Posted by Victoria Strauss for Writer Beware®

Founded in 2010, The Sunday Times Audible Short Story Award bills itself as "the richest prize for a single short story in the English language." And indeed, the prize is major: the winner receives a cool £30,000 (no, I did not add extra zeroes.)

With judges yet to be finalized, the selection process will include a 20-story longlist announced in May 2020, a six-story shortlist unveiled in June 2020, and the winner revealed on July 2. The shortlisted stories will be published in an Audible audiobook, with included writers receiving "an extra £1,000 fee, on top of a prize payment of £1,000". To be eligible, writers must previously have had at least one work published in the UK or Ireland by an "established print publisher or an established printed magazine" (the Terms and Conditions include an extensive list of the kinds of publishers and magazines that don't qualify). The contest is open for entries until 6:00 pm on December 13.

You can read more about the award, including the prestigious judges who've participated and the well-known writers who've submitted stories, here.

So what's the catch? -- because you know I wouldn't be writing this post if there weren't one. Well, as so often happens, it's in the Terms and Conditions. Specifically:


To summarize this dense paragraph: simply by entering the competition, you are granting a sweeping, non-expiring license not just to Times Newspapers Limited (The Sunday Times' parent company), but also to Audible and any other licensees of TNL, to use your story or any part of it in any way they want, anywhere in the world, without payment to or permission from you.

This is far from the first time I've written about "merely by entering you grant us rights forever" clauses in the guidelines of literary contests, some of them from major publishers or companies that should know better. Sure, in this case the license is non-exclusive, so you could sell your story elsewhere--but only as a reprint, because by granting non-exclusive rights to one company, you remove your ability to grant first rights to another, at least for as long as the initial rights grant is in force.

It's not uncommon for literary contests that involve publication to bind all entrants to a uniform license or grant of rights--so that, when winners are chosen, the license is already in place. But ideally, the license should immediately expire for entries that are removed from consideration--or, if the contest sponsor wants to retain the right to consider any entered story for publication (as TNL clearly does--see Clause 4.2, below), rights should be released within a reasonable period of time after the contest finishes--say, three or six months. There's simply no good reason to make a perpetual claim on rights just in case, at some unspecified point in the future, you might just possibly want to use them.

Not to mention--why should Audible get to make this same claim?

There's a couple of other things to be aware of. Shortlisted authors enter into a 12-month exclusive contract with Audible, for which they are given a "one-off" lump-sum payment (the £1,000 noted above). But thereafter, Audible retains the right "to record, distribute and market such audio version for at least ten (10) years." Again, this right is non-exclusive--but there's no indication that Audible has to pay these authors for potentially exploiting their work for a decade. (If you don't consent to these terms, you can't be shortlisted.)


Finally, although publication is guaranteed only for the shortlist, TNL reserves the right to publish longlist and non-listed entries as well. Great! Except...there's nothing to suggest these writers would be paid either.


There's no question that this is a prestigious--and, for the winner, rich--award. But sober evaluation is definitely in order here. Enter at your own risk.

Posted by Victoria Strauss for Writer Beware®

On Sunday morning, I woke up (late, I admit) to a flurry of emails about an website I'd never heard of before: Pressfuls.

The writers who contacted me reported that they'd entered a free short story contest this past September.


As you can see, pretty minimal information. At the end of October, they received a mass email (which, curiously, cc'd all the recipients instead of bcc'ing them, so that all email addresses were visible to everyone), announcing the winner:


Although the contest entry info hadn't mentioned that the winner would be published, the writers thought they were done and moved on. Some submitted their contest stories elsewhere. Some of those stories got accepted.

Then, just a few days ago, on December 19--surprise!

Writers were shocked. As far as they knew, they had never granted permission for their stories to be published or turned into audio versions--much less made part of some sort of pay-per-view subscription service. As for the request for PayPal information, that sounded really scammy. Writers who emailed Pressfuls to ask questions or emphasize that they hadn't granted publication rights received a non-responsive response reiterating that their story was going to be published, and that "We will give you more details about it in short time [sic]."

So what is Pressfuls? With a web domain registered just six months ago, its current website (which writers tell me has been overhauled since the contest) presents as a short fiction subscription service, with a bizarrely large variety of paid subscription plans. There is no information whatever about staff, owners, the company, or, on the submission page, payment structure and publishing rights.

There's also a couple of new short story contests with 2020 entry deadlines. And that brings me to my main reason for writing this post. Beyond the questionable happenings in this particular case, Pressfuls is like an archetypal object lesson on the kinds of contests you want to avoid.

Count the red flags:

- No rules or guidelines. The page for the September contest is gone, but writers who contacted me say that there were no posted rules or guidelines--and certainly there are none for the current contests. Bad contest rules are a red flag...but no rules at all is a giant, klaxon-blaring, run-away-now warning sign. Pressfuls' attempt to monetize entries it was never authorized to publish in the first place illustrates why.

Never, never, NEVER enter a contest if you can't find, read, and/or understand the rules.

- No information about rights or payment. Plenty of contests have unfriendly rights demands. For instance, you may have to grant publication rights simply by entering, and the contest sponsor may never release them. At least when that info is present on the sponsor's website, you can't say you weren't warned. But if there's no rights or payment information whatsoever, you are really setting yourself up for the possibility of a nasty surprise...like finding out your entry has been included in a subscription service with a sketchy payment plan.

- No information about the company. Do you seriously want to enter a contest whose organizers or sponsors you know absolutely nothing about--not even where they're located or how long they've been around? I'll give you a hint: No. If you can't confirm who's running the contest, don't enter.

- No information about judges. Part of the prestige of a contest (if it has any--and most contests don't) depends on who is doing the judging. Reputable contests disclose their judges.Otherwise, you have no guarantee the contest isn't just pulling names out of a hat.

- English-language errors. Sure, anyone can make mistakes or typos (although you have to wonder about the professionalism of a contest sponsor that isn't capable of proofing its own website). But if it's an English-language contest, and you see errors or odd syntax that suggest the website has been created by people whose first language is not English, be wary. A lot of scams these days are coming from overseas. The Pressfuls website isn't as bad as many I've seen, but there are enough lapses (dropped plurals, missing articles, mis-spellings--for instance, in several locations "Fantasy" is spelled "Fanstasy") to prompt caution. (Pressfuls' emails provide much clearer examples.)

So what is Pressfuls, really? A phishing scheme? A sleazy way to acquire and monetize content? A clueless would-be publisher with no idea how things should be done? I really can't tell. But none of these possibilities are good ones.

A couple of the writers who contacted me told me that Pressfuls complied (though without any acknowledgment) when they demanded that their stories be taken down. However, another writer said that they tried several times and their story is still online.

Since Pressfuls has no real "contact us" option on its website, my suggestion is to send a DMCA takedown notice to its email address (shortstorycontest@pressfuls.com) or, if that yields no response, to the email address of its web host (abuse@in2net.com). You can find out more about DMCA notices (which are legal notices demanding removal of infringed material from the internet) here. SFWA offers a handy DMCA notice generator.

For more information and cautions about contests, see Writer Beware's Contests and Awards page. I've also written a blog post that covers some of the same ground: Some Tips on Evaluating Writing Contests.

UPDATE 12/24/19: Since I put this post online yesterday, Pressfuls has amended the descriptions on its contests. Originally they looked like the description for the original contest (see above). Now they look like this:


This is not an improvement, since there's still nothing about publication or rights. Also, the copyright info is ignorant on multiple levels. WGA and WGC registrations (which are primarily for screenwriters) are not legally equivalent to US copyright registration--and they don't prove anything anyway, since the author already owns copyright, by law, as soon as the words are written down.

I shouldn't need to say that you really want your publisher to have an accurate understanding of copyright.

Writers tell me that Pressfuls sent out another mass email with instructions on how to have content removed, so it seems they're paying attention. We shall see.

Posted by Victoria Strauss for Writer Beware®

When is a literary contest not a literary contest?

When its purpose is to make money for the contest sponsor. Alternatively: when its purpose is to assemble a list of likely customers.

Take the online book competition (or book literary contest, or books competition--it doesn't seem to have an actual name) recently announced by Legaia Books, a publishing and marketing scam I've featured on this blog. Here's one of the solicitation emails that are going out:


Sound tempting? Here are all the reasons to kick this "contest" to the curb.

1. Legaia is a scam. This company--which claims a North Carolina address but really operates out of the Philippines--exists to rip off authors. That's really all the reason you need to give this contest a miss...but let's move on.

2. It's a scam within a scam. Legaia's contest has all the elements of a profiteering awards program--a different kind of scam, whose template Legaia is borrowing as a way to make some quick bucks and boost its customer list. Here are the markers:

• Solicitation. See the email above.
• A fat entry fee. You have to dig into the contest guidelines to find this: $40 for entries now, $70 for entries after May 11.
• Policies designed to maximize entries. Most profiteering awards programs offer dozens or scores of entry categories, in order to attract the largest number of entrants and thus the biggest pot of entry fees. Legaia's contest doesn't have categories--but it's "open to all aspiring and established authors", which, combined with what is doubtless a sizeable email solicitation campaign (Legaia is a prolific spammer), is basically the same thing.
• Mystery judging. The prestige of a literary competition is tied, in part, to the reputability of its judges. If the judges' identities aren't revealed, you have no way to know whether they have any credits or experience that would qualify them to be judges. They could be just the contest sponsor's own staff--or no one at all. Legaia's guidelines include multiple mentions of "judges" but, in true scam contest style, no names.
• Opportunities to spend more money. This is where entrants' email addresses--which are required for entry--come in handy; non-winners will almost certainly be solicited to buy Legaia's publishing packages and other services. (Contest guidelines also invite entrants without a book cover to "call us for a professional book cover.")
• Worthless prizes. Profiteering contest sponsors avoid cutting into entry fee income by offering "prizes" that cost them little or nothing to provide. Legaia is no exception. Given that its services are overpriced and substandard, a "Free Book Publication Coupon" is more like a lump of coal than a Christmas present. The "Seal Awards" aren't actual seals--just digital images. Winners are promised a "pitch program" that will expose them to "literary offices and film productions"--despite the fact that Legaia can't cite a single "literary office" or film studio that has ever picked up a book thanks to its (likely nonexistent) efforts. As for the "Marketing Platform worth $15,000"...Legaia offers only junk marketing ("marketing" that's cheap to provide, can be sold for giant markups, and is not effective for book promotion), so the actual worth is closer to zero. 

3. You have to work. In addition to submitting "your (a) manuscript, (b) synopsis, (c) book cover (front and full)" the contest guidelines indicate that there will be a public voting phase (see #7 and #8), which means you will have to bug your friends and family and annoy your social media followers with multiple vote-grubbing posts and announcements. Additionally, you must create a "pitch to the judges" which is "one of the criteria in the second phase of the contest as indicated in Rule 8". You have the option of making a video or using Legaia's "Free Pitch Template," whatever that is; the guidelines offer no guidance on length, content, or anything else.

4. Nobody has heard of it. The supposed benefits of a contest win or placement are often touted by sketchy contests or awards as one of the benefits of entering (not to mention a justification of a big entry fee). You'll be able to tag your book as an "award-winning book" and yourself as an "award-winning author". It'll impress agents and editors! It'll bring visibility to your work! It'll increase sales!

Most contests, however, don't have the prestige or name recognition to accomplish any of that. Agents and editors are well aware of how many dodgy contests are out there competing for writers' money; "I won Grand Prize in this contest you never heard of!" is unlikely to impress them. As for readers and book buyers, how much they care about award and contest wins is an open question--especially, again, where they've never heard of the award or contest. Is it worth $40 (or $70) to you to test that question?

5. A serious lack of literacy. Both the email solicitation reproduced above and the contest pages on the Legaia website are littered with grammatical and other errors (like its many brethren--see the sidebar--Legaia is based overseas). This really shouldn't need saying, but the sponsors of an English-language contest for English-language books should be able to demonstrate a good command of English.

Any one of these factors should be enough to at least cause you to give this contest the side-eye. Taken all together, they add up to a giant, screaming red flag.

My own feeling about literary contests is that they are mostly a waste of time (even if not of money). Scams and exploitation abound in this space (if you're a regular reader of this blog, you know how many posts I write about problem contests). Even where the contest is legit and doesn't have "gotchas" in its guidelines, those that can genuinely benefit your writing resume are a tiny minority. Again in my opinion, writers' time is better spent on publishing or submitting for publication.

That said...if you still are attracted by contests, there are resources on the Contests and Awards page of Writer Beware to help you research ones that won't rip you off. Also be sure to use the search box in the sidebar to search this blog for any contests I may have written about, and feel free to email me with questions.

Happy Buttsgiving! Regular comics resume tomorrow.

Teenagers affirm evidence that suggests they are particularly struggling with coronavirus crisis

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When, in late February, Betsy Sheil turned 16, she thought she was staring down the end of secondary school, not the beginning of global pandemic.

“I was going to finish year 11 and do my GCSEs, then I was going to have a really long summer with my friends, hopefully go abroad – have that summer that everyone has.”

Continue reading...

The headline says it all! Let’s dive right in. Costume Contest We had such fun with our Fanart Contest that we want to honor another section of the Dresden fandom’s creatives: cosplayers and cosplay photographers! Read all the rules, then submit your Cosplay Contest entries to yearofdresden@gmail.com by May 12th. Coloring Pages Running low on [...]

The big draw this week is our fourth Microfiction, but there’s plenty more to get excited about! We’ve got the Dresden Files Cooperative Card Game’s debut on switch, an upcoming Trailer Rewatch event, a $1.99 ebook deal on Death Masks, and more. It’s also the last week to submit your costumes for our contest. Read [...]

21-year-old YouTuber and lifestyle blogger, Danish Zehen died an unfortunate death on December 20. The news came as a shocker to many as Danish was the participant of the show, Ace of Space. Reportedly, he died in a car accident on Thursday morning.

Apparently, the accident took place on the Vashi highway. The visuals of the accident and the entirely damaged car have surfaced online. 

 

 

 

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ITS A LAST MONTH I THINK DANISH IS DOING PRANK 😭I DON'T KNOW ITS REAL OR FAKE BUT I CAN'T BELIEVE IT IF ITS REAL PLZ PRAY FOR HIM 😭 LEGEND NEVER DIES 😭 PLZ PRAY FOR HIM AND #fambruh #fambruharmy #danishzehen plz come back 😭😭😭😭😭😭😭😭😭

A post shared by ID CLOSED 😑 (@beliberboy._) onDec 19, 2018 at 9:05pm PST

According to Mankhurd Police, who are investigating the accident, the 21-year-old lifestyle blogger was returning home after attending a wedding when his car met with an accident. Zehen, a resident of Kurla, was immidiately taken to the Fortis hospital Vashi where he succumbed to injuries.

The Mankhurd police has registered an ADR in the case and are currently investigating the matter.

Over the last few years, Zehen had amassed a massive following on YouTube and Instagram thanks to several viral posts. With a following of more than 3 lakh, his fans are pouring condolences and praying for his family to cope up with their unbearable loss. Danish had made an appearance in ex-Bigg Boss contestant Vikas Gupta's reality show, Ace of Space.

A few hours ago before this accident, Danish had shared a few stories on Instagram, while he was driving. The 21-year-old left the reality show in the first week of December and assured that he would return back to the show. 

 

 

 

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Last Video Of #RIP😥 #danishzehen #fambruh #fambruharmy #coolestbadboi Allah Mere Bhai Ko Jannat me ala se ala mukam ata farmaye Ameen. 🙏Plz pray for His Soul

A post shared by Rockx Azhar (@the_rockx_azhar) onDec 19, 2018 at 8:38pm PST

 

 

 

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I can’t believe we will not get to see that precious smile again, when I first saw someone’s story about @danish_zehen , tbh I didn’t understand what’s happening. then I went over to his account and saw his tags where people posted pictures of a car crash and later I realized what had happened. I was shook, I was heart broken. Danish Zehen was a very very nice person and I swear he is going to be missed. You were a gem danish, may your soul Rest In Peace - @danish_zehen @karmasphere @abhirajchadha #danishzehen #ripdanishzehen #aceofspace @lostboyjourney #mtv #mtvindia #ripdanish #rip #danish #ace #space #vikasgupta @mtvindia @aceofspace2018 @mtvaceofspace___ @danish._._zehen

A post shared by Akanksha Abhiraj (@abhirajakanksha) onDec 19, 2018 at 7:48pm PST

 

 

 

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Dekhte hu mujhko tujhse pyaar hogaya ❤ï¸Ââ¤ï¸Â #coolestbadboi

A post shared by Danish Zehen ♠ï¸Â (@danish_zehen) onDec 19, 2018 at 3:04am PST

His mass popularity and fan following also won him several brand endorsements. Among them was Gillette, for which he was the digital brand ambassador.

With inputs from Anamika Gharat

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Bharatiya Janata Party (BJP) Member of Legislative Assembly (MLA) Ram Kadam has issued a clarification on his 'elope' remark and said that his statement was quoted out of context.

The BJP MLA from Ghatkopar constituency faced a backlash after a video of him where he can be reportedly heard saying that he would kidnap a girl even if she refuses a proposal from a boy and help him elope with her, surfaced on media.

Clarifying his stance on the issue, Kadam told ANI, "A 40-second incomplete video is being circulated by opposition leaders. I would only request them to listen to my complete statement. If my statement has hurt anyone, I won¿t mind expressing regret for the same."

"My statement is being quoted out of context. At that event, I said that all youngsters whether it be a boy or girl should take their parents" in confidence before marrying. If they elope without taking their permission, the parents feel disheartened and it is very wrong to disappoint your parents. After saying so I took a long pause and someone from the audience said something which I repeated on the mike. I also kept speaking after that as well but it was not reported. If I had said anything objectionable, it was being live telecasted and there were a number of journalists present at the venue and someone would have pointed it out. But no one raised an objection because they had heard me completely. To find the true meaning of an address one must listen to it completely," he added.

The BJP MLA made the statement during a 'Dahi Handi' festival organised in Mumbai on the auspicious occasion of 'Janmashtami' on Monday.

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A 3D printing startup in Mumbai has been accused of not fulfilling its part of the deal in a crowdfunded project initiated by a Delhi-based content creator to provide equipment to frontline health workers.

In March, Kusha Kapila contacted Boson Machines (BM) to provide 3D printed face shields for medical personnel at an initially agreed price of R150, by raising Rs 900,000 on Ketto.

With an industry standard yet to emerge, there were a lot of debates between Kapila and BM over the price and the number of masks to be made for raised amount."We then settled on R19 lakh for 18,000 masks," said Kapila. "Even this meant that a shield would cost Rs 105, which was still higher than the price of other 3D printers. The price was again reduced to Rs 75, before they finally agreed to R60. At the same time, the fundraising goal was also increased to Rs 21 lakh. They already had orders and capacity for 14,500 masks and we wanted to help as much as we could."

Kapila’s tweet tagging Aaditya Thackeray where she called out Boson

Boson was paid around Rs 13 lakh for the 14,500 face shields, and the remaining money was with Ketto, to be paid after the second batch of shields were dispatched.

The story gets muddled at this point, with Kapila taking to Twitter on May 1, accusing the company of not honouring its commitment and claiming even Rs 60 per mask was steep.

"After many enquiries, and [BM co-founders and brothers] Arjun and Parth Panchal's consistent unavailability, they finally sent a cost breakdown that I forwarded to various industry experts for verification."

In another tweet, Kapila alleged BM charged more than market price. Both Kapila and Ketto also claim that BM had been evading their questions.

"As of today, suppliers charge anywhere between Rs 35 and Rs 50 for a shield of the same quality," Kapila told mid-day. "This suggests that BM is trying to profit off this fundraiser. Profiting off a pandemic is shameful and anti-national. For instance, the cost of the plastic frame is quoted as R80 and they could only justify Rs 27. That's a difference of Rs 53. Further, the visor cost is quoted as Rs 30, but we found out that a sheet costs Rs 8. The tally says BM has delivered 10,700 pieces but we don't know if this has actually happened. As of today, Boson owes [me and Ketto] Rs 6,76,000," Kapila said.

By this, Kapila means BM has to return her and Ketto R6,76,000 from the initial Rs 13 lakh paid, as per her calculations. "The last time I spoke to them, which is when we reached a price of Rs 60, they agreed to return the money but later said their CA would get in touch and have ghosted me since," said Kapila.

Parth Panchal. Pic/Facebook, Arjun Panchal. Pic/Twitter

BM claims it has already delivered 10,700 face shields to 19 hospitals and other institutions across the country, including Mumbai's Sion Hospital, Kasturba Hospital, KEM Hospital, Wadia Hospitals—and even the BMC.

In an email to mid-day, BM refers to Ketto Online Ventures Private Limited as the buyer, and not Kapila. "We are unaware of the role of Ms Kusha Kapila with the buyer, M/s Ketto Online Ventures Private Limited, and whether she is authorised to represent the company in commercial matters," it said.

BM also alleged Ketto owes them an outstanding R1,31,063 from the orders that they had already fulfilled.

"We have seen the statement put out by Boson and our legal team is taking necessary steps," said Varun Sheth, of ketto.org.

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Gaganjeet Bhullar, who was tied 3rd last week in the Queens Cup, moved into contention once again with a superb six-under 66, which carried him to 14-under at the Sarawak Championship here yesterday. Bhullar was three behind the leader Paul Peterson of the US who posted a bogey-free three-under-par 69 to hold a narrow one-shot lead over countryman John Catlin in the third round.

Bhullar had rounds of 68-68 on first two days and is now in prime position to make a charge for his first win this season and the ninth on Asian Tour in his career. Bhullar had seven birdies, four on front nine and three on back nine against just one solitary bogey on Par-3 eighth. Among other Indians, Himmat Rai (68-67-70) was tied 11th and Ajeetesh Sandhu (68-71-67) was tied 16th. S Chikkarangappa (70-67-70) was tied 19th, while Khalin Joshi (68-70-71) and Honey Baisoya (71-69-69) were tied 31st.

The other two Indians who made the cut were Aman Raj (74) at tied 44th and Jeev Milkha Singh (73) at tied 53rd. Rashid Khan (75) was tied 63, while Viraj Madappa, Chiragh Kumar and M Dharma missed the cut. Bhullar said, "I hit the ball really good. I hit all the fairways and missed only three greens. Overall it was a good day in terms of ball striking. I got off to a good start with two birdies and that gave me a lot of boost and confidence.

"I'm happy to be in this position. I've been striking the ball really good in the last four months. The trick is all mental now. If I'm able to do the same thing in the last few days, I will be happy with my game." "Golf is a funny sport and anything is possible. Everybody is giving their 100 percent and so am I. I'll go out there and do my best. Game wise, I'm feeling really confident and I've been converting a lot of good scores and giving myself a lot of opportunities."

Bhullar opened with birdie-birdie and then had three pars. He followed up with birdies on sixth and seventh and dropped his only shot on eighth. On the back nine, he birdied on the 10th, 12th and 17th. Peterson, who won his first Asian Tour title in January, fired three birdies on his homeward nine to hold on to his lead for the third straight day on 17-under-par 199 at the Damai Golf and Country Club.

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As she is spending time at home during the lockdown imposed to prevent the spread of coronavirus, actor Deepika Padukone on Wednesday took out a moment to thank "music" which has been a constant companion for many during the period.

The 'Piku' actor took to Instagram to share a picture of her piano and penned a caption dedicated to music and describing how life would have been incomplete without it.

 

 

 

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Thank you for the music, the songs I'm(NOT)singing... Thanks for all the joy they're bringing Who can live without it? I ask in all honesty What would life be? Without a song or a dance, what are we? So I say thank you for the music For giving it to me... #music

A post shared by Deepika Padukone (@deepikapadukone) onMay 5, 2020 at 11:10pm PDT

"Thank you for the music, the songs I'm(NOT)singing... Thanks for all the joy they're bringing. Who can live without it? I ask in all honesty," she wrote in her caption.

"What would life be? Without a song or a dance, what are we? So I say thank you for the music, For giving it to me... #music," her caption further read.

The picture of Padukone's piano also featured her photographs kept on the top of the piano.

The 34-year-old actor has been sharing such insights from her daily life ever since the beginning of the lockdown.

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The outbreak of coronavirus has made it difficult for people to get treated for other illnesses without being a COVID-19 suspect. However, the Bigg Boss 2 contestant, Sambhavna Seth who is well known for her vlogs, was rushed to the hospital in the dead of the night. Her husband, Avinash Dwivedi, took to Sambhavna’s Instagram to inform her fans of the situation.

According to Avinash’s message, Sambhavna had to be rushed to the hospital twice. When she was unwell a couple of days ago, her husband accompanied her to Kokilaben Dhirubhai Ambani Hospital and the couple came back home at 5 am. However, they took her back to the hospital again. While her fans were extremely worried about her health, Sambhavna spoke to a portal and clarified the reason behind it. She said that her blood pressure dropped low and she fainted, she is also suffering from a severe ear infection and her ear is completely blocked.

 

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A post shared by Sambhavna Seth (@sambhavnasethofficial) on May 4, 2020 at 11:16pm PDT

She further spoke about the stress they had to go through to get her admitted to a hospital. Sambhavna clarified that no hospital opened its gates till 4 in the morning. She tried a few hospitals before the staff at Kokilaben attended her and asked her to leave soon after the treatment, which is why she had to go back again.

 

In 2017, Aamir Khan started a project to boost budding writers in the Indian film industry. The second edition of Cinestaan India's Storyteller Script Contest, a nationwide hunt for scripts where the five winners take home a total cash prize of Rs. 50 lakh was launched this February. From the past few months, the four-member jury consisting of Aamir Khan, Anjum Rajabali, Juhi Chaturvedi and Rajkumar Hirani has gone through numerous entries to choose five compelling stories that can be taken to screen. 

However, this time instead of the on-ground event to announce the winners, Aamir Khan will unveil the winners on social media. Meanwhile, Khan is urging writers to not let the prevailing situation dampen their creativity. He said that budding writers should write with more enthusiasm, especially during these times. 

Says Rohit Khattar, Chairman of Cinestaan Digital, “I am grateful to our esteemed jury in working with us to bring Indian storytelling talent to the forefront especially during these surreal times. Thank you to the thousands of writers who had applied. The quality of the work was stellar and we would like to congratulate the winners who are truly deserving and wish them success.”

Speaking about the winners, Anjum Rajabali, the Jury Chairperson said, ‘We started this contest with the larger objective of attracting more people to write scripts. It’s very important that we improve the quality of our scriptwriting so that the quality of our cinema goes up. The caliber of scripts in this edition was better than last year and it’s heartening to see that the talent is developing. Thank you to the jury members for giving their valuable time in reading and assessing the scripts. Truly appreciate the Cinestaan team’s hard work. I have not seen this kind of unconditional support and generosity before, with the only reward being to encourage good writing in this country.’

Juhi Chaturvedi says, ‘As a writer, I understand the joy of being appreciated, especially on a big platform like this which motivates us to write more. Congratulations to the winners. I’m very happy that through this contest I was able to be a small part of your journey.’

Raju Hirani while congratulating the winners said, ‘I’m happy that the objective with which this contest was started, to inspire scriptwriters and give them a platform to send their scripts from all parts of the country - slowly and steadily we are moving towards our goal. The caliber of scripts this year has been better than last year.’

All the entries of the second edition of the contest went through a transparent and stringent process of evaluation at various levels. The shortlisted synopsis were asked to send in a complete script which were then assessed and then the winners selected by the jury. All scripts have been registered by the contestants with the Scriptwriters Association and other similar recognized bodies to ensure that the writers' content is completely protected.

‘Cinestaan India’s Storytellers Script Contest’ was launched by Cinestaan Digital Pvt. Ltd. and is India’s biggest Script Contest. The winners of the contest are awarded cash prizes worth Rs. 50 lakhs.

ALSO READ: Aamir Khan dismisses distributing money to the poor in wheat bag, says “Robin Hood doesn’t want to reveal himself”

YouTubers in the PUBG Mobile scene in India. Godnixon mostaly famous for his tips & tricks videos where he shows various unique ways in which you can make the best possible use of the area/buildings be it bridges, squad houses, triple storey builds, warehouses and so on. With over 845K subscribers on YouTube and around 60+ million views on his YouTube channel, he is one of the mainstream content creators out there for PUBG Mobile.

Amazed by the quality of content available on his channel, Fnatic India has decided to take GodNixon overboard as their content creator. Is this a move to help the Fnatic PUBG squad perform better than their performance right now with some help from one of the best content creators out there? Or is it just that they want to take a step forward in a positive direction so as to create more opportunities for budding content creators out there?

GodNixon is one of the figureheads of the Indian PUBG Mobile community and was chosen as the country representative for India during PMCO in 2019. In the announcement video, he revealed that at the moment he is stuck in a hotel in Bangalore as the entire country is under lock down and he can’t get back home. As a result, he hasn’t been able to release content as regularly as he would like to. However, he did mention that we can expect a variety of content from both him and Fnatic in the near future.

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Studies in Form-Akbar Bhavan-20 from a series of cyanotype prints by artist Seher Shah and photographer Randhir Singh

A Summit can be anything you want it to mean, and we re-define it every time. Just when you think you have figured it out, we alter our course. You might think you know what the 2020 Dhaka Art Summit might look like, but we hope to add further surprise," says Diana Campbell Betancourt. At the age of 33, Betancourt is the third time artistic director of one of Asia's most important art events, the Dhaka Art Summit, set to open on February 2. Betancourt, who used to be based out of Mumbai, has been at the fore of bringing contemporary voices in art from Asia to the biennial event, which is now in its fourth edition. Joined by guest curators, Betancourt has brought over 300 artists across 10 curated exhibitions. We ask her what's different this time. Edited excerpts from the interview:

Bangladesh as centre
2017 was an important year as it marked 70 years of independence for both India and Pakistan. In 1947, however, what is now Bangladesh was still effectively a colony of Pakistan. Usually viewed as the poorer younger brother of these two countries, we saw the need to put Bangladesh back at the centre of its cartography. We want to shift the narrative away from India-Pakistan. We are looking at the trade and cultural connections that Bangladesh had with the Middle East and Southeast Asia, rather than only looking at South Asia. There are fewer Indian artists this time around, and we have more artists from Thailand and Myanmar and Singapore as we've shifted our focus further east. The Summit is not a nationalist exercise, so we are able to address the slippages across borders. We are also exhibiting one of Mrinalini Mukherjee's hemp sculptures in Bangladesh for the first time, through the support of the Kiran Nadar Museum of Art and the Mrinalini Mukherjee Foundation, which draws connections to Bangladesh via the jute and textile trades which interlink its history with the rest of the world.

Diana Campbell Betancourt. Pic/Noor Photoface

Making more room
This time we have extended the Summit from four days to nine. There was a lot of local demand the last time. We saw 1,38,000 visitors in 2016. This year, we have split the weekends for different kinds of crowds.

Special focus on Sri Lanka
We believe that just as Bangladesh is left out of global dialogue, Sri Lanka is even more excluded. The show, titled One Hundred Thousand Small Tales, is curated by Sharmini Pereira, and has 40 artists right from the 1940s to the present.

Headed in the right direction
The Solo Projects section, which used to invite commissions from leading artists in the region, is replaced by Bearing Points. I felt that the Solo Projects didn't intellectually tie together everything we do in the Summit. The exhibition is curated by me, and the title refers to a compass, to a map that helps you orient yourself to lesser explored transcultural histories of the region.

Going back to school
The Summit has always been known for its workshops. This edition will have a free art school, with sessions conducted by artists such as Rashid Rana and Dayanita Singh, among others. It will be right at the middle of the summit, emphasising that culture is a key part to keeping people secular.

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On March 6, 2019, the Financial Accounting Standards Board issued an Accounting Standards Update that is intended to help organizations align their accounting for production costs for films and episodic content produced for television and streaming services.

A new review published in i Frontiers in Neuroscience /i explores the current literature and advancements in the applications of neuroscience in law.

Parents have been found to monitor only the mobile usage time and not what the kids actually see in these devices. The Content also needs to regulated,

While the whole nation is still trying to come to grips with Modi Government�s demonetization drive, there�s a semblance of flurry in India�s eCommerce industry.

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Public comments are invited on the discussion draft on the use of profit splits in the context of global value chains, released as part of the work in relation to Action 10 of the BEPS Action Plan.