Patricia Tappatá, integrante de la Misión Internacional Independiente de determinación de hechos sobre la República Bolivariana Venezuela de la ONU, conversó sobre la alerta sobre fase de reactivación de la violenta represión en ese país.

Recientemente ha llovido en Bogotá y los edificios del ICN, Farmacia, colegio IPARM, ciencias humanas entre otros se han visto inundados y con riesgo para los estudiantes.

En Caracol Radio estuvo Mauricio Urquijo, director territorial occidente de la SAE

En Caracol Radio estuvo María Claudia Lacouture, presidenta ejecutiva de la Cámara de Comercio Colombo Americana, conversando sobre el panorama de la salud y su relación con las inversiones.

En Caracol Radio estuvieron José Matera y Bryan Visbal, integrantes de Los de Adentro, conversando sobre su próxima presentación en el país

La congresista se refirió en 10AM  la actual situación de la colectividad y al escándalo de corrupción de los carrotanques para La Guajira

La actriz y conferencista busca compartir algunas de las anécdotas que ha tenido a lo largo de su relación en pareja en la novedad de la editorial Oveja Negra 

Alfonso Portela, abogado y consultor electoral, explicó en 10AM en qué consiste esta figura y cuáles son sus alcances dentro de la colectividad

El Dr. Raúl Murillo, director del Centro Javeriano de Oncología, del hospital universitario San Ignacio, detalló la razón por la cual la OMS ha alertado riesgos por cuenta de este producto utilizado en cosméticos

En 10 AM de Caracol Radio estuvo William Villamizar, gobernador de Norte de Santander, quien habló cómo está el departamento en materia migratoria, tras el éxodo de personas venezolanas.

En 10AM Hoy por Hoy de Caracol Radio estuvo Luisa Ortega, exfiscal de Venezuela en 2017, quien fue destituida por el Tribunal Supremo de Justicia y la Asamblea Nacional Constituyente, para hablar sobre qué está pasando en Venezuela tras la proclamación de Maduro como presidente

En medio de la polémica generada por la propuesta de cobro de valorización en el Atlántico, la ministra enfatizó que, según la ley, se priorizara la política de excluidos por no tener capacidad de pago.

En 10AM Hoy por Hoy, estuvo el hermano de Laura Villamil. La mujer resultó con graves quemaduras en su cuerpo tras un show en el restaurante Andrés Carne de Res. 

Erasmo Zuleta, gobernador de Córdoba, habla de las apuestas y los retos que tiene para su departamento.

Dan Restrepo asesor para América Latina, el Caribe y Canadá del hoy expresidente de los Estados Unidos Barack Obama, habló en 10 AM sobre la tensión para los latinos ante el triunfo de Donald Trump

Mario Muñoz, voz líder de Doctor Krápula, habló en 10AM de la responsabilidad que tienen los artistas, tras la polémica canción +57, de Karol G, Feid, Maluma, J Balvin, Ryan Castro y Blessd 

I made a fused glass house number to post on a rock at the top of our driveway. I'm not super-satisfied with how it came out (so far?). I'd like opinions and advice on the three options I have from here.

Here's how it looks now. It's very roughly 10"x10".

If you're aesthetically picky, I'd love your honest opinion. Am I having house number dysphoria? Or am I right that the blobbiness makes it look too amateurish? The studio owner says it's already beautiful, and no one will notice the lumps when they're at viewing distance from the rock. Is she right and my perfectionism is just getting in my way? Or is it really as amateurish as it looks to me?

The top part of the 6 is nice and smooth, just how I wanted it. The rest isn't, and it's not going to get there at the studio where I made it. The studio owner has already fired it twice, with some work in between to smooth the edges. My amateur opinion is that it needs to be fired hotter for longer, but her professional practice is that she's not going to do that. So I have three options:
1. Pick it up and install it as-is.
2. Grind out some of the worst lumps on the edges, and have her fire it again to polish the ground edges. She will NOT be happy to do this, so I'd have to insist. She won't like it, and I won't like doing it (but also, I'm not planning to go back after this). I don't know if it'd end up enough better to be worth it. The surface will still be lumpy -- it's only some of the edges I could grind down a bit. I outlined those in pink on the second image, but I'm not sure if I even could fix all of them. The grinder might not fit inside the circle of the 6, or in the narrow space between the 2 and the 6.
3. Start over at another studio. I found one where I'm confident I could get the result I'd like. She spent time with me on the phone, shared lots of expertise, and suggested a different process (cutting a mold from 6mm fiber paper).

I'm not feeling psyched to start from scratch, but I'm also not sure whether this looks good enough to use as-is, or even with the grinding I could do. I do like the colors, and I'm not sure what color range the other studio will have in the scrap bins I'd be using. The other studio is a long drive away, and I'd have to make 2-3 trips. I'd have to spend more money to start over, and I've already spent what's verging on a silly amount for house numbers.

So I don't know: use it as-is, grind what I can, or bite the bullet and start over?

It's tricky, because I'm a newbie and the studio owner where I went is an experienced pro, but I think she's wrong about some of what she's telling me. Those details are collapsed

En nuestra conversación En Familia, discutimos sobre cuáles son las buenas prácticas de un parto más respetuoso.

From working as a cloakroom attendant at Ronnie Scott's in jny: London to performing on the club stage to a sellout audience with one's own quartet is quite a journey. It might sound like a corny plot from a TV series, but since playing their first show in 2021, Finn Carter and his quartet have gone from strength to strength with a string of sold-out shows, including playing the main show at the venerated Ronnie Scott's and headlining the Brick Lane Festival... [ read more ]

In the right hands, the acoustic guitar becomes a world of sound that transgresses the limitations of the instrument and the role as mere accompaniment. Genres become blurred and suddenly the strings start to sing instead of the troubadour. Or perhaps more correctly, the instrument becomes an extension of the guitarist, and the strings tell stories that seem to come out of everywhere and nowhere... [ read more ]

There has always been room in jazz for those creative minds who can bridge the gap between the heart of tradition and the leading edge of change. In the world of saxophonists, Thomas Chapin, Arthur Blythe, Julius Hemphill or David Murray easily come to mind... [ read more ]