Former Arsenal manager Unai Emery's ex-girlfriend Sacha Wright, 35, has told British tabloid, The Sun that he blamed her for his sacking last year.

Unai, 48, who joined Arsenal on May 2018 on a two-year deal, was sacked by the team management in November last year, following a poor run. Sacha claimed that Unai called her a "white witch" and blamed her for his team's failure.

"I trusted Unai and believed we would get married and have kids. I thought he was a gentleman and a family man. But in the end I realised he was not ready for a serious relationship," said Sacha, who first dumped Unai in September only to take him back in December.

"It was then that he blamed me for getting him the sack. He said I was a white witch as I brought him bad luck. He said the team began losing the day we broke up," said Sacha, who finally left Unai in March.

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Manchester United midfielder Jesse Lingard is in lockdown in the UK due to the Coronavirus but that hasn't stopped him from keeping in touch with Playboy model, Laura Bragato (right). Italian Laura told British tabloid, The Daily Star that Jesse has been texting her while in self-isolation. "I spoke to Jesse yesterday, and he is staying home like the rest of us. He is safe. In Italy here we are all in lockdown, it's been one month and I hope everything is going to start again here. When it's over, I can't wait to travel. I want to spend my summer in Spain and London" Laura said on Tuesday.

Jesse Lingard

Laura became famous in 2018, when she claimed that her 'lucky' behind would help Italy beat England in the FIFA World Cup. The match ended 1-1 but her pre-match comments, hoping for Jesse to score, saw her earn lakhs of online fans instantly.

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The Real Madrid superstar is one of the best players in the world and his talent is clear for all to see. But, these five facts about the Belgian aren’t as well-known.

Hazard was scoring goals before he was even born
Eden Hazard comes from a footballing family, with his younger brothers Thorgan, Kylian and Ethan all playing currently and with his father Thierry and mother Carine both playing football too when they were younger. Carine played in the Belgian women’s first division and stopped when she was three months pregnant with Eden, meaning that he was sort of a part of some of his mother’s final goals before he was born.

Zidane was Hazard's idol as he grew up
Zinedine Zidane is now Hazard’s boss and this must feel surreal every day the Belgian goes to work. As a kid, he grew up admiring Zizou and even possessed a France national team shirt with Zidane’s name and number on the back. Zidane has long been fond of Hazard too, expressing his love of the playmaker’s game long before he was signed by Real Madrid.

Hazard is the youngest Ligue 1 Player of the Year
The Ligue 1 Player of the Year prize is given out at the end of every season to the star of France’s top league and Eden Hazard won this award twice during his time with Lille, claiming it in back-to-back years for his displays in the 2010/11 and 2011/12 seasons. He was just 20 years of age when he won the first one, making him the youngest ever player to claim this award.

Hazard is a New York Knicks fan
As well as his love for football, Hazard is also a big basketball fan. He enjoys the NBA and attends matches in North America when he can. The Belgian even has a team that he supports, having declared himself a New York Knicks fan.

San Diego 1904 FC is partly owned by Hazard
Hazard still has many years of playing at the top level ahead of him, but he has already stepped into the world of football club ownership, doing so with NISA side San Diego 1904 FC. He co-founded it in 2016 along with Demba Ba and other business partners.

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England footballer Dele Alli turned 24 recently and celebrated despite being in isolation due to the Coronavirus pandemic. The Tottenham star posted pictures of his April 11 birthday celebration on social media where he played games like Twister and Pin the tail of the donkey. "Turning 24 in isolation wasn't so bad," Dele captioned his Instagrammed pictures. Dele loves his Playstation and so it was no surprise to see his cake in the shape of a PS controller.

Dele was even seeing enjoying a barbecue lunch in his garden, wearing a cute, silver conical cap and shades. His 7.1 million Instagram followers enjoyed his posts, giving him over five lakh 'likes'.

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There is a famous saying, "Love has no age." Well, Brazilian footballer Neymar's mother Nadine Goncalves is definitely a believer in the saying as she recently made headlines for revealing that she is romantically involved with a man named Tiago Ramos who is way younger to her.

Neymar's mother Nadine, age 52, is currently dating gamer Tiago Ramos who is 22 years of age. Not only is Tiago 30 years younger to Nadine, he is even 6 years younger to her son Neymar, age 28.

Neymar's mother Nadine Goncalves took to social media site Instagram to announce that she is in a relationship with Tiago Ramos and also shared a photo of the two embracing each other. Neymar's mother Nadine captioned the photo in Portuguese, "O inexplicável não se explica, se vive (The inexplicable cannot be explained, you live it…”). See the post below.

 

 

 

View this post on Instagram

O inexplicável não se explica, se vive... ❤️

A post shared by Nadine Gonçalves (@nadine.goncalves) onApr 11, 2020 at 3:49pm PDT

Nadine and Neymar's father and agent Wagner Ribeiro parted ways in 2016 after 25 years of marriage. Meanwhile, not only is Nadine's new relationships approved by son Neymar and her ex-husband, they also support the couple and show their happiness.

Commenting on the Instagram post, Neymar wrote ‘Be happy Mom, Love u’ while her ex-husband Wagner simply posted applause emojis.

Tiago Ramos is a huge gamer as well as a fitness enthusiast and has admitted to being a fan of Neymar who plays for French club Paris St. Germain.

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Former Arsenal star Serge Gnabry is not just succeeding professionally at his new club Bayern Munich, but also on the personal front. Serge, 24, has been in top form, having scored a brace against Chelsea recently, making it six Champions League goals this season.

Now, off the field, it is learnt that he is dating top Swiss model Sandra Jerze, 23. According to German newspaper Bild, the couple has been dating for three weeks now and spent the Easter weekend together in Munich. Model Sandra has also done a few acting stints besides featuring in German artist Pietro Lombardi’s music video, Phenomenal.

Initially, it was rumoured that Sandra was dating Pietro before latest reports confirmed she’s in a relationship with Serge.

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Kevin De Bruyne is recovering from an illness, but the Manchester City star says he is not sure if he had coronavirus. De Bruyne and his family felt ill for around two weeks, but the Belgian international did not find out whether or not it was the virus. "I am doing well, to be honest," De Bruyne told Sky Sports on Friday. "The first two weeks my family was sick so it was a little bit like up and down, but now they are all healthy.

"We don't know if we had it (coronavirus) or not but I think we're doing well now." With De Bruyne recovered, the midfielder is trying to keep as fit as he can while adhering to social distancing rules. The Premier League is suspended indefinitely because of the pandemic, but there remains a chance play will resume this season. "Well, the first two weeks was a little bit weird because I don't know what's going on," De Bruyne said.

"Then I managed to get a treadmill. I was swimming a little bit because I'm lucky to have a pool downstairs. "I was doing a couple of lengths but now mostly I'm doing a run and I would say every other day I would choose between swimming and doing some exercise, so I'm keeping fairly good for what we can on our own, I guess." Asked if City are sending through information and drills, he said: "They send us like a fairly big programme. "I think at the beginning of lockdown some of the gym physios went to the club and made videos of what we can do, different types of exercises.

"But there's a few things that I like to do, obviously it's more the running and the swimming exercise. "I do a little bit in-between but I'm not one for sitting like an hour or two hours in a gym. "I get bored of doing stuff on my own anyway so I prefer to do running, where I keep busy for myself and listen to some podcasts and all that stuff."

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Liverpool's star footballer Mohamed Salah, 25, has donated a huge amount of money besides food to families in his hometown of Nagrig, a village in the Egyptian city of Basyoun, to help in the battle against the Coronavirus pandemic.

According to a report in British tabloid, The Sun, the Egyptian footballer sent supplies to poverty-hit residents along with some advice on how to stay safe from the virus.

Salah Ghaly, the Liverpool striker's father, said that the village has been sanitised and residents have been given facemasks to prevent the spread of the virus, which has already killed 205 people in the North African country. It is believed that the total amount donated by the Liverpool star is around £405,000 (R3.8 crore).
Mohamed is currently in lockdown like the rest of the UK, where the death toll has crossed 15,000.

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Manchester City striker Sergio Aguero has been using some of his spare time in lockdown to teach British kids how to speak Spanish.

The Argentina international has been signed up by the BBC as part of its home-schooling initiative while educational establishments are closed during the coronavirus pandemic. Aguero is teaching kids how to count in Spanish. His lessons became available on a day kids in Britain would have usually returned to school after the Easter holidays.

Aguero says it's a tough time for children at the moment, and also for parents trying to keep them focused on their education from home. Aguero hasn't played a competitive match since March 8 because soccer is shut down in England and across most of the world during the outbreak.

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The financial squeeze put on Premier League clubs by the coronavirus crisis could be felt across the continent in the coming months as the well to fund massive transfer fees runs dry. For each of the past four summers, Premier League clubs have flexed their financial muscle to splurge over £1 billion ($1.3 billion) on transfers. That has helped spread the wealth of television contracts worth billions across Europe and crucially down the divisions to cash-strapped clubs in England. Now even the world's richest league is facing economic meltdown. Premier League matches have been suspended indefinitely with no return expected before mid-June at the earliest. Broadcasters could be due a rebate worth a reported £762 million if the season is not completed and, even when the games do recommence, they are likely to be behind closed doors, quashing income from gate receipts.

Moreover, a number of major sponsors such as airlines and gambling companies have been just as badly hit by the COVID-19 shutdown, which is expected to lead to a curb on commercial revenue. Rather than the usual arms race for talent, Premier League clubs are fretting about just meeting their wage bills for the next few months. "Many clubs could be threatened by insolvency and transfer plans came to a standstill for most clubs because of the many uncertainties," said Matthias Seidel, founder of Transfermarkt, a website specialising in transfer values. According to Transfermarkt, 1.8 billion euros ($2 billion) has already been wiped off the value of Premier League squads. "There's no doubt the actual value of players right now has gone down in all squads," said Brighton owner Tony Bloom. "How much less, I have no idea. It depends on how the next few months play out."

'Vultures and predators'
Such uncertainty has led for calls to do away with transfers entirely to avoid the unseemly sight of clubs, who have asked staff to take pay cuts and in some cases relied on government money, spending money on new players. "If you're trying to get 30 percent pay cuts from existing players, you may have to put a transfer embargo in place," former Manchester United captain Gary Neville told Sky Sports. However, embargoes may only accelerate fears that clubs lower down the pyramid will not survive the crisis. Proceeds from transfer sales are commonly used in the lower leagues to cover running costs and will be needed even more without the regular income of gate receipts to rely on. "I think there will be significant transfer fee deflation," football finance expert Kieran Maguire told AFP. "There will be a significant number of clubs that when some form of transfer market returns, they will be close to going out of business and therefore will accept fire sale prices. "The vultures and predators will pick off good players for very modest fees."

The fear for those reliant on transfer fees, though, is that the damage has already been done. Given the vast sums involved, transfer fees are very commonly paid over the course of a player's contract. Based on accounts published to the end of the 2018/19 season, Premier League clubs owed £1.6 billion in outstanding transfer payments, £900 million of which was to foreign clubs. Maguire warns of the domino effect whereby if one club fails to meet its transfer debt, it could spark a series of defaulted payments on other deals or even worse force clubs into insolvency. "The concern is that financial problems in one league could spread throughout the industry just like the pandemic," he said. Bundesliga chief executive Christian Seifert told the New York Times earlier this month that the transfer market will "collapse" and that "some leagues will understand that money is nothing that is coming automatically every month from heaven." That may have been a slight on the Premier League's overindulgence on transfer fees. But as the biggest spender, the economic earthquake felt by English football will ripple across Europe for some time to come.

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England football star Jesse Lingard's model friend Laura Bragato is hoping the Manchester United player likes her latest pictures from a shoot for Playboy magazine.

Italian Laura, who shot topless for the magazine's Croatian edition before the global lockdown, told British newspaper Daily Star: "I haven't shown him [Jesse] the pictures yet but for sure he will appreciate them like all my friends."

Jesse Lingard

Laura met Jesse during the 2018 FIFA World Cup in Russia and the pair have since kept in touch via text messaging. "I spoke to Jesse recently, and he is staying home like the rest of us. He is safe," Laura added.

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Former Liverpool mid-fielder Jamie Redknapp fears arch-rivals Manchester United are set to beat his former club for the signing of Borussia Dortmund forward Jadon Sancho. The 20-year-old Englishman is currently one of the most sought-after players in European football and Redknapp believes Sancho will end up in Premier League sooner than later with the Red Devils in pole position to snap the hot shot winger. "I think it is a matter of time with Jadon Sancho coming to the Premier League. We are talking about a genuine superstar. A player that can do incredible things with the ball. Played 70 odd games in the Bundesliga, scored 27 goals from a wide area which is very good," Redknapp told Sky Sports.

"We have missed out on the likes of the Neymars in the Premier League but he can come and really light it up. Personally I would call it. He will be a great signing for whoever he goes to. "I would like to see him at Liverpool, but I think he is going to end up at United though," he added. Since making the move to Bundesliga from Manchester City in 2017, Sancho's rise has been nothing but meteoric. In the last two seasons for Dortmund, Sancho has scored 20 goals and assisted 28 times for the German giants.

Speculations continue to surround Sancho regarding his big move to the Premier League with multiple top teams interested. Dortmund, meanwhile, have made it clear that it will take big bucks to prize Sancho away from the Signal Iduna Park.

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Indian Super League (ISL) side Kerala Blasters on Wednesday appointed Mohun Bagan's I-League winning coach Kibu Vicuna as their head coach for the upcoming season. This came hours after the franchise announced that it has parted ways with Eelco Schattorie after one season at the helm of affairs. "We are happy to announce that Kibu Vicuna will take over as head coach for the upcoming season!" Kerala Blasters said in a tweet. Spain's Vicuna oversaw Mohun Bagan win the title with four rounds to spare. The league was suspended midway due to the COVID-19 pandemic and later had to be called off with Mohun Bagan declared champions.

Mohun Bagan have merged with ATK to enter the ISL from next season with Antonio Lopez Habas, who coached ATK to their record third title, in charge of the combined outfit. Dutchman Schattorie was in charge of the Kochi-based outfit in the ISL 2019-20 and could only guide the club to a poor seventh-place finish. "Kerala Blasters FC have parted ways with the Head Coach, Eelco Schattorie. We'd like to thank Eelco for his efforts and services during his tenure and wish him the best for the future," Kerala Blasters had tweeted earlier in the day.

The 48-year-old first landed on Indian shores when he took over Kolkata-based Prayag United back in 2012. He went on to win the IFA Shield and guided the team to a fourth-placed finish in the I-League. After serving as the head coach for Kolkata giants East Bengal for the 2015 season, he joined Avram Grant's NorthEast United setup for parts of the 2016 ISL season, before taking over as head coach for the 2018-19 campaign.

In his very first season as a head coach in the ISL, Schattorie showcased immense tactical guile and took Guwahati-based NorthEast United to the semi-finals for the first time since the club's inception, before being knocked out by eventual champions Bengaluru FC. After leading the NorthEast United to their best-ever campaign in the club's history, Schattorie replaced Nelo Vingada as the Kerala Blasters head coach heading into ISL 2019-20.

The Dutchman, however, could not replicate the same success in Kerala which he had achieved with the NorthEast United as several factors came into play. A host of recurring injuries to key players, including a season-long one to stopper Sandesh Jhingan, severely handicapped Kerala's campaign as they finished seventh on the table with 19 points from 18 matches.

Despite not making the top four, Schattorie's Kerala side found a lot of admirers for their free-flowing attacking style of football.

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Former England footballer Rio Ferdinand's wife Kate has said that while she was initially 'anxious and stressed' with the Coronavirus-caused lockdown, she is now spending most of her time homeschooling her three children Lorenz, 13, Tate, 11, and Tia, nine. Kate, 28, in association with an online education company, has launched a free toolkit of edutainment activities for primary school children to help those homeschooling during the current lockdown.

"At the beginning of lockdown, I felt a bit anxious and stressed. I didn't have any routine but this is something to do every day. You feel like you're in a little community doing it together," Kate, 28, told Britain's MailOnline.

Speaking of the homeschooling experience, Kate said that she and hubby Rio, 41, are trying their best to make things fun: "For the first three weeks of homeschooling, I was overwhelmed. It's quite hard for us having three children and all having sessions at different times. It's about trying to get the balance of making it fun as well as doing school work and trying to manage a good family life."

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Spanish League LaLiga President Javier Tebas has made it clear that cancelling the 2019/20 season is not an option and they are exploring various options and scenarios as the situation develops amid the ongoing outbreak of novel coronavirus. Spain's football industry is one of many-hit by the COVID-19 pandemic and like any other sector, next steps will depend on the advice of health authorities. "Nulling and voiding the season is not an option on the table. But we are reviewing multiple scenarios, such as what happens if we play behind closed doors and what happens if we play with crowds and what happens if games aren't played," Tebas told reporters on videocall.

"We have to look at all possibilities, but we're not working towards a situation where we don't complete the season. "We're looking to ensure the best health conditions for players for when they resume training and we're looking to reduce the economic risk. "This is a health pandemic, but also an economic pandemic," he added.

The league President provided figures for each of these situations, outlining that the estimated total economic impact for not resuming the season would be 1bn euros. Completing the season behind closed doors would lead to losses of 300m euros and it would be 150m euros for resuming it with fans after this delay. On the likelihood of matches being resumed behind closed doors, Tebas said: "We will not have fans until the health authorities allow it. The decision does not depend on LaLiga or the clubs. We know it can affect future seasons so we are calculating the potential impact."

Tebas explained that LaLiga is considering all of the finer details that various scenarios could entail, such as whether or not matches can be held at the usual stadiums due to planned renovation works, the need to extend player contracts, pending fees due to clubs from past transfers, maintaining Financial Fair Play rules, payments from broadcasters and the knock-on effects for the 2020/21 season.

Tebas also mentioned that the last weekend of May is the first possible date for LaLiga to resume, with European competitions playing in July. A later option would be for LaLiga and European competitions to start on June 6 and play an alternating schedule. Finally, LaLiga and other domestic leagues could start on June 28 with European competitions starting again in August after the domestic leagues finish.

"We can't put an exact date on when we'll return as the Spanish government's health authorities have to set that," he said. "There are two options for organising the schedules, one with domestic leagues at the weekends and European matches midweek or another option is to work towards finishing the domestic leagues first." The league President also underlined that the football industry plays a major role in Spain's economy. It accounts for 1.37 percent of Spain's GDP and an estimated 185,000 jobs, meaning that any losses suffered could have a domino effect elsewhere.

"The most important aspect of this is that we protect our future," Tebas noted. "What we're working towards here is to save the future of football."

"By acting now, we can ensure that we have a sustainable model," he added."We will not forget the responsibilities we have to everyone."

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The Coronavirus-caused lockdown has brought sporting activities to a standstill across the globe with major events being cancelled or postponed. And EPL football manager David Moyes is making the most of the forced break by helping people near his family home on the Lancashire, UK, seaside.

According to a report in British tabloid, The Sun, West Ham's manager David has turned a fruits and vegetables delivery man. "When the virus first broke out, the fruits and vegetables shop in my village were asking for drivers to deliver fruits and vegetables. So I became a driver for the shop. I delivered it to all the people in the neighbourhood. I did it for about four days.

There was a sign in the window saying 'volunteers needed'. My wife was away at the time, I was on my own. I would knock, leave it and just check if they came to get it. I was thinking 'this is great'. I was actually enjoying it," said David.

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Brit singer Leigh-Anne Pinnock's dream of a summer wedding to Wolverhampton-born footballer Andre Gray, 28, has been shattered and to say she is merely disappointed is an understatement.

Leigh-Anne, 28, and Andre were to tie the knot in a private ceremony before the Coronavirus-caused lockdown emerged as
a hurdle.

Talking about her secret wedding plans, the Little Mix music group star, Leigh-Anne, told British tabloid, The Daily Star: “The wedding is probably not going to happen now because we can't go anywhere. He's probably not going to do it in the house. So it looks like my dream is officially over. I've not really been planning it, but every girl has got the idea of what they want; it is a dream of mine.”

Leigh-Anne and the Watford player have been together since 2016 and were looking forward to be husband and wife. “We both want it so bad. If I wasn't in Little Mix, we probably would have started planning already.”

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Arsenal's squad will be allowed back to their training ground from next week, although the club stressed they would still have to maintain British government guidelines designed to combat the spread of the coronavirus. The Premier League side's players will have access to training pitches but on a strict rotational basis that will see them uphold social distancing measures. "Players will be permitted access to our London Colney training grounds next week," said a club spokesperson. "Access will be limited, carefully managed and social distancing will be maintained at all times.

"All Colney buildings remain closed. Players will travel alone, do their individual workout and return home." This week saw Arsenal become the first Premier League club to agree a coronavirus pay cut with their players as manager Mikel Arteta and his stars slashed their wages by 12.5 percent. There are reports Arsenal, whose yearly wage bill is around £230 million ($286 million), will give players their money back in the event that they bridge an eight-point gap and qualify for the Champions League when football restarts. Football is currently suspended indefinitely in England, with the UK under lockdown.

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FIFA president Gianni Infantino is suspected of having intervened with Switzerland's attorney general to try to get an investigation dropped, a Swiss newspaper alleged on Monday. The Office of the Attorney General (OAG) launched an investigation in 2016, shortly after Infantino was elected president of world football's governing body, about his awarding of a TV rights contract to an offshore company in his previous role as UEFA's legal affairs director.

Friendly request

According to the Tribune de Geneve newspaper, Infantino was worried about this investigation and wrote to his childhood friend, Rinaldo Arnold, who had become a senior prosecutor in Switzerland's Haut-Valais region where they grew up. "I will try to explain to the OAG that it is in my interests that everything should be cleared up as soon as possible, that it be clearly stated that I have nothing to do with this matter," he wrote in an email cited by the newspaper. Arnold, who had helped to set up a first meeting between Infantino and Attorney General Michael Lauber, replied: "What is important is the meeting in two weeks' time. If you like, I can come with you again."

The meeting took place on April 22, 2016, the newspaper said, adding that what happened during it remains a mystery, and the OAG "refuses to speak about it". The OAG declined to comment when contacted by AFP. FIFA said later on Monday "the email referred to in the article was obviously obtained by hacking, which is an illegal and criminal act."

'No reason to lie'

"Not only Mr Infantino had no reason to lie in that email, the email never said Mr Infantino wanted to 'clear his name'," FIFA added. The Zurich-based federation has always indicated that the meetings between Infantino and the OAG were intended to show that FIFA was ready to engage with the Swiss justice system.

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A little over a month after PK Banerjee's death, Indian football has lost another legend. On Thursday, Chuni Goswami, 82, who captained the 1962 Asian Games gold-winning team and also played first-class cricket, died here, survived by wife Basanti and son Sudipto.

"He suffered a cardiac arrest and died in hospital at around 5pm," a family source told PTI.

Goswami reportedly had blood sugar, prostrate and nerve-related issues.

Subimal 'Chuni' Goswami was born in the Kishoreganj district of undivided Bengal, now Bangladesh. The star striker figured in 50 international games from 1956 to 1964. He was part of the Indian team for the 1960 Olympics in Rome. His crowning moment came when he led India to an Asian Games gold medal in 1962 in Jakarta, two years before being part of the silver-winning team at the Asia Cup in Israel.

On the cricket turf, he represented Bengal in 46 first-class games between 1962 and 1973. He was conferred the Arjuna Award in 1963 and Padma Shri in 1983. The Indian Postal Department issued a commemorative stamp on his 82nd birthday in January to recognise his contribution to the game in the country.

A section of Mumbai cricket followers will remember Goswami's 96 (13x4) and 84 (10x4) against Ajit Wadekar's team in the 1968-69 Ranji Trophy final at the Brabourne Stadium where Mumbai claimed honours. "Chuni was more than a decent batsman, who had a good defensive approach. He was a fielder whom batsmen had to watch carefully. Being a footballer, he was agile and was exceptional at cover point and extra cover," recalled former Mumbai captain Sudhir Naik. Dilip Doshi, the ex-Test spinner, who played alongside Goswami for Bengal, also recalled those two innings at Brabourne. "Chuni da stood up to the occasion and played two sterling knocks. His will to fight it out was infectious and as a footballer and India's captain as well, we learnt the fitness attitude from him as youngsters. He had a great sense of humour which he timely applied to release tension in the dressing room," remarked Doshi.

Chinu Goswami

Former India captain Gundappa Viswanath, who like Goswami, was employed by the State Bank of India, rued the fact that they did not play together because of his (Viswanath's) international commitments. "Unfortunately, that opportunity never came because it would have been a pleasure to rub shoulders with such a versatile sportsperson, known also for his football talent. I will miss our dinner parties which he always planned as soon as I landed in Kolkata. Another regret is not attending his 80th birthday celebrations as I was ill at that time" Viswanath told mid-day from Bangalore.

Tweet talk

Praful Patel @praful_patel:

Another legendary Indian Footballer and a fine first class cricketer has left us today. Rest in eternal peace Shri. Chuni Goswami. My heartfelt condolences to his bereaved family.#ChuniGoswami #RIPLegend #IndianFootball @IndianFootball

President of India (Kovind)@rashtrapatibhvn:

Sad to hear about the passing of Chuni Goswami. In his demise India’s football fans have lost a legend. A versatile sportsman, he was a star in his own right. My heartfelt condolences to his family, friends and admirers

BCCI @BCCI:

BCCI mourns the death of Subimal ‘Chuni’ Goswami, an all-rounder in the truest sense. He captained the Indian national football team & led to them to gold in the 1962 Asian Games. He later played first-class cricket for Bengal & guided them to the final of Ranji Trophy in 1971-72

Sunil Chhetri @Chetrisunil11:

We’ve lost one of the leading lights of Indian sport today. Not too many can boast of being top-notch in two different sports. You played your part to the fullest, rest well, Chuni sir. Strength to
the family

With inputs from PTI, Clayton Murzello and Debasish Datta

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Brit singer Perrie Edwards, 26, is enjoying every moment alongside her footballer boyfriend Alex Oxlade-Chamberlain, 26, during this Coronavirus-caused lockdown in the
United Kingdom.

"I feel like I'm really enjoying this [lockdown], I can't lie. I'm having the time of my life. I've never spent so much time with my boyfriend. I've never spent so much time in my house," Perrie, who is part of the British all-girl group Little Mix, told Los Angeles radio station KII-FM.

"It's like I've never had just so much time on my hands to do stuff that I've always wanted to, so it has been nice," added Perrie, who began dating the Liverpool star in 2016.

The couple have been regularly uploading pictures and videos, dancing together on social media, while Perrie has even performed a few songs.

Meanwhile, Alex too has been enjoying all the attention and recently said that Perrie is the "perfect wifey."

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Argentine footballer Paulo Dybala has tested positive for Coronavirus for the fourth time recently. His pop-star girlfriend Oriana Sabatini has also contracted the virus.

However, the couple have continued to keep their spirits high despite the setback. The Argentine pair have been constantly posting pictures and videos on social media to keep themselves and their fans entertained.

In one such post, the Juventus star and Oriana are seen honing their PlayStation skills.
In another video, the Argentine football star is seen working out in his home gym and simultaneously joining in a TikTok dance routine with Oriana.

In yet another video, Paulo is playing the piano while Oriana is singing. Some of Paulo's football pals like Douglas Costa, Claudio Marchisio and Nicolas Tagliafico have been impressed with his musical ability and even commented on the video.

Paulo and Oriana, the niece of Argentine tennis legend Gabriela Sabatini, first met in 2017 but announced their relationship only after the 2018 FIFA World Cup in Russia.

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Italy's 20 Serie A clubs have reiterated their unanimous desire to complete the season as the northern Emilia-Romagna region became the first to open the way to training despite government restrictions. An emergency Lega Serie A assembly via video of the top-flight clubs took place after Sports Minister Vincenzo Spadafora this week said the chances of restarting were "increasingly narrow". League president Paolo Dal Pino stated after the meeting "his openness to a dialogue with the government from a constructive and collaborative perspective, obtaining on this position the full agreement of all the clubs."

Spadafora has warned that the government will call time on the season which has been suspended since March 9 if the Italian Football Federation (FIGC) fails to convince them on its health and safety protocol. An FIGC meeting slated for May 8 could be decisive. Meanwhile, the Emilia-Romagna region on Friday gave permission for local clubs, including top-flight sides Bologna, Parma, SPAL and Sassuolo, to resume training in sports centres from May 4 if they wished to do so.

Emilia-Romagna regional president Stefano Bonaccini has agreed to allow "professional sportspeople to train individually, in compliance with social distancing rules and without any gatherings in closed-door structures." Southern giants Napoli are also planning to return to training as their safety proposals have received the backing of local authorities.

Friday's league meeting also addressed the issue of TV rights, but no resolutions were adopted concerning broadcasters Sky, DAZN and IMG, with a final payment estimated at 340 million euros ($370 million) for the current season, due to be paid in May. FIGC president Gabriele Gravina has said that calling time would be "the death of Italian football", predicting losses of over 800 million euros in TV rights, sponsors, ticketing and marketing.

If the government did decide to pull the plug on the season it would have the support of a country traumatised by over 28,000 coronavirus deaths. According to a recent survey, two out of three Italians would support a stoppage, in particular in the northern epicentre, stronghold of heavyweights Juventus, Inter Milan and AC Milan and Atalanta.

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Italy offered Serie A clubs a glimmer of hope on Sunday after it said footballers could take part in individual training sessions as the strictest coronavirus lockdown measures begin to ease. The interior ministry's go-ahead for players to attend their club's training facilities offered fans in the football mad country the first sign that the 2019-20 season might yet be saved. Matches were abandoned on March 9 in the face of a health crisis that has now officially claimed nearly 29,000 lives in Italy and 245,000 worldwide. Some of the bigger clubs with title aspirations from the less affected regions have been talking about going back to training for weeks.

But Prime Minister Giuseppe Conte only allowed teams to resume organised activities on May 18 -- a date that might push back this season's completion into the start of the next. Several regions that have avoided the worst of the pandemic have taken matters into their own hands and allowed clubs to open their facilities for players to train on their own. Teams such as Napoli and Parma have followed the lead of Lazio -- trailing leaders Juventus by just a point -- and gave the nod for players to return. They insisted that they were not breaking the rules because Conte has allowed all Italians to start exercising in open public places starting Monday. The interior ministry bowed to the seemingly inevitable on Sunday and agreed that teams can open their facilities to players for training. "Athletes, professional or otherwise, of non-individual sports are allowed -- just as every citizen -- to exercise in public or private areas," the interior ministry said. But players must "respect social distancing rules of at least two metres and the ban on public gatherings."

'All together'
Italian media read the statement as an encouraging sign for football. "Serie A clubs (and not only) can return to training," the La Repubblica daily wrote. Yet Sports Minister Vincenzo Spadafora has noted that the path for football to return was getting "increasingly narrow". And league president Paolo Dal Pino said Serie A "will comply" should Conte decide that it was simply too dangerous to complete the campaign. The teams themselves seem hopelessly divided about what they should do. Those that play in northern regions that were hardest hit by the virus have voiced the gravest concern. Brescia president Massimo Cellino -- whose team is based at the very heart of the outbreak -- said in March that he would rather forfeit games than play in a "plague". The 63-year-old revealed that he had tested positive for the virus a few weeks later. "It would be unfortunate if some teams can start again and others cannot," Fiorentina coach Beppe Iachini said on Saturday. "I think teams like Atalanta, Milan, Inter, Juve and Turino have had more problems than the others," he said of the main northern clubs. "If we do start, we have to do it all together."

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The global lockdown caused due to the COVID-19 pandemic hasn't affected Portuguese football superstar Cristiano Ronaldo's workout regime.

 

 

 

View this post on Instagram

Discovering my island with the best company👨‍👦❤ï¸Â #madeiraisland #staysafe

A post shared by Cristiano Ronaldo (@cristiano) onMay 2, 2020 at 3:55am PDT

Before he returns to Italy next week, the Juventus player took partner Georgina Rodriguez and son Cristiano Jr to the scenic mountain top of the Madeira island for a hike on Saturday. He shared this picture of his son and him, with his 216 million Instagram followers and captioned it: "Discovering my island with the best company #madeiraisland #staysafe."

 

 

 

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🍃🌴🌵🌾ðŸ¦ÂŽ Punta de San Lorenzo ⛰🌏❤ @aloyoga #family #love

A post shared by Georgina Rodríguez (@georginagio) onMay 2, 2020 at 9:10am PDT

Meanwhile, Georgina posted this family picture (right) of them visiting the Ponta de Soo Lourenco (it means the Point of Saint Lawrence in Portuguese), the eastern point of the island, and wrote: "Punta de San Lorenzo #family #love."

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Former footballer Xavi Hernandez, hoping that Paris Saint-Germain star Neymar will return to Barcelona, said that the latter is among the 'top three or five players in the world'.

"Footballing wise, he's in the top three or five players in the world, no doubt," Goal.com quoted Xavi as saying during an Instagram chat with ex-Barca forward, Samuel Eto'o.

 

 

 

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Avui em connectaré a @roadto2022es per fer una sessió de preguntes i respostes en viu amb @setoo9. Si tens qualsevol pregunta per nosaltres, escriu-la a sota en els comentaris. Les preguntes i respostes es realitzaran a Instagram Live a les 18h horari de Doha, dilluns 4 de maig. ___ Hoy me conectaré a @roadto2022es para celebrar una sesión de preguntas y respuestas en vivo con @setoo9. Si tienes una pregunta para cualquiera de nosotros, escríbela en los comentarios a continuación. Las preguntas y respuestas se realizarán en Instagram Live a las 18:00 hora de Doha, el lunes 4 de mayo. ____ Today, I’ll be in @roadto2022es to participate in a Q&A live session with @setoo9. Send us your questions in comments below, and we’ll answer them on Instagram Live today, Monday 4th, at 18:00h (Doha time)

A post shared by Xavi (@xavi) onMay 4, 2020 at 4:37am PDT

"He can make the difference. Let's hope he returns to Barcelona. I'm a Barcelona fan and I want the best players there," he added.

After a four-year stay in the club, the former Barcelona player, Neymar, left in 2017 to join Paris Saint-Germain.

During the interaction, Xavi also expressed a desire to manage Barcelona saying that it is his dream to coach the club.

"In January, it wasn't the right moment. I had conversations with Eric Abidal [Barcelona's sporting director] and Oscar Grau [Barcelona chief executive] and a big offer, but it wasn't the right moment. I need a bit more experience. Coaching Barcelona is my dream. I'd like to do it one day. I've said that many times," he said.

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Football superstar Cristiano Ronaldo flew back to Italy on Monday after almost two months in Coronavirus lockdown in his native Madeira, Portugal, but he is continues to help with donations during this COVID-19 pandemic.

Lokomotiv Moscow's Portuguese player Joao Mario has told British tabloid, The Sun that Cristiano is donating money to lower league players in Portugal, who are financially hit due to the pandemic.

"It's a bad situation for everyone but in these kinds of situations, it's worse. They [Portugal's lower league players] really need our help. Cristiano presented us an initiative for us all to help especially those players that are struggling, that do not have professional contracts," said Joao.

Meanwhile, Manchester City star Bernardo Silva said, "Ronaldo suggested that Portugal players should donate 50 per cent of their Euro 2020 qualification bonus towards a players's fund in the Portugal Football Federation."

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The head of the English Professional Footballers' Association (PFA) has raised the possibility of playing shorter matches to lighten the load on players if the season can restart. English clubs remain committed to completing the campaign despite severe concerns over player welfare. Players could be tested up to three times a week and be forced to stay quarantined in hotels away from their families for a number of weeks to help limit the risk of them becoming infected with coronavirus. With 92 matches in the Premier League season still to be played, players could have little preparatory time to work on their fitness in group training before being rushed back into playing twice a week.

FIFA have proposed increasing the number of substitutes allowed per side from three to five to also lessen the risk of fatigue and injuries for players on their return. "Safety has to be paramount," PFA chief executive Gordon Taylor told the BBC. "We don't know the future. What we do know is what propositions have been put, what ideas have been put, the possibility of having more substitutes, games possibly not being the full 45 minutes each way.

"There's talks of neutral stadiums. There's been lots of things being put forward. "Try and wait and see what the proposals are, and then have the courtesy to let the managers and coaches and players also assimilate all those and come to a considered view." The Premier League's "Project Restart" has been met with some resistance over plans for all remaining games to take place at up to 10 neutral venues.

The remaining matches would need to be played behind closed doors, but there are fears fans could congregate around stadiums. Some top-flight clubs have argued that under those circumstances there should be no relegation as the sporting integrity of the competition is compromised. However, chairman of the English Football League (EFL) Rick Parry said denying promotion to three Championship clubs would end up in legal battles.

"The lawyers are going to get wealthy if that happens," Parry told the Digital, Culture, Media and Sport committee on Tuesday. "There would be a degree of outrage from a number of clubs in our Championship, and it would be a breach of the tripartite agreement. "The safe answer is that it would get very messy. Our expectation is there would be three clubs promoted from the Championship."

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The virtual war between WAGs Rebekah Vardy, 38, and Coleen Rooney, 34, is far from over. It is learnt that Rebekah, wife of Leicester City footballer Jamie Vardy, wants a public apology from Coleen, the wife of former England captain Wayne Rooney, for accusing her in October of leaking fake stories to the press via social media.

While both ladies are currently locked in a legal battle, it is learnt that they will have an arbitration meeting on Zoom this week in a bid to avoid a costly court case, reported British tabloid, The Sun.

"Becky [Rebekah] is adamant she's done nothing wrong and has told her team she wants a public apology," an insider told the newspaper. "She was hurt that Coleen went straight on social media to lay the blame at her door, rather than speaking to her privately. She has maintained her innocence throughout and doesn't want this to be brushed under the carpet without Coleen publicly apologising," added the source.

The two used to be good friends before Coleen claimed in October that Rebekah's Instagram account had been leaking false stories to the press. Subsequently, Rebekah endured a lot of abuse on social media.

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The Spanish football league is all set to resume in June and La Liga's India managing director Jose Antonio Cachaza has revealed that they will resort to maximum testing of players to allay any fears of them contracting COVID-19.

Spain is one of the worst hit countries with around two lakh COVID-19 cases till date.

Most La Liga teams have been allowed to return to training this week after the government eased lockdown restrictions. However, the fear of contracting the Coronavirus is widespread, said Cachaza, for which a four-phase de-escalation programme is being introduced to ensure all players are free of the infection.

"The current week is only for testing of the players and preparing the grounds," Cachaza said in an online media interaction from Spain.

Jose Antonio Cachaza

"Once players are fit to play, we will disinfect the venues. All matches will be played behind closed doors with a maximum of 250 people to avoid any unwanted situation," he added.

When asked what happens if a player tests positive once the season starts, Cachaza said: "That can always be the case. If you see the Bundesliga, they are about to start their season but still have positive cases. We will be ensuring testing at regular intervals as well to keep a check on players." Unlike the English Premier League and the Bundesliga, the La Liga is yet to finalise on a date to resume the season as Cachaza said they are awaiting authorisation from the Spanish government. "We are in constant talks with the government and as of now, we have authorisation to only start with training. Next week, the players will be allowed to train on their own, with a maximum of six players on the pitch. The following week [May 18 onwards], players will be permitted to train in small groups before a return to larger team sessions,"2020-05-08 Cachaza explained.

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Portuguese footballer Bernardo Silva has reportedly found love during the ongoing Coronavirus-caused lockdown.

The Manchester City star, who split from his French model girlfriend Alicia Verrando two years ago, is said to be in a relationship with Portuguese model Ines Tomaz.

According to a report in the Portuguese media, Bernardo has been in lockdown near Lisbon in Portugal with Ines for over a month, but the couple are not keen to rush into things.

"They've not been together for very long and they want to take things slowly," a source told Portuguese newspaper Correio da Manha.

It is learnt that Bernardo and Ines have been watching Netflix, playing the piano and even learning to cook together. Bernardo revealed last week that he was in quarantine with a group, including Ines, and had even posted a picture of the bunch on social media.

"Hey guys, it's been over a month that we're all locked down in our homes so I have decided to show you a little bit of what our quarantine looks like. This is the group of friends with whom I'm spending my quarantine," he wrote.

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German footballer Manuel Neuer, 34, who split from his wife Nina only four months ago, is said to be dating a teenage student in Munich.

Bayern Munich's star goalkeeper is reportedly in a relationship with Anika Bissel, 19, a fashion management student, who also plays for a local handball club team named Kuties. Interestingly, Anika bears a striking resemblance to Nina.

Manuel Neuer's ex-wife Nina

According to leading German magazine Bunte, Anika owns a flat in Munich but is seen spending most of her time at the footballer's luxurious home.

It is learnt that 2014 FIFA World Cup winner Manuel is very serious about his relationship and has even introduced Anika to his mother, Marita.

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From a childhood nickname to his world champion horse, these are some of the lesser-known facts about the Real Madrid captain and legend

1. His nickname as a child was Schuster
As a child, Sergio played up front and was nicknamed ‘Bernd Schuster’ after the great German goalscorer by the friends he played with on the grass outside his apartment block. He’d go on to play in defence throughout his career, at right-back and centre-back, but has maintained his brilliant goalscoring ability. Coincidentally, he was even coached by Schuster at Real Madrid between 2007 and 2008.

2. He’s only ever worn the number 4 shirt at Real Madrid, but never for Spain…
When Ramos arrived at Real Madrid, he was touted to fill the void left by the departing legend Fernando Hierro. Ramos wasn’t shy about taking on the challenge and adopted Hierro’s famous No.4 jersey from day one. That has been the number on his back during his entire decade-and-a-half career at the Santiago Bernabéu. Funnily enough though, Ramos picked a different number for when he plays with the Spanish national team: 15.

3. He has never scored for Spain at a major tournament
Sergio is Spain’s all-time record appearance holder (170) and has scored 21 goals for his country, a mightily impressive tally for a defender. Bizarrely enough, though, he’s never scored for Spain at a major tournament. Each of his 21 strikes has come in qualification rounds, in friendlies, or in the UEFA Nations League. Beyond penalty shootouts, he’s never scored at a World Cup, European Championship or even the Confederations Cup.

4. He didn’t win a Champions League knockout tie until the age of 25
Ramos has four Champions League titles to his name, winning the tournament in 2014, 2016, 2017 and 2018. He may undoubtedly be one of the all-time greats of the competition, but it’s easy to forget that he didn’t reach the competition’s quarter-final until the age of 25. He never played in the Champions League with Sevilla, then his first few years at Real Madrid coincided with a barren spell for the capital city club in which they were consistently knocked out in the first knock-out phase. Finally, in 2010/11 after the arrival of Jose Mourinho, Ramos made it to his first quarter-final, against Tottenham Hotspur. He’s certainly overcome that initial disappointment as the years have gone on.

5. His horse Yucatán de Ramos is a world champion
Like any true Andalusian, Sergio loves horses and has done since childhood. He owns stables near his hometown of Seville, and Yucatan de Ramos, his star horse, won a world championship at the 2018 Interntional PRE Horse Fair recognising it as the finest pure-bred Spanish horse in the world.

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Just like how Eid is synonymous with a Salman Khan release, the Independence Day holiday isn’t complete without an Akshay Kumar starrer. From 2013 to 2018, he has had a release during this beneficial weekend, barring 2014. 2019 is no exception and this time, he is out with MISSION MANGAL, based on an important chapter of India’s history. The mood of the film is also apt, considering that just last month, the Indian Space Research Organisation (ISRO) launched Chandrayaan-2 towards the moon. MISSION MANGAL has all the trappings of a blockbuster. So does it turn out to be as exciting and entertaining as expected? Or does the content fails to entice? Let’s analyse. <img class="aligncenter size-full wp-image-1008325" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/08/Mission-Mangal-Review-IMG.jpg" alt="" width="750" height="450" /> MISSION MANGAL is the incredible true story behind India’s mission to Mars. The film begins in 2010. At the Indian Space Research Organisation (ISRO), a space mission under Rakesh Dhawan (Akshay Kumar) fails after Tara Shinde (Vidya Balan) in his team makes an error in judgement. As a punishment posting, he’s asked to handle India’s Mars program, which is not expected to take off anytime soon. A few days later, Tara while cooking puris in her home has a Eureka moment. She realises that through innovative methods, they can try to get our satellite reach Mars in just two years. She tells Rakesh about the plan and he realises it’s a golden opportunity. Rakesh approaches his senior (Vikram Gokhale) for approval who finds the idea unfeasible. Also Rupert Desai (Dalip Tahil) who has come from NASA to join ISRO feels that Rakesh's idea is ridiculous. Rakesh however manages to persuade and begins work. He asks for the best of the men from ISRO for this project. However he’s given inexperienced colleagues like Kritika Aggarwal (Taapsee Pannu), Eka Gandhi (Sonakshi Sinha), Varsha Gowda (Nithya Menen), Neha Siddiqui (Kirti Kulhari) and Parmeshwar Naidu (Sharman Joshi) and a very senior employee Ananth Iyer (H G Dattatreya). What happens next forms the rest of the film. Jagan Shakti's story is superb and also very challenging. It’s not easy to pen down a mainstream film with such a plot. Also many are not aware of what transpired behind the making of India’s Mars mission. Hence it’ll be exciting for them to witness the whole journey. Also there are so many twists and turns in the plot that one might not believe that some of the plot points are actually true incidents. R Balki, Jagan Shakti, Nidhi Singh Dharma and Saketh Kondipathi's screenplay not only simplifies the proceedings but also make it massy. The screenplay blends science and entertainment seamlessly. The film’s goings on are extremely easy to comprehend. R Balki, Jagan Shakti, Nidhi Singh Dharma and Saketh Kondipathi's dialogues are effective and funny. Jagan Shakti's direction is terrific for a first timer. He had a winning screenplay in his hand and he takes it to another level with his execution. The film has also has subplots of each of the main characters and even these are very well woven in the narrative. And through these tracks too, the makers have made some important comments about religion, parenting, marriage, religious bias etc. and all these contribute to the film hugely. MISSION MANGAL starts off beautifully showing Tara running a house efficiently on the day ISRO has an important launch. Rakesh's entry and the confrontation scene when he’s offered Mars program is intriguing as well as entertaining. It also makes it clear that the film won’t get serious and that the entertainment quotient will be maintained. The rest of the team is introduced in a quick but interesting montage like sequences and it adds a lot to the film. The first half moves swiftly with no complaints. The second half is longer and the commencing portions are where the film drops. Also to see the team renovating their work station at a time when they are running against time is a bit too much. Thankfully the film soon picks up. The best is obviously reserved for the finale. There are a lot of obstacles faced by the team here and it makes the film even more gripping. The finale is applause worthy. <p class="entry-title name"><strong><span style="text-decoration: underline;">Mission Mangal | Public Review | FDFS | Akshay Kumar | Vidya Balan | Taapsee Pannu | Sharman Joshi</span></strong></p> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/mission-mangal-public-review-akshay-kumar-vidya-balan-taapsee-nithya-movie-review-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> MISSION MANGAL is embellished with some fine performances. Akshay Kumar is in top form. He gets to play such a splendid role and gets into the skin of his character. And he’s very much there throughout the film! The way his character rarely gets serious and makes even serious discussions light and funny is seen to be believed. One of the greatest sequences of the film is when he makes an imaginary call to none other than APJ Abdul Kalam. Vidya Balan dominates most of the first half and suits her character to the T. It’s also admirable that she has no qualms playing mother to teenagers. Sonakshi Sinha is lovely and gets to shine. It’s great to see how she makes an impact in a supporting role. Taapsee Pannu is also quite efficient and gives her best in the climax. Nithya Menen has a smaller role but it serves as a great debut. Kirti Kulhari manages to score and many would be able to relate to her character's struggles. Sharman Joshi is funny and would surely make viewers smile. H G Dattatreya is adorable and the scene where he teaches Kirti's ex hubby a lesson is too good! Dalip Tahil is appropriate as the pessimist. Sanjay Kapoor (Sunil Shinde) is the surprise of the film. He delivers a fine performance and post interval he goes in another mode that would be greeted with whistles in cinemas! Purab Kohli (Vivek) and Mohd. Zeeshan Ayyub (Rishi) lend able support. Rohan Joshi (Dilip Shinde) is hilarious and even heartening as Vidya Balan's son. Kashmira Pardeshi (Anya Shinde) gets no scope. Vikram Gokhale is decent. Others are also good in their respective parts. Amit Trivedi's music is well interspersed with the proceedings. <em>'Dil Mein Mars Hai' </em>is entertaining and catchy. <em>'Shaabaashiyaan'</em> is played at a crucial juncture. Amit Trivedi's background score is engaging. S Ravi Varman's cinematography is quite simple and has the big screen effect. Sandeep Ravade's production design is praiseworthy as it’s straight out of life. Debashish Mishra's sound design is also as real as it gets. Sham Kaushal's action is good in the lone action scene inside the metro. Famulus Media and Entertainment's VFX is top class without which the long climax would not have worked so well. Theia Tekchandaney's costumes are appealing yet not too glamorous. Kirti Kolwankar and Maria Tharakan's costumes for Vidya Balan are authentic. Chandan Arora's editing is just perfect as the film neither moves too fast nor drags. On the whole, MISSION MANGAL is engaging and entertaining while being patriotic in its feel. At the box office, it will be accepted whole heartedly by the audiences and has the potential to emerge as Akshay Kumar's highest grosser ever!

Back in 2013, Disney began the FROZEN saga that told the story of two sisters Elsa and Anna. While Elsa had the power to control ice, Anna was given an unfaltering spirit. Since then, the two sisters have become superheroes of a different kind for kids across the world. Now a few years on, Disney is releasing the second part in the franchise with FROZEN 2 hitting screens. But will the new film live up to its predecessor, will the story of the new film offer something new or will FROZEN 2 like so many other sequels fall short, is what we analyse. <img class="aligncenter size-full wp-image-1043275" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/11/Movie-Review-Frozen-2-English-2.jpg" alt="" width="750" height="450" /> FROZEN 2 starts off with Elsa and Anna living a full life in Arendelle, the city has over time prospered and flourished. Sadly though, things are not meant to last as a haunting echoing voice calls to Elsa from far beyond. Being the only one able to hear the call, Elsa sets off on a journey to find the source of the calling, assisted by her sister Anna, and her friends Kristoff, Olaf and Sven. The five leave Arendelle to travel to an ancient, autumn-bound forest of an enchanted land. They set out to find the origin of Elsa's powers in order to save their kingdom. Will they manage to find the source of the voice Elsa hears, will Elsa’s powers be enough to save them and the city, or will they be overpowered by what they find in the enchanted forest is what the film is about. In the six years Disney took to develop FROZEN 2, the production house has put in the extra effort in not only developing an engaging story, but enabling the same with captivating visuals. With computer animation at its best, the film is a seamless visual treat that kids are sure to love. Given the immense fan following among kids that FROZEN developed, the sequel to the film plays to this audience. However, unlike the previous film, FROZEN 2 has a slightly darker and more complex story line, which may not be fully understood by the younger lot. However, despite this, there is more than enough to keep the tots happy. Speaking of music, which plays an integral part in the film, like the first film, FROZEN 2 certainly has what it takes when it comes to captivating lyrics and catchy tunes. Though the track <em>‘Into The Unknown’</em> was meant to be what <em>‘Let it Go’</em> was for the first film, it does fall a bit short. On the other hand, Kristoff’s rendition of <em>‘Lost In The Woods’</em> is one track that is sure to strike a chord with a wide section of the audience. Another, tune that is sure to stick is the haunting, yet exhilarating tone that calls from the deep to Elsa. Conveying both mystery and intrigue through sound, the tune will certainly be an ear worm that latches on. Coming to the animation, FROZEN 2 displays why Disney is the best at what they do. Seamless animatronics that follow the laws of physics, well finished textures and realistic movement go a long way in converting CGI into something realistic. <img class="aligncenter size-full wp-image-1043276" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/11/Movie-Review-Frozen-2-English-1.jpg" alt="" width="750" height="450" /> Coming to the voice performances, each of the cast members have risen to the call with pitch perfect notes. Kristen Bell as Anna, Idina Menzel as Elsa, Jonathan Groff as Kristoff, and Josh Gad as Olfa have each done spectacularly well. Unlike the previous film, FROZEN 2 sees Olaf’s character relegated to comedy and we have to say that this helps the film develop a connect with the audience. Here a special mention needs to be made for directors Chris Buck, Jennifer Lee who have done a stellar job in telling what could have been a rather complex and confusing story. On the whole, FROZEN 2 is certainly worth a watch. Though the film might fall a bit short of the previous one, it is in its own right beautiful, exhilarating and captivating. At the box office, FROZEN 2 that caters mainly to kids might face a slight task with competition from the Bollywood release PAGALPANTI. However, given the fan following the series has developed, expectations are that FROZEN 2 will emerge as a winner.

Salman Khan’s career got a new lease of life with WANTED [2009]. But it was DABANGG [2010], that released a year later, which confirmed that he was there to stay on top for a long, long time. Audiences too loved the superstar like anything in his Chulbul Pandey act. DABANGG 2 [2012] also repeated the blockbuster commercial success of the first part, though collections didn’t grow much as response was not unanimously positive. Now seven years later, Salman and producer-brother Arbaaz Khan present DABANGG 3 and release it in the beneficial Christmas week. What’s more, massy director Prabhudheva is helming the flick this time. So does DABANGG 3 emerge as a complete entertainer that will give fans their money’s worth? Or does it fail to entertain? Let’s analyse. <img class="aligncenter size-full wp-image-1054364" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/12/Movie-Review-Dabangg-3.jpg" alt="" width="720" height="450" /> DABANGG 3 is the story of a badass cop. Chulbul Pandey (Salman Khan) is now the SP of a town named Tundla. As soon as he arrives, he nabs a bandman-turned-goon Guddu (Nawab Shah) and reforms him. He then busts a human trafficking racket under Chinti Valia (Dolly Bindra). The kingpin of this business is Bali Singh (Kichcha Sudeepa). As soon as Chulbul finds out about this aspect, he goes into a shock. Some repressed traumatic memories come alive in front of his eyes. The story then goes in a flashback mode. This is a time when Chulbul's name was Dhaakar. He comes across the picture of Khushi (Saiee M Manjrekar). She was selected as the bride for Dhaakar's brother Makkhi (Arbaaz Khan). But Dhaakar falls for her. He meets her and wins her heart with his progressive thoughts and of course, style. At the insistence of Khushi, he changes his name to Chulbul. The alliance was fixed and all was going well. One day Bali Singh bumps into Khushi and he falls for her. But when he learns that Khushi is madly in love with Dhaakar, he gets enraged and kills her in front of Dhaakar. On top of that, Dhaakar is jailed for the murder of Khushi and her parents. In the prison, he comes across a large hearted police officer Satyendra Singh (Sharat Saxena). He helps him get acquitted and also motivates him to join the police force. As soon as he turns cop under the name of Chulbul Pandey, the first thing he does is to throw Bali Singh down a cliff. He is presumed to be dead. Hence, Chulbul is shocked that Bali survived and is now back to challenge him. What happens next forms the rest of the film. Salman Khan's story is weak and beaten to death. He has such great characters at his disposal but he makes good use of them only partially. Salman Khan, Prabhu Deva, Dilip Shukla and Aloke Upadhyaya's screenplay is effective but only in parts. The film keeps one engaged but again, the script suffers because of outdated storyline. What’s praiseworthy is how they have joined the dots. Audiences get to learn a lot about why Chulbul and other characters behave the way they do. Dilip Shukla and Aloke Upadhyaya's dialogues pack a punch in most places. A few jokes however fall flat, especially the toilet humour. Prabhudheva's direction is average and again, the story is to blame. He tries to add something new but doesn’t succeed in all scenes. Also, there are far too many songs that hamper the film’s pace. And shockingly, an important mystery, with regards to Bali Singh, remains unsolved till the very end. It’s bewildering why the makers chose to do that DABANGG 3 starts off on a fine note. The entry scene of Salman Khan as expected is whistle and clap worthy and in many ways, it’s the best part of the film. The manner in which Chulbul frees the trafficked girls and even teaches Chinti Valia a lesson will also be loved. The flashback portion too commences well and is also funny. But the Bali Singh track here looks very clichéd and outdated. Post interval, the film gets a bit better as Chulbul outsmarts Bali Singh. Again, most of the parts are predictable and of convenience. The climax fight will be liked by masses, particular the shirtless sequence bit of Salman Khan. <span style="text-decoration: underline;"><strong>“Salman Khan has always worked VERY HARD, You don’t…”: Arbaaz Khan | Dabangg 3</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/celeb-interviews/salman-khan-has-always-worked-very-hard-you-dont-arbaaz-khan-dabangg-3/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Dabangg 3 belongs to Salman Khan and he’s the one who makes the film watchable. The superstar is enjoying playing this part and it shows. His sense of humour is spot on. Also he looks dashing in the flashback portions. Sonakshi Sinha as expected lends support. She looks energetic in the songs. Newcomer Saiee M Manjrekar seems beautiful and tries her best. But her dialogue delivery is not upto the mark. Kichcha Sudeepa looks evil and menacing. But his track ought to be more terrifying for a better impact. Arbaaz Khan is fine and has a crucial part in the second half. Dolly Bindra is loud but suits her part. Nawab Shah is over the top. Pramod Khanna plays the part essayed by his deceased brother Vinod Khanna in the first two parts and slips into the role effortlessly. Bharat Dabholkar is wasted. Sharat Saxena is decent. Rajesh Sharma (S S Sharma) and Paresh Ganatra (Dabboo) try to be funny but don’t really succeed. Sajid-Wajid's music won’t have a huge shelf life. <em>'Hud Hud'</em> is the best of the lot followed by <em>'Munna Badnaam Hua'. 'Naina Lade' i</em>s sweet. <em>'Yu Karke'</em> and <em>'Habibi Ke Nain' </em>are forced. <em>'Awara'</em> is not memorable. Sandeep Shirodkar's background score is heroic and exhilarating. Mahesh Limaye's cinematography is spectacular and some scenes are well shot. Anl Arasu's action is a bit gory but works. Wasiq Khan's production design is appealing. Same goes for Ashley Rebello and Alvira Khan Agnihotri's costumes. Ritesh Soni's editing is not smooth, especially in the action scenes. On the whole DABANGG 3 is a predictable revenge saga which capitalises on the star power of Salman Khan. At the box office, it has enough masala for Salman Khan fans which will result in terrific opening weekend [extending into Christmas holidays] post which it might face a slowdown at the multiplexes.

The franchise of STAR WARS has always enjoyed a massive cult like following worldwide. STAR WARS: THE PHANTOM MENACE (1999), followed by STAR WARS: ATTACK OF THE CLONES (2002), STAR WARS: REVENGE OF THE SITH (2005), STAR WARS: A NEW HOPE (1977), STAR WARS: THE EMPIRE STRIKES BACK (1980), STAR WARS: RETURN OF THE JEDI (1983), STAR WARS: THE FORCE AWAKENS (2015) and STAR WARS: THE LAST JEDI (2017), with every new film, the expectation from the franchise has increased. The ninth and supposedly the last chapter has arrived and it brings a lot of nostalgia. STAR WARS: THE RISE OF SKYWALKER is destined to have mixed reactions considering the flick is the conclusion to the story that began in the year 1977.  While the franchise enjoys a huge following, we analyze whether this conclusion to the 42-year saga is the most satisfying on or a controversial one. <img class="aligncenter wp-image-1054446 size-full" title="Movie Review: Star Wars - The Rise of Skywalker (English)" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/12/Star-Wars-The-Rise-of-Skywalker-Review-12.jpg" alt="Movie Review: Star Wars - The Rise of Skywalker (English)" width="750" height="450" /> STAR WARS: THE RISE OF SKYWALKER begins with Kylo Ren (Adam Driver), who is now the Supreme Leader of the First Order is in search of the ancient threat called Sith Lord Emperor Palpatine (Ian McDiarmid). On the other side, Resistance leader Poe Dameron (Oscar Isaac), Finn (John Boyega), Chewbacca (Joonas Suotamo) and their droid friends C3-P0 (Anthony Daniels), and BB-8 are on a quest which quickly turns into a stunning action showdown between the heroes and the villains while they jump from one planet to another with light speed skipping technique. Meanwhile, Jedi Rey (Daisy Ridley) is still in dilemma about her story, her parentage as she has a dark vision which showcases her mysterious connection to Kylo Ren. The two Jedi continue to connect with each other in different ways as they Resistance prepare to fight the Emperor Palpatine. Following the orders of Princess Leia (Carrier Fisher) and lessons of Luke Skywalker (Mark Hamill), the space heroes begin their final journey to win the biggest battle. STAR WARS: THE RISE OF SKYWALKER upped their game as the film boasts of mind-blowing and truly astounding cinematography that leaves the audience wanting for more. The visual effects are seamless which create magic on screen. From the beginning itself, the story leaves you hooked as the galactic world of STAR WARS begins with action packed scenes. The battles, the duals, the light speed jumps, everything seems seamless. Though the story is bit slow in some parts with lesser words and more emotions, it picks up in the second half with some interesting and crazy cameos. The stakes are high in this film and major focus is on Rey and Kylo Ren. However, though JJ Abrams does a marvelous job in directing this last film in the franchise, STAR WARS: THE RISE OF SKYWALKER does not come across as something to write home about. In fact, for the most part the film looks like a series of montages that have been developed to fill certain check boxes that appeal to the audience and fan base strung together. Though the chemistry between Kylo Ren and Rey is worth watching, the predictability of the film’s story is a massive dampener. More often than not, the viewer is able to foretell the coming sequences, and if discerning will also more or less be able to gauge what the climax of the film will be. Despite this, STAR WARS: THE RISE OF SKYWALKER does have its high points, but sadly they are few and far between. For a quintessential Star Wars fan who has followed the series, this film would be more of a walk down memory lane. <img class="aligncenter wp-image-1054447 size-full" title="Movie Review: Star Wars - The Rise of Skywalker (English)" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/12/Star-Wars-The-Rise-of-Skywalker-Review-2.jpg" alt="Movie Review: Star Wars - The Rise of Skywalker (English)" width="750" height="450" /> Coming to the performances, every actor shines bright in the film but it is hands down Daisy Ridley’s show. This time around, she has matured while portraying Rey. Two instances stand out and both scenes are shared with Adam Driver. Adam Driver Kylo Ren gets his due in this film with powerful performance as Kylo Ren as he gets the audience emotionally involved in his storyline. Rey and Kylo Ren’s scenes are some of the most engaging scenes in the film with some complex lightsaber battles involved. Late Carrie Fisher (Princess Leia) returns as the makers use the limited footage that was left of her as they pay tribute to the original girl of Star Wars. Her scenes are sensitively projected. Oscar Isaac as Resistance leader Poe Dameron along with John Boyega’s Finn along and BB-8, C-3PO and Chewbecca bring banter, humor and emotions to their scenes. Oscar and John’s bromance has hits hilarious moments as they continue to be the heroes who wear their hearts of their sleeves. Dominic Monaghan, new member of Resistance, hardly has any time to establish his character. Ian McDiarmid as Emperor Palpatine is astounding. Meanwhile, Kelly Marie Tran's character Rose Tico hardly gets any screen time besides a few moments during the final battle. We get introduced to Keri Russell as Zorri Bliss who is decent in her scenes. The certain cameos are nostalgia – filled which makes this end of the sage a memorable one. JJ Abrams direction is crisp and tight as he delivers some of the biggest questions that were left answered during STAR WARS: THE FORCE AWAKENS (2015) and STAR WARS: THE LAST JEDI (2017). JJ Abrams captures the essence of this galactic world as he brings out the best in every character especially Ren and Rey. John Williams background score is incredible. The story by JJ Abramas, Chris Terio, Colin Tervorrow, Derek Connolly is moving. JJ Abrams and Chris Terrior is impressive. On the whole, STAR WARS: THE RISE OF SKYWALKER may not be for everyone but it gives a bittersweet yet endearing ending to saga which is a tribute to the legacy. The die-hard fans might enjoy some of the stunning intergalactic moments.

Bollywood is already drooling over the elder Kaushal brother. Vicky Kaushal, from a humble debut with MASAAN, is now the dark horse that filmmakers look up to. In that light, here’s Sunny Kaushal, who hasn’t exactly made it big yet, but looks consistent with his efforts. After his debut stint SUNSHINE MUSIC TOURS AND TRAVELS which didn’t quite hit the gold spot and a brief appearance in GOLD, here’s he, with his third outing, a dance drama. Does BHANGRA PAA LE turn out to be the game-changer, or does it not? <img class="aligncenter size-full wp-image-1058602" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Movie-Review-Bhangra-Paa-Le-1.jpg" alt="" width="750" height="450" /> BHANGRA PAA LE revolves around Jaggi (Sunny Kaushal), a Punjabi lad and a vehement Bhangra enthusiast. He gets through to an international competitive platform and needs to win it over other contestants to exhibit the dance form to a larger audience. However, Jaggi isn’t your regular Bhangra guy. He is also trying to transcend beyond a set dance form and bring flavours of fusion by merging Bhangra with several Western dance forms. Parallel to this runs a story of Jaggi's grandfather Kaptaan Singh (Sunny Kaushal), a warrior fighting the World War II. As it sounds, it is also about how different generations are bound together in the essence of evergreen music and dance. Then comes Simi (Rukshar Dhillon), not as Sunny’s dreamy romantic companion but as his rival. A feisty Punjabi girl with a strong grip of Punjabi folk steps, she is the daughter of a single mother. Will Jaggi manage to win the competition, will his passion for bhangra rub off on the audience is what the rest of the film is? The story (Dheeraj Rattan) shuttles between two different time periods, trying to strike a chord with similar kinds of love, loss and agony. However, the depiction is rather forced. As a soldier who wants to come back home to his ladylove, Sunny is relatably nice. As a college guy who is unable to accept his defeat, he doesn’t impact us much. While the idea of an enthusiastic dancer upholding his art sounds good, the script, in reality, is entangled. It slips off its pace at times, and seems to focus too much on the dance part, therefore not maintaining its compactness. Also, if you are someone who has watched LOVE AAJ KAL, you will probably end up finding a gallon of similarities! BHANGRA PAA LE marks the directorial debut for Sneha Taurani, who has earlier assisted filmmakers such as Ayan Mukerji and Mohit Suri. Her approach towards the story is fresh, but the product turns out to be mundane in many parts. It’s one thing that BHANGRA PAA LE has no extraordinary plots to offer you, but Sneha’s attempt of spinning a predictable story could result in better things. Coming to performances, while the box office wasn’t kind to him in his first film SUNSHINE MUSIC TOURS AND TRAVEL, Sunny Kaushal's got the mettle. You can say that, looking at how he assimilates the energy, passion and determination that his character demands him to show. Adding to that, he has certainly put in noticeable efforts to master his steps. Rukshar is great to look at when she grooves, but she yet has a long way to go in terms of acting. Rukshar and Sunny’s chemistry doesn’t cook up either. Shriya Pilgaonkar has a brief part to play, and with her sober self. <img class="aligncenter size-full wp-image-1058601" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Movie-Review-Bhangra-Paa-Le-2.jpg" alt="" width="750" height="450" /> The music has been worked upon, by young, off beat and talented composers such as A Bazz, Rishi Rich and Yash Narvekar. But, 10 songs in 2 hours felt like an overdose, and none of the songs really stay with you. Rather, the background score is neat and situational, and complements the moods. The cinematography (Jitan Harmeet Singh) is clean but adds no special value to the film. However, editing (Antara Lahiri) has saved the film to a large extent. If the time lapses went wrong, we’d probably be left confused as to who was doing what. On the whole, BHANGRA PAA LE is strictly average one-time watch with no remarkable performances. At the box office, it will go largely unrecognised.

Off late, Bollywood has been making period dramas, focusing on the brave warriors of the medieval and early modern history of India. While films like MANIKARNIKA – THE QUEEN OF JHANSI and PANIPAT focused on the somewhat known chapters of history, the Akshay Kumar starrer KESARI was based on an incident that wasn’t known to many. Now another film joins this latter category – TANHAJI: THE UNSUNG WARRIOR. It depicts the bravery of Tanhaji Malusare, a legend in Maharashtra, but largely unknown elsewhere. The film is mounted on a huge scale and moreover, has a terrific star cast, both of which have contributed to its hype. So does TANHAJI: THE UNSUNG WARRIOR manage to give a great time to the viewers? Or does it disappoint? Let’s analyse. <img class="aligncenter size-full wp-image-1060929" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Tanhaji-–-The-Unsung-Warrior-Review-IMG.jpg" alt="Tanhaji – The Unsung Warrior Review IMG" width="720" height="450" /> TANHAJI: THE UNSUNG WARRIOR is the story of one of the greatest warriors of India. The year is 1664. Chhatrapati Shivaji Maharaj (Sharad Kelkar) has given a tough fight to the Mughals, headed by Emperor Aurangzeb (Luke Kenny), in the Deccan region. However, when things get tough for the Marathas, Shivaji Maharaj decides to sign a treaty. As part of this agreement, he hands over some 23 forts to the Mughals, including the strategic Kondhana Fort. A few years later, Chhatrapati Shivaji Maharaj expresses his desire to recapture Kondhana. This is especially when he finds out that Aurangzeb has sent Udaybhan Rathod (Saif Ali Khan), an evil military officer, to control the fort. Chhatrapati Shivaji Maharaj realizes that his brave Subedar Tanhaji Malusare (Ajay Devgn) is the best man to get the fort back. But Chhatrapati Shivaji Maharaj refuses to even let Tanhaji know about this operation. This is because Tanhaji is busy with the marriage of his son. However, Tanhaji finds out about the plan. He persuades Chhatrapati Shivaji Maharaj to let him go for it. The Maharaj agrees and hence, Tanhaji keeps his son’s marriage on hold. He then begins to plan how to recapture the fort and thereby create history. What happens next forms the rest of the film. Prakash Kapadia and Om Raut's story is excellent and well-researched. It talks about a landmark moment in India’s history and at the same time, it has enough entertainment and drama. Prakash Kapadia and Om Raut's screenplay does justice to the plot in hand. The script is peppered with dramatic and massy moments that keep the interest going. However, the film drops a bit in the middle of the second half. Also, the first half could have had more hard-hitting moments. Prakash Kapadia's dialogues are simple but also sharp-worded as per the requirement. Om Raut's direction is quite praiseworthy and he handles the film like a pro. He does full justice to the scale and grandeur of the film. He also keeps the narrative uncomplicated and very simple to understand. And his biggest achievement is that he doesn’t make TANHAJI: THE UNSUNG WARRIOR look like the recent period films, especially the ones of Sanjay Leela Bhansali. Bhansali's films have become a genre in itself, hence when it comes to period flicks many recent ones looked like clones of his movies. TANHAJI: THE UNSUNG WARRIOR, however, stands out. And moreover, he adds enough <em>masala</em>, especially in the climax, which takes the film to a high. See it to believe it! TANHAJI: THE UNSUNG WARRIOR begins with the childhood sequence of Tanhaji and the background of the Maratha Empire. The film moves too quickly here but no complaints as the impact is made. The entry of adult Tanhaji is too good and viewers would welcome it with claps and whistles. Even Udaybhan’s introduction makes for a great watch. From here on till the intermission, the film keeps one engaged but the film here lacks action and a punch, which one might expect after the action scene in the start. But the intermission point is fine and it indicates that the second half will be better. And thankfully, the post-interval portion has a lot more entertainment. The sequence where Tanhaji and Udaybhan come face to face is electrifying. Also Tanhaji urging the Maratha soldiers to fight for him is a scene to watch out for. The film then drops again but the makers reserve the best for the finale. The climax battle is incredible and single screen audiences especially will go in frenzy! <span style="text-decoration: underline;"><strong>Tanhaji – The Unsung Warrior | Public Review | Ajay Devgn | Kajol | Saif Ali Khan | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/tanhaji-the-unsung-warrior-public-review-ajay-devgn-kajol-saif-ali-khan-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> TANHAJI: THE UNSUNG WARRIOR belongs to Ajay Devgn and Saif Ali Khan. Ajay is perfect for the part and adds a lot through his body language and expressions. Also his dialogue delivery in confrontational scenes is spot-on. But he goes into another mode in the climax fight and viewers would surely lap it up. Also, he deserves kudos for putting together this mammoth project and ensuring that it looks like a great cinematic product, at par with international standards. Saif Ali Khan is superb in the villainous role. He is menacing but also has a goofy side and the balance is very nicely done. In one scene dipped with black humour in the second half, he gets his act totally right! Kajol (Savitri) doesn’t have much to do but her presence adds a lot to the film. Her scenes with Ajay are endearing. Sharad Kelkar stands out as Shivaji Maharaj. His personality, build and baritone voice was just right for such an important historical character. Padmavathi Rao (Rajmata Jija aau) has a fine screen presence. Luke Kenny fits the role and one wishes he had more screen time. Neha Sharma (Kamla) is decent in a supporting role. Kailash Waghmare (Chultiya) and Hardik Bharat Sangani (Gidya) are over the top but that works for their respective characters. The other actors who do well are Shashank Mahadeo Shende (Shelar Mama), Ajinkya Ramesh Deo (Pisal), Vipul Kumar Gupta (Jagat Singh), Deodatta Gajanan Nage (Suryaji), Yuri Suri (Mirza Raje Jai Singh), Nissar Khan (Beshak Khan), Arush Nand (Raiba; Tanaji's son), Prasanna Vidyadhar Ketkar (Ghesarnaik) and Niranjan Jadhao (Trimbak Rao; spy). The music is situational and not of chartbuster variety. <em>'Ghamand Kar'</em> is the theme song of the film and is quite exhilarating. <em>'Shankara Re Shankara'</em> comes at a great juncture. <em>'Maay Bhavani'</em> is average while <em>'Tinak Tinak'</em> is moving. Sandeep Shirodkar's background score adds to the drama heavily. Keiko Nakahara's cinematography is of superior quality. Despite so much of action and fights happening, the camerawork ensures that all is captured well.. Sujeet Subhash Sawant and Sriram Kannan Iyengar's production design is straight out of the bygone era. The sets are authentic and not needlessly grand, considering that the film focuses on the life of the Maratha soldiers and their houses can’t resemble palaces. But while depicting Aurangzeb’s residence, the designers have gone all out, rightfully so. Ramzan Bulut and R P Yadav's action is a bit gory but is controlled and visually looks great. Vikram Gaikwad's make-up is neat. Nachiket Barve and Mahesh Sherla's costumes are realistic. NY VFXWaala's VFX is splendid and there’s not a single moment where the effects look tacky. Also, the 3D is not done for the heck of it and it actually complements the narrative. Dharmendra Sharma's editing is slick. On the whole, TANHAJI: THE UNSUNG WARRIOR is an entertaining and a paisa-vasool film that would be loved by the masses as well as classes. At the box office, it can run riot in Maharashtra and other mass centres and could turn out to be the first Rs. 100 crore grosser of 2020. Highly Recommended!

A small track in Priyanka Chopra-starrer MARY KOM [2014] dealt with the protagonist returning back to boxing after motherhood. It gave a nice insight of what women go through when they make a comeback in sports after giving birth and how it’s tough for them not just physically but more so, mentally. Now Ashwiny Iyer Tiwari, of NIL BATTEY SANNATA [2016] and BAREILLY KI BARFI [2017] fame, takes this aspect as a central idea for her next film, PANGA, starring Kangana Ranaut in the leading role. So does PANGA manage to touch as well as entertain? Or does it fail to entice? Let’s analyse. <img class="aligncenter wp-image-1066622 size-full" title="Movie Review: Panga" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Movie-Review-Panga-2.jpg" alt="Movie Review: Panga" width="720" height="450" /> PANGA is the story of a mother trying to fulfil her dreams. Jaya Nigam (Kangana Ranaut) is a pro at Kabaddi. She slowly rises and also becomes the captain of the Indian Kabaddi team. She is meanwhile married to Prashant (Jassie Gill) and gets pregnant just before she is to go for a major tournament. She still assures her seniors that she’ll be back soon. However, her son is born prematurely and with a very weak immune system. The doctor informs that they’ll have to take care of the baby tremendously and only then will he have a normal growth. Jaya hence gives up her dream. She takes up a job in the railways and divides her time between her work and raising her son Adi (Yagya Bhasin). 7 years pass. Jaya is finding it difficult to fulfil the responsibilities expected from her. Moreover, she meets Meenu (Richa Chadha), who was in Jaya's team and still plays Kabaddi. One day, Adi suggests that his mother should make a comeback in Kabaddi. He persuades Prashant and both begin nag Jaya. Jaya is unsure as she feels she has grown old and is not that fit. Prashant suggests that Jaya should pretend to make comeback and a month later, she can claim that she didn’t get selected. Jaya hence begins her practice. At first, it’s difficult for her but soon, she gets enthusiastic about the whole process. After a long time, she realises she is finally living her life. Two months pass and one day, she tells Prashant that she wants to continue practicing and try to get into the Indian team. What happens next forms the rest of the film. Divya Rao's research and concept is fairly nice and simple. The story has a lot of potential and also it’s a bit unique. We have had sports films in the past but a film on a mother making a comeback hasn’t been tackled as a main plot. Nikhil Mehrotra and Ashwiny Iyer Tiwari's screenplay (additional screenplay by Nitesh Tiwari) also retains the simplicity and relatability. The writing is peppered with some entertaining moments that keep the interest going. On the flipside, it could have been tighter, especially towards the second half. Also, the film gives a heavy déjà vu of DANGAL [2016]. Nikhil Mehrotra and Ashwiny Iyer Tiwari's dialogues (additional dialogues by Nitesh Tiwari) are one of the highpoints. Some of the one-liners, especially the ones uttered by the child actor, will bring the house down. Ashwiny Iyer Tiwari's direction is good. It’s evident that her own personal experiences have also seeped in the film. A few sequences are very deftly handled. The finale especially is too good and would be greeted with claps and whistles. The beauty of it is that you know what’s going to happen and yet, you can’t help but feel exhilarated when it unfolds. Also, to see the way Jaya gets the support of her husband, her son, her mother, her bestie and even her neighbour is quite heartwarming and would be loved by female audiences especially. On the flipside, except for the ending, the predictability of the script does affect the impact along with the long length. Jaya’s flashback doesn’t really make it clear that she had achieved such heights of stardom. Also, Prashant seemed sad when Jaya announces her plan to do a comeback but it wasn’t the case, as revealed later on. This bit was bewildering and could have been done away with or handled better. <img class="aligncenter size-full wp-image-1066623" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Movie-Review-Panga-1.jpg" alt="" width="720" height="450" /> PANGA has a fine commencement showing the small town life with the focus on Jaya's family and their day to day activities. A lot happens in the first half – Meenu coming back into her life, Jaya missing the sports day, Jaya getting reprimanded by Adi, Jaya's flashback and Jaya’s practise session. The first half surprisingly is just 51 minutes long. The post interval portion, however, is almost 1 hour 18 minutes in duration and could have been shorter. It’s touching to see how Jaya balances between her passion and her family and also the politics that happens over the selection of the team. But the pace of the film is slow here and also, the training session is stretched. Jaya not getting to play for most of the matches also gets a bit repetitive. Thankfully, the climax is powerful which helps the film end on a high note. PANGA rests on Kangana Ranaut majorly, though others also do well. The actress, as always, delivers a smashing performance and not even for a single second, does she go off character. As Jaya the mother, she’s quite adorable and convincing. And even as Jaya the player, she is effortless. Jassie Gill lends able support and his character will be loved. But he grins a bit too much, especially in the flashback portions, and it makes him look a bit of a caricature. Yagya Bhasin is a rockstar. He gets to play a great part and he uplifts the mood of the film in many places. Richa Chadha is credited as a special appearance part but she has a major role to play. She too contributes a lot to the film, not just in terms of comedy, but also in terms of much-needed moral support to Jaya. Megha Burman (Nisha Das) has a late entry but leaves a huge mark. Neena Gupta (Jaya’s mother) is passable. Rajesh Tailang (Indian national coach) is good and is an actor to watch out for. Smita Dwivedi (Smita Tambe, team captain), Kusum Shastri (Jaya’s neighbour), Sudhanva Deshpande (Indian Railway coach) and Shantanu Das (Eastern Railway coach) are decent. Shankar-Ehsaan-Loy's music is soulful but is not memorable at all. <em>'Bibby Song'</em>, the title track and <em>'Jugnu'</em> are okay while <em>'Dil Ne Kaha'</em> and <em>'Wahi Hain Raste'</em> are forgettable. Sanchit Balhara and Ankit Balhara's background score is subtle but rightfully loud in the scene where Adi tells Prashant that Jaya should make a comeback. Jai I Patel's cinematography is fine in the crucial Kabaddi scenes but in a few scenes, its quite in-the-face. Sandeep Meher's production design is straight out of life. Rushi Sharma, Manoshi Nath and Bhagyashree Rajurkar's costumes also add to the authenticity. Special mention should also go to Sunita Vishwas Rao (Kabaddi co-ordinator), Gauri Wadekar (Kabaddi Coach and choreographer) and Abdul Salam Ansari (Kabaddi action director) for making the Kabaddi scenes look so rich and real. Ballu Saluja's editing should have been slick. On the whole, PANGA is a progressive and touching sports drama that works thanks to its plot, execution, some fine moments and of course the superlative performance of Kangana Ranaut. At the box office, it faces tough competition from STREET DANCER 3D and also the holdover release TANHAJI: THE UNSUNG WARRIOR and hence it’ll need a strong word of mouth to succeed.

The tiny state of Goa has been a great destination for our filmmakers over the years. Rohit Shetty has shot and based most of his films there. Besides, there have been films where Goa played an indispensable part like HONEYMOON TRAVELS PVT LTD [2007], DIL CHAHTA HAI [2001], KABHI HAAN KABHI NAA [1994], GO GOA GONE [2013], FINDING FANNY [2014] etc. Then there was DUM MAARO DUM [2011] which talked about the dark side and the drug mafia of this beach state. Now Mohit Suri futher explores this idea with loads of madness and romance in his style in his latest flick, MALANG. So does MALANG manage to entertain and appeal to its target youth audience? Or does it fail to impress? Let’s analyse. <img class="aligncenter size-full wp-image-1071329" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/02/Movie-Review-Malang.jpg" alt="" width="750" height="450" /> MALANG is the story of love and revenge. Two tracks run simultaneously in the film. The flashback track shows Advait (Aditya Roy Kapur), with a disturbing family history, going to Goa for some fun. Here he bumps into Sara (Disha Patani) who has come to Goa from abroad to conquer her fears. Over drugs and running away from the police, they fall for each other. At first they decide to keep their relationship casual but things get serious. In the present day track, five years later, Advait has just got released from the jail. He's now a killing machine with rage in his eyes. As soon as he's out, he calls Inspector Anjaane Agashe (Anil Kapoor) and informs him that he's about to commit a murder. Agashe takes it lightly at first but in no time, Advait kills a person, that too a police inspector named Victor (Vatsal Seth). Few hours later, he kills two more cops – Nitin Salgaonkar (Keith Sequeira) and Deven Jadhav (Prasad Jawade). All three work under Inspector Michael (Kunal Kemmu). He's married to Teresa (Amruta Khanvilkar) and his marriage is on the rocks. He believes in following the law and faces trouble in solving the case with Agashe, who relies on committing encounters on the spot. Both get to work before Advait can kill anyone else. In the course of his investigation, Michael begins to follow Jessie (Elli AvrRam) who he believes is connected with the case. Meanwhile, Agashe comes face to face with Advait. The latter had the opportunity to escape but he doesn't. He wilfully surrenders. What happens next forms the rest of the film. Aseem Arrora's story is decent. But it is a <em>bhel puri</em> of various films like EK VILLAIN [2014], MURDER 2 [2011], MARJAAVAAN [2019], RACE [2008] etc. Aniruddha Guha's screenplay ensures most scenes don’t give a strong déjà vu of any film. There’s a lot happening in the film and the script is written in such a way that it does not bore the audience. Aseem Arrora's dialogues are subtle but sharp and don’t go over the top in most places. Mohit Suri's direction is good. There’s a marked improvement from his previous films. There’s a lot of style in his execution that gives the film a fresh and a nice touch. There are lot of characters and subplots but he joins them seamlessly. Also, often, filmmakers go the psychedelic way while showing the effects of drugs on protagonists. This has become quite clichéd now and surprisingly, Mohit doesn’t go that route at all. A few scenes are very well handled, especially the present-day scenes. But on the flipside, some developments don’t work as intended whether it’s the love story or Michael’s dilemma. Even the backstory of Advait and Sara seems half-baked. MALANG begins on a massy note. The one-take action scene is quite entertaining. The film then goes on a flashback mode showcasing Advait and Sara’s romance. It is interspersed with the present-day thrilling portions. A few portions here stand out like Agashe interrogating the African drug dealer (this is sure to raise tons of laughs), Agashe finding Nitin Salgaonkar and of course the intermission point. Post-interval, the flashback slows down the film a bit as one is more curious to see what happens once Advait is in the clutches of the cops. There’s a solid twist in the tale and though it comes as a shocker, it is also a bit convenient. <span style="text-decoration: underline;"><strong>Malang | Public Review | Aditya Roy Kapur | Disha Patani | Anil Kapoor | Kunal Khemu | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/malang-public-review-aditya-roy-kapur-disha-patani-anil-kapoor-kunal-khemu-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Speaking of performances, each and every actor does fine. Aditya Roy Kapur is in great form. He looks very convincing as a fearless man with a vengeance who can take on dozens of goons. His acting in some crucial scenes could have been better but he manages. Disha Patani probably gets the most screen time ever. She looks gorgeous and delivers a heartwarming performance. Anil Kapoor provides the humour quotient. But his character is a lot more than just a funny man and the talented actor gets it just right. And he looks dashing! Kunal Kemmu’s character too has a lot of shades and he rocks the show. Elli AvrRam is decent at best. Her dialogue delivery could have been a bit better. Vatsal Seth, Keith Sequeira and Prasad Jawade are okay. Devika Vatsa (Vani Agashe) leaves a huge mark in a cameo. The music of the film weak and a film like this ought to have super-hit music. The title track and <em>'Hui Malang'</em> are the best of the lot and are well shot. <em>'Chal Ghar Chalen', 'Bande Elahi', 'Humraah'</em> and <em>'Phir Na Milen Kabhi'</em> lack repeat value. Raju Singh's background score is dramatic. Vikas Sivaraman's cinematography is stunning and one of the best in recent times. Notice how the first scene (the long one-take shot) is captured and how sufficient care is taken not to show Aditya Roy Kapur’s face until the right time. Even the scenes of Goa and Mauritius are captured with perfection. Vintee Bansal and Sidhant Malhotra's production design is a bit theatrical but works. Ayesha Dasgupta's costumes are super stylish, especially the ones worn by Aditya Roy Kapur, Disha Patani and Anil Kapoor. The manner in which Anil wears his police shirt on a T-shirt and keeps it unbuttoned makes a unique style statement. Aejaz Gulab's action is not too gory and seems realistic. NY VFXwaala's VFX is fine. Devendra Murdeshwar's editing is simplistic. On the whole, MALANG is high on style with good performances and thrilling moments but has an average storyline. At the box office, it only has the advantage of a clear one-week window and will therefore do average business.

Over the last three decades, Bollywood has come up with quite a few films on homosexuality like FIRE [1996], MY BROTHER NIKHIL [2005], EK LADKI KO DEKHA TOH AISA LAGA [2019], ALIGARH [2016], MARGARITA WITH A STRAW [2015] etc. Aanand L Rai and T-Series are now all set to bring SHUBH MANGAL ZYADA SAAVDHAN and unlike other gay-themed films, this one is light-hearted and looks quite commercial. Moreover, it stars Ayushmann Khurrana, who has become a brand in himself. So does SHUBH MANGAL ZYADA SAAVDHAN manage to entertain? Will it succeed in becoming the first legitimate LGBT-themed hit film of Bollywood? Or does it fail to succeed? Let’s analyse. <img class="aligncenter size-full wp-image-1077035" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/02/Shubh-Mangal-Zyada-Saavdhan-1-26.jpg" alt="" width="720" height="450" /> SHUBH MANGAL ZYADA SAAVDHAN is the story of two men in love in Section 377 era. Aman Tripathi (Jitendra Kumar) is the son of Shankar Tripathi (Gajraj Rao) and Sunaina (Neena Gupta), who are based in Allahabad. Aman works in Delhi and unknown to his family, he's a gay and is living in with Kartik (Ayushmann Khurrana). Jitendra's cousin sister Goggle (Maanvi Gagroo) is getting married and Neena calls Aman to come back to attend her marriage. Aman at first refuses but then gives in. Kartik also joins him and they meet the entire Tripathi family in a marriage special train called Vivah Express. In the train, Aman and Kartik kiss when they assume that no one is looking. Sadly for them, Shankar sees them and he gets the shock of his life. He doesn't tell anyone about it out of shame. At Goggle's marriage, Aman, in front of everyone, kisses Kartik, thus astonishing the Tripathi family. Thanks to this development, Goggle's to be husband refuses to get married. In anger, Goggle runs away. Kartik is asked to leave and Shankar's brother and Goggle's father Chaman (Manurishi Chadha) drops him off to Allahabad station. At the railway station, Kartik bumps into Goggle and stops her from ending her life. She tells Kartik that he shouldn't run away and that he should fight for his love. This motivates Kartik and he decides to return to win over not just Jitendra but the entire Tripathi family. What happens next forms the rest of the film. Hitesh Kewalya's story is decent and had the potential to be a game-changer. Hitesh Kewalya's screenplay however is a big culprit. Under the pretext of making situations funny, he resorts to too many difficult-to-digest situations. This was prevalent in SHUBH MANGAL SAAVDHAN as well but there, they kept a nice balance. Here, the balance is just not there. The first half is still decent. But in the second half, it all goes downhill. Hitesh Kewalya's dialogues are witty but some of them are just over the top. It won’t be wrong to say that even the one-liners, which are supposed to be funny, take away the realism from the film. Hitesh Kewalya's direction is weak. The film has lot of subplots but he doesn’t put it together well. A major chunk of the film is about rift within the family and during such times, the principle homosexuality angle takes a backseat. Also, he should have succeeded completely in two aspects – comedy and messaging. Sadly in both these areas, he doesn’t do justice. Even the black cauliflower angle that provided laughs initially proved to be the biggest downer of the film in the climax. It gave a bad déjà vu of the ‘kala bandar’ angle of DELHI-6 [2009]. On the positive side, he handles few scenes with élan and some scenes genuinely raise laughs. SHUBH MANGAL ZYADA SAAVDHAN’s starts off on a funny note and the subplot of black cauliflower appears hilarious. Devika's (Bhumi Pednekar) scene too adds to the fun. The scene where Shankar Tripathi catches the lovers kissing brings the house down. Scenes like Aman kissing Kartik in full public view and Aman talking to his parents about dopamine and other such stuff keep the interest going. Post interval however, the film drops. The scenes are supposed to be funny but don't make you laugh. Also it becomes too preachy and unconvincing. The makers try their best to make things interesting but it doesn't work. <span style="text-decoration: underline;"><strong>Shubh Mangal Zyada Saavdhan | Public Review | Ayushmann Khurrana | Jitendra Kumar | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/shubh-mangal-zyada-saavdhan-public-review-ayushmann-khurrana-jitendra-kumar-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Ayushmann Khurrana shockingly is not in his usual form. He has always played the victim but here, he plays the instigator and an actor of his calibre should have hit the ball out of park. Shockingly, he goes overboard. The other bigger shocker is that his screen time is very limited. Believe it or not, Gajraj Rao has the maximum screen time followed by Jitendra and then comes Ayushmann! Gajraj Rao however is too good as always and performs as per the script. Jitendra Kumar fits the role to the T and few of his scenes in the first half are great. Neena Gupta is average. Manurishi Chadha and Sunita Rajwar (Champa) do justice to their respective parts. Pankhuri Awasthy (Kusum) is quite funny. Maanvi Gagroo raises few laughs. Neeraj Singh (Keshav) is decent. Bhumi Pednekar is passable while Gopal Dutt (Doctor in the train) is okay. Music is peppy and gels with the film. <em>'Pyaar Tenu Karda Gabru'</em> is the best followed by <em>'Arey Pyaar Kar Le'</em>, which is played in the end credits. <em>'Ooh La La'</em> comes at a great point while <em>'Mere Liye Tum Kaafi Ho'</em> is forgettable. The recreated version of <em>'Kya Karte The Saajna'</em> sounds great but is not utilised well. Karan Kulkarni's background score adds to the quirkiness of the film. Chirantan Das's cinematography is appropriate. Ravi Srivastava's production design is in sync with the film’s setting. Ankita Jha's costumes are realistic and special mention should go to Ayushmann’s look. Ninad Khanolkar's editing is sans complaints. On the whole, SHUBH MANGAL ZYADA SAAVDHAN is a decent attempt and makes an interesting comment on homophobia which exists in our country. At the box office, it has the chance to work with the urban audiences, especially the youth. However, it will be a challenge to bring in family audiences and the audiences from small towns and cities. The presence of Ayushmann Khurrana may give a boost to its collections.

Education-based films might not seem like profitable ventures but over the past few years, several such films have tasted enormous success like SUPER 30 [2019], CHHICHHORE [2019] and HICHKI [2018]. And the film that started this trend in recent times was HINDI MEDIUM [2017]. The film was a runaway success thanks to its message, realism, humour and performances. And now producer Dinesh Vijan is back with a second part of this franchise, titled ANGREZI MEDIUM. The film has been awaited keenly mainly because it’s a comeback of sorts for Irrfan Khan, after he was diagnosed with a neuroendocrine tumour. So does ANGREZI MEDIUM manage to entertain and impress as much as HINDI MEDIUM? Or does it fail to impress? Let’s analyse. <img class="aligncenter size-full wp-image-1082858" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/03/Angrezi-Medium-Review-1.jpg" alt="" width="720" height="450" /> ANGREZI MEDIUM is the story of unconditional love between a father and daughter. Champak (Irrfan Khan) is a single parent of Tarika (Radhika Madan) and is based in Udaipur. His brother is Gopi (Deepak Dobriyal) and though both have lot of love for each other, they are also involved in a legal tussle. Both run a shop named Ghasiteram Sweets and both claim to be the original shop running since generations. The matter reaches court where Justice Chheda (Zakir Hussain) gives a verdict in favour of Gopi. In a drunken state, Gopi later reveals that he bribed the judge which is why he won the case. Gajju (Kiku Sharda), a friend of the brothers, records this statement. Tarika, meanwhile, is an average student and wishes to win the scholarship offered by her school that will take her to London. She works quite hard and manages to get 85% and it makes her eligible for UK scholarship. A felicitation ceremony is held for this occasion. The chief guest here is none other than Justice Chheda. Champak, in anger, informs the crowd of the nefarious activities of Chheda, not realising that Chheda is the husband of the Principal of the school (Meghna Malik). The Principal, in anger, cancels Tarika's scholarship. Champak promises Tarika that come what may, he’ll get her admission done, that too in the college of her choice in London. Sadly, Tarika fails to get the admission from other quotas. Gopi suggests Champak that they contact Bablu (Ranvir Shorey), their childhood friend who is settled in London. Bablu comes to Udaipur on a plane ticket sponsored by Champak. He tells Champak that he can help him get British citizenship after which Tarika can get admission easily. Champak, Gopi and Tarika reach London airport. Here, Champak and Gopi are mistaken for drug dealers. They are deported back to India while Tarika is stranded in London. What happens next forms the rest of the film. Bhavesh Mandalia, Gaurav Shukla, Vinay Chhawall and Sara Bodinar's story sounds interesting on paper. Their screenplay, however, doesn’t live up to the expectations. While the writers get the father-daughter bond right, the other tracks aren’t convincing and arguably, not even necessary. Bhavesh Mandalia, Gaurav Shukla, Vinay Chhawall and Sara Bodinar's dialogues are decent and a few one-liners are witty. Homi Adajania's direction is decent. He gets brownie points for the scenes involving Champak and Gopi as these scenes and their performances elevate the impact. Also the scenes of Champak and Tarika at some places will be loved. The Indian audiences, especially the middle aged and senior citizens, would connect with the message of children often leaving them after turning adults. On the flipside, the film has too many subplots that are difficult to digest. Audiences will find it strange that Champak and Gopi are business rivals and even fighting it out in the court. But at the same time, they even drink and hang out together like best of buddies. Not just that, Gopi doesn’t even mind when Champak leaks his video where the latter brags that he bribed the judge! The manner in which Champak and Gopi get deported over a misunderstanding seems stupid. Tarika, meanwhile, gets settled in London and finds a job and house, even before her admission is done. She doesn’t ask Champak even once how they’ll manage to procure funds. Also the track of Naina and her mother Mrs. Kohli (Dimple Kapadia) seem totally unwanted. Audiences never come to know why they are at loggerheads. ANGREZI MEDIUM starts on an average note, depicting the life of Champak and Tarika, and also the feud between Champak and Gopi. The latter part seems bewildering though as their love-hate relationship. A few scenes here stand out like a drunken Tarika accusing Champak of being intoxicated, the madness at the court and at the school ceremony. The father-daughter bond touches viewers. The intermission point is unconvincing. Post-interval, the film drops at places thanks to too many confusing developments and too many subplots. Thankfully, a few genuinely novel moments stand out here like Tarika turning her T-shirt into a crop top to fit in among her new London friends, Gopi tying Champak to his bed and Champak and Gopi rescuing Mrs. Kohli and later singing Happy Birthday song for her. Also the finale might leave viewers teary eyed. <span style="text-decoration: underline;"><strong>Angrezi Medium | Public Review | Irrfan Khan, Kareena Kapoor Khan, Radhika Madan | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/angrezi-medium-public-review-irrfan-khan-kareena-kapoor-khan-radhika-madan-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Talking of performances, Irrfan Khan delivers a top-notch performance. He seems completely in form and ensures that he makes audiences laugh and moist eyed. Deepak Dobriyal too is superb and his chemistry with Irrfan saves the film to a huge extent. Radhika Madan has a fine screen presence and gives a fine performance. Her dialogue delivery, however, is difficult to comprehend at few places. Kareena Kapoor Khan looks great but is underutilised and same goes for Dimple Kapadia. Ranvir Shorey gets some scope in the second half and excels. Pankaj Tripathi (Tony) tries too hard but manages to raise laughs. Kiku Sharda is dependable. Zakir Hussain, Meghna Malik, Manu Rishi (Bheluram), Ankit Bisht (Anmol) and Manish Gandhi (Advait) are fine. Tillotama Shome (Counsellor) leaves a mark and deserved more screen time. Sachin-Jigar's music is disappointing. <em>'Ek</em> <em>Zindagi'</em> works well as per the situation. The rest of the songs are forgettable. Sachin-Jigar's background score is however quite better. Anil Mehta's cinematography is appropriate. Smriti Chauhan's costumes are real and the transformation of Radhika once she moves to London is effective. Bindiya Chhabria's production design is quite good. A Sreekar Prasad's editing is nothing great and suffers because of loopholes in the script. On the whole, ANGREZI MEDIUM works only because of Irrfan Khan and Deepak Dobriyal's chemistry and also due to some touching moments. At the box office, HINDI MEDIUM’s goodwill and Irrfan's comeback will ensure decent footfalls for the movie over the weekend.

Unnerving movements for debt mutual funds investors!

Just last week my colleague, Divya explained the fiasco at Franklin Templeton Mutual Fund, which took a decision to abruptly wind down six debt mutual fund schemes, namely:

• Franklin India Low Duration Fund
• Franklin India Dynamic Accrual Fund
• Franklin India Credit Risk Fund
• Franklin India Short Term Income Plan
• Franklin India Ultra Short Bond Fund
• Franklin India Income Opportunities Fund

In all, the above debt mutual fund schemes had an AUM of Rs 30,854 crore as of March 31, 2020.

The fund house cited, "severe market dislocation and illiquidity in the fixed income space" caused by the COVID-19 pandemic, as the reason behind the decision.

Investors in these schemes are now left in the lurch: they cannot sell (nor buy) these funds and will have to rely on the fund house to get back their hard-earned money. Investors will have to hold their investments in these schemes until liquidity is available to the mutual fund house by either selling securities in the fund's portfolio or receiving maturity proceeds.

Currently, a fact is, not just Franklin Templeton Mutual Fund, but debt mutual fund schemes of many other fund houses are have a remarkable exposure to stressed assets.

According to portfolios disclosed on March 31, 2020, mutual funds collectively held Rs 1.38 trillion of exposure to debt securities issued by Non-Banking Financial Companies (NBFCs). Approximately Rs 51,000 crore of the exposure in debt securities has a maturity profile of less than 3 months; and now, mutual funds fear that there will be defaults.

NBFCs and other corporate borrowers claim that they do not have enough liquidity to fulfil their obligations and have requested for additional time. Given that, rating downgrades from rating agencies look likely.

However, some companies are playing smart: they are approaching the Courts to prevent a rating downgrade, plus seeking a stay on sale of pledged shares. Of course, they are well within their right to approach the judicial authority or Courts and contest.

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But the capital market regulator, seems to be in no mood in offering them any leeway. On the contrary, the regulator is asking the mutual fund industry to act against the issuer of securities who are possibly carrying high credit risk; facing asset quality problems.

Delays in repayments would mean the creation of more side-pockets by mutual funds. And in my view, more the losses investors suffer, more frustrating it will be for mutual fund houses and their investors. Eventually retail and High Net-worth Individuals, particularly, will lose confidence and may not be keen to invest in debt funds.

If you are wondering what has gone wrong, here's everything you may like to know about liquidity, credit risk and the exposure of mutual funds to corporate debt in the present scenario.

If you remember, the capital market regulator had mandated large corporations to source at least 25% of their borrowings from the bond markets from the beginning of FY 2019. This move was expected to deepen Indian bond markets and reduces the stress on banks. Just a year later, the same move is proving fatal for companies that went to the bond markets to raise money.

Now that the COVID-19 lockdown has forced many business units to shut off temporarily or operate much below their optimal operational capacity with a skeletal staff, companies, including the large organisations that relied heavily on debt markets, are finding it difficult to honour maturity claims on Commercial Papers (CPs), Non-Convertible Debentures (NCDs), and Bonds.

They were hoping for an 'at-par treatment' with Banks when the Reserve Bank of India (RBI) offered a moratorium period to borrowers. But the RBI circular came to them as a shocker. The devil was in the details.

On March 27, 2020, the RBI issued a notification allowing a three-month moratorium on all outstanding term loans and working capital facilities on account of disruptions caused by the outbreak of coronavirus. This circular did not cover around 10 thousand NBFCs, who mainly depend on CPs, NCDs, and Bonds for their funding requirements.

As far as NBFCs are concerned, the RBI has already provided them with a liquidity facility through the banking channel. The RBI directed banks to utilise funds infused under Targeted Long Term Repo Operations (TLTRO) facility to invest in 'investment-grade' CPs, NCDs, and Bonds issued by NBFCs. Also, RBI mandated banks to allocate 50% of Rs 50,000 crore of liquidity introduced by way of TLTRO 2.0 to small and mid-size NBFCs and small finance banks.

But NBFCs seemed not too happy with just liquidity and many of them are now approaching courts to prevent rating downgrades. This is not a best practice for the industry, although fund houses may be well within their rights to contest.

Recently, Indiabulls Housing Finance was successful in receiving the interim order from Delhi High Court, throttling any coercive action against the housing finance company for its inability to repay its bondholders. The Delhi High Court will hear the case further on May 19, 2020.

This has added to the worries of mutual fund houses that now fear other NBFCs will follow the same path.

The capital market regulator, only recently (a few days ago) following the three moratorium by RBI (due to disruptions caused by COVID-19 pandemic) has relaxed the valuation norms for debt and money market instrument held by mutual funds vide a circular dated April 23, 2020, wherein it states as under:

• Based on assessment, if the valuation agencies appointed by AMFI are of the view that the delay in payment of interest/principal or extension of the maturity of a security by the issuer has arisen solely due to COVID-19 pandemic lockdown and/or in light of the moratorium permitted by Reserve Bank of India (RBI) (vide notification no. RBI/2019-20/186, dated March 27, 2020) creating temporary operational challenges in servicing debt, then valuation agencies may not consider the same as a default for the purpose of valuation of money market or debt securities held by Mutual Funds.
  
  However, in the scenario, as stated above, if there is any difference in the valuation of securities provided by two valuation agencies, the conservative valuation shall be accepted.

But then what is the point of coming up with these valuation norms as an afterthought, and not in close synchronisation when the RBI came with its notification a month ago?

The damage now is already done and companies are anyways approaching the Courts to prevent a rating downgrade.

Let's say shares of a company are pledged and to recover the proceeds -- if they cannot be sold due to a court order -- then such lending would be as good as unsecured lending.

Also, why should that not be construed as an instance of deviation from the stated fundamental attributes of a debt mutual fund scheme? After all, mutual fund investors invest in debt fund schemes taking into account a certain level of risk. Change in the risk profile of a scheme is a change in the fundamental attribute/s.

According to India Ratings, NBFCs having the asset base of Rs 500 crore to 5,000 crore, largely fall between "A" and "BBB" rating categories.

The mid-path could be a decision on payment or deferring the payment in consultation with all stakeholders, including debenture trustees. The industry will require a blanket resolution because a case-to-case resolution approach is cumbersome and may create more chaos.

Unless the RBI takes a clear stance on NBFCs and other financial institutions, mutual fund houses are likely to feel the heat of redemptions. Suppose, there's no further statement issued by the banking sector regulator; mutual funds will have to be prepared to handle large-scale defaults, which might look inevitable. After all, a majority of NBFCs' customers are retail borrowers and they enjoy a moratorium on the EMI payment for 3-months. This has been the trickiest part for NBFCs.

While COVID-19 outbreak has been the genuine reason for the potential defaults this time, asset-liability mismatches of NBFCs are well-known. Many NBFCs have gone overboard with cheap credit available during stable market conditions. Their credit underwriting has been questioned widely. The industry has also witnessed belly-up instances such as IL&FS and DHFL. Many mutual fund houses have burned their fingers badly in such defaults.

At the time of writing this piece, to ease the liquidity pressure on mutual funds, the RBI today decided to provide a special liquidity facility of Rs 50,000 crore for mutual funds. Under this facility, the RBI will conduct repo operations of 90 days tenor at the fixed repo rate. This will be on-tap and open-ended, and banks can submit their bids to avail funding on any day from Monday to Friday (excluding holidays). The scheme is available from today i.e., April 27, 2020, till May 11, 2020, or up to utilization of the allocated amount, whichever is earlier. The Reserve Bank will review the timeline and amount, depending upon market conditions.

The RBI has stated further that the liquidity support availed under the Special Liquidity Facility for Mutual Funds shall be used by banks exclusively for meeting the liquidity requirements of mutual funds by, 1) extending loans; and (2) undertaking outright purchase of and/or repos against the collateral of investment-grade corporate bonds, CPs, debentures and certificates of Deposit (CDs) held by mutual funds.

Having taken this measure, keep in mind that it does not make investing in debt mutual funds risk-free. Considering the prevailing investment environment, you should stay away from mutual fund schemes whose portfolio characteristic appears compromised. Also, avoid credit risk funds and corporate bond funds as they are likely to be more vulnerable amidst the financial crisis followed by COVID-19 pandemic.

As a thumb rule: Choose mutual fund schemes from fund houses that follow prudent judicious investment processes and stringent risk-management systems.

In these uncertain times, it would be wise sticking to liquid funds and overnight funds while considering debt funds.

Our friends at Quantum Mutual Fund have highlighted the secret behind their debt management strategy which has helped them provide safety and liquidity to investors when it comes to investing in quantum funds. Don't Worry, Quantum Liquid Fund always aims for Safety and Liquidity.

As with all financial matters, better be safe than sorry!

PS: If you wish to select worthy mutual fund schemes, I recommend you to subscribe to PersonalFN's unbiased premium research service, FundSelect.

Additionally, as a bonus, you get access to PersonalFN's popular debt mutual fund service, DebtSelect.

Each fund recommended under FundSelect goes through our stringent process, where they are tested on both quantitative as well as qualitative parameters.

Every month, PersonalFN's FundSelect service will provide you with insightful and practical guidance on equity mutual funds and debt schemes - the ones to Buy, Hold, or Sell.

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Author: Rounaq Neroy

This article first appeared on PersonalFN here.

PersonalFN is a Mumbai based personal finance firm offering Financial Planning and Mutual Fund Research services.

Disclaimer:
The views mentioned above are of the author only. Data and charts, if used, in the article have been sourced from available information and have not been authenticated by any statutory authority. The author and Equitymaster do not claim it to be accurate nor accept any responsibility for the same. The views constitute only the opinions and do not constitute any guidelines or recommendation on any course of action to be followed by the reader. Please read the detailed Terms of Use of the web site.

Last month, SEBI had asked credit rating agencies not to consider any delay in payment of interest or principal loan amount arisen solely due to the nationwide lockdown conditions as a default.

The stress in the Indian mutual fund industry due to the pandemic impact deepened after Franklin Templeton MF decided to wind down six of its debt schemes. The lack of liquidity and redemption pressure compelled FTMF to take the extreme step.

In this economic environment, Mutual Fund houses are concerned about companies that are likely to delay and default in payments. Many companies have sought deferment/rescheduling of payment due to COVID-19 related disruptions. In order to minimize the resultant damage, market regulator SEBI recently provided temporary relaxation in valuation norms for instruments mutual funds hold.

SEBI has asked valuation agencies to avoid treating delays in payment of interest/principal or extension of maturity of a security as default for the purpose of valuation of money market or debt securities held by Mutual Funds, if it has been caused solely due to COVID-19 pandemic lockdown and/or in light of the moratorium permitted by RBI.

[Read: Will Mutual Fund Houses Act Against Companies Approaching Courts To Prevent Rating Downgrade Amidst COVID-19?]

"In view of the nationwide lockdown and the three-month moratorium/ deferment on payment permitted by RBI, a differentiation in treatment of default, on a case to case basis, needs to be made as to whether such default occurred solely due to the lockdown or loan moratorium", SEBI circular said.

SEBI has stated that in the above mentioned scenario, if there is any difference in the valuation of securities provided by two valuation agencies, the conservative valuation shall be accepted. This revised norm will be in effect until the RBI's period of moratorium.

However, AMCs shall continue to be responsible for true and fairness of valuation of securities.

Mutual fund houses have to mark the value of their assets based on valuations provided by valuation agencies appointed by AMFI.

At present, a debt or money market security is classified as 'Default' if the interest and/or principal amount has not been received on the day such amount was due; or when such security has been downgraded to 'Default' grade by a credit rating agency. Default denoted that the security is below investment grade.

This leads to mark down of the respective security and thereby impacts NAV of the scheme.

SEBI's move provides some relief in this regard. It will ensure that all fund houses follow a uniform approach while dealing with defaults/delay due to COVID-19.

Will it make investment in debt fund safe?

SEBI has not yet provided any moratorium on commercial paper and corporate bond repayment. According to a report published in Livemint, Rs 1.5 trillion worth of commercial paper and corporate bonds will be maturing in the first quarter.

As mentioned earlier, AMCs shall continue to be responsible for true and fairness of valuation of securities. But in the absence of rating downgrade from valuation agencies, fund houses cannot side-pocket their exposure to a defaulting company. Therefore, we may still see some write-offs if the AMC finds recovery to be difficult even after the relaxation period.

COVID-19 has impacted businesses across sectors. Some sectors such as NBFCs were under stress even before the pandemic. The default risk has thus amplified.

The relaxation of valuation would delay the issue, but downgrades would arise subsequently. Spike in number of side pockets (by fund houses) may thus become imminent.

My colleague, Rounaq, rightly mentioned yesterday, losses the investors suffer will be directly proportionate to the stress, pressure mutual fund houses and their investors will face. Eventually retail and High Net-worth Individuals, particularly, will lose confidence and may not be keen to invest in debt funds.

What should investors do?

In these uncertain times, it would be wise sticking to liquid funds and overnight funds for the fixed-income part of your portfolio and avoid funds that take higher credit risk. Alternatively, if you prefer safety of capital, invest in Bank fixed deposits.

Choose a fund house that follows prudent investment process and stringent risk-management system.

Our friends at Quantum Mutual Fund have highlighted the secret behind their debt management strategy, which has helped them provide safety and liquidity to investors when it comes to investing in quantum funds. Don't Worry, Quantum Liquid Fund always aims for Safety and Liquidity.

SEBI has time and again taken steps to tighten norms for debt funds. As an investor, if you take portfolio risks, align it with your own risk appetite and financial objective.

PS: If you wish to select worthy mutual fund schemes, I recommend you to subscribe to PersonalFN's unbiased premium research service, FundSelect.

Additionally, as a bonus, you get access to PersonalFN's popular debt mutual fund service, DebtSelect.

If you are serious about investing in a rewarding mutual fund scheme, Subscribe now!

Author: Divya Grover

This article first appeared on PersonalFN here.

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PersonalFN is a Mumbai based personal finance firm offering Financial Planning and Mutual Fund Research services.

Disclaimer:
The views mentioned above are of the author only. Data and charts, if used, in the article have been sourced from available information and have not been authenticated by any statutory authority. The author and Equitymaster do not claim it to be accurate nor accept any responsibility for the same. The views constitute only the opinions and do not constitute any guidelines or recommendation on any course of action to be followed by the reader. Please read the detailed Terms of Use of the web site.

Despite the rally we recently witnessed, the market mood continues to be sombre due to the pandemic crisis. FPI outflows from the Indian market persisted in the current month as well, while the recent fiasco at a popular fund house also dented investor sentiments.

It is difficult to predict how this situation will unravel eventually. Though the pandemic has impacted both large and smaller sized companies, small and mid sized companies could be the most affected.

However, quality names even in these segments could perform well over the long run. Therefore, you should stick to only quality names across different market capitalisation and invest via a well managed mutual fund that focuses on growth through diversification.

HDFC Mid-cap Opportunities Fund (HMOF) is one such mid cap fund that looks to invest in mid cap stocks with sound financial strength and reasonable growth prospects.

Graph 1: Growth of Rs 10,000 if invested in HDFC Mid-cap Opportunities Fund 5 years ago

One of the most popular funds in the midcap category, HMOF's asset size is the largest as compared to its peers. However, HMOF has shown no constrain when it comes to delivering superior performance. The fund has a track record of generating above-average returns across market conditions. Over the last 5 years, HMOF has generated returns at 4.5% CAGR as compared to 1.9% CAGR generated by its benchmark Nifty Midcap 100 - TRI, thus generating an alpha of around 2.5 percentage points CAGR. The fund has made well use of diversification to mitigate downside risk and generate decent lead over the benchmark index.

Table: HDFC Mid-cap Opportunities Fund's performance vis-a-vis category peers

*Please note, this table only represents the best performing funds based solely on past returns and is NOT a recommendation. Mutual Fund investments are subject to market risks. Read all scheme related documents carefully. Past performance is not an indicator for future returns. The percentage returns shown are only for indicative purposes.

Though HMOF has trailed some of the other popular peers in the mid cap category, it stands strong in the list of mid cap funds. The fund has constantly outperformed the benchmark by a noticeable margin across time periods.

Some of the other top performers in the category are Axis Midcap Fund, Invesco India Midcap Fund, and DSP Midcap Fund.

The fund has not only demonstrated its ability to generate superior returns for its long term investors, but has been reasonable when it comes to managing volatility and curtailing down-side risks. In terms of risk-adjusted returns, HMOF has outperformed its benchmark by a significant margin and also stays ahead of most of its peers.

Investment strategy of HDFC Mid-cap Opportunities Fund

Categorized as midcap fund, HMOF is mandated to invest minimum 65% of its assets in equity and equity related instruments of mid cap companies. Accordingly, HMOF invests in stocks of predominantly mid-sized companies, which have reasonable growth prospects at acceptable valuations. The fund also holds significant exposure in smallcaps along with moderate exposure in large caps as well as cash and debt.

It follows the bottom-up approach to identify high quality businesses for the long term. The stocks are bought primarily for the strengths of company fundamentals rather than the strength of the macro-economic indicators.

The fund manager resists from following market momentum and holds each of his high conviction stock for the long term.

Graph 2: Top portfolio holdings in HDFC Mid-cap Opportunities Fund

As on March 31, 2020,HMOF held 75 stocks in its portfolio, with no individual stock having exposure of more than 5%.Popular mid cap names like Aarti Industries, Balkrishna Industries, Trent, Ipca Laboratories, and Voltas, etc. appeared in its top portfolio holdings. The top 10 stocks constitute close to 32% of its assets.

The fund's portfolio is primarily skewed towards Banking and Finance sectors which together constitute around 17% of the portfolio. Auto ancillaries, Pharma, Chemicals, and Industrial Products are the other prominent sectors with allocation of around 9-11% each.

Suitability

HMOF's performance over longer time periods has been commendable, where it has generated decent long-term returns for its investors as compared to the benchmark, though it has lagged behind some of its peers. Its focus on timely realization of growth potential of stocks at fair valuation can help it generate strong returns while also minimize the downside risk. However, its aggressive mandate makes it prone to high volatility. This makes HMOF suitable for investors with high risk appetite and a long term investment horizon.

Editor's note: The last few years have not been among the best for equity mutual funds. While most funds have underperformed or are struggling to match the returns of the benchmark, there are few funds that have the potential to constantly generate alpha for its investors. And we have identified five such high alpha generating funds, in our latest report 'The Alpha Funds Report 2020'. Do not miss our latest research finding. Get your access to this exclusive report, right here!

Note: This write up is for information purpose and does not constitute any kind of investment advice or a recommendation to Buy / Hold / Sell a fund. Returns mentioned herein are in no way a guarantee or promise of future returns. As an investor, you need to pick the right fund to meet your financial goals. If you are not sure about your risk appetite, do consult your investment consultant/advisor. Mutual Fund Investments are subject to market risks, read all scheme related documents carefully.

Author: Divya Grover

This article first appeared on PersonalFN here.

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PersonalFN is a Mumbai based personal finance firm offering Financial Planning and Mutual Fund Research services.

Disclaimer:
The views mentioned above are of the author only. Data and charts, if used, in the article have been sourced from available information and have not been authenticated by any statutory authority. The author and Equitymaster do not claim it to be accurate nor accept any responsibility for the same. The views constitute only the opinions and do not constitute any guidelines or recommendation on any course of action to be followed by the reader. Please read the detailed Terms of Use of the web site.

India tennis ace Sania Mirza celebrated her 10th wedding anniversary along with husband and veteran Pakistan all-rounder Shoaib Malik on April 12, 2020. It was an auspicious day as it was also Easter

Sania Mirza took to social media site Instagram to share a few pictures with her husband Shoaib Malik from their big day back in 2010. She also wished him a "Happy Anniversary".

Sania Mirza also showed her fans a glimpse of her humorous side as she made a tongue-in-cheek statement in her post comparing the two contrasting photos by saying "Expectations vs reality". Sania Mirza wrote: Happy Anniversary @realshoaibmalik. A decade of being married looks like this!! Expectation vs reality. Swipe right for reality." Take a look at the post below. 

 

 

 

View this post on Instagram

Happy Anniversary @realshoaibmalik 😌ðŸ¤Â— A decade of being married looks like this!! Expectation vs reality 😅😂 Swipe right for reality âž¡ï¸Â

A post shared by Sania Mirza (@mirzasaniar) onApr 12, 2020 at 3:55am PDT

Sania Mirza and Shoaib Malik tied the knot in April 2010 in Hyderabad in a grand manner. Sania Mirza gave birth to a baby boy named Izhaan in October 2018. After giving birth to her child in October 2018, Sania Mirza returned to the court in January 2020.

She clinched the women's doubles title at Hobart International, pairing up with Nadiia Kichenok, in her comeback competition.

Sania recently shared a photo of her son with a tennis racquet in hand, looking confused. "I am pretty sure he's thinking what the fuss is all about? #IzhaanMirzaMalik," Sania said in her Twitter post.

Sania last played at the Qatar Open in February. She has helped raise Rs 1.25 crore in one week which will help close to 1 lakh people in need during the 21-day lockdown to fight the coronavirus pandemic.

Inputs from IANS

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While sports stars across the globe are trying their hands at doing things they never got to do thanks to the Coronavirus lockdown, Bulgarian tennis star Grigor Dimitrov has revealed he will be taking up a course at the Harvard Business School soon.

In a column for the ATP Tour website, Grigor wrote: "I'm starting a course at Harvard Business School in a few weeks. It's something I've always wanted to do. I loved being in school, but haven't had the chance to experience it to the extent that I would have wanted to. Now I have the time to do something new and different."

Grigor, who is currently in California, USA, during quarantine, added: "I decided to stay on the west coast of the US once it was announced that Indian Wells was cancelled. Tennis players are creatures of habit, so I still make sure to structure my day. Go to bed on time, wake up early, be productive in the morning. I'm a crazy fanatic when it comes to laundry and have been doing that twice a day."

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With the world coming to a standstill due to the coronavirus outbreak, sporting events across the globe have either been cancelled or suspended and Indias star tennis player Sania Mirza cannot wait to go back to the tennis court.

Taking to Twitter, she wrote: "Waiting to play tennis again like." Earlier, Sania had made her displeasure known as there has been a rise in the number of 'cooking' posts that celebrities are putting out on social media as they stay indoors to fight the coronavirus outbreak. Sania feels posting such pictures in these times is unwanted.

Waiting to play tennis again like 🎾 ⏳
📸- @avigowariker pic.twitter.com/RUZaNRjHHf

— Sania Mirza (@MirzaSania) April 14, 2020

Taking to Twitter, she wrote: "Aren't we done with posting cooking videos and food pictures yet ? Just spare a thought - there are hundreds of thousands of ppl, specially in our side of the world starving to death and struggling to find food once a day if they are lucky."

After giving birth to her child in October 2018, Sania returned to the court in January this year. She clinched the women's doubles title at Hobart International, pairing up with Nadiia Kichenok, in her comeback competition.

Sania recently shared a photo of her son with a tennis racquet in hand, looking confused. "I am pretty sure he's thinking what the fuss is all about? #IzhaanMirzaMalik". Sania said in her Twitter post.

Sania last played at the Qatar Open in February. She has helped raise Rs 1.25 crore in one week which will help close to 1 lakh people in need during the 21-day lockdown to fight the coronavirus pandemic.

Catch up on all the latest sports news and updates here. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Novak Djokovic said that he, Roger Federer and Rafael Nadal are organising aid for players struggling with the paralysis of the game due to the Coronavirus pandemic. "I spoke to Roger and Rafa a few days ago," Djokovic, the World No. 1, said in an Instagram chat with friend and rival Stan Wawrinka on Saturday.

No support from federation
"We had a long conversation about the near future of tennis, what is going to happen, how we can contribute and how we can help especially lower-ranked players, who are obviously struggling the most. The majority of the players who are ranked between 200, 250 in the world, and the 700th or 1,000th do not have federation support, do not have sponsors. They are completely independent and left alone," he said. "Guys who are ranked between 200-250, especially to 700...are thinking of leaving tennis right now."

He said players, the ATP and the four Grand Slams "would all get together and will contribute to a player relief fund that ATP will distribute." "It looks, hopefully, that there will something between $3 million (2.75 million euros) and $4.5 million that is going to be distributed," he estimated. Djokovic said the cash could come from the prize money for the season-ending World Tour Finals or the final bonus pools for top players.

Lack of tournaments
"Maybe if we don't have any tournaments this season, we can take a certain percentage from our prize money from Australian Open in January," he said. "These guys are the grass roots of tennis. The future of tennis. We need to show them they still can rely on support of the top guys." According to reports in tennis media, Djokovic, as president of the ATP Players' Council, which also includes Federer and Nadal, proposed to members that players in the Top 100 for singles and the Top 20 in doubles contribute according to their rankings.

The proposed scale runs from $30,000 for a Top-5 player to $5,000 for those between 51 and 100. That would raise approximately $1 million and the ATP would make a similar contribution. On Friday, ATP chief Andrea Gaudenzi echoed the call for unity on the tour website. "Our guys are at home, obviously unable to play, unable to earn money and financially struggling, so we will try to help," he said.

"I've been quite touched by the top players who reached out, the big names expressing their desire of helping the lower-ranked players and putting those players first. We are also talking with the Grand Slams about it. They may want to join in the effort. I think it would be a great message for the sport." World tennis has been at a standstill since the beginning of March and will not resume until mid-July at the earliest following the postponement of Roland Garros and the cancellation of Wimbledon.

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