Burberry has introduced its first virtual scarf try-on experience in its ‘Wrapped in Burberry’ holiday campaign. Partnering with AR provider WANNA, the immersive experience lets customers view iconic Burberry scarves in real-time, with over 50 styles and two classic options. Available online and in select stores, customers can share images and directly access product pages for purchases.

Valmet has expanded its IQ Quality Control System by launching four new measurements for raw material components, colour, and ash content. These innovations help optimise resource usage, reduce carbon footprints, and improve product quality. The new measurements include IQ Transmission Spectrum, IQ Reflection Spectrum, IQ Color, and IQ Total X-ray.

H&M is partnering with Glenn Martens for an Autumn 2025 collection. Known for merging streetwear and couture, Martens joins a line of iconic designers H&M has collaborated with since 2004, when it launched its first designer collection with Karl Lagerfeld. This initiative has made top-tier fashion accessible, reflecting each designer’s unique vision and values across two decades of partnerships.

Cognitive/AI technologies for customer engagement are white hot. No wonder professionals, who had removed AI from their resumes, are scrambling to add it back in!

For decades, organizations have tried to unlock the collective knowledge contained within their people and systems. And the challenge is getting harder, since every year, massive amounts of additional information are created for people to share. We've reached a point at which individuals are unable consume, understand, or even find half the information that is available to them.

Artificial intelligence (AI) is one?if not the?key technology of our decade. Technological advances in this field are not only fundamentally changing our economies, industries and markets, but are also exerting enormous influence on traditional business practices, many of which will disappear, while others will be transformed or completely reinvented.

West Virginia’s Supreme Court upheld a finding of compensability for a worker with a knee injury. Case: P&G Tabler Station v. Hiett, No. 23-703, 10/30/2024, published. Facts: David Hiett worked for P&G Tabler…

The Workers Compensation Research Institute is holding a webinar on Nov. 21 to discuss findings from a recent study of the impact of attorney representation on claim payments. Bogdan Sayvch The…

An Ohio appellate court upheld an enhanced award of benefits to an injured roofing worker for his employer’s violation of a specific safety requirement. Mauricio Rivera worked for Prime Roof Solutions…

Bien-Être Simple’s Vibrant Branding and Web Design by Impulso

Mini tripods have become increasingly popular over the last few years. They’ve become a versatile and invaluable part of many creators’ kit bags. There are...

The post The Mambapod is a compact tripod you can mount anywhere appeared first on DIY Photography.

The first Ampersand web typography conference took place in Brighton last Friday. Ampersand was ace. I’m going to say that again with emphasis: Ampersand was ace! Like the Ready Brek kid from the 80s TV ads I’m glowing with good vibes.

Imagine you’d just met some of the musicians that created the soundtrack to your life. That’s pretty much how I feel.

For a long, long time I’ve gazed across at the typography community with something akin to awe at the work they do. I’ve lurked quietly on the ATypI mailing list, in the Typophile forum, and behind the glass dividing my eyes from the blogs, portfolios, and galleries.

I always had a sneaking suspicion the web and type design communities had much in common: Excellence born from actual client work; techniques and skills refined by practice, not in a lab or classroom; a willingness to share and disseminate, most clearly demonstrated at Typophile and through web designer’s own blogs. The people of both professions have a very diverse set of backgrounds from graphic design all the way through to engineering, to accidentally working in a print shop. We’ve been apprenticed to our work, and Ampersand was a celebration of what we’ve achieved so far and what’s yet to come.

Of course, web design is a new profession. Type design has a history that spans hundreds of years. Nevertheless, both professions are self-actualising. Few courses exist of any real merit. There is no qualifications authority. The work from both arenas succeeds or fails based on whether it works or not.

Ampersand was the first event of its kind. Folks from both communities came together around the mutal fascination, frustration, challenge and opportunity of web type.

Like Brooklyn Beta, the audience was as fantastic as the line up. I met folks like Yves Peters of the FontFeed, Mike Duggan of Microsoft Typography, Jason Smith, Phil Garnham, Fernando Mello, and Emanuela Conidi of Fontsmith, Veronica Burian of TypeTogether, Adam Twardoch of Fontlab and MyFonts, Nick Sherman of of Webtype, Mandy Brown of A Book Apart and Typekit, and many, many others. (Sorry for stopping there, but wow, it would be a huge list.)

Rich Rutter opened the day on behalf of Clearleft and Fontdeck at the Brighton Dome. Rich and I had talked about a web typography conference before. He just went out and did it. Hats off to him, and people like Sophie Barrett at Clearleft who helped make the day run so smoothly.

Others have written comprehensive, insightful summaries of the day and the talks. Much better than I could, sitting there on the day, rapt, taking no notes. What follows are a few snippets my memory threw out when prodded.

Who knew the original letterforms for Comic Sans were inspired by a copy of The Watchmen Vincent Connare had in his office? Or that Vincent, who also designed Trebuchet, considers himself an engineer rather than type designer, and is working at the moment on the Ubuntu fonts with colleagues at Dalton Maag.

Jason Santa Maria declared himself a type nerd, and gave a supremely detailed talk about selecting, setting, and understanding web type. Wonderful stuff.

Jonathan Hoefler talked in rapid, articulate, and precise terms about the work behind upcoming release of pretty-much all of H&FJ’s typefaces as web fonts. (Hooray!) He clearly and wonderfully explained how they took the idea behind their typefaces, and moved them through a design process to produce a final form for a specific purpose. In this case, the web, as a distinct and different environment from print.

I spoke between Jason and Jonathan. Gulp. After staying up until 4am the night before, anxiously working on slides, I was carried along by the privilege and joy of being there, hopefully without too much mumbling or squinting with bleary eyes.

After lunch, David Berlow continued the story of web fonts, taking us on a journey through his own trials and tribulations at Font Bureau when re-producing typefaces for the web crude media. His dry, droll, richly-flavoured delivery was a humorous counterpoint to some controversial asides.

John Daggett of Mozilla, editor of the CSS3 Fonts Module, talked with great empathy for web designers about the amazing typographic advances we’re about to see in browsers.

Tim Brown of Typekit followed. Tim calmly and thoroughly advocated the extension of modular scales to all aspects of a web interface, taking values from the body type and building all elements with those values as the common denominator.

Finally, Mark Boulton wrapped up the day brilliantly, describing the designer’s role as the mitigator of entropy, reversing the natural trend for things to move from order to chaos, and a theme he’s exploring at the moment: designing from the content out.

The tone of the day was fun, thoughtful, articulate, and exacting. All the talks were a mix of anecdotal and observational humour, type nerdery, and most of all an overwhelming commitment to excellence in web typography. It was a journey in itself. Decades of experience from plate and press, screen, and web was being distilled into 45-minute presentations. I loved it.

As always, one of the most enjoyable bits for me was the hallway track. I talked to heaps of people both in the pre- and after-party, and in between the talks on the day itself. I heard stories, ideas, and opinions from print designers, web designers, type designers, font developers, and writers. We talked late into the night. We talked more the next day.

Now the talking has paused for a while, my thoughts are manifold. I can honestly say, I’ve never been so filled with positivity about where we are, and where we’re going. Web typography is here, it works, it’s better all the time, and one day web and type designers everywhere will wonder, perplexed, as they try to imagine what the web was like before.

Here’s to another Ampersand next year! I’m now going to see if Rich needs any encouragement to do it again. I’m guessing not, but if he does, I aim to provide it, vigorously. I hope I see you there!

Furthermore

• Rich Rutter back in May on The Ampersand Story
• Eye Magazine: Web typography comes of age at Brighton’s Ampersand conference
• Anthony Stonehouse: Ampersand 2011
• Laura Kalbag: Notes from Ampersand
• Dave Bushell: Ampersand Conference!

Last but not least, did I mention that Rich Rutter, Mark Boulton, and I are writing a book? We are! More on that another time, but until then, follow @webtypography for intermittent updates.

UX competitor analysis is a valuable user research method that focuses on understanding your products’ competitors, helping you better understand your market and goals. Idea Theorem™ has worked with many clients that required a UX competitor analysis to get actionable insights about their competitors’ strengths, weaknesses, and mistakes to avoid and know what they are doing right.

““I always hated that word—marketing—and I hate it now. Because for me, and this may sound simplistic, the key to marketing is to make something people want. When they want it, they buy it. When they buy it, you have sales. So the product has to speak. The product is what markets things.””

- Interview with Tom Ford.

“

What is deceptive, especially in the West, is our assumption that repetitive and mindless jobs are dehumanizing. On the other hand, the jobs that require us to use the abilities that are uniquely human, we assume to be humanizing. This is not necessarily true. The determining factor is not so much the nature of our jobs, but for whom they serve.

‘Burnout’ is a result of consuming yourself for something other than yourself. You could be burnt out for an abstract concept, ideal, or even nothing (predicament). You end up burning yourself as fuel for something or someone else. This is what feels dehumanizing. In repetitive physical jobs, you could burn out your body for something other than yourself. In creative jobs, you could burn out your soul. Either way, it would be dehumanizing. Completely mindless jobs and incessantly mindful jobs could both be harmful to us.

“In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art. This kind of art is not theoretical or illustrative of theories; it is intuitive, it is involved with all types of mental processes and it is purposeless. It is usually free from the dependence on the skill of the artist as a craftsman.”

- Artist Sol Lewitt on conceptual art.

Dan Perry: The world was hugely interested in the U.S. presidential election -- and everywhere people are wondering what the return of Donald Trump will mean in geopolitics. But is America interested in the world?

Hundreds of "Wanted" posters targeting members of the University of Rochester community were found glued to campus buildings and classrooms, according to the Department of Public Safety.

President-elect Trump and Elon Musk, two billionaires with strikingly similar DNAs, are fusing into a new, powerful governing-media paradigm.

Allies of Donald Trump who were charged in Arizona for illegally trying to overturn the 2020 election can still expect to face justice despite his return to the White House, the state's attorney general has said.

President-elect Trump on Tuesday announced he was choosing Pete Hegseth, an Army veteran and a Fox News host, to serve as Defense secretary.

President-elect Donald Trump has only begun to fill out the ranks of his incoming administration. His first choices confirm that his son Donald Jr. and the former Fox TV personality Tucker Carlson have emerged as major influences over his picks.

President-elect Donald Trump said Wednesday that he will nominate Republican Rep. Matt Gaetz of Florida as U.S. attorney general. Gaetz has been the subject of a House Ethics Committee investigation into whether he engaged in sexual misconduct or illicit drug use. Asked by a HuffPost reporter whether Gaetz has the character to be attorney general, Rep. Mike Simpson, R-Idaho, replied, "Are you s--- me?"

This year IWMW will be running a mini-BarCamp. [02 June 2008]

This year Innovation Competition has now been launched. [03 June 2008]

Mark Simpson has been working as the User Issues researcher on the De Montfort University, MLE project, since October 2001. Previously, he has worked on the following: aircrew operational issues of flying in icing weather, funded by the CAA and European Community; training and human factors issues for real-time, full motion simulators; the design of photocopier manuals and control panel information; and the design of process plant control rooms. He has a BSc in Ergonomics, a Postgraduate diploma in Computing and a MA in Industrial Design. The title of Mark's talk is "Designing For Usability".

Chobani Australia is exporting yoghurt to Singapore less than 18 months after the American company set up in Victoria. Within 18 months, Chobani has grown production at its A$30 million yoghurt factory in Victoria from 25,000 cases a week to 25,000 cases a day, and become one of the biggest yoghurt manufacturers in Australia.

International consumer management company, Gigya, has opened an office in Melbourne as part of its expansion into the Asia-Pacific region. The move comes after strong growth in 2013 for the US-based company, during which it processed more than 800 million logins for clients in 46 countries, including Tommy Hilfiger, the Independent, the Globe and Mail, KLM, L'Occitane, Next Media, Japan Airlines and Canon.

Ratings agency Standard & Poor's (S&P) has reaffirmed Australia's triple-A credit rating and stable economic outlook, stating that the sovereign credit ratings on Australia benefit from the country's strong institutional settings, its wealthy and resilient economy, and a high degree of monetary and fiscal policy flexibility. “These factors provide Australia with a strong ability to absorb large economic and financial shocks, as was demonstrated during the global recession in 2009,” S&P said.

New Zealand-based hydraulic equipment specialist, Transport Hydraulic Solutions (THS), has opened a large manufacturing facility in the Melbourne northern suburb of Campbellfield (26.5 km north of the city centre). “A growing number of Melbourne clients are located around this area, and for those who are based further away, our office is right near the freeway where the Western Ring Road and Hume Highway intersect,” said Managing Director of THS, Brenden Lyons.

Indian learning solutions company, Dexler, has opened its Australian headquarters in Melbourne. Dexler Education (Australia) is expected to create 25 new skilled jobs in Melbourne following its 2014 acquisition of Online Learning Australia which had clients including AMP, ANZ, BHP Billiton, Bluescope Steel, Coles, Myer, NAB, Target, Telstra and Westpac.

The expression of interest for the Ballarat West Employment Zone (BWEZ) has officially opened. BWEZ is the Ballarat region’s engine room for jobs and economic growth over the next 20 years. Located just over an hour north-west from the Melbourne city centre, Ballarat has fantastic connections to road, rail, ports and airports and the region is home to a large, skilled and stable workforce. With an increasing population of 100,000, Ballarat is one of the largest inland cities in Australia and serves as a key access point to the other regional centres in Northern and Western Victoria.

Indian company Ray Business Technologies (Raybiztech) has chosen Melbourne as its Australian headquarters. The company plans to create 30 new highly skilled local Information and Communications Technology (ICT) jobs over the next two years. Headquartered in Hyderabad, India, with offices in the USA and UK, Raybiztech delivers cloud, mobility, big data and social media solutions to its enterprise clients around the world, in the sectors of finance, healthcare, manufacturing, media, leisure and utilities.

Balluff Leuze has invested in a custom-built automation centre in Bayswater, located 40 minutes east of Melbourne’s city centre, as part of its continued Australian expansion plans. The German company, which specialises in technically innovative products for the Automation industry has been working in Australia for 15 years and is considered a leader in sensor technology. They also build a range of safety products that are used in the Victorian manufacturing sector.

The global mobile payments company, Square, will open its Australian headquarters in Melbourne, which will be its fourth global base after the United States, Canada and Japan.

Event Begins: Thursday, November 14, 2024 6:00pm
Location:
Organized By: University Career Center

Interested on what it's like to be an attorney & Marine?  We will host a virtual law panel with three Marine Corps attorneys on Thursday, 14 Nov at 6pm EST.  During this event students and other participants will hear from young lawyers who are currently serving as Marine Corps Officers practicing law. The panelist will share their stories and share information about career paths as aMarine Corps attorney. Attendees will also have an opportunity to have questions answered.  

Event Begins: Thursday, November 14, 2024 6:00pm
Location:
Organized By: University Career Center

Alvarez & Marsal (A&M) is excited to invite you to our Women in Restructuring Virtual Presentation! This session is to celebrate our core value of Inclusive Diversity and the growth of our women talent across our offices! We also will discuss our open consulting restructuring internship opportunities for 2026. This event is open to all studentrepresentation.   About A&M Restructuring: Privately-held since 1983, Alvarez & Marsal (“A&M”) is a leading global professional services firm that delivers performance improvement, turnaround management, and business advisory services to organizations seeking to transform operations, catapult growth and accelerate results through decisive action.   For over 40 years A&M has been a trusted advisor to our Turnaround and Restructuring clients. Our team works on some of the most complex and interesting projects available. If you're interested in restructuring consulting and looking fora new challenge, a fast-paced team environment and an inclusive culture, check out our presentation!  #Likewhatyoudo #lovewhoyoudoitwith 

Event Begins: Thursday, November 14, 2024 5:30pm
Location: Museum of Art
Organized By: Zell Visiting Writers Series

Login here (no pre-registration needed): https://tinyurl.com/ZellWriters24

Zell Visiting Writers Series readings and Q&As are free and open to the public and will be offered both virtually (via Zoom) and in person (in UMMA's Stern Auditorium). Seats are offered on a first come, first served basis; please arrive early to secure a spot.

Born in Japan and raised in the US, Sawako Nakayasu is an artist working with language, performance, and translation. Her newest books of poetry include *Pink Waves* (Omnidawn, 2023), a finalist for the PEN/Voelcker award, and *Some Girls Walk Into The Country They Are From* (Wave Books, 2020), both of which engage the intersection between writing and translation. *Settle Her*, which was written on the #1 bus line in Providence, Rhode Island on Thanksgiving Day of 2017 on the occasion of her cutting ties with normative Thanksgiving celebrations, is forthcoming from Solid Objects.

“Invisible Losses,” a text-based performance, was performed in 2023 as part of Translated Bodies, a translation performance event curated by Gabrielle Civil at the Velocity Dance Center in Seattle. It has also been reimagined and published as a web-based work on oral.pub. Her pamphlet, Say Translation Is Art (Ugly Duckling Presse, 2020), which encourages the untethering of translated texts from conventional relationships to their source texts, has been taught, translated, or performed in the US and in Europe – including as a spoken word performance by Danielle Zawadi in Dutch translation, at the Dutch Foundation for Literature’s Annual Translation Convention in 2022.

Nakayasu’s translation of the Japanese modernist poet Sagawa Chika, *The Collected Poems of Chika Sagawa*, supported by the NEA and published by Canarium Books in 2015, received the PEN Award for Poetry in Translation, the Lucien Stryk Asian Translation Prize, and was a finalist for the National Translation Award in Poetry. It was subsequently acquired by Penguin/Random House for their Modern Library series and republished in 2020 in a new edition with updated introduction. *Poet Sagawa Chika: Late Gathering*, currently under development with the Brown Digital Publications Initiative, is a born digital, scholarly publication based on Sagawa’s poetry and legacy.

Nakayasu teaches in the Literary Arts department at Brown University, where she teaches poetry, translation, and interdisciplinary art.

For any questions about the event or to share accommodation needs, please email kimjulie@umich.edu--we are eager to help ensure this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. Diaper changing tables are available in nearby restrooms. Gender-inclusive restrooms are available on the second floor of the Museum, accessible via the stairs, or in nearby Hatcher Graduate Library (Floors 3, 4, 5, and 6). The Hatcher Library also offers a reflection room (4th Floor South Stacks), and a lactation room (Room 13W, an anteroom to the basement women's staff restroom, or Room 108B, an anteroom of the first floor women's restroom). ASL interpreters and CART services at in-person events are available upon request; please email kimjulie@umich.edu at least two weeks prior to the event, whenever possible, to allow time to arrange services.

U-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.

Event Begins: Thursday, November 14, 2024 5:30pm
Location: Off Campus Location
Organized By: Penny W Stamps School of Art & Design

Fernando Laposse specializes in transforming humble natural materials into refined design pieces. He has worked extensively with overlooked plant fibers such as sisal, loofah, and corn leaves. Laposse’s works are the result of extensive research which culminates in objects of “endemic design” where materials and their historical and cultural ties to a particular location and its people take center stage. He often works with indigenous communities in his native Mexico to create local employment opportunities and raise awareness about the challenges they face in a globalized world.
Laposse’s projects are informative and educational and touch on topics such as sustainability, the loss of biodiversity, community dissolution, migration, and the negative impacts of global trade in local agriculture and food culture. He does so by documenting the issues and announcing possible resolutions through the transformative power of design.
Laposse’s projects have been exhibited in the Triennale di Milano, the Cooper Hewitt Design Museum, The Design Museum in London, the Victoria and Albert Museum, and the World Economic Forum, among others. His work is held in the permanent collections of the Design Museum Gent, Le centre national des arts plastiques, Musée des Arts Décoratifs, the San Francisco Museum of Modern Art, the National Gallery of Victoria, and the Victoria & Albert Museum. Laposse studied at Central Saint Martins in London as a product designer and currently lives and works in Mexico City.
Presented in partnership with Design Core Detroit. This project was made possible by a grant from the Arts Initiative at the University of Michigan.
Series presenting partners: Detroit PBS and PBS Books. Media partner: Michigan Radio.

Event Begins: Thursday, November 14, 2024 4:00pm
Location:
Organized By: University Career Center

Please join Bank of America for a Recruiter Q&A. This is for our US students that are interested in intern or first year analystopportunities. This webinar is for students to ask questions from UR recruiters during the recruitment cycle. Once you register, if you are eligible, a link will be sent out closer to the event to join the webinar.

Event Begins: Thursday, November 14, 2024 4:00pm
Location:
Organized By: University Career Center

Have you ever been interested in being a part of a Fortune 100 retailer supporting the heart of the business? If so, The TJX Companies, Inc., the parent company of TJ Maxx, Marshalls, HomeGoods, HomeSense, and Sierra are looking for enthusiastic and committed individuals from a broad range of backgrounds and experiences to join our Merchandising team as we believe it is important thatour workforce reflect the diversity of our customers and the communities we serve. Merchandising is the heart of our business. Our Buying and Planning & Allocation teams work together to drive sales and profit for TJX. They create the “WOW” you find in our stores!Ifyou have an entrepreneurial spirit and are passionate about blending youranalytical and creative mindset to drive a business, we are currently recruiting Sophomores and Juniors for our Merchandising Internship Program for Summer 2025.Please see below to review our opportunity. Should you choose to apply, we will be reviewing your resume and be in touch with any next steps.CLICK HERE TO APPLY TODAY! 

Event Begins: Thursday, November 14, 2024 4:00pm
Location:
Organized By: University Career Center

Inclusion at RSM Webcast Series: Bridging the gap: Supporting military veterans, active service members and their families in the workplace For active military members, veterans and their families, transitioning into or balancing civilian careers can present challenges and opportunities. This session invites students, activeservice members, veterans and their families to explore how workplaces can be inclusive and supportive of those who serve. We’ll dive into the unique strengths that military experience brings—such as adaptability, leadership and discipline—and discuss practical strategies for navigatingthe transition, building career pathways, and fostering a workplace culture that recognizes and supports military service.  

Event Begins: Thursday, November 14, 2024 4:00pm
Location: North Quad
Organized By: Figma Learning for User Experience (FLUX)

In this first workshop session, we learn the basics of colors and typography, and by the end you’ll have a useable fully functional styles set up in Figma that you can use in any project.

All FLUX workshops ensure you walk away with something you can use for your own projects.

———
FLUX stands for Figma Learning for User Experience. We are a group of students passionate about user experience design and Figma.

Our mission is to create events and activities that support the learning of Figma and UX for students of all levels of expertise and backgrounds across the University of Michigan.

Event Begins: Thursday, November 14, 2024 3:00pm
Location: Michigan Union
Organized By: Information and Technology Services (ITS)

Join us for some expert guidance on DIY troubleshooting. Our Tech Help expert will teach you how to recognize problems and how to find answers to some common technical issues. We will focus primarily on computer troubleshooting (Windows, Mac, and Linux), but techniques and approaches would also be applicable to other kinds of devices such as smartphones, smart watches, or gaming consoles.

BYOD: mobile computing device (optional)

Who: Open to all
When: Thursdays at 3 p.m. (lasting 20-30 minutes, with option for Q&A and personal consulting to follow)
Where: Michigan Union | Ground Floor

It would be great if you registered to let us know you’re coming, but drop-ins are also welcome!