April 23, 5 PM: Do you believe you have the coolest dog on the planet? Maybe it's time to let the world know that too. Vile Parle's ZooBar is organising Dog's Got Talent, where your mutt can show off his skills right from his obedience levels, fetching ability, turning tricks, love for food, loudest bark or even for simply looking the cutest. The Applausometer will reward the swaggiest waggers in multiple categories, because we all believe every dog's got a talent."

Humans have had enough fun, it's now time for our paw friends to enjoy. This event will see dogs indulging in a lot of games, competitions and delicious canine goodies. It gives pet owners the time and opportunity to take their dogs out and spend some quality time with them and be a great change and source of entertainment for dogs," says owner Nishant Joshi. The highlight of the event will be some summer treats for y our furry friends by K9 professionals, a nice grub by Mutt Hutt, a photo-op and accessories sale.

Bhrigu Sahni at a concert at antiSOCIAL earlier this week. Pic/Satej Shinde

The use of guitar isn't limited to playing solos and rhythms using a plectrum (a small flexible piece of plastic). When a discussion emerges about the co-existence of genres within the guitar language, there is a lack of clarity between Flamenco, Western Classical and finger-style. One can pluck (guitar) strings with their fingers but finger-style is a technique that involves the usage of fingertips, nails and the palm. You need to hit the woodwork for percussions. The sound is a perfect balance of bass, treble and harmonies. These days, Mumbai is witnessing the rise of finger-style guitarists. While some learnt from watching videos of legends like Andy McKee and Tommy Emmanuel, others took a cue out of popular songs.

Manan Gupta

One-man band
"By playing finger-style, one can arrange a whole song by playing the bass line, melody, rhythm and harmony simultaneously without using any backing track," shares Manan Gupta. The 23-year-old started off as a pianist but the track Drifting (by McKee) brought him closer to guitar.

Gupta believes finger-style also helps a musician to be self-sufficient. "You are a one-man band; there is no need to rely on other musicians to co-ordinate rehearsal timings," chuckles Gupta, whose tune Dear Mother (released in 2013) is an online hit.

Local inspirations
Bhrigu Sahni, who has toured the Mumbai-Pune circuit, took to the genre after watching his father play Western Classical. "As a kid, I realised that this style had the ability to create a rich musical tapestry. It is challenging to sustain being just a finger-style player but that shouldn't deter one from following his heart," says Sahni, who is a Berklee graduate and has jammed with Karsh Kale and Angelique Kidjo.

Unlike others, he also pointed out a few names among Indians who inspired him. "I went to Rock and Jazz concerts when I was 15. I used to improvise after watching guitarists like Sanjay Joseph and Derek Julian," he adds. Sahni released his debut album, What is Now, last year in New York. "I shuffle between Brooklyn, Khadki (Pune) and Mumbai for gigs," he shares.

Varun Singh started his journey listening to Eric Clapton. He even played for Metal band Albatross for sometime, but the song More Than Words (Extreme) pushed him towards finger-style. He seconds Sahni highlighting guitarists from India who are fluent with it. "Mahesh Tinaikar (Indus Creed) and Floyd Fernandes are great examples. Clapton's Tears In Heaven is a finger-style song too," he shares. The 23-year-old recently released a video of a song called Midnight Express paying tribute to Nuno Bettencourt. "He is my hero."

Sanjay Sharma with his daughters Aayushi (left) and Shriya, both of whom enjoy skating. Pic/Satej Shinde

"When you get divorced, the people you used to hang out with disappear. Suddenly, you have no friends, and neither does your child," begins Hemant Amrute, 43, who has been raising his 12-year-old son as a single parent since 2010. Similarly, Goregaon resident Sanjay Sharma has had full custody of his daughters since 2013, when his older child was not yet five, and the younger two-and-a-half years old.

Hemant Amrute with his son Aryan before a parasailing trip in Goa last December

Taking on the role of both parents hasn't been easy for either of these single dads, but that hasn't stopped them from providing their little ones with an upbringing that isn't lacking.

Striking a work-life balance
Recently, actor Tusshar Kapoor and director Karan Johar made news when they became single fathers to children born via surrogacy. But while these men, who come from privileged backgrounds, presumably have help, this is not the case with most single dads who have to juggle work and kids.

A normal day in the life of the Sharma family is hectic. "Luckily for me, I run my own business, so I do all my work when the kids are at school. My job is to pick them up and later in the evening, drop them off for skating or swimming lessons. My older daughter has also been learning Kathak for two years, while my younger one takes singing lessons," shares 35-year-old Sharma, adding that his mother helps him out on the home front.

Amrute, meanwhile, is also a busy entrepreneur, but now feels confident enough to leave his son home by himself whenever required, as he's a little older. His challenge, however, lies in the kitchen. "I never learned to cook," laughs the Thane resident, adding, "We've had a string of cooks come and go, because both of us invariably end up not liking the food."

Not to mention that being a single parent still has stigma attached to it, which is multiplied when the single parent in question is the father. "In the beginning, people would say, 'Yeh nahin kar paayega (he won't be able to do it)'. Now, they've seen it for themselves," says Sharma. Echoing the sentiment, Amrute adds that once a couple gets divorced, people tend to look down on them, and your social circle shrinks to prevent the awkwardness.

Creating a lasting bond
Sharma's daughters and Amrute's son love being outdoors. Sharma takes his kids to the beach, park, as well as for kiddie events across the city. "We love going on holidays, too, even if they're to nearby places like Mahabaleshwar or Daman."

Amrute and his son Aryan spend weekends at their farmhouse in Yeoor Hills, and head to the cinema or the mall on other days. "We also spent Christmas in Goa last year, which was a lot of fun. A few years ago, I took him with me on a work trip to the US, and we visited a lot of places when I had some downtime," he shares.

Both men recently discovered and joined iSingleParent, a Facebook community that organises meet-ups and holidays for single mums and dads and their kids.

Amrute says that when not at school, his son would end up spending time playing with a smartphone. "We live in a standalone house, so there aren't any kids around for him to play with. But he loves technology, and scored full marks in Robotics. He also enjoys beatboxing and recently started trying out parkour. And now, thanks to the group, he looks forward to bonding with the other kids who come for the meet-ups," he says.

How do you improve on a 1998 game that is so good it is still played today? Not many games can make that claim but Starcraft can with legions of fans and stadium level competitions not bad for a 20-year-old game.

The original Starcraft is free and so anyone with a battle.net account can potentially download and play it, no fancy hardware required. The remastered version, however, costs $15 and it is worth every penny. The game's graphics and sound have had a major update, you can also play multiplayer online complete with leaderboards.

While the new game is friendly to first-time players the online multiplayer is brutal. Prepare to die in minutes. Unfortunately, there is no system in place to train players in the complexity of multiplayer battles in a game that people have been potentially been playing for 20 years.

For fans of Starcraft there is everything that you would ever want in the game. The original game mechanisms are untouched which means everything plays as it should.

Starcraft Remastered
Rating: 4/5
Developer: Blizzard Entertainment
Publisher: Blizzard Entertainment
Platform: PC, Mac
Price: $14.99 (Rs 960 approx)

Uncharted has dropped its latest installment and it is significant simply because there is no Nathan Drake, the protagonist of the previous Uncharted games. Instead, this time, you get to play with Chloe Frazer backed with Nadine Ross, who are in India searching for the Tusk of Ganesh. We don't know if Naughty Dog planned this, but a game featuring a Ganesh related artifact releasing just around the time of Ganpati Utsav is pretty good timing.

The game unfolds in the mountains of India during a civil war, with everything you would expect, in an Uncharted game — lots of fast paced gun play, spectacular ancient ruins, overgrown jungles and easy to solve puzzles. It is a formula that has worked well for the series in the past and why would you mess with something that works.

You may find both Chloe and Nadine familiar if you have played Uncharted before, they have appeared in the previous games. Chloe as a sidekick in two games and Nadine as the antagonist of the last Uncharted. To get the artifact that leads to the Tusk of Ganesh, Chloe infiltrates the war-torn city dressed in a kurta, she looks very Indian in the outfit. This is very different from any other Uncharted game because it deals with claustrophobic, garbage-filled city streets instead majestic jungles the game is used to. It's a nice change but a short one, once you manage to find the relic it is straight off to the jungle for you.

The Lost Legacy is a lot like Uncharted 4, it plays almost similar, some of the guards look familiar and even some of the ruins. The game is comfortable with what it is and there aren't any new surprises that push the gameplay forward. What it excels at is the ride and that is an action-packed ride that would put Indiana Jones to shame. What you can do is enhance the experience with their new photo mode, it makes everything a little more fun. The photo mode lets you change the expression of Chloe's face temporarily. This, of course, can be used to take hilarious screengrabs.

The game looks amazing on the PS4 Pro, the jungles and the ruins are grand to say the least, enough to make you want to go a nearby forest in search of ancient picturesque monuments. It's a nice use of local mythology to create a brilliant fantasy world.

Uncharted: The Lost Legacy is great for newbies. Since it doesn't require you to have previous knowledge of the characters or any hard to play sections, it is pretty much a no-brainer for any gamer.

Uncharted: The Lost Legacy
Rating: 4/5
Developer: Naughty Dog
Publisher: Sony
Platform: PS4
Price: Rs 2,499

Traipse through America
Sunset Cinema Club (SCC) is holding a Travel Movie Night in association with travel start-up Unpland. The movie to be screened is Into The Wild, a 2007 film about a young man who decided to renounce his possessions and hitchhike across America. "We have hosted several themed movie nights in the past. This time, we wanted to do something travel-centric. We ran an online poll to pick the movie for the screening," says SCC co-founder Sanchit Gupta.
On: September 3, 8.30 pm
At: The Barking Deer, Senapati Bapat Marg, Lower Parel. log on to insider.in
Entry: Rs 312 (includes a beer or mocktail)

Understand the works of Renaissance masters
This evening, Dr Bhau Daji Lad Mumbai City Museum, in collaboration with Alliance Francaise de Bombay, is showing three documentaries on Renaissance painters by filmmaker Alain Jaubert. The first film delves into Grünewald's painting Retable d'Issenheim (Altarpiece of Issenheim), while the second focuses on Baldassare Castiglione (Portrait of Baldassare Castiglione) by Raphaël. The third film is about Le Repas Chez Levi (The Meal at Levi's; in pic) by Veronese. If you walk in after 5.30 pm, entry is free.
On: Today, 6 pm to 7.30 pm
At: Dr Bhau Daji Lad Mumbai City Museum, Byculla East
Call: 23731234

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Cars honk as they make their way through Bandra-Kurla Complex to get to offices or to the newest eatery that has set up shop in the swanky financial district, the people in them all but oblivious to a small park in the back lanes that acts as a haven for the city's youth.

Annul Pale from the Meteoric crew trains at City Park, BKC

You will find them all here - collegians skipping classes, teens on their skateboards, and a group of young men performing exhilarating tricks on their bicycles. These are the city's BMX riders, for whom cycles are not simply modes of transport, but a way to express themselves.

The Sharptune crew at the Cycling Festival of India, held last weekend at Nehru Centre, Worli. Pics/Ashish Raje

"There is a community of approximately 45 BMX riders in Mumbai. Many of us prac-tise here at City Park daily," says 22-year-old Manoj Jaiswal, a Sion resident who was introduced to the sport by his neighbour in 2011. "We used to train along Carter Road promenade and the streets of BKC, but cops would arrive and shoo us away. And no public park allowed us entry with our bicycles. We ran out of places, but eventually, this park's management allowed us to use it."

This struggle is not new to the BMXers, who often end up travelling to far-flung - and thus less crowded - locations like Kalyan and Navi Mumbai. After all, in a city starved of space for even pedestrians, it's hard to imagine people giving up their precious streets to a sport they view as - in Jaiswal's words - a circus act.

Dipak Panchal

The beginnings
BMX racing took off in California back in the 1970s, inspired by motocross. It didn't take time for its popularity to rise among the youth, and soon, you could find them trying tricks on their own cycles across the world.

Rahul Mulani

Bandra resident Rahul Mulani was among the first few to bring the BMX movement to Mumbai three decades ago. "When we started out around 1987, we used to practise at a parking lot near Scandal Point in Breach Candy. There were fewer cars in the city back then, so there was plenty of space for us," he says.

Manoj Jaiswal

Not just empty parking lots; the seafront promenades used to be fair game, too. Thirty-year-old Dipak Panchal, who dropped out of college to pursue his passion for BMX and now runs a bicycle store in south Mumbai, shares that even as late as 2005, he could be found practising his moves at Marine Drive.

"Lately, whenever I have tried to practise there, policemen passing by have come and stopped me. They have even deflated my bicycle's tires, and there have been times they've threatened to throw me in the back of their van," he says, adding, "If there is a rule preventing people from cycling on promenades, they can tell us that without being rude. They allow elderly gentlemen to cycle peacefully, and even though we're not causing any damage to people or property, we are treated like criminals."

So, to avoid such conflicts, his crew, Sharptune, practises at a space they have rented out in Bandra. Last week, at the city's first cycling festival, amidst panel discussions and stores exhibiting the latest gear, they got a chance to show off their skills, but such events are few and far between. Though Panchal and Mulani try and organise jams and competitions, sponsors are hard to come by.

Need of the hour
Today, Mulani and Panchal, as well as the rest of the community, stick to a handful of spaces, including their own building compounds, that they know won't draw any unwanted attention.

"Even skateboarders are now getting recognition. In 2015, Khar Social set up a ramp, but it is too small for us to practise on, even though our requirements are not too different from a skateboarder's," says Jaiswal, whose crew, Meteoric, comprises skateboarders too. And because BMX is hidden away from the spotlight, the community is growing slower than it would have, had its members been given the chance to showcase their skills in public without any fear of repercussions.

The problem in India, Panchal believes, is that cricket overshadows every other sport. This leads to other sports, especially extreme sports like BMX, being ridiculed and even neglected by the public and the authorities. "The country's first pump track came up in Hyderabad this year, and it was built by a private body. We don't see the Cycling Federation of India [CFI] taking any interest in the BMX community," says Mulani.

VN Singh, assistant secretary, CFI, which is based in New Delhi, says they can't do anything for the sport until it is officially recognised. "I know it's an Olympic sport, but until there are enough practitioners of BMX in the country, we can't provide any support," he says. He follows this up by saying that a pump track in Delhi is in the offing, but quickly adds that he doesn't know how long it will take. "You see, we don't have the funds for it."

Ben is Back

U/A: Drama
Director: Peter Hedges
Cast: Julia Roberts, Lucas Hedges, Courtney B. Vance, Kathryn Newton
Rating: 

A family drama that makes substance abuse look like the enemy of humanity it is, this Peter Hedges directed film dramatically shifts its moods from celebration to welcoming to fearful – all in the span of a few minutes.

When Ben(Lucas Hedges) shows up skulking around at his home driveway in a hooded wind-breaker the audience is unsure as to his antecedents. Then his mother Holly(Julia Roberts), his teenage sister Ivy(Kathryn Newton) and two half-siblings (Mia Fowler and Jakari Fraser) arrive home and we see the trepidation tinted welcome he receives. When his step-father Neal(Courtney B Vance) rushes home after receiving Ivy's urgent message, we understand there's further gravity to the situation.

Director Peter Hedges opens up his pages slowly allowing us to experience in some measure as to what the family is going through. Eventually it becomes imminently clear that Ben's return for Christmas from a rehab program he was recently inducted into, is unexpected and ill-advised.

Check out the trailer here:

While 'Ben is Back' is not exactly a dense suspense drama it draws up intensity from a construct that questions the integrity of it's lead character. Since it's a story about an addict and his struggle with addiction the question that haunts his family and himself is 'Will he use again?' He has sworn and swears again that he won't but he has lied before and given his track record should his family believe him? It's a tough ask. But then what about love, compassion and forgiveness? Can a mother really abandon her child to the vagaries of a habit that could eventually destroy him? The film deals with all these questions and more and the answers that it comes up with are neither easy nor universally applicable.

As Holly takes on the onus of keeping Ben in her sights, she uncovers secrets that test her mothering skills –throughout an increasingly harrowing day and night exposing her to an underbelly that she never opened her eyes to in the past.

There are times when the plotting seems contrived and questionable but by and large Peter Hedges does a good job plying a pathway that has hurdles at every turn. The dramatic tension though is not sharp enough and that's one of the reasons why you feel rather ambivalent about this tale. Performances are universally good though!

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Aquaman

U/A: Action, Adventure, Fantasy
Director: James Wan
Cast: Jason Momoa, Amber Heard, Patrick Wilson, Willem Dafoe, Nicole Kidman
Rating: 

Aquaman - a largely underwater flight of fancy, amounts to a herculean attempt by custodian Warner Bros. to right its wonky DC cinematic universe and it's success is moderate at best. A large part of the credit should necessarily go to the charismatic Jason Momoa( ex Baybatch ) who got promoted to this leading role after showing face in 2016's Batman v. Superman : Dawn of Justice and Justice League.

This superhero saga is mostly origin story myth building through fantasy VFX, so don't expect real characters, adherence to the laws of physics or conversations beyond the monosyllabic. In this film, anything goes - even a ring(chasm) of fire in the midst of a deep blue sea and an ocean of wealth under the Saharan desert. Reality rarely pokes its ugly head into this gamey underwater universe that heralds the dawn of a new King Arthur(Momoa), a half-breed(Human-Atlantean mix) who is expected to prove his worth against the might of his firmly ensconced younger half-brother Orm(Patrick Wilson).

Aquaman's tall-tale is embellished in Royal shenanigans, incorporates themes of environment pollution and engineers a war between the water world and the land world under the pretext of righting the wrongs of a selfish civilization. The attempt here is to create an underwater 'Lord of the Rings' but without the majesty, profundity or significance of that telling.

Check out the trailer here:

Making an oblique nod to 'Splash,' the film opens with Queen Atlanna (Nicole Kidman), fleeing Atlantis, getting washed ashore at Amnesty Bay, Massachusetts, meeting solitary lighthouse keeper (Temuera Morrison), falling in love and subsequently birthing the said, Arthur and then going right back to Atlantis- the underwater city, in order to save the lives of her loved ones. Punctuating the drama is Orm's attempts to amalgamate the seven wondrous oceanic kingdoms and become undisputed Ocean master. Vulko (Willem Dafoe), Princess Mera(Amber Heard) and to a lesser extent King Nereus (Dolph Lundgren) put a spoke in his wheel, so-to-speak.

The film has some stunning imagery but most of the action feels random and incoherent. The narrative is overlong in its desire to include every embellishment possible. There are a few engaging moments but the in-between humdrum is pretty much taxing. Weighed down by its watery excesses, the narrative feels terribly labored and over-done. James Wan ( with his Horror oeuvre) was probably not the right man for this DC recreation. He makes this watery epic a kitschy showboat instead of lending it acuity and memorability. This is a story of excess but even so, it's hard to resist the charms of the lead actors, their outlandish costumes and some wondrous aqua sequences.

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Simmba
Director: Rohit Shetty
Actors: Ranveer Singh, Sara Ali Khan, Ashutosh Rana
Rating: 

With this film, a super-star is born. Why would one risk this over-statement? Because super-stars in Bollywood, or in the Indian movie context, have remained, for decades, the most apt equivalent to Hollywood super-heroes.

They come with little or no back-story. As in the case of Simmba - being an orphan is good enough. The front-story, as it were, is neatly split between the hero, and the villain, along with a prologue, epilogue, heroine, comedian, extras, and the all-important 'takiya-kalaam' (stock refrain): "Tell me something I don't know!" The motivation, like with super-hero flicks, is rather rudimentary. Saving a girl is as good as repeatedly saving the world!

What matters is how the super-star, by sheer dint of his vigorous personality - where you can't distinguish between the actor and character - carries along an entire movie, and indeed the audience, on his strong shoulders alone.

Once the image is set, the penny drops, and while the going is good, the super-star on screen is good enough to ensure audiences in theatres. And there's got to be a reason why no star ever since the '90s, in a real sense, has been able to convincingly play this part that, I suspect, is the hardest to hit home with, anyway.

Ranveer Singh does just that. And how! Part Govinda, from Raja Babu type pictures in the '90s, part Anil Kapoor from Ram Lakhan in the '80s, but wholly holding his own in a typically Rohit Shetty action-entertainer, Singh adds tremendous credibility to a character that had begun to tire us over time.

For one, given his robust résumé (if you only compare this performance to the anti-hero Alauddin Khilji's in Padmaavat earlier this year), you know he isn't casually reprising a role, given a captive audience (that '90s super-stars had begun to). He puts in as much effort into Simmba as he might into a Bajirao Mastani, say, mastering the Marathi twang (without quite coming across as a parody of Nana Patekar); killing it softly with well-written one-liners; setting the dance floor on
fire; romancing like a dude; doing action, like a proper, desi hero!

You fall for Inspector Sangram Bhalerao (Simmba)-a cartoonish, corrupt cop, who wants to eventually right the society's wrongs-essentially, because, you fall for the stupendous Singh on steroids. Every scene works, because he does; and vice versa. The net result is a movie that, within the same space, seems better than Ajay Devgn's Singham (2011). But for the middling soundtrack, it would've been better than Salman Khan's Dabangg (2010).

Either way, what you won't go looking for is the picture's plot, based on the Telugu potboiler Temper (2015). Because you already know what to expect: Singh as a hero. Sonu Sood as a villain. Villain ke haraami brothers. Hero ki abla nari sister. And the rape, and the revenge drama, that follow.

I'm unsure if one adequately appreciates how hard, bordering on the near impossible, it is to engagingly pull off a masala-melodrama such as this. Shetty knows more than a thing or two about this timeless genre. Yet, this may well be one of his rare movies where the connoisseur and the crackling masses are most likely to seamlessly converge.

As an audience, the only way to know if a film of this sort is working (for you), is when you find yourself (sometimes guiltily, but mostly in a carefree sort of way) smiling, responding, and along with a packed theatre, reacting to shenanigans on screen-whether they entirely make sense or not ain't the point.

The script can be full of holes. You hope your brain isn't. This is how I caught this picture, with folk in the front-benches-whistling, clapping, making loud noises, and then going quiet, during dramatic sequences.

This only brings back strong memories of large single-screen cinemas - on the verge of extinction - with people on both cheap and super-expensive seats, sharing entertainment as a common, tribal experience. That's where you should go for this. As if on cue, to Ajay Devgn walks in as Singham. As does Akshay Kumar, announcing his next film cop-flick with Shetty, Sooryavanshi (2019). You might think this is meant to be a Ranveer starrer piggy-backing on '90s super-stars - inhabiting the same Marvel-like super-hero, cinematic universe. Look at him. I think it was the other way round!

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Mary Poppins Returns

U/A: Comedy, Family, Fantasy
Director: Rob Marshall
Cast: Emily Blunt, Lin-Manuel Miranda, Angela Lansbury, Ben Whishaw, Emily Mortimer
Rating: 

Disney drums up age-old magic by picking up the threads of an unforgettable original which had the unassailable diva Julie Andrews mesmerize way back in 1964. This time around Emily Blunt essays the all-important role of the magical nanny whose job is to put things right in the Banks’ siblings Michael(Ben Whishaw) and Jane’s (Emily Mortimer)now adult world just as she did when they were kids – with Lin-Manuel Miranda doing a Dick Van Dyke in this Rob Marshall sequel.

The setting is 1930’s London, Michael is a widower with three lovely kids and his sister Jane is an activist who appears to have lost out on love. Burdened by debt and threatened by the bank, Michael can barely keep his head up when Mary Poppins flies into their lives and makes all the difference!

Check out the trailer here:

Director Rob Marshall manages to tie-in to the original with enchanting ease - spelling forth a magical 130 minutes of music and fantasy that keeps you reminiscing while laying out an entirely fresh scenario that’s just as trippy as the original. Marshall reteams with cinematographer Dion Beebe, to give the narrative an inveigling widescreen luster, with production designer John Myhre and costume designer Sandy Powell chipping in with their nostalgia imbuing contributions. The pre-war 1930s setting is superbly presented just as the bath-time routine, excursion in the park and journey into an all-too brittle adventure, rekindle the vivacity and colorfulness of yore. It’s a wondrous amalgamation of ideas from the past and present, merging together in synchronicity of technique and wonder that is entirely enthralling.

Also Read: Emily Blunt Got Scared With Mary Poppins Returns Offer

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Replicas
U/A: Crime, Mystery, Sci-Fi
Director: Jeffrey Nachmanoff
Cast: Keanu Reeves, Thomas Middleditch, Alice Eve, John Ortiz, Emjay Anthony
Rating: 

The bland, expressionless Keanu Reeves as a scientist is a hard sell for even the most gifted filmmaker so one can't understand why he was chosen to lead the cast as an obsessive scientist wanting to clone his family back to life after a drowning accident. And that's not the only bad choice here. The story itself never develops beyond the perfunctory -allowing for quick jump forwards into sci-fi territory that doesn't appear conclusive in the least. The script appears to be written by novices who have little idea about the subject matter. Neither the Director, the tech team nor the cast seem to believe in this story. So they all appear to be playing a game of make-believe that only they enjoy. For the viewer the experience is sheer tedium.

Playing God in a high tech world is not a new concept but the treatment, tone and momentum must be good enough to gain attachment and believability. There's no such thing here. At no point are we ensnared by Will Foster's (Keanu Reeves) need to bring back his family from the dead. Neither his guilt nor his love for them are established here. And his corralling of his lab partner Ed (Thomas Middleditch) for support, is also not believable in the least. The talk of neural maps, synthetic brain, algorithms and consciousness sounds like mumbo-jumbo in such an unbelievable set-up – even when it's done in a futuristic facility called Bionyne.

Check out the trailer here:

When Will persuades his friend Ed to dispose the bodies of his dead family members it sounds insane and when he pretends to be his kids and responds to text messages from their friends it becomes all the more ridiculous. We never see his grief or experience his pain. And that's also because Keanu Reeves doesn't go beyond harried and lost in terms of expression. Both writer Chad St. John and director Jeffrey Nachmanoff don't appear to have figured out what exactly they wanted to convey here. They just run with the tide and make a mess of it. There's no style or mood to hold this sort of idea through. Nachmanoff hits the bland and straightforward route – on e that leaves the audience totally distended and discontent. This is the kind of hare-brained unbelievable stuff you wouldn't waste your hard-earned money on!

Catch up on all the latest entertainment news and gossip here. Also download the new mid-day Android and iOS apps to get latest updates

One Less God

U/A: Drama, Thriller
Director: Lliam Worthington
Cast: Joseph Mahler Taylor, Sukhraj Deepak, Mihika Rao
Rating: 

As a film that hopes to capture the terror heralded by the 26/11 attacks on Mumbai, 'One Less God' is rather feeble, nondescript and ineffective. The scope is narrow and the budget too small to do justice to a disaster that is amongst the most unforgettable in recent history. This is drama written around a real-life crisis but at no point does it feel real. The 2008 Mumbai attacks included a series of terrorist strikes that felled 164 people across south Mumbai - carried out by 10 members of the Laskar-e-Taiba, an Islamic terrorist organisation based in Pakistan. But none of that drama or tragedy is captured here with any grit or enticement.

The Mumbai siege is presented in a slap-dash fashion that never really gets the audience involved. The focus is largely on the Taj Mahal hotel and what it's guests went through in the final hours before their falling victim to the terrorist onslaught. The film focuses its efforts on the men and women attempting to survive, while intermittently cutting across to the two men perpetrating the attack. The bits of humour that creep in at odd times appears to be in bad taste.

Check out the trailer here:

Everything here seems rather pretentious and ineffective. The general cross-national mix of characters, their touristy experiences and the aftermath of the siege may have some diverse moments but we never feel attached or interested enough to be affected. There are barely any validating moments here. The performances are bad, the direction is sloppy, there are continuity breaks that look ridiculous, the art direction and production values leave a lot to be desired. Even the attempt to go one-up on the much awaited Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs starrer 'Hotel Mumbai'- (a film that covers the same territory), by releasing earlier, reeks of Opportunism.

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Alita: Battle Angel
U/A: Action, Adventure
Director: Robert Rodriguez
Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali
Rating: 

This film, which has Robert Rodriguez and James Cameron working together with Peter Jackson's visual effects, has wonders never experienced before in cinema. The film may have taken a long while (twenty years) coming to screen, but the end result is fantastic enough to keep you asking for more. A manga-based action thriller, James Cameron's $200 million-worth, long cherished dream is aimed at young adults seeking fresher pastures from that of The Hunger Games variety and hopes to make it to bigger box-office returns than that sub-genre hit-starter.

Cameron started on the cinematic adaptation of Yukito Kishiro's original manga comics way back in the late 1990s, (much before Avatar), but the phenomenal success of Avatar had him relinquishing directorial control to Rodriguez while holding firm as screenwriter (with Jon Landau and Laeta Kalogridis) and producer.

The resultant kick-ass cyberpunk adventure may not be as original as he imagined it, but it has certainly got all the chops to make it to a long-term fan-following on its own.

The filmed adventure is set 500 years from now, in Iron city - a junkyard that is a wasteland for the flying citadel of Zalem. The city is peopled with AI controlled cyborgs mingling with real humans in a community so tech-spangled that it's hard to decipher one from the other. Kindly Doctor Dyson Ido (Christoph Waltz) reconfigures a former robot superweapon and rechristens her Alita (Rosa Salazar), after his own daughter. I do, who moonlights as a hunter-warrior, tries to protect the young Alita, but her mind has memories of a past that keeps haunting her present. She even develops a crush on handsome robo-junk dealer Hugo (Keean Johnson) and eventually ends up becoming the super weapon she once was.

The plotting here is a little too jumbled up, ensnared as it is in creating set-piece thrills and out-of-this-world experiences. Stereotype characters and genre tropes make the engagement less than wondrous. The tech-specs are certainly the best we've seen in a long time, the IMAX imagery is splendid and beguiling and the vivid expressions of the actors make it feel all the more real and intimately experiential.

Watch the trailer of Alita: Battle Angel

Even though Salazar is the most riveting and fascinating of characters, she does feel a little artificial at times. The CGI blends in effortlessly with digitally morphed motion-capture performance, but the artifice can be felt - too strongly at times. The array of side characters also feels like old hat killing the originality of the experience and allowing déjà-vu to creep in. Even so, there's no belittling this explosive cutting-edge adventure that takes cinema thrills to never-seen-before heights!

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The Wife
Director: Bjorn Runge
Cast: Glenn Close, Jonathan Pryce, Christian Slater
Rating: 

The two lead performances are what make The Wife so special. In this unsettling drama - an adaptation of the 2003 Meg Wolitzer novel by Jane Anderson - Glenn Close plays Joan, the wife of a Nobel Prize-winning writer Joseph Castleman (Jonathan Pryce).

Directed by Bjorn Runge, The Wife opens in 1992 when Joe and Joan Castleman, in their Connecticut home, are trying to fall asleep when they get a call from the Nobel academy, informing them of the prize. It's their moment of triumph after 40 years of struggle with the written word, in which Joan, supposedly, has played a largely complementary role. Of course, there are flashbacks that hint at her own phenomenal ability to write prose, stifled by a marriage that demands she subjugate her talents to a life of reflected glory in a period (late '50s and early '60s), where women writers were not given the importance they command today.

There's no great suspense or mystery powering this tale of a breakdown that spirals into tragedy at the crowning moment of an author's accomplishments. In fact, Runge doesn't appear to be as interested in developing the suspense as he is in showcasing the unravelling of a suppressed human mind.

Close literally steals the thunder with her role as the devoted wife of a celebrated novelist. She is the keeper of his deepest, darkest secret; a stunningly nuanced expressionism that is more than likely to take your breath away. The restraint and modulation she brings to the role are simply phenomenal. It's a performance that is deservedly walking away with a slew of awards.

Pryce is no mean performer either. His role may not garner much sympathy, but his act complements that of Close so well that you begin to believe in their togetherness.

The Wife is a little compact and contrived, given its novel origins. The attempt to complicate matters for the Castlemans by showcasing their troubled relationship with their budding novelist son, David, seems passé. Also, Joan's seething frustrations don't seem completely justified, even whilst considering the period they take wings in. While the movie is not a great piece of work, the lead artistes definitely are worthy contenders for the awards.

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Badla
U/A: Thriller
Dir: Sujoy Ghosh
Cast: Amitabh Bachchan, Taapsee Pannu, Amrita Singh
Ratings: 

Sujoy Ghosh takes us back to the basics with his latest offering. Badla, as the title suggests, is a revenge-drama loosely based on the Spanish thriller, The Invisible Guest. Like with the original, it's not too difficult to decipher the end a good while before we get there.

Yet, Badla isn't predictable. What it certainly does lack, though, is the smarts that could be expected. Ghosh designs this film as more than just a whodunit. He lays out his cards neatly, unfolding one incident after another. So, it's all about cracking codes in the wobbly story, narrated by Naina (Taapsee Pannu), a top-notch businesswoman embroiled in a murder case.

She was found injured in a hotel room, with her lover lying dead on the floor. There is no sign of anyone else entering or leaving the room. Naina maintains, she didn't kill her lover. The film revolves around a single meeting with her potential lawyer, Badal Gupta.

Badla soars because of its unpredictability before we arrive at the end. The key lies in the names of its lead characters - Naina (eyes), a play on how truth depends on whose point of view is being considered. There is an inherent Rashomon philosophy in the narrative. Badal's name is a play on the film's title itself. Ghosh uses these props to confuse his viewers, create mirages that they are frequently misguided by in their tryst to keep the guessing game going.

At one point in the midst of this rigmarole, we look towards the screen and wonder why Bollywood doesn't exploit the terrific Amrita Singh enough. As Bachchan and Pannu battle it out in a verbal duel, it's Singh who does the emotional heavy lifting. Of course, both Bachchan and Pannu are terrific actors, but Pannu's Naina is played in a rather single note. Naina wins awards, is intoxicated by power, and is guilty about her affair. But the required nuances demanded by the narrative are missing from Pannu's act. There are a few genuine shockers, but it is largely a simplistic tale put together in a complicated fashion.

As admirers of thrillers, we are not failed by Ghosh. The tapestry of tension that he weaves is unparalleled. The camerawork by Avik Mukherjee deserves a mention. Set in Glasgow, the setting plays a part that's as essential as the characters. I was sold to the ride that Badla took me on; but, does it live it up to the thrill of Ghosh's Kahaani? Nah, that will need cleverer writing. Yet, this is worth a watch.

Also Read: Exclusive - Taapsee Pannu on Badla: I am a very vindictive person by nature

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Milan Talkies
U/A: Drama romance
Dir: Tigmanshu Dhulia
Cast: Ali Fazal, Shraddha Srinath
Ratings: 

This film is so inherently inconsistent, uneven in its storytelling that you feel like rooting for it still, simply because of the scattered set-pieces full of humour and insights/mannerisms of a small town, north India that you encounter once in a while.

It's almost like spotting diamond among the roughs - whether that be the local uncle breaking into nostalgic songs after a few pegs of whisky, or the street goon, wannabe Vidhayak (legislator) - both being the same - desperate to test his skills as a Hindi film star.

We're referring to Uttar Pradesh in particular, and Allahabad (now Prayagraaj) to be more specific - effectively a land of bakchods (blabber-mouths), with tonnes of tashan (exhibition of bravado) dictating mofussil male lives.

I know this isn't as true anymore, but another aspect that has geographically remained common to Indian towns is the cinema hall (or talkies) as the all-important landmark (there are usually two or three max in a district), where both the rich and the poor, predominantly young, but also the old, merge for their movie entertainment, and other accoutrements that naturally surround it.

Check out the trailer here:

Milan Talkies, that the film is named after, is one such adda/theatre in Allahabad where a young dude spends most of his time in the projection room, aspiring to become a Mumbai filmmaker when he isn't shooting low-budget films with neighbourhood talents himself. One assumed this would be some sort of a version of Giuseppe Tornatore's Italian classic Cinema Paradiso (1988) - ultimate tribute to the movies.

Hell, no. This is a full-on, wannabe-classic romantic story about that boy, and the girl with an authoritarian dad, and the fact that they can't get together - even as the film doesn't care to explain exactly why. And the two are happy to elope - not once, but several times in a row, and oh my god, 'will they, won't they,' just go on, and frickin' on.

The film is directed by Allahabad boy Tigmanshu Dhulia (Paan Singh Tomar, Saheb Biwi Aur Gangster), who whether he likes it or not is probably better known for the dialogue, "Jab tak Hindustan mein saneema hai, log c****iye bante rahenge," that he delivered as an actor in Anurag Kashyap's iconic Gangs Of Wasseypur (2012). Such is how crisp dialogues (like tag-lines in ads) work on us anyway.

Whether this film itself is part-autobiographical or not, Dhulia got noticed as a filmmaker with his debut Haasil (2003) - at the time a rare, robust insider's account of his home-town, and campus politics in a north Indian small-town. Over the years, that script (or the premise, if you may) has been milked so much to death, that it's turned into a tiring genre of its own.

Ali Fazal (similarly seen as a UP ruffian in the Amazon Prime series, Mirzapur) plays the protagonist here - a role that I'm told has been through several replacements (Imran Khan, Shahid Kapoor, etc) in the past. Although at some portions he sounds/behaves a lot like Dhulia himself, Fazal is competent to the core (no doubt). As is the female lead (Shraddha Srinath), making her Hindi film debut.

The film itself though does little to the genre, besides deliberately revisit some old-world Bollywood cliches. Maybe there's some subversion (that I'm unable to see). Maybe a full-blown, big-screen romance hinges much on the scale, for effective suspension of belief, which is sadly missing. Either way, one suspects, much of this movie pretty much remains in the filmmaker's imagination/head. Rest of it, quite honestly, gave me a bit of a headache.

Also Read: Sonu Nigam's soulful voice in Shart from Milan Talkies will tug at your heartstrings

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Dumbo
U/A: Family, Fantasy
Cast: Colin Farrell, Michael Keaton, Danny DeVito
Director: Tim Burton
Rating: 

Disney's attempt to lend more darkness and quirks to this live-action remake of its 1941 animated classic about a baby elephant whose ears double as wings, Dumbo, pays off with loads of cuteness but the director Tim Burton's signature strangeness is missing. Burton's craft is more simplistic here - even though the film is a sort of circus fantasia with all the aspects of an imagination running wild.

The owner of a struggling circus, Max Medici(Danny De Vito) enlists a man(Colin Farrell) and his two children to care for a new born elephant that can fly. Of course, the contretemps are not merely about a flying elephant but also about those opportunistic times when diabolical people sought to make their fortunes off the sweat of lesser mortals.

Check out the trailer here:

With Michael Keaton and Danny DeVito on the same page here, one would have expected something more whimsical and intriguing but this production doesn't quite fit the bill. Burton's attempts to stuff up the visuals with a surrounding darkness doesn't set flight to the imagination. Ehren Kruger's screenplay is inconsistent and chaotic. Character development is uneven so even the leads don't come across as engaging. Burton's attempts to give vein to the freakish performer doesn't have much impact because the plotting is quite wayward. Even the presence of snake charmer Pramesh Singh (Roshan Seth) and the resident circus "mermaid," Miss Atlantis (Sharon Rooney), who strums a ukulele by the fireside and sings "Baby Mine," feels out of place in this extravaganza that lacks connect and soul!

Also Read: Disney's 'Dumbo' will take you to new heights

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Junglee
U/A: Action
Director: Chuck Russell
Cast: Vidyut Jammwal, Pooja Sawant, Atul Kulkarni, Akshay Oberoi
Ratings: 

There may be a relevant message lying at the heart of Junglee's story, but the wafer-thin plot renders director Chuck Russell incapable of translating it into a thought-provoking film. Poor execution and bad acting makes this Vidyut Jammwal-starrer a mere comedic watch.

This wildlife adventure revolves around Raj (Jammwal), a vet working in Mumbai. He shows his extraordinary Kalaripayattu skills by taking on a bunch of goons who are torturing a stray dog. While his relationship with his father may be strained, the two harbour a shared passion - their love for elephants. Raj's trip to the elephant sanctuary owned by his father turns all the more interesting when he meets female mahout Shankara (Pooja Sawant) and a journalist-animal rights activist (debutante Asha Bhat). However, our mighty hero has little time for romance - trouble looms large over him as he has to protect the elephants from poachers (led by Atul Kulkarni) who trade their ivory tusks for moolah. How Raj saves the pachyderms from the hunters forms the crux of the story.

Watch the trailer here:

Russell appears to be well-acquainted with the strengths and weaknesses of his protagonist. So, you have a script that has little plot and more frills. You will be sold at the good ol' hand pummeling, as Jammwal spices up the desi maar dhaar with mixed martial arts. As for the rest of the cast, Kulkarni's poker-faced bad guy act is something one doesn't expect from a seasoned actor. Sawant is convincing while Bhat as the babe in the jungle is completely wasted. Akshay Oberoi as the forest ranger and Makrand Deshpande are sincere.

On the upside, Mark Irwin's cinematography keeps you hooked to the screen. He captures every moment in the lush jungles with sincerity. But that doesn't save the film from sinking. With a runtime of 115 minutes, this thriller feels longer than it should. You will miss the deft direction that Russell displayed in his previous outings, The Mask and The Scorpion King.

Also Read: Chuck Russell on Junglee: Made film keeping Vidyut Jammwal in mind

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Pet Sematary

U/A: Horror, Mystery, Thriller
Director: Dennis Widmyer, Kevin Kolsch
Cast: Jete Laurence, Hugo Lavoie, Jason Clarke, Lucas Lavoie, Amy Seimetz
Rating: 

The 1989 version of Pet Sematary based on the 1983 Stephen King novel, was certainly no classic but it was a cheesy horror tale powered by a solid performance from Fred Gwynne and the title song from the Ramones was quite rage. Given the cult popularity of horror films today, it's no surprise that even such an unremarkable representative of the genre gets recast for the GenNext voyeurs of horror thrills. Co-directors Kevin Kölsch and Dennis Widmyer don't have much of a challenge on their hands, given the fact that there's no attempt being made here to tell the story from a different vantage point.

Dr Louis Creed (Jason Clarke), wife Rachel (Amy Seimetz), eight-year-old daughter Ellie (Jete Laurence), two-year-old son Gage (Hugo and Lucas Lavoie) and pet cat Church—relocate to a rustic home in the quaint rural town of Ludlow, Maine. Though there's plenty of land, with a mysterious pet cemetery and a strange bog behind the home there's not much of it in front - with a state highway running through right at the curb just off their driveway. So one would think that responsible parents would take the trouble of checking out their abode and taking the necessary precautions before moving in.

Check out the trailer here:

Such deliberate contrivance is of course a given for a horror film attempting to spook you by suggestions rather than facts. Soon enough the pet cat gets crushed under a speeding mammoth and the grieving Dr Clarke, helped on by friendly neighbour Jud Crandall(John Lithgow) takes the cat to be buried near the mysterious bog which apparently has mystical powers of resurrecting the dead. A rather convenient ploy to give wandering souls a rejuvenated body to do evil. The rest of it is rather brutal.

The film, as the book, is riddled with plenty of plot holes but King's book at least had a descriptive set-up that kept the interest going. The film doesn't have much exposition. The wife's torment from a traumatic experience during childhood is represented through hallucinatory flashbacks and the tragedies that befall the Creed family just keep piling up soon after they move in. The directors and writer Jeff Buhler, make a few deviations but they play out as altogether facile and non-requiting. The actors do their job well but the narrative doesn't create enough empathy for us to be worried about their fate. Closing it out with a Starcrawler cover of the Ramones's original theme may stir up some nostalgia but that's not going to spook you. Even King's original denouement gets replaced and that makes this particular effort altogether superficial.

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The Curse Of The Weeping Woman
U/A: Horror, mystery
Director: Michael Chaves
Cast: Linda Cardellini, Patricia Velasquez, Sean Thomas
Ratings: 

This film, derived from a Latin American folk tale, has been force-fitted into the Conjuring-Annabelle universe. Writers Mikki Daughty and Tobias Iaconis, and director Michael Chaves turn a demented criminal act into grist for an insidious tale involving a social worker working with abandoned wives. The film bears the brunt of this conspired opportunism.

The narrative opens with the origin of the folklore in 17th century Mexico, where it is showcases a beautiful woman (abandoned by her husband) in a fit of jealous rage, drowns their two male offsprings, kills herself and then roams around as a restless weeping ghost, seeking to replace her dead children by sacrificing other kids. The Curse Of The Weeping Woman leaps to 1973 Los Angeles, a convenient period that hopes to link-up a priest from the Annabelle world and transports him into the weeping woman miniverse.

A recent cop-widow Anna (Linda Cardellini), who works for Child Protective Services, has just been entrusted with the task of rescuing two young boys - Sam and Chris from their abusive mother, Patricia Alvarez (Patricia Velasquez). Anna puts the boys in a home for the evening, hoping they would feel secure and comforted in the care of professionals. But a late night call from the cops tells a different story. The boys are dead and Alvarez holds Anna accountable.

Watch the trailer of The Curse Of The Weeping Woman:

The malevolent ghost - a typically yellow-eyed blotchy-skinned bride weeping icky black tears starts haunting the boys. The jump-scares don't have the power to scare the audience, but it definitely makes the children sweat. The opening and shutting of doors and windows accompanied by sound effects don't scale up the scares either.

The set-up is intriguing enough but the visions are feeble and the horror quotient is laughable. Anna claims she is a non-believer, but when her children are affected and strange things begin to happen, she seeks help from a curandero - a former priest turned shaman, Rafael Olvera (Raymond Cruz), who uses his skills to keep fear at bay. Cardellini and Cruz do their best to make this trope happy formulaic poser an efficient one, but alas!

Also Read: Kalank Movie Review: A great cinematic experience, but is it worth a watch?

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Avengers: Endgame
U/A:  Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

Avengers: Endgame, undoubtedly the most anticipated film of recent year's, lives up to most expectations. This film is a befitting finale for the decades-old, 21 films, Marvel Cinematic Universe that heralded the likes of Iron Man, Captain America, Thor, Hulk, Black Widow and Hawkeye. Together they formed the original Avengers team while the newer allies and villains added more power to subsequent outings. This may not be a non-stop action spectacle. Instead, what we get is a well- proportioned, engagingly structured narrative that spreads out its content and thrills in momentous expansiveness, End game basically posits a finale worthy of the superhero characters it promotes. Marvel's time-travelling sci-fi adventure saga throws up a few surprises too along the way.

The story is rather basic - After the devastating events of Avengers: Infinity War (2018), which ended with Thanos getting all of the six Infinity Stones and then using them to wipe out half of existence, including beloved heroes like Black Panther, Star-Lord, and Spider-Man. The surviving heroes go through a period of self-recrimination, hopelessness, heartache and self-doubt before they take the necessary steps to reverse Thanos' actions, they're fatalism keeps us grounded.  

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

The script by Christopher Markus, Stephen McFeely among others, is surprisingly inventive, fraught with emotion and funny. The performances live up to the iconoclastic expectations of the fans while the CGI and effects lend whole new meaning and dimension to quantum physics and chaos theory. The film is a sort of nirvana for the thousands of people who sweated night and day to make such a unique and unprecedented experience come good. Endgame has a much slower, deliberate pace allowing for deeper character development and strong motivations while developing intensity and attachment all the way through. A major portion of the action happens only towards the last half hour of a nearly 3-hour runtime – yet, doesn't feel bloated or unnecessarily expanded.

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

This film incorporates beloved elements from earlier outings and recalls character beats, origins, and sub-plots while adding texture and complexity to the inter-galactic drama envisioned as homage to the never-say-die superhero spirit. Alan Silvestri's amazing background score elevates the intensity and involvement. The helming by the Russo brothers is also quite remarkable – creating a well-sprung of entreaty that is truly an event!

Also Read: Avengers Endgame release: A look at how Avengers films fared at the Indian box office

Check out the Avengers: Endgame trailer here:

Also Read: Critics review Avengers: Endgame, say it's 'everything you want it to be and more'

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Avengers: Endgame
U/A: Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

How does one put together words about a film that, for all practical purposes, anything and everything you write, is likely to be misconstrued/diagnosed as a spoiler?

Suffice it to know that this expectedly dramatic conclusion of Marvel's three-part Infinity Saga is a relatively internalised, deep and sober film, concerned more with the motivations of super-heroes, the choices before them, and what they should pick, in order to take on super-villain Thanos—of course.

For one, the earth is a much quieter place, since as you're aware, its species have been annihilated, decimated by Devil Thanos, ever since he got his hands on the infinity stones, and went on to execute the bizarre plan of supposedly ethical ethnic cleansing—randomly ridding planets of half its populations, to make them more sustainable, by restoring balance of sorts, as it were.

Of course, there will be survivors. And Iron Man or Tony Stark (Robert Downey Jr), to start with, is thankfully rescued or reunited with the human family back home. So is Hawkeye (Jeremy Renner). Both of them, like all the others, seem to be somberly dealing with the aftermath of a universal tragedy.

Surely, you have your own favourites from this cinematic universe (and how can Iron Man not top that list?). But there's something about the inherent cuteness of Hulk (Mark Ruffalo) that saves this franchise's final installment from turning into a complete depresso—left to be downed over rounds of espresso, what with the screen-time running three hours plus.

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

Indians might thank their theatres for the usually hated interval. I caught it without one, but didn't miss it either. There's enough material here to keep you engaged, even if to wonder, on occasion, if some of it makes any sense. You may or may not be impressed with the long drawn explanations, but you're only too happy to go with it.

Frankly, I'm no Marvel fanboy/fanatic—if the movie-world is indeed divided into two types, then more the DC demographic. That said, there is an infectious verve and energy that multiple super-heroes bring to this cinematic universe that is hard to not be swayed by, even if an individual or sub-set, Guardians Of Galaxy in particular, may be difficult to appreciate on their own.

Check out the Avengers: Endgame trailer here:

Avengers: Endgame does a fine job of navigating a reasonably cogent script without over-populating the screen. Avengers: Infinity War seemed more overwrought in comparison. I re-watched portions of the 2018 prequel on my phone (for quick revision), which of course means I didn't watch it at all.

For, at the end of the day, battle sequences and pyrotechnics is the point of it all, isn't it? Endgame, despite all the philosophy, is not an exception. It shines gloriously as 3D spectacle on the IMAX screen, ideally viewed from the third-row, from the back—and if you're not on IMAX, then the third row from the front—for a stunningly immersive experience, with such depth of field that the points where the camera focuses on a river, the ripples flowing towards you, you almost feel like you can wade through the frickin' water!

I know, don't need to put in a word (spoilers be damned). Suffice it to know that seldom has the excitement of audiences entering a theatre, matched by those exiting, after a hugely hyped pic. Endgame equals its astounding anticipation. And that's saying a whole lot!

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

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Amid the rising number of coronavirus cases across the city, the Mumbai Police on Monday took to Twitter to thank Bollywood actor Akshay Kumar for his humble contribution towards the Mumbai Police foundation amid the COVID-19 crisis.

Mumbai Police thanks @akshaykumar for contributing Rs. 2 Crore to the Mumbai Police Foundation. Your contribution will go a long way in safeguarding the lives of those who are committed to safeguarding the city - the men and women of Mumbai Police!#MumbaiPoliceFoundation

— CP Mumbai Police (@CPMumbaiPolice) April 27, 2020

While extending a thank you note to the action-superstar of the B-Town industry, Mumbai Police said that the contribution will help to safeguard the lives of the Mumbai Police personnel who are committed to safeguarding the city to fight the global pandemic.

In the past too, Sooryavanshi actor donated Rs 3 crore to help the Brihanmumbai Municipal Corporation (BMC) in order to help them to make rapid testing kits, personal protection equipments and face masks in its battle against the deadly virus.

#RohitShetty has facilitated eight hotels across the city for our on-duty #CovidWarriors to rest, shower & change with arrangements for breakfast & dinner.

We thank him for this kind gesture and for helping us in #TakingOnCorona and keeping Mumbai safe.

— Mumbai Police (@MumbaiPolice) April 21, 2020

Besides helping Mumbai Police and the country's richest civic body, Akshay also contributed Rs 25 crores to the PM CARES fund to help the country fight the epidemic. Earlier, Mumbai police expressed gratitude to Bollywood director Rohit Shetty for facilitating eight hotels across the city for Mumbai police personnel.

Thanking Rohit Shetty for his kind gesture, Mumbai Police said that the facility would help on-duty corona warriors to rest, shower and change with arrangements for breakfast and dinner.

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The fight against Coronavirus is a constantly evolving one and is mainly reactive at the present moment in many contexts.

The BEST authorities are putting into place a plan which reduces the number of conductors in the few big, reds plying the city.

This is because, as a report stated in this newspaper, a few from the BEST workforce have contracted the Coronavirus. They are now going to run buses, some being already operational in this manner, with a driver and no conductor. The commuters will have to pay at the end of the journey.

It is important that the few passengers we see in buses today, follow rules whether there is a conductor or not. Maintain social distance in the bus, even if there is no conductor to enforce this.

Adults must know that the distancing is mandated for their safety and the security of their family too, so one surely does not and should not need somebody literally telling them to observe social distancing.

Ride in the bus wearing a mask, and do not slip it off your face or hang it around the neck during the journey. Do get on at the proper stop and follow correct etiquette even while alighting. Do pay the correct fare for the journey you took.

We must recognise that this is special, though necessary, service for workers and those providing essential services, thus necessitating commuting during these times.

The report also cited a BEST Kamghar Sanghatna official opposed to keeping conductors out, saying this was a ruse to start one-man operations amid Coronavirus.

Dialogue must ensure that there is transparency and talks within the Undertaking which is facing so many challenges — Coronavirus or not. May all do the BEST for Mumbai.

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The Brihanmumbai Municipal Corporation (BMC) on Monday claimed that around 75 per cent of the nursing homes in the city have restarted services, after its warning of cancelling their licences if they did not do so, on Saturday. The municipal commissioner has ordered the cancellation of licences of the remaining 25 per cent nursing homes. Action will also be taken against private clinics who continue to remain shut, under the Epidemic Diseases Act, 1897.

Warning issues
The associations of doctors, nursing homes have expressed fear to work during the COVID-19 pandemic without proper safety kits and strict guidelines. The BMC has several times offered to provide safety kits but most private clinics and nursing homes remain closed due to fear of transmission of COVID-19. On Saturday, the BMC warned nursing homes and clinics to restart immediately and refer patients who have symptoms of COVID-19 to its centres. On Monday, the BMC claimed that out of 1,416 nursing homes, 1,068 have restarted their service. "Out of 99 dialysis centres, 89 are working," said an officer with the health department of the BMC.

According to the press note issued by the civic corporation, the municipal commissioner has ordered the health department to start the process of cancelling licences of the 348 nursing homes which haven't started services yet.

Mayor in nurse's uniform

Mayor Kishori Pednekar visited Nair hospital to meet the nurses

Kishori Pednekar, mayor of Mumbai and a former nurse, donned on a nurse's uniform and visited the COVID-19-only Nair hospital on Monday morning. She was there to encourage nurses. The mayor will visit Sion hospital on Tuesday to communicate with nurses. Pednekar followed social distancing norms during her visit. "I was a nurse by profession and am aware of their challenges. I am getting many calls from nurses and their parents who expressed fear. This is a challenging time and we all should fight the pandemic," said Pednekar.

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No one informed us that my brother had been killed. We heard about his death on news," said Rakesh Tiwari, the brother of Kalpavrishkgiri Chikne Maharaj who was lynched in Palghar earlier this month, from Uttar Pradesh's Bhadohi taluka where the deceased priest's family lives.

On the night of April 16, a frenzied mob of close to 450 tribals lynched 70-year-old Chikne Maharaj, another priest and their driver, suspecting them to be thieves, at Gadchinchale village. While the incident made headlines across the nation, Chikne Maharaj's family learnt about his death only two days later.

Rakesh told mid-day over the phone that neither the police nor the authorities in the state informed them about his demise. We learnt through the news two days later that Kalpavrishkgiri had been brutally murdered in Palghar, he said.

Kalpavrishkgiri had left his home in Uttar Pradesh at the age of nine and was reunited with his family after 20-long years. When Kalpavrishkgiri was nine years old, he left home for Gramsabha Bhusavla school at Bhadohi one day, and never returned. We searched for him across the town but didn't find him." After reuniting with him 26 years later, the family learnt that he had gone to Nashik to become a monk, Rakesh said.

"We found his address when Kalpavrishkgiri was about 35-year-old and learnt that he had become a priest. After leaving UP, he had gone to Trimbakeshwar Shiva Temple to become a monk and later moved to Mumbai. He was a priest at Vandevi temple at Jogeshwari East. We accepted him and I used to meet him whenever I visited Mumbai."

Kalpavrishkgiri wanted to attend the last rites of our mother, who died on March 22, said Rakesh, adding that he couldn't make it to Uttar Pradesh due to the lockdown in Mumbai announced by the Maharashtra government in an attempt to contain the spread of the novel Coronavirus.

"On March 22, I called to my brother to inform him about our mother's demise, but due to the restrictions he could not attend her funeral. He was our mother's favourite son," Rakesh told mid-day. Rakesh said, "Our wish was to attend my brother's final rites but we received the information very later and that too from the media."

He also accused the police of failing to save his brothers and the two others with him. The videos clearly show that the police surrendered my brother to the mob, who then brutally thrashed him to death, said Rakesh, adding that the police could have saved Kalpavrishkgiri.

"Not a single police officer informed us about his death," Rakesh told mid-day.

Tilghate was driving Chikne Maharaj and Sushil Giri to Surat where the duo were headed to attend the last rites of a head priest, Ramgiri Maharaj. However, they came across the tribals, who were enraged by the rumours that a gang of child lifters were active in the region. While the police maintain that close to 450 people were part of the mob, a local leader had said as many as 2,500 tribals had gatheredthat night.

16 April
Day the two priests and their driver were lynched

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The Palghar pot is boiling with the Communist Party of India Marxist (CPI-M) saying they are going to file defamation cases against a couple of BJP leaders for defaming CPI-M, by making baseless claims against them for the lynching of the two priests and their driver in Gadchinchale village. Mumbai's Ashok Dhawale, Central Committee member, CPI-M said, "We will file the case shortly. When the CPI-M says something, it always goes ahead and never backwards."

The roots
Dhawale explained that the Communists have had their imprint in the whole of Dahanu and Talasari tehsil. "It has been our base since 1945 when Comrade Godavari Parulekar led the revolt of the tribals against landlordism and bonded labour. This is how deep our roots go into this land. We have the MLA seat in Dahanu, with the dashing Vinod Nikole defeating the BJP sitting MLA in 2019."

Work done
On accusations that it is the Communists and this party that foment violence, leading to mob frenzy and agitation, Dhawale shot back, "We have worked for drinking water and water for irrigation. We drive movements for uplifting the health infrastructure in the region, we have schools, colleges and hostels in Talasari district. We have worked for women's issues, rations..."

Long march
Dhawale added as a Mumbai example, "It was the CPI-M that was at the forefront of the long march of farmers from Nashik to Mumbai in 2018. One of the demands was better implementation of the Forest Rights Act. There was no violence on that march, not a single car window was smashed. It was during this time that a BJP leader spoke about Urban Naxals and that term has stuck."

Bullet train
Another name swirling in the Palghar blame game is that of the Kashtakari Sanghatana. Dhawale said, "The Kashtakari Sanghatana and the CPI-M have had a prickly relationship.

However about three years ago, we came together to galvanise people in the area against the Bullet Train project. We have buried the hatchet so to speak, since."

Parliamentary process
In the end, Dhawale said that the CPI- M was totally against the Maoist violence in fringe pockets, "We have always been part of the Parliamentary process, right from Independence. We have unequivocally condemned the Palghar lynching; for the right wing to link it to us, to defame us, is simply nonsensical."

Go and file
Mumbai's Shriraj Nair, national spokesperson Vishwa Hindu Parishad (VHP), slammed the CPI- M saying, "If any villager is innocent we support him. We are for tracking down the culprits of this crime. For years though, the CPI-M has been brainwashing villagers and conducting anti-Hindu activities. They are also anti-development."

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Ruling out lifting of lockdown after May 3 from across the country, Prime Minister Narendra Modi has asked states to decide on their lockdown guidelines depending on the prevailing situation on the ground. He said the pandemic was far from over and hence the country needed a balance between the lockdown and the efforts of keeping normalcy in daily life.

Modi told chief ministers on Monday that the lockdown had yielded positive results and the country had managed to save thousands of lives in the past 45 days.

"Our aim must be rapid response, and 'do gaz doori' (physical distancing)," he said, adding that the states where positive cases were higher should not be treated as criminals.

Maharashtra CM Uddhav Thackeray is reported to have supported the lockdown where it is needed most. He also said on Sunday that the lockdown could be lifted after May 3 only if the situation allowed. Union Home Minister Amit Shah reaffirmed the need to enforce lockdown so that maximum lives were saved.

Amid rising concerns about a weakening economy, Modi said that efforts of states should be directed towards converting red zones into orange and thereafter to green zones.

"We have to be brave and bring in reforms that touch the lives of common citizens. We have to give importance to the economy as well as continue the fight against COVID-19. The impact of Coronavirus will remain visible in the coming months, masks and face covers will be part of our life," he said.

"India's population is comparable to that of the combined population of several countries. The situation in many countries, including India, was almost similar at the beginning of March. However, due to timely measures, India has been able to protect many people," the PM said, emphasising that the danger of the virus was far from over and constant vigilance was of paramount importance.

Cabinet meet tomorrow
He said, "This is the time we used technology as much as possible and utilised time to embrace reform measures," the PM said.

Sources said the Union cabinet would discuss the matter on Wednesday. In all likelihood, the decision on lifting or easing lockdown is expected to be announced at least four days before the deadline of May 3.

State home minister Anil Deshmukh who also participated in the CM's interaction with PM said in Nagpur that the red zones where higher cases of COVID existed would in probability continue to have lockdown."Orange and green zone may get lockdown relaxed and CM himself would announce about it," he said.

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With most areas in the city marked as COVID-19 hotspots and no transport available, residents feel that the Brihanmumbai Municipal Corporation's (BMC) circular allowing pre-monsoon repair work and waterproofing in buildings before the onset of monsoon, is nothing but an eyewash. They are of the opinion that if the lockdown continues beyond May 3, it will be practically difficult to complete work before the rains, as no shops selling cement, sand, brick and waterproofing chemicals will be open.

Speaking to mid-day, Somasunderan Nair, director, Intercons Tectonic (Pvt) Ltd, a Vashi-based firm doing engineering and civil construction work, said, "It is just impossible for the labourers to go to different locations with no transportation available. They can't travel between construction sites located in different areas of Mumbai and Navi Mumbai."

Rekhi Sai Daffodils has been undergoing repairs since January

'All going to waste'
"Also, I had stored raw materials (cement and sand) worth a few lakhs of rupees at different buildings undergoing repairs, but all of it got stalled due to the lockdown," added Nair. He further said, "At one of our Kharghar site, the Pimpri-Chinchwad Municipal Corporation (PCMC) staff had asked the site supervisor to wind up all repair work, and at that time, a ready-mix cement mortar consignment was being offloaded from a Gujarat registered truck. Since the municipal staff warned of '15,000 fine per staff, the workers had no option but to leave the site. Nearly 700 bags of ready-mix cement mortar were offloaded, but I fear that all of it will go to waste. They have been lying unused for over one month and if the lockdown continues, we might have to dispose of the raw materials."

While the BMC has come out with a circular allowing work to be carried out, the NMMC and PCMC are yet to provide any clarity on such repair works.

Exposed beams of Rekhi Sai Daffodils in Kharghar

A Ghatkopar West resident, whose building is under repairs, said, "We have stored some materials in our building premises and have allowed some workers to stay on the compound. Even the contractor is ready to buy construction materials like bricks, cement etc from the local market, but for that we need to know where such outlets are open."

'Apply for online permissions'
When contacted, a senior official from BMC's Development Plan department said, "We have issued the circular which clearly states the directives. As per the directions of the state government, certain activities are being allowed during lockdown. However, the said guidelines were stayed by the government vide GR dated April 21, 2020 for Mumbai Metropolitan Region and Pune Metropolitan Region. However, to save some existing structures/buildings and prevent flood like situations during monsoon, certain construction activities within MCGM limits may be allowed in non-containment zones."

Navre Premises Cooperative society in Sion West

When asked that if the entire city is under lockdown, then how will the circular be implemented, the official said, "It is a fact that most of the areas in Mumbai are containment zones and no work will be allowed there. If the situation is under control after May 3, then as and when the lockdown is lifted, work can be started. Meanwhile, the contractors/societies concerned should apply for online permissions."

And if monsoon sets in by then, the official said, "The contractors can cover the open terraces with tarpaulin sheets and permission can be given for repairs post monsoon."

Expert speak
When contacted, senior lawyer, Vinod Sampat, said, "As far as the BMC is concerned, everyone is interested in protecting their own skin. There is no coordination between government departments. A simple solution can be easily worked out by designating one responsible official for the job. He would ensure that the residents' requirements are easily met and the construction materials are made available to those whose buildings are getting repaired. Secondly, there is no accountability among government officials and they are unpredictable. As far as possible, repair work should not be undertaken immediately. A better way would be to put tarpaulin sheets on the buildings and postpone repair work to the post-monsoon time."

He further said, "Moreover, it is very difficult to get skilled labourers now as most of them want to return home. And lastly, if any of the contractors or their workers test positive for COVID-19, the society managing committee members may be held responsible for not taking proper precaution."

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In a first, the Central Railway (CR) seems to have come up with a permanent solution for the falling boulders in the ghat section known for disrupting services during monsoon. Accordingly, CR has recreated steel tunnels which will trap falling boulders and protect the passing trains below.

Last year, CR deployed 60 additional CCTV cameras, posted gangmen, rock-bolting at 750m stretch and drone cameras to alert approaching trains, but all were of limited help.In 2017, three passengers on the Hubli-Lokmanya Tilak Terminus (LTT) Express suffered injuries after a boulder came crashing through the roof while it was passing through Khandala ghat.

After the problem was analysed last year, it was revealed that the increased incidents of boulders falling on tracks along with mud had been due to heavy monsoon.

So, officials started working on the steel tunnel portal extension last year in four tunnels. "The work has been progressing with the lockdown in place and will be completed before the monsoon sets in," CR chief public relations officer Shivaji Sutar said. "Work of removing loose boulders is still underway and at present, we are running boulder special trains, and patrolling the mountains to scan loose boulders and tunnels," he added.

In the history books
Historically, the Indian Railways has been dealing with the problem of boulders in this stretch since its inception. But they never cancelled these many trains to manage the situation as they have done in recent years. The archival records of the Great Indian Peninsula Railway, which is now called Central Railway, on the initiation of passenger rail service on the ghat section in 1864, had issued a notice on the operation of the 'terrain section' by dividing the entire stretch into 13 parts with three watchmen deputed for each.

4
Total no. of tunnels in which steel tunnel work is underway

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A 36-year-old man was arrested for beating his 70-year-old father in Bhandup to death after an argument on Sunday night. According to the police, the man, identified as Sachin Gorivle was having an argument about his employment with the deceased, Krishna, The Times of India reported.

Sachin did odd jobs for a living and was at home since the lockdown due to coronavirus outbreak in March. When Krishna argued with Sachin about his job, the latter attacked the former in a fit of rage. His mother and sister were in a different room when the incident happened.

Krishna was rushed to a hospital where he succumbed to his injuries.

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Social distancing and lockdown may have impacted each one of us mentally, emotionally and psychologically but it is the children and teenagers who have had to cope with sudden closure of schools, cancellation of exams and a prohibition of face-to-face interaction with their friends and teachers.

Anusha Manjani, Manager, Counseling Services at Akanksha Foundation, says, "Children are acutely aware of the sudden changes and panic in the environment around them. Younger children can feel confused, uneasy and scared; older children express feelings of anxiety, sadness and helplessness."

She added, "The uncertainty and chaos of the pandemic impacts all aspects of children's lives- it is not just a threat to their physical health- but to their learning, their home environment, their interaction with peers, their emotional well-being. Moreover, economic hardships, the overcrowding in homes, the lack of access to resources in low income communities can lead to higher incidence of neglect, violence and abuse- making staying at home itself a risk to some children's safety."

In such a time, it is crucial that children have support of their parents and teachers to help them in having a routine and structure to their day. Anusha says, "Parents and teachers can be key caregivers and anchors during this time to support the mental well-being of children- by reassuring them of their safety, creating a space to share feelings and using art, play, fun learning activities to engage with them."

Akanksha Foundation has started a helpline number called 'The Listening Space' for all the stakeholders such as students, teachers and parents to express themselves or just discuss about what's happening. While younger children have more questions about whats happening outside, older  children are venting out their frustration, their anxiety about their parents etc.

Parents and teachers are also coming up with interactive tasks and new ways of learning. Worksheets are sent to the students everyday and once the child solves it and shares it, the teacher reverts with the corrections as well. 

It is not just academics that are taken care of amid lockdown, things such as maintaining gratitude journals and 'doing a good deed everyday' are also being imbibed in the children to maintain their mental and emotional health.

A creative snakes and ladders

"At Akanksha, teachers, counsellors, social workers and parents are working together to support the children- whether it is checking in for the child's well being, spreading awareness of safety measures, encouraging learning through low-cost tech or doing parent-child activities- we are keeping the lines of communication and connection open and strong to navigate these difficult times together," says Anusha.

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While the world is grappling with the impact of the horrific COVID-19, and the entire nation is under the lockdown, there are people who are finding it difficult to make both ends meet. Mumbai’s Dabbawalas, who ensure that a delicious, warm ,home cooked meal reach in time every single day at work, today are battling to have a meal in their own plates. Radio City, India’s leading radio network, has launched a fund raiser initiative, Dabbewale ka Dabba Bharo, and have been urging Mumbaikars to come forward and contribute towards the initiative.

Radio City in Mumbai, kick started this initiative on 22nd April, where all the RJ's across their shows have been sharing the current state of Dabbewale's, with around more than 5 thousand of them are finding it difficult to feed their families since the lockdown was announced. Radio City has been urging Mumbai city to come forward and contribute towards the initiative. There has been an overwhelming response from the citizens and uptill now, approx. 62 thousand rupees has already been collected

To garner a wider reach and raise more funds, Radio City has created a video (https://youtu.be/e1XCjt8FSBI) that has been promoted across Radio City’s social media handles. Radio City has always been at the forefront to help the city and its citizens through various initiatives like these and spread a wave of positivity.

If you wish to contribute Please click on the link: www.ketto.org/radiocity

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

India post – a subsidiary of the Ministry of Communications – stepped in to help the residents of Madh Island, after a report in mid-day highlighted their plight regarding cash. They had been plagued by dysfunctional ATMs since the national lockdown was announced due to the COVID-19 pandemic. But very few transactions were successful, since most residents didn't have their active mobile numbers linked to their Aadhaar cards — which is a must for availing the service.

After reading mid-day's April 26 report, India Post sent a team of three postmen to the area on Monday, to provide door-to-door cash withdrawal services — at no extra charge — via their mobile phones. Using their government-authorised mobile phones, these postmen helped residents withdraw money from their bank accounts and handed the cash to them—provided their bank accounts and active mobile phone numbers were linked to their Aadhaar accounts. Although a handful of residents were able to carry out successful transactions, a majority of residents could not avail the service since either their active phone numbers were not linked to their Aadhaar cards or their bank accounts.

One postman = 1 micro ATM
Speaking to mid-day, Saranya U, senior superintendent of Post Office of Mumbai North Division (under whose jurisdiction Madh Island falls), said that each of the postmen deployed for this service is equipped with government-approved mobile phones that are pre-loaded with the India Post Payment Bank (IPPB), as well as a biometric scan device that can be connected to the mobile phone. "For us, each postman acts like a micro ATM. Using their mobile phones, each of them could enable people to withdraw up to R50,000 from their bank accounts," she said. This limit was extended from R10,000 to R50,000 in the light of the COVID-19 situation.

She explained that a person had to simply run their biometric fingerprint scan through the device connected to the postman's mobile phone (Aadhaar requires thumbprints to cross-confirm). "If a bank account has been linked to the Aadhaar account, then money can be withdrawn from that account. The person's current active mobile number is also required since an OTP will be sent to it. Another step also includes authenticity confirmation from UIDAI," she said.

If all these criteria are fulfilled, people can withdraw money from the comfort of their homes. "However, we were able to distribute only R11,000 in total because most people either don't have their Aadhaar or active mobile numbers linked to their bank accounts. We carried out a total of 25 transactions, but only 4 of them were successful," said Saranya, adding that India Post's door-to-door cash withdrawal service is more popular in rural areas.

'It was easy'
India Post also reached out to Manisha Suryavanshi, a resident who is disabled with polio in a leg, and was mentioned in the mid-day report. "I was surprised to see them. They ran me through the entire process… and I got the amount instantly in my hands. I also received a debit message on my mobile phone…it was easy and we were not charged for the service," she said.

4
No. of successful transactions

25
No. of total transactions attempted

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Nearly three dozen cops, including Assistant Sub Inspectors to constable-rank policemen, attached to Kasa police station in Palghar have been transferred as a result of the Palghar mob-lynching incident.

Sources at the police station told mid-day that 35 policemen have been moved to different police stations in Palghar district, as they failed to gauge the public mood despite repeated offences by local villagers, who had been rearing their heads against the government.

"Just two days before the barbaric killing of three men — saints Chikne Maharaj and Shushil Giri and their driver Nilesh Tilghate, the mob, in a similar manner, had attacked a doctor. The doctor was spared as he too is a tribal," said an officer from Palghar police.

"Kasa police should have taken stern action against the mob as they had injured policemen in the April 14 incident. Had action been taken against the mob then, local villagers would not have mustered the courage to gather at one place and dared to lynch the trio," the officer said.

Two police officers, PSI Sudhir Katare and API Anandrao Kale, have been suspended over 'dereliction of duty'. However, action taken by both on April 16 — the day of the lynching — has been defended by eye-witnesses.

Meanwhile, the sarpanch of Gadchinchale village Chitra Choudhary has been given police protection after she wrote to Kasa police about threats from relatives of the accused. One of the two watchmen of the forest department, Sonudaji Borsa, has registered an NC against the mother of an accused for threatening him but no protection has been given to him so far.

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After 15 cases of Coronavirus among its workforce, including one death, the BEST Undertaking, that is currently the city's lifeline, has begun daily temperature checks of employees at entry points of all bus depots.

BEST officials said that of the 15 cases, two have been categorised under 'occupational exposure' — that is, the virus was probably caught by the patients at work. In the rest of the cases, employees came to work after already being exposed to the virus elsewhere. For example, one of the infected employees was residing in a Containment Zone and the one who died had visited his native place and had been hospitalised.

"Eventually, a picture goes out that the 15 BEST employees got Coronavirus while at work. The fact that they came to work after already having been exposed to the virus elsewhere is ignored and this aspect of occupational exposure goes unnoticed. Of the 15, seven are bus conductors, four are drivers, two are electricity department employees and two are from the transport engineering department," a BEST spokesperson said.

"Temperature guns have been provided at bus depot entry points and the body temperature of all employees is being checked when they enter the premises for work. Only after due recordings, employees are allowed to proceed to work," another senior official said.

The BEST also redrew its plans and omitted conductors from several buses after cases of employees contracting the virus at work surfaced and trade unions alleged poor standards of protection for the staff.

"We had been warning since day one. The BEST has woken up after 35 days, now that employees are testing positive. Still, better late than never," said BEST Kamgar Sanghatna general secretary Jagnayaran Kahar. The union had organised a 'Demand Day' on April 21 seeking safety for BEST workers.

Conductor beats COVID-19
A BEST conductor of Goregaon depot, who has a history of asthma, and a resident of Mira Road, was admitted at Tambe hospital as a COVID-19 positive case since April 13. On Tuesday, he was discharged from the hospital.

Made to sign undertaking: BEST Power staff

BEST Power employees said that they have been forced to sign an undertaking that says they have not come in contact with Coronavirus patients and that no one in their family is positive. A BEST spokesperson said that the undertaking was necessitated because, in 13 of the 15 positive cases, the virus was probably caught by the workers elsewhere. The spokesperson added that the understanding is required to maintain a database.

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After a stricter lockdown in place from April 19, Mira Road is seeing the number of COVID-19 patients on the lower side. The municipal commissioner of Mira-Bhayandar Municipal Corporation (MBMC) says 'the curve is flattening'.

"Earlier the cases doubled within a week. But in the past nine days, the number of positive patients has increased by 40 per cent. The rate of doubling is slower than before and the curve is flattening. We need citizens' continuous support to flatten it further, " said Chandrakant Dange, municipal commissioner of MBMC. 

The doubling rate for Mumbai is around seven days. In Mira Road the number of patients started increasing in the first week of April.

On April 12 the positive numbers doubled to 51 in just four days and the next double numbers were reported on April 17. After the number of patients crossed the mark of 100, the MBMC imposed a complete lockdown from the midnight of April 19. Since then the MBMC has sent around 349 more samples for tests of which 43 have turned out positive. The rate of patients turning positive seems to be around 40 per cent from the findings of April 19 - 102 to around 10 days later on April 27 - 145.

Political parties and the civic administration recently held a meeting over relaxing lockdown norms. However, the administration hasn’t changed the lockdown pattern as yet. "The number of positive patients is on the lower side and many patients are recovering. We are strengthening the home delivery system," said a senior officer of the MBMC.

Locals face food issues
While the MBMC has allowed milk booths to operate from 7 am to 10 am, chemist shops up to 5 pm and grocery and vegetable home delivered, residents are facing difficulties getting these goods. "Only select vegetables are available and the rates are high. We are not getting diapers for my baby," said Jasbir Sanyal, a resident of Shanti Park.

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Uttar Pradesh CM Yogi Aditya Nath was quick to call his Maharashtra counterpart Uddhav Thackeray after two Hindu sadhus associated with Kashi's Juna Akhara were lynched by a mob in Palghar last week.

On Tuesday, Thackeray responded by ringing up the UP CM to express his concern over the murder of two sadhus in Bulandshahar. Thackeray said he was expecting Palghar-like prompt police action in arresting the culprits and suggested not giving a communal colour to the incident.

According to a Maharashtra CMO release, Thackeray told Yogi that he was with the UP government in protesting against the heinous crime. Yogi's response was not known.

Thackeray had assured Yogi that the Palghar incident wasn't communal, but a fall-out of rumour-mongering. The government and Opposition continue to exchange barbs and accusations as the lynching is being probed.

Thackeray had issued a warning against communalising the Palghar incident with a special emphasis on the Hindi-speaking religious leaders who threatened to march towards Maharashtra to seek answers from the CM.

When the Palghar issue seemed to be alive, more so because of a police case against a news anchor, the anti-BJP lobby raked up the UP killing asking right-wingers many questions. Congress spokesperson Sachin Sawant questioned the silence over the UP incident. "This happened in a BJP-ruled state. The BJP politicised the Palghar lynching but is now keeping silent," he said.

April 16
The day three men were lynched in Palghar

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With the tourism industry at a complete standstill across the country, a number of domestic animals associated with it have been severely impacted. In the Raigad district of Maharashtra, too, a number of these animals are a common sight, especially at the tourist spots like Matheran, Raigad fort and the beaches. Horses, donkeys, monkeys and stray dogs at all these places have been left without any food to eat. These places, usually frequented by hundreds of tourists every day, have seen barely any visitors over the last month and a half. The tourists would offer food to the animals who are now left to fend for themselves. Even the locals who have pets are finding it tough to manage without much income.

Given the grim situation, the district animal husbandry department along with a few do-gooders have now taken upon themselves to feed the animals and provide them ample drinking water.

Donkeys given dry grass at Raigad Fort

Dr Shubash Mhaske, district deputy commissioner, Animal Husbandry department, informed mid-day that the district, known for its farmhouses, hill stations, forts and beaches, has around 1,200 horses and ponies, of which nearly 460 are reared at Matheran hill station and the rest at the beaches around the districts. With the forest cover in Raigad district, monkeys too are found in large numbers here. "These are often fed by commuters en route to their destinations but that has stopped for over a month now," Mhaske said.

Dr Mandar Patel, Livestock Development Officer, Roha, therefore, visited the ghat areas on Roha-Nagothane road a couple of days ago with his team to feed some monkeys. Similarly, a team even visited Matheran to arrange food and water for the monkeys there.

Animal lovers step up in Pen
Hundreds of stray dogs and 40 cows are also being fed daily by a few animal lovers in and around Pen in Raigad.

"Cimaa Punmiya has come up with an innovative concept of Animal Food bank, where any animal lover can donate food. Kumar Deshpande provides a liquid diet for the strays. The Animal Husbandry department has arranged for medicines," Dr Mhaske said.

Donkeys of Raigadwadi starving
Another animal hit by the lockdown is the donkey. Around 90 donkeys reside around RaigadWadi, foothills of Raigad Fort. Dr Dattatray Sonawale, veterinary assistant commissioner of Animal Husbandry, Mahad Taluka, informed mid-day that the restoration work of Raigad Fort is on for the past couple of years and nearly 250 donkeys were being used to take up repairing material.

"Most of the donkeys had come from nearby areas and only 90 are still at the spot. They are owned by six-seven families who are still staying at the foothills of the fort," said Sonawale. These people along with their donkeys have been having a tough time sustaining due to the lockdown as "the donkeys are not allowed to roam around in the fields making it difficult for them to manage fodder or dry grass," the doctor added.

Prabhakar Sawant, a Raigadwadi resident, said that most of the donkeys are hired by contractors of restoration work.

After the district collector's directives, Sonawale and his team approached a few NGOs requesting them to provide dry grass, rice bran, wheat bran and medicines required for treating some injured donkeys. "Accordingly, potable water of 1,000 liters has been provided at the spot," he said, adding that the effort will continue to provide feed and dry grass to the donkeys till they are "in our jurisdiction and ration kits will be given to their owners."

'Everyone will be taken care of'
Nidhi Choudhari, district collector, told mid-day that the collector's office was doing everything to reach out to migrant workers and underprivileged people by providing ration kits and organising community kitchens with help from NGOs and corporates. "Directions have also been given to the Animal husbandry department to ensure that animals and strays are taken care of. Many animal lovers too have volunteered to help," Choudhari said.

1,200
Approx no. of horses/ponies in Raigad district

460
No. of horses/ponies at Matheran

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A Bandra court on Tuesday granted bail to Vinay Dubey, accused of inciting migrants to assemble outside Bandra railway station on April 14 in violation of lockdown norms. Dubey was granted bail on a cash surety of Rs 15,000 by metropolitan magistrate JY Ghule, his lawyer Deepak Mishra said.

On April 14, the last day of the first phase of the lockdown, several hundred migrants had assembled on the west side of Bandra railway station, demanding trains take them to their native places, just hours after Prime Minister Narendra Modi announced an extension of the lockdown till May 3.

Police claimed Dubey's video and Facebook post incited the migrants, as he was heard stating that the government must run trains by April 18 for migrant labourers, or he would start a rally to get them home.

Dubey was charged under sections 117, 153 A, 188, 269, 270 and 505 (2) of Indian Penal Code on charges of promoting enmity among different groups, abetting the commission of an offence by members of the public, and for negligence that could spread infections, disease etc. He was also charged under the Epidemic Diseases Act.

Advocate blames police
Advocate Mishra claimed the police was wrong in charging Dubey. "Dubey had said in the video that an agitation would start on April 18. However, migrants gathered on April 14 itself. So how can my client be blamed for that?" he said. He also told court that the migrants had been able to gather despite the lockdown because of the failure of the police and state.

Rs 15k
Cash surety against which he was granted bail

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The Kalachowkie police have registered a case against three people who entered a sealed building on the pretext of checking for COVID-19 patients. The building was sealed after BMC officials found positive patients in it. The trio was equipped with thermal scanners.

According to the Kalachowki police, on Monday afternoon, the accused Aniket Chaugule, 25, Deepak Wagh, 24, and Ashok Chavhan, 22, visited Vikrant Sadan building in Chinchpokli and posing as BMC employees, told residents that they had come to checking for any positive patients in the building.

When the residents asked for documentary proof, the trio could not produce any. So, the residents called the Kalachowkie police.

As soon as the call was received, a police team reached the building and after interrogating the three found that they were not BMC employees. A case was registered against all three and the police quarantined them. The accused have been maintaining that they had come to do social work and had no intention of cheating anyone. Police are verifying their claims.

A police officer told mid-day, "Outsiders are banned from entering the sealed building. In such a situation, these three people violated the law by entering the building and lied to residents that they are BMC employees. We are investigating further," said Kalachowkie Senior Police Inspector Gokulsing Patil.

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While videos and pictures of a big flamingo congregation in Mumbai go viral on social media claiming that the number of these migratory birds is high this year, wildlife experts stand divided on this deduction.

Over the past few weeks, large flocks of flamingos have been spotted at Airoli creek, NRI Complex in Navi Mumbai and Bhandup pumping station. This has therefore sparked assumptions that the number of flamingos this year is much higher than last year. Experts, however, feel that this is not new and that because people are observing the birds a lot more, it is leading them to assume the increase in number.

According to Bombay Natural History Society (BNHS), it has estimated more than 1.5 lakh flamingos were seen in Mumbai in the first week of April 2020 and the number has been high compared to last year.

Sunjoy Monga, naturalist/ecologist, writer and photographer, told mid-day, "Over the past years, flamingo congregations are pretty routine and this period is often longer for them than for most other migratory birds. However, if the numbers are higher this season it is difficult to quantify it because with people locked down in their homes, those living near Airoli creek, Palm Beach Road, etc, are continuously seeing the flamingo congregation they may not be accustomed to. So it is a question of perception."

Naturalist and bird expert Aadesh Shivkar said that the number of flamingos seen in and around Mumbai is definitely more this year. "It is true that the number of flamingos sighted in Mumbai and surrounding areas at present is high. One can see large flocks of flamingos at Airoli Creek, Bhandup pumping station and in Navi Mumbai and is an indication that they're preparing to fly back," he said.

"Another reason why we are witnessing more flamingos is that there is less disturbance in the city due to the lockdown and also because people sitting at home are utilising their time by clicking pictures of these birds," he added.

Retired Vice-Principal and associate professor of Zoology, Parvish Pandya said, "Because of the lockdown, people staying near water bodies have become more observant. Also, if some people feel that the number of flamingos has increased this year because there is less air pollution then it is not true because they arrived in Mumbai much before the lockdown. The number of flamingos currently in the city cannot be correlated with the lockdown."

1.5 lakh
Flamingos spotted in city in April

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The HRD Ministry is prepared to conduct the pending board examinations for classes 10 and 12 for 29 crucial subjects at the first possibility, officials said. The ministry has also directed states to start the evaluation process for the exams already conducted and facilitate the Central Board of Secondary Education (CBSE) in evaluation of answer sheets. "We are prepared to conduct board exams for class 10 and 12 pending due to lockdown in wake of the COVID-19 situation in the country. The exams will be conducted for 29 subjects crucial for promotion and admissions to undergraduate courses, at the first possibility. The students will be given at least 10-days notice before exams are conducted," a senior ministry official said.

"States have been asked to start the evaluation process for the exams already conducted and have been advised to facilitate evaluation of answer sheets. CBSE will also issue instructions for marking or assessment of non-important subjects not included in the list of 29 subjects," the official said. HRD Minister Ramesh Pokhriyal 'Nishank' had on Tuesday interacted with education ministers of states. Delhi Deputy Chief Minister Manish Sisodia had suggested that students be marked on basis of internal assessment as it is not feasible to conduct the pending exams now.

Sisodia, who is also the education minister, said students of Delhi will be more effected due to delay in conduct of exams as different states have their own boards, while the national capital only follows CBSE. Education ministers from different states also put forward deliberations being made about their respective state boards.
The Bihar board has already announced results for three streams of class 12 and is in the process of evaluation of class 12 exams. The Uttar Pradesh board is yet to begin the evaluation and will take a call in this regard soon.

¿Recently there has been lot of speculation regarding CBSE board exams. It is reiterated that board's decision to take board exams for 29 subjects of class 10, 12 stands the same as announced earlier,¿ the CBSE clarified in a tweet on Wednesday. According to the HRD ministry officials, as of now there are plans to conduct competitive exams including JEE and NEET in June for admission to engineering and medical colleges.

For other undergraduate admissions, the University Grants Commission (UGC) is working on an alternative calendar for the new academic session which will notify the timeline within a week. A seven-member panel set up to study the issue has recommended that the undergraduate admission process be started in July-August and the new session for freshers be started from September. However, no final decision has been taken in this regard yet.

The CBSE has already announced that it will not be conducting any exams for students in foreign countries. Universities and schools across the country have been closed since March 16 when the Centre announced a countrywide classroom shutdown as one of the measures to contain the COVID-19 outbreak.

Later, a nationwide lockdown was announced on March 24, which has now been extended till May 3.

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At least 70 state transport buses left from Maharashtra on Wednesday morning to bring back students stranded at Kota in Rajasthan due to the coronavirus-enforced lockdown, an official said. The vehicles left from Maharashtra's Dhule district around 10.30 am and will reach Rajasthan by Wednesday night, he said. "The buses will leave from Kota on Thursday morning," the Maharashtra State Road Transport Corporation (MSRTC) official said, adding that only 20 students will be allowed in each bus and the vehicles will halt at two to three places for food breaks.

A number of students from Maharashtra have been staying at Kota to take coaching classes for the preparation of various competitive entrance examinations after Class 12. The MSRTC official said due to the long distance journey of 11 to 12 hours, each bus has been provided two drivers, and a van will go along with the fleet to help in case of a break down and ensure smooth journey. "On return journey from Kota, the buses will ferry students to their respective districts," he said.

Maharashtra Transport Minister Anil Parab in a tweet late Tuesday night said, "1780 students from Maharashtra are stuck in Kota, Rajasthan due to lockdown for precaution against Covid-19. As directed by Hon'ble CM Shri. @OfficeOfUt, 92 buses of MSRTC fleet will Leave on 29th April 2020from Dhule to rescue the students & Bring them back home." When asked about it, the MSRTC official said earlier they were to send 92 buses, but the number was reduced as some districts like Raigad and Beed sent private buses to bring back students from Kota.

On return, the students and their parents will undergo medical checkup followed by the mandatory 14-day home quarantine, a senior official from the Maharashtra disaster management department said on Tuesday. The Maharashtra government decided to bring back the students following indications that the lockdown may be extended in some of the major cities where the coronavirus situation is yet to come under control.

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Amid the rising number of coronavirus cases, Mumbai Police, who are well known for their witty memes and inspirational posts make sure to educate and entertain the citizens. After taking inspiration from Bollywood films, the Mumbai police have now turned towards web series and their latest tweet is proof enough!

 

 

 

View this post on Instagram

When asked to choose the safest city... #ShotsOfSafetyPlease #MumbaiFirst #SafetyFirst #aayamumbaipolice

A post shared by Mumbai Police (@mumbaipolice) onApr 28, 2020 at 3:44am PDT

Using a short clip from one of the popular web series, Mumbai Police proved why the city that never sleeps is the safest city in the world. Posing an indirect question to netizens as to which is the safest city across the globe, the clip from the web series gives a picture-perfect answer.

In the four seconds video clip, actors Sayani Gupta and Prateik Babbar can be seen sitting on a yacht and enjoying quiet time while sailing in the Arabian Sea amid the backdrop of the Gateway of India and the Taj Mahal Palace. It is during the conversation that the two can be seen talking about Mumbai (then Bombay).

While sharing the scene from the web series, Mumbai Police tweeted: When asked to choose the safest city. "I would choose Bombay over any other city in the world, any day," says Sayani. To which Prateik nods in agreement. Mumbai Police also came up with their own hashtags that read: #ShotsOfSafetyPlease #MumbaiFirst #SafetyFirst #aayamumbaipolice.

Since the time it was shared on Instagram with their 75,000 followers, the video has garnered over 60,000 views and counting. The video touched the hearts of thousands of Mumbaikars who heaped praises on the Mumbai Police for their selfless service to the city amid the COVID-19 crisis.

One user wrote, "We are proud of you all for the sacrifices you and your families are doing to enforce the lockdown," while another user said that Bombay is safest and coolest city in India. A third user commented, "Bombay over anyplace...anyone...anything. Home ! Another user lauded Mumbai Police for keeping the city safe at all times. The user said, Hands down Mumbai. Over any other city. Be it safety or be it night life, when Mumbai Police is here, why fear!

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A 25-year-old woman allegedly committed suicide by hanging herself from the ceiling fan at her four-bedroom flat at Lokhandwala Township in Kandivli (East) on Tuesday afternoon.

According to police sources, the deceased has been identified as Bhavna Bora. On March 13, she had returned to Mumbai from Ireland, from where she was pursuing her Masters' degree and was staying with her parents and brothers in their four BHK apartment in Green Meadows Apartments in Lokhandwala Township.

Preliminary investigations revealed that she was upset after attending online classes for more than 16 to 18 hours a day.

When her father, a businessman by profession, and her brother entered her room to call her for lunch, they found the door locked from inside. “After Bora did not respond, they used a key to open the door only to find her body hanging from the ceiling fan and informed the police soon after,” the officer said.

“On the basis of primary information, we have registered an accidental death report (ADR) in the case and further investigation is underway,” said Senior Inspector Raju Kasbe from Samta Nagar police station.

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The nation has come to a standstill as people have been asked to stay at home and observe social distancing to curb the spread of the virus. Motivating people during this tough situation and encouraging them to continue staying indoors, Radio City, India’s leading radio network launches ‘Ghar se na niklenge’ anthem. In addition to staying indoors, the foot tapping anthem urges citizens to come forward and support the nation by donating for the PM Cares Fund.

Radio’s City’s ‘Ghar Se Na Niklenge’ Anthem has been voiced by famous Bollywood singers like Divya Kumar, Benny Dayal, Asees Kaur, Meghna Mishra, and Nakash Aziz. The anthem is being aired across Radio City’s Hindi Speaking markets. Making the audience match steps with their groovy dance moves, the music video of the anthem features Radio City RJ’s along with artists like Sahil Khattar, Sushant Poojary, Paul Marshal, Rahul Shetty, Deepak Singh, Himanshu Parihar, Hiten Shah, Vaibhav G, Manan Sachdeva, Shashank Dogra, Aishwarya Radhakrishnan, Dhruv Dutt, Sonali Kar, Macedon D Mello, Sanam Johar, Abigail Pandey, Raveena Chaudhary, and Sneha Kapoor. The video will be amplified extensively across Radio City’s social media handles, including Facebook, Instagram, YouTube, and TikTok.

Sharing his thoughts on the anthem, Mr. Kartik Kalla, Chief Creative Officer, Radio City, said, "It’s been over a month and a half that we’ve been in lockdown and needless to say, it’s becoming increasingly tough to stay positive and motivated through it all. However, maintaining social distancing and staying at home is critical to flatten the curve. Radio City has always strived to utilise the power and reach of radio to connect with its audience and bring a positive change in the society. The ‘Ghar se na niklenge’ anthem is yet another creative approach from the Radio City’s AudaCITY team to not only entertain our listeners but also create awareness of the importance of staying indoors. We also support our Honourable Prime Minister’s message and through this anthem are encouraging our listeners to donate for the PM cares Fund. I would like to thank all the artists who have come forward and supported us in this initiative."

Speaking about the initiative, Batameez Dil singer, Benny Dayal said, "Amidst such unprecedented times when the world is grappling to fight the Coronavirus pandemic, staying home is the only way to prevent the spread of this deadly virus. Music has the power to bring people together, uplift mood, and provide comfort. A huge shout out to the Radio City team for making me a part of the ‘Ghar se na niklenge’ anthem and spread joy in others’ lives. I humbly request everyone to stay home and stay safe."

Sharing his thoughts on the anthem Actor, Indian Youtuber and Television host, Sahil Khattar said, "It is imperative for people to stay indoors to safeguard themselves and others as well. Radio City’s ‘Ghar se na niklenge’ anthem has brought all of us together to cheer up the audience. We need to understand the gravity of the situation and stay united in making the purpose of this lockdown a success. Let’s stay at home and defeat this pandemic together."

Speaking about the Radio City’s ‘Ghar se na niklenge’ anthem, the Shubharambh singer, Divya Kumar said, "I am elated to lend my voice to the ‘Ghar se na niklenge’ anthem by Radio City. I think it is our collective responsibility as citizens to abide by the rules and stay indoors for our nation. I am certain that this anthem will make you groove to its tune and help spread some positive vibes amidst the tough times."

The second phase of the campaign will be spearheaded by Pepeta choreographer, Rajit Dev, who will launch #RadioCityNamasteChallenge, a digital campaign that will urge viewers and listeners of Radio City to come up with their version of the hook step of the anthem and share it on their social media handles, tagging Radio City.

Radio City’s ‘Ghar Se Na Niklenge’ Anthem, is a collaborative effort of Radio City team and established Bollywood singers, TV personalities, social media influencers, and industry choreographers, who have joined hands to bring a smile to people’s faces and help them understand the importance of not leaving their homes during the lockdown.

You can watch The Radio City’s ‘Ghar Se Na Niklenge’ Anthem here: 

About Radio City:

Radio City, a part of Music Broadcast Limited (MBL) is a subsidiary of Jagran Prakashan Ltd. Being the first FM radio broadcaster in India and with over 17 years of expertise in the radio industry, Radio City has consistently been the number one radio station in Bengaluru and Mumbai with 24.5% and 15.7% average listenership share respectively. (Source: RAM Data, TG: 12+ Period: Week 1, 2013 to Week 21, 2019). Radio City Delhi ranks #2 with 13.4% average listenership share (Source: RAM Data, TG: 12+ Period: Week 1, 2019 to Week 21, 2019).

Music Broadcast Limited currently has 39 stations across 12 states, comprising 62% of the country’s FM population. Radio City reaches out to over 69 million listeners in 34 cities covered by AZ Research 2019 (Source: AZ Research Report). The network provides terrestrial programming along with 18 other web-stations, through its digital interface, www.radiocity.in.

Radio City has spearheaded the evolution of FM radio by offering content that is unique, path-breaking and invokes city passion amongst listeners with its brand philosophy of "Rag Rag Mein Daude City". The network introduced humour and the concept of agony aunt on radio with Babber Sher and Love Guru respectively. It also initiated Radio City Freedom Awards, a platform to recognize independent music and provided a launch pad to budding singers with Radio City Super Singer, the first singing talent hunt on radio.

Radio City bagged 73 awards across national and international platforms like Golden Mikes, India Radio Forum, New York awards, ACEF awards etc. in 2018-2019. Radio City has consistently featured for the 7th time in ‘India’s Best Companies to Work For’ study conducted by Great Place to Work Institute. In 2019, Radio City ranked 6th in ‘Best Large Workplaces in Asia’, according to the GPTW survey. Radio City has also been recognized in ‘India’s Best Workplaces for Women – 2019’ and has ranked amongst the Top 75 organizations on the list.

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On April 16, two priests and their young driver travelling in a car from Mumbai to Surat were lynched to death by a frenzied mob in Gadchinchale village, Palghar district. This paper has been closely following the sequence of events, including interviews with the family of the slain, and the political brouhaha that followed.

While it is learnt that the men became the target of an enraged and armed mob, it is clear that they were fuelled by rumours and in some cases by alcohol too. Locals claim talk about child kidnappers and organ sellers was doing the rounds. There were also rumours about outsiders coming into the village and spreading Coronavirus.

We now have to think and put into place some kind of gameplan, so that such incidents do not occur again. Having said that, it is also understood that there is no guarantee, and one acknowledges that it is very difficult to control a mob baying for blood.

This does not mean that we cannot try and learn from some takeaways of this crime. Police and leaders must act proactively the next time any rumours start swirling around. This could be done by putting signboards in areas or making announcements to dispel rumours. The frontline of the tribal community and villagers, those who command respect could be roped in at an early stage by authorities as allies. They could then hold meetings of people dispelling and squashing dangerous, loose talk. An aggressive truth campaign can be started.

Action against culprits stoking irresponsible fires can be part of the rebuff-the-rumour strategy. All this should be driven by those who have won the trust of the people. All easy to say, but worth giving a shot. The key seems to be not to be reactive and try to pacify an already charged, unmanageable group, but, proactive so that there is a strategy in place to scotch lies and wilful attempts to misguide.

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In another incident that underlines the abject plight of migrant labourers, the Mulund police found 19 of them attempting to walk home to UP on foot in a bid to escape hunger and unemployment. The group was spotted sitting on a water pipeline during drone surveillance on Wednesday evening. What surprised the police was that usually, people run away as soon as they notice drones. However, these labourers, trying to escape hunger in the city, did not flinch and stared back at the drone. The group appeared to be headed in the direction of Thane.

The police across the state are using drones to keep an eye on their jurisdiction amid the COVID-19 lockdown. The police spotted this group around 7pm on Wednesday during routine surveillance and went for a closer look.

Vijay Prajapati, a migrant

The police noticed a few people sitting on a pipeline that supplies water. The drone was lowered to get a better look at the people and police counted 19 people sitting, observing the drone.

"People run away after they realise a drone is tracking them. But these people did not. We thought they are resting. All of them had bags hoisted on their backs or lying by their side," said an officer from Mulund police station. "We informed a patrolling van and some local politicians who rushed to the Veena Nagar," the officer added. The 19 people were taken to Mulund police station where cops and MLA Mihir Kotecha spoke to them.

Brahmadatta Tiwari

"Of the 19, 16 reside in Sonapur, Bhandup West and six are from Goregaon East. All are daily wage labourers," said Kotecha.

"They all belong to a village near Balrampur near Lukhnow, Uttar Pradesh. They planned to go to their hometown walking. All of them have been taken to Bhandup Shelter Home, where they will be given food."

A screenshot of the video of the labourers taken during drone surveillance by Mulund police. Pics/Suresh Karkera

Sonapur resident Vijay Kumar Prajapati, 38, said, "We all live in one single room. We don't have a single rupee in our pocket now. We have no option but to walk back to our home where our family is. We haven't had proper food for the past three days. So, instead of starving, we chose this path."

Brahmadatta Tiwari, 40, a Goregaon East resident, said, "We all belong to the same village. We discussed among each other about what to do as money and provisions are ending. With no other option left, we decided to walk back home."

Mulund police informed the labourers that the government has allowed for states to take back their migrants and if they want, they will be taken home.

7g
Time on Wednesday evening that the drone spotted the migrants on the pipeline

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