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Pac-12 commissioner Larry Scott discusses conference’s financial hit and ‘concern and anxiety’ over athletes because of coronavirus


The Pac-12 is facing a revenue hit of at least $1 million per school from the cancellation of its men’s basketball tournament and March Madness, although the full extent of the damage won’t be known for weeks.




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U.S. Stocks Rally As Traders Seem Unconcerned By Record Job Losses

After moving significantly higher early in the session, stocks saw some further upside over the course of the trading day on Friday. The major averages added to the gains posted in the previous session, with the tech-heavy Nasdaq reaching its best closing level in well over two months.




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BEETHOVEN, L. van: Piano Concertos Nos. 2 and 6 (fragment) / Piano Concerto, WoO 4 (S.-M. Vetter, Hamburg Symphony, Ruzicka) (OC1710)




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GLASS, P.: Violin Concerto No. 2, `American Four Seasons` / Violin Sonata (Plawner, Vila, Bern Chamber Orchestra, P. Bach) (8.559865)

Philip Glass has become an iconic figure in American music. His works are often inspired by collaborations with other leading musicians, and the proposal of an “American Four Seasons” by the violinist Robert McDuffie to reflect Vivaldi’s famous masterpiece resulted in a concerto which evokes the Baroque spirit of early 18th-century violin tradition. With the Concerto’s range of moods, listeners are invited to decide for themselves which season the music evokes. The Violin Sonata sees Glass’s melodic and harmonic language haunted by the ghosts of Brahms, Fauré and Franck, “the meditativeness of this piece bringing a unique energy” for award-winning violinist Piotr Plawner.




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Wind Concertos - BOTTI, S. / TURNER, J.L. / GRYC, S.M. (Heavy Weather) (Koffman, Mendoker, M. Goldberg, Hartt Wind Ensemble, Adsit) (8.574087)

The Hartt School Wind Ensemble presents recent concertante works by three contemporary American composers—demonstrating once more the versatility of the ensemble, heard here in conjunction with soloists. Susan Botti’s sull’ala is inspired by flight, expressed in rhythm, harmony and texture, while Jess Langston Turner describes powerful meteorological phenomena in Heavy Weather. In Guignol, Stephen Michael Gryc conjures witty banter and frenetic action from his puppet hero.




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SKORYK, M.: Violin Concertos (Complete), Vol. 1 - Nos. 1-4 (Bielow, Ukraine National Symphony, Sirenko) (8.574088)

Myroslav Skoryk, a postgraduate student of Dmitry Kabalevsky, is one of Ukraine’s leading composers and teachers. His works range from opera and ballet, a symphonic transcription of Paganini’s 24 Caprices, and his cycle of nine Violin Concertos written over a 45-year span. They draw on elements of Carpathian folklore and are saturated in expressive dialogues, lyricism and elegy while also exuding powerful intensity. Skoryk’s sensual writing is frequently contrasted with syncopated motifs, cadenzas, fugal episodes and march rhythms. This is the first of two volumes.




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MAYR, J.S.: Mass in E-Flat Major (Szczepańska, Krödel, M. Schäfer, Ochoa, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.574057)

Mayr’s great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with its clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr’s imposing, tonally consonant and expressive setting can be heard in all its grandeur and eloquence. With its striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.




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ZÁDOR, E.: Sinfonia Technica / Music for Clarinet and Strings / Trombone Concerto (Sólyomi, Fejér, Budapest Symphony Orchestra MÁV, Smolij) (8.574108)

The music of Eugene Zádor is both warmly expressive and colourful. The composer took great delight in writing for overlooked solo instruments, as his Trombone Concerto, garnished with elements of Hungarian folklore, clearly shows. The easy-going, gypsy-influenced Music for Clarinet and Strings is a beautifully proportioned quasi-concerto. The Sinfonia Technica, composed much earlier when he was living in Vienna, and something of a one-off, is an enchanting and exuberantly orchestrated example of ‘industrial music’.




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WEINBERG, M.: Clarinet Music - Clarinet Concerto / Clarinet Sonata / Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) (8.574192)

Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet.




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BEETHOVEN, L. van: Celebrate Beethoven - Concertos (9.30210)




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Podcast: Ludwig van Beethoven–the concertos (Mar 27, 2020)

BEETHOVEN, L. van: Celebrate Beethoven - Concertos 9.30210 Beethoven’s concertos enjoy the spotlight in this podcast from Raymond Bisha. It serves as a companion resource to the latest digital album in our series marking the 250th anniversary of the composer’s birth. The technical and musical demands Beethoven makes of his concerto soloists shine centre-stage in this compilation of wonderful performances of movements from his ...more




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Piano Concertos - MOZART, W.A. / BEETHOVEN, L. van / HAYDN, J. (Gulda, Keilberth, Müller-Kray, Rosbaud) (1959-1962) (SWR19088CD)

International Piano, May 2020

View PDF  




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NIELSEN, C.: Flute Concerto / IBERT, J.: Flute Concerto / ARNOLD, M.: Flute Concerto No. 1 (Andrada, Frankfurt Radio Symphony, J. Martín) (ODE1340-2)

Review by Christian Hoskins
Gramophone, May 2020




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LISZT, F.: 3 Études de concert / Grandes Études de Paganini / 12 Études d'exécution transcendante (Hommage à Liszt) (A. Katz) (C990202)


Review by Jeremy Nicholas
Gramophone, May 2020




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SHOSTAKOVICH, D.: Violin Concerto No. 1 / TCHAIKOVSKY, P.I.: Symphony No. 5 (Skride, Leipzig Gewandhaus Orchestra, A. Nelsons) (NTSC) (ACC-20478)




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SHOSTAKOVICH, D.: Violin Concerto No. 1 / TCHAIKOVSKY, P.I.: Symphony No. 5 (Skride, Leipzig Gewandhaus Orchestra, A. Nelsons) (Blu-ray, Full-HD) (ACC-10478)




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MAHLER, G.: Symphony No. 5 / TCHAIKOVSKY, P.I.: Piano Concerto No. 1 (Live aus der Elbphilharmonie) (SoRyang, Yutaka Sado) (NTSC) (Gramola20004)




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Guitar Concertos (Italian) - BOCCADORO, C. / GIULIANI, M. / SOLLIMA, G. / VIVALDI, A. (Segre, I Pomeriggi Musicali, Boccadoro) (DE3546)




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Violin Concertos (Italian) - VIVALDI, A. / BONPORTI, F.A. / LOCATELLI, P.A. (Fanfoni, Ghidoni, C. Lazari, Martynov, Mezzena, Quarta) (CDS7861.10)




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FRANCK, C.: Djinn (Les) / Symphonic Variations / Prélude, choral et fugue / Prélude, aria et final(Biret Concerto Edition, Vol. 9) (8.571403)




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Guitar Recital: Kowalski, Mateusz - ASSAD, S. / BARRIOS MANGORÉ, A. / PONCE, M.M. / TÁRREGA, F. (Classical Guitarist) (CDAccordACD251)




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Choral Concert: Polski Narodowy Chór Młodzieżowy - FARCINKIEWICZ, Ł. / RACZYŃSKI, M. / FALKOWSKA, Z. / ZIÓŁKOWSKI, M. (Śpiewajmy!) (CDAccordACD262)




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PENDERECKI, K.: Symphony No. 6, `Chinesische Lieder` / Clarinet Concerto (Genz, Wojciechowski, Polish Chamber Philharmonic, Rajski) (CDAccordACD270)




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KOCH, J.: Concertos (Dreamscapes) (Fukačová, Tichindeleanu, Kruse, Odense Symphony, J. Brown) (6.220579)




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Concertos - KUHLAU, F. / BARTH, C.F. / GADE, N.W. (Concertos from 19th-Century Denmark) (O. Nordahl, Aarhus Symphony, Thorel) (6.220664)




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SØRENSEN, B.: Mattina (La) / Serenidad / Trumpet Concerto (Concertos) (M. Fröst, Helseth, L.O. Andsnes, Helseth, Skalstad, Søndergård) (8.226095)




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VIVALDI, A.: Concertos for Strings, RV 114, 119, 121, 127, 133, 136, 150, 154, 157, 159, 160, 164 (The Paris Concertos) (Modo Antiquo, Sardelli) (TC672260)




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MARGOLA, F.: Chamber Music - Concertos for Soloist and Orchestra (Convervatorio Arrigo Boito di Parma Orchestra) (TC901390)




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MOÓR, E.: Concerto for 2 Cellos / Suite for 4 Cellos / Cello Sonata (S. Hess, D. Stromberg, Nuremberg Symphony, Piehlmayer) (OC1704)




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DOHNÁNYI, E.: Piano Concertos Nos. 1 and 2 (Gülbadamova, Rheinland-Pfalz State Philharmonic, Matiakh) (C5387)




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CHOPIN, F.: Scherzos Nos. 1-4 / Impromptus Nos. 1-3 / Fantasy-Impromptu / Allegro de concert (Mao Fujita) (8.574052)

Chopin turned the Scherzo into a new form of piano composition: an independent virtuoso work which he laced with drama, Polish folk song, tranquillity and nuance. With their rhythmic lilt and filigree ornamentation the Impromptus are infused with Romantic freedom, while the Allegro de concert, Op. 46 was originally conceived as a movement for a projected piano concerto but was instead revised for solo piano.




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BRAHMS, J.: Piano Concerto No. 2 / Handel Variations (Vogt, Royal Northern Sinfonia) (ODE1346-2)




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BALADA, L.: Clarinet Works - Caprichos Nos. 6 and 7 / Double Concerto (Ivanov, Rominski, Polaczyk, Eryılmaz, Larson) (8.579056)

Barcelona native Leonardo Balada’s creative style has been labelled ‘Dalí’s surrealism in music’—an aspect of his work explored in this programme through the technique of ‘sound transformation’ in which abstract musical materials become familiar melody. Fusing traditional and contemporary elements, Caprichos Nos. 6 and 7 engage intimately with Spanish culture and history, while the virtuoso Double Concerto, heard here in an arrangement for flute, clarinet and piano, blends well-known Mexican folk tunes with the composer’s distinctive avant-garde style.




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SKORYK, M.: Violin Concertos (Complete), Vol. 2 - Nos. 5-9 (Bielow, Ukraine National Symphony, Sirenko) (8.574089)

Myroslav Skoryk is one of Ukraine’s leading composers and teachers, with a portfolio of works that include opera, a symphonic transcription of Paganini’s Caprices, and a cycle of nine violin concertos written over a 45-year span (Volume 1 is on 8.574088). Concerto No. 5 utilises jazz elements and a vivid fugato, while Concerto No. 6 explores the use of sensual moods and provocative dance rhythms. Syncopation and lyricism suffuse Concerto No. 7, while No. 9 is both touching and dramatic. Concerto No. 8 offers a representation of events in Chopin’s life through quotations, in combination with Skoryk’s own distinctive musical voice.




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SCHARWENKA, P.: Piano Trio, Op. 121 / Duo for Violin and Viola / Viola Sonata / 4 Concert Pieces (Breuninger, Berthaud, Triendl) (C5391)




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PRADO, J.A.R. de A: Piano Concerto No. 1 / Aurora / Concerto Fribourgeois (Rubinsky, Minas Gerais Philharmonic, Mechetti) (8.574225)

At the time of his death in 2010, Almeida Prado was one of Brazil’s most internationally admired composers, one who created music of unique sonority and colour, rooted in his native country. In Aurora (‘Dawn’) he employs his newly developed ‘transtonality’ to radiant effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent structure in which the soloist opens up, rips apart or transforms the theme and variations, in a work that is both grandiose and luminous.




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MAYR, J.S.: Due duchesse (Le) [Opera] (M. Schäfer, T.M. Herbert, Bavarian State Opera Chorus, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.660422-23)

As one of the leading operatic composers of his generation, Johann Simon Mayr nurtured a fascination with the chivalric stories of medieval England. Le due duchesse, an opera semiseria with buffa elements, is set during the reign of the 10th-century King Edgar. Huntsmen’s and Knights’ choruses and troubadour-like songs give great vivacity to a score that is both lyrical and dramatic. Mayr’s compound of Viennese Classicism and Italianate melodic beauty, allied to his ambitious writing and a skilful libretto, produced an important and influential opera couched in his own unmistakable idiom.




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HAYDN, J.: Cello Concertos Nos. 1 and 2 (N. Clein, Recreation - Graz Grosses Orchester, Hofstetter) (OC1895)




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HAUG, H.: Guitar Concertino / Wind Quintet / Guitar Quintet (Minder, Basel Philharmonic Quintet, Il Piccola Orchestra, Zemtsov) (8.551426)




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BEETHOVEN, L. van: Symphonies / Concertos / Overtures (Cologne Radio Symphony, South West German Radio Symphony, Baden-Baden, Rosbaud) (SWR19089CD)




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BEETHOVEN, L. van: Piano Concertos (Complete) (Mustonen, Tapiola Sinfonietta) (ODE1359-2T)




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GALERIE DORÉE - The 300th Anniversary Concert (Devos, Le Concert de la Loge, Chauvin) (NTSC) (BAC171)




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GALERIE DORÉE - The 300th Anniversary Concert (Devos, Le Concert de la Loge, Chauvin) (Blu-ray, Full-HD) (BAC571)




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Tech distractions may harm your concentration, but you can reverse it, says psychologist

Technology isn't permanently harming our ability to concentrate, despite the widely held belief that our devices and the internet are making us worse at focusing, according to a cognitive psychology expert.




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'Music is such good medicine': Jeremy Dutcher performs cancelled concert from living room

The Juno and Polaris Prize-winning musician was set to kick off a tour across Quebec last week, but it was cancelled due to COVID-19. In place of that, he hosted a virtual concert online.



  • Radio/Q/Features

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Curling concerns, homeless memorials and 2010 Olympics gold ski cross

Quebec bonspiel organizers and concerns about future of curling, Kelowna B.C. memorializing homeless and Ashleigh McIvor on her 2010 gold medal memories



  • Radio/The Story from Here

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Johann Sebastian Bach - Harpsichord Concertos (Retrospect Ensemble; harpsichord/director: Matthew Halls)

A fresh-feeling recording of ear-popping brilliance.




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Felix Mendelssohn - Violin Concertos / The Hebrides (violin: Alina Ibragimova; Orchestra of the Age of Enlightenment; conductor: Vladimir Jurowski)

Ibragimova’s svelte, unforced violin tone is just right.