South Australia's recent "old mate" tourism campaign may have ended in tears both literally and figuratively but Tasmania is hoping to cash in on that controversy by releasing its own rival ad.

An urgent parole audit ordered by the NT's Chief Minister in the wake of a shooting spree in Darwin earlier this month finds a number of parolees and offenders are not being adequately monitored.

In sentencing, Justice Blokland takes into account the age of the offender but describes his actions as "shocking" and "deserving of a strong punitive response."

Convicted murderer Michael Cardamone is appealing against the precedent-setting judgement that made him the first person in Victoria to be sentenced to life in prison with no parole after pleading guilty to a single murder.

Larry Demery pleaded guilty to the 1993 crime.

Recently Donald Trump tweeted the word "TREASON?" in light of the New York Times op ed that was published on Wednesday. The article was supposedly written by someone within the Trump Administration, calling themselves part of the "resistance." 

After Trump's "treason" tweet, people on Twitter began making their own amusing parodies, which you can read below!

Judges aren't wizards who can see the future, so it's absurd to grant them legal power to brand any juveniles as incorrigible.

Adam Gase eyeing Gang Green’s 2020 schedule is the highlight of comedian Frank Caliendo’s latest parody video featuring one of his favorite topics ... the NFL.

Adam Gase eyeing Gang Green’s 2020 schedule is the highlight of comedian Frank Caliendo’s latest parody video featuring one of his favorite topics ... the NFL.

Solita Miller, 16, left a Parowan group home in the early morning hours of May 4, according to a press release from the Parowan Police Department.

While at least 19 000 inmates inside South Africa's prisons will be eligible for special parole to curb the spread of Covid-19, those sentenced for a range of serious crimes will not make the cut.

The coronavirus pandemic has many of us nostalgic for a simpler time — maybe when we were teenagers and/or watching our favorite early oughts sitcoms. 

Actress Cobie Smulders seems to be feeling that itch, and sensed we are too. The former How I Met Your Mother actress decided to recreate her character Robin Scherbatsky's hit song from the series, "Let's Go to The Mall."

For those who need a refresher, "Let's Go to The Mall" was released during Robin's short career as a pop star (under the name Robin Sparkles) in her homeland of Canada. While it has all the flair of an '80s banger — jelly bracelets, worshipping the mall — it was released in the '90s because apparently that's when '80s culture reached Canada.  Read more...

A pair of cases being heard by the high court will likely determine whether job-discrimination laws apply to tens of thousands of teachers at religious schools.

A pair of cases being heard by the high court will likely determine whether job-discrimination laws apply to tens of thousands of teachers at religious schools.

Wiesbaden : Bergmann, 1900.

Edinburgh : T. & T. Clark, 1878.

The justices agreed to decide whether the Eighth Amendment requires a trial court to find that a juvenile is permanently incorrigible before imposing a sentence of life without parole.

A B.C. fentanyl trafficker with a history of ignoring court orders is seeking “exceptional parole” because of COVID-19, despite the fact he’s only one year into an eight-year sentence.

Royole is known for being the first to show off a flexible phone, and at CES 2020, it has an Alexa-based smart speaker with a wraparound touch-screen display and a smart notebook that translates your handwriting into typed text.

We bring to you a list of book titles recommended by Sahitya Akademi Bal Sahitya Puruskar-winner Paro Anand.

[Daily Maverick] Pension fund fraudster, J Arthur Brown, is one of around 19,000 low-risk prison inmates set to be released as part of President Cyril Ramaphosa's Special Covid-19 parole dispensation.

[News24Wire] While at least 19 000 inmates inside South Africa's prisons will be eligible for special parole to curb the spread of Covid-19, those sentenced for a range of serious crimes will not make the cut.

Swaparoo - Windows backdoor method for Windows Vista/7/8. This code sneaks a backdoor command shell in place of Sticky Keys prompt or Utilman assistant at login screen.

The coronavirus pandemic has many of us nostalgic for a simpler time — maybe when we were teenagers and/or watching our favorite early oughts sitcoms. 

Actress Cobie Smulders seems to be feeling that itch, and sensed we are too. The former How I Met Your Mother actress decided to recreate her character Robin Scherbatsky's hit song from the series, "Let's Go to The Mall."

For those who need a refresher, "Let's Go to The Mall" was released during Robin's short career as a pop star (under the name Robin Sparkles) in her homeland of Canada. While it has all the flair of an '80s banger — jelly bracelets, worshipping the mall — it was released in the '90s because apparently that's when '80s culture reached Canada.  Read more...

President Cyril Ramaphosa has authorised the parole of selected low-risk prisoners to alleviate pressure at correctional services facilities amid the coronavirus pandemic.

Title: How Long Does It Take to Recover from Laparoscopic Inguinal Hernia Surgery?
Category: Procedures and Tests
Created: 5/1/2020 12:00:00 AM
Last Editorial Review: 5/1/2020 12:00:00 AM

Title: How Long Does a Laparoscopic Nissen Fundoplication Last?
Category: Procedures and Tests
Created: 4/29/2020 12:00:00 AM
Last Editorial Review: 4/29/2020 12:00:00 AM

C. M. Lind, J. Agugliaro, and T. M. Farrell

Mounting an immune response may be energetically costly and require the diversion of resources away from other physiological processes. Yet, both the metabolic cost of immune responses and the factors that impact investment priorities remain poorly described in many vertebrate groups. For example, although viviparity has evolved many times in vertebrates, the relationship between immune function and pregnancy has been disproportionately studied in placental mammals. To examine the energetic costs of immune activation and the modulation of immune function during pregnancy in a non-mammalian vertebrate, we elicited an immune response in pregnant and non-pregnant pygmy rattlesnakes, Sistrurus miliarius, using lipopolysaccharide (LPS). Resting metabolic rate (RMR) was measured using flow-through respirometry. Immune function was examined using bactericidal assays and leukocyte counts. The RMR of pygmy rattlesnakes increased significantly in response to LPS injection. There was no statistically significant difference in the metabolic response of non-reproductive and pregnant snakes to LPS. Mean metabolic increments for pregnant females, non-reproductive females, and males were 13%, 18%, and 26%, respectively. The ratio of heterophils to lymphocytes was elevated in response to LPS across reproductive categories; however, LPS did not impact plasma bactericidal ability in non-reproductive snakes. Although pregnant females had significantly higher plasma bactericidal ability compared to non-reproductive snakes prior to manipulation, their bactericidal ability declined in response to LPS. LPS administration also significantly reduced several litter characteristics, particularly when administrated relatively early in pregnancy. Our results indicate that immune performance is energetically costly, altered during pregnancy, and that immune activation during pregnancy may result in tradeoffs that affect offspring in a viviparous reptile.

G protein-coupled receptor (GPCR) kinases (GRKs) play a key role in terminating signals initiated by agonist-bound GPCRs. However, chronic stimulation of GPCRs, such as that which occurs during heart failure, leads to the overexpression of GRKs and maladaptive downregulation of GPCRs on the cell surface. We previously reported the discovery of potent and selective families of GRK inhibitors based on either the paroxetine or GSK180736A scaffold. A new inhibitor, CCG258747, which is based on paroxetine, demonstrates increased potency against the GRK2 subfamily and favorable pharmacokinetic parameters in mice. CCG258747 and the closely related compound CCG258208 also showed high selectivity for the GRK2 subfamily in a kinome panel of 104 kinases. We developed a cell-based assay to screen the ability of CCG258747 and 10 other inhibitors with different GRK subfamily selectivities and with either the paroxetine or GSK180736A scaffold to block internalization of the μ-opioid receptor (MOR). CCG258747 showed the best efficacy in blocking MOR internalization among the compounds tested. Furthermore, we show that compounds based on paroxetine had much better cell permeability than those based on GSK180736A, which explains why GSK180736A-based inhibitors, although being potent in vitro, do not always show efficacy in cell-based assays. This study validates the paroxetine scaffold as the most effective for GRK inhibition in living cells, confirming that GRK2 predominantly drives internalization of MOR in the cell lines we tested and underscores the utility of high-resolution cell-based assays for assessment of compound efficacy.

Sia's video stars dancer Maddie Ziegler and stylist Tonya Brewer

Will Hislop engaged in a pretend argument with his neighbour, 'Karen', over whether one of them had broken lockdown rules

A former Texas state parole officer was arrested today in Dallas on charges of engaging in a bribery scheme involving one of her assigned parolees.

A former Texas state parole officer pleaded guilty today in Dallas for taking bribes from one of her assigned parolees in exchange for not reporting his parole violations.

A former Texas state parole officer was sentenced to 20 months in prison today for taking bribes from one of her assigned parolees in exchange for not reporting his parole violations.

The Justice Department has awarded more than $62 million in grants to strengthen efforts to help people returning from prison rejoin their communities and become productive, law-abiding citizens.

If this is what advertisers do to promote electric and hybrid cars, I may just go buy a TV.

Illustration/Ravi Jadhav

For years, every time I've gone to a beauty parlour, yaniki, what fancy folks now call salon, one of the ladies there will ask me in that characteristic beautician tone — yaniki, terrorism masked as concern — "eyebrows nahin karaate ho?" (don't you 'do' — thread and shape — your eyebrows?). Depending on my confidence levels (usually low, an unavoidable side effect of entering a beauty parlour) my 'no' might be uttered with giggling diffidence, false hauteur, or bland deflection. The response of the beauty parlour lady is always the same — "accha?", yaniki, "fine, be that way." It's on your head. Don't come crying to me afterwards. I toh have done my due diligence by asking." Sometimes, feeling a little bold, I would ingratiatingly say, "The natural shape is pretty nice na, so why get into one more jhamela." The beautician will give that sweeping, sarcastic glance at my eyebrows and say, "Haan, vaise toh it's fine", yaniki, pity and disdain, bechari thinks natural is a thing.

This has been a consistent question, of course, but as any random or regular beauty parlour visitor knows, there are others, spoken in a special voice designed to decimate your ego and turn you into a trembling supplicant, begging for beauty treatments. "Last clean up kab kiya tha?" (When's the last time you had a facial?). "Feets ko bleach nahin kara na? Bahut tanning ho gayi hai." (Don't bleach your feet? They're very tanned).

It doesn't matter if you by-hearted The Beauty Myth when you were 15, you will be engulfed by that doomful self-hate and self-doubt start, like a seventh grader in the principal's office. The crushing stereotypes of advertising are laughable wannabes compared to the beauty parlour interrogation.

These questions derive part of their potency from the fact that you are trapped in electric chair type furniture, usually with a giant plastic bib tied around you as if you still cannot be trusted to eat properly, leave alone look presentable, and several other people getting their eyebrows done, or doing others' eyebrows around, who will come to a cinematic halt and stare at you when you admit that you are not one of them.

This potency is only slightly reduced by the advent of app-based home beautician services. To the usual litany of questions they also add, "Ma'am, braazil karalo na, sab karate hain" (Ma'am, everyone gets a Brazilian wax now). You can answer coldly or pretend to be immersed in your phone, like teenagers do with parents. But dude, these are young women who magically produce footstools and pedicure tubs from a backpack. They are not so easily daunted.
With the passage of time, the questions have dwindled. I've relaxed slowly into the truth that as you approach the out-point of the conventional marriageable age zone, the beautician, like the world, starts to expect less conformity from you. The eyebrow question now comes at me only once in every five times.

It was obviously too good to be true. Last week as I submitted to the plastic bib, the beauty parlour lady looked at me with that familiar intent look. "Hair colouring nahin karate?" she asked, checking out my now no longer tentative greys. "Nahin," I said, stoically, preparing for a couple of decades of this now.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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Illustration/RAVI JADHAV

Concern is sometimes a mask for control. This is interestingly true when it comes to films that are concerned about the situation of women. If these "concerned" films attract censorship, then they control even more subversively. They become imbued with a revolutionary halo, becoming an urgent cause to be supported, a badge of honour, not a film that tells us deep truths about our lives.

The film Nude arrived on a white horse, after a similar symbolic battle. It's very title had disturbed the Ministry of Information and Broadcasting. It traces the journey of Yamuna after she leaves her village and her brutish husband and becomes a nude model in the JJ School of Arts, with her aunt's help, going on to sit for some famous artists. She has a parallel journey, from shame to pride in work, which is shown minimally. But in the end, she alienates her son and feels defeated and hopeless.

Nude has it's good points — the interesting subject, the strong performances from Kalaynee Mulay and Chhaya Kadam in the main roles, tiny flashes of earthy humour.

But on the whole, it is a plodding work of bad faith and a strangely colonial mindset. Here is a film in which the two main characters are women, which should be evidence of concern and interest in women. Yet they are given hardly any interiority or room to be more than an example of social issues. That's because many such films are not about the characters. They are really about establishing the filmmaker as a noble and high-minded being who will uplift women.

There are only three types of people in the film. There is the poor woman who needs saving from her own men; poor men, who are portrayed as bestial or passive; and bhadralok middle-class artists who are noble and pious with the higher purpose of art. The point is taken, that, cruel or benign, to all of them the woman is an instrument. But this is unfortunately as true of the filmmakers who bring no irony to looking at this 'higher purpose'. Why are there no middle-class women in the film? There are some token women art students — but they never speak, nor is there a single shot of a woman art student drawing a nude.

This absence further prevents any complications in the story of class, caste and gender relations. Complications about what it means to draw a naked woman, exalt her as Devi or pure spirit (the body is the garment of the spirit as one character says unctuously) to serve other people's higher purpose for a paltry pay. To the artist, the model is just a body. To the filmmaker, too, the woman is mostly a victim, a sufferer in search of a saviour.

In such films, women can never truly free themselves from circumstances. They are imprisoned in dead-end film narratives forever to serve the purpose of saviour-filmmakers in films like Nude, Pink and even Lipstick Under My Burkha. Why would filmmakers conceive of different meanings of women's lives, which point to a certain liberation, when these upliftment projects accrue such rewards and privileges? It is only when we, the audience decline to be grateful for this self-serving false realism, that we can hope for stories more true to the complexities of our lives.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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illustration/RAVI JADHAV

There are many reasons to feel ambivalent about having family members as Facebook friends. One of them is almost certainly the fact that they are constantly outing your childhood pet names with alacrity, calling you Pappu, Bobby, Guddu, Noni, Chintu, Tumpa, Monu and so on in public, as if you are the chillar party in a family wedding.

While my immediate family members have been trained in this matter, those in my extended family have failed me hazaar times. "Very nice article, beta (insert pet name)" they will say. I heartlessly and instantly delete these comments. You might say this is draconian. I could just ask them not to. Anyone who has tried this will know it is useless. First, they will be wounded and utter filmi dialogue like "I am sorry I have done something improper. I won't darken your Facebook wall again." A few days later they will comment on your profile picture, "looking very nice (insert pet name)."

Why does this bother us so much? After all, it is the most natural thing to give silly names to people we love. Diminutives, nonsense words, private jokes, comical qualities that fill us with affection all make up the galaxy of nicknames. We don't seem to care when names our friends called us in youth emerge. It is the family pet name, yaniki ghar ka naam, that seems to mortify us.

Perhaps it is just the strangeness of being returned to childhood states that some don't like, a reminder of a time when we were taken less seriously and had little autonomy.

Maybe it is something about having the private emerge in the public, without our consent that makes us feel vulnerable. This may seem strange in times when privacies are constantly shared online, but it reveals how public privacies might be as much a construction as public selves. Perhaps there is an uncertainty, hovering on the edge of shame, about that private 'home' identity. Pet names are a reminder of the time before we learned to see our family as part of social hierarchies of caste and class, language and provinciality. For most, in a society as hierarchical as ours, the transition from childhood to adulthood is also one of painful realisation of difference, about our tastes and habits not always aligned to the social norms of upward mobility. A reminder of the first time someone mocked us for something unfashionable about our families.

This discomfort is far more prevalent among English speaking Indians, because it also exposes a certain sub-Englishness in our Englishness, the kitsch elements of families' aspirational cosmopolitanism. The careful facades dissolve as we build as adults suddenly seem like glass houses. Our insecurities that we will never really fit in, never be cool enough swirl up to the surface. We may develop ironic, even affectionate distance from many parts of the past, but the pet name is too earnest for that.

Only two types of people are not embarrassed by their pet names. Royal family types who go by Bubbles and Toffee and other names from P G Wodehouse, reeking of English aristocracy wannabe-ness. That tells us much about the casual confidence of class and caste. The other, are people supremely self-confident and secure about being loved. They are happy to be everyone's children, always, lucky things.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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Isn't It Romantic
U/A: Romantic comedy
Director: Todd Strauss-Schulson
Cast: Rebel Wilson, Adam DeVine, Liam Hemsworth, Priyanka Chopra Jonas
Ratings: 

How fresh can a rom-com be? Well, at least, Rebel Wilson attempts to lend a fresh perspective to the genre with Isn't It Romantic. It's interesting to witness how the film's writers have parodied the commercial prism through which love is depicted on celluloid.

Wilson plays Natalie, a closeted rom-com lover who wears the irreverent 'Love-is-bulls**t' veil to hide her softer side. After suffering a head injury from being mugged, she wakes up in an alternate universe - one that is straight out of a rom-com where the roses are brighter, her apartment resembles the enviable houses that are featured in glossies and she, too, is a peachier version of herself. Even her dog is less mischievous and better groomed.

But instead of being delighted at the situation, Natalie feels suffocated with the perfection around her. With its sharp writing, the film gets across the larger message that love isn't all peaches and cream in real life.

You can play spot-the-rom-com too -there are several references to major hits like Pretty Woman (1990) and La La Land (2016). The comedy offers more than its share of fun moments; my favourite is the scene where Blake (Liam Hemsworth) walks out of the shower and it is suggested that Natalie had spent the night with him. But like in the movies, the steamy details are snipped - a deliberate play on the inherent need to keep the rom-coms clean, never upping the passion despite it being an integral part of romance. The writers' ability to question the romanticism around happily-ever-after without letting the grime of cynicism seep in, is commendable.

Wilson does a top notch job of headlining a cast of fine actors - Liam Hemsworth, Adam DeVine and our very own Priyanka Chopra Jonas. For the desis, the last song and dance sequence will be a brutal reminder that we haven't seen her in a Bollywood film in four years. This dose of mush attack is strongly recommended; at least, it doesn't let you lose sight of logic in the face of love.

Watch trailer:

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Former tennis champion and convicted child rapist Bob Hewitt on Friday walked out of jail after he was granted parole, the South African correctional services ministry said. Australia-born Hewitt was convicted in May 2015 of raping two girls aged 12 and 13 in the early 1980s, and of indecently assaulting a 17-year-old girl in 1994. He was sentenced to six years imprisonment and has been incarcerated at a jail in the coastal Eastern Cape province.

Hewitt, 80, served the minimum sentence period required before he was considered for parole. "We can confirm the parole placement and the parolee is now home," the ministry spokesperson Singabakho Nxumalo told AFP. The disgraced former tennis star's previous attempts to get his sentence reduced were thrown out by the Supreme Court and the Constitutional Court in 2016.

Born in Australia, Hewitt has lived in South Africa for most of his life. The former multiple Gram Slam doubles champion's name was removed from the International Tennis Hall of Fame after a series of sexual abuse allegations against him surfaced in 2013.

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In an adult recipient, the first purely laparoscopic living donor surgery for liver transplantation has been successfully performed by Cleveland Clinic researchers.

He's been parodying the Kardashian-Jenners for years, expertly Photoshopping himself into their images for the amusement of 1.2million Instagram followers.

Kim Kardashian has shared several images to promote the re-stock of her Fits Everybody. And on Thursday the 39-year-old TV staple posted another alluring image.

The mother made the decision to board a flight from London to the Greek island of Paros on March 20 with her 11-year-old son, three days before Boris Johnson began a lockdown in the UK.