We believe that the most important lesson our generation has learnt is that basic is good; enough for fashion labels to have a sub-category of basic apparel and Instagram to source gifs and stickers that say "basic". This (should) transcend to food as well, because at the end of the day, nothing beats sasta and tikau. And so, Kalina's Chindian eatery, King Chilli, has risen above the glitzy culinary offerings of BKC that are high on the glam quotient but not easy on the pocket.

We have been ordering in from what is easily one of the neighbourhood's favourite haunts for months. But a week ago, we learnt that it has launched in a new avatar with a larger dining area not far from the space it started in five years ago. So, on a Sunday night, we finally step out to pay the place a visit.

At the corner of St Mary's Chowk, a brand new shade covers the space. Potted plants line the shack-like eatery and a tawdry magenta curtain, which we identify — having spotted hawkers selling it for '150 at the roadside Monday market — serves as the door. Inside, chairs and tables that evoke the memory of Nilkamal furniture makes for the seating space, along with three booths with slightly plusher sofas that offer some privacy but are rickety all the same.

We join a queue that comprises Catholic aunties in their Sunday frocks and roadside Romeos in their Gully-Boy-inspired garb waiting outside the restaurant. The crowd is substantial, but fast moving, so we get a table in five minutes.

Tom yum

Our partner, who is whining about a sore throat, calls for a tom yum soup (Rs 139) while we order the crackling spinach chicken (Rs 285) and kung pao potato (Rs 174) to begin with, and a chicken in chilly oyster sauce (Rs 295), veg pad Thai noodles (Rs 190) and chicken North East pot rice (Rs 249) for the mains.

Kung pao potato

We find how nothing about the tom yum soup being Thai cute: adrak replaces galangal, nimbu takes the place of kaffir lime and its identifiable piquant broth-y flavour has transformed into a chatpata and fiery soup with a strong kick of spice. The addition of finely chopped dhaniya is equally endearing. Tom yum or not, it works. The chicken appetiser is enjoyable in that the meat itself is juicy and hot. The crackling spinach that it comes with is nice, too, but perhaps could have been elevated with a stronger dose of garlic. We relish the kung pao potatoes and find the use of wedges quite cool: it adds a certain girth to the dish. The lightly toasted whole cashews lend a mild sweetness, marrying the dish with its inherent tanginess.

Chicken in oyster chilli sauce 

The pot rice has a smoky hotness that is likely to have come from the overuse of chilli powder. This dish leaves two out of the four people at the table gasping for breath. We are still undecided about the preparation and could only safely say that we did not hate it. The pad thai noodles are a slight let-down having been overcooked this time. However, the chicken in oyster chilly sauce, a staple for us from the eatery, helps liven up the noodles.

We eat quickly despite the shortcomings of the mains and that's where King Chilli actually passes the test. It's the kind of eatery that may have a few botch-ups, but will remain the go-to place (as is evident from the queue even as we leave the restaurant an hour and a half later) for Kalina's humble diners, including us. What we mean is, where else could we have afforded an end-of-the-month double date for a total cost of Rs 1,522 and take home doggy bags? Only a sasta and tikau place, right?

TIME 11.30 am to 3.30 pm; 7 pm to 11.30 pm
AT King Chilli, near St Mary's Chowk, Kalina, Santacruz East.
CALL 9833487217

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

King Chilli didn't know we were there. The Guide reviews anonymously and pays for meals

Bandra got its first outlet of The Wine Table in May last year. What does it offer? MRP Wine bar by glass & bottle and Wine education/training/food pairing with wines, etc. From imported - Ren, Beaujolais villages, Peppoli, Cono Sur, Torres, Salbach, Masi masianco, Robert Mondavi to domestic - Amaris reserve, Fratelli MS red, Fratelli Sangiovese, Moksh sauvignon blanc, M reserve, Raaya rose, the outlets offer all things wine.

Tignanello Italian, priced at Rs 20,000, is the most expensive buy. We walk in at 6 pm to douse our red craving, and a bite but the kitchen opens only at 7 pm. We order a Sileni pinot noir (Rs 630) and a Mokksh ren (Rs 396), a flagship brand of the store. The Sileni from New Zealand is light and perfumed and perfect for the rather early indulgence. The ren merlot is medium bodied, woody and deeper on the palate.

While our server gives us back stories of wines and vineyards, we’ll surely go back to try some whites next.

AT: Darvesh Royale Building, Perry Road, Pali Hill, Bandra West
CALL: +91 9167007667
TIMINGS: 10 am to 12.30 am
NOTE: The Wine Table didn't know we were there. The Guide reviews anonymously and pays for its meals

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

San Francisco: Facebook-owned WhatsApp is rolling out its "Restrict Group" for all iOS, Android and Windows Phone users -- a feature that gives the group administrator powers to restrict other members from sending text messages, photographs, videos, GIFs, documents or voice messages in case the admin thinks so.

According to WABetaInfo, a popular fan site that tests new WhatsApp features early, you need to update your WhatsApp version to the 2.18.132 Android update in order to remotely receive the activation of the feature.

The "Restrict Group" feature, first spotted in last December, adds "Privacy settings" in the group.

"All participants can normally edit the group description, icon and subject, but finally the administrator can restrict this feature today, preventing no-administrators to modify the group description," the website said.

This action can be managed in the Admin Settings, a new option located in Group Info that's visible to the administrator only.

In Admin Settings, the administrator can restrict who can change the group info.

Administrators can keep sharing media and chatting as normal as they restrict other members.

Once restricted, other members will simply have to read their messages and will not be able to respond.

They will have to use the "Message Admin" button to post a message or share media to the group. The message will need to be approved by the administrator before going through to the rest of the group.

In October, reports said administrators on WhatsApp groups will soon be able to choose if other participants can modify the subject of the group, its icon and its description.

With over 1.5 billion monthly active users, WhatsApp is available in more than 50 different languages around the world and in 10 Indian languages.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Instagram has introduced a feature that allows users to make payments. The Facebook-owned photo-sharing app will now allow users to add their credit or debit card with their profile and set up a security pin. They can make purchases within the photo-sharing service and make payments without having to leave the site, Cnet reported.

Payments is the next big thing for tech giants who are looking at retaining users in the form of customers by offering them a one-stop destination for all their needs, including social, photos, and now e-commerce. The new native payments feature is currently available through limited partners and businesses on Instagram.

(Edited by mid-day online desk, with inputs from ANI)

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

As data security concerns on Facebook and WhatsApp loom large, Twitter is reportedly working on a 'Secret' encrypted messages feature which could make the microblogging platform safer for sensitive communications.

With this feature, Twitter is expected to roll out options about encrypted messaging like starting a secret conversation and viewing both sides of the conversation for encryption keys to verify a secure connection, TechCrunch reported on Monday.

The encrypted Direct Message (DM) option was first spotted inside Twitter for APK that contains codes for unreleased features that companies are testing.

Instant messaging app WhatsApp uses "end-to-end encryption" in all conversations. This can be opted into Messenger.

End-to-end encrypted messages are secured with a lock and only the sender and recipient have the special key needed to unlock and read them.

For added protection, every message sent has its own unique lock and key. No one can intercept the communications.

Last week, WhatsApp co-founder and CEO Jan Koum quit reportedly "after clashing with its parent, Facebook, over the popular messaging service's strategy and Facebook's attempts to use its personal data and weaken its encryption".

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Representational picture

California: A year after introducing the ability to send or request money on Android app, Gmail is finally extending its pay friends feature to its iOS users.

As part of the new update version 5.0.180422, iOS users will be able to send and request money from Gmail, Cnet reports.

In addition to that, iOS users will also be able to snooze emails. The feature makes the email disappear for a while and then show up later as a fresh email.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Google

Google has rolled out a new series of controls that will allow YouTube users to set limits on their video viewing, and help them set "Take a Break" reminder from browsing the channels for too long, a media report said.

The new feature will enable the users to set a reminder for every 15, 30, 60, 90 or 180 minutes, at which point the video will pause and users will receive "Take a Break" notification that they have been binge-watching videos for longer than they decided to.

Users can then choose to dismiss the reminder and keep watching, or close the app, the TechCrunch reported late Friday.

The changes announced during Google's I/O keynote will roll out in the latest update of YouTube, along with YouTube's ability to send notifications.

The reminders will come with an option of being dismissed and the feature will also allow users to disable notification sounds during a specified time period each day.

The new features are first expected to hit the 13.17 and higher versions of the YouTube mobile app on both iOS and Android, the report said.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

One97 Communications Limited, the firm that owns digital payment major, Paytm, announced the unification of bank transfers for its customers with the new 'My Payments' feature on its app.

This will enable Paytm users to make recurring, high-value payment and other monthly expenses in an instant. Using the Paytm app, bank transfers can be done from and to any bank account, making it easier for customers to make payments at zero charge, a facility which even non-KYC Paytm users can avail.

With this new addition to its multilingual app, Paytm is aiming to process Rs 60,000 crore in monthly bank transfers alone by the end of this year. The company is also planning to invest Rs. 5000 crore in its core business, expecting to increase the number of transactions from one billion to two billion this year.

"We have now simplified these payments with 'My Payments' and are expecting six-fold growth owing to this rapid shift in consumer behavior in favor of going cashless. Our users understand that Paytm is more than just a digital wallet company and we will continue adding more such customer-centric features while educating users about the convenience they can experience by using Paytm every day," said Paytm Senior Vice President, Deepak Abbot.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Do you also start watching a video on YouTube and lose track of time following the recommended/autoplay list? Google wants to tell you that it is concerned over this habit of yours and has inserted a nifty new feature to its video service.

As part of its focus on digital well-being, Google has added a feature to YouTube called 'take a break' which notifies you when you have exceeded a specific amount of consecutive viewing time, The Verge reports.

The feature is optional, and just like how you might scold a little one for exceeding their television viewing time, the feature will show you a prompt when you lose track of time.

You can enable it through the Settings menu and selecting 'Remind me to take a break'. You can choose from options ranging from 15 minutes to 180 minutes.

Whether or not it really contributes to a healthy digital well-being is something we are yet to see, but it surely gives an easy way of timing the consumption of the addictive video service.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

A still from Bioscopewala, featuring Danny Denzongpa in the lead

When we dial up Danny Denzongpa's number on a Friday evening, we are greeted with a faint "hello". The network is choppy, his voice drifts in and out. "I am in a cool place," he says, referring to Sikkim, where the actor is at the moment. His film, Bioscopewala, based on Rabindranath Tagore's renowned story Kabuliwala, is prepping for release, but Denzongpa chooses to stay far from the hustle and bustle of promotion. "I like it here," says the man of few words.

The 70-year-old actor was a little boy when he saw the Balraj Sahni-starrer Kabuliwala (1961). He had also seen the Bengali film earlier, starring Chhabi Biswas. The Sahni film, however, had an impact on him altogether. "I remember our teacher had taken us to see the film and I was howling in the theatre," Denzongpa says. When he first read Tagore's story in school, he made a drawing inspired by it. "There was a man with a pagdi, standing in a hilly backdrop. There was a stream flowing by, and across it, was a little girl." Bioscopewala, he tells us, was originally supposed to star Amitabh Bachchan. "But somehow, that did not materialise. I have always been a huge fan of the film, so, when Sunil (Doshi, producer and co-writer) approached me, I jumped at the chance," he says.

Doing the film was like going back to his college days. "Most of the crew was from my film institute (FTII) — the director, writer, sound designer Resul (Pookutty). I was the senior most among them. I remember when we were shooting in Ladakh, and I would go jogging at early morning, they'd be surprised and tell me 'you're supposed to rest for two days'. But, I am from the hills!" laughs Denzongpa. He also knew his co-actor Geetanjali Thapa, who plays Minnie, well. His other co-actor Tisca Chopra also doubled up as his Afghani tutor. "I had a tutor on sets to correct my diction, but I would always turn to Tisca. She has stayed in Afghanistan for over 10 years and is fluent in the language."

Unlike the original film that was set in the 1940s, Bioscopewala comes forward in time, in the '80s, during the Taliban regime in Afghanistan. Having also wrapped up shooting for the Kangana Ranaut starrer Manikarni: Queen of Jhansi, where he plays an army general who was like a father to the queen, the actor is now enjoying the quiet. He is not Mumbai-bound anytime soon, not even for the premiere of Bioscopewala. "This is the person I am. I'm very shy, I don't party, I stay away from events, I have not had a PR in 45 years. You don't see me talking to the press either, nor I am on television. It's not on purpose. I just don't like attracting attention towards myself." And of course, he's not on social media either. "The only thing I am on is my phone, and that also I forget about at times," he laughs.

Also Read: 7 Memorable Roles Of Danny Denzongpa

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Artworks by Mehmet Guleryuz

"I am a representative, a child, a product, of the 1968 generation. I am a witness and a participant, a reactionary and an activist who was shaped by and responded to the changing social and political climate of my times. I have always seen every aspect of that which surrounds us as political, and I have always felt duty-bound to respond to these things as an artist," says Mehmet Güleryüz about the impact of the political climate of Turkey on his creative process. Evident through the fervent strokes seen in his artworks, the 80-year-old artist, one of the biggest names to emerge from the contemporary art scene of the country, has indeed responded to the many changes that have simmered around him over his 55-year career. The artist speaks about his creative journey as an actor, teacher and an artist, with the opening of his first show in the city, On The Road.

How has theatre affected your style of art?
My talent and gift for painting in parallel to that of my love of the fine arts as a whole forced me to take a leap into my simultaneous passion of theatre. You could say that I learned painting in the theatre. The problems that I had in reaction to the classic way in which the arts were taught forced me to make a choice to leave the field of fine arts studies and pursue an education/career in the performing arts. As a result of studying acting studio methodologies and our "emotion works", it also offered the scope where even though one was bound within the guidelines of the script, there was the opportunity to rediscover a new aspect. This gave me the invaluable opportunity to return to painting with my own methodology and vision, to understand what it was that I needed to do in painting. My very nature was open to improvisation, and to a sort of action painting that was in harmony with this sort of an expression and what I could call the foundation stone of my art.

How would you like to reiterate the importance of drawing to upcoming artists?
The act of drawing is open to everyone. It doesn't differentiate nor does it reject or exclude anyone. Everyone can, essentially, draw. The person who is responsible for that line, who can understand that when s/he draws, s/he only gains the identity of a painter after his or her decision to become a master of it.

Could you tell us about the paintings in this exhibition?
Although this is a selection from a different period of time covering over 40 years, it does not cover all processes. It contains only partial information of a very long journey. But at its core, it is always predominantly weighted in the human condition.

Has your journey to India inspired you in any way so far?
For anyone who cannot directly or intimately connect with it, India could be considered tera-incognita. It could be said to contain the unknown, but that which must definitively be discovered and experienced and learned from. Just imagine what this means for an artist, for someone like me. This is an experience which I am relishing and enjoying very much.

Till: April 24
At: Jehangir Art Gallery, Kala Ghoda
From: April 26 to May 30
At: Jamaat, Colaba
Call: 22820718

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Scenes from the play 

Stopping by a vada pav stall for a quick, satiating bite on a busy day or tucking into a sev-chutney laden Bombay sandwich, as breakfast at the office is a quintessential Mumbai experience. But who are the people who wake up at the crack of dawn to prep food that they then dish out with assembly line-like precision for the rest of the day? At the rates at which they sell the fare, what counts as profit? And do the exigencies of being on the street eat into it? If these are questions that have crossed your mind, find answers to them at the Mumbai premiere of Stand on the Street, a physical theatre performance spanning four acts that tell the stories of four street vendors from across India.

"Originally, the performance was commissioned for the Serendipity Arts Festival in Goa last year by chef [and the festival's culinary arts curator] Manu Chandra. We had worked on the smell and memory aspects of food earlier, and this time, the idea was to explore taste as the primary sense in the performance," shares director Aruna Ganesh Ram. She adds that the dishes that the vendors sell in the play - jhal muri, a spicy puffed rice preparation from Bengal; sundal, a yellow pea fried snack from Tamil Nadu; momos, a popular street food from Delhi; litti chokha from Bihar; and paan from Varanasi - will also be served to the audience. "Chef Chandra was keen on picking dishes that went beyond the popular items, which is why we don't have pav bhaji or dosa in the play," she says.

"We wanted the audience to eat, listen, and watch these performers behind their masks capture the essence of the country, not in a particular time period but over the last couple of decades. It became a metaphor for the prevailing socio-political conditions in India, but never obviously so," says Chandra.

Chef Manu Chandra

As part of their research, Aruna and her team - consisting of actors Anjana Balaji and Aditya Garg, who play all 10 characters in the play - fanned out across India to meet 250 street food vendors and listen to their stories. "We realised that a vast majority of the vendors had left their hometowns to embrace a new city for life. And they all shared a common dream - they did not want their children to suffer like them," says Aruna.

The masks, which the actors wear throughout the performance, give it a sense of universality. "After all, this is not the story of one particular character, but of the many street vendors with whom our association is no more than a flitting transaction," she says. What also emerged in the research was the politics of being on the street, from dust and pollution to having to pay bribes, and dealing with the nuisance of barking dogs.

"A momo vendor from Mangalore spoke of the irony of customers, used to eating frozen momos at restaurants, finding the taste of her fresh dumplings, odd," Aruna recalls, adding that the play weaves in the instance of the call for a momo ban that had surfaced in Jammu last year. On the day of the performance, the team is up at 5 am to prepare all five dishes from scratch. "If we have to internalise their stories, we must live their life," Aruna sums up.

From: April 25 to 27, 8 pm (The Cuckoo Club, Bandra West); April 28, 6.30 pm and 29, 8 pm (Piramal Museum of Art, Byculla)
Log on to: bookmyshow.com
Entry: Rs 499

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Taking care of leather shoes in summer is not so cumbersome. Just keep them away from direct sunlight and water, say experts. Kanika Bhatia, Chief Experience Officer, Egoss, and Ambud Sharma, Founder, Escaro Royale Luxury (Escaro.in), tell how to maintain your leather shoes:

1. Keep them away from direct sunlight: Leather fades faster when exposed to sunlight. If it is kept out of direct sunlight, it will fade naturally over time. Sunlight can lead to drying and cracking. Ideal places to store leather footwear are darker places with some humidity, with slight ventilation to avoid formation of mildew.

2. Avoid keeping socks in shoes: Shoes wear off faster if socks are kept inside the shoes as they leave a pungent smell leading to bad odour that transpires into the socks worn with the shoes.

3. Don't store shoes in plastic/grocery bags: Leather shoes need some ventilation. Air should be able to pass through leather. For this, shoes should never be stored in plastic or grocery bags. Use bags made of breathable fabric and pillow cases to keep the shoes.

4. Do not wear the same pair daily: Leather shoes need time to dry up naturally as they have a tendency to soak water from your feet. Wearing the same pair everyday will not help the shoe to dry up leading to a faster wear down.

5. Use shoe tree: Keeping shoe tree in the shoe would enable it to maintain its shape, reduce creases and also to soak in excess moisture and odour.

6. Cleaning is important: Regular cleaning, polishing and conditioning play an important role in taking care of leather shoes. You should clean, polish and condition your leather pieces regularly with high quality cleaners and sprays to increase its lifespan. Always clean your leather shoes with a soft cloth before applying special shoe cream on the soft leather handcrafted products.

7. Stay away from water: Don't put water on your leather products especially hand-painted products.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Sonam Kapoor and Anand Ahuja

Bollywood's resident fashionista Sonam Kapoor got married to entrepreneur Anand Ahuja in a star-studded ceremony on May 8. The fairytale wedding was filled with glitz, glamour and romance, as one of the hottest couples tied the knot in front family and Bollywood's best.

The theme was "Indian festive shades of white". Celebrity hairstylist Asgar Saboo who is the go-to stylist for Sonam shows you a step-by- step guide on how you can get Kapoor's glamorous hair for you to steal the show!

Step 1
Begin by centre parting your hair, and dividing it into three separate parts. Do this by making two at the front and one, which will be to accommodate the large braid, at the back.

Step 2
Start with the left section of your hair by French braiding it and attaching more from the sides as you go along. Then loosen the braid before you move on to the right side by setting it aside. Repeat on the right.

Step 3
After braiding, tie elastic at the end of your hair to keep it in place. Take the front sections and tie them to the back.

Step 4
Then take the gajra you have chosen for your hair and place a bobby pin at the top. Wrap the gajra in a zigzag manner down the braid and as you come to the very end, secure it with an elastic band. Fancy trying out others? Then check out some of these simple easy-to- do styles to get the ideal locks!

View Photos: Sonam Kapoor-Anand Ahuja's wedding reception: SRK, Salman, Akshay attend the grand bash

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

A habitual wife-beater has landed behind bars for trying to burn down his neighbour's house when the latter tried to rescue the woman during a fight. After the secretary of Shivswaraj Society in Pant Nagar, Ghatkopar filed a complaint against the accused Alok Verma, 35, the local cops arrested him.

According to the police, Verma used to often fight with his wife and beat her up while drunk. Speaking to mid-day, secretary Rajgopal Nadar said, "On April 26, Verma reached home inebriated and started fighting with his wife. He even threw the food outside the house and vandalised the utensils inside. Soon after, his son came to my house and begged me to save his mother."

Also read: Couple who are having a baby ask neighbours to cook, do housework for them

Nadar went to their house and tried to stop Verma. "When I was trying to talk to him, he suddenly pinned his wife to the floor and started punching her. I immediately pulled him up and shouted at him, asking him to leave or else I would call the cops," Nadar said.

According to the complainant, Verma felt insulted at being yelled at and in turn threatened Nadar with harm. However, Nadar took his words lightly as he was drunk. Around midnight, the accused returned with petrol and set the door to Nadar's home on fire.

When one of the residents smelled something burning, he went out to check and saw flames had engulfed Nadar's door and window curtains. However, the neighbours rushed to the house with water and managed to douse the fire.

"Initially, we were not aware of how this happened. But later when I checked the CCTV footage from the cameras outside my door, I saw who the culprit was. After that I approached the Pant Nagar police and filed a complaint against Verma," said Nadar.

When contacted, Rohini Kale, senior police inspector of Panth Nagar police station, said, "The accused has been arrested under various sections of the IPC. The matter is being investigated."

Also read: Ex-IAF wing commander's wife found dead at her house in Dwarka

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

Illustrations/Ravi Jadhav

Girgaum, Kamat Chawl Thakurdwar
Celebrating the festival for the last 122 years, simplicity is key for Kamat Chawl residents. And they are happy to share tales from the forgotten pages of history and freedom struggle. Here, they do not follow the concept of themed decor and celebrate the festival in an absolute traditional manner. The idol is made of eco-friendly material called shadu. Following the spirit of why the festival was started in the first place, the pandal is built by the residents and each one volunteers to manage the space and the stage area.

Khetwadi, Tulsi Building Sarvajanik Ganeshotsav Mandal
This is the 75th year of the pandal and, like each year, the Ganesh idol is made up of different things, mostly edible. For instance, dry fruits, cereal and pluses, chikki, and stationery and diamond have been used. This year's focus is on kids and the theme is Disneyworld. The idol is made of Cadbury chocolate and the children cannot wait to see their favourite sweet take the shape of their favourite deity.

Malad, Shree Sai Darshan Mitra Mandal
For the last 11 years, this eco-friendly Ganesha has been a hit with devotees. Made from paper and cardboard, the organisers use various concepts including football erasers, pencils and cars. This year, Bappa is giving a shout out to nostalgia as the idol is made of old coins of 1 paise, 10 paise and 20 paise. The mandal's focus is to create awareness and education, especially about global warming.

Ghatkopar, S G Barve Nagar Sarvajanik Ganeshostav Mandal
Since 1966, the pandal's idols, one large and one small, have been luring devotees to this suburb. This year's theme is a dreamy fusion of a golden pillared palace, the religious oeuvre of Om Ganapataya namah and the galaxy. A daily bhandara of rice, dal, chole, bhaji, papad, pickles and gulab jamun feeds a thousand people. A blood donation drive along with free blood test and blood group check is done during the 10 day period.

Fort, Fort Vibhag Sarvajanik Ganesh Utsav Mandal
Celebrated since 1956, this is one of the biggest fully centralised pandals in the city. This year, they have invited special artists from Rajasthan to create a palace setting. Their finesse and specially crafted artwork adds to the grandeur of the pandal. While you are here, you can easily spot a celeb or two. The maha aarti, especially for the police department, is scheduled for tomorrow.

Thane, Narvir Tanaji Mitra Mandal
For the last 38 years, this pandal has been not only known for its large murti and grand themes but also for reaching out to those in need, especially in rural areas. Bappa will happily rest in the grand Rajasthani Palace and overlook the tasks the members of the mandal will take up. Medical camps and a beautifully curated cultural programme that will see participants sing, dance and create beautiful flower arrangements and rangolis are in store for the Utsav.

Tilak Nagar, Sahyadri Krida Mandal
For the last 41 years, this pandal has been dedicatedly putting up themes on social awareness. This year, their theme is 'Jai Jawan, Jai Kisan, Jai Vigyan' and will include artworks illustrating places from Kashmir to Kanyakumari, highlighting important destinations like the Himalayas and Madurai's Meenakshi Temple. These will be interspersed with reproductions of the metro, rail space research, army personnel and agricultural families to show how they co-exist to form an integral part of society.

Why Cheat India
U/A: Drama Satire
Director: Soumik Sen
Cast: Emraan Hashmi, Shreya Dhanwanthary
Rating:

The 'curse of the second half' in Hindi pictures is simply so severe, especially when it comes to films with well-known faces, that even as I find myself really enjoying a movie, there's a radar at the back of the brain constantly cautioning one to only hope that the post-interval portions even live up to the first half — by half. If so, then as an audience, you're pretty much through.

Is this movie an exception in that regard? Well, it eventually starts descending to such levels of random, thoughtless spinning of the yarn that by the end of it you're not even too sure it's the same film that you had started with in the first place. And hell yeah, it begins really well, what with highlighting the academic strains of being a teenaged 'padhaku' kid, Sattu (the boy's so brilliantly cast), in a lower-middle class family in Lucknow, coaxed into cracking a coveted engineering entrance exam (they don't call it IIT for some reason). For, how else does the father who's invested all his money into his child's supposed dream see his pension scheme through?

The film shines much-needed light on a common Indian teenaged nightmare, as sincerely presented in stand-up comedian Biswa Kalyan Rath's rather under-rated Amazon Prime series, Laakhon Mein Ek (2018). While sticking to searing realism — getting its time-setting, the year 1998 right, down to baggy trousers, and Force 10 type sneakers — the filmmakers manage to give the hero, Emraan Hashmi, a filmy sort of entry, smartly slipping in a soothing ballad, as well. Well done!

Hashmi plays a one-man racketeer who sneaks in smart kids, with counterfeit hall tickets, to max entrance tests on behalf of rich children, sitting at home, paying their way to top colleges as a result. You sort of know where the film might be going with this. And, maybe, that's the problem. Proxy contestants at overcrowded competitive exams for key educational institutions, where even well-prepared students wait for Godot to get in, is a huge multi-crore, organised industry, involving a system wholly corrupted, from top to bottom. Technology would have plugged some of the holes already; one's unaware to what extent.

If you haven't heard as much about this underworld, one should legitimately blame the news media for it — particularly in the case of the 2013 Vyapam (Madhya Pradesh Professional Examination Board) Scam, for instance, where close to 40 people, most of them whistleblowers, have mysteriously died, while the investigations are still on (or not quite) —but largely under-reported in the mainstream press.

And I thought this is what the film could be about — unearthing an earth-shaking scandal that should ideally knock you off your head. But, no, this is a film that attempts to combine strong commentary on the education/examination system, with a high-paced, heist thriller, with belaboured twists and turns, while trying to balance all of it with the urban slickness and high-life that Hashmi's inevitably romantically inclined, unscrupulous characters aspire for, and achieve, in his typical capers.

Watch Why Cheat India Trailer

So whatever fault you may find in the film possibly exists in the story/script to start with. And perhaps the reason is Hashmi himself, for he can't help but get on the big screen with strong baggage of the sort of flicks that have made him the star he is. The audience is obviously to blame for it, and the fact that Hashmi remains still an under-rated actor, because he is hardly commercially lauded for parts where he wholly goes off the beaten path — Dibakar Banerjee's Shanghai (2012), I'm told, tanked; Danis Tanovic's Tigers (2018) went straight to OTT (Zee 5), both being his career's best works.

And so he goes back to being himself: the trademarked flawed hero, who eventually justifies his wily actions as a natural outcome of a multiple-choice, rote-learning system that gives very few kids a choice beyond acing it to get ahead. How a scamster like his character is the solution still, and not the issue, is beyond me. Have to say though, what the audience will empathise with is the fact that far too few fine courses/colleges exist for far too many desi children: a progressively massive problem staring us in the face and an even uglier future. This affects everyone. To be fair, the government is just as clueless on how to deal with it as this totally confusing 'pop-con' pic.

Also read: Emraan Hashmi: Change of Cheat India title is illogical, ridiculous

Catch up on all the latest entertainment news and gossip here. Also download the new mid-day Android and iOS apps to get latest updates

Kalank
U/A: Action, Drama, History
Director: Abhishek Varman
Cast: Varun Dhawan, Alia Bhatt, Madhuri Dixit, Sanjay Dutt, Sonakshi Sinha and Aditya Roy Kapur
Rating: 

Not one to get wooed by the scale and production value of a film, I can't help but be smitten by the sheer beauty of Abhishek Varman's Kalank. In 2019, when Netflix rules our lives, this film is a rare cinematic experience that blends in opulence, glamour with a solid story about a family torn by its own skeletons in the closet. Star crossed pairs, their infidelities and how it destroys the world around them.

Drawn to forbidden pleasures and immoderate love is Roop, played with heft by Alia Bhatt. Varman's vast screenplay primarily plays off the luminous chemistry between Bhatt and co-star Varun Dhawan. There's a tantalising quality about their pairing and Varman uses this element to full effect. But a lot of the emotions drown in its self imposed ornate design of the film, which gives it a synthetic quality.

Watch the trailer of Kalank here:

So when a feisty Rajputana girl (Alia's Roop) is compelled by circumstances to marry a man (Aditya Roy Kapur's Dev) she can't even recognise in broad daylight, you want to discover more about their faulty dynamics. Or even how a well-educated woman like her, who has opinions strong enough to be voiced in front of an all-male team of writers running a flourishing newspaper, would fall for a visibly dubious man (Varun Dhawan's Zafar) with a promiscuous life. All of this and much more about the period's socio-political submerges beneath Binod Pradhan's gorgeous cinematography. It's almost as if there is a barrier between the audience and the characters - a gulf presumably created because of the director's reluctance to delve deeper into the plot.

Kalank movie poster

It's at the casting department, Varman scores big. Raging with simmering pain, Varun's aching performance beautifully transcends from showing him as a bitter man thirsty for revenge to a kind soul softened by love. Aditya's character has little graph but he adds soul to his act, supported adequately by Sonakshi Sinha who keeps her brief role serene all through. The seniors - Madhuri Dixit and Sanjay Dutt bring their effortless experience in a climactic sequence which packs a punch. Kunal Kemmu's grey part is portrayed with flair.

Also Read: Kalank: Here's everything you should know about the multi-starrer film

By no means is Kalank an unbearable film, despite being nearly 2 hours 48 minutes long. But there is a constant tryst to divert our attention from its storyline; Varman distracts us with his suggestive background scores, special numbers and sometimes even the perfectly created Manish Malhotra costumes. It's also equally problematic that a film set in pre-Partition doesn't stir up much political conversations throughout the narrative. There are stray mentions of their noble intentions but it remains largely detached from the divisive politics of the time it is set in. It also pays a tribute to Sanjay Leela Bhansali's school of filmmaking by borrowing a lot of his trademark sequences (especially Alia's entry which reminds one of Aishwarya's first scene in Hum Dil De Chuke Sanam). Varman's prism is fresh - his women aren't caricatures, his characters aren't perfect. Roop is innately flawed, her decisions are damaging but she fights back for love with all her might. His men aren't all heroic and larger than life; they stumble, are unforgiving and equally faulty.

Watch the video of the Kalank movie review here:

I was reminded of Deepa Mehta's masterpiece - 1947, Earth, rightly melodramatic, potently emotional which walked the tightrope of a love triangle in stormy times in a balanced way. Kalank doesn't aim for that depth. It's content in being pretty even when it has the potential of so much more.

Kalank screening: Janhvi Kapoor, Alia Bhatt, Aditya Roy Kapur attend:

Also Read: Kalank Celeb Review: B-town can't stop praising this period drama

Catch up on all the latest entertainment news and gossip here. Also download the new mid-day Android and iOS apps to get latest updates

A 36-year-old man was arrested for beating his 70-year-old father in Bhandup to death after an argument on Sunday night. According to the police, the man, identified as Sachin Gorivle was having an argument about his employment with the deceased, Krishna, The Times of India reported.

Sachin did odd jobs for a living and was at home since the lockdown due to coronavirus outbreak in March. When Krishna argued with Sachin about his job, the latter attacked the former in a fit of rage. His mother and sister were in a different room when the incident happened.

Krishna was rushed to a hospital where he succumbed to his injuries.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Social distancing and lockdown may have impacted each one of us mentally, emotionally and psychologically but it is the children and teenagers who have had to cope with sudden closure of schools, cancellation of exams and a prohibition of face-to-face interaction with their friends and teachers.

Anusha Manjani, Manager, Counseling Services at Akanksha Foundation, says, "Children are acutely aware of the sudden changes and panic in the environment around them. Younger children can feel confused, uneasy and scared; older children express feelings of anxiety, sadness and helplessness."

She added, "The uncertainty and chaos of the pandemic impacts all aspects of children's lives- it is not just a threat to their physical health- but to their learning, their home environment, their interaction with peers, their emotional well-being. Moreover, economic hardships, the overcrowding in homes, the lack of access to resources in low income communities can lead to higher incidence of neglect, violence and abuse- making staying at home itself a risk to some children's safety."

In such a time, it is crucial that children have support of their parents and teachers to help them in having a routine and structure to their day. Anusha says, "Parents and teachers can be key caregivers and anchors during this time to support the mental well-being of children- by reassuring them of their safety, creating a space to share feelings and using art, play, fun learning activities to engage with them."

Akanksha Foundation has started a helpline number called 'The Listening Space' for all the stakeholders such as students, teachers and parents to express themselves or just discuss about what's happening. While younger children have more questions about whats happening outside, older  children are venting out their frustration, their anxiety about their parents etc.

Parents and teachers are also coming up with interactive tasks and new ways of learning. Worksheets are sent to the students everyday and once the child solves it and shares it, the teacher reverts with the corrections as well. 

It is not just academics that are taken care of amid lockdown, things such as maintaining gratitude journals and 'doing a good deed everyday' are also being imbibed in the children to maintain their mental and emotional health.

A creative snakes and ladders

"At Akanksha, teachers, counsellors, social workers and parents are working together to support the children- whether it is checking in for the child's well being, spreading awareness of safety measures, encouraging learning through low-cost tech or doing parent-child activities- we are keeping the lines of communication and connection open and strong to navigate these difficult times together," says Anusha.

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Amidst the general gloom of these days, we should never forget all the stories of courage and hope. One such uplifting account has lessons for all of us.

A teacher of a BMC school, came up with the idea to hold classes for students during the lockdown period. She has been holding conference telephone calls with students, who are now getting lessons via these telephone calls.

It must be remembered that these are kids that do not have access to the Internet or computers. There is a section of children in the city who are logging on to the Internet every day and have regular school online. While that is one of the upsides of our hi-tech lives these days, those that do not have this lifestyle must also be encouraged and be able to continue with their studies.

A report in this paper highlighted how this teacher is telling her students to come together via telephone calls and imparting lessons.

It is true, as she said, that too long a break results in children forgetting what they have learnt, or in extreme but real scenarios, dropping out of school altogether.

Students must be on our radar in these times. They face tough questions, about exams, their future and stress over what the next academic year will bring for them.
Teachers must be creative in bringing lessons to children. Parents must try to ensure that children re-learn and refresh what they had learnt in the past. Extra effort and pain are needed from all stakeholders in these times.

Clear communication by the school principal or management at regular intervals may dispel some uncertainty. Let efforts towards academics be full-on and let us take care of young minds and hearts which may be filled with confusion and trepidation.

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Mumbai on Tuesday reported the highest death toll due to COVID-19 in a single day. There was a significant increase in the number of cases in Aurangabad and Malegaon. State health officials recorded 729 new cases in Maharashtra and 31 deaths, taking the state's total to 400 deaths. Apart from 25 deaths in Mumbai, four were recorded in Jalgaon and two in Pune. Maharashtra now has 9,318 postive cases.

393 new cases in city
Civic officials said a total of 25 deaths were reported in the city on Tuesday. Of these, five died between April 23-25, and 17 of them were suffering from other ailments. According to the civic body, 393 new infections were confirmed in the city on Tuesday. The patients are admitted in isolation wards and are undergoing treatment.

After a dip in the number of cases, the COVID-19 count rose in G North ward with 42 new cases in Dharavi, five in Mahim and four in Dadar. Four deaths were also reported in Dharavi. Civic officials said two of the patients who died — a 60-year-old man and a 60-year -old woman — had tested positive earlier and died at Sion Hospital while undergoing treatment.

Total 18 deaths in Dharavi so far
Two other patients — a 48-year old man from Kasarwadi and a 55-year-old man from Social Nagar in Dharavi — were confirmed to have contracted the deadly respiratory disease and died at KEM Hospital on Tuesday. As of now, a total of 330 positive cases and 18 deaths have been reported from Dharavi.

Civic officials said that seven of the infected people are residents of 90 feet road, while four others are from Mukund Nagar, and majority of them were aged below 60 years. In Mahim, a 35-year-old female resident of the police colony tested positive and the total number of cases in the area has jumped to 30. In Dadar, two 44 -year-old male residents of the municipal quarters and a 47-year-old woman from the police colony have tested positive.

On Monday, four staffers from the Mantralaya had tested positive. After tracing their contacts, civic officials said that they identified around 25 high-risk contacts and all of them have been tested. Their test results, however, are still awaited. Meanwhile, one COVID-19 patient with severe symptoms was given plasma therapy that will help the patient fight the infection.

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Amid the rising number of COVID-19 cases in Mumbai, Deputy Municipal Commissioner (Zone IV) on Wednesday wrote to Addl CP West Region Manoj Kumar Sharma, demanding stricter implementation of rules in the containment zones between Bandra and Andheri, especially the slum areas in the belt.

These include Nehru Nagar (Juhu police station), Samta Nagar and Junaid Nagar (DN Nagar), CD Barfiwala Road and Juhu Galli (DN Nagar), Gaondevi Dongri, Gilbert Hill and Dhangarwadi (DN Nagar), Versova Village (Versova), Kranti Nagar, Anand Nagar, and Behraum Baug (Oshiwara). The municipal authority observed "that there is no fall in the rate of positively tested patients and are rather increasing. It appears that existing lockdown measures are inadequate," the communication said.

It asked local authorities to ensure that the localities, local pockets and chawls are strictly sealed and locked down to have effective control on spreading Coronavirus in these localities.

"This office has frequently informed senior inspectors of respective police stations regarding containment of areas in their respective jurisdictions on a day to day basis as and when positive cases are traced in particular localities," the letter read.

Sharma told mid-day that "the police have already increased patrolling in these areas and deployed more number of officials."

'Lack of individual toilets'

DCP Abhishek Trimukhe said, "We have barricaded these designated red zones and are ensuring that there is limited access. Only the government ration shops and medicine shops are allowed to be kept open. All other shops in red zones will remain closed. However, the main challenge in these slum pockets is that there are no independent toilets within the red zone itself. There needs to be a toilet facility otherwise people will keep venturing out of their homes to use the toilet. How can we keep denying people the need to use the toilet?"

Cops make the rounds of slum areas every day

He pointed out: "There is a heavy space constraint in these slum areas, as opposed to building societies, where containment is very good. The lanes are very narrow in some slum pockets and the population density is high."

Identification system required

Trimukhe said that the police had asked BMC to have some sort of identification procedure for people who are residents of these red zones. "Since the population of these areas is very high, a designated identification system would make it easier to identify and segregate people," he said adding that community meetings have been held with residents to explain the guidelines to them.

'Can't sit inside tiny homes all day'

Senior PI of Oshiwara police station Dayanand Bangar echoed Trimukhe's concerns. "People are always saying that they are either going to get medicines or buy milk but the biggest problem is that of common toilets," he said.

"Residents of these slum areas, who live in a 10x10 house, cannot sit at home all day," he said, adding that in areas like Kranti Nagar, there is zero growth of COVID-19 cases. "Even though this is a red zone, there are currently no positive patients here.

Seven people, who had gone for treatment, and are now back."

1.4k
No. of containment zones in city

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Mumbai Police shared a heartbreaking and inspiring video of one of the officers who was tested positive for coronavirus,  going away for his treatment, with a promise of winning the battle against the pandemic and joining back on duty soon.

The 15-seconds video was enough to make Twitter users emotional and they heaped praises for the cop for being courageous despite testing positive for the virus. The police department said in the caption while sharing the video, "Our 29 year old frontline warrior, who tested positive for Coronavirus, just summarised what we’ve been meaning to tell you all along."

The video shows the officer bidding adieu to his colleagues and getting into an ambulance that was waiting to take him to the hospital.

Our 29 year old frontline warrior, who tested positive for Coronavirus, just summarised what we’ve been meaning to tell you all along - à¤Â•à¤¾à¤¹à¥Â€ à¤ÂŸà¥Â‡à¤Â‚शन à¤Â˜à¥Â‡à¤ÂŠ नà¤Â•à¥Â‹ रà¥Â‡, मितà¥Âà¤°à¤¾! #AamhiDutyVarAahot #MumbaiPoliceOnDuty #MumbaiFirst#TakingOnCorona pic.twitter.com/tNJWg7Ljsv

— Mumbai Police (@MumbaiPolice) April 29, 2020

The post shared on Twitter garnered more than 346,400 views and over 18,200 likes and was retweeted more than 3,600 times. The users commenting on the video said that they are praying for the officer’s speedy recovery.

That's the spirit ..salute to such a brave officer ...best wishes for his recovery

— Harish Raja (@hraja2016) April 29, 2020

I Salute and pray for the speedy recovery of all the Warriors who have been detected positive.
Tujhi kalji ghe Mitra.

— Akshay Raut (@akkir) April 29, 2020

His attitude says a lot about the young cop there... god bless â­Â
Yes tension gheu naka ... He will be back soonðŸ‘ÂÂŒ#PositiveVibes

— Neha (@IamNRGe) April 29, 2020

Get well soon sir love you all because of you we are safe and happy in mumbai..

— Aasif shaikh (@Asifshaikhseo) April 29, 2020

Salute ! Salute ! Salute

— Bharati Chaudhari (@bumekar) April 29, 2020

What do you think about the post?

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

A day after the number of deaths dropped, Mumbai's death toll rose to 27 deaths on Saturday, the highest number recorded in a single day. The city's count of new cases was also high, as slum areas like Dharavi recorded 89 new cases in a single day.

Maharashtra reported 36 deaths on Saturday and 27 of them occurred in Mumbai, three in Pune, three in Amravati and one each in Vasai-Virar and Aurangabad. State health officials said that in addition to the 27 COVID-19 related deaths in Mumbai, a resident of West Bengal also died in the city. Civic officials said that 20 of those patients were suffering from other ailments including hypertension and diabetes and 15 of the patients were in the age group of 40-59 years.

Civic officials stated that 89 new cases were reported in Dharavi on Saturday and 38 new cases on Friday which took the total count of cases in the area up to 496. Among other areas, Kumbharwada continued to be a hot spot with 16 new cases in two days while Kunchikurve Nagar had 10 new cases. Apart from Dharavi, 17 new cases were reported in Mahim over the past two days which included two patients from the fisherman colony, and 13 new cases in Dadar.

Civic officials of G South ward, which had the highest number of cases, reported that 30 new cases were confirmed on Saturday. "The situation is better at the Worli Koliwada and Jijamata Nagar. However, there are a number of cases emerging from the BDD chawl and Prem Nagar," said Sharad Ughade, assistant municipal commissioner of G South ward. When asked if the restrictions at Worli Koliwada that has been sealed for several weeks will be relaxed, Ughade added that they will take a decision next week.

Two engineers in the maintenance department of Nair Hospital also tested positive. Dr Mohan Joshi, who is in-charge of Nair Hospital, confirmed the news and said, "These engineers did not come in contact with any COVID patients, they caught the infection from the areas where they live."

State health officials said that Maharashtra reported 790 new cases and of them, 547 of them were from Mumbai, and the city now has 8,359 cases. In areas across the state, 121 patients were discharged after a full recovery. Till date, Maharashtra has had 12,296 confirmed cases and 521 deaths.

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Over the past six days, the Brihanmumbai Municipal Corporation (BMC) has recorded a total of 124 COVID-19 deaths, almost double of the toll recorded between April 22 and April 27 (59), making it one of the major causes of concern for the city. With four BMC workers succumbing to the viral infection in the last two days, 21 deaths were reported just on Sunday.

Of the 124 deaths, 60 are in the age group of 40 to 60 years, three are aged below 40, and the remaining 61 are above 60 years of age. As per the civic body's data, 2,144 new cases and 59 deaths were reported between April 22 and April 27. Another 3,024 cases got added between April 28 and May 3. Meanwhile, 441 new cases were reported on Sunday taking the city's tally to 8,613.

Sources in the BMC said that they had formed a four-tier system to deal with the COVID-19 cases. Around 2,000 asymptomatic patients have been shifted from hospitals to COVID-19 quarantine centres across the city so that the health workers can focus on the treatment of serious patients.

Meanwhile, the number of patients in Dharavi is also increasing by the day. On Sunday, 94 new cases and two deaths were reported in the area. So far, the total number of patients in the largest slum of the city has reached 590 with 20 deaths. Mahim has reported 16 new cases with the total being 68 in the area.

Four BMC workers die
A total of four BMC workers, including a BEST staff, involved in fieldwork related to COVID-19 have died over the past two days.

A 46-year-old staff was working in the labour ward of civic-run Shatabdi Hospital in Govandi, where a pregnant woman had tested positive for the virus. The worker was a high-risk contact and had tested positive for the virus too, after which he was admitted to Rajawadi hospital in Ghatkopar. However, he succumbed to the infection on Saturday.

One motor loader, 49, working with the solid waste management department in BMC died due to the viral infection on Saturday. Another worker of N ward and deputed at the MCMCR training unit in Powai for COVID-19 related work died the same day.

Speaking to mid-day, Ramakant Bane, general secretary of the municipal union, said, "The workers are worried about their and their family members' health. With the growing number of COVID-19 cases, the BMC should test their workers on priority."

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

The Centre and state governments' relief plan for migrants involving transportation home seems to have failed to convince migrants who are continuing to set out with their kids and meagre belongings for their hometowns in the scorching heat. Daily wagers are facing all kinds of hardships ranging from lack of food and footwear, to carrying heavy loads over hundreds of kilometres.

Between Bhiwandi and Vasai was where mid-day met these workers, some of who are taking the assistance of Google Maps for shortest routes, on Tuesday morning.

Migrants spend all night walking and the sweltering days under the shade of trees lining the highways on their way to their hometowns. Pics/Hanif Patel

A group of migrants, who used to work at a brick kiln in Vasai, began their journey in the wee hours of Monday, claiming that they were not approached by any government authority for transport back home, nor are they allowed to get tested for COVID-19.

"All the doctors are scared to touch us. They think we might be COVID-19 positive. Also, we were told that we will have to pay for the train journey to Prayagraj. How can we pay the government if we don't have a single penny in our pocket?" said Rajkumar, who worked in a brick kiln in Gorai pada, Vasai with his family members.

The distance between Mumbai and Prayagraj is 1,387 kilometres.

No work here
"We all were patiently waiting for the lockdown to end on May 3, but it was extended again. People have been saying that Coronavirus cases are increasing rapidly in Mumbai and Vasai-Virar area. I am worried about the well-being of my family. What will we do if we continue to stay in Vasai? There is no work," said Rajkumar, who has been walking on foot with his family members including women and toddlers who are barefoot.

They only have a few packets of biscuits and a water jar and are depending completely on help from Good Samaritans en route.

"We will starve here, and we will starve in our village too. Better that we die in our village," said Rajkumar.

Kids ask for food
"Children ask for food. Also, they can't walk for long distances. We have to carry them and our belongings," said Ashok, who has been leading his family and other migrant workers using Google Maps for the shortest possible route to Prayagraj.

And if the network becomes poor, Ashok said, "I will ask local people to suggest the best route."

A 10-year-old boy from a different family walking to Prayagraj was seen carrying a pressure cooker on his head. Lalman, the boy's relative, said, "The government has not done anything for us. Doctors pe helicopter se phool barasaye jaa rahe hain, aur hum logon ko khana bhi naseeb me nahin hai."

Another family, which was working as construction labourers in Vasai, told mid-day that they had been living in makeshift tents in an open field. "The rainy season is about to come. How and where will we take shelter during monsoon? Our tents will be inundated. So, it is wise to reach our village in Jalna district before the rainy season starts," said Gajanand.

Migrant worker Ramlal twisted his foot while walking. "It has been paining a lot but there is no other option than to walk home. We labourers mean nothing to the government. Otherwise, we too would have been showered with flower petals from a helicopter. We are paying for being poor," said Ramlal, who walks for a few metres and then stops to rest his foot.

1,387
Distance in km between Vasai and Prayagraj in UP

1,387km
Distance between Vasai and Prayagraj

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

WITH 43 new deaths due to COVID-19, Maharashtra on Thursday recorded the highest daily toll. More than half of the deceased were from Mumbai, where the total number of confirmed novel Coronavirus cases has crossed 11,000, with 680 new infections as of Thursday.

The 26 victims of COVID 19 from the city included a resident of Manipur and Bihar each. According to state health department officials, seven deaths were reported in Pune, five in Vasai Virar, two in Solapur and one each in Akola, Palghar and Aurangabad.

Of the 43 deceased, 25 were senior citizens while 14 were in the age group of 40-59 years. And 29 of them were suffering from other ailments. The death toll in the state now stands at 694.

Focus on pregnant women too

Across Maharashtra, 1,216 new cases were confirmed on Thursday, taking the total count to 17,974. Officials said that 207 COVID-19 patients were discharged after a full recovery. Apart from senior citizens, civic officials are also focussing on pregnant women, especially those who are nearing their delivery date. Additional facilities have been made for them at Wadia Hospital, Surya Hospital and others, the officials added.

50 new cases in Dharavi

Meanwhile, cases in G North ward continued to rise, with 50 new cases reported in Dharavi and majority of the patients were below the age of 60 years. Five new cases were reported from Mahim and two from Dadar, including an 80-year-old man who lives near the Plaza Theatre. Currently, G North ward has around 945 COVID-19 cases and has the second highest number of infections in the city.

Owing to the high concentration of cases, a team from the Centre visited Dharavi on Thursday along with civic chief Praveen Pardeshi and IAS officer Ashwini Bhide who is handling the COVID-19 war room under the civic body. Civic officials, however, remained tight-lipped about the recommendations and observations made by the central government team.

1,900 Indians to land in city

The Centre on Thursday began the process of bringing back thousands of Indians stranded in other countries. As many as 14,800 Indians from 12 countries will return home via airplanes or ships. Around 1,900 of them will land in Mumbai from the USA, Bangladesh, the Philippines, the UK, Malaysia and Singapore.

The BMC has reserved 3,343 rooms in 88 two/three/four/five stars and budget hotels for the nationals returning home. All of them will be quarantined and tested for COVID-19 as a precautionary measure.

17,974
Active coronavirus cases in maha  as of today

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

A 3D printing startup in Mumbai has been accused of not fulfilling its part of the deal in a crowdfunded project initiated by a Delhi-based content creator to provide equipment to frontline health workers.

In March, Kusha Kapila contacted Boson Machines (BM) to provide 3D printed face shields for medical personnel at an initially agreed price of R150, by raising Rs 900,000 on Ketto.

With an industry standard yet to emerge, there were a lot of debates between Kapila and BM over the price and the number of masks to be made for raised amount."We then settled on R19 lakh for 18,000 masks," said Kapila. "Even this meant that a shield would cost Rs 105, which was still higher than the price of other 3D printers. The price was again reduced to Rs 75, before they finally agreed to R60. At the same time, the fundraising goal was also increased to Rs 21 lakh. They already had orders and capacity for 14,500 masks and we wanted to help as much as we could."

Kapila’s tweet tagging Aaditya Thackeray where she called out Boson

Boson was paid around Rs 13 lakh for the 14,500 face shields, and the remaining money was with Ketto, to be paid after the second batch of shields were dispatched.

The story gets muddled at this point, with Kapila taking to Twitter on May 1, accusing the company of not honouring its commitment and claiming even Rs 60 per mask was steep.

"After many enquiries, and [BM co-founders and brothers] Arjun and Parth Panchal's consistent unavailability, they finally sent a cost breakdown that I forwarded to various industry experts for verification."

In another tweet, Kapila alleged BM charged more than market price. Both Kapila and Ketto also claim that BM had been evading their questions.

"As of today, suppliers charge anywhere between Rs 35 and Rs 50 for a shield of the same quality," Kapila told mid-day. "This suggests that BM is trying to profit off this fundraiser. Profiting off a pandemic is shameful and anti-national. For instance, the cost of the plastic frame is quoted as R80 and they could only justify Rs 27. That's a difference of Rs 53. Further, the visor cost is quoted as Rs 30, but we found out that a sheet costs Rs 8. The tally says BM has delivered 10,700 pieces but we don't know if this has actually happened. As of today, Boson owes [me and Ketto] Rs 6,76,000," Kapila said.

By this, Kapila means BM has to return her and Ketto R6,76,000 from the initial Rs 13 lakh paid, as per her calculations. "The last time I spoke to them, which is when we reached a price of Rs 60, they agreed to return the money but later said their CA would get in touch and have ghosted me since," said Kapila.

Parth Panchal. Pic/Facebook, Arjun Panchal. Pic/Twitter

BM claims it has already delivered 10,700 face shields to 19 hospitals and other institutions across the country, including Mumbai's Sion Hospital, Kasturba Hospital, KEM Hospital, Wadia Hospitals—and even the BMC.

In an email to mid-day, BM refers to Ketto Online Ventures Private Limited as the buyer, and not Kapila. "We are unaware of the role of Ms Kusha Kapila with the buyer, M/s Ketto Online Ventures Private Limited, and whether she is authorised to represent the company in commercial matters," it said.

BM also alleged Ketto owes them an outstanding R1,31,063 from the orders that they had already fulfilled.

"We have seen the statement put out by Boson and our legal team is taking necessary steps," said Varun Sheth, of ketto.org.

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Dear Diana,
I have been with this girl for over three years now. Things are going fine, except the fact that her sister influences her a lot. She is older to my girlfriend and ever since their mother passed away when they were young, her elder sister has been a mother figure to her. I detest her sister as she keeps telling her stuff about me. According to my girlfriend, she is cautioning her, but I feel this is interference. Last week, she told her that she had seen me with a girl on the seafront. This was wrong information as I was out with some relatives who had come down from Ranchi and were keen to visit the beach. Whatever her sister tells her, she blindly believes. How do I tell her not to believe every word she tells her? My girlfriend is 24, but can't think for herself.
— Jason

Illustration/Uday Mohite

Dear Jason,
Your girlfriend considers her elder sister as a mother figure. As her mom passed away when she was young, her sister has taken care of her. At the same time, now that she is 24, it is time she had a mind of her own. Her sister is being extra protective of her and that is understandable. If you are serious about her and are planning a future together, you need to sit down and talk to both of them. Tell them exactly how you feel. It is better to be honest and forthright. Perhaps your girl is not even realising how she is allowing herself to be influenced by her elder sister. She feels this is the done thing. At the same time, do not antagonise the sister or things might work against you and ruin your love life.

Sonam Kapoor in a bulky sweater over a dainty dress by Prabal Gurung. Pic/AFP

Style book
* Don't pick a jumper that is too thick as it might make you look bulky and uncool.
* Embrace anti-fit. It goes with all body types. Too tight a sweater dress and you might look like Kim Kardashian from her non-fashionista years.
* Belt a sweater dress if you want to look sleek but skip if you are top heavy.

Pick a pleated skirt (metallic for your evening out) to pair with a long or a short jumper, at seen on Christian Dior's show

* Pair a cropped jumper with wide-legged pants that are cut above the ankle. You can even wear cropped jeans and pair them with embellished flip flops or pool slides for a relaxed day look.
* Contrast is the key — wear an oversized sweater over a pleated or a lace skirt. You can also wear it over a dainty dress.
* For your evening out, wear a metallic or sparkly sweater with a pair of strappy heels. If the temperature drops, add a pair of colourful stockings or above-the-knee preppy socks.

Take a cue from Tommy Hilfiger and wear a glittery jumper as a dress, with stockings or long socks. Pic/Getty images

* To go from baggy to sexy, add a lace peek-out bralet.
* A sweater layered over a buttoned down shirt is a classic pairing; take it to the next level by wearing it over a shirt dress instead. You can wear it with stockings or even ankle length boots. Add a sling bag or a neckpiece to make the look bohemian.
* Wear a chunky neckpiece over a solid coloured jumper and jeans for a hip day look.
Inputs by stylists Shaleena Nathani and Neha Tham

Winter is all about wearability and comfort, but don't make it an excuse to let go of the style quotient. Break away from conventional silhouettes and experiment with versatile trends like embroidered capes or structured peplums to beat the chill, say fashion gurus.Ace fashion designer Manish Malhotra, who has dressed up beauties likes Kajol, Karisma Kapoor, Kareena Kapoor Khan, Rani Mukerji, Aishwarya Rai Bachchan and Preity Zinta, feels one should stick to layering, but incorporate vintage hues. "Winter is all about comfort in style as we break away from conventional silhouettes and experiment with versatile trends that cater to a young global audience. As we mark the beginning of festivities in India, my latest collection spotlights layering as the key highlight of the season; I love layering as a trend and I always incorporate it even in my personal style," Malhotra told IANS.

"Crafted in vintage hues of chrome, ivory, oyster grey and rose, organza capes, trench jackets, and silken kimonos draped over tea-length dresses and layered skirts add an innovative twist to the young, glamourous women. For the modern gentleman, cowl-necked kurta-shirts with embroidered dinner jackets and velvet drapes help accentuate European accent to the classic ensemble," he added. Designer duo Ankur and Priyanka Modi, who established their brand AM:PM 15 years ago, believe in modern simplicity. "Winter is all about wearability, comfort and style and this season we break the monotony of traditional influences to introduce bold, power silhouettes as the versatile trend to adapt. Crafted in luxurious fabrics of velvet and silk, jackets, long or short, add an understated glamour to a classic silhouette," they shared a joint view with IANS.

Pointing out the trends to go for, they said: "Be it the embroidered capes or structured peplums, each garment can be effortlessly paired across any occasion and are thus, our staple must-have choice for the season." A lot of people associate winter with black and grey. But try hues like pomegranate red and aubergine, says Deepshikha Khanna, Head of Product Development (Apparel) for Sustain, Good Earth, India. "At Good Earth, our design philosophy revolves around translating simple everyday luxury for fashion lovers across the globe. With the festivities ushering in, our Sustain range highlights fusion wear as the emerging trend for the winter season," Deepshikha said. "Breezy kurtas worn with palazzos and printed scarves make an ideal choice for a casual day brunch while embroidered shararas and angrakhas crafted in deep, winter hues of pomegranate red, aubergine and charcoal is perfect for an evening outing. Indigenous fabrics of chanderi, silk, velvet and brocade flaunt versatility and comfort and can be styled effortlessly from day to night across various occasions."

Catch up on all the latest Mumbai, National and International news here

Download the new mid-day Android and iOS apps to get updates on all the latest and trending stories on the go

Pranav Mody, mixologist at Sassy Spoon, puts final touches on the Berry Berry Khatta

While creating the bar menu for Juhu's +91, head of operations Jatinkumar Jajal, was clear about one thing: The teetotallers shouldn't feel shortchanged. Having refrained from boozy binges whenever in the driver's seat, Jajal was familiar with the plight of non-drinkers, who often have little to woo them at bars. "I wanted to go beyond the regular fresh lime soda," he says. That the restaurant has been inspired by the highlights of regions across India, meant the drinks had to toe the line. Jalal spent three months travelling the length and breadth of the country as part of his research.

Puerto Rican Sunrise. Pics/Bipin Kokate

Today, +91's bar menu boasts of 40 options, of which 20 are mocktails including a Slushy Aam Imli Panna prepared from raw mangoes of Konkan and Banarasi Paan Colada made of paan, fresh cream and pineapple from Varanasi. "Most restaurants don't exceed four options," he says. As it turns out, Jajal isn't the only one applying his talent to non-alcoholic drinks.

The bartender at +91 garnishes the Slushy Aam Imli Panna. Pic/Sneha Kharabe

Jitin Merani, chief operating officer of Drinq Barmen and Academy, who has designed the menu for Irish House and Magazine Bar and Kitchen, feels bars are no longer all about alcohol. In fact, he recently designed an elaborate mocktail menu for Kill Cafe at Seven Bungalow with over 20 options. "A lot of traditionally teetotaller communities like Marwaris and Jains have started frequenting bars. Hence, restaurant owners are feeling the need to invest in their non-alcoholic section," he says. Merani feels it's the holistic experience that counts. "People want a good ambience, great food and a drink worth their salt, whether alcoholic or not," he says.

Pranav Mody, mixologist at Sassy Spoon, believes the trend has picked up in the last couple of years. "A lot of people who visit the restaurant don't prefer alcohol, either because they're teetotallers, are trying to go healthy," says Mody adding that the festivals season also witnesses a drop in demand for alcohol. The Sassy Spoon upped its mocktails menu during a revamp last year. "We felt mocktails offered a chance to experiment with fresh fruits and herbs that hold health properties," he says. In fact, one of their signature mocktails, the Berry Berry Khatta made of fresh mulberries muddled with oranges, grapes and kala khatta, inspired a cocktail. "We decided to spike it with some Absolut raspberry vodka, and the flavours blended beautifully."

The inherent ability of alcohol to lend flavour to a drink has made many bartenders focus more on cocktails. "Alcohol has its own elements that bind flavours together. Mocktails, on the other hand, are notoriously known for having high sugar content," says Mody. He gives us the example of a Virgin Mojito and Caprioska, which are almost impossible to prepare without sugar. "I do get several requests from patrons for sugar-free variants of these drinks, but if I don't end up adding sugar, it'll taste extremely sour," he says. That's where fresh fruits and sugar replacements like honey and stevia count.

While some restaurants may have upped their mocktail menus, it's still not up everybody's alley. Terttulia at Prabhadevi has refrained from having a mocktail section altogether. But as owner Imrun Sethi insists, his team entertains requests for mocktails. "Most of our cocktails can be made into mocktails. In fact, our bartenders are always customising drinks based on requests we receive. No mocktail has ever been a high seller even in the past and the current health wave doesn't help," he says. Sethi is of the opinion that many teetotalers have now moved from drinking mocktails to other beverages, and therefore they never see a very high demand for mocktails.

When it comes to physical well-being, there is little doubt that we are what we eat. Yet, in our fast-paced lives, what we put into our system often pales before other priorities. Combine it with our readiness to consume packaged and junk foods, and we may be looking at serious health concerns in the long run.

A whole plant-based basics cooking workshop by Sharan, an organisation that spreads awareness about holistic health and an ecologically sustainable lifestyle, aims to reverse this trend by teaching its participants simple ways of eating healthy through the day. "The moment we start eating right, the body starts healing. The aim of this workshop is to celebrate food rather than deprive ourselves of it, which is why all the recipes are not just healthy and wholesome, but also delicious," says Reyna Rupani, the organisation's Mumbai head.

The workshop will be conducted by whole plant nutritionist Madhura Vayal and chef Rose Pinto, who will share tried-and-tested breakfast, lunch, dinner and snack recipes such as Green Smoothies, Red Rice Idlis, Peanut Butter Salad, bread, vegan ice cream and cheese, oil-free Dahi Wadas and even home-made green tea. "The idea is to eliminate processed, preservative-laced ingredients from our diets. The best part about these recipes is that nobody misses the oil or sugar because the flavours only get better with healthier substitutes," Rupani sums up.

Bollywood singer Kanika Kapoor has now approached the King George's Medical University (KGMU), offering to donate her plasma for treatment of other Covid-19 patients. The singer called up the head of transfusion medicine department, Prof Tulika Chandra, and volunteered to help.

"She called me up and said she really wanted to help other Covid-19 patients. Vice Chancellor Prof M.L.B. Bhatt has given a go ahead on it and we will now be carrying out the tests on her to see if she is fit to donate her plasma," said Prof Chandra.

As per experts, Kanika's sample will be tested for a number of things before she can donate her plasma. These include her haemoglobin level that should be above 12.5, weight should be more than 50 kg and the patient should not have diabetes, cardiovascular issues, malaria, syphilis and other such ailments.

Kanika's sample will probably be taken on Tuesday and if found to be eligible, she will be donating her plasma on Wednesday. Kanika Kapoor had grabbed headlines last month when she became the first Bollywood celebrity to test positive for Coronavirus.

Kanika had attended two parties in Lucknow in the presence of top politicians and bureaucrats and all of them were later tested for Corona. Kanika was hospitalized for over a fortnight at the Sanjay Gandhi Post-Graduate Institute of Medical Sciences (SGPGIMS).

She had, on April 26, come out with a statement clarifying her travel and Covid-19 history declaring that she was aware of misconceptions and wrong information floating around her but she chose to remain silent until ready to speak. Kanika in her social media post had said that all persons she came in contact with in the UK, Mumbai and Lucknow had been tested negative and that she had duly followed the process.

Meanwhile, the KGMU on Sunday night, made the first plasma transfusion in a 58-year-old patient from Orai who is a government doctor whose condition was critical. The doctors now say that the patient is responding well to the transfusion.

The university has received three plasma donations from fully recovered Covid-19 patients, two from doctors and one from a Lakhimpur man.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

A video about Aamir Khan's unique donation to those hit hard by the lockdown has surfaced online. It claims that on April 23, a truck arrived in an underprivileged area in Delhi. The vehicle was loaded with one-kilo packets of wheat flour. Many felt the quantity was too meagre and would hardly serve any purpose, so some refused to take it. But the slum-dwellers who took it were in for a huge surprise.

There was Rs 15,000 in every pack. It is unconfirmed but fans believe that it was Khan's idea to ensure that the money reaches those who need it. The authenticity of the video is yet to be ascertained. But the star is one of those who believe that when you give to the needy, do not announce it with trumpets.

Many Bollywood celebrities have been doing their bit in their way by making contributions. Speaking about the same, a source close to the actor tells us that the actor has already made his contributions to PM Cares fund, Chief minister's relief fund- COVID 19, film workers' association and a few NGOs along with extending support to the daily wage workers of his next film, Laal Singh Chaddha during this lockdown.

There are very few people who mark their donations without any posts on social media, and one such actor is Aamir Khan. Time and again, when the nation has needed help, Aamir has been at the forefront to extend his support by all means.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Megastar Amitabh Bachchan on Wednesday condoled the demise of ace actor Irrfan Khan with a heavy heart. The star called the passing of Khan the 'most disturbing and sad news' and said that he 'left us too soon, creating a huge vacuum.

The 77-year-old actor took to Twitter and conveyed his deepest condolences. He tweeted, "just getting news of the passing of Irfaan Khan .. this is a most disturbing and sad news... An incredible talent .. a gracious colleague .. a prolific contributor to the World of Cinema .. left us too soon .. creating a huge vacuum .. Prayers and duas."

T 3516 - .. just getting news of the passing of Irfaan Khan .. this is a most disturbing and sad news .. 🙏
An incredible talent .. a gracious colleague .. a prolific contributor to the World of Cinema .. left us too soon .. creating a huge vacuum ..
Prayers and duas 🙏

— Amitabh Bachchan (@SrBachchan) April 29, 2020

Irrfan passed away at Mumbai's Kokilaben Hospital on Wednesday while battling rare cancer. He was 53. Khan was last seen on screen in 'Angrezi Medium'. He was not a part of the film's promotions owing to his ill health. He was regarded as a fine actor by fans and critics alike with critically acclaimed films like 'The Lunchbox' and 'Paan Singh Tomar' to his credit.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Life can be very unpredictable and the most traumatic and tearing example that comes to mind is that of Irrfan Khan, an actor who has departed too soon. Suffering from Neuroendocrine tumour for the last two years, the actor was a fighter. He was admitted to the Kokilaben hospital for colon infection and breathed his last today morning. He was 53!

Irrfan Khan's demise has left a void in the Hindi film industry that's unlikely to be filled in the coming years. There was nobody like him, what we call the inimitable artist. Almost everyone from the fraternity has mourned his loss. But the way Shah Rukh Khan has expressed his thoughts, one could easily tear up.

He shared a picture with the actor and wrote - "My friend...inspiration & the greatest actor of our times. Allah bless your soul Irrfan bhai...will miss you as much as cherish the fact that you were part of our lives..."

Have a look right here:

My friend...inspiration & the greatest actor of our times. Allah bless your soul Irrfan bhai...will miss you as much as cherish the fact that you were part of our lives.
"पà¥Âˆमाना à¤Â•हà¥Â‡ हà¥Âˆ à¤Â•à¥Â‹à¤Âˆ, मà¥Âˆà¤Â–ाना à¤Â•हà¥Â‡ हà¥Âˆ दà¥Âनिया तà¥Â‡रà¥Â€ à¤Â†à¤Âà¤Â–à¥Â‹à¤Â‚ à¤Â•à¥Â‹ भà¥Â€, à¤Â•à¥Âया à¤Â•à¥Âया ना à¤Â•हà¥Â‡ हà¥Âˆ" Love u pic.twitter.com/yOVoCete4A

— Shah Rukh Khan (@iamsrk) April 29, 2020

Shah Rukh Khan and Irrfan Khan worked together in Priyadarshan's 2009 comedy Billu, which was the former's home production. It's sad we could not see more of the two on the celluloid but they did meet often and bonded really well. With the great actor's demise, life's unpredictable nature has been confirmed yet again!

Bollywood celebrities, who worked with him or even those who were fans of his craft, paid homage and condolences to his legacy and the overall person that he was. One of the first ones to do that was his Piku co-actor Amitabh Bachchan. His presence will always be felt around us and the entire Hindi film industry!

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

While Mira Nair's The Namesake (2006) introduced Irrfan to the art-house West as Ashoke Ganguli, there was a 2012 profile of his in The New York Times (by Kathryn Shattuck) that, he reckoned, alerted many in the Hollywood establishment to the person behind the roles he'd done thus far.

This is a couple of years after the last season of HBO series In Treatment that I recall Irrfan calling up from the US to say he was particularly proud of. And a few months before the release of Andrew Webb's franchise reboot, The Amazing Spider-Man, where he played the antagonist, Rajit Ratha.

Titled 'Bollywood Hero, American Everyman', the NYT piece went on to ask, "Could Mr Khan become the first Indian to capture the lead in a mainstream American movie?" It began with Irrfan himself declaiming, "Hollywood isn't ready for an Indian leading man." And Ang Lee later agreeing, while arguing, "But maybe he can do it for us [Asians]. He's definitely rare and very special." Irrfan was dubbing for Lee's Life Of Pi at the time.

The fact is, up until Irrfan had spent over a decade and half in Bombay, after graduating from National School of Drama (NSD), doing grunt-work on television, with shows after shows—some of them hugely popular, like Chandrakanta, Star Bestsellers, Banegi Apni Baat (that he also directed episodes of)—starting from late '80s, all through the '90s, let alone Hollywood, even Indian cinema wasn't ready for him as an Indian leading man!

That real deal happened only with the British filmmaker Asif Kapadia casting Irrfan in and as The Warrior (2001), in a slow, quiet, Himalayan Western, if you may, with his haunting eyes adding to the striking visuals. Thereon, young Kapadia scripted an Oscar-winning career as one of the world's top documentary whizzes (Senna, Amy, Diego Maradona).

Irrfan finally captured desi imagination with his inimitably insouciant, proper desi-cool turn as the rustic college goon in Tigmanshu Dhulia's Haasil (2003). A lot of local filmmakers, he said, could place him as the new villain in town. He refused a few such roles, only to mesmerise audiences even more as the obsessed lover in Vishal Bhardwaj's magical Maqbool (2004)—unreservedly a masterpiece that Bhardwaj found hard to match, leave aside with Irrfan (though Haider and 7 Khoon Maaf with the actor were decent attempts).

Thus, a star was proverbially born. Although he'd been around in Bombay all along. This is no time for rona-dhona on ways the film industry functions, while it was always a pleasure to chat about all of this, on occasion, with Irrfan. He never held back on what he felt or thought, about people and pictures.

Will never forget this one time he told me on a TV interview how embarrassed he felt watching the "aaj mere yaar ki shaadi hai" (desi-wedding type) shindig around Slumdog Millionaire (2009) at the Academy Awards stage, with Anil Kapoor over-excitedly jumping about, while he hadn't even heard of Danny Boyle before signing up for the film! Or in another interview where he complained about why Shah Rukh Khan had to play out two schizophrenically different films (one with himself all over it) in Billu (2009), with no one ending up liking either, as a result.

That's how Irrfan was, even in public — charmingly candid, but meaning no malice whatsoever, of course. Despite much that he'd been through. To be fair, just casually scan the timeline for when he moved to Bombay. This was the fallow phase when 'parallel cinema' that had inspired him to become a film actor in the first place, had altogether been phased out. Many of the filmmakers had moved to television.

Irrfan got to do the historical docu-drama Bharat Ek Khoj (1988) with Shyam Benegal. He found a chance to work with Govind Nihalani in Drishti (1990) or Basu Chatterjee in Kamla Ki Maut (1989), in the evening of their careers.

The mainstream space almost wholly consisted of action stars, and thereafter, what he called "chocolate boys". Irrfan was neither. The key issue with him as a young aspirant, he said, was to imagine who he could be like. Until Naseeruddin Shah, from the generation before him, he confessed, metaphorically showed him the way — first from Jaipur where he grew up, to NSD, in Delhi.

An abiding memory of Naseer on screen, Irrfan recalled in a TV interview, was from Umrao Jaan (1981), where he flirts with Rekha's character, who is visibly annoyed and asks what he's up to. He casually mentions, "Waqt hai toh kuch toh karein, saath (Since there's time let's do something together)."

The first time I saw Irrfan on the big screen was in an NFDC production, Fareeda Mehta's Kali Salwaar (2002), where he plays writer Saadat Hasan Manto, staring at the heroine in the balcony, from across the street. What are you up to, he asks her. "Jhak maar rahi hoon (Doing nothing)," she says. "Chalo saath mein jhak maarte hain (Let's do nothing together)," he retorts indifferently. Few have seen that film. Don't remember much of it either — impossible to erase that casually killer moment from memory.

For all the years he was altogether bored of bulk-acting on TV in Bombay, whatIrrfan found the hardest to do was keep the inspiration alive — even while he found none of it in his work. He found most of it in watching films, right from the time he bought a video-player with his first salary in the city.

No actor I know from his generation was as well-versed with world cinema as Irrfan. One of his dreams was to be in the same frame as the French hero Gerard Depardieu. Can't thank him enough for introducing me to the Turkish-German star-director Fatih Akin, much before Akin became a thing. Or filmmaker Michael Winterbottom, who Irrfan, of course, worked with in A Mighty Heart (2007). It is said Wes Anderson specifically pencilled in a part for him in The Darjeeling Limited (2007). In conversations, he was always ready with a recco.

Perhaps exposure of this sort could also frustrate an actor, in contrast to the eco-system that surrounds him. Irrfan spoke quite often about having decided to quit acting altogether in his early years, since television was all he was doing, and the sort of movies he wished for weren't going to materialise anyway. This is the phase, he said, he actively worked on his craft, since he had nothing to lose. And much less to hope for. To keep himself busy, he said, he toyed with ways to gently seduce the camera, besides attempting to "live in the moment".

Irrfan in a still from Inferno 

This became perhaps what critics/reviewers might over-use the word "nuance" to explain many of his performances that highlighted most of all, minimal face-acting — least amount of gestures that also kept space for dramatic revelations, when you least expected them. He was the finest film practitioner of 'less is more' — hitting its highest note perhaps with Dhulia's Paan Singh Tomar (2011) that, despite a fair festival run, remained in the can for the longest, before finding theatrical release to top Bollywood awards that year.

More specifically, he could hold a moment. Also there was something infectious about his performances, if you notice, say Deepika Padukone match her smiles and telling eye-contacts with his, in Shoojit Sircar's Piku (2015). Same between Konkona Sensharma and him in Anurag Basu's Life In A Metro (2007). Or, most recently, actor Deepak Dobriyal playing off Irrfan's thoroughly restrained yet feisty/OTT comic timing in Angrezi Medium (2020), his last release.
That's what earned him most respect from peers and public alike.

I was at a breakfast interview with Naseer in Lucknow (he was shooting for Dedh Ishqiya) when Irrfan joined in (he was there filming Bullet Raja). Throughout, Naseer, who's generally frugal with praise and an idol of sorts to Irrfan, called him "Khan Saab" — referring perhaps also to his aristocratic lineage, although he's had a fairly modest upbringing.

There was still something naturally royal about Irrfan's presence, both off but, more so, on the screen. This was a handicap, at least according to one filmmaker critic of his I know. He was incapable of coming across as "low-status", even in roles that demanded so. This is where Nawazuddin Siddiqui held an advantage, apparently. There was minor tattle going on about a rivalry of sorts between fellow NSD alumnus Nawaz, 45, and Irrfan, 53. Much of it had to do with the phenomenal success of Ritesh Batra's The Lunchbox (2013), arguably the greatest Indian success abroad, that both starred in.

The fact is, Nawaz could never do what Irrfan could, and vice versa. As is true for all unique talents. That royal demeanour no doubt would've helped Irrfan bag the role of Mesrani (probably named after Ambani), the Indian-origin richest man, who's the main villain in the gigantic Jurassic Park franchise film, Jurassic World (2015).

His last major outing in Hollywood was with Tom Hanks in Inferno (2016). This is before he headlined the ambitious Japanese mini-series Tokyo Trial (2017; currently available on Netflix). Just look at that line-up abroad, even while he'd confound producers back home picking up a hardcore art-house film like Qissa (2013), although scoring huge in the box-office with the comedy, Hindi Medium (2017).

Irrfan had been ailing since 2018, diagnosed with a rare, neuro-endocrine cancer. He was never seen in public thereafter. He made sure of that—nothing to mess with our memories of him. The common adage '50 is the new 40' (in line with people in other decades) couldn't have been more aptly applied than with Irrfan. He was at the cusp of something bigger, having kick-started his career with definitive, defining roles, only in his mid 30s!

At 20, he told me, he had trained all the actors of Mira Nair's Oscar-nominated Salaam Bombay (1988), but failed to star as one of the boys in it, because he was too tall to fit into the frame with them. He lived and learnt a lot about life from those street kids.

The Irrfan I knew came across as a deeply sensitive man. The ongoing wave of Islamophobia bothered him no end. He had dropped Khan from his name. Unsure if being racially profiled twice at American airports had anything to do with it. He also had a strong dislike for traditional stardom-led ways of Bollywood— mildly upset by stuff like, how much he was paid by a friend for a role, and how much was offered to his co-star, for the same picture.

But he also had a playful, roving-eye, happy-high side, behind that gambheer/serious exterior. He was surrounded by friends and well-wishers, I noticed, when graciously invited by his wife Sutapa (they met at NSD), to participate in his episode of the biographical show, Jeena Isi Ka Naam Hai (2012). After all these years, the show's anchor, Bollywood star Raveena Tandon asked where I saw Irrfan in the pantheon of the (more popular) superstar Khans. In a league of his own, obviously.

Some of the fun part of Irrfan's personality you find organically channelled into madcap entertainers like Dil Kabaddi (2008) or Karwaan (2018). Or you could just watch him happily descend into YouTube level sketch-comedy with an AIB video gone viral! Better still, you could catch the totally terrible Thank You (2011), that he certainly did for the bread, butter, or more likely, cheese. Outside the preview screening of one of these flicks, he came up to say I must've got "jaded" watching so many movies. Yeah, right!

If it wasn't for Rajesh Khanna, could Irrfan have carried on as an AC repair mechanic? That's what he had visited the superstar's Carter Road bungalow as, much before he had thought of becoming an actor, or formally moved to Bombay. Irrfan had trained to fix appliances. His father was in the business of selling tyres. That visit as an AC-repair guy to Khanna's residence, he recalled in an interview, somehow ignited in Irrfan the belief that he simply couldn't work for the money. He needed something more to keep him engaged.

Before he left for NSD, Irrfan's father had passed away. His mother Saeeda Begum was worried that he was going to become a "naach-ganewallah". Whatever that means, he promised her, "Aapko sharminda nahin hone doonga (I won't let you down)." He didn't. Saeeda Begum, 95, passed away three days before him.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Actor Deepak Dobriyal, who worked with Irrfan Khan in "Angrezi Medium" earlier this year, recalls the late actor was like an elder brother. "From making me understand the craft of acting to teaching me how to give genuine expressions on screen, he taught me and helped me a lot, like a big brother. His death is a personal loss," Deepak told IANS.

Irrfan died on Wednesday at Mumbai's Kokilaben Dhirubhai Ambani hospital where he was admitted the day before with colon infection. He even had battled neuroendocrine tumour for several months. Remembering his late co-star, Deepak recalled how Irrfan happily continued shooting "Angrezi Medium" while undergoing treatment for cancer.

"Despite being in pain, he duly fulfilled his professional commitments. He was not in pink of his health, so I always tried my best to make him smile during our shooting. I used to joke with him and he never felt bad. He always treated me like his chhota bhai. It's hard to digest the news of his demise. We had even planned to work on 'Urdu Medium' or 'Chinese Medium'. Now it's dream which will never become true," Deepak grieved

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

When Raveena Tandon was a child, Rishi Kapoor was already a big star. Years later, Raveena would star opposite the man who is one of the greatest romantic icons in Bollywood, heartthrob of millions. In an interaction with IANS, Raveena shared her fond memories of Rishi Kapoor, who passed away on April 30, and also spoke of her father, filmmaker Ravi Tandon's long association with the late actor.

"I have not worked with him in many movies but my dad has worked with him a lot. I have seen him since I was a child. I literally grew up in front of his eyes. My heart is heavy right now," said Raveena, recalling Rishi Kapoor.

She added: "Rishi sir's death is a huge blow for my father. My father has lost one more friend from his inner circle. I clearly remember how my dad, Pancham uncle (RD Burman), Ramesh Behl uncle and Rishiji used to hang out together. After his demise, my dad has been feeling very down."

Ravi Tandon worked with Rishi Kapoor in films like "Khel Khel Mein" and "Jhoota Kahin Ka". Raveena was paired opposite Rishi Kapoor in the 1995 movie "Saajan Ki Baahon Mein".

Remembering her last encounter with Rishi Kapoor, who's fondly called 'Chintu', Raveena shared that it happened last year when she met him during Ganpati pooja at Rishi Kapoor's sister Rima Jain's house in Mumbai.

"I was at Rima's house for Ganpati pooja. When I was about to leave, Rima told me to wait as Chintu ji's coming. I waited for him because I had not seen him for a long time since he was in New York. He came, we did aarti and had a good talk. That was my last and final memory of him. I will miss him a lot. May his soul rest in peace," Raveena said.

She took to social media to mourn the death of Rishi Kapoor, remembering the first walkie talkie doll he bought for her as a gift from Paris.

"Just totally love you! Seems like a part of my life, my childhood memories, my now..all taken away so fast. Not fair Chintu uncle. Not fair on all of us..could not even say a goodbye. We will miss you terribly. His infectious laughter, his wit, incidents, even when he used to scold me on sets when working with him. Still seeing me, as the same 5 year old he knew, my first walkie talkie doll he bought from Paris, a make-up gift for getting engaged to Neetu aunty without telling me," Raveena recalled.

Rishi Kapoor died in a Mumbai hospital on April 30. He was 67 and had been battling leukemia.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

On May 3, 1981, Sanjay Dutt's mother and legendary actress Nargis Dutt passed away after suffering from Cancer. All of Sanjay Dutt's fans know he shared a very emotional bond with his mother and how much he was eager to show her his debut film, Rocky, which was slated to release at that time.

Today, on her 39th death anniversary, the actor took to his Instagram account to share an unseen picture with Nargis and penned an emotional note. He wrote- "It's been 39 years since you left us but I know you're always by my side. I wish you were here with me, today and everyday. Love you and miss you everyday Mom." (sic)

Have a look right here:

 

 

 

View this post on Instagram

It’s been 39 years since you left us but I know you’re always by my side. I wish you were here with me, today & everyday. Love you and miss you everyday Mom.

A post shared by Sanjay Dutt (@duttsanjay) onMay 3, 2020 at 2:04am PDT

Abhishek Bachchan, Suniel Shetty, Athiya Shetty commented on the post with a heart whereas the actor's daughter Trishala Dutt wrote-"I love you dad." His wife Maanayata also commented with two hearts. This is indeed a gutting moment for the actor as he remembers his mother today.

On the work front, Dutt will be seen in Shamshera, Prithviraj, KGF: Chapter 2, Torbaaz, and Bhuj: The Pride of India.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

The Indian economy has suffered a major setback due to the Coronavirus pandemic and the underprivileged section of the society has to be taken care of financially. Amid this catastrophe, it was reported a few days ago that Bollywood Superstar Aamir Khan distributed money in wheat bags to help the needy. And there were a lot of reports doing the rounds about his donation.

Additionally, the video mentions that within each packet of flour, there was Rs 15,000 hidden in cash and that the truck was sent by Aamir Khan. However, the actor has taken to his Twitter account to clarify once and for all that he was not the one behind these donations and stated that maybe the real Robin Hood doesn't want to reveal himself.

This is what he wrote- "Guys, I am not the person putting money in wheat bags. Its either a fake story completely, or Robin Hood doesn't want to reveal himself!
Stay safe.
Love.
a." (sic)

Have a look right here:

Guys, I am not the person putting money in wheat bags. Its either a fake story completely, or Robin Hood doesn't want to reveal himself!
Stay safe.
Love.
a.

— Aamir Khan (@aamir_khan) May 4, 2020

Last night, on May 3, he, however, did participate in the I for India concert to raise money for the unsung heroes who are fighting the pandemic. Accompanying him was his wife Kiran Rao and one of the actor's fan-clubs posted on its Instagram account to share the video of them singing together. Have a look:

 

 

 

View this post on Instagram

Aamir khan ve eÅŸi kiran yapılan baÄŸıÅŸ için ÅŸarkı söylediler... 😍. @_aamirkhan #aamirkhan .#india #covid19 #iforindia #kiranrao . @give_india Very good ! 👌 .MASALLAH HER KONUDA YETENEÄžİ VAR ...😍😍 .#laalsinghchadha #bolywood #zairawasim #katrinakaif #salmankhan #akshaykumar #saraalikhan #aliabhat #hritiroshan #parinetichopra #priyankachopra #kareenakapoor #ranbirkapoor #imrankhan #kajol #sidharthmalhotra #varundhawan #dishapatani #shaidkapoor #shahrukhan #amitabhachan #kritisanon #aliabhat #preityzinta #salmankhan #akshaykumar #love #shradhhakapoor

A post shared by AAMIR KHAN FAN 😍 14 mart 1965 (@aamirkhanfaneda92) onMay 3, 2020 at 10:09am PDT

As soon as the lockdown ends, Khan will get busy with the shooting of Laal Singh Chaddha, which is slated to release this year on Christmas and also stars Kareena Kapoor Khan.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Superstar Saif Ali Khan's son Ibrahim Ali Khan on Thursday treated fans with a priceless childhood picture of himself and his star sister Sara. Ibrahim took to Instagram to share the picture that he had dug out of his childhood albums.

 

 

 

View this post on Instagram

The face I make when it’s me who can bully sara now

A post shared by Ibrahim Ali Khan (@iakpataudi) onMay 6, 2020 at 5:01pm PDT

While he is seen wearing glasses and giving a sly look to the photographer of the picture, Sara is seen busy in some work as she is looking downwards. Ibrahim further revealed the reason for his expressions in the caption and wrote, "The face I make when it's me who can bully Sara now."

The Pataudi siblings are known to enjoy a great brother-sister bond and are also quite close to each other. Both Sara and Ibrahim keep fans well posted with their childhood and recent pictures with each other.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

The genius of Rishi Kapoor came alive every time the camera rolled. It is only apt then that his countless fans witness him, one last time, as the larger-than-life hero whose rightful place was on the big screen. Honey Trehan, co-producer of the late actor's swansong Sharmaji Namkeen, believes he owes the audience the final chance to say goodbye to him.

"We want to take this film to the theatres for his friends, family and fans. We all owe this to Rishiji, one of the silver screen legends. I am grateful to Ritesh [Sidhwani, producer] and Farhan [Akhtar, producer] for investing in the movie not just monetarily, but also emotionally," he says.

The slice-of-life film, which also features Juhi Chawla and revolves around a sexagenarian who discovers the joy of life after retirement, had gone on floors last December. While the unit was to shoot the final Mumbai stint in March, their plans went awry due to the lockdown. "We shot a major portion of the film in Delhi during January. Only a four-day schedule was pending."

Rishi Kapoor with Juhi Chawla, Abhishek Chaubey and Honey Trehan during the rehearsal of the film 

As the central character, the veteran was to shoot some crucial scenes in the final leg. However, with Kapoor's sudden demise on April 30 following a two-year battle with leukemia, director Hitesh Bhatia and the unit have the task of completing the project minus the leading man. "We will be using advanced technology, an amalgamation of VFX and some special technique, to finish the film without compromising on the quality. We are in discussion with a few [VFX studios] and are figuring out the way forward," says Trehan.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

April 29, 2020, is going to be one of the darkest days for all Irrfan Khan fans and Hindi cinema. His untimely demise has shaken one and all, especially the people from the fraternity who worked with him and knew him as a person and not just an actor. The actor was undergoing treatment for Neuroendocrine cancer and was admitted at Mumbai's Kokilaben Dhirubhai Ambani Hospital due to a colon infection. The actor's last rites were performed on the same day in the presence of his family, close relatives and friends. Irrfan is survived by his wife Sutapa and sons, Babil and Ayaan.

Soon after news of Irrfan's death broke on the internet, social media was flooded with messages from fans and celebrities expressing their grief. Filmmaker Anees Bazmee mourned his death by sharing a throwback picture with Irrfan from the sets of their film ‘Thank You’. The picture shows Anees explaining a scene to Irrfan. Sharing the picture, he wrote, "I still can't believe he is no more with us, my heart sinks thinking about it. We have lost one of this generation's greatest actor. To work with @irrfank was a magical and special privilege. #FlashbackFriday (sic)".

 

 

 

View this post on Instagram

I still can't believe he is no more with us, my heart sinks thinking about it. We have lost one of this generation's greatest actor. To work with Irrfan was a magical and special privilege. #FlashbackFriday

A post shared by Anees Bazmee (@aneesbazmee) onMay 7, 2020 at 10:00pm PDT

On April 28, the Piku actor was admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection and was in the Intensive Care Unit. In 2018, Irrfan was diagnosed with neuroendocrine tumour and was undergoing treatment for the same.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

When you can't go to the salon, the salon comes to you. Karanvir Bohra's daughters, Vienna and Bella, turned their home balcony into a spa to pamper him. A head massage was followed by a face pack.

The twins also insisted on applying nail paint. "Never have I been so indulgent... looks like the roles of the Bollywood actresses will have some competition. I have the masters at work (sic)," the actor captioned the image he posted. Talk of glowing skin and sparkling nails.

 

 

 

View this post on Instagram

Never have I been so indulgent.. looks like the roles of the Bollywood actresses will have some competition.. I have the masters at work.. 😊 @twinbabydiaries @kareenakapoorkhan @deepikapadukone @priyankachopra @aliaabhatt @dishapatani BEWARE

A post shared by Karanvir Bohra (@karanvirbohra) onApr 19, 2020 at 2:48am PDT

How adorable do Karanvir's babies look while trying to make their dad look prettier? Several of Karanvir's industry friends found the photo cute. Teejay Sidhu wrote, "24/7 entertainment!" while Sameera Reddy commented, "Love love love" and Mandana Karimi said, "that nail polish @karanvirbohra I want my video. they made my day Thank you."

Truth be told, they've made our day too!

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news