Michael D. McCann, MD, MBA, is an Assistant Professor of Clinical Medicine at Vanderbilt University Medical Center

- Overseas Korean Unification Event held successfully in Leipzig, Germany on November 9 - North Korean defector's live painting and barbed wire bracelets highlighting reality attracts attention

Jonathan F. Melegrito is celebrated for his authenticity and recognized for his success in his finance career

Specializing in pain relief, Licensed Massage Therapist Orawan offers a variety of massage therapies, including Swedish, deep-tissue, traditional Thai, and Thai combination.

Dayana Custer, MBA, serves as the division director at BAYADA Home Health Care

Anthony Watts retired from Banc Mortgage Financial Corp in 2004

Kunkel is the president of Wordslinger Marketing & PR, primarily serving the nonprofit community

Lorrainne Bilodeau, MS, honored for more than 40 years of success in her profession

A motorcyclist riding through rainy weather might coat their visor with a water repellent spray. However, they then have to travel fast enough for wind resistance to blow their visor clear. At slower speeds, their visibility remains compromised.

This Bikerguard invention, created by two engineers in Slovenia, is a remote-controlled wiper blade for motorcycle helmet visors. You do have to drive two screws through the top of your visor to attach the mounting base, and you can then pop the Bikerguard on and off as needed. A wireless remote control attaches to your bike's handlebars.

The POV demonstration does seem convincing:

The developers claim that motorcycle police bodies in Slovenia, Hungary and Germany "are in the process of evaluating BIKERGUARD for potential integration into their motorcycle fleet." In the meantime, they sell these online for €319 (USD $339) a pop. A three-pack of replacement wiper blades runs €25 (USD $27).

I wouldn't be surprised if, in the future Oakley develops a visor for runners with one of these attached.

The work of long-time Core77-fave NOOKA—founded by Matthew Waldman—is the subject of a newly-released book, Designing Time, a lavish and time-travel-y chronicle of the brand's evolution and its efforts to make us rethink how we perceive the formal intersection of time and design.

"The Future Should Not Look Like the Past" offers a deep dive into NOOKA's journey, from its inception to its impact on the design landscape. Established in the late 1990s, NOOKA was a pioneer in creating timepieces that employed a unique visual language, "making the concept of time more intuitive and accessible." The brand's partnership with Seiko marked the beginning of a new era in watch design, introducing passive intelligent interfaces that enriched the user experience.

With ambitions ahead of their time, Waldman's vision was "to promote a universal language through design that transcends cultural and geopolitical boundaries." He created a shorthand for the concept—Mindstyle—which "merges interface design with lifestyle aspirations, aiming to foster a better future."

Inside the Book

Spanning 200+ pages, Designing Time is an absolute treasure trove for design enthusiasts, and an incredible pleasure to meander through. It features an array of content—including sketches, renders, and photographs—accompanied by inside stories and process images of unrealized projects. (Always some of the most ambitious!) The book not only highlights NOOKA's groundbreaking products (such as the iconic STRIP belt and futuristic sunglasses), but also delves into the brand's cultural impact during the 2000s. Anyone in the design world at that time will be taking a very enjoyable trip down memory lane with this thing.

Launched on Kickstarter Japan in 2022, the book quickly reached its funding goal, reflecting the enduring interest in NOOKA's innovative approach. The first print run sold out, and a second edition [Hard cover only] is set to ship in November 2024, so more of us will be able to get ouir hands on one.

Find more info here: https://www.nooka.com/nooka-book/

China’s latest fiscal announcements seem aimed at addressing medium-term structural impediments to economic growth from strained local government finances, but are unlikely to immediately boost or offset deflationary risk, Fitch Ratings said. It expects a budget deficit of 7.1 per cent of GDP this year. It believes fiscal stimulus will remain incremental and responsive to downside risks.

Parallels RAS Now extends the integration and delivery of applications from Azure Virtual Desktop to application delivery on Windows 365 Cloud PCs

Enterprise search projects start with intentions to provide ?Google for our organization' but too often fail to deliver on that promise. In our experience, these projects fail due to a lack of sustained effort and governance. The commercialization of next-generation search technologies allows you to fulfill this promise if you take a systematic approach to implementation.

The data, information, and analytics economy runs on well-curated, structured data. No matter your industry?having good curated data and content is critical. It's increasingly important as more data and content are generated. Intelligent tools to sift through content are more robust and at the same time, more "needy." That means modern technology platforms, systems, and even content consumers require well-structured data and content to perform well. As most artificial intelligence (AI) practitioners state?"nothing starts without good data."

Artificial intelligence (AI) is one?if not the?key technology of our decade. Technological advances in this field are not only fundamentally changing our economies, industries and markets, but are also exerting enormous influence on traditional business practices, many of which will disappear, while others will be transformed or completely reinvented.

Artificial intelligence (AI) has captured the imagination of a wide variety of businesses. I have this image of CEOs in boardrooms around the globe declaring, "We must have AI! Our competitors use AI! We can't be left behind!" There might be some table-pounding associated with this scenario. There will certainly be corporate minions scurrying around to fulfill the AI dreams of their CEO.

Starting an online art photography business is a huge milestone in your career. As photographers, it’s all too easy to collect hundreds, if not thousands,...

The post How to sell fine art prints like an award-winning photographer  appeared first on DIY Photography.

Finding power on location can be tough, especially when those locations are out in the middle of nowhere. It’s been getting a lot easier in...

The post Bluetti’s new Elite200 V2 wants to power your camera gear on location appeared first on DIY Photography.

The world has changed. Everything we do is more immediately visible to others than ever before, but much remains the same; the relationships we develop are as important as they always were. This post is a few thoughts on self-promotion, and how to have good relationships as a self-publisher.

Meeting people face to face is ace. They could be colleagues, vendors, or clients; at conferences, coffee shops, or meeting rooms. The hallway and bar tracks at conferences are particularly great. I always come away with a refreshed appreciation for meatspace. However, most of our interactions take place over the Web. On the Web, the lines separating different kinds of relationships are a little blurred. The company trying to get you to buy a product or conference ticket uses the same medium as your friends.

Freelancers and small companies (and co-ops!) can have as much of an impact as big businesses. ‘I publish therefore I am’ could be our new mantra. Hence this post, in a way. Although, I confess I have discussed these thoughts with friends and thought it was about time I kept my promise to publish them.

Publishing primarily means text and images. Text is the most prevalent. However, much more meaning is conveyed non-verbally. ‘It’s not what you say, it’s how you say it.’

Text can contain non-verbal elements like style — either handwritten or typographic characters — and emoticons, but we don’t control style in Twitter, email, or feeds. Or in any of the main situations where people read what we write (unless it’s our own site). Emoticons are often used in text to indicate tone, pitch, inflection, and emotion like irony, humour, or dismay. They plug gaps in the Latin alphabet’s scope that could be filled with punctuation like the sarcasm mark. By using them, we affirm how important non-verbal communication is.

The other critical non-verbal communication around text is karma. Karma is our reputation, our social capital with our audience of peers, commentators, and customers. It has two distinct parts: Personality, and professional reputation. ‘It’s not what was said, it’s who said what.’

So, after that quick brain dump, let me recap:

• Relationships are everything.
• We publish primarily in text without the nuance of critical non-verbal communication.
• Text has non-verbal elements like style and emoticons, but we can only control the latter.
• Context is also non-verbal communication. Context is karma: Character and professional reputation.

Us Brits are a funny bunch. Traditionally reserved. Hyperbole-shy. At least, in public. We use certain extreme adjectives sparingly for the most part, and usually avoid superlatives if at all possible. We wince a little if we forget and get super-excited. We sometimes prefer ‘spiffing’ accompanied by a wry, ironic smile over an outright ‘awesome’. Both are genuine — one has an extra layer in the inflection cake. However, we take great displeasure in observing blunt marketing messages that try to convince us something is true with massive, lobe-smacking enthusiasm, and some sort of exaggerated adjective-osmosis effect. We poke fun at attempts to be overly cool. We expect a decent level of self-awareness and ring of honesty from people who would sell us stuff. The Web is no exception. In fact, I may go so far as to say that the sensibilities of the Web are fairly closely aligned with British sensibilities. Without, of course, any of our crippling embarrassment. In an age when promoting oneself on the Web is almost required for designers, that’s no bad thing. After all, running smack bang through the middle of the new marketing arts is a large dose of reality; we’re just a bunch of folks telling our story. No manipulation, cool-kid feigned nonchalance, or lobe-smacking enthusiasm required.

Consider what the majority of designers do to promote themselves in this brave new maker-creative culture. People like my friend, Elliot Jay Stocks: making his own magazine, making music, distributing WordPress themes, and writing about his experiences. Yes, it is important for him that he has an audience, and yes, he wants us to buy his stuff, but no, he won’t try to impress or trick us into liking him. It’s our choice. Compare this to traditional advertising that tries to appeal to your demographic with key phrases from your tribe, life-style pitches, and the usual raft of Freudian manipulations. (Sarcasm mark needed here, although I do confess to a soft spot for the more visceral and kitsch Freudian manipulations.)

There is a middle ground between the two though. A dangerous place full of bad surprises: The outfit that seems like a human being. It appears to publish just like you would. They want money in exchange for their amazing stuff they’re super-duper proud of. Then, you find out they’re selling it to you at twice the price it is in the States, or that it crashes every time it closes, or has awful OpenType support. You find out the human being was really a corporate cyborg who sounds like you, but is not of you, and it’s impervious to your appeals to human fairness. Then there are the folks who definitely are human, after all they’re only small, and you know their names. All the non-verbal communication tells you so. Then you peek a little closer —  you see the context — and all they seem to do is talk about themselves, or their business. Their interactions are as carefully crafted as the big companies, and they treat their audience as a captive market. Great spirit forefend they share the bandwidth by celebrating anyone else. They sound like one of us, but act like one of them. Their popularity is inversely proportional to their humanity.

Extreme examples, I know. This is me exploring thoughts though, and harsh light helps define the edges. Feel free to sound off if it offends, but mind your non-verbal communication. :)

That brings me to self-promotion versus self-aggrandisement; there’s a big difference between the two. As independent designers and developer-type people, self-promotion is good, necessary, and often mutually beneficial. It’s about goodwill. It connects us to each other and lubricates the Web. We need it. Self-aggrandisement is coarse, obvious, and often an act of denial; the odour of insecurity or arrogance is nauseating. It is to be avoided.

If you consider the difference between a show-off and a celebrant, perhaps it will be clearer what I’m reaching for:

The very best form of self-promotion is celebration. To celebrate is to share the joy of what you do (and critically also celebrate what others do) and invite folks to participate in the party. To show off is a weakness of character — an act that demands acknowledgement and accolade before the actor can feel the tragic joy of thinking themselves affirmed. To celebrate is to share joy. To show-off is to yearn for it.

It’s as tragic as the disdainful, casual arrogance of criticising the output of others less accomplished than oneself. Don’t be lazy now. Critique, if you please. Be bothered to help, or if you can’t hold back, have a little grace by being discreet and respectful. If you’re arrogant enough to think you have the right to treat anyone in the world badly, you grant them the right to reciprocate. Beware.

Celebrants don’t reserve their bandwidth for themselves. They don’t treat their friends like a tricky audience who may throw pennies at you at the end of the performance. They treat them like friends. It’s a pretty simple way of measuring whether what you publish is good: would I do/say/act the same way with my friends? Human scales are always the best scales.

So, this ends. I feel very out of practise at writing. It’s hard after a hiatus. These are a few thoughts that still feel partially-formed in my mind, but I hope there was a tiny snippet or two in there that fired off a few neurons in your brain. Not too many, though, it’s early yet. :)

This might as well be a Herschel ad. ???? (at London, United Kingdom)

Discover top YouTube channels dedicated to UX design, offering insights and tutorials to enhance your skills in creating intuitive and engaging user experiences. Here are some of the best channels for UX designers.

When you connect an iPhone to a wi-fi network, the iPhone remembers that network and will automatically attempt to connect to it in the future. This is a great feature for wi-fi networks you trust and use frequently. But mistakes happen. If you connect to the wrong network at a coffee shop, your iPhone will automatically attempt to join that network every time you visit the coffee shop in the future. And if the password for a known network changes, your iPhone might have trouble connecting to it.

What's the solution? Telling your iPhone to forget the wi-fi network. Forgetting a network will remove the network's password and prevent your iPhone from joining it automatically in the future.

Here's how to tell your iPhone to forget a wireless network:

1. From the home screen, tap Settings.
   
   
2. Tap Wi-Fi. The window shown below appears.
   
   
3. Locate the wireless network you want the iPhone to forget, and then tap the blue arrow next to the network name. The window shown below appears.
   
   
4. Tap Forget this Network. The iPhone will forget the wireless network.

You have successfully told your iPhone to forget the wi-fi network. The iPhone will not attempt to connect to the network in the future. And if the network required a password, that password has been forgotten.

Related Articles

• How to Connect an iPhone to a Wi-Fi Network
• Make Your iPhone Ask to Join Wi-Fi Networks

Meet Your Macinstructor

Matt Cone, the author of Master Your Mac, has been a Mac user for over 20 years. A former ghost writer for some of Apple's most notable instructors, Cone founded Macinstruct in 1999, a site with OS X tutorials that boasts hundreds of thousands of unique visitors per month. You can email him at: matt@macinstruct.com.

Abelardo Morell
Camera Obscura: Early Morning View of the East Side of Midtown Manhattan, , 2014
Website - AbelardoMorell.net

Abelardo Morell was born in Havana, Cuba in 1948. He immigrated to the United States with his parents in 1962. Morell received his undergraduate degree in 1977 from Bowdoin College and an MFA from The Yale University School of Art in 1981. In 1997 he received an honorary degree from Bowdoin College.

His publications include a photographic illustration of Alice’s Adventures in Wonderland (1998) by Dutton Children’s Books, A Camera in a Room (1995) by Smithsonian Press, A Book of Books (2002) and Camera Obscura (2004) by Bulfinch Press and Abelardo Morell (2005), published by Phaidon Press. Recent publications include a limited edition book by The Museum of Modern Art in New York of his Cliché Verre images with a text by Oliver Sacks.

His work has been collected and shown in many galleries, institutions and museums, including the Museum of Modern Art, The Whitney Museum of American Art, the Metropolitan Art Museum in New York, The Chicago Art Institute, The San Francisco Museum of Modern Art, The Houston Museum of Art, The Boston Museum of Fine Art, The Victoria & Albert Museum and over seventy other museums in the United States and abroad. A retrospective of his work organized jointly by the Art Institute of Chicago, The Getty in Los Angeles and The High Museum in Atlanta closed in May 2014 after a year of travel. Abelardo will be having his first show at the Edwynn Houk Gallery in New York opening October 23, 2014 and will run until December 20, 2014 featuring a selection of new pictures.

Dan Perry: The world was hugely interested in the U.S. presidential election -- and everywhere people are wondering what the return of Donald Trump will mean in geopolitics. But is America interested in the world?

Allies of Donald Trump who were charged in Arizona for illegally trying to overturn the 2020 election can still expect to face justice despite his return to the White House, the state's attorney general has said.

Jeremy Speller has been involved with the UCL Web presence since 1995 and is now Head of Web Services. He is currently working on the migration of UCL's central materials to a Zope/Silva-based CMS and is taking forward development of an enterprise portal. Jeremy is also involved with development of services to provide the student experience of the future and has particular interest in the use of handheld and mobile devices. Prior to becoming a full-time Web "operative", Jeremy's background was in planning and statistics at UCL and previously at the University of Birmingham. Way back when he ran the Overseas Research Students Awards Scheme at what was then CVCP. Jeremy chaired the second morning session on Tuesday 17 July: Getting Technical.

Helen Sargan works for the University Computing Service and has been looking after the Web in Cambridge since 1994. Helen facilitated a workshop session on "Just say No to Powerpoint: Web Alternatives for Slides and Presentations" and chaired the first morning session on Tuesday 17 July: Getting Technical.

Andy Powell is Head of Development at the Eduserv Foundation, a Bath-based charity that supports the effective use of ICT in education. As a member of Bath University Computing Services he was the first 'webmaster' at the University of Bath, moving in 1996 to UKOLN where he was involved in a number of European and JISC-funded 'digital library' projects. More recently, Andy has liaised closely with the JISC, advising them on the standards and protocols needed to support e-learning and e-research, notably through the development of the JISC Information Environment and the e-Framework for Education and Research. Andy facilitated a workshop session on "Athens, Shibboleth, the UK Access Management Federation, OpenID, CardSpace and all that - single sign-on for your Web site" with Andrew Cormack and Richard Dunning.

Paul Kelly is the Web Content and Design Officer at the University of York. Paul facilitated a workshop session on "Web Usage Statistics in the University Environment" with William Mackintosh.

Nigel Bradley has been the Web Services Manager at Northumbria University for the past 6 years. Although not (web) technical he has led the way for Northumbria to always be amongst first to implement new technologies whether it be their CMS, their SITS integration, their Web stats or more recently their adaptation of the Google maps API for various projects. Nigel facilitated a workshop session on "Geolinked Institutional Web Content" with Patrick Lauke and Sebastian Rahtz.

Russell Allen is the Project Manager for the University of Bradford's Portal and CMS projects. Russell has spent the last fifteen years as a project manager delivering non-succession funded IT innovation and development projects in both public and private sector organisations. Projects have included implementing the University of Sheffield's career management skills web site, on-line remote training for under-employed graduates in recruitment agencies, setting up community IT resources via the government's UK Online programme and developing community engagement projects via the e-citizen and e-government programs. Funders have included HEFC, DFES, ESF, SRB and lottery funding. His current job at the University of Bradford is to deliver a CMS and Portal as part of the University's e-strategy. Russell facilitated a workshop session on "People, Processes and Projects - How the Culture of an Organisation can Impact on Technical System Implementation" with Claire Gibbons.

Details of the parallel sessions available for delegates to attend are now available from the Web site. [05 May 2008]

Full delegate information including details of accommodation location is now available. [9 July 2008]

The University of Aberdeen Sport and Recreation department are able to offer all delegates preferential rates for using the Sports facilities for the duration of the conference. [11 July 2008]

, University of Cambridge, gave a talk entitled "Indexing Your Web Server(s)".

Michael Wilson, CLRC Rutherford Appleton Laboratory, gave a talk entitled "SMIL: Multimedia on the Web".

Mike McConnell is the Web Team Manager of the University of Aberdeen's Web Design Unit and currently manages a team of 5 staff who are responsible for the University's central Web presence, and the maintenance of certain departments and sections across the institution. Mike has formerly worked at the Robert Gordon University as an Educational Development Officer, and as a researcher in Information Science. Prior to that he worked at the sharp end of IT user support in the oil services industry. Mike has published on technology issues in education, Web usability and produced a number of educational Web applications. Mike has an MA in English Literature and the History of Art, a Pg Dip in Information Analysis, an MSc in Information Science, a PgCert in Tertiary Level Teaching and is a member of CILIP. Mike gave a joint presentation with Iain Middleton on "Centralised Control Or Departmental Freedom?".

Jeremy Speller has been involved with the UCL Web presence since 1995 and is now Head of Web Services. He is currently working on the migration of UCL's central materials to a Zope/Silva-based CMS and is taking forward development of an enterprise portal. Jeremy is also involved with development of services to provide the student experience of the future and has particular interest in the use of handheld and mobile devices. Prior to becoming a full-time Web "operative", Jeremy's background was in planning and statistics at UCL and previously at the University of Birmingham. Way back when he ran the Overseas Research Students Awards Scheme at what was then CVCP. Jeremy and his colleague Ian Bartlett gave a plenary talk on "Publish and Be Damned: Re-purposing in the Real World". Jeremy can be contacted at j.speller AT ucl.ac.uk

Duncan Ireland has been in the Internet Officer role at the University of Strathclyde since late 2002. His time is largely taken up with rolling out the T4 Sitemanager CMS (see http://www.strath.ac.uk/terminalfour/). Before arriving in academia, Duncan could be found at Scottish Amicable (latterly Prudential) where he worked on a project to implement the MediaSurface CMS. Prior to that he worked for BAE Systems where he saw the introduction of standard desktops, internet access and an Intranet. His leisure time is largely spent learning how to duck(!) while training with Caledonian Muay Thai in Glasgow (see http://www.caledonianmuaythai.co.uk/) - he refutes any suggestion that this training was deliberately undertaken to bring more folk round to his way of thinking in meetings. Duncan took part a panel session on "Whose Web Is It Anyway?" with Andrew Cox and Brian Kelly. Duncan can be contacted at Duncan.Ireland AT strath.ac.uk