In the latest episode of ESPNcricinfo's Videocast, host Sanjay Manjarekar chats up with Michael Hussey, former international Australian Cricketer and one of the finest finishers cricket has ever produced about his career, his art of finishing, Mahendra Singh Dhoni and more.

A reliable finisher, Hussey usually came to bat at a time when his team either needed to accelerate the run rate rapidly or manage an early crisis. Talking about his mantra on how he handled such enormous pressure, Hussey says, "You can either succumb to it, lose your focus, or narrow your focus. I saw pressure as an opportunity to do something special. To take the pressure off, I would think of how it will feel to win at the end of the game, celebrate and be able to get a goodnight's sleep. And that's what got me going."

Hussey played at a time when Australia boasted of one of the most robust middle order, and he gives credit to his teammates as well, "The guy at the other end needs to help too. I was lucky to have a middle-order that helped me with the chase. I loved batting with Ricky Ponting, Andrew Symonds, Michael Clarke and others. They're all fantastic players in their own right and did lend a helping hand in tricky situations". "I was lucky to have a set, rigid pre-ball routine for every single delivery that I faced, which helped me switch on and off in between deliveries," Hussey adds further.

To understand Hussey's approach better, Sanjay Manjarekar uses one of Javed Miandad's theory, "If Javed needed 11 or 12 runs an over, he would try to get at least 8 runs an over because there will invariably be wide or no-balls to compensate for the remaining runs", and asks Hussey if he followed the same mantra. "I tried not to let it reach 12 or 13 runs an over. And I learnt this from MS Dhoni. He is incredible. He believes that he who panics last wins the game. So Dhoni would keep his cool, and keep it longer because the pressure is on the bowler as well. So, Javed rightly says, chances of a wide or a no-ball are higher. And if you can keep your cool longer than the opposition, you can come out on top", responds Hussey.

Hussey believes that the greatest players of the game have a few common traits like, 'They don't hang on to a defeat for too long. If they lose, they move on quickly. They don't let a loss or a win hamper their thinking. They are always consistent, and level headed whether it's MS Dhoni or Ricky Ponting".

Talking about Dhoni’s finishing ability, Sanjay recalls one of India’s game against Sri Lanka in West Indies. Dhoni was on strike, India needed 17 runs in the last two overs and Sri Lanka put their best bowler to bowl the penultimate over. “Dhoni just got 3 runs in that over leaving 14 to get from the last over which was to be bowled by a weaker bowler. That’s seemingly impossible, but then how does Dhoni manage to do this”, asks Sanjay. Hussey, who is full of praises for former Indian captain, claims, "Dhoni is the greatest finisher of all time that the cricketing world has ever produced." He adds, "Dhoni can keep his cool and make the opposition captain blink first. Dhoni also has unbelievable power. He knows that when he needs to clear the ropes he can do it. He has that kind of self-belief. Honestly, I didn't have that kind of belief in myself."

Chennai Super Kings (CSK) is Sanjay's favorite IPL team, and he wants to know what makes them so consistent. Hussey lets out the secret, "Supportive owners who let the Coach Flemming and Captain Dhoni decide how to run the team, excellent chemistry between the coach and the captain, Dhoni’s leadership and lastly the foresight of the owners, Flemming and Dhoni to pick the best players, particularly the good Indian players and then stick with them for as long as possible." This has built an excellent continuity in the team. And once you have continuity, you build relationships and trust that otherwise takes time to grow."

Responding to Sanjay's question on CSK's future after Dhoni moves on, Hussey says, "That's a 60 million dollar question, and I am equally intrigued. I believe the owners would like to keep Dhoni involved in some way or the other. However, whenever the change of guard happens, CSK might want to start all over again, build a brand new team, and use their existing philosophy as they enter the next decade of IPL. It is definitely going to be more challenging in current times."

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Members of the Raj Thackeray-led Maharashtra Navnirman Sena (MNS) today attacked a government office in adjoining Navi Mumbai, to vent their ire over potholes dotting the 39-km stretch between Sion and Panvel. Accidents on pothole-riddled roads have claimed five lives in adjoining Thane region since last month. The victims lost balance and fell as their two-wheeler hit potholes.

The MNS workers stormed in the office of the Public Works Department (PWD) at Turbhe claiming that the Sion-Panvel road is dotted with potholes and has endangered lives of commuters. The protesters shouted slogans, smashed office equipment, threw chairs, pulled down cupboards and smashed window panes, computer terminals, CPU and printers in the office, police said.

They shouted slogans against public works minister Eknath Shinde of Shiv Sena and demanded registering of offences against those responsible for the "shoddy" condition of roads. The demanded that officials concerned be booked for murder in cases of pothole related deaths. An official of the APMC police station said offences have been registered against the protesters.

"If people are dying due to poor condition of roads, MNS will continue to undertake such actions. If the roads are not repaired, the next target will be Mantralaya, the state secretariat in south Mumbai," Navi Mumbai MNS unit chief Gajanan Kale said.

Reacting to the incident, Raj Thackeray said, "If the government can't see potholes, it will at least see this protest". Meanwhile, a video of the PWD office attack has gone viral on social media.

On Saturday, Maharashtra PWD minister Chandrakant Patil appeared to make light of deaths due to potholes, when he said,
"When you talk about a death in such an accident, you forget that five lakh other people have travelled on the same
road. You can not put the entire blame on the (condition of) roads alone."

The MNS protest came a day after Congress workers in Mumbai counted potholes in suburban Bandra as part of its "Aao Potholes Giney" (Come, let us count potholes) campaign, accusing the Shiv Sena-ruled Brihanmumbai Municipal Corporation of not being prepared for the monsoons.

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With the arrest of two persons, the Mumbai police have recovered 29 two-wheelers stolen from Mumbai and Navi Mumbai in the last three years, a senior official said Friday.

One Harshad Kohli had lodged a complaint with Yellow Gate police station that his scooter was stolen from Bhaucha Dhakka ferry wharf in Mazgaon area here some days ago.

Acting on a tip-off, police laid a trap and arrested Meraj Sheikh (19) Sunday from the Yellow Gate area. His interrogation led to the arrest of his accomplice Mushtaq Mansuri (19) from Belapur in neighbouring Navi Mumbai.

The duo revealed that they had stolen several two-wheelers from Mumbai and Navi Mumbai in the last three years, the official said. Police recovered 29 stolen two-wheelers from their possession and further probe was on, the official said.

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Different Bollywood celebrities are indulging in different activities at home to spend time amid the quarantine and lockdown issued by Prime Minister Narendra Modi. Some are cleaning their homes and many are sharing their workout videos. Soha Ali Khan's daughter Inaaya Naumi Kemmu have something else in mind.

Taking to her Instagram account, actress and mother Soha shared an immensely adorable picture of Inaaya arranging book in her playroom. The toddler looked cute in her black t-shirt and pink checkered trousers. The post was captioned as, ''Booked for the week! #lockdown #stoppedcountingthedays #storytime(sic).''

 

 

 

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Booked for the week! #lockdown #stoppedcountingthedays #storytime

A post shared by Soha (@sakpataudi) onApr 21, 2020 at 12:26am PDT

If you go to her Instagram account, she has been sharing pictures and videos of her family on Instagram account. She regularly updates us about her quarantine time. Recently, she shared a picture of her husband Kunal Kemmu and Inaaya. The father-daughter duo is seen peeling pees in the image! "It's just a 'matar' of time...#lockdown...#stayhome..#twopeasinapod (sic)," Soha captioned the picture.

 

 

 

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A post shared by Soha (@sakpataudi) onApr 15, 2020 at 1:46am PDT

Before this, Soha had shared an immensely adorable picture of Inaaya who could be seen sitting with her bunch of teddy bears and captioned it- House party Day 6. She also used the hashtag- Lockdown.

 

 

 

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House party Day 6 #lockdown

A post shared by Soha (@sakpataudi) onMar 29, 2020 at 10:42pm PDT

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The entire nation is currently locked down due to the Coronavirus outbreak and the lockdown has now been extended till May 3. However, Salman Khan's father and veteran writer Salim Khan was recently spotted taking a walk on the Bandra Promenade by one of the area's residents. This was reported by Pinkvilla. The resident said, "Initially, we thought maybe it's a one off thing but over the last 3 weeks, we have seen him walk for half an hour every alternate day. He comes by 8.30 am and is around till 9 am."

And talking about the reason behind the same, Khan spoke at length and said, "I have been adviced by the doctors to continue my walks as I have lower back issues. I have been walking for the last 40 years and the doctor has told me if I stop suddenly, it might affect my back more. Moreover, I have the pass issued by the government till April 30, and I am following all the norms possible."

He added, "It is only on medical grounds, that I am allowed to take a walk outside. I am a law-abiding citizen but people tend to pick on us given that we are celebrities. I am not the only one who walks around. There are so many people I see who are strolling with their pets. But no one reports them! Anyway, I am ensuring I take all safety measures and also, I hope everyone else does too."

We hope Salim Khan stays safe and healthy and takes care of himself!

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Neha Kakkar has seen a lot of highs and lows in her personal and professional life. Talking about the former, she was in a relationship, and a rather strong one, with Bollywood actor Himansh Kohli, but fate had other plans and they broke up. After her relationship with the actor ended, she declared publicly that she was depressed.

She even broke down multiple times on Indian Idol every time she saw a singer perform on stage with all heart. It reminded her of those magical moments she spent with Kohli. But now, it seems she's not going to weep or cry anymore, she has now come up with something called the Move On Challenge and it's for all the girls out there and not just her.

In a video that she uploaded on Instagram, she urged all the girls not to cry over their exes. The video starts with her breaking down and suddenly transforming into a bold, confident lady flashing her contagious smile. This moment suggests she's happy being independent and herself. The video has a montage of multiple girls doing the same.

Watch it right here:

 

 

 

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Feat. My Beautiful Girls @tashakapoor @suyesha_savant @ritikavatsmakeupandhair @deepikasdeepclicks @vibhagusain 😍ðŸ¤Â— . Video's Concept: Neha Kakkar Video's Editing: Neha Kakkar Song Name: Jinke Liye Lyricist/Composer: @jaani777 Music Production: @bpraak Singer: Neha Kakkar Label: @tseries.official . #NehaKakkar #JaaniVe #Jaani #NehaKakkarSong #DesiGirls

A post shared by Neha Kakkar (@nehakakkar) onApr 21, 2020 at 11:05pm PDT

This is indeed an innovative and imaginative initiative the singer has come up with. Now the one thing that will be exciting to see is whether any other Bollywood or Television celebrity uploads such a video or becomes an active part of this challenge or not.

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Actress Raveena Tandon has come up with a social media campaign #JeetegaIndiaJeetengeHum to stop the spread of rumours amid the COVID-19 crisis, and also urge people not to attack the frontline workers.

Several healthcare workers in India have been attacked as they battle to stop the spread of the novel coronavirus. So, Raveena has made a special video in which she is seen appealing people to understand the severe health crisis and also appreciate the crucial role of doctors amid the COVID-19 outbreak.

"I feel it's extremely important for all of us to do our bit by encouraging the real heroes, our doctors and nurses who are stepping out everyday and fighting this deadly coronavirus. They haven't met their families to keep us and our families safe and that's why through my campaign -- #JeetegaIndiaJeetengeHum -- I request everyone to give these medical forces their due respect and at the same time not spread false rumours. I'm hopeful we will all see the light sooner together," she said.

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It has been seven years since Mohit Suri's Aashiqui 2, starring Aditya Roy Kapur and Shraddha Kapoor came out. It made the actress an overnight star and sensation, and her character, Aarohi, still continues to be remembered for her piquancy and innocence, and of course, singing.

Every year, the actress does something special on this day to mark this musical blockbuster's anniversary and this year was no exception. She not only changed her Instagram name to her screen name from the film and upload a new photo from one its stills, but also uploaded a collage of some of the film's scenes to create one beautiful picture.

This is truly an innovative and imaginative way to celebrate your film, don't miss this post:

 

 

 

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7 years of Aashiqui 2 today!🥰💝 Thank you forever @mohitsuri for this gift of a lifetime @visheshfilms for believing, #ShaguftaRafique for your exquisitely beautiful writing, @adityaroykapur for being an unbelievably amazing costar and the entire team who gave their everything to this precious film. Thank you everyone who gave this film so so sooo much love. Its priceless✨ Thank you to all those who have made such beautiful edits and to the fan clubs for uniting and sharing a common dp today; this collage 🙃🥰 I’m the luckiest girl in the universe ✨💜

A post shared by Aarohi (@shraddhakapoor) onApr 25, 2020 at 11:43pm PDT

Shraddha Kapoor is well known for always delivering hits along with a new character and fresh content with every project. Shraddha being a lover of always wanting to try something new has been unstoppable ever since Aashiqui 2.

After Aashiqui 2, taking no breaks, Shraddha was seen in Ek Villain, where the character of being full of life was super fresh. Not forgetting ABCD 2 where Shraddha's dance totally stole hearts. Shraddha showed her versatility factor and the audiences were stunned on how the actress can mould herself in every way possible.

Moulding herself into another new character, Shraddha was seen doing some kicks and punches in Baaghi. The actress has given a carousel of hits and is a roll as the actress chooses quality projects over quantity and this totally sets her apart. Shraddha knows how to treat her fans with the best of characters, where fresh content always hunts Shraddha.

On the work front, Shraddha will be seen in a Luv Ranjan directorial alongside Ranbir Kapoor. The actress is basking in the success of Baaghi 3. Truly we can't wait to see what this fresh pair has brewed for us!

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Representation pic

A massive fire broke out in a three-storey building in the Kasa area here in the wee hours today, the district rural police said. One person was feared dead, but there was no official confirmation yet, they said. The police received a call around 3.30 am about the blaze in the residential-cum-commercial building, located near a temple in the Kasa area of the Dahanu taluka.

The building's ground floor and the first floor, which housed a provisions store and its godown, were completely gutted in the fire, the police said in a release issued here. However, residents of the four apartments on the building's second floor were evacuated, the police said, adding that one person was feared killed in the fire, but there was no official confirmation yet. Three fire engines were rushed to the spot. The flames were doused but the cooling work was still on, the police added.

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Mumbai city suburbs of Tilak Nagar, located in Chembur faced another fire hazard on Wednesday evening. According to reports, building no 50, which is a multi-storey establishment which is located near Saraswati school caught fire. Four fire engines and water tankers were dispatched to the spot.

More details awaited.

Citizens took to social networking site Twitter quickly to react upon the fire in Tilak Nagar. Here's what some of them had to say.

Again fire outbreak in tilaknagar Chembur building no. 50. #chemburfire @MumbaiPolice @RidlrMUM

— Avantika Shukla (@avi_1801) January 9, 2019

And today another fire broke out in Tilak Nagar. There's absolute chaos due to the parking on roads in the colony. https://t.co/A22wLP1YnN

— Neenu (@kpophustle) January 9, 2019

Unbelievable how often this is happening. Tilak Nagar needs a revisit on fire safety norms!

— Chyrag (@chiragbshah) January 9, 2019

In a similar incident, a fire had broken out at Sadhana Industrial Estate near Mahindra Tower, Worli around 4.30 pm on December 29. Eight fire engines, two fire tenders, seven jumbo tankers were rushed to the spot. The ground-plus three-storey commercial structure was completely engulfed in smoke, said a fire official. Twelve firemen were rushed to the hospital, after they complained of suffocation.

A month ago, a deadly blaze at ESIC Kamgar Hospital at Marol in suburban Andheri had claimed six lives and left more than 30 injured. The building had neither a fire NOC nor occupation certificate. Ten fire tenders and 15 ambulances were rushed to the spot. The fire brigade officials said 147 people were rescued from the hospital, which includes patients as well as staff members.

Also Read: Tilak Nagar fire: Residents to take on MHADA, BMC

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A 45-year-old man working at a stone crushing site in Boisar was allegedly crushed to death in a machine at Gundale village of Palghar district on Monday. The stone crusher owner has been booked in link with this case.

According to the police, the deceased identified as Sanjay Ganeshkar was cleaning the stone crusher machine when his co-worker Harishankar suddenly switched it on due to which Sanjay fell into the conveyor and was crushed to death.

"His body parts were recovered from the machine. James Colaco, the owner of the stone crusher machine and worker Harishankar Umbarsada have been booked under IPC section 304 A (causing death by negligence) and further investigation is underway," said a police official from Boisar police station.

Also Read: Woman riding pillion crushed under wheels of BEST bus in Malad

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Telecommunications service provider Ericsson on Thursday introduced a new category of radio products called Street Macro in India to enable a smooth evolution from 4G to 5G.

Street Macro is a new site type that addresses the need for operators to grow in cities with limited available radio locations.

The company also launched new radio products that support "Massive MIMO" technology to simplify use for wider 5G adoption.

"Operators today are looking at ways and means to increase network capacity, especially in urban areas. Ericsson's Street Macro adds a new layer in the network layer to boost capacity enabling service providers to cater to the growing demands of data users," Nitin Bansal, Managing Director, Ericsson India, told reporters here.

According to Ericsson's new economic study of enhanced mobile broadband, evolution to 5G will enable 10 times lower cost per gigabyte than current 4G networks.

To help operators capture growth opportunities presented by new 5G use cases, Ericsson has expanded its 5G Core System offering with new capabilities to support 5G New Radio (NR) standard and also enhanced its Distributed Cloud solution.

The announcement came on the sidelines of Ericsson's annual technology roadshow in India, where the company recreated a "Do Zone" to showcase the highlights from Mobile World Congress 2018.

To date Ericsson has signed 39 memorandums of understanding with service providers for trials, the company said.

Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

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Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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The romanticising of vinyls is not without reason - the gritty, warm sound, the bout of nostalgia and the act of listening may all be cliches, but they also hold true. And today being World Record Store Day, there is perhaps no better way of spending it than actually being in one. So here are a few that can satiate everyone from the grandpa obsessed with Madhubala to the hipster who wears socks from different pairs. Take your pick.

The Revolver Club
Jude D'Souza (seated in pic), CeO at The Revolver Club, says, "I once got a call about someone wanting to purchase weapons and another one asking how they could join this club." He explains that the name is a play on the revolving aspect of vinyls and also an ode to a Beatles album. D'Souza set up the store with co-founder Shalom Benjamin about three years ago, and it has now become a go-to hub for record junkies.
At: LJ Road, Mahim West.
Call: 9833182255
Cost: Rs 100 to Rs 25,000

Royal Music Collection
Known simply as Abdul Razaak's store to those in the trade, this shop tucked away in Fort has been around since 1982. Featuring an array of languages and genres, the stock is a treasure trove of collectors' records. "Most of my customers are regulars and now that record players are back, I get some new ones too. Much what I have comes from old collections, so it's cheap and exquisite," says Razaak, the owner.
At: Kitab Mahal, Dr DN Road.
Call: 98209 33365
Cost: Rs 250 to Rs 2,000.

Music Circle
Pilak Bhatt, owner of Music Centre, which has been around for five years, says he has been collecting records for the last 40 years. At his store you can find both pre-owned records and new ones. "Because of my passion and love for music, I want this format to stay alive. Analogue sound is natural and warm and records have lovely artwork. Plus, there's ample information about the artistes. The sound of Mp3s isn't great, and people are realising that, which is why this revival has come about," Bhatt says.
At: V Mall, Kandivali east
Call: 9833062221
Cost: Rs 300 to Rs 2,000

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Dress up in light and bright outfits for a summer wedding. At the same time, do not forget to play with appropriate fabrics. To look bright and beautiful, experts suggest minimalistic embellishments and soft Maheshwari and Chanderi fabric for your attires. Designer Sweety Arora, and Renu Rana, Founder at Sihali Jageer, have listed what to wear under the sun, literally.

1. During summer, go with cool fabrics suited to a sizzling day. Think feather-light hand woven silks, fluid modal and cottons. A flowy dress from the traditional Maheshwari cottons and matching Coimbatore cotton silks with Chinese collar will add the extra glam to your look. You can also try Tangail fabrics beautiful cape tops with ikkat pants that look extremely trendy.

2. Colours like pink, blue, and yellow exude charm and tenderness. So, go for delicate pastels, soft maheshwari and Chanderi with a hint of metal, with gold and silver jamdani hand embroidery and booties. It is a perfect synthesis of traditional fabrics for contemporary needs and style.

3. To create an ethnic look, pair chanderi kurta and silver pajama with heavy Dhakai jamdani dupatta. You can also add an angrakha jamdani wraparound kurta over it for a dramatic twist.

4. For a beautiful fusion of traditional and contemporary look, the clothes must blend different styles from various parts of the country, from Rajput to Afghani traditions to our own Indian heritage, thus creating looks which are classy, glamorous and reflect one's signature style and love of colour. This mixture of different influences only helps in creating unique designs, clean cuts and modern style.

5. Rely on breezy prints with minimalistic embellishment.

6. Go for silhouettes that don't bog you down. Go for sheer skirts and wrap tops, cowl dresses, draped saris, light lehengas and anarkalis.

7. Keep your footwear as quirky and off-beat as the rest of your ensemble. Go for customised jutis, or blingy canvas shoes.

8. Invest in nice statement neckpieces and layered neckpieces as they look elegant, comfortable and unique. Try double rings with pearly strings, palm rings and pearl kadah.

9. Try to explore new designs and shapes in bags like bucket bag-inspired potlis, give an indo twist to messenger bags. You can also opt for customised miniature bag packs as those will make you stand out from the crowd.

(Edited by mid-day online desk, with inputs from IANS)

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A missing platform stands between Mumbaikars and the restored tram the Brihanmumbai Municipal Corporation (BMC) had promised to set up for display at Bhatia Baug, by the first week of April. While the tram coach is nearly ready, the tender for construction of the platform, which will serve as its base, didn't receive an adequate response, and a second tender cannot be floated until after the Lok Sabha elections in the city.

The BMC floated a tender last month to appoint a contractor who will construct a 3 feet tall platform. The tram, as well as part of tracks, will be installed on top of it. The overall of cost of restoration of the tram and construction of the platform is estimated to be R28 lakh. "We received a response from a single bidder so we have to float another tender. However, since the model code of conduct is in place, we will have to wait for the elections to get over," said Kiran Dighavkar, assistant municipal commissioner of A ward. He added that they will float the tender next week and it will remain open for a period of eight days.

Also read: Elections 2019: 422 polling stations in Mumbai declared 'critical'

Based on the plan, the BMC is considering letting people enter the tram under certain conditions. Before the final setup, however, the BMC will need the approval of the heritage committee. Unlike most projects that are approved based on documents, for this project, the committee members will have to inspect the tram. On April 24, A ward officials wrote to the heritage committee asking them to inspect the tram and give their approval for the project. Dighavkar added that the tram will be brought to a godown in Cuffe Parade from Rabale sometime this week.

Over the past couple of months, the tram was restored in a workshop in Rabale using the parts of another tram that was functional in Kolkata between 1874 and 1907. Once the tram has been assembled at Bhatia Baug, the BMC is planning to set up lighting in the area to attract visitors. Civic officials are also planning to install LED screens inside the tram which will display information about the history of trams in Mumbai from the horse drawn ones till the electrical ones which were taken off the road around 50 years ago.

Also read: Elections 2019: Netas appeal to citizens to vote

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A still from Some Stories Around Witches

In the tribal villages of Odisha, a teenage girl kills an elderly relative believing that she is a witch and the cause of her father’s death. Overnight, a village turns into a mob to kill three people — a man and two women — who were identified as witches by a witch doctor. Meanwhile, a family is threatened and ostracised, for it is believed they bring ill fate, after they cook meat.

Lipika Singh Darai

The audience is engaged with three real life incidents in the 53-minute documentary, Some Stories Around Witches. Directed by Bhubaneswar-based FTII alumnus Lipika Singh Darai and produced by the Public Service Broadcasting Trust (PSBT), the film explores the politics of witch hunting and the humanitarian crisis surrounding it. It will be screened tomorrow as part of the 22nd edition of Dr Bhau Daji Lad Mumbai City Museum’s monthly screening programme, Movies At The Museum.

“There is a mystery surrounding tradition and myths about witchcraft but we should also see it in the light of socio economics and politics to understand the complexity of the events. The cases are very sensitive and my priority was to make the camera’s presence insignificant,” says Darai, who will be present for a Q&A session post the screening, which marks its premiere in Mumbai.

At the event, also catch the screening of another PSBT production, There Is Something In The Air. Directed by Delhi-based filmmaker Iram Ghufran, the Hindi-Urdu documentary is a series of dream narratives, and accounts of spiritual possession as experienced by women ‘petitioners’ at the shrine of a Sufi saint in north India.

Sanjay Sharma with his daughters Aayushi (left) and Shriya, both of whom enjoy skating. Pic/Satej Shinde

"When you get divorced, the people you used to hang out with disappear. Suddenly, you have no friends, and neither does your child," begins Hemant Amrute, 43, who has been raising his 12-year-old son as a single parent since 2010. Similarly, Goregaon resident Sanjay Sharma has had full custody of his daughters since 2013, when his older child was not yet five, and the younger two-and-a-half years old.

Hemant Amrute with his son Aryan before a parasailing trip in Goa last December

Taking on the role of both parents hasn't been easy for either of these single dads, but that hasn't stopped them from providing their little ones with an upbringing that isn't lacking.

Striking a work-life balance
Recently, actor Tusshar Kapoor and director Karan Johar made news when they became single fathers to children born via surrogacy. But while these men, who come from privileged backgrounds, presumably have help, this is not the case with most single dads who have to juggle work and kids.

A normal day in the life of the Sharma family is hectic. "Luckily for me, I run my own business, so I do all my work when the kids are at school. My job is to pick them up and later in the evening, drop them off for skating or swimming lessons. My older daughter has also been learning Kathak for two years, while my younger one takes singing lessons," shares 35-year-old Sharma, adding that his mother helps him out on the home front.

Amrute, meanwhile, is also a busy entrepreneur, but now feels confident enough to leave his son home by himself whenever required, as he's a little older. His challenge, however, lies in the kitchen. "I never learned to cook," laughs the Thane resident, adding, "We've had a string of cooks come and go, because both of us invariably end up not liking the food."

Not to mention that being a single parent still has stigma attached to it, which is multiplied when the single parent in question is the father. "In the beginning, people would say, 'Yeh nahin kar paayega (he won't be able to do it)'. Now, they've seen it for themselves," says Sharma. Echoing the sentiment, Amrute adds that once a couple gets divorced, people tend to look down on them, and your social circle shrinks to prevent the awkwardness.

Creating a lasting bond
Sharma's daughters and Amrute's son love being outdoors. Sharma takes his kids to the beach, park, as well as for kiddie events across the city. "We love going on holidays, too, even if they're to nearby places like Mahabaleshwar or Daman."

Amrute and his son Aryan spend weekends at their farmhouse in Yeoor Hills, and head to the cinema or the mall on other days. "We also spent Christmas in Goa last year, which was a lot of fun. A few years ago, I took him with me on a work trip to the US, and we visited a lot of places when I had some downtime," he shares.

Both men recently discovered and joined iSingleParent, a Facebook community that organises meet-ups and holidays for single mums and dads and their kids.

Amrute says that when not at school, his son would end up spending time playing with a smartphone. "We live in a standalone house, so there aren't any kids around for him to play with. But he loves technology, and scored full marks in Robotics. He also enjoys beatboxing and recently started trying out parkour. And now, thanks to the group, he looks forward to bonding with the other kids who come for the meet-ups," he says.

Thje city is facing many challenges amid the Coronavirus lockdown, but the one thing in its favour is the water stock. The lakes that provide water to the city have enough water to fulfil the city's needs through the summer.

As of Monday, the lakes have 29 per cent of the water stock, which will last for almost another 80 days, that is, until July.

This means, there will be no water cut this summer. Last year, when the city was facing a water cut, the total water stock was 19 per cent on the same date.

The BMC had imposed a 10 per cent water cut from November 2018 till July 2019. During the last monsoon, the lakes received rain till early December and as such, the water stock is still

The seven lakes — Bhatsa, Tansa, Upper Vaitarna, Middle Vaitarna, Modak Sagar, Tulsi and Vihar — supply water to the city.

Their total water storage capacity is 14.47 lakhs MLD (million litres per day). As of Monday, there is 4.31 lakh MLD water in the lakes.

Last year, on the same date, the water stock was 2.88 lakh MLD.

The BMC supplies 3,800 MLD water to the city every day. Around 700 MLD water is being used by industries while the floating population — people coming from other cities — use around 50 MLD water.

"After the lockdown, the industrial water supply is obviously reduced but the city gets normal water supply. It means there is more water for residential areas," said Ashok Rathore, chief of the Hydraulic Engineering Department.

Due to the manpower crunch, the meter reading has not been taken and the exact use by industries and residences has not been measured.

As per the IMD forecast, the monsoon will be normal this year.

29
Percentage of water stock currently available

Available water stock (in mn litres)

Upper Vaitarna: 2,802
Modak Sagar: 61,632
Tansa: 38,539
Middle Vaitarna: 89,953
Bhatsa: 224,881
Vihar: 10,133
Tulsi: 3,478
Total: 4,31,418

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On April 16, two priests and their young driver travelling in a car from Mumbai to Surat were lynched to death by a frenzied mob in Gadchinchale village, Palghar district. This paper has been closely following the sequence of events, including interviews with the family of the slain, and the political brouhaha that followed.

While it is learnt that the men became the target of an enraged and armed mob, it is clear that they were fuelled by rumours and in some cases by alcohol too. Locals claim talk about child kidnappers and organ sellers was doing the rounds. There were also rumours about outsiders coming into the village and spreading Coronavirus.

We now have to think and put into place some kind of gameplan, so that such incidents do not occur again. Having said that, it is also understood that there is no guarantee, and one acknowledges that it is very difficult to control a mob baying for blood.

This does not mean that we cannot try and learn from some takeaways of this crime. Police and leaders must act proactively the next time any rumours start swirling around. This could be done by putting signboards in areas or making announcements to dispel rumours. The frontline of the tribal community and villagers, those who command respect could be roped in at an early stage by authorities as allies. They could then hold meetings of people dispelling and squashing dangerous, loose talk. An aggressive truth campaign can be started.

Action against culprits stoking irresponsible fires can be part of the rebuff-the-rumour strategy. All this should be driven by those who have won the trust of the people. All easy to say, but worth giving a shot. The key seems to be not to be reactive and try to pacify an already charged, unmanageable group, but, proactive so that there is a strategy in place to scotch lies and wilful attempts to misguide.

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From smallpox, the bubonic plague, swine flu or the Coronavirus epidemic, Kasturba Hospital at Chinchpokli, has been at the forefront each time the city has faced an infectious disease outbreak. And though around it, swanky new hospitals have emerged, little has changed at this heritage structure—it underwent a restoration in 2014-15—which continues to be the only designated government hospital for infectious diseases.

Built as Arthur Road Plague Hospital, historians are not certain when the name changed to Kasturba. Over the years however, what hasn't changed is its role. Manjiri Kamath, an associate professor with the Department of History at the University of Mumbai and a member of the Mumbai Heritage Conservation Committee, says, "There was an outbreak of the bubonic plague in Bombay in 1896. At the time, there was no vaccine and patients of the plague were being treated at the Arthur Road Hospital."

The hospital has been constructed to serve as a space for infectious diseases. It consists isolation wards, a luxury that modern-day hospitals haven’t been able to afford. Pic/Bipin Kokate

She adds, that the plague had major implications for the economy and was a big crisis for the British government. Back then, Kamath says, people were in a state of panic and they wanted to leave the city. Going to the hospital wasn't an option. "Initially, people were reluctant to go to a hospital since it was a new institution for Indians and there were apprehensions about different castes and communities being kept together. There were reports that, for this reason, separate caste-wise and community-wise wards were set up," she adds.

Starting with small pox
Medical historian and former head of the history department at SIES College, Dr Mridula Ramanna, says that Arthur Road Hospital was first created to tackle smallpox patients in 1892. In her book, Western Medicine and Public Health in Colonial Bombay, 1845-1895, she writes that it was constructed as a branch of another hospital for infectious diseases at Grant Road run by the municipal corporation between 1888-1891. "There was a dispute between the municipality and the government over who should bear the expense of maintaining the hospital, which eventually led to its closure. The hospital had to be reopened after the outbreak of small pox in 1892. Since the accommodation proved insufficient, a branch hospital was opened at Arthur Road and, after the epidemic passed, the infectious diseases hospital was permanently shifted to Arthur Road," she says. Before the plague, 1,438 patients were treated at the hospital.

Manjiri Kamath

In her book, Dr Ramanna mentions that the municipal corporation had approved of cholera hospitals in every ward and a permanent smallpox hospital to be built at Arthur Road to accommodate 75 patients. "It was suggested that while the structures could be similar, the smallpox hospital could have a thatched roof covered with matting so that after each use, all articles capable of retaining infection could be destroyed. It, however, later became the only hospital for infectious diseases in the city for treating people suffering from the plague and the first patient was admitted on September 4, 1896."

In her second book titled, Health Care in Bombay Presidency, 1896-1930, Dr Ramanna mentions that the hospital complex comprised open sheds with a stone plinth and earthen flooring. "Each shed had a tiled roof with ridge ventilation supported by iron columns. Each shed had two self-flushing closets, and the compound had surface drains. The Vehar Lake supplied water through pipes to the hospital." Between 1892-1912, Dr Ramanna says more than 29,000 patients were treated at Arthur Road Hospital, primarily suffering from smallpox, plague, cholera, chickenpox and measles.

Dr Mridula Ramanna

An ideal design
According to a paper published by the Journal of the Royal Society of Medicine, Arthur Road Hospital was first led by Nasarwanji Hormusji Choksy who was the first medical superintendent and served at the hospital until 1922.

During the plague, Choksy investigated more than 4,000 cases in detail. In 1897, however, he himself contracted the disease. But was saved due to the use of the Alexander Yersin serum. To recognise his brilliant work, he was even awarded the title Khan Bahadur by the ruling Britishers. Choksy, served as President of the Bombay College of Physicians and Surgeons and he was a member of the Bombay Medical Council from 1912 to 1932. Dr Shivkumar Utture, current president of the now Maharashtra Medical Council Mumbai, says members still laud his work almost 100 years later.

Dr Hemal Shah, nephrologist

Dr Umesh Aigal, former medical superintendent of Kasturba Hospital, who worked at the hospital from 1982 till 2014, says the hospital's design makes it ideal for treatment of infectious diseases. "The hospital has a separate entry and exit to avoid spread of infection. During my tenure, I have seen cases of leprosy, SARS (severe acute respiratory syndrome) and swine flu," he adds.

At present, the hospital compound comprises 30 wards, of which 16 single-storeyed buildings are considered to be heritage structures. Civic officials said that the heritage structures have sloping two-part roofs with Mangalore tiles and large ventilators to keep the rooms cool. The BMC had taken up a restoration project back in 2014-15. Wajid Shaikh, an official with the Hospital Infrastructure Cell of the civic body, says, "The walls are made out of brick and the structure supported by wooden pillars. The large ventilators allow sunlight and flow of air in the wards."

While the civic body doesn't have information about when the other two storeyed RCC (cement) structures came into existence, Dr Aigal estimates them to have been constructed in the early 1960s.

Old hospital, new value
Dr Hemal Shah, nephrologist at Bhatia and Saifee hospitals, says, "As an alumnus of Topiwala National Medical College and Nair Hospitals in Mumbai, I was posted in the nearby Kasturba Hospital. I spent some time at this facility between 1990 and 1991. I remember a one-month posting distinctly. It was the most relaxed one month of our curriculum. The hospital itself was beautiful and spacious. It has multiple single-storied buildings for different diseases. They had wards for measles, chicken pox and mumps."

Dr Shah remembers very "few patients and most of them were asymptomatic and kept for isolation". "As young doctors, we always wondered, what a waste of space. And we discussed amongst ourselves—why is Nair Hospital so crammed and Kasturba so empty and why can't we shift some departments there?" he adds, continuing, "Almost cocky about the recently acquired knowledge of microbiology and pharmacology, we wondered why would patients need isolation when appropriate drugs are available? But later we found out that the original design of the hospital was from the pre-antibiotic era or to correctly put—before all anti-microbial agents were available. The only resort then was to isolate the patients and hope for natural immunity to help them fight that infection. In the 1990s, as an intern, I scoffed at this idea. Till now, most of the world felt invincible."

But with the Coronavirus outbreak, people have realised the significance of the old Kasturba Hospital all over again. "The general public and medical fraternity felt that the science of medicine has reached a certain level of nirvana. We felt we could fix everything. Now in 2020, I realise how vulnerable we are. Now I know why an infectious disease hospital—away from regular patients—is always needed."

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Dear Diana,
After being with my guy for two years, he cheated on me with my best friend. They had an affair behind my back. Often, she used to hang out with us, but I did not think that she would steal my guy from me. As soon as I got a whiff of their affair, I stopped talking to her though she did reach out to me, but I never gave in. My guy was a closed chapter of my life. Now, a common friend tells me that my ex guy has cheated on my friend too. I detest her for ruining my love life and leaving me with a broken heart, but at the same time, I feel bad as I have been in a similar situation. I know what she must be undergoing. What should I do? She has been messaging me and telling me what has happened. But I am not paying any heed. Should I mend fences with her?
— Simone

Dear Simone,
Now that both of you are sailing in the same boat, you can share your grief too. If you can forgive and forget, you can reach out to your pal. She is nursing a broken heart while you may have recovered and moved on. If you sympathise with your pal, then you should rekindle the friendship. Are you willing to let bygones be bygones? You need to realise that it was because of a useless guy that things got messed up between you and her. Now that he is no longer on her scene, you should get your pal back besides moving on with your respective lives. Let this guy remain in the distant past.

Representational picture

Be it fashion jewellery or precious silver and gold, taking care of how you store them can ensure they last long, suggest experts. Garima Singh, co-founder and CEO at blingvine.com and jewellery designer Pooja Vaswani, have given a few tips on how to take care of your jewellery pieces:

Clean your jewellery before storing: Sweat will change the colour of the pieces and make them look old. Therefore, it is very important that before storing, you wipe off all the sweat from the jewellery pieces and store it at concealed places. Ideally, store them in a jewellery box with multiple slots or store them separately in boxes they came in to avoid scratching.

Airtight box or zip locks: Store your jewellery in an airtight box or zip lock to preserve the polish for a longer time. Your precious pearl pieces should be stored in a cloth-lined jewellery box or wrapped a soft cloth to maintain the shine and quality of pearls.

Use anti-tarnish paper: While storing your fashion jewellery, it will be great if you wrap each piece in anti-tarnish paper or an eyeglass cloth. Anti-tarnish paper will maintain the shine of the jewellery.

Separation is necessary: Do not keep two different type of jewellery in one box. It is very essential to store your jewellery in a separate jewellery box or secured containers that will prevent your baubles from moving around and preventing them from getting scratched and broken.

Avoid wearing delicate jewellery while cooking, gymming, swimming, or any household chores. Stay away from extreme exposure to heat and light as gemstones like kunzite can fade or discolour.

Always put on your jewellery last when dressing. It should be done after the use of make-up, cosmetics, perfume and lotions to avoid damage to delicate items.

Clean your jewellery with warm water, mild liquid soap and soft brush in a glass bowl. Dry it thoroughly before storing it back. One could use a precious metal polishing cloth to remove tarnish.

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Pistol ace Manu Bhaker has got a new electronic target installed at the makeshift shooting range at her home in Haryana in place of an archaic manual machine that was breaking down frequently and hampering her Olympics preparation. The old machine was causing her "immense irritation". Delighted by the reboot in her training, the teenaged star has got down to preparing with renewed vigour, sure in her mind that the Olympics will take place next year despite the uncertainty in the world of sports due to the COVID-19 pandemic.

"I have recently got the machine installed at my home and this will be surely more beneficial in my training," Bhaker told PTI from her home at Goria village. Her father set up the range after she showed exceptional skills in the precision sport. Bhaker thanked the Sports Authority of India (SAI) and Olympic Gold Quest (OGQ), the organisation that manages her, for promptly getting the machine -- an avant-garde target -- delivered at her home despite the nationwide lockdown enforced to contain the COVID-19 pandemic.

"I was facing a lot of issues with the old machine as it was manual. The thread would come off and often it would break down on and off. Now it's very different with the new machine," the 18-year-old Bhaker said. "Since I feel there is unlikely to be any outdoor action and competitions for another three-four months, I thought it will be useful to get this installed at this point in time."

A medallist at ISSF World Cup, Commonwealth Games and the Youth Olympics, Bhaker was primed for success at sport's grandest and biggest stage in Tokyo which was to happen this year, but the unprecedented health crisis intervened and forced a postponement of the Games by a year. With the world still far away from bringing the situation under control, there are doubts if the Tokyo Games would be held even next year.

"Yes, the Indian shooters were in great form heading into the Games, but health is a bigger concern," Bhaker said. "I am very hopeful of the Olympics taking place next year and also confident of maintaining my game and hitting peak form there. This is a difficult time for the world but I have no negative thoughts and I am mentally prepared."

The target HS10 machine from Swiss company SIUS Ascor is designed for all air guns for distance ranging from 10 to 20 meters. Some of the salient features of the machine are its accuracy, integrated high-intensity LED target illumination, low operating costs (no paper rolls/rubber rolls) and it is also suitable for outdoor shooting.

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Marriages may be made in heaven but have to go through trying and testing times on Earth. One such marriage is of Kannada star Kiccha Sudeepa and Priya Sudeepa. The two tied the knot on October 18, 2001, and the actor's fans couldn't keep calm at that point of time. But as stated, all marriages see their ups and downs and theirs was no different.

14 years later, in the year 2015, the couple mutually filed for divorce but none of the parties turned up for the proceedings. Was a possible reconciliation on the cards? Was it time for them to give their marriage another opportunity? Yes! But the actor admitted how he erred and couldn't be a good father or a good husband in an interview with Bangalore Mirror. And in an interview with Silverscreen India, he said, "My daughter is my whole life. She's like a ray of sunshine in my life. Pure, dazzling and so very important to my being."

It seems they won't part ways and that seems to be a piece of great news for his fans. In fact, they both celebrated their wedding anniversary in the Bigg Boss (Kannada) House and it met with a fantastic response. We hope they continue staying together and be the happy and happening couple they always were!

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Some love stories can never end. And that's the kind of love story that Neetu Kapoor and Rishi Kapoor shared with each other and the world. The veteran actor passed away on April 30, after battling cancer for two years, leaving behind wife Neetu, son Ranbir and daughter Riddhima.

Today, actress Neetu Kapoor shared an emotional post on Instagram remembering her husband. She wrote, "End of our story," and shared a photo of Rishi Kapoor posing with a glass of whiskey.

 

 

 

View this post on Instagram

End of our story ❤️❤️

A post shared by neetu Kapoor. Fightingfyt (@neetu54) onMay 1, 2020 at 11:20pm PDT

Anupam Kher, commenting on her post, rightly said, "Some stories never end." Raveena Tandon, who worked with Rishi Kapoor in the 1995 movie, Saajan Ki Baahon Mein, wrote: "Eternal and forever." Sonu Sood said, "It's a story that inspired many stories on this planet mam. Some stories never end, in fact, they will remain in our hearts forever. Rishi sir will always be a guiding angel."

Richa Chadha shared, "It is but a comma, not a full stop. He's right there, beside you, regaling you with stories, making you laugh, getting annoyed, finding the best restaurant... he lives through you and beside you. Don't lose heart. You are united in eternity. Big big hug."

Rishi Kapoor and Neetu Singh have worked together in movies like Kabhi Kabhie, Khel Khel Mein, Amar Akbar Anthony and Zehreela Insaan, among others. Their sizzling on-screen chemistry transformed into off-screen romance, and the couple tied the knot on January 22, 1980.

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The Marathi film industry is speedily moving towards making movies with good budgets. But to provide exceptional content with this high budget is really challenging. Very few directors from the industry can fulfill this challenge. And amongst these names, an emerging name is Digpal Lanjekar. Digpal has come in the spotlight after delivering two consecutive hit movies on the life of Chhatrapati Shivaji Maharaj over a period of two years. since the great director Bhalji Pendharkar’s movies based on Chhatrapati Shivaji Maharaj, no one had embarked on such a mission. After 40 years Digpal has accepted the challenge of creating movies on this topic has succeeded. His passion was strengthened by his meetings with great historians like Ninad-ji Bedekar. 

His first movie was Farzand which was released in June 2018. The movie was based on one of the Sardar’s of Chattrapati Shivaji Maharaj. Farzand was an unsung hero. After the movie was released, the audience loved the movie. Digpal’s passion and efforts had succeeded. It was not only the box office numbers that made the news but the fact that it ran for more than 50 days in theatres, too.
His second movie was Fatteshikast launched in November 2019. The movie was based on the legendary campaign by Chattrapati Shivaji Maharaj on Pune when he performed the country’s first surgical strike against the Mughal commander Shaistakhan. This movie was also a big hit. After the first movie, there was only a time period of one year in which Digpal completed the writing of the second film, shooting, direction, VFX, and post-production. In this time period, Digpal was also able to meet with the descendants of the sardars of Chattrapati Shivaji Maharaj and able to convince them to be a part of his movies. This enabled him to get a bunch of original documentation of historical events. Digpal Said, "I have decided to shoot in real location to get the feel and look right. It has been a cumbersome task, but my team has been wonderful". In his movies, Digpal reprises multiple roles of writer, director, dialogue writer, lyricist and also makes a cameo appearance as a character.

Digpal said, Maratha Light Infantry’s Belgaum training centre has decided to archive his film "Fatteshikast". The Movie will be a part of the their library and soldiers joining the Maratha Light Infantry Belgaum centre will be shown the film which is a great honour. "Fatteshikast" has also been awarded with many reputable awards and recognitions. 

Digpal’s style of movie making is not only appreciated by the audience but also his producers as well. In one of the interviews, Mr. Ajay Arekar the producer of the movie "Fatteshikast" said that ‘Digpal not only has a deep sense of movie direction and storytelling but also a detailed understanding of the producers' concerns and risks. At all times, Digpal has a plan ready for the next steps, the budgets and fail-safe scenarios.’ Owing to this attitude, the producers are very happy and agreed to support Digpal in his journey forward and are producing his next couple of movies as well.

Songs are a very important part of any movie in India. The songs in Digpal’s movies are very popular. Digpal also gets credit for the beautiful songs because he has penned most of the songs from his movies. The interesting part is that he has studied folk literature and music styles to write songs in folk dialects. This makes the songs very lifelike and perfect fit for the scenario in which the theme or the scene in the movie demands.

Digpal also plans his movie promotions wisely so that an inquisitive thought is triggered in the mindsets of the audience well before the movie is launched. The title poster of his upcoming movie "Jungjauhar", which displayed in a very attractive font has already created a buzz in Social media. Promotion of the movies is a key strong point of Digpal which the producers appreciate and because of this more and more producers are approaching Digpal for future projects.

Digpal’s upcoming movie is the ‘JungJauhar’. The shooting of the entire movie was completed in just 26 days. This movie is all set to be released in June 2020 and is based on the event in Pavan Khind when Baji Prabhu Deshpande and three hundred members of the Bandal clan sacrificed their lives so that Chattrapati Shivaji Maharaj could safely reach the destination.

After JungJauhar, Digpal plans to create a few movies based on the lives of legendary characters and unsung heroes not just from the time period of Chattrapati Shivaji Maharaj but also from the Indian independence movement. The idea and script for this film is also finalised and scriptwriting is also in progress for this movie. Digpal plans to make this movie accessible to a wider range of audience by having it made and released it in the Hindi film industry with the central character being played by a renowned Hindi actor.  When asked about details, Digpal said ‘The movie is going to be about a brave freedom fighter who teaches the Britishers a lesson in their own home i.e. London in the year 1910’.

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Ayushmann Khurrana has enrolled himself for an online course on Indian history. The actor-singer considers learning a life-long process. "I'm a seeker of knowledge," he says. Being a history buff, he decided to make the most of the current time on hand.

"We have a fascinating history; it's rich and diverse. I want to learn more about our past. The session will be an enriching and fulfilling experience," he adds. It will also come in handy if Khurrana is roped in for a historical in the future.

Recently, Ayushmann, accompanied by Virat Kohli, Kriti Sanon and Sara Ali Khan joined hands for a new initiative called 'Mat Kar Forward'. Sharing the same on Instagram, Ayushmann wrote, "No one thought they'd catch it, no one thought it would become a pandemic. But we can change this and the change begins with you. #MatKarForward @indiatiktok"

 

 

 

View this post on Instagram

A post shared by Ayushmann Khurrana (@ayushmannk) onMay 4, 2020 at 1:25am PDT

The initiative urges people to not share any unverified message, picture or video, on any social networking sites.

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Actress Tisca Chopra worked with the late Irrfan Khan in the critically acclaimed film "Qissa" besides in TV projects. She says Irrfan pushed her in the right direction during her initial days of struggle.

"As I was struggling in the nineties and feeling disheartened, I would say that I wanted to quit acting because there was nothing that I could get from here, especially substantial work that I was looking forward to. I remember Tishu (Tigmanshu Dhulia) and Irrfan were there, and Irrfan promptly said, 'dekh lo, kaise har maan rahi hai, acting chhod dena hai? Theek hai, chhod de, lekin yaad rakh, apne tarike se aage badhne ke liye, himmat chahiye hoti hai… guts chahiye,guts!'" Tisca recalled, speaking to IANS.

According to the actress, Irrfan gave DVDs of films like "Bullets Over Broadway" and "Once Upon A Time In America" and it was like a task for her to watch and understand these films.

Subsequently, Irrfan produced a segment of the TV show, "Star Bestsellers", titled "Hum Saath Saath Hain Kya?" that was written by his wife Sutapa Sikdar and directed by Dhulia. He cast Tisca in the segment.

"He gave me the right kind of challenges for an actor to stay at my battle. Along with him, Tigmanshu and few more people gave me the scope to overall challenge the scene of entertainment. He was surely instrumental in my career," shared Tisca.

Irrfan passed away on April 29 in Mumbai, at the age of 53, due to colon infection. While the sudden demise of the actor left the film industry shocked and sadden, Tisca said: "Now that few days have gone by, emotionally I am in a better stage. I am talking and thinking why so many people reacted to Irrfan's demise as a personal loss. I think, even if you do not know him personally, through his acting, he showed us expressions that we usually reserve for our family, friends and intimate people."

She added: "As an actor he had the courage to show us that vulnerability. So even as an audience when you watch his film, through his performance you experience the story along with those characters. You, as an audience did not look at Irrfan, you looked with him at the world of that story. That is why it is intimate. That is why Irrfan belonged to his audience. That is why his demise is very personal to the audience. Of course, we are his close people! It is devastating for us."

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Reminiscing one of his fashion shows that featured celebrity couple Kareena Kapoor Khan and Saif Ali Khan for the first time on-ramp, fashion designer Manish Malhotra on Wednesday shared a throwback video from the grand event.

Malhotra took to Instagram to share the video from the 2009 fashion show and shared the details of the event in the caption.

 

 

 

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#throwback When the most beautiful @kareenakapoorkhan and dapper #saifalikhan walked the ramp together for the first time .. True style and panache they both have and carriage that’s their own .. It was magical .. it was one of my first shows which had more than 50 models and turned out to be a Grand Show and the colour story and the cuts were all an amalgamation of rose and deep colours and lots of textures and fabrics together #2009 when couture week was in mumbai and then it shifted to delhi .. #fashionshow .. @mmalhotraworld #memories #gratitude #love

A post shared by Manish Malhotra (@manishmalhotra05) onMay 5, 2020 at 11:08pm PDT

The video features the showstoppers - Saif and Kareena - decked up in Malhotra's haute couture and walking down the ramp holding each other's hands.

While Saif is seen wearing a black coloured velvet sherwani, Kareena is seen in an Indo-western avatar wearing a light rose coloured heavily embroidered skirt paired with a golden shimmery top.

Sharing more insights about the show, the 53-year-old fashion designer wrote in the caption, "#throwback When the most beautiful @kareenakapoorkhan and dapper #saifalikhan walked the ramp together for the first time .. True style and panache they both have and carriage that's their own. It was magical."

"It was one of my first shows which had more than 50 models and turned out to be a Grand Show and the colour story and the cuts were all an amalgamation of rose and deep colours and lots of textures and fabrics together #2009 when couture week was in Mumbai and then it shifted to Delhi," he added.

Manish Malhotra has been hosting Bollywood celebrities on his fashion shows for years. Many actors and celebrities have been wearing his designs in films and in real lives.

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Ananya Panday and The Vamps' guitarist James McVey are coming together to raise awareness about social media bullying. The live session will be hosted on May 8 on Instagram.

The actor says, "Social media bullying is an evil that people face every day on the numerous platforms that they use in their daily lives. I'm glad that James McVey and I will be fighting this evil together in our own small way."

Ananya further said, "The world is going through a tough time and it is even more important to be kind to everyone and spread positivity." The session is being put together by the actor's initiative, So Positive, which aims to negate the spread of social media bullying.

McVey added, "During this difficult time, we find ourselves using social media more than ever. Regardless of where you live or your background, it's important to remember that you are never alone. Millions of others are going through the same traumatic experience and I believe together we further the conversation and join the fight to end bullying. I'm looking forward to speaking with Ananya on 'So Positive' to learn more about her experiences."

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Hell is about to be unleashed. A tunnel, which no one has dared to open for decades, hides a curse that could change an entire country's fate forever. What is the cost for those who would dare to step inside? How far would you go to battle the demons within?

The show is dark, gritty, and to top it all, it blends history with fantasy! The entire struggle to fight back the bloodthirsty zombies, who are under the curse of a demigod Betaal is shown beautifully in this 3-minute video.

Watch the trailer of Betaal here:

Earlier today, Netflix dropped the trailer of its upcoming series Betaal that hits the service on May 24, 2020. The story is set in a remote village, which quickly becomes the arena of a breathless battle when a two-century-old East India Company Colonel, infected with the Betaal's curse, and his battalion of zombie redcoats are released from their tomb - attacking anything with a pulse. With the CIPD (Counter Insurgency Police Department) forces pitted against the undead army, hapless civilians are trapped in a gripping, edge-of-your-seat conflict.

Betaal is created, directed and written by Patrick Graham, co-directed by Nikhil Mahajan and co-written by Suhani Kanwar and produced by Blumhouse Television and SK Global Entertainment. Starring Viineet Kumar, Aahana Kumra, Suchitra Pillai, Jitendra Joshi, Jatin Goswami, Manjiri Pupala, and Syna Anand, the series guarantees a nail-biting, gripping battle that will keep you hooked, while it explores age-old secrets and ideologies that live to this day.

Betaal releases on Netflix this May 24, 2020.

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Amazon Prime Video’s all new original, Paatal Lok is already making waves ever since the announcement and then, the trailer assured us that it certainly is the most anticipated show of the time. The unveiled characters are captivating and so is the investigative- thriller storyline.

Taking to their social media handle, Prime Videos also posted the posters of each character and we are truly, stunned! They wrote, “Paatal Lok ka poora rahasya samajhne ke liye yahan ke sabhi praaniyon se milna zaruri hai. New series, May 15 #PaatalLokkeLog”

 

 

 

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#PaatalLok ka poora rahasya samajhne ke liye yahan ke sabhi praaniyon se milna zaruri hai. ⁣ ⁣ new series, may 15 #PaatalLogKeLog

A post shared by amazon prime video IN (@primevideoin) onMay 7, 2020 at 11:04pm PDT

Here, let’s take a look at all the characters which will take us through this gateway of hell in Paatal Lok:

Hathiram Chaudhary played by Jaideep Ahlawat:

 

 

 

View this post on Instagram

jurm aur sachai ki khoj mein kya hathiram ko #PaatalLok ke andhere se guzarna hoga? trailer: may 5, 11:34 am

A post shared by amazon prime video IN (@primevideoin) onApr 30, 2020 at 11:26pm PDT

Washed out but unwavering from his line of duty, Inspector Hathiram Chaudhary will teach you a brilliant lesson in the game of survival. Watch the multi-faceted Jaideep Ahlawat take all the crimes of Amazon Original Series Paatal Lok, head on from May 15, on Amazon Prime Video

Sanjeev Mehra played by Neeraj Kabi:

 

 

 

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sanjeev mehra - journalism ki duniya ka ek aisa naam jiska har shabd logon ke liye sach bann jaata hai. #PaatalLok trailer: may 5, 11:34 am

A post shared by amazon prime video IN (@primevideoin) onMay 2, 2020 at 11:15pm PDT

Watch the versatile actor Neeraj Kabi take you through the rise and fall of the fourth estate in Paatal Lok. The trailer gives you a glimpse but there’s a lot more to him.

Hathoda Tyagi by Abhishek Banerjee:

 

 

 

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miliye #PaatalLok ke sabse bhayanak prani se, naam hai hathoda tyagi.⁣ ⁣ trailer: may 5, 11:34 am

A post shared by amazon prime video IN (@primevideoin) onMay 1, 2020 at 11:06pm PDT

Ruthless serial killer Hathoda or Vishal Tyagi with a dark past? Watch Abhishek Banerjee play the scariest antagonist the world has seen in the series.

Chaaku played by Jagjeet Sandhu:

Cold-hearted or simply passionate about his knife? Jagjeet Sandhu plays a remorseless killer Tope Singh a.k.a Chaaku in Paatal Lok.

Kabir M by Aasif Khan:

Hiding his true identity to achieve a larger scheme or vying to survive in a cruel world? Asif Khan as Kabir M will make you question the truth in Paatal Lok.

The makers kickstarted the unveiling by releasing the teaser followed by character posters of Jaideep Ahlawat, Abhishek Banerjee and Neeraj Kabi, back to back. The trailer as been receiving appreciation from all across and gives an insight into the storyline of Paatal Lok which will definitely walk you through the gateway of hell.

The highly anticipated Amazon Original Series by Sudip Sharma, (writer of NH10 and Udta Punjab) is set to make viewers have a whole different experience of hell on 15th May 2020.

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Once the lockdown that was imposed worldwide owning to the Coronavirus pandemic ends, a lot of people would change the way they look at life and themselves. People who are stuck alone and have no company would become a lot more responsible and those who were always dependent on others may stop taking things for granted. The one actress who has been taking care of herself all through this lockdown is Ratan Raajputh.

The Agle Janam Mohe Bitiya Hi Kijo actress is stuck in a village in Bihar due to the lockdown and has been sharing her lockdown story on Instagram almost every day. You should watch all the videos to know how she has been surviving. From cooking food to dealing with electricity problems to even cleansing the cows, she has been doing it all.

In her latest Instagram video, she showed us how she was cooking watered rice. It's a long video but we recommend you watch it from start to finish. What if you also end up learning how to cook them!

Have a look right here:

 

 

 

View this post on Instagram

God morning!😀 . पंता भात (Leftover watered Rice) . . P.S.- Aur haan! ..🍋 nimboo(lemon) Mil gaya 😀 . . #pantabhaat #newdish #foodlovers #lockdown3 #lockdown2020 #stayhome #jaibharat #रामभरोसे✨😇

A post shared by Ratan Raajputh (@ratanraajputh) onMay 6, 2020 at 6:43pm PDT

In another video, she could be seen cooking Chana Masala but asked us to google for the recipe. Well, don't miss this video either:

 

 

 

View this post on Instagram

नाकों चने चबाने के बाद अब बारी है खाने की..😜😋 . आज का मेन्यू- ‘चना मसाला (घुगनी) और चावल’ . . P.S.- Recipe के लिए गूगल करें😬 . . #chanamasla #ghugni #foodlovers #eathealthy #desikhana #stayhome #jaibharat #जयभारत #रामभरोसे✨😇

A post shared by Ratan Raajputh (@ratanraajputh) onMay 5, 2020 at 5:46pm PDT

There's a whole collection of such videos, as we stated above, which she has described as her lockdown stories. This is truly respectful that a star like her is living all by herself and making no bones about it.

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The governments of India and the Philippines on November 22 announced that they would be cooperating more closely on customs matters.

Containment operations will be scaled down if no secondary positive case of COVID-19 is reported from a quarantine zone for at least four weeks after the last confirmed test has been isolated and all his contacts have been followed up for 28 days, the Union Health Ministry said. According to the ministry's 'Updated containment plan for large outbreaks COVID-19', a containment operation (large outbreak or cluster) is deemed to be over 28 days from the date the last case in that zone tests negative.

The closing of the surveillance for the clusters could be independent of one another provided there is no geographic continuity between clusters. However, the surveillance will continue for severe acute respiratory infection (SARI) and influenza-like illness (ILI). States shall ensure that all required steps are taken to contain clusters within the large outbreak and chain of transmission is broken, it said.

The document stated that in India also, clusters and large outbreaks have been noted in parts of the country and unless they are contained in time, the risk of further spread remains very high. Large number of cases has been reported from Maharashtra, Delhi, Tamil Nadu, Madhya Pradesh and Rajasthan.

The Centre has declared 170 hotspots — 123 hotspot districts with large outbreaks and 47 hotspot districts with clusters. Besides, it has identified 207 non-hotspot districts with clusters. In a bid to utilise the extended lockdown period to the maximum extent to contain the spread of Coronavirus, states have been asked by the ministry to classify districts witnessing higher number of cases or high growth rate as hotspots, districts where some cases have been found as non-hotspots, and those which have reported no cases as green zones.

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The government on Sunday prohibited the sale of non-essential items through e-commerce platforms during the ongoing lockdown, four days after allowing such companies to sale mobile phones, refrigerators and ready-made garments. Union Home Secretary Ajay Bhalla issued an order excluding the non-essential items from sale by the e-commerce companies from the consolidated revised guidelines, which listed the exemption given to the services and people from the purview of the lockdown.

The order said the following clause -- "E-commerce companies. Vehicles used by e-commerce operators will be allowed to ply with necessary permissions" -- is excluded from the guidelines.

The previous order had said such items were allowed for sale through e-commerce platforms from April 20. However, the reason for reversing the order is not known immediately.

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The Delhi High Court Bar Association (DHCBA) has suggested commencement of regular and normal working of courts in a phased manner with compliance of social distancing norms and wearing of masks after lifting of COVID-19 lockdown."We believe that physical court hearings, albeit in a phased manner, have to be commenced with meticulous and scrupulous compliance of social distancing norms, wearing of masks, maintaining the highest standards of sanitisation and hygiene etc," the DHCBA said in a statement.

The suggestions by the DHCBA in a letter to the committee headed by senior High Court judge Justice Hima Kohli include:

Courts have to be operational not only to extent of providing "urgent relief" but also to cater to other legal remedies which may be availed by common litigants. Scope of matters that may be listed includes injunctive reliefs, bail applications, suspension of sentence, objections to arbitration awards, execution petitions, writ petitions of all types, criminal appeals etc.

By notification by the court and judicial orders by Supreme Court, limitation periods have ceased to run during lockdown period, to avoid last minutes rush of filings when courts do reopen, ordinary e-filings/online filings of all matters be allowed, though they might not be heard till normalcy is restored. Petition boxes be used to acknowledge filings made therein.

Till normalcy is restored, litigants and interns shall not be permitted to access court/chamber blocks. Restriction may continue on advocates representing a party.

Lawyers, operating from their chambers and offices need access to chambers to prepare their cases, access their files, records, books and infrastructure. Client conference may be permitted after court hours.

Kiosks and shops inside court complexes may be kept closed. However, cafeterias and kitchens catering to chamber blocks may only be permitted to service lawyers by offering 'take away' options.

Only one entry point may be allowed per courtroom building. Entrants may be subjected to thermal temperature scanning. The option of making entrants pass through sanitisation tunnels may also be explored.

Public conveniences must be maintained with the highest level of sanitisation and for using these social distancing norms can be employed. An adequate number of sanitisers may be provided at various points throughout the court buildings.

Both District Legal Services Authority and Mediation Centres require the physical presence of litigants, the same may not be functional till normalcy is restored. As arbitration proceedings can go on without the presence of litigant, arbitration centre may be functional.

The Bar Association also assured the court of its utmost cooperation.

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Amid the rising number of coronavirus cases in Maharashtra, the India Meteorological Department (IMD) issued a thunderstorm warning in several parts of the state for the next five days till May 1. IMDs Mumbai centre issued warning for 15 state across Maharashtra include places such as Kolhapur, Pune, Raigad, Satara, Sangli, and Latur among others.

WEATHER INFO-
Nowcast warning issued at 1515 Hrs IST Dated 28/04/2020
Thunderstorm accompanied with Lightning, Rain and Gusty winds with speed reaching 30-40 kmph likely to occur at isolated places in the district of Nanded and Hingoli during next 4 hours.

-IMD MUMBAI pic.twitter.com/Z70XbHQNeT

— K S Hosalikar (@Hosalikar_KS) April 28, 2020

While speaking to Mumbai Mirror, K S Hosalikar, deputy director general of meteorology, India Met Department said that the thunderstorms warning predicted by IMD is for the next five days until May 1. According to IMDs weather bulletin, thunderstorms accompanied by lightning, aand rains will occur in several parts of Maharashtra amid the COVID-19 crisis.

Thunderstorm warnings by IMD today for Maharashtra for coming 5 days.
29 & 30 April, watch for severe TS in Madhya Maharashtra, south side with possibilities of hailstorms in some areas.
Pl Watch for all weather updates & nowcast warnings further daily.
Take appropriate care pl. pic.twitter.com/fK9HIsnr3P

— K S Hosalikar (@Hosalikar_KS) April 28, 2020

"Nowcast warning issued at 1515 Hrs IST Dated 28/04/2020. Thunderstorm accompanied with Lightning, Rain and Gusty winds with speed reaching 30-40 kmph likely to occur at isolated places in the district of Nanded and Hingoli during next 4 hours. - IMD," Hosalikar tweeted.

The IMD also stated that on April 29 and 30, there will be severe thunderstorms in Madhya Maharashtra, south side with possibilities of hailstorms in some areas. In an earlier tweet, Hosalikar urged people to follow all necessary safety guidelines during lightning/thunder issued by DM GoM and NDMA. He also urged farmers to look after their crops.

Thunderstorm warnings in Maharashtra for coming 5 days by IMD.
Keep watch on updates & pl follow up Nowcast warnings that would be issued daily afternoon onwards.
Request follow all necessary Safety Guidelines during lightning/thunder issued by DM GoM and NDMA.
TC of Crops too. pic.twitter.com/7bzT3rIO0D

— K S Hosalikar (@Hosalikar_KS) April 27, 2020

He said that the quality of air during the lockdown in Mumbai and Pune has been good. Throwing light on Mumbai's weather, IMD said that the maximum temperature in Mumbai on Tuesday was 35 degree Celsius, while the minimum temperature was 26 degree Celsius. IMD also stated that Mumbai will witness clear skies with a relative humidity of about 74 percent in Santacruz and 88 percent in Colaba.

While the total number of coronavirus cases in India reached 29,435, Maharashtra continues to remain the worst state with nearly 9,000 cases in the state.

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