were discharged the same night after treatment. Ironically, the food had been supplied by none other than the father of the bride, who is a local caterer.

A sample of the wedding buffet has been sent to the Food and Drug Authority (FDA) to find the cause behind the mass food poisoning. Action will be taken based on the FDA’s report, said the police.

More than 700 people had attended the wedding, which featured a vegetarian as well as non-vegetarian menu. Around 1 pm, some people started feeling giddy, and complained of stomach ache. Many also started vomiting after lunch. Around 175 people were taken to Safale Primary Health Centre. "There was  chaos, as nobody understood what was happening. The entire health centre was filled with patients," said a cop from Kelwa police station.

"The situation eventually settled down after a couple of hours, when the patients started feeling better," he added.

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Local fishermen yesterday rescued three teenagers who had got stranded in the sea off Uttan while taking selfies. Sources said the three, residents of Bhayander, had gone for a picnic to Bhati Bandar village beach near Uttan last morning and got engrossed clicking selfies on the rocks.

They'd failed to pay attention to the high tide, and before any one of them realised, they were surrounded by water from all sides. Scared, they'd then started screaming for help.

Fishermen rescued the three teenagers who had got stranded near Uttan while taking selfies. Pics/Azim Tamboli

The fisherfolk from the village heard their cries and rushed to their aid, while a villager called up the fire brigade. By the time fire officials reached the spot, the fishermen had rescued the boys — Sachin Waghmare, 16, Vishal Minde, 19, and Sumit Fatpara, 18 — studying in Stds XI and XII.

Chief Fire Officer Prakash Borade from Mira-Bhayander fire station said, "We received the call and rushed to the spot around 11.30 am. But when we reached, we saw that the local fishermen had already helped the youngsters out. Later, we called their parents and handed them over."

Also Read: Travel: Go camping to tranquil Uttan in Bhayander

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In a positive step towards the conservation of wildlife, 295 Indian star tortoise seized from Vasai by Maharashtra Forest Department along with NGO PAWS-Mumbai were successfully released at Banarghatta National Park in Karnataka.

Speaking to mid-day Sunish Subramanian Kunju from NGO PAWS-Mumbai said, "Plant & Animals Welfare Society(PAWS-Mumbai) along with the Range Forest Officer(RFO) Yuvraj Gite and team successfully released 295 Indian Star Tortoise at Banarghatta National Park, Bangalore. Of the 295 tortoises, 293 Star Tortoise were seized from Vasai and two-star tortoise were saved by Amma Care Foundation."

Indian star tortoise is a threatened species and protected under schedule 4 of the Wildlife Protection Act, 197. It is thus illegal to keep them as pets.

This is not the first instance where Indian star tortoises have been released at Banarghatta National Park. In September 2017, mid-day did a story (Rescued Star Tortoises To Fly Back To Karnataka Today) in which it was 285 star tortoises rescued over the past year by various NGOs and government bodies from Mumbai were released in their natural habitat.

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In a yet another technical snag, the commuters travelling in Monorail had to face problem on Saturday evening after Monorail services were affected due to issue related to brakes. The technical snag developed between Bharat Petroleum and Mysore Colony stations.

Informing the glitch, on its official Twitter account, Mumbai Monorail said, "We are facing technical difficulties. Dear Mumbaikars, we apologize for the inconvenience. Our technical teams have reached the site and are working to restore the services at the earliest".

We are facing technical difficulties. Dear Mumbaikars, we apologize for the inconvenience.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

Our technical teams have reached the site and are working to restore the services at the earliest.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

Following the incident, the monorail was taken to Mysore colony monorail station where passengers were evacuated safely. The authorities plan to take the train to the depot using another train. 

According to authorities, the technical glitches has been attended and full services are expected to be restored in some time.

Skeletal services resumed.
Technical glitches being attended.
Full Services are expected to be restored in some time.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

More details are awaited.

This is the second incident Monorail has faced within a week. On Wednesday, Monorail was stuck mid-way towards Wadala depot affecting its services. After the passengers were evacuated, the monorail was being transported to the depot but it ceased to move mid-way. Another train was then used to push the monorail further. Since other trains could not use the same alignment, services were shut for about an hour.

The second phase of the Chembur-Wadala-Jacob Circle monorail was flagged off in March 2019.

Also Read: Mumbai: Garland wire glitch delays new Chembur-Wadala-Jacob Circle Monorail services

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A 27-year-old MBBS student committed suicide by jumping off from a high-rise in Thane on Saturday. She was rushed to the hospital, where the doctor declared her dead. The deceased was identified as Dr Shamista Som, daughter of dermatologist Dr Kaberi Som. Police have found a suicide note in which she spoke about the pressure she faced for the preparation of her MD exams.

Shamista was living with her parents on the 12th floor of Glory building in Everest Society at Kolshet. Sources revealed that in 2016, Shamista had completed her MBBS and was preparing for her MD. On Friday night, she had spoken of the stress related to the same with her parents.

Glory building in Everest Society. Pic/Rajesh S. Gupta

"According to the parents, they spoke at length with their daughter and tried to calm her. Afterwards, she told her parents she was going to study," an officer said. Around 5 AM on Saturday, the security guard found her lying in a pool of blood. She was rushed to the hospital, where she was declared dead on arrival.

To mid-day, AV Deshmukh, senior inspector at Koparbaudi police station, said, "We have found a suicide note written by the deceased. The reason behind the suicide seems to be depression. However, we have registered the death as an accident and are inquiring into the case."

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Thane: An adult leopard was spotted by security personnel at the basement of Korum Mall in Thane early on Wednesday morning at around 5.30 am. The leopard's movement was caught on the CCTV camera installed towards the exit gate of the parking area. Forest department officials finally managed to tranquilise the big cat and rescued it from the densely populated human area.

The guards alerted the forest department and Sanjay Gandhi National Park (SGNP) officials. A veterinary doctor has also reached the spot. However, the leopard could not be traced even after a thorough search in the morning, as per reports. Finally, the forest officials succeeded in tranquilising the leopard around 12 pm

The leopard which was later spotted at the basement of a hotel near Cadbury junction in Thane was tranquilised by forest officials.

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A group of 22 people from Mumbai and Thane district went for a picnic at Tandulwadi Fort in Palghar district where they lost their way out of the jungle in the dark. They called up the police control for help and the local Safale police of Palghar district rushed to their rescue and escorted them out safely.

According to the Safale police sources, "A group of 22 people from Mumbai and Thane district visited Tandulwadi Fort situated in Safale Palghar district for a trek on Saturday where they decided to walk through the jungle around 7:30 pm but after sunset, they lost their way out of the jungle.

Fearing of being lost, they contacted the police control for help and senior inspector Sandeep Sanap from Safale police station despatched a team of officers to their rescue. Constable SU Solkhe, SB Bhavar, NL Dhongde reached the spot at around 9 pm and rescued the group. Their respective parents were contacted after which they were returned home safely," said Hemant Katkar PRO of Palghar district police.

Also Read: Six rescued, one missing as tugboat capsizes off Mumbai

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Question papers of two subjects of the SSC (Class X) exam conducted by the Maharashtra State Board were found leaked at Bhiwandi in Thane district of Maharashtra on Wednesday, police said. A case was registered at Narpoli police station against an unidentified person in this connection. "As per the complaint filed by a state board official, examination of history and political science subjects was scheduled to take place on Wednesday," senior inspector M B Shinde of Narpoli police station said on Thursday.

"For the exam that was to start at 11 am, students were expected to be in the exam hall by 10.15 am. However, outside an exam centre at Kalher in Bhiwandi, the board official found some girl students checking their mobile phones inside an autorickshaw," he added. When the official checked their phones, he found the question papers of history and political science subjects. "The girls had received these question papers through a messaging application. When the actual question papers were tallied with those on the mobiles, they were found to be the same," Shinde added.

A case was registered under IPC section 406 (criminal breach of trust) and section 72 of the Information Technology Act, police said, adding that nobody has been arrested in this connection so far. According to police, question papers of algebra, geometry and science subjects were also allegedly leaked in Bhiwandi earlier. The state board's secondary school certificate (SSC) exam began on March 1. 

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We believe that the most important lesson our generation has learnt is that basic is good; enough for fashion labels to have a sub-category of basic apparel and Instagram to source gifs and stickers that say "basic". This (should) transcend to food as well, because at the end of the day, nothing beats sasta and tikau. And so, Kalina's Chindian eatery, King Chilli, has risen above the glitzy culinary offerings of BKC that are high on the glam quotient but not easy on the pocket.

We have been ordering in from what is easily one of the neighbourhood's favourite haunts for months. But a week ago, we learnt that it has launched in a new avatar with a larger dining area not far from the space it started in five years ago. So, on a Sunday night, we finally step out to pay the place a visit.

At the corner of St Mary's Chowk, a brand new shade covers the space. Potted plants line the shack-like eatery and a tawdry magenta curtain, which we identify — having spotted hawkers selling it for '150 at the roadside Monday market — serves as the door. Inside, chairs and tables that evoke the memory of Nilkamal furniture makes for the seating space, along with three booths with slightly plusher sofas that offer some privacy but are rickety all the same.

We join a queue that comprises Catholic aunties in their Sunday frocks and roadside Romeos in their Gully-Boy-inspired garb waiting outside the restaurant. The crowd is substantial, but fast moving, so we get a table in five minutes.

Tom yum

Our partner, who is whining about a sore throat, calls for a tom yum soup (Rs 139) while we order the crackling spinach chicken (Rs 285) and kung pao potato (Rs 174) to begin with, and a chicken in chilly oyster sauce (Rs 295), veg pad Thai noodles (Rs 190) and chicken North East pot rice (Rs 249) for the mains.

Kung pao potato

We find how nothing about the tom yum soup being Thai cute: adrak replaces galangal, nimbu takes the place of kaffir lime and its identifiable piquant broth-y flavour has transformed into a chatpata and fiery soup with a strong kick of spice. The addition of finely chopped dhaniya is equally endearing. Tom yum or not, it works. The chicken appetiser is enjoyable in that the meat itself is juicy and hot. The crackling spinach that it comes with is nice, too, but perhaps could have been elevated with a stronger dose of garlic. We relish the kung pao potatoes and find the use of wedges quite cool: it adds a certain girth to the dish. The lightly toasted whole cashews lend a mild sweetness, marrying the dish with its inherent tanginess.

Chicken in oyster chilli sauce 

The pot rice has a smoky hotness that is likely to have come from the overuse of chilli powder. This dish leaves two out of the four people at the table gasping for breath. We are still undecided about the preparation and could only safely say that we did not hate it. The pad thai noodles are a slight let-down having been overcooked this time. However, the chicken in oyster chilly sauce, a staple for us from the eatery, helps liven up the noodles.

We eat quickly despite the shortcomings of the mains and that's where King Chilli actually passes the test. It's the kind of eatery that may have a few botch-ups, but will remain the go-to place (as is evident from the queue even as we leave the restaurant an hour and a half later) for Kalina's humble diners, including us. What we mean is, where else could we have afforded an end-of-the-month double date for a total cost of Rs 1,522 and take home doggy bags? Only a sasta and tikau place, right?

TIME 11.30 am to 3.30 pm; 7 pm to 11.30 pm
AT King Chilli, near St Mary's Chowk, Kalina, Santacruz East.
CALL 9833487217

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King Chilli didn't know we were there. The Guide reviews anonymously and pays for meals

An engineering graduate, Navin Noronha is also an openly gay stand-up comedian, who uses his humour to acquaint people with the struggles of the LGBTQ community. Watch him at his comedy special, The Good Child, which covers humorous takes on what it's like to grow up queer in India. From stories about coming out and online dating, to tackling family and gay relationships, Noronha will cover it all.

ON March 22, 8.30 pm
AT The Habitat, Khar West 
LOG ON TO bookmyshow.com
ENTRY Rs 250

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A law firm has filed a class-action lawsuit against Apple alleging that MacBook and MacBook Pro's "butterfly" keyboard design is "prone to fail".

According to a report in Forbes, Apple was hit with the lawsuit over the design and functionality of its "butterfly" keyboard system after a string of complaints that alleged defects in the keyboard's design.

Law firm Girard Gibbs filed the lawsuit on behalf of two MacBook Pro owners after nearly 25,000 people signed a petition requesting Apple to address the problem.

The owners of these devices have complained that the "butterfly" mechanism under each key causes keys to stick and fail.

The lawsuit also takes issue with Apple's repair process for faulty keyboards, saying it doesn't permanently fix problems during the repair process.

Apple first introduced its "butterfly" keyboard with the 12-inch MacBook three years ago.

Apple claims that when a user strikes a key on this keyboard, it goes down and bounces back with a crisp motion -- unlike the traditional scissor mechanism.

This is not the first time Apple has been sued for its products. Earlier this year, it was sued for deliberately making iPhones slower.

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On the ferry, leaving the island of Burano at dusk. pic courtesy/Rosalyn D'mello

Because the high chairs and tables extending onto the pavements are arranged like invitations; because the indigo sky greets us with its distinct hue, informing us that though the sun has set and it is past 8 pm, the evening has only just begun; because our feet, so tired from daytime explorations, miraculously find the strength to continue their march; because Mac's Ruby Red lipstick enhances our personalities, making spectacles of our skin tone; or maybe because we are not alone, by 9 pm, unfailingly and with impressive regularity, Mona and I become Queens of the Italian night. There are travellers who tuck themselves in early so they can restore their bodies for the future that awaits them when they awake. Not us.

We are nocturnal explorers, un-bound by the limitations of cartography. We find tentative destinations and then walk the streets like we own them, like they belong to us. We allow ourselves to get distracted by the sights we suddenly stumble upon; we make commentaries on street signs, we take pleasure in seducing policemen into smiling sheepishly at us, we keep ourselves open to conversations with strangers. During the day you could ostensibly call us tourists. We visit monumental sites; pay entry fees, download audio guides and take photographs of everything that impress us. But at night, we are uninhibited.

Because we come from a reality that is both condemned and celebrated as third world, we have few filters about what constitutes safe and unsafe European streets. We trust our intuitions that have been fine-tuned through years of navigating streets that ought to be friendlier towards women's presences, that could do much more to encourage women's loitering. Online guides tell us to be wary of specific areas, but because Napoli feels like a somewhat seamless city with one street urging you on to the next, one inviting façade leading you to explore another, we do not exercise too much restraint as we navigate a city that feels overwhelmingly familiar. We walk through gritty and un-pretentious streets, walk into dive bars and surprisingly cheap restaurants. On our first evening in Napoli, for example, we followed a cyber suggestion and found ourselves at an institution where every drink on the menu was priced at one euro. It was teeming with as many people as could be found in a single Mumbai local compartment, all elated and happy drunk. We had a few Apero-Spritzes and proceeded towards a jazz bar, stopping in between because we were lured by a boutique shop on a wayside street.

There we had excellent red wine, and the choicest green olives. The jazz bar was a bust; it turned out to be a pretentious speak-easy where the bartenders wore white coats like mixologist doctors. Yes, there was what sounded like Billy Holiday singing in the background, and plush red sofas and a superbly well stocked bar, but it was cosmetic, and expensive, and after a small moment of indecision, we decided to simply walk out and go elsewhere. It wasn't a disappointment because on the way we had encountered so much of the city's past by way of arcades, historic fountains, grand edifices and random ruins.

This behaviour of ours hasn't been confined just to Napoli. Even in Firenze and Venezia, our nightly excursion was the day's highlight. In those cities, more than in Napoli, night-time turned out to be the only time when we weren't part of a swarming mass of tourists; when we didn't have to wait in extensive, un-ending lines to get in somewhere. It was surreal, navigating the canals of Venice at 2 am, when the water-borne city feels like an abandoned ghost town, when there isn't a single tourist for miles. Our friends and us had no compunctions being the last to leave a bar. Our friends lived just around the corner, while we, for cost-effectiveness, had chosen an Airbnb in neighbouring Mestre. We were undaunted by the prospect of finding our way to the 24x7-hour ferry to Piazzale Roma, then taking the night bus home. There was something deeply thrilling about having the luxury of public transport at that hour.

I always remember the feminist Shilpa Phadke when I've had a successful late-night out. She speaks frequently about the significance of the feminist claim to 'fun'. "Fun in public spaces cannot be quantified or sometimes even explained," she says. "How does one communicate the pleasure of asphalt under your feet; the rush of finding the bus you want at a traffic signal and managing to jump into it… the exhilaration of wandering in your city at night laughing with your friends. This is not simply fun, it's belonging to your city and having it belong to you." I could argue there's something similarly exhilarating about doing all of that as two women in a foreign land. When our male friends in Venice caringly offered to let us crash in their spare bedroom because it was past midnight, we politely declined. "Are you sure you want to go back so late?" they asked. "Yes," Mona replied. "Because we can!"

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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The most erudite can be swayed by numbers alone. Representation pic

The only reason a semi-circle of well-connected writers, and well-paid editors seemed to loathe Chetan Bhagat so vehemently is because he is so widely read, perhaps even loved, and they aren't, I (rightly) thought — standing in the periphery of that semi-circle at a literary fest after-party, over half a decade ago. With that bitchy conversation over-valuing Bhagat's national impact going nowhere, I stepped out to grab a drink.

Bhagat was at the corner of the bar at Indigo, where a big-shot industrialist, now I forget if it was Anand Mahindra or Ness Wadia (and that's not even the point), somberly walked up to him to check on what's going on in Indian politics. His vishesh tippani followed. Now, where to go?

The most erudite can be swayed by numbers alone, in this case the number of Bhagat's English young-lit readers. Do these numbers always signify democracy? It could produce the opposite effect. Let's look at politics in a bit, but we do know a little about mass news, entertainment, although it's hard to tell one from the other.

They're crafted around second-guessing audience's supposed tastes, often where one thing works, automatically everybody else follows, and therefore an entire industry, over time, step by step, splicing out everything that doesn't fit into the larger, determined hole, produces a mainstream media that looks the same —across. Pick up the most popular radio, television stations, websites, newspapers, or even movies (creating stars, or special effects), and you'll know. One size must fit all. Your circus, my monkeys. It's a numbers' game. And numbers can be gamed.

Is politics that aims for more complicated arithmetic, and much larger audiences, another field that defies free-market, with greater competition only inhibiting choice, and progressively screwing up quality? Survey the national scene. Examine its broad product categories that, weeding out the highest common multiple over time, every political party has conveniently fit into, in order to appeal to the lowest common denominator: Nehru/Gandhi, Sangh, Ambedkar, Lohia, Left (and those opposing them, of course). Grand promises of abolishing poverty (1971), 'acche din' (2014) etc, although well-meaning, are merely side-shows, and tag-lines.

Every politician, ideally, must check one or the other box, holding uniformly same and sometimes inter-changeable opinions on a variety of complex issues. That's what you need/scream to lord over vast public resources/institutions. Target in place. Hit-job ordered. Distraction complete. Groups vote en masse. Design is set.

Educational qualifications, past experience, passing tough exams/interviews that test competence, are for minions entrusted with growing/protecting a small company's pocket change. If you're part of none of the above cult groups, the newbie Aam Aadmi Party, for instance, you do appear like an "anarchist". It's easy to be portrayed as one. This is basically show-business, albeit of relatively not such good-looking people.

How did we get here? Because Ambedkar, the father of Indian Constitution, said we would. If, for one, he ironically stated, we fell prey to 'personality cults', or quoting John Stuart Mill, "lay liberties at the feet of even a great man, trusting him with powers, which enable him to subvert institutions." Two, if political democracy did not follow actual social democracy on the ground (unqualified liberty, equality, fraternity, for all). It didn't. So where do the regular folk stand? Between a rock, and a hard place. But you must pick a side. It makes life simpler.

And you must vote. Have to vote. It's your right. Your privilege. You must vote. This is democracy. They go to vote — for one, or perhaps, against the other. As they did in Karnataka. In a tri-partite fight, the party with the lowest number of seats, steps in to form a government, with the help of the party they fought against. The one with the highest number of seats looks at how they could "poach" from the other two, whose MLAs were locked up! It didn't matter what they fought for, or against.
The popular television anchor with the second highest English news ratings asks the gentleman from the scavenging team how they would manage the numbers. Arrey! He names his captain; and winks, pretty much. They both laugh out loud, in public, on TV, simultaneously. This is supposed to be "horse-trading" to form a "stable" government.

The highest read Indian English writer, Bhagat, weighs in with a pragmatic tweet, that must be seen as our form of public intellectualism — calling horse-trading an "art form". Yes, the election is over. Another will follow. The voter looks puzzled. Or maybe doesn't. Now let's just frickin' move on, right. No, you wanna question this? Oh.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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Accepting the futility of genres, of boxing songs into different compartments like stacked products in supermarket shelves, seems to be at the forefront of Rafiq Bhatia's musical endeavour. The 30-year-old American of Indian descent is the guitarist for a New York-based indie outfit called Son Lux. But it's his recent solo album, Breaking English, which makes the listener really question the need for musical boundaries, of sticking labels to a composition as if it's packaged meat.

The title track of the album, for instance, is not jazz, is not electronica, is not lounge, but all of these generic classifications rolled into one lush sound with a coherent narrative, where Bhatia's melancholic guitar plays the role of the protagonist. Each sonic detail in the track is well-defined, to the point where even though fellow Son Lux member Ian Chang's drum beats seem dissonant, they fit like a glove into the overall musical fabric. Bhatia describes this sensibility when he tells us over the phone from Berlin, where he's on tour, "Ryan (Lott, the vocalist for Son Lux) would say that instead of building a house, designing a room and then placing a chair in it, why don't we start with the chair first, and then design the room around it before building the house. There is a theory in poetry called organicism, where the poet lets each individual verse define the form that the poem will take. That is kind of similar to what I'm trying to do with my music."

He further explains his musical process when he narrates a story about one of his influences, Sam Rivers, the late American jazz great. "I've read that he would attend the concerts of all his peers, and purposely study their music to understand what they were trying to do. But this wasn't to replicate what they were playing. Instead, it was to consciously avoid it. Similarly, John Coltrane took the music of his predecessors and retooled the entire musical vocabulary keeping a similar underlying foundation, but with new pathways built on top of it," he says, giving us an indication of how he doesn't hesitate to flush rule books down the toilet.

Hybridity, in fact, lies at the core of Bhatia's creative evolution. The basis for this, he says, might well be his mixed identity. Born in North Carolina, he has never really fit in to any particular community. For, even though his parents are of Gujarati origin, they grew up in Tanzania, before moving to London and then finally to the US. So, while his brown skin stood out among the white kids in his school, he didn't feel completely at home among the Indian community either. "Everybody thinks that I am something else. So, my music is a result of a need to express my identity. It's a form of therapy at some level, because it's also a way of accepting who I am," he says.

He adds that this therapy started early. When he was about eight or nine, the older desi kids in Bhatia's neighbourhood would pick him up in a car and stop at a parking lot, listening to the hip-hop albums that became one of his earliest influences. Was he drawn to them because of the political overtones that such songs often embody? "Not really," he answers, adding, "I was only in the third grade at the time, and I couldn't even understand the words. So it was the musicality that I fell for. But the deeper question is, why were a bunch of brown kids sitting in a car in a parking lot and empathising with hip-hop music? What is it that was drawing them to the words? So you see, it's difficult to disentangle the politics from the music."

It follows thus that an intertwining of politics and music sometimes features in his own compositions. For example, Hoods Up, a complex instrumental piece, drew its inspiration from Trayvon Martin, a black teenager who was cruelly shot down because of a case of mistaken identity. The guitarist says, "I feel some amount of compulsion to express my [political] ideas. But sometimes, it's easy to get carried away with being overtly political because there is so much to be angry about, and often the responsibility falls on artistes to emphasise it. So I would say that politics is a general part of what inspires my music, because there are so many other facets of my personality that also make their way in."

Essentially, then, what Bhatia wants to keep doing is create genre-defying tracks where attention to detail is of paramount importance. "When you take the details and all the generalities of music for granted, that's when your songs start sounding more like other people's music. That doesn't mean you can't make great tracks. It's just that the less you consider those things, the less is the chance that you will make music that departs from convention. The flip side is that when you think actively about each decision, and each one comes from a place of individuality, it becomes hard to find a coherent logic that ties all those things together. And that ends up being the riddle that I am constantly trying to solve with my music."

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Kylie Jenner on vacation with her daughter Stormi. pic courtesy/ instagram.com/kylie jenner

Last month, social media star Kylie Jenner was severely mom-shamed by keyboard warriors for heading to a music festival without her infant daughter, Stormi. While Internet trolls are no experts, what exactly does it take to form a bond with your baby?

“Fundamental human nature includes adapting to changes. For a woman to transition into motherhood is common, nevertheless, it’s not a cakewalk. Many women experience post-partum blues for about two weeks after delivery. Should it extend beyond this period, it could be a sign of a post-partum disorder. Therefore, we need to build a society that accepts and understands the plethora of emotions that a new mother experiences,” says Maithili Thanawala Kanabar, counselling psychologist.

Dr. Bindu KS

Here’s our primer on how to face up to it, and move on.

1. Return to working out
“The body needs six weeks to heal — whether it’s a natural birth, caesarean or an episiotomy [which involves a vaginal cut]. The body’s physiology gets back to normal in six weeks, the uterus comes back to shape and body fluids return to normalcy. Whether a housewife or a working woman, it is advisable that she resumes her fitness regime in six weeks,” says Dr Ranjana Dhanu, consultant, gynaecology and obstetrics, Hinduja Healthcare Surgical. But if you have been regular with your fitness routine before and during your pregnancy, you can even go back to working out within a week if you have had a normal delivery. “Start with light exercises such as stretches and walks,” says Dr Bindhu KS, consultant, gynaecology, Apollo Hospitals, Navi Mumbai. The body, especially the spine, kidneys, heart and lungs and not just the reproductive organs, undergo changes, says Dr Bindhu.

2. Get back to the office
Kanabar explains that there is no “mother manual” that defines the best time for a new mother to dive into a competitive workspace. “Try being around the baby for the first few months. Talk to your baby about beginning work and scaffold it for him/her. If your baby is used to co-sleeping, breastfeeding, and you are finding it difficult to wean him/her off, they may take some time to get used to your absence,” says Kanabar. Unfortunately, not many companies in India have a full-time crèche facility. “Indian companies must make it mandatory to have a full-time crèche at the workplace. This will increase the overall efficiency of working women, especially when it comes to the corporate workplace,”
believes Dr Dhanu.

Dr Ranjana Dhanu

“Almost all companies have a six-month maternity leave policy. The key is to strike a balance between motherhood and work,” says Dr Bindhu. If it gets overwhelming, Kanabar suggests reaching out to your support system. However, she warns that it is imperative for mothers to remember to not board the overcompensating train, which might drive one to overdo things and become more lenient.

3. Take a break
“Any wound takes six weeks to heal and it heals well in this period for any kind of birth. Hardcore physical or adventure activities are absolutely safe after six weeks. All the medical textbooks say that the body needs to resume some kind of exercise or physical activity post six weeks of delivery. If you can afford it, take a nanny along,” suggests Dr Dhanu.

4. Slip into a chic mode
Be it exercising or getting your glam on, pursuing something that makes you look and feel good is a good way to boost your morale. “Me-time is viewed as a selfish concept while in reality, it is a safe space that every human needs to visit to rejuvenate,” says Kanabar. It is the quality of time spent with the baby that matters.
Dr Bindhu adds that people also spend only two to three hours with their child but that does not mean there is no bonding.

Maithili Thanawala Kanabar

Mother, baby and attachment

Some studies suggest that the first three months are the most crucial. Infants develop representations of attachments based on the bond with the primary caregiver. Pioneering British psychiatrist John Bowlby suggested that this attachment acts as a prototype for their future relationships and psychological health.

An infant communicates in rudimental ways and attending to those needs reinforces the infant’s sense of security. It is essential that the mother is attentive and spends quality time with the infant, but there is no need to spend every breathing moment with them. Comforting, breastfeeding on time (or feeding the baby yourself), and communicating with the baby leads to a secure attachment.

Usually, securely attached babies cry when the mother leaves and allow the mother to comfort them when she returns. Every baby responds differently. Remain receptive to the baby’s needs and spend quality time without distractions.

Watch for signs like how the baby responds when you return after a brief absence. Most would allow you to comfort them and look at you when they are inching towards exploring something new. And lastly, mum knows best. So look out for every sign.

Mandira Bedi with her son Veer, who is six today. pic courtesy/jitu savlani

I was fit when I was pregnant. After birth, I had to wait for 40 days before I could exercise again. On the 41st day, I stepped out for my first walk. It was pouring at the time but I had decided that come rain or storm, I will go for it. Later, I started jogging, moved to gymming and lifting weights. I had gained 22kg and was able to return to my pre-pregnancy weight in six months. I had serious post-partum depression that lasted for those 40 days. My depression disappeared after I started exercising. I had a baby pretty late in my life [at 39]. I didn’t fall in love with him at first sight. I wondered, ‘This is the end of my freedom. Will I get work after this?’. It was overwhelming. It’s important to be aware that what’s going on with you is normal and okay. But in that period of 40 days I eventually fell in love with him. Giving birth to him is the best thing I have done. But motherhood is not the only thing that defines me. I am hands-on, but I think you can be a better mother if you are not thinking about it 24/7. That little time for you is crucial. The rule in our house is either parent has to be there at home, always. Working out has less to do for me physically than what it does for me mentally.

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Polling for the fourth phase of the Lok Sabha polls began on Monday in 71 Lok Sabha constituencies spread across nine states. Over 12.79 crore voters will decide the fate of 945 candidates today. Polling started on a peaceful note in 17 Lok Sabha constituencies in Maharashtra for the fourth and final phase of 2019 parliamentary elections, officials said on Monday.

Pic courtesy/Pradeep Dhiwar

As many as 3,11,92,823 voters, including 1418 transgenders, are eligible to exercise their franchise for which the Election Commission of India has set up a total 33,314 polling stations in these constituencies, deployed 68,018 balloting units, 39,977 control units and 43,309 VVPAT-EVMs.

Pic courtesy/Suresh KK

The 17 constituencies polling are: Mumbai North, Mumbai North-West, Mumbai North-East, Mumbai North-Central, Mumbai South-Central, Mumbai South, Nandurbar, Dhule, Dindori, Nashik, Palghar, Bhiwandi, Kalyan, Thane, Maval, Shirur and Shirdi.

Pic courtesy/Sameer Markande

Pic courtesy/Sameer Markande

Pic courtesy/Sameer Markande

Voting will be conducted from 7 am to 6 pm under stringent security measures with over 40,000 personnel on guard only in Mumbai, officials said.

Pic courtesy/Bipin Kokate

Anil Ambani was spotted casting his vote in Mumbai

Pic courtesy/Sneha Kharabe

Mumbai: BJP candidate from Amethi, Smriti Irani and her husband Zubin Irani cast their vote at a polling booth in Versova. #LokSabhaElections2019 pic.twitter.com/rPmk33TXlT

— ANI (@ANI) April 29, 2019

Priya Dutt and husband Owen Roncon cast their vote in Mumbai

Pic courtesy/Sneha Kharabe

Director Kunal Kohli casted his vote in Mumbai

Pic courtesy/Sneha Kharabe

Tennis player Mahesh Bhupathi cast his vote in Bandra

Pic courtesy/Ranjeet Jadav

Film maker Vishal Bhardwaj casted his vote in Andheri West

Union Min&BJP leader Piyush Goyal after casting his vote at Walsingham School, Malabar Hill in Mumbai: This election is now a Tsunami election. North South,East&West, Modi wave has overtaken the country. PM Modi is the tallest leader today in the country. #LokSabhaElections2019 pic.twitter.com/S6fXnrhLE1

— ANI (@ANI) April 29, 2019

Pic courtesy/Ranjeet Jadav

Sanjay Nirupam with family cast his vote in Andheri West

The Election Commission has set up 1.40 lakh polling booths/stations and has made elaborate security arrangements. 

Pic courtesy/Yogen Shah

Urmila Matondkar present at the polling booth to cast her vote.

Pic courtesy/Sneha Kharabe

Actor Amir Khan cast his vote in Bandra

Pic curtesy/Yogen Shah

Actor Anupam Kher cast his vote 

Polling will be held in 17 seats in Maharashtra, 13 each in Rajasthan and Uttar Pradesh, eight in West Bengal, six each in Madhya Pradesh and Odisha, five in Bihar, three in Jharkhand and a part of the Anantnag constituency in Jammu and Kashmir.

Pic courtesy/Nimesh Dave

Gopal Shetty with family at the voting booth in Mumbai

Pic courtesy/Bipin Kokate

Milind Deora with family at the polling booth in Mumbai

Pic courtesy/Faizan Khan

Manoj Kotak cast his vote in Mumbai

In the first three phases, voting has been held in 302 Lok Sabha constituencies, and 168 more seats will go to polls in the last three phases. Election to 542 Lok Sabha seats is being conducted in seven phases between April 11 and May 19. Election in Vellore constituency in Tamil Nadu has been cancelled following excess use of money power. Results will be declared on May 23.

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Thane: A day after six people on election duty were rescued from a lift at a school in Maharashtra's Thane district, three more poll staffers got stuck in the same elevator as it malfunctioned again on Monday, an official said.

The three poll staffers were using the lift in Sahakar Prasarak Mandal School at Kalwa town in the morning when it got stuck on the building's fourth floor after developing a technical snag, Thane civic body's regional disaster management cell chief Santosh Kadam said. The fire brigade personnel rushed to the spot and managed to rescue those stuck in the lift after around 15 minutes, he said. The lift was being used by the poll staff to reach the classrooms where the election material was kept, Kadam said. On Sunday, six poll staffers got stuck in the school's lift for around 40 minutes before being rescued, he said.

An average 18.39 per cent voter turnout was recorded in the first four hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state was underway. Polling began at 7 am and long queues were seen outside many booths, some of which were decorated with balloons and 'rangolis'. So far, Nandurbar Lok Sabha seat recorded highest polling at 24.59 per cent while Kalyan constituency saw the lowest voter turnout of 13.91 per cent, according to an official statement. The voting figures till 11 am in other constituencies are as follows: Dhule- 18.26 per cent, Dindori - 21.06 per cent, Nashik- 17.22 per cent, Palghar- 21.46 per cent, Bhiwandi- 17.25 per cent, Thane-17.43 per cent, Mumbai-North- 19.46 per cent, Mumbai-North West 17.64 per cent, Mumbai-North East-18.39 per cent, Mumbai-North Central- 16.21 per cent, Mumbai-South Central-16.80 per cent, Mumbai- South 15.51 per cent, Maval- 18.23 per cent, Shirur- 18.65 per cent and Shirdi 20.55 per cent.

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Finger-inking good

Anushka Sharma offers voters at a polling station in Versova a frame worthy of the album when she poses with them on Monday after casting her vote. Pic/Satej Shinde

Not a happy ending

Ask any music-loving person who grew up in the 1990s, and they will tell you that AR Rahman's tracks were like anthems to the generation. As much as we love every chord the man has composed, there have been some visible cracks of late. But when we heard that the music director has composed the Marvel Anthem in Hindi for Avengers Endgame, we couldn't believe it.

For, Roke Na Rukenge Ab To Yaara faced a lot of flak after its release, and now that even more people are listening to it, many are calling it "cringe-worthy". A city-based musician even wrote, "My favourite part of Avengers: Endgame was not listening to Rahman's track at the end credits." Seems like Rahman will have to work on his game to please fans, many of who are tagging the song as the "only disappointment" in the movie.

A sweet goodbye

"I've known Pablo for 11 years; he's my best friend who was supposed to come help me out for two months but I was able to convince him to stay for three years," pastry chef Pooja Dhingra revealed to this diarist, albeit with a heavy heart while sharing with us that her close aide and business partner, chef Pablo Naranjo Agular, is all set to bid adieu to the city, and their labour of love, Le 15.

Le15 Cafe won the Best New Cafe at The Guide Restaurant Awards 2019 by Mid-day

"I'm going to miss having him around terribly, more as a friend and my moral support than anything else," Dhingra shared. Their camaraderie is apparent in Agular's thoughts, too, when he confesses that Dhingra was like a little sister and an incredible support system. "India has taught me so much not only as a person but also as a chef! For the first time in many years I can say I'm happy. However, I've been living away for 13 years and it's time to go home. Before I do that, I'm going to travel around Asia to learn and discover as much as I can," the Colombian chef told this diarist.

A whiff of Kashmir in Oz

The previous edition of MasterChef Australia saw history being made when an Indian-origin chef was crowned the king of the kitchen. Now, Kashmir-born Sandeep Pandit hopes to win the 11th edition. The IT project manager took one step closer to making this a reality when his name was announced as one of the 10 participants.

The Bangalore University graduate will be plating up a traditional feast from Kashmir, and hopes to charm Georgie Calombaris with his hot and spicy signature dish. The 37-year-old's social media profile mentions him as a complete foodie.

He has a food blog where he tells stories associated with the dishes like his mother's rogan josh, besides sharing their recipes. He picked up cooking after they moved to Australia and his parents worked hard to make ends meet. Well, here's hoping he introduces the world to the lesser-known delights of Kashmiri cuisine.

Live in concert

The voting day holiday for Mumbaikars packed in a treat yesterday with a day-long concert at the NCPA, celebrating Ustad Allarakha's birth centenary. While the free entry ensured it was open to all, the Nariman Point venue isn't logistically accessible to everyone. But that didn't bar music lovers from across the city, and for that matter anywhere in the world, from soaking in the tunes played in memory of the legendary tabla player. For, the venue ensured that the concert was streamed live on its Facebook page.

And as word spread, listeners kept joining in through the course of the day, as a stellar line-up of artistes — which had been kept under wraps — including Asha Bhosle, Prabha Atre, Rakesh Chaurasia and Niladri Kumar as well as folk drummers and a brass band from Jaipur performed. Now that's what we call an inclusive event.

Tete-a-tete with Gulzar

Poet, lyricist, and dire­c­tor Gulzar, known for classic movies like Aandhi, Angoor and Ijaazat, wi­ll be in conversation with three authors who have written bo­o­ks based on these films, at a ta­lk by Harper Collins India in Worli later this week. Author Sa­ba M Bashir who has done a cl­ose textual analysis of the film Aa­ndhi, will examine the details of its cast, dialogues and songs, while author Sathya Saran, who has traced Gulzar's adaptation of Shakespeare's Comedy of Errors, will talk about the filming and plot.

Author Mira Hashmi, who will be joining on camera from Pakistan, has written about how Gulzar's skill as a storyteller is exemplified by his complex characters. "The movie is a perfect showcase of Gulzar's impish wit, his way with words and how he can look at the world from a unique angle. I loved the humour in the dialogues and the way the songs are set; they are so tongue-in-cheek," Saran told this diarist.

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A Nepalese farmer’s son will walk the ramp at the upcoming Mumbai style extravaganza, Lakmé Fashion Week Summer/Resort 2017, and ‘he’ isn’t modeling menswear Anjali Lama, born Navin Waiba to a family of agriculturists in Nuwakot, is Nepal’s first transgender model. In another first, she is about to become the first transgender person to model clothes at an Indian fashion show next month.

Before Anjali, 32, could tackle the identity crisis, she was battling poverty. “My family is uneducated. We hail from a small village. We had no electricity when we were growing up. I completed my education by studying under lanterns,” she says, her flawless skin showing no signs of the struggle when we meet her at a central Mumbai hotel.

But juggling her dreams with anguish was something she learnt early. For as long as she can remember, Anjali wanted to be a girl. Finding solace in the company of her late mother and female friends, she realised she didn’t identify with the gender she was assigned at birth. “By the time i hit my teens, I was drifting away from the family. My brothers wondered what was wrong; they had already heard rumours. I decided to come out. When I did, they told me to stay away from the family. But my mother supported me. She would have been thrilled to see this,” she says, taking a moment.

Anjali’s success coincided with Nepal making progress in recognising the rights of transgender communities. The country allows its citizens to choose their gender identity, and issues passports with a third gender category.

In Kathmandu, where she moved to find her freedom, she was ostracized in the hospitality industry that she tried breaking into. Then, she met others like her and was guided to a community center that worked for LGBT rights. Friends suggested that with her lean frame (she’s 5’ 9”) and killer cheekbones, she stood a chance at modelling. “I liked the sound of it,” she says about the career she dabbled in back in 2009 while continuing to work for the centre. When she was featured on the cover of Voice of Women, a Nepalese magazine, that same year, she thought it would be her big break. “There were times I was better than the others but didn’t make it. My trainer at a modelling agency admitted it was my orientation that was coming in the way of success. Brands didn't want to associate with me.”

The next year, when she walked for an event titled, Monsoon Fashion Show, she caught a blogger’s eye, who told her story to the world. That was the turning point. “By 2016, I had established myself in Nepal,” she recollects, although she was yet to crack a premier fashion week. “I didn’t have the money to travel far or invest in an expensive photoshoot.” India was close at hand. She wrote to the Lakmé organisers last year to check if they’d entertain an entry from a transgender model. And although, they were game, she failed the audition. A disappointed Anjali returned to Nepal but couldn’t take the idea of walking the ramp before hundreds out of her head.

“I couldn’t sleep, and began working out to distract myself. I spent the year reaching out to agencies in Mumbai, gymming and learning the catwalk from youtube videos. “The models out there were young, beautiful. I was already 30,” she says, explaining how an attempt to put on weight with calorie rich foods ended in acquiring a paunch. “I decided to work out every day for 30 minutes, and managed to crack the auditions this year. I was in the top 5.”

Anjali says if she hadn’t made it, she was planning to quit modelling. But that’s another story.

Shacking up with friends at an apartment in Santacruz, she is already dreaming big the way everyone does in Mumbai. The breast augmentation she underwent in 2010 was a step towards transitioning fully, which she hopes to do with a sex change surgery. “I hear things get better for models with this big a platform, but my orientation worries me. That the fashion industry is a lot more open gives me hope,” she says, wondering if she’ll ever model for the designer she has her heart set on. “Manish Malhotra… I want to walk for him.”

'I realised I’m not the typical model'
He is “obsessed” with Manish Malhotra’s designs, but also digs Sabyasachi and Manish Arora. That’s a string of strong likes for someone who will model on the Indian runway for the first time.

Czech-born Petr Nitka, 23, is used to making news. And it’s no different here, with a ramp gig planned at fashion week in early February. Hailed as Czechoslovakia’s first gender-neutral model, Petr says over an email from his country that he, like his colleagues back home, is curious about what Indian designers are going to dress him in.

Having taken to modelling like fish to water, Petr first modeled for designer Alexandra Blanc at the South Africa Fashion Week in July 2016. Johanessburg-based menswear designer Roman Handt saw an article on him in a publication the next day, and was keen that Petr become the face of his brand.

A career in fashion, predictably, allowed him to explore his passion for make-up and clothes. Growing up in Ostrava, a city in north-east Czech Republic, he remembers a childhood marked by an unusual interest in getting made up. “When I was a kid, I was disappointed that I couldn't wear make-up or nice clothes. Contrary to that, I feel free now.”

His mother’s support and a move to Australia to pursue academics proved to be game changers. The trip led to a meeting with independent photographer Bharathan Kangatheran in Perth. When pictures from a shoot were published in a leading magazine, Petr met his moment of truth. “I realised that I wasn’t the typical model. The best aspect of being a gender-neutral model was that I could pursue my profound love for fashion.”

Petr, who in an interview to fashion magazine, Emma, last year, said he was a bit of a man and woman (“I am empathetic [like a woman] but I am lazy like a man. I’m a mix of both sexes.”), has worked towards moving away from conventional gender identification. Gender-neutral persons prefer not to identify as man or woman, and have recently begun taking on unisex pronouns like ‘they’ or ‘them’. Petr’s variegated choices reflect in long, mascara-lined lashes and unwaxed arms.

When he isn’t working, Peter prefers to dress in unisex clothing. “But I am skinny and it is difficult to find basic male clothing. I prefer simple fashion for women — skinny jeans and tops. They look like they were made just for me.”

Petr is excited at walking the ramp in India, because it’s only in strange places that he has found fame and acceptance. His career really began outside of his own country after he found that no Czech agency wanted to represent him. Now, he walks for brands that make menswear (Brandt) and womenswear (Jaroslava Prochazkova, Marcel Holubec, Lukas Krnac). Although, he does admit to designers finding it challenging to figure what they will dress him in.

Is Manish Malhotra racking his brain?

Last Sunday evening, nearly 400 people made it to Juhu's Novotel Hotel to watch a screening of Pulp Fiction. What made the evening special was that the "seats" i.e. the gaddas were laid by the pool, with cool breeze blowing in from the Arabian Sea.

It was the first film screening in the city organised by SteppinOut Movie Nights, which has presence across Chennai, Delhi and Bangalore. Ojal Kulkarni, the brand head for the firm, says they chose Novotel for its cool vibe and plan a movie night at the venue every two months.

In a city that's brimming with cinephiles it only makes sense to have non-commercial venues that will screen the classics as well as the indie films. And, Novotel promises to be a killer of a venue. Tickets will range from Rs 300 to Rs 400 and the movies will be chosen after a poll is conducted on their FB page.

But, if you can't wait until then to catch a screening of some well-curated films, along with other lovers of cinema, here are the some of the other venues in the city to watch out for.

Mary Queen Of Scots

U/A: Biography, Drama, History
Director: Josie Rourke
Cast: Taylor Russell, Logan Miller, Deborah Woll, Jay Ellis, Tyler Labine
Rating: 

Director Josie Rourke and writer Beau Willimon's attempt to give two warring Queens, the widowed Mary Queen Of Scots (Saoirse Ronan) and Queen Elizabeth I (Margot Robbie) of England, a larger voice in their historic confrontation, makes for fairly compelling viewing. This is a tapestry of discontent woven with a rare female gaze and allows for greater involvement in the royal proceedings.

Mary, following untimely widowhood, returns to her native Scotland to assume her throne. Her half-brother James Moray (James McArdle) is not enthused and his peace-keeping allegiance to the Protestant regime in England may have well become meaningless. Mary's cousin, Elizabeth I, monarch of England is also wary of Mary's far more valid claim to her own throne. So the intrigue and betrayals begin. And it's the men on both sides who play out the deceit in bloody fashion.

Check out the trailer here:

This is largely a biopic on Mary, Queen of Scots beginning with her return to the throne, subsequent precipitous marriages, the power struggle with her brother and several other aspirants to the throne and eventually her tragic death on the orders of her cousin. So there's more than enough drama to be had. Unfortunately, clarity is not a strong point here. Framed largely as per the version put forward by John Guy's biography of the Queen, the film has some controversial moments but fails to concretize the reasoning for her eventual beheading.

We get to meet Mary's ladies-in-waiting, her attempts to solidify her claims to the throne of England, her fight with the clergy who are largely protestant, her brother James' attempts to undercut her authority, John Knox's(David Tenant) outrage at having to know-tow to a female ruler and Elizabeth's helplessness and insecurity in having to deal with a more beautiful, younger claimant to her monarchy. Most of the narrative gives vent to Mary's life story but towards the end the focus shifts to Elizabeth's, thus creating a dichotomy that is a little difficult to empathize with. This filmed drama is largely faithful to the established record, has authentic fashionably period costuming and make-up and intensely committed performances from the two leads as well as their co-actors in crucial roles. So it's a vividly engaging experience even if not an entirely lucid one!

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Alita: Battle Angel
U/A: Action, Adventure
Director: Robert Rodriguez
Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali
Rating: 

This film, which has Robert Rodriguez and James Cameron working together with Peter Jackson's visual effects, has wonders never experienced before in cinema. The film may have taken a long while (twenty years) coming to screen, but the end result is fantastic enough to keep you asking for more. A manga-based action thriller, James Cameron's $200 million-worth, long cherished dream is aimed at young adults seeking fresher pastures from that of The Hunger Games variety and hopes to make it to bigger box-office returns than that sub-genre hit-starter.

Cameron started on the cinematic adaptation of Yukito Kishiro's original manga comics way back in the late 1990s, (much before Avatar), but the phenomenal success of Avatar had him relinquishing directorial control to Rodriguez while holding firm as screenwriter (with Jon Landau and Laeta Kalogridis) and producer.

The resultant kick-ass cyberpunk adventure may not be as original as he imagined it, but it has certainly got all the chops to make it to a long-term fan-following on its own.

The filmed adventure is set 500 years from now, in Iron city - a junkyard that is a wasteland for the flying citadel of Zalem. The city is peopled with AI controlled cyborgs mingling with real humans in a community so tech-spangled that it's hard to decipher one from the other. Kindly Doctor Dyson Ido (Christoph Waltz) reconfigures a former robot superweapon and rechristens her Alita (Rosa Salazar), after his own daughter. I do, who moonlights as a hunter-warrior, tries to protect the young Alita, but her mind has memories of a past that keeps haunting her present. She even develops a crush on handsome robo-junk dealer Hugo (Keean Johnson) and eventually ends up becoming the super weapon she once was.

The plotting here is a little too jumbled up, ensnared as it is in creating set-piece thrills and out-of-this-world experiences. Stereotype characters and genre tropes make the engagement less than wondrous. The tech-specs are certainly the best we've seen in a long time, the IMAX imagery is splendid and beguiling and the vivid expressions of the actors make it feel all the more real and intimately experiential.

Watch the trailer of Alita: Battle Angel

Even though Salazar is the most riveting and fascinating of characters, she does feel a little artificial at times. The CGI blends in effortlessly with digitally morphed motion-capture performance, but the artifice can be felt - too strongly at times. The array of side characters also feels like old hat killing the originality of the experience and allowing déjà-vu to creep in. Even so, there's no belittling this explosive cutting-edge adventure that takes cinema thrills to never-seen-before heights!

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The Lego Movie 2: The Second Part
Dir: Mike Mitchell
Cast: Chris Pratt, Tiffany Haddish
Rate: 

The Lego universe gets a sequel intended to keep the young fans happily engaged, but the film fails to come close to being entertaining, even if we whittle down expectations and limit them to their target audience.

The novelty that the first Lego movie had going for it, has, of course, worn off. First-off, the script by Phil Lord, Christopher Miller and Raphael Bob-Waksberg goes intergalactic in its attempt to give Lego Batman a life-partner. Their resulting union is meant to spread the message of peace and love in the universe. That's a place where no Batman sequel has gone before, and therefore, seems a little too contrarian and far-fetched to stomach. Even the threat to Bricksburg by Lego Duplo invaders from outer space, seems like a marketing gimmick rather than a believable story idea.

The usual characters Emmet (Chris Pratt) and Lucy (Elizabeth Banks) end up having to confront an alter ego that appears more sinister and powerful than it seems at first glance. The belief that kids from kindergarten and pre-primary school will relate to this sort of story ideation is preposterous. That they make it all link to everyday family friction may seem commendable, but the consequent labelling is not something to be proud of.

The ideation here is musty, the characters are no longer likeable, and the story is too tortuous to be considered engaging. Garishly coloured animation, sentimental live-action montages meant to connect the dots, and musical numbers (including a not so catchy, Catchy Song) make it all the more off-putting. There's over-abundance of elements here, which makes the experience jarring for the senses. The puns being bandied (including Ourmomageddon) about are silly and patronising.

The stray humour sputters to life in intermittent gurgles, but it's too little to be entertaining. This sequel reeks of commercialisation, and there are no two ways about that!

Check out The Lego Movie 2 trailer here:

Also read: Fun facts about The Lego Movie 2 we bet you didn't know 

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Badla
U/A: Thriller
Dir: Sujoy Ghosh
Cast: Amitabh Bachchan, Taapsee Pannu, Amrita Singh
Ratings: 

Sujoy Ghosh takes us back to the basics with his latest offering. Badla, as the title suggests, is a revenge-drama loosely based on the Spanish thriller, The Invisible Guest. Like with the original, it's not too difficult to decipher the end a good while before we get there.

Yet, Badla isn't predictable. What it certainly does lack, though, is the smarts that could be expected. Ghosh designs this film as more than just a whodunit. He lays out his cards neatly, unfolding one incident after another. So, it's all about cracking codes in the wobbly story, narrated by Naina (Taapsee Pannu), a top-notch businesswoman embroiled in a murder case.

She was found injured in a hotel room, with her lover lying dead on the floor. There is no sign of anyone else entering or leaving the room. Naina maintains, she didn't kill her lover. The film revolves around a single meeting with her potential lawyer, Badal Gupta.

Badla soars because of its unpredictability before we arrive at the end. The key lies in the names of its lead characters - Naina (eyes), a play on how truth depends on whose point of view is being considered. There is an inherent Rashomon philosophy in the narrative. Badal's name is a play on the film's title itself. Ghosh uses these props to confuse his viewers, create mirages that they are frequently misguided by in their tryst to keep the guessing game going.

At one point in the midst of this rigmarole, we look towards the screen and wonder why Bollywood doesn't exploit the terrific Amrita Singh enough. As Bachchan and Pannu battle it out in a verbal duel, it's Singh who does the emotional heavy lifting. Of course, both Bachchan and Pannu are terrific actors, but Pannu's Naina is played in a rather single note. Naina wins awards, is intoxicated by power, and is guilty about her affair. But the required nuances demanded by the narrative are missing from Pannu's act. There are a few genuine shockers, but it is largely a simplistic tale put together in a complicated fashion.

As admirers of thrillers, we are not failed by Ghosh. The tapestry of tension that he weaves is unparalleled. The camerawork by Avik Mukherjee deserves a mention. Set in Glasgow, the setting plays a part that's as essential as the characters. I was sold to the ride that Badla took me on; but, does it live it up to the thrill of Ghosh's Kahaani? Nah, that will need cleverer writing. Yet, this is worth a watch.

Also Read: Exclusive - Taapsee Pannu on Badla: I am a very vindictive person by nature

Catch up on all the latest entertainment news and gossip here. Also download the new mid-day Android and iOS apps to get latest updates