The post Famous Paintings Get “Hedgehogged” by a Russian Artist appeared first on English Russia.

The post Evils of Politicians in the Satirical Art of Semen Skrepetsky appeared first on English Russia.

The post Party Hard In Memory of the Chernobyl Victims appeared first on English Russia.

"What an awesome evening @TroxyLondon being fortunate enough to watch @thecure play tracks from their new album 'Songs Of A Lost World'. Lovely catching up with you Robert" ❤️

Update: 

Final prices

DRONE:NODRONE- £1,800

WARSONG - £3,974

ALL I EVER AM - £2,551

A FRAGILE THING - £3,600

I CAN NEVER SAY GOODBYE -£15,500

The @heartresearchuk auction is up.

DRONE: NODRONE - https://www.ebay.co.uk/itm/267030793797

WARSONG - https://www.ebay.co.uk/itm/267030793091

ALL I EVER AM - https://www.ebay.co.uk/itm/267030794980

 A FRAGILE THING - https://www.ebay.co.uk/itm/267030793378

I CAN NEVER SAY GOODBYE - https://www.ebay.co.uk/itm/267030794239

Songs of a Lost World debuts at:

Australia - #5

Austria - #1

Belgium (Flemish and Wallonian) - #1

Canada - #12

Denmark - #1

Dutch - #1

France - #1

Germany - #1

Ireland - #3

Italy - #2

New Zealand - #3

Scotland - #1

Spain - #2

Sweden - #1

Switzerland - #1

UK - #1

US - #4

From Variety:

From Billboard:

The Cure’s ‘Songs of a Lost World’ Debuts at No. 1 on Multiple Billboard Charts

The set marks the group's first leader on the 33-year-old Top Album Sales chart, and the band's highest-charting album on the Billboard 200 since 1992.

By Keith Caulfield 

The Cure make a striking return to Billboard’s album charts (dated Nov. 16) with the arrival of Songs of a Lost World. It’s the band’s first No. 1 on the 33-year-old Top Album Sales chart and the act’s highest-charting effort on the Billboard 200 (No. 4) since 1992. It also bows at No. 1 on Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums, Vinyl Albums and Indie Store Album Sales.

Songs of a Lost World is the group’s first album of new material since 2008. The new album is the act’s third top 10-charting set on the Billboard 200, following its self-titled effort (No. 7 in July 2004) and Wish (No. 2 in May 1992)

Equivalent album units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. Nov. 16, 2024-dated charts will be posted in full on Billboard’s website on Tuesday, Nov. 12.

Songs of a Lost World bows with 57,000 equivalent album units earned (the act’s best week by units) in the United States in the week ending Nov. 7, according to Luminate. Of that sum, album sales comprise 53,000 (The Cure’s biggest sales week since 2004, when its self-titled album launched with 91,000), SEA units comprise 4,000 (equaling 5.02 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum.

The new album’s first-week sales were bolstered by its availability across five vinyl variants (which sold a combined 23,000 copies; the band’s best week on vinyl since Luminate began tracking sales in 1991), a standard CD, a CD/blu-ray audio package, two cassettes, a standard digital download and a deluxe digital download with five bonus live tracks (exclusive to the band’s webstore).

The set’s “A Fragile Thing” rises 25-22 on Alternative Airplay (a new peak and its highest charting song since 2004) and 12-10 on Adult Alternative Airplay (The Cure’s first top 10, and third charting hit, since the list began in 1996).

After a 2-year break, my column in ACM Queue magazine returns! It has a new name "Operations and Life".

For many years I wrote a column in ACM Queue Magazine. It was called "Everything Sysadmin" and covered devops, IT, and basically anything I felt like. I stopped writing in 2020 due to the pandemic and a general lack of motivation. My last column was published Nov 2020. Two years later I finally feel like writing again.

The new column is called "Operations and Life". I'm going to write about the intersection of devops and personal life. I believe that most techniques we use at work can apply in our personal life and vice-versa.

These columns will be shorter and more to the point. While my old column would often be 10 or more pages long, my goal now is to keep things to about 2000-3000 words. This will make them easier to read and digest. This format is more web-friendly.

The first article in this new format is out!

Read it here: Split Your Overwhelmed Teams: Two teams of five is not the same as one team of ten

Classic, buttery, whole wheat shortbread cookies. They're fragrant with rosewater, flecked with toasted nuts, and dried rose petals.

Continue reading Rose Shortbread Cookies on 101 Cookbooks

1. Was das Ampel-Aus für die Medienbranche bedeutet (dwdl.de, Timo Niemeier) Timo Niemeier macht sich bei “DWDL” Gedanken darüber, wie sich das Ende der Ampel-Koalition auf die Medienbranche auswirken könnte. Die vorgesehene Reform der Filmförderung mit Elementen wie Steueranreizen und Investitionsverpflichtungen sei ohne FDP-Stimmen kaum durchsetzbar. Die geplante Reform des öffentlich-rechtlichen Rundfunks bleibe hingegen unberührt, […]

Research by Princeton scholars at the Atacama Cosmology Telescope collaboration has culminated in a significant breakthrough in understanding the evolution of the universe.

Professor Wendy Laura Belcher and a primarily Ethiopian team of researchers and translators have brought new insight and access to Marian miracle stories — all now available on a website.

Modern humans and Neanderthals interacted over a 200,000-year period, says geneticist Joshua Akey.

Events this fall include a sold-out conversation with Icelandic-Chinese recording artist Laufey.

The MacArthur Foundation honored Benjamin for her critical analysis of how technology perpetuates inequality and for ‘championing the role of imagination in social transformation.'

Craig B. Arnold has been named Princeton’s first University Innovation Officer and heads the new office.

Xie, a materials engineer, won a 2024 Packard Fellowship for creating atomically thin materials. “Thinking and inventing down to an atomic level like Saien is doing, most spectacularly I should add, is the future,” said James Sturm, ECE department chair.

A commitment to the liberal arts is at the core of Princeton University's mission. A new cohort of outstanding postdocs has joined the Society of Fellows for three years of teaching and research.

The award supports independent research in the arts and humanities at the American Academy in Rome. Both Princeton recipients are undergraduate alumni.

Princeton University will present the honors at Alumni Day, scheduled for Feb. 22, 2025.

The Organization for Transformative Works's October membership drive is over and we are delighted to say that we are finishing with a total of $214,698.86 raised. We are particularly pleased that 6020 donors chose to either take up or renew OTW membership with their donation, far exceeding our goal of 4,500 members.

These donations came from 6,955 people in 86 countries: thank you to every single one of you, as well as to all of you who posted and shared the news about the drive! The OTW would not exist without its users all around the world, and your continued support for us is our absolute pride and joy! We are so glad to know that our ongoing mission to support, protect, and provide access to the history of fanworks and fan culture continues to resonate with the people that matter most of all: the fans themselves.

If you were intending to donate or join and haven't yet done so, don't worry! The OTW accepts donations year-round, and you can always choose to become a member with a donation of US$10 or more. Memberships run for one calendar year from the date of your donation. If you donate now, you'll be able to vote in next year's OTW Board election, which will take place in August 2025. Our exclusive thank-you gifts are also available whenever you donate!

---

The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, Transformative Works and Cultures, and OTW Legal Advocacy. We are a fan-run, entirely donor-supported organization staffed by volunteers. Find out more about us on our website.

The AO3 Fanzine Scan Hosting Project (FSHP) is a partnership between the Open Doors committee and fan-run preservation project Zinedom through which fanfiction and fanart originally published in print fanzines is imported to the Archive of Our Own. Fanworks can be imported to AO3 with the consent of either the creators of the works or the publisher of the fanzine in which the fanworks were published.

Today, Open Doors is pleased to announce a list of collections that it has created since September 2023 to house fanworks imported through the FSHP. A collection has been created for each fanzine from which one or more fanworks have been imported, but these collections do not contain every work from each of these zines, and many so far only include one work each in cases where Open Doors only has permission to import that particular work. For full transparency, Open Doors plans to continue to announce collections as they are created that may or may not grow with additional fanworks as additional permissions are obtained from more creators in the future.

As of August 2024, Open Doors has created the following collections to represent fanzines from which it has imported works:

• A Portfolio of Poetry and Portraits
• Amazing Grace
• Astray in the Wilderness
• Beyond Dreams
• Broken Images
• California K/S
• Contact
• CrosSignals
• Daring Attempt
• Enter-comm
• First Time
• Gateway
• Guardian
• Happy Tails
• IDIC
• In the Wilderness
• KaleidoScope
• KisMet
• KSX
• Legacy
• Legends
• Naked Times
• Nightvisions
• Nome
• On the Edge
• One Shot
• Partners
• Potpourri
• Pushin' the Odds
• Quantum Chain
• Scattered Stars
• Sehlat's Roar
• Southern Star
• Spock's Arthropods
• Strange Justice
• The Complete Rack
• The K/S Press
• The Rack & All the King's Horses All the King's Men
• Three Eleven
• Universe Beyond
• Whalesong
• Within the Mirror

For answers to frequently asked questions, please see the FSHP page on the Open Doors website. If you'd like to give Open Doors permission to import any of your fanworks that have been previously published in print fanzines, or if you have any other FSHP-related queries, please contact the Open Doors Committee.

We'd also love it if fans could help us preserve the story of any fanzines in which they may have been published on Fanlore. If you're new to wiki editing, no worries! Check out the new visitor portal, or ask the Fanlore Gardeners for tips.

Thanks for your interest in preserving fannish history for future generations of readers!

- The Open Doors team

Commenting on this post will be disabled in 14 days, on 18 November. If you have any questions, concerns, or comments regarding this import after that date, please contact Open Doors.

If you're a Beadlust reader, you know I worked for three years (more than 1,300 hours) to hand piece, hand embroider, and hand quilt Mama's Garden, with 4,700 3/4-inch hexies, a true labor of love. A big push this spring got it finished in time to enter into the International Quilt Festival in La Conner, WA. Hooray, hooray, the judges accepted it into the show!!!!

This coming weekend, October 2-4, all you quilting enthusiasts will find it rewarding to make the effort and get to La Conner (WA) for the Festival, where you will see an excellent selection of quilts and fiber arts, plus a variety of interesting vendors! Here is the information. Head first for Maple Hall, a huge 2-story building, filled with quilts, at the corner of 1st Street (the main drag) and Douglas Street! Bring your camera, because photos are allowed (at least in the past they were).

What do you think? After all those hours, would it be crazy to even THINK about making another hexie quilt, another one with 3/4-inch hexies? Well, then I guess I'm crazy, because the irresistible call of the hexie hooked me again. And why not re-use the same paper pieces?

This one will not be traditional, and will definitely NOT be hand quilted. It will be hand pieced, using small left-over fabrics (I refuse to call them scraps), cotton prints (but not batiks). I have no idea how I will arrange them, how big it will be, or anything else about how this new project will develop.

The first step was to cut out sets of  2" x 2" squares (6 per set) to make flower petals. So far, I've cut about 130 sets. Here are 80 of them, ready to baste onto the 3/4" paper hexie pieces.

From very small pieces, I cut single 2"  x 2" squares to make flower centers. These I've already basted to the paper hexie pieces.

After basting some of the petals and centers, I started choosing centers for the petal sets. This part is fun! I enjoy "auditioning" various centers until one of them seems right. I'm avoiding high value contrast between petals and centers, because I might want to do a color study with them (no borders).

When the urge gets really strong, I allow myself to start stitching the hexies together to make flowers.

This quilt will probably have about 650 flowers! I've cut 130 so far, each different. I cut flower petals from all of my small pieces, every one. My preference is to have all 650 flowers different.

Sooooooo, if YOU have some small fabric pieces you'd be willing to donate, I'd love to have part of you in my quilt. This is what I need:

I started cutting scraps of fabric to make hexie flowers on September 1, 2015. After 9 months of labor, I have just finished stitching the 733rd flower!  I'll do the math for you... That's 5,131 hexies. They are small ones, 3/4 inch per side. The finished flowers measure just under 4" in diameter.


To give you an idea, this is what 44 hexie flowers look like. In case you don't know, for each hexie, the fabric is cut, and then basted over a paper, hexagon-shaped form. The hexies are then hand-stitched together to make the flowers. It takes about 1 hour to make one hexie flower, start-to-finish; thus 44 hours to make the batch above. Click the photo to see better detail of this process, which is called English paper piecing.


And here are all 733 hexie flowers! Each flower is a different fabric. Although a few of the flower petal fabrics were also used for flower centers, I'm certain that there are over 1,000 different fabrics used in these flowers.

What's next? Well, I'm going to build a design wall using sound-proofing foam-board covered with a king-sized flannel sheet. I haven't quite figured out how to make it yet.

When the design wall is ready, I'll get out my hexie flowers and start to "paint" with them. Who knows what will emerge? Not me. I only have a vague idea that I might want to try "painting" an abstract view of our island shoreline.

When the "painting" process is finished, I'll stitch the flowers together in small groups, and then stitch the groups together. The result, hopefully in my lifetime, will be a queen-sized, non-traditional style, hexie quilt!

Thanks to everybody who shared scraps of fabric for me to use!

*  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *

For those interested, here is a link to a "time study" and photos of my previous hexie quilt, Mama's Garden!

I learned to create decorative painted papers from Paulus Berensohn, Albie Smith, Lynne Perrella, Anne Bagby, and others by taking wonderful workshops from them in the 1990s, and soon adapted their techniques to making books with beadwork inserted into the covers, like the one below. I use my painted papers on the book covers and for signature covers, which look great with this type of binding.

But after moving to the island where I've lived for 20 years now, I gradually got into quilting and textile arts, kept the beadwork going, and cut way back on painting. Until now!

Inspired, cajoled, and arm-twisted by one of the Textile Guild members, who wants to learn how to paint papers and make books like mine, I agreed to teach a workshop (2 days of painting and 2 days of bookmaking) for the guild members. Of course, since I hadn't painted for many years, I first had to get back into practice. Yay! What fun I've been having, painting in my shed (thankfully heated). The paper below is my favorite of about 20 painted in the last two weeks. The size is 18 x 24 inches. (Please click to see the details!)

And below are two more to go with it.  The paper above will be used for a book cover, even though it will be hard for me to cut it up. The two papers below will be cut (horizontally) into thirds, and used as signature covers. For those unfamiliar with bookmaking, a signature is a section of papers within a book. Each of the six signatures in my book will be covered with this decorative paper.


It's a fun, playful, and experimental process to paint like this, easier for me than it would be to paint figuratively (landscape, still life, or people). With this type of painting, I just mix matte medium with a color or two of acrylic paint, and apply it by rolling, stamping, stenciling in layers. I keep adding layers until I like it, at which point it's a finished paper. There is always at least part of each paper that pleases me enough to use it for bookmaking and paper arts.

These are the basic supplies and tools I use to paint the papers:

1.) Although acrylic paints and this method can be used to paint on almost any surface or paper, I usually paint on 80-90# drawing paper to make decorative papers.

2.) I prefer using a roller to apply background colors or glazes, rather than a brush. My favorite, purchased online from Dick Blick Art Supplies, is a 2.2"  dense foam roller.

3.) Assorted stamps and stencils. I carve a lot of my own stamps, as you will see below, but sometimes also use commercial stamps. Note that commercial rubber stamps with fine detail for stamping with inks do not work well with acrylics, as the paint clogs the fine lines, ruining the stamp.

4.) Assorted materials, such as a notched adhesive-spreader, coarse sea-sponge, webbed food packaging materials, and bubble wrap are useful to print, texture, and stencil.

5.) Acrylic paints. I use heavy-body paint (rather than fluid acrylics) of student-grade or better quality.

6.) Matte medium and glazing medium (slow drying) are added to extend the paint.

I know, maybe you're thinking I should do a video tutorial. OK. You set it up, and I'll do it. In the meantime, I'd rather be painting...  Here are three more recently painted papers for your viewing pleasure (I hope).



The one directly above is my attempt to emulate batik fabric from India. I had a bedspread back in the hippy 60s with a burgundy design on a mustard yellow background, the memory of which was the inspiration for this paper. I carved all of the stamps used to make it.

I love to carve my own stamps, and sometimes cut my own stencils as well. Let's take a look at that process. It's quite easy really, requiring only a block of Speedy-Carve (or other high-density rubber carving block), and a Speed-Ball Carving tool. Designs can be free cut, drawn right on the carving block, or transferred from a tracing. Here's a fairly decent tutorial on the stamp carving process.

Designs? Well, everywhere I look I see possibilities for carving more stamps! Recently, visiting a fabric store with my quilting buddies, I spied a fat quarter of batik fabric with a luscious design. Here is the fabric:

And here is the stamp I carved from a tracing I made of the central flower. The stamp is the same size as on the fabric, about 3" in diameter.

I also cut a stencil, which you can see below. A friend had a commercial stencil of these three leaves, which I really liked. After borrowing her stencil to use on one of my papers, I traced the painted image, and cut out my own stencil. The tool in this image is a Speed-Ball cutter, which I use to carve the rubber to make stamps.

You've already seen (way above) the whole sheet of paper I painted using just this stamp and stencil, but here's a detail. If you click to enlarge, you can see more about how I paint in layers, first the background colors, next the leaves, then a different color over-stencil on the leaves, and last the flowers.

If you like to play with paint, you might want to give it a try! Here are just a few more of my recently painted papers to tempt you...





I'll be teaching a 2-day bookmaking workshop in mid-May using papers like these to create three different books. There may still be a spot or two available in the class. If you are interested, you can contact me for more information.

You may want to visit my website to see more about my handmade books and painted papers. And there are several earlier posts here on Beadlust with pictures of books made with painted decorative papers and beading by my students, as well as other related topics. Here are a few of them:

1. Wedding book
2. Lisa's book (from a workshop I taught in Wisconsin); her fabulous website is here.
3. Susan's book (from a workshop I taught in Wisconsin)
4. painting papers for making Christmas cards
5. Using symbols in our art and symbols in acrylic painting  
6. Using these techniques to paint with dyes on fabric and more fabric paint/dye examples

Susan Anderson took my bookmaking/painting/beading workshop twice at the Coupeville Art Center. These are the papers for her first book, and if you click to enlarge, you can also see her finished book.

And, to close this post, here is a photo of some of the handmade books I've created over the years... most of them utilize decorative painted papers and bead embroidery.

Thanks for sticking with me to the end of this long post :)!

Charles (Charlie) Tennyson has been appointed Princeton’s new director of Transportation and Parking Services following a national search to fill the position. He previously served for five years as deputy director of the department.

Gilbert Harman, the James S. McDonnell Distinguished University Professor of Philosophy, Emeritus, died at his home in Princeton on Nov. 13 after a long illness with Alzheimer’s. He was 83.

Jacques R. Fresco, the emeritus Damon B. Pfeiffer Professor in the Life Sciences and an emeritus professor of molecular biology, died on Dec. 5. He served on Princeton's faculty for 53 years before retiring in July 2013.

Ronald Surtz, professor of Spanish and Portuguese languages and literatures, emeritus, died peacefully at home in Cranbury, New Jersey, on Nov. 14. He was 75.

Tanyaradzwa Tawengwa, a Princeton alumna and current Hodder Fellow who's a composer, vocalist and scholar, has come full circle since the day she sat in a McCarter audience 10 years ago and made a wish to one day be up on that stage. 

Thirteen Princeton University faculty members were transferred to emeritus status in recent action by the Board of Trustees.

Lisk taught biology at Princeton for 30 years before transferring to emeritus status in 1990.

ⓒ keico has added a photo to the pool:

in silent.

'roid week 2024, day 4

A lecture on the legacy of Catholic women in the arts and sciences.

Early Music Princeton presents a melange of Italian and English masterpieces. The EMP Singers will present pieces representing the “Cult of Melancholy”- mournful pieces by Dowland, Tallis, and Campion that celebrate the beauty and artistry of romantic despair. The EMP Treble quintet will be performing pieces by Strozzi, Monteverdi and Morley: love songs of passion and torment! To complete the program, the EMP Chamber Players and Viol Consort will present spirited Italian works by Frescobaldi and Corelli alongside the rich textures of English composers Tomkins and Coperario.

About the Event Our resident ensemble of Princeton University performance faculty and talented students presents a Sunday-afternoon program of songs with and without words written by female composers on both sides of the Atlantic. Songs for mezzo-soprano and piano by prolific lieder composer Josephine Lang and for mezzo-soprano and mixed chamber ensemble by Dame Ethel Smyth bookend the program, with works for string quartet, solo piano, and flute, viola, and harp, that reference American, Jamaican, and European song and poetry in between. This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link.

An introduction to the typesetting system LaTeX will be provided using the online editor Overleaf. LaTeX allows advanced document preparation and typesetting of complex mathematical formulas. Overleaf offers advanced functionality like collaborative editing and versioning. Peer consultations and troubleshooting also offered throughout the semester. Visit https://libcal.princeton.edu/appointments/jfz to book an appointment.

The Chapel Choir presents a concert for the season of Advent, featuring J. S. Bach’s cantata “Nun komm, der Heiden Heiland” and the world premiere of The Princeton Motets (And I Saw), a collaboration between poet Euan Tait and composer Shawn Kirchner, written especially for the Chapel Choir. With Nicole Aldrich, Director of Chapel Music, and Eric Plutz, University Organist.

“Chigumadzi argues that within the liberal international order, it is “reasonable” and “workable” to struggle to end apartheid and racial segregation, while it is “unreasonable” and “unworkable” to struggle to end settler colonialism and indigenous land dispossession. In arguing that apartheid is overrepresented in the International Left’s racial discourse and historiography, Chigumadzi draws from generations of Black South African political activists, philosophers, and historians—most notably from the Pan Africanist-Black Consciousness Tradition. These traditions critique apartheid’s relatively short 54 years of institutionalized racial segregation as the paradigmatic historical framework for analyzing South Africa’s three centuries of settler colonialism and land dispossession. Drawing from this black radical critique, Chigumadzi rejects the liberal notion that apartheid’s end is the object of liberation struggle, and, instead asserts the centrality of the struggle for the return of indigenous lands.” Dr. Panashe Chigumadzi is an award-winning writer and Assistant Professor of African History at Brandeis University. Chigumadzi holds a doctorate from Harvard University’s Department of African and African American Studies, and a masters in African Literature from the University of the Witwatersrand, Johannesburg, South Africa.

The After Noon Concert Series is a weekly opportunity for the Princeton Community to enjoy performances at the Princeton University Chapel by various local, national, and international organists. These half-hour concerts showcase the flexibility of the magnificent Skinner/Mander Chapel organ. Each visiting organist rehearses and performs, bringing forth a different voice and character from the organ. Additionally, several times each semester, the concert is broadcast LIVE, as it happens, on the local classical music radio station, WWFM (89.1), and available to the world at www.wwfm.org(Link is external). Questions? Contact Eric Plutz, eplutz@princeton.edu

Wednesday, November 20, 2024 7-8:30PM: Speed Dating 9PM: Concert featuring the Isidore String Quartet Find your perfect harmony among music-loving singles* in your age group by participating in 8-minute speed dates while enjoying catered appetizers on the historic Princeton University campus! Everyone will then head over to the concert hall to experience the trailblazing Isidore String Quartet. May you enjoy Isidore with a fellow music-lover you adore! Age Groups: Group Do: 24-39 Group Re: 40-59 Group Mi: 60+ Tickets for the full evening—admission to both the Do-Re-Meet event and the ensuing concert—are $50 General/$25 Student (an $80 value). If you already have a ticket to the concert and want to add on this experience, please contact us. *This event is designated for individuals seeking heterosexual connections. There will be an LGBTQIA+ and Allies Mingle on Saturday, December 7, 2024. To learn more about the Do-Re-Meet program and see more of Princeton University Concerts' social events for music lovers, click here. This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link. Presented in partnership with TheSinglesGroup.com and Olsson's Fine Foods.

About the Event Part of the Princeton University Concerts (PUC) Performances Up Close series, audience is seated onstage alongside the musicians in an hour-long program. Winners of a 2023 Avery Fisher Career Grant and the 14th Banff International String Quartet Competition in 2022, the New York City-based Isidore String Quartet was formed in 2019 with a vision to revisit, rediscover, and reinvigorate the repertory. The young ensemble will do just that when they make their Princeton debuts in a program featuring a recent string quartet by multiple GRAMMY-winner Billy Childs; Henri Dutilleux’s fascinating Ainsi la nuit (“Thus the Night”); and W.A. Mozart’s forward-thinking “Dissonance” quartet. This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link.

William Dudley, senior advisor, Griswold Center for Economic Policy Studies, Princeton University; and former president of the Federal Reserve Bank of New York In conversation with Markus Brunnermeier, Edwards S. Sanford Professor of Economics, and Director of the Bendheim Center for Finance, Princeton University Wednesday, November 20, 2024, from 4:30-5:30 p.m. Julis Romo Rabinowitz Building, Room 399 Co-sponsored by The Griswold Center for Economic Policy Studies (GCEPS) and Bendheim Center for Finance (BCF) Open to the Princeton University Community Group of 30 Report Publication, G30 Working Group on the 2023 Banking Crisis, chaired by William Dudley

"When the first notes of [the music] threaded their way into my consciousness, they seemed to come from inside me…music wound its way through me as sound turned pure sensation." —The New York Times on PUC's Live Music Meditation About the Event Breathe in sound and silence through guided meditation as you listen to music more viscerally than ever before, meditating to the playing of the Isidore String Quartet, guided by Matthew Weiner, Associate Dean in the Princeton University Office of Religious Life. This is a FREE, unticketed opportunity to indulge in attentive, focused, and mindful listening. No prior experience with meditation necessary. Capacity is limited, and we advise participants to arrive early—although the event officially begins at 12:30PM, doors to the hall will open and meditation instruction will begin at 12:00PM (noon). The event will conclude by 1:30PM. If desired, attendees may bring floor seating (mat/cushion/etc); seating will be on stage, with chairs provided. For more information about the Live Music Meditation experience, check out this New York Times feature and Performance Today segment. About the Musicians: Winners of a 2023 Avery Fisher Career Grant, and the 14th Banff International String Quartet Competition in 2022, the New York City-based Isidore String Quartet was formed in 2019 with a vision to revisit, rediscover, and reinvigorate the repertory. The quartet is heavily influenced by the Juilliard String Quartet and the idea of ‘approaching the established as if it were brand new, and the new as if it were firmly established.’ The quartet began as an ensemble at the Juilliard School. They are currently completing their final year as Peak Fellowship Ensemble-in-Residence at Southern Methodist University in Dallas. Additional Evening Concerts: The Isidore Quartet will also perform in the evening as part of the Performances Up Close series at 6PM & 9PM, with audience seated onstage. Concert info & tickets This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link.

Join the Program in Judaic Studies and the Department of Religion on Tuesday, November 19, for this talk delivered by Ilana Pardes. Lunch will be available before the event's start, between 11:30am–12:00pm only. The account of the rise of Israelite kingship in the Book of Samuel is one of the greatest narratives of antiquity that has been passed down to us. Far from being a dry chronicle, it offers both an unblinking perspective on political realities and a daring representation of the humanness, the nakedness, of royal figures. The talk will revolve around the encounter of King David and the wise woman of Tekoa (2 Samuel 14). Special attention will be given to the dramas behind the scenes, to the hidden links between the parabolic tale of the wise woman and the story of the House of David. All are welcome to attend, but space is limited – please RSVP to judaic@princeton.edu and note any dietary needs. More about Ilana Pardes Ilana Pardes is the Katharine Cornell Professor of Comparative Literature at the Hebrew University of Jerusalem. She is currently a Visiting Professor in the Program in Judaic Studies Program at Princeton University. Her work has focused on the nexus of Bible, literature, and culture as well as on questions of gender, aesthetics, and hermeneutics. She is the author of Countertraditions in the Bible: A Feminist Approach (Harvard University Press, 1992), The Biography of Ancient Israel: National Narratives in the Bible (University of California Press, 2000), Melville's Bibles (University of California, 2008), Agnon's Moonstruck Lovers: The Song of Songs in Israeli Culture (The Samuel and Althea Stroum Lectures in Jewish Studies, University of Washington Press, 2013), The Song of Songs: A Biography (Princeton University Press, Lives of Great Religious Books, 2019), and Ruth: A Migrant’s Tale (Yale University Press, Jewish Lives, 2022).