The next time you pack your loved ones a gift, how about doing it in a way that brings a smile to their face even before they open it?

In a gift-wrapping workshop on Friday, participants will learn to wrap presents in attractive and efficient ways using Japanese techniques that cover box making, box wrapping, and ribbon handling. There will also be a discussion on the choice of materials.

A tousseau packaging workshop on Saturday will cover techniques on the wrapping and presentation of bridal paraphernalia including sarees, cosmetics, footwear and flowers. The workshop also covers hamper making and basket decoration.

While both workshops by Vesture will provide relevant materials for the respective sessions, participants must carry their own tool-kit consisting of scissors, glue guns, tape, boxes and the items to be wrapped. All participants leave with a certificate, goodies and their very own wrapping project.

AT The Sahil Hotel, 292, Bellasis Road, RBI Staff Colony, Mumbai Central.
ON April 27, 10 am to 1.30 pm; April 28, 11 am to 6 pm
CALL 9818442805
COST Rs 5,500; Rs 8,999

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At least five persons including a pedestrian were killed when a small chartered plane crashed in the thickly populated suburb of Ghatkopar in north-east Mumbai, officials said.

Eyewitnesses said the plane was seen hurtling down and crashed with a deafening roar before bursting into flames around 1.15 p.m. There were four people on board.

Rescue officials who rushed to the site said five bodies had been recovered from the crashed plane's wreckage. Out of five dead in chartered plane crash at under construction building in Ghatkopar charred bodies of 1 pilot, 1 female and 3 male have been recovered from the site. Some workers or pedestrians are also said to be dead, state BMC disaster cell.

A passerby in the vicinity of the crash was burnt fatally when some burning fuel from the aircraft fell on him, said an eyewitness who was among the first to reach the spot.

As per preliminary information, the aircraft was on a test flight and had taken off from the Juhu Airport minutes before it crashed.

The cause of the crash is not known. It occurred in an under construction building premises, averting what could have been a major disaster.

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With inputs from agencies

The Ghatkopar plane crash, which killed five, yesterday would have ended up becoming a mammoth disaster, considering it crashed in a densely populated residential area, had it not been for the pilot's presence of mind. Several residents from the area and eyewitnesses said the pilot did a good thing by ensuring the aircraft crashed at an under-construction site, avoiding the residential buildings in the vicinity.

Emergency response
The accident took place when the plane was about to land at Mumbai airport. The four onboard — pilot, co-pilot and maintenance engineers — and a passer-by on whom the wreckage fell have been identified as the deceased. Immediately after the incident, the fire brigade and police reached the spot, and within minutes pictures and videos of the crashed plane and a charred body near the crash site went viral on social media.

Afternoon happenings
mid-day spoke to residents from the area to find out what exactly happened, and most said it all started in the afternoon when they heard a deafening explosion, followed by thick smoke and a tree on fire. Locals said the situation would have been worse had the aircraft crashed on a residential building or the busy LBS Marg, which is adjacent, or the Versova-Andheri Ghatokpar Metro corridor, which, too, is just a few hundred metres away.

A paan shop owner from the area said, "I was sitting in my shop when I heard a loud noise. At first I thought a tyre of some truck busted, but then, a person from the MTNL lane came running to my shop and said a plane had crashed. "We should all be thankful to the pilot, as by crashing it at an under-construction site, he saved hundreds of lives."

Also Read: Mumbai: Chartered plane crashes in Ghatkopar; five killed

The eight-seater charter King C90 was on its first airworthiness test profile when it suddenly developed a major technical snag and crashed at an under-construction building in Ghatkopar West on Thursday afternoon. The aircraft was owned by the UP government and after it was involved in an accident some time ago, it was bought by UY Aviation (Pvt) Ltd, a three-year-old company, which rents out aircraft to ferry patients from all over the country, an insider told mid-day. The company had got the King C90 repaired by Indamer Aviation Private Ltd and, on Thursday, it was being taken on its first test flight.

"Around 1.08 pm, the ATC towers at Mumbai and Juhu both lost contact with the pilot and suddenly an SOS alert was sent out by the Air Traffic Control. Finally, it was learnt that the plane had crashed," said Juhu Aerodrome Director Ashok Kumar Verma. Verma said the aircraft took off from the Juhu runway a little after 12.20 pm as per ATC Juhu records. Pilot, Captain Pradeep Rajput, and co-pilot, Maria Zuberi (who had joined UY Aviation barely a month ago), were in constant touch with the Juhu ATC and later with the Mumbai main ATC as it passed through their radar. The charter was barely a mile from Juhu aerodrome, on its way back after completing the test flight, when it crashed. When asked if the aircraft was on a wrong flying line, as usually passenger flights pass through the airway used by the charter, Verma replied in the negative, stating that there was no air space violation and that the charter was on its own scheduled air space."

The investigating team from the Aircraft Accident Investigation Bureau (AAIB) will be recording the statements of the ATC officers who were in dialogue with the pilots of the charter, which will be compared with the black box that has been recovered. Speaking to mid-day soon after landing in Mumbai from Delhi on Thursday evening, Captain Vinod MRSK, a former air force pilot, who is the Chief of Flight Safety at UY Aviation (Pvt) Ltd, clarified that the charter was still with Indamer Aviation Private Ltd (an aviation repair and maintenance organisation), and two of their engineers Manish Pandey and Surbhi, along with Rajput and Zuberi were to conduct the airworthiness test profile and had obtained necessary permissions from DGCA.

"The air profile testing was crucial as only then could UY Aviation have approached DGCA to complete other formalities to officially take the charter into its inventory. The charter was flying on a Non-Scheduled Operator's Permit (NSOP) for testing. At present UY Aviation has four charters, two in Mumbai and two in Delhi, and this eight-seater King C90, would have made it to its inventory in Mumbai," the insider said. Captain Vinod said, "I am here to assist Aircraft Accident Investigation Bureau (AAIB) team under DGCA to understand the circumstances under which the accident happened. It is learnt that the crew was insured."

Also Read: Ghatkopar plane crash: Pilot's presence of mind saves hundreds

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Captain Maria Zuberi was at the controls along with Captain P S Rajput, the pilot, with an engineer, identified as Surbhi, and a technician, identified as Manish, onboard when the chartered plane crashed.

One of the deceased brought into Rajawadi Hospital in Ghatkopar

When mid-day reached Zuberi's home in Mira Road, there was no one at home and the area wore a sombre look. Ivy Sarkar, a neighbour, said, "I can't believe she is no more. She was a wonderful woman, always ready with a helping hand. She had thrown a party at her home recently after her 17-year-old daughter cleared her HSC exams with excellent marks. "I am incredibly proud of her for using her presence of mind and manoeuvering the plane away from residential buildings, saving so many lives. I salute her."

The bungalow in Mira Road where Maria Zuberi staye

Zuberi stayed with her husband Prabhat Kasturia and daughter Charvi. Kasturia had messaged her around 1 pm for her whereabouts, but got no reply. Then he saw the crash on TV. He told the media, "My wife, along with Rajput, had earlier informed the company that the weather was not right for flying. The company insisted on the test flight." 

Her domestic help, Aarti Waghmare. Pics/Atul Kamble, Hanif Patel

The domestic help who worked at Zuberi's home, Aarti Waghmare, said, "I have been working there for three months now. Her husband is an advocate, who is in Delhi most of the time. She always addressed and spoke to me like a friend, never made me feel like a servant. I am unable to come to terms with the fact that she is no more. I keep thinking she will be back home in some time."

Also Read: Ghatkopar plane crash: Pilot's presence of mind saves hundreds

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It was a case of so near and yet not near enough for people at the disaster venue, a day after a plane crash shook the eastern suburb of Ghatkopar. An MTNL building at the mouth of this lane gives it its name — MTNL Galli. But now it has been temporarily rechristened as the 'plane crash galli' by the stream of curious visitors that poured in last afternoon.

A cop at the now-barricaded scene good-naturedly asked people to "get into a line and I will allow you to peek through the barricades. Only one minute per person," he grinned. Overhead, planes seemed to skim the buildings. "One day after the crash, every plane we see sends a jolt of fear through us," said someone, as Kalyan resident Jitendra Jaiswal, who works in Ghatkopar, made his way to the crash site. Jaiswal explained, "I keep coming back here, wondering how this could happen. There is still a sense of disbelief." Shakhawat Khan and Dinesh Yadav, both drivers (the latter drives a rickshaw), said, "The sound keeps echoing in our ears. We were eating snacks at a nearby restaurant and heard at least two-three blasts. The sound literally blew us off our chairs."

Policemen keep curious crowds at bay at the crash site. Pic/Sameer Markande

Thank God
A resident ambled to the site to see the progress of the clean-up. "I was in the car with my son at the wheel when we heard at least three blasts. Shaken, my son parked the car a few metres from this site. Everything was covered in black smoke. The smell of that smoke still lingers in my nostrils. No disrespect to the dead, but I cannot stop thanking God for sparing me," finished Pravin Shah.

Wing clip
Conversations in Gujarati dominated as one walked down the lane. Ankita Shah who lives nearby said, "I will never forget the thick, black smoke rising into the sky. It's my most enduring memory of this disaster." A number of people who claimed they witnessed the crash, insisted they saw the wing of the plane clip the pedestrian who died. A woman said dramatically, while others concurred, "one second the wing had clipped him and the next a charred body lay on the ground. It was the man," she stressed, while others agreed that they too saw a "wing clip the man. It was a wing," they shouted as some onlookers snorted in disbelief. Through the drama, an idli seller arrived putting down his wares and joining the queue to peer through the barricades. People shouted "idli, idli" while the cops shooed him off.

Mother-daughter duo of Naina (right) and Tanisha Gala point to an aircraft above them. Pics/Sameer Markande

Terrifying images
Naina Gala, MTNL lane resident, said, "I witnessed the blast and last night, the terrifying images — burnt bodies, fire, smoke and the wreckage came back to haunt me." Her daughter Tanisha said there were tons of questions from her classmates. Naina added, "I feel the pain of the pilots, the crew. They knew they were going to die, they sacrificed their lives to save all of us." Naina and Tanisha said the fire brigade, police and everyone was at the site within minutes. A local informed this reporter, "The birds in the sky were faster though. There were a huge number circling the crash site within minutes. They had smelt death in the air…" Yet another gent walked down the lane wearing a T-shirt with the prophetic lines: 'Your life is your story. Write well. Edit often'. As one exited the lane, one could not help thinking, this must rate as a very surprising twist in Ghatkopar's story.

5
No. of people dead in the plane crash

Pravin Shah (left) tells his story

Also Read: Ghatkopar plane crash: Doctors to use teeth to ID victims

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There's no doubt that the fifth victim of the Ghatkopar plane crash, architect Govind Dubey, 32, was in the place at the wrong time. But his family is not willing to accept mere bad luck as explanation for his death — they want to know whom to blame. After the family embarked on a sit-in at Rajawadi hospital, refusing to take Govind's body, MLA Jitendra Awhad assured them of compensation and investigation in the matter. With these assurances, the Dubeys finally claimed the body last evening.

Govind was merely passing by when the plane came hurtling down on him. He died on the spot with 100 per cent burns. Due to the extent of his injuries, he was identified only yesterday with the help of his half-burnt wallet. The last location update on his phone also confirms that he was at the spot. The architect hailed from Uttar Pradesh, from where his family has come to collect his body. To his brother's surprise, though, not a single government official has contacted them to assure compensation or action against the culprits.

Arvind Dubey, Govind's brother

“It has been over 24 hours since I lost my brother in the incident. It was my brother's bad luck that he at the spot when it happened. But isn't it the responsibility of the government to come forward to give us justice?” said Arvind Dubey, Govind's brother. He added, “We have decided to file a police complaint against the aircraft company for the accident. The government must conduct an inquiry and imprison the person at fault.”

MLAspeak
“The victim comes from an economically weaker section. Hence, I have requested Chief Minister Devendra Fadnavis to consider his case for compensation,” MLA Awhad told mid-day.

Also Read: Ghatkopar plane crash: Aircraft was 10 miles away when it went off radar

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The last recorded conversation between ATC Mumbai and the King C90 pilots that crashed in Ghatkopar on Thursday was 'We are breaking off, we will report to Juhu ATC'. The air space where the call was recorded was the spot for an official switchover from ATC Mumbai to ATC Juhu. ATC Juhu then tried to reach out to the pilots and when there was no reply, they waited for some time before alerting ATC Mumbai, who found the plane had gone off their radar. They quickly alerted all agencies concerned. Highly-placed officials attached to the ATC Juhu said, "The last conversation was recorded when the aircraft was in the air approximate 10 miles [16km] away from Juhu Aerodrome and almost preparing for landing. Therefore, as routine practice, from Mumbai ATC, the pilot was being switched over to Juhu ATC at the technical point [where the accident happened]."

Juhu Aerodrome Director Ashok Kumar Verma confirmed the same and said, "The charter plane took off as per the schedule and was in the air for nearly 47 minutes. It covered the air test route flying from Juhu airport and headed towards Surat airspace and after successfully completing the circuit was returning to Juhu aerodrome when it met with the accident."

The wreckage at the crash site. Pic/Sameer Markande

When asked if visibility was an issue at the time of take-off from Juhu Aerodrome, Verma replied in the negative, stating, "Visibility was over 2,000 feet. We have allowed charters and helicopters to take off and land even at a visibility of 1,000 feet."
When asked if the DGCA had issued any fresh guidelines post the accident on Thursday, the official replied in the negative.
Meanwhile, Captain MRSK Vinod, a former Indian Air force pilot, who is the Chief of Flight Safety at UY Aviation (Pvt) Ltd, arrived in Mumbai on Thursday night and visited the crash site at Ghatkopar along with two members from the Aviation Accident Investigation Bureau (AAIB). They inspected the site and collected some material for investigation purposes.

Technical snag to blame?
Captain Vinod said, "We have got the required evidence, and whatever was collected by the police and other rescue teams, including the black box, has already been handed over to the AAIB team. We have also taken photographs, videographs and have also recorded statements of witnesses." Aviation experts have hinted that the aircraft may have developed a sudden technical snag in its engine or as the plane was in Instrument Landing System (ILS) mode, which allows the aircraft to continue operations in low visibility, it might have developed an issue, due to which the pilot may have lost direction or both, which could have led to the accident. Charter planes fly at a height of 4,000 to 5,000 feet and there is no parachute on board for any emergency. Captain Vinod preferred not to comment on the reason for the accident, saying investigation was underway.

Were pilots reluctant to fly?
On the allegation by family members of the deceased pilots that they were reluctant to fly the plane because of poor visibility, Captain Vinod said, "We are professionals and must understand that a DGCA-Approved Maintenance Organisation has cleared the plane for testing, which is why the pilots agreed to fly. If they had refused, the testing would immediately have been aborted as per procedure." An officer at Ghatkopar police station said, "We have cordoned off the area. As far as investigations are concerned, we are only completing the paper work by recording statements and ensuring that the right claimant gets the body for the last rituals. We have no role in the investigation."

Also Read: Ghatkopar plane crash: Lunch turns into a lucky hunch for other labourers on site

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On Sunday, hundreds of Ghatkopar residents staged a silent protest march against a proposed route of the Metro Line 4. The residents alleged that the route planned by the Mumbai Metropolitan Region Development Authority (MMRDA) would block a narrow stretch in the area, adding to the woes of the residents. They have already written to the authorities concerned in this regard, but if the matter isn’t taken seriously, they plan to move court.

Backed by former corporator, Pravin Chheda, the residents raised slogans and marched along the stretch starting from Amar Mahal Junction and passing through Pant Nagar and Laxmi Nagar areas. The proposed Metro line would also pass through the same route connecting Wadala with Kasarvadavli in Thane. The residents have requested the MMRDA to reroute the line to the Eastern Express Highway, which was the initial plan, as it would not only be convenient but would also help in avoiding traffic congestions.

Jitubhai Mehta, who resides on M G Road, said, "As the route is already congested, the Metro will add to the mess. If the line goes towards the Eastern Express Highway, more people will benefit from it."

"We are not against the project, but all we are asking for is that the line be rerouted. The road is very narrow and it's extremely difficult to find parking space. If the Metro comes up there then problems will increase," said Sunilbhai Joisar, a Goradia Nagar resident.

Speaking to mid-day, Pravin Chheda, former corporator of the area, said, “We have already submitted letters to the authorities concerned. We are also trying to meet the chief minister to take our request forward. If the matter isn’t resolved soon, we’ll move court."

While MMRDA Additional Metropolitan Commissioner Pravin Darade remained unavailable for comment, local BJP corporator Parag Shah also could not be reached.

The proposed Metro line 4
Length of the belt: 32.32 km
Number of stations: 32
Nature: Fully elevated
Depots: Owale and Godrej Land

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The Lodhs of Ghatkopar loathe Tata Power, because they received a Rs 27,000 power bill from the company in May. This was shocking for the family because the only people who reside in the 1BHK flat in Amrut Nagar are Kalidas Lodh, 76, and his wife Gopa, both of whom make use of only basic electrical appliances.

Kalidas, the owner of the flat, is a Navy veteran and has been following up the issue with the service provider since May with the help of his son Kaushik, who is visiting him from the USA. The family alleges their complaint of electricity theft has been ignored. They've switched to another service provider after the incident and were stunned to see their electricity bill for the month of June, which was only Rs 2,000.

Meter is fine
The Lodhs had been receiving odd electricity bills since June 2016. However, the May bill this year shocked the family, after which they finally complained to the service provider. "Their technical team visited our house to check the problem. But they kept saying that the meter is working fine and if there is any tampering done beyond the main meter, it is out of their control to check and verify it. They kept insisting that we should check it ourselves with help from another electrician.

Isn't it the responsibility of the electricity service providers to verify the theft?" asked Kaushik, who said their former electricity service provider completely shrugged off their responsibility.

Kaushik added, "In one of the visits, even their technician saw how the meter showed units being consumed even when the main electricity supply switch of the house was off. It only made our doubts of theft stronger. But shockingly, in their written report, there was no mention of this observation as they kept insisting the service provider has no control over tampering beyond the main supply point of the building." Kaushik also approached the police to complain about the theft, "But officers at the Parksite police station told me that the right platform for me to complain is the consumer forum and not the police." Vilas Jadhav, senior police inspector of Parksite police station remained unavailable for comment.

Tata Power says
Ranjit Ganguly, group head of customer relationship management, Tata Power said, "For the excess billing, we'd checked the functionality of the meter, which was intact. He'd installed a separate meter in his house; we checked that one as well and found it to be in sync with the main meter. The complainant suspected tampering through the wires going from the main meter to his house. Regulatory guidelines for service providers clearly state that any wiring beyond the point of supply, which is the main meter box, is in the purview of the consumer... So...Tata Power as a utility service provider is unable to help."

Also read: Mumbai: Inflated power bills continue to haunt 61-year-old widow

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Ghatkopar has some great food destinations for vegetarian patrons. So when Vedge XPRS, a new Quick-Service-Restaurant (QSR) opened its shutters at Ghatkopar's R-City Mall, we decided to check it out.

The Vedge XPRS offered a vast menu comprising the best of vegan food, including options for Jain guests.

Vedge XPRS serves some delicious quick bites ranging from soups, street food, pizzas, combos, shakes and much more

Humble beginnings…
We tucked ourselves into one corner of the food court and ordered some fries and signature nachos on the recommendation of manager Prathamesh. The Fully Loaded Nachos (Rs 265), their signature dish was crunchy with a generous amount of cheese topping, which made the dish a delight, especially for a nachos fan. The animal style fries (Rs 199) came next with five types of toppings - Peri Peri, Sriracha Mayo, Orange Garlic to name a few. Spoilt for choice, we opted for Jalapeño cheese. The potato fries were fried until lightly golden to make them crispy and topped with finely chopped Jalapenos.

Off coolers and pizzas
Next up, we tried our hands at Con Le Verdure Arrosto (Rs 285), a thin crust pizza. The piping hot 9-inch thin crust pizza was laden with loads of veggies and cheese. With every bite, the pizza just got crunchier and tastier. We surely recommend this one! The chilled coolers we ordered to compliment the pizzas arrived on our table. The Raw Mango (Rs 105) cooler was a soothing experience after our tryst with the fiery fries and nachos, while the Peach Ice Tea (Rs 185) was a refreshing twist. 

Choose from different combos on offer or opt for some authentic Indian street food, Chinese dumplings, and more to satiate one's hunger pangs

Dealing ‘In’ combos and pasta's
It was time for the main course and we opted for a Soup Noodle Combo (Rs 510) that consisted of Man chow soup and wok tossed noodles cooked in burnt chilli basil sauce. The generous portion good enough for two average eaters was served piping hot. We mopped up the dish quickly and went for a Penne Pasta (Rs 255) in a pink sauce. Along with the pink sauce twist, the outlet also offers two other funky options in pasta, cooked in white and red sauce.

We were put away by the colour of the dish and the taste of the pasta also did not meet up to our expectations. We would not recommend this variation of the Italian pasta.

Shaking with ‘Shakes’
We finished our meal on a 'sweet' note by going for their signature shake, the Chocolate Hazelnut (Rs 190) and an Oreo Cookies (Rs 185) shake from their ‘Shake It Up - Shakes’ section of the menu. 

You can even choose to have some chilled coolers and shakes as you shop till you drop at R City Mall in Ghatkopar (W)

Our view
The restaurant offers mouth-watering quick bites at affordable prices with a variety of choices ranging from soups, street food, pizzas, combos, shakes and other popular food items. If you are a foodie and love delicious vegetarian cuisines, then Vedge Xprs is a fabulous place to be.

Where: 3rd Floor, Food Court, R City Mall, LBS Marg, Ghatkopar West, Mumbai
Meal for two: Rs 600 to Rs 1,000
Alcohol served: No
Contact: 022 25175500

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When disciples of the late Odissi exponent Kelucharan Mohapatra speak of him, they never fail to quote a life lesson he imparted to them. "Practising hard makes you a good dancer. But the day you embrace humility is when you become an artiste," he would say. More than 1,200 km to the south, Chennai-based Aruna Sairam practises a different classical art form, but what ties the Padma Shri awardee to Carnatic music is the same bond of humility.

Born in Mumbai, she was introduced to the music tradition by her mother. Six decades and several accolades later — she received the Sangeetha Kalanidhi award by the Madras Music Academy in January — she remains open to new experiences to keep her music evolving. Back in the city for a concert this evening, caught up with the vocalist.
Edited excerpts from the interview.

How did your years in Mumbai shape you as an artiste?
I was brought up in Dadar Parsi Colony and went to the JB Vachha school. So, I lived in two happy worlds. One at home, where we spoke Tamil and my mother taught me Carnatic music. And one outside, where I enrolled for western music in school, took up Gujarati as a second language, and learnt Hindi and Marathi on the streets. We moved to Chennai in 2000 because that's the headquarters of the style of music I practise, but the cosmopolitan Bombay is what I am.

The first half of my concerts is dedicated to pure Carnatic music — something I learnt from my guru, Smt T Brinda. But I also sing abhangs in a Carnatic rendition. There are songs of Ganpati Visarjan, the hymn Vaishnav Jana To in folk Gujarati... in the last part.

You've also trained under international voice masters.
Since my school days, I had been introduced to the idea that in the West, they have techniques to hone your voice. So, when I felt I was finding it difficult to fully convey my emotions in my voice, I decided to train under them.

You have been performing since you were eight. What keeps you going?
I was in Jerusalem for a concert recently. I took the help of a professor there to learn a Hebrew song. When I sang it, people got emotional because they felt someone had taken the trouble to learn an important part of their culture. This sense of newness keeps me going.

ON Tonight, 7 pm
AT Fine Arts Cultural Centre, RC Marg, Chembur 
CALL 25222988

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San Francisco: Facebook-owned WhatsApp is rolling out its "Restrict Group" for all iOS, Android and Windows Phone users -- a feature that gives the group administrator powers to restrict other members from sending text messages, photographs, videos, GIFs, documents or voice messages in case the admin thinks so.

According to WABetaInfo, a popular fan site that tests new WhatsApp features early, you need to update your WhatsApp version to the 2.18.132 Android update in order to remotely receive the activation of the feature.

The "Restrict Group" feature, first spotted in last December, adds "Privacy settings" in the group.

"All participants can normally edit the group description, icon and subject, but finally the administrator can restrict this feature today, preventing no-administrators to modify the group description," the website said.

This action can be managed in the Admin Settings, a new option located in Group Info that's visible to the administrator only.

In Admin Settings, the administrator can restrict who can change the group info.

Administrators can keep sharing media and chatting as normal as they restrict other members.

Once restricted, other members will simply have to read their messages and will not be able to respond.

They will have to use the "Message Admin" button to post a message or share media to the group. The message will need to be approved by the administrator before going through to the rest of the group.

In October, reports said administrators on WhatsApp groups will soon be able to choose if other participants can modify the subject of the group, its icon and its description.

With over 1.5 billion monthly active users, WhatsApp is available in more than 50 different languages around the world and in 10 Indian languages.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Instagram has introduced a feature that allows users to make payments. The Facebook-owned photo-sharing app will now allow users to add their credit or debit card with their profile and set up a security pin. They can make purchases within the photo-sharing service and make payments without having to leave the site, Cnet reported.

Payments is the next big thing for tech giants who are looking at retaining users in the form of customers by offering them a one-stop destination for all their needs, including social, photos, and now e-commerce. The new native payments feature is currently available through limited partners and businesses on Instagram.

(Edited by mid-day online desk, with inputs from ANI)

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Popular instant messaging platform, WhatsApp, has rolled out a new feature that allows users to view content from Facebook and Instagram within the app. The update is expected to increase user engagement in the messaging platform.

The latest update has been rolled out for select iOs users. WhatsApp support will allow users to play Instagram and Facebook videos within the app, without exiting the chat. Presently, a user who receives videos or images from Facebook, Instagram or any such app would be redirected to these apps to view the content. However, this is set to change with the new update, reports The Verge.

The latest update also introduced the ability to add and revoke admin privileges from users in a group chat. It empowers admins to edit the subject, description, and icon of a chat that is already underway. In November 2017, WhatsApp rolled out an update through which one can view YouTube videos directly inside the messaging app, in picture-in-picture mode.

If a YouTube link has been sent on a conversation, then users can directly view the video through the link on WhatsApp itself, as it will no longer be re-directed to YouTube. Instead, the YouTube clip will appear within a small floating window on your screen, thus implying that you can watch YouTube videos and message at the same time.

On a related note, the update is also expected to be rolled out to Android users in the coming weeks.

(Edited by mid-day online desk, with inputs from ANI)

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After drawing criticism from users worldwide about its controversial redesign, audio-video sharing platform Snapchat has rolled out another app redesign for iOS users.

In the new design, snaps and chats are aligned chronologically and "Stories" from friends have been moved back to the right-hand side of the camera screen.

Snapchat has added a separate "Subscriptions" feature to keep "Stories" from popular creators and publishers in the loop while letting the other "Stories" be separated, The Verge reported late on Thursday.

"We are currently rolling out an update to address this by sorting communication by recency and moving 'Stories' from friends to the right side of the application, while maintaining the structural changes we have made around separating friends from creators and sorting friends' 'Stories' by relationships," Evan Spiegel, CEO, Snapchat had said earlier this month, in the company's first quarter earnings call.

Snapchat was testing a new design in April that would move the user's "friends' stories" alongside the "celebrity content" in the "Discover" section again to ensure that the user's feed would not be dominated by the "celebrity content".

There is no word yet on when the update would be available on Android.

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New Delhi: Instant messaging platform WhatsApp announced the rollout of a number of new features for group chats, in a bid to make the platform more interactive and engaging. Among the new features is group descriptions, wherein a short blurb will appear under the group info tab that allows users to set the purpose, guidelines, or topics for the group.

Furthermore, when a new member joins a group, the description will show up at the top of the chat.

In a move to give group administrators more authority, WhatsApp introduced a new control that will allow the former to restrict who can change the group's subject, icon, and description. Admins can also remove admin permissions of other group participants, while group creators can no longer be removed from the group they started.

Among other features, WhatsApp also introduced a 'group catch up' option, whereby a user, who has been away from a group chat, can quickly catch up on messages that mention or reply to them by tapping on a new @ button that appears at the bottom right corner of the chat.

Group participants can now search for anyone in a group by using the search option on the group info page. WhatsApp also introduced protection controls so users can't be repeatedly added to groups they've left. The new features are being rolled out for Android and iPhone users globally.

The saddest thing is how the people responsible for moral policing are allowed to get away with it. Representational Image

I didn't watch the viral video featuring that young couple being abused and attacked by commuters on the Kolkata metro. I knew it would only upset me, like so many videos populating a million WhatsApp groups now do with depressing regularity. I also expected the faux outrage, followed by young men and women hugging each other publicly in acts of defiance to be documented for their Facebook pages.

That this didn't raise eyebrows a few hours after the furore died down is proof of how insensitive we have all become towards any attack on perceived acts of love. We live in a city that once routinely saw couples being attacked on Valentine's Day until the regressive folk responsible for the attacks realised it didn't get them brownie points. We also live in a city where couples holding hands have to deal with thousands of people eyeing them warily, as if the act of holding another human being's hand is alien to our culture. That this is the same culture that gave birth to the sculptures of Khajuraho is lost on millions of our countrymen who scan the streets for acts of intimacy that make them uncomfortable.

In 2015, a young man was stripped and brutally assaulted in public by right-wing activists in Mangalore who had a problem with him being in the company of a girl with different religious beliefs. They couldn't stand the idea of two young people choosing to ignore something as inane as religion in order to find a human connection. That same year, another young man in Kerala was beaten to death by a mob after being found in the house of a woman. To put this into perspective, there were a lot of people offended by what two adults were doing in the privacy of their own homes.

There's a streak of misogyny that runs through these attacks, too, of course, as anyone who remembers the 2009 attack on a pub in Mangalore will attest to. Young men and women were drinking alcohol, which, according to the clowns who routinely become spokespersons for our culture, was an insult to traditional Indian values. It's interesting how all these values involve men making decisions on behalf of women, worrying about their morality, taking it upon themselves to decide how women ought to behave in public for their own good.

What happened to the 13 couples and 35 other young men and women who were rounded up by the Mumbai police a couple of years ago following raids at hotels? They were all consenting adults who had simply checked into several hotels in Madh Island and Aksa. How can a supposedly civilised country justify the idea of policemen knocking on doors and taking couples into custody for choosing to spend time in a room together?

How do we reconcile something as barbaric and regressive as an 'anti-Romeo' squad? How do we make sense of people claiming to be offended by men and women kissing? How do people doing what evolution compels them to do offend other people? How do we explain to visitors that we live in a country where it's perfectly okay for policemen to ignore criminals and spend time patrolling public spaces in order to prevent men from being anywhere near women? And if this is how authorities believe they are protecting women from sexual harassment, what does that say about how millions of Indian men are taught to behave around women?

The saddest thing about these incidents is how the people responsible for them are allowed to get away with it. There aren't even slaps on the wrists, let alone repercussions that lead to any genuine change. People believe it's perfectly okay to harass a couple for hugging in public because they know that a mob can get away with murder. It's also why mobs do get away with murder so often in the world's largest democracy.

People who have problems with couples indulging in public displays of affection probably behave the way they do because they have never received much affection themselves. If you want to leave this country a better place than the way you found it, please do the right thing and hug your children, partners and loved ones more often. Also, please do it in public.

When he isn't ranting about all things Mumbai, Lindsay Pereira can be almost sweet. He tweets @lindsaypereira Send your feedback to mailbag@mid-day.com

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Jagadamb refers to the ancestral deity Tulja Bhavani whose shrine sits in the mid-size city of Tuljapur in Osmanabad district. But, in present-day Maharashtra, the term Jagadamb rises above the geographical address. It is an embodiment of the feisty street-fighting youth, belonging to the Marathas or other backward castes, who owe their allegiance to a goddess who was also the motivation for Maharashtra's most-revered Chhatrapati Shivaji. Flashed on hooded T-shirts and pullovers, 'Jagadamb' has emerged topmost among the potent watchwords currently dominating popular discourse. Online sales and offline retail purchases across the state speak for the all-seasons connect of Jagadamb, which has takers irrespective of commemorative days and morcha schedules.

Abhijit Tarphe, a Dadar-based calligraphy artist, creates tees that occupy the fun space between political discourse, street lingo and social commentary. Pic/Ashish Raje

Apparel carrying longer mantras of Maratha loyalty — Ek Maratha Lakh Maratha, Hoy Maratha and Amhi Shivrayanche Sainik — have enjoyed cyclical demand, corresponding with the calendar of the 58 silent marches held last year. As the anecdote goes, Maratha T-shirts are in a "politically dormant" state at the moment. But fiery speaker (at the Maratha Kranti Morcha) and advocate from Aurangabad, Swati Nakhate Patil, feels T-shirts are effective communication tools. "What better reminder of the time when we took to the streets for reservations and equal terms? The identifiable catch lines recap our journey so far." T-shirt messages, she thinks, help in creating a family of volunteers. She'd know considering she is head of the Akka Foundation which has initiated a reform movement against socials ills like dowry and superstition among the Marathas. The foundation's signature T-shirt, wears a generic slogan – Sarvansathi Sarva Kahi – which indicates a wider fight for everyone's rights.

Swati Nakhate Patil, seen here with volunteers wearing their signature tee with the slogan, Sarvansathi Sarva Kahi. She heads the Akka Foundation which is fighting against socials ills. She has been one of the main speakers at the Maratha Kranti Morcha over the last one year

"The Marāthās" is a collective term referring to an Indo Aryan group of Hindus, Marathi-speaking castes of warriors and peasants who created an empire, covering a major part of India. They are not alone in the fight for rights. Another rights movement that's currently finding a reflection on T-shirts through creative slogans, photographs and graphic designs concerns the Lingayat community. They are seeking legal recognition as a religion distinct from Hinduism. Inspired by the success of their counterparts in Karnataka, the Lingayats in Maharashtra (some of whom have thronged Mantralaya too) are pressing for their religious minority status on T-shirts, which sing paeans to 12th century social reformer, philosopher and statesman Basaveshwara.

The Killa brand of tees focuses on Maratha pride associated with Chhatrapati Shivaji, and his various forts

He rejected temple worship by replacing it with direct worship of Shiva in the form of the Ishtalinga necklace, the image of the linga set in a silver casket, to be worn at all times close to the heart. Little wonder that both, Basaveshwara and the Shiv linga prominently feature on the T-shirts. As a professor of history and a keen observer of progressive movement slogans, Satara-based Amrut Salunkhe points out an interesting contradiction in the Lingayat factions. Not all sub-sects recognise Basava as the founder, but they don't seem to mind the T-shirt — available in Kannada and Marathi typography — carrying the phrase, Jai Vishwaguru Dharmsansthapak Basaveshwar! "The dissident factions have not yet come up with a counter icon. At this point, two different T-shirt creatives wouldn't have helped in lobbying for the larger Lingayat brotherhood," Salunkhe feels.

Theme T-shirts honouring the men of letters in the Marathi cultural world have been in currency for two decades; a recent manifestation was seen during a death anniversary of late Namdeo Dhasal whose fans wore the poet-ideologue's world view on a memorial T-shirt. The Bharatiya brand made use of faces of popular litterateurs like PL Deshpande and Narayan Surve, just as it made good use of the Marathi Abhiman Geet, and distributed T-shirts on Ashadi Ekadashi, Holi and Ganesh Chaturthi. They fashioned kid-centric lyrical sequence tees on monsoon joys too. Bharatiya has now extended its T-shirt ideation to Hindi and is soon to come up with Tamil messages. Their fare was earlier vended at literary summits, before it grew popular online, somewhat in the provincial cosmos where the Killa T-shirts thrived. Designed by Malvan-based artist and JJ School of Applied Art alumnus Arun Amberkar, Killa garments focus on the fortresses built by Chhatrapati Shivaji. The iconic rajmudra (official signature) T-shirt has been a hit for over a decade. Amberkar calls the line "lovingly crafted, wearable and usable slivers of history."

Dadar-based calligraphy artist Abhijit Tarphe feels customised tees are a fun zone for current affairs to find a rightful space. His T-shirts displayed apt word play (Sonu, tuza mazhyavar bharvasa nay ka?) when RJ Mallishka had attacked the BMC. He captures the Mumbai commuter spirit in the line, Mili to BEST, Nahi Toh Next.
Tarphe also has a range of occasion-based T-shirts like the tricolour-filled Independence Day special or Gokulashtami's Aya Makhan Chor creative. It is another story that T-shirts for Gokulashtami and Holi usually are gifted by political party leaders, chiefly Shiv Sena Shakha Pramukhs.

Jai Bhim T-shirts as a community-building tool have worked well over the years, not just for the April 14 Babasaheb Ambedkar Jayanti or the December 6 Mahaparinirvan Din. The apparel also comes in handy for Buddha Jayanti and during any political rally Dalit groups organise. This year, a Goregaon-based youth association, designed a special T-shirt declaring Mazhi Chaityabhoomi, Swacchabhoomi (My clean Chaityabhoomi). It served two political purposes; an affirmation of the Swacch Bharat mantra, challenging the stereotypical notion of Dalits arriving from rural Maharashtra who converge at Dadar's Shivaji Park Chaityabhoomi and litter.

T-shirt messaging extends to a range of causes — Separate Vidarbha; Who Killed Judge Loya?; Make (Women Safe) in India; Rape Roko; India Against Corruption; Donate Eyes; Pinkathon run against breast cancer. It has also been used to add cohesion to groups (I am with Anna Hazare; Desh Me Narendra/ Pradesh Me Devendra) or merely declare strength (Dr B R Ambedkar: King Number 1) or sport a vibe (Dude Please, Thane is not Bombay!/ Delhi is about Mera Baap Kaun Hai, Mumbai is about Who I am). T-shirts can help start a conversation, from the polite to the political.

Sumedha Raikar-Mhatre is a culture columnist in search of the sub-text. You can reach her at sumedha.raikar@gmail.com

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QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week

If you think about it, the reason the girl (Juhi Chawla) can't be with the boy (Aamir Khan) in Mansoor Khan's directorial debut Qayamat Se Qayamat Tak (1988) - path-breaking romance for its time - is rather simple. Years ago, the boy's father had killed the girl's uncle. This is because the uncle had impregnated the boy's aunt, but forced to marry someone else - abetting her suicide.

Now, why this uncle and aunt couldn't get together isn't quite clear in this adaptation of Romeo And Juliet. Unlike the couple in Sairat (2016), both belonged to rich, neighbouring families, from the same (Rajput) caste. The thorn in their backsides was the khadoos patriarch (Goga Kapoor). He enjoyed the sole right to decide who his son (and later his grand-daughter) would marry. Also, that girl had slept with his son out of wedlock.

For a movie mirroring such rigid, patriarchal values, it's amazing that it remains, up until 2018, a rare occasion where the heroine (Juhi) falls for first, and actively chases the hero (Aamir) - a sign of ultimate gender equality (to my mind), making it one of the most feministic films I know. QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week. Aamir, who also shared writing credit for the movie, organised a special screening with cast and crew to mark and discuss the moment.

I just saw QSQT myself, after several years, to observe with much relief that the film hasn't aged much (certainly not as much as humans have, since), although it's not as young as the all-time favourite, Mansoor's Jo Jeeta Wahi Sikander (1992), which still looks as fresh as last Friday's catch.

One of the things that Mansoor revealed after the QSQT screening, which is rather ironic given the film's subject, were the constant creative differences/fights he would have with his late father, producer-writer Nasir Husain, during the making, making others worry if they could ever move on. That way, QSQT is full of ironies.

To begin with, for a 2-hour, 43-minute movie, there are only four-and-a-half songs. This, coming from Nasir, king of Bollywood musicals, who produced, among other great soundtracks, the 10-minute-plus medley in Hum Kisise Kum Naheen (1977; best piece of music ever).

Once, being told that a track in QSQT had been composed, while it hadn't been, Nasir decided to hop over to the studio of music composer sons of Chitragupta, Anand-Milind, giving them only a 15-minute heads up. In that interim, Anand-Milind came up with the song, Aye Mere Hum Safar.

Don't know if the pressures were equally high throughout, for I recently discovered the track, Return To Alamo (1977) by The Shadows, which even by Bollywood's liberal standards for 'inspiration', seems shockingly lifted, note for note, even tempo intact, for the number Akele Hain Toh Kya Gham Hai. The only stroke of genius being that a war-cry has been turned into a romantic melody!

In 1995, Mansoor and Aamir teamed up to unofficially remake Kramer Vs Kramer (1979), even picking up scenes from the original, while one of the main songs was copied from The Godfather score. I once asked Aamir if he thought this was a complete, creative low. He didn't agree.

What young Mansoor, and indeed Aamir, did with one foot firmly on traditions and family customs/values, and the other on relatively modern sensibilities/outlook with QSQT, is take baby steps out of the shadows of the veteran Nasir Husain. This is very similar to how the Barjatyas' reticent scion Sooraj, 25, made his directorial debut with Salman Khan in Maine Pyar Kiya (MPK, 1989), and Yash Chopra's son Aditya, 24, smartly, gently pushed the mainstream bar with Shah Rukh Khan in his first film, Dilwale Dulhania Le Jayenge (DDLJ, 1995).

Together, with soft romances involving hardened parents, the three newbie Khans invaded Bollywood, gradually extricating it from the '80s 'Angry Young Man' hangover, rape-avenger actioners, and family melodramas driven by baffling sensibilities of the money-making, assembly line movies, adapted from the South. QSQT, originally titled Nafrat Ke Waaris, was as much 10 years ahead of its time, as comforting for mainstream audiences from 20 years before. I remember older family members (and teenage girls alike) being struck by Aamir and Juhi, who were formally "introduced" in the film, although Aamir had earlier already starred in Ketan Mehta's Holi (1984).

Leading up to QSQT's release, a hoarding teaser campaign had been launched across Mumbai (and perhaps other cities), with just the question, "Who's Aamir Khan? Ask the girl next door!" The billboards turned into QSQT's posters upon the film's release. Yup, it's been 30 frickin' years. Of course, we know who's Aamir Khan. What film-buffs have always been curious about ever since, and for good reason, is what's he up to next! We always inevitably remember his last film. Which is why, I suspect, QSQT, unlike MPK, DDLJ, if you think about it, hasn't actually got its due.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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illustration/RAVI JADHAV

There are many reasons to feel ambivalent about having family members as Facebook friends. One of them is almost certainly the fact that they are constantly outing your childhood pet names with alacrity, calling you Pappu, Bobby, Guddu, Noni, Chintu, Tumpa, Monu and so on in public, as if you are the chillar party in a family wedding.

While my immediate family members have been trained in this matter, those in my extended family have failed me hazaar times. "Very nice article, beta (insert pet name)" they will say. I heartlessly and instantly delete these comments. You might say this is draconian. I could just ask them not to. Anyone who has tried this will know it is useless. First, they will be wounded and utter filmi dialogue like "I am sorry I have done something improper. I won't darken your Facebook wall again." A few days later they will comment on your profile picture, "looking very nice (insert pet name)."

Why does this bother us so much? After all, it is the most natural thing to give silly names to people we love. Diminutives, nonsense words, private jokes, comical qualities that fill us with affection all make up the galaxy of nicknames. We don't seem to care when names our friends called us in youth emerge. It is the family pet name, yaniki ghar ka naam, that seems to mortify us.

Perhaps it is just the strangeness of being returned to childhood states that some don't like, a reminder of a time when we were taken less seriously and had little autonomy.

Maybe it is something about having the private emerge in the public, without our consent that makes us feel vulnerable. This may seem strange in times when privacies are constantly shared online, but it reveals how public privacies might be as much a construction as public selves. Perhaps there is an uncertainty, hovering on the edge of shame, about that private 'home' identity. Pet names are a reminder of the time before we learned to see our family as part of social hierarchies of caste and class, language and provinciality. For most, in a society as hierarchical as ours, the transition from childhood to adulthood is also one of painful realisation of difference, about our tastes and habits not always aligned to the social norms of upward mobility. A reminder of the first time someone mocked us for something unfashionable about our families.

This discomfort is far more prevalent among English speaking Indians, because it also exposes a certain sub-Englishness in our Englishness, the kitsch elements of families' aspirational cosmopolitanism. The careful facades dissolve as we build as adults suddenly seem like glass houses. Our insecurities that we will never really fit in, never be cool enough swirl up to the surface. We may develop ironic, even affectionate distance from many parts of the past, but the pet name is too earnest for that.

Only two types of people are not embarrassed by their pet names. Royal family types who go by Bubbles and Toffee and other names from P G Wodehouse, reeking of English aristocracy wannabe-ness. That tells us much about the casual confidence of class and caste. The other, are people supremely self-confident and secure about being loved. They are happy to be everyone's children, always, lucky things.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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Sanjukta Basu

Delhi-based photographer Sanjukta Basu had an epiphany right before her 39th birthday. "I was introspecting on the years gone by, and realised that although I had achieved much, I didn't think I had reached a 'destination'. It was as if I was lost at sea, and needed direction. But then I decided to embrace the fact that I go where the wind takes me. I was going to be 40, and this was me. I wasn't going to change. That's how my first tattoo took shape in my mind," says Basu, who once practiced law.

And so, her first tattoo was a sailboat, with a wave and birds in flight, with the line "wherever the wind takes me". This was also the time the idea of a project on women with tattoos took shape. Typically, some of them got one to signify something profound, like a break up with a lover or a violent relationship. Others didn't think it needed a reason. "The project is about challenging the stereotype around women with tattoos. They don't get them because they are slutty or hippie, or because they are reckless," she argues.

The photographer, who is on the lookout for new subjects to shoot in Mumbai and Delhi, says, ideally, all women should get in touch with her and tell her their stories. Sunday mid-day got Basu to shares some of her favourites.

Vimala is an aviation professional, and loves wings. Years after she got married to the man she loved, she realised he was addicted to gambling, and draining her of finances. At 48, when she found herself free from the toxic relationship, she got a tattoo — a heart with wings. It was time to fly again.

Parama, Sanjukta's first subject for the Women And Body Art project, is not one person. Within her sits the essence of Kolkata, the city she comes from and loves. The tattoo on her forearm and is an image of Kolkata landmark Victoria Memorial, an angel atop it. It signifies her belief that something good lies in everything she sees.

Archana, a women's rights activist, grew up in a protective, privileged Tamil Brahmin family. While she has grappled with body image issues, she also didn't know that you could be anything else other than a doctor, an engineer or a lawyer. When she went to college, she met women from a variety of backgrounds and, before she knew it, the seeds of female solidarity had been sown. Her first tattoo is a symbol of feminism, and she got it on the day she learnt that feminism in fact, had a symbol.

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A result of the 2013 floods, which wreaked havoc and killed thousands of people, is that the river Mandakini, which passes the temple area disappears after a stretch

I happily strut on through the Gaurikund market where vendors pour hot chai and roll parathas for eager yatris freezing under their overalls. It is April 29, the first darshan of the season. I have set out at 4.45 am, dodging horses and men wearing pithoo baskets ready to carry pilgrims to the top. I am in the company of a rishi, who grins at my woollens. "It is going to be sunny today," she says, wrapping a rice-paper thin shawl over her white skirt and blouse.

The path is peppered with signboards advising yatris to check their pace

Trek record
A cobbled path begins where the kaccha road ends. A green signboard reads: Kedarnath 16 km. The 2013 flood washed away the old route. Uttarkashi's Nehru Institute of Mountaineering re-charted the route via Gaurikund and passing Jungle Chatti Bheembali and Linchauli to reach the basecamp. Then, another kilometre leads to the temple. Rain shelters, medical camps, bio toilets and potable water fountains appear frequently.

The path has toilets and food stalls and medical camps are regular intervals

When the going gets tough
Uphill, at gradient 8, I set a steady pace, holding onto an orange railing; matching the sparse spotting of crimson-red Buransh flowers in an otherwise green flora valley. The gushing of a waterfall and a dawn in the breaking lend a quietude broken by enthusiastic cries of "Jai Bhole!" and "Har Har Mahadev!". I stop at each signboard that advises walkers to take regular breaks. An hour of evening walk in the city, I realised, was not enough training to adjust to the thin air quality and keep the body supple.

The flood had washed away the old route

Giving up is easy
Ahead of me, a couple plonks onto a bench. "Aur kitna dur hai," the wife asks. A sweeper, cleaning the tracks, laughs, "Bas che ghante chalte jao. Upar mat dekho (Keep walking continuously for six hours. Don't look up to see how far it is)." By now, I have lost sight of my 58-year-old companion, who has kept a steady lead.
I stare at the green board that reads 14 km, the time is 5.30 am. A tendency to get cramps on my right leg, I am surprised it hasn't revolted yet. But there's a sharp pull in my thigh, a new pain on this new adventure. I think to myself: "Why did I sign up for this? Turn back. Just turn back." Probably from the distress look on my face, a woman on horseback sees me and screams from afar: "Don't give up. You will make it."

The tough get going
This is my first victory. To turn a deaf ear to my feet's pleads. By the time I make it to Bheembali, the road steepens. People who have finished their darshan shower encouraging words and promise the ever-winding road will smoothen. By the time I reach Kedarnath basecamp, the clouds have covered the peaks, and there's a light rain splatter. I follow a group through steep patches that help you cut the road time. Sometimes, I find myself on all fours, holding onto branches. My inspiration pool is slowly evaporating.

Miracles find you
In that moment, the clouds clear and the snow peaks make an appearance. It fills me with gratitude — for everything that is right and wrong in my life. The walk down to the confluence of the Mandakini and Saraswati and dip my hands in the icy cold water. I skip the line to the temple, bow to the dhwaj on the temple and turn around for the road downhill.

A walk to remember
The rains have washed the muddy road and turned it into a sludge fest. I follow a couple and their son down a 'short cut' which catches me off-guard. It is open to the valley, and one wrong step will have me tumbling down. This descent is long but we walk it with a joyous gait. The burden was my own uphill, but now, it is ours to share.

8
No. of hours it takes in a state-run bus from Rishikesh to Sonprayag

Adventure & Religious
Tour & taste
Food and Leisure
Relaxing
Educational

Dario Brandt

The frenetic pace of life in Mumbai is such that it can sometimes suck you in like the last bit of water disappearing down the sinkhole of a swimming pool that's being emptied out. And before you know it, you become enmeshed in the social fabric of the city, riding a see-saw that oscillates between chasing dreams and paying absurd rent for a matchbox house. Yet, we trudge on, like troopers who feel most at home in a battleground. For, despite an inevitable sense of ruthlessness, there is also the milk of human kindness that nourishes this city's soul. And everyone's thus welcome to ride that see-saw. But sometimes, it's best to take a step back, pause, reflect and then start hurtling once again towards your goal.

Lydia Hendrikje Hornung. Pic/Datta Kumbhar

That, in a nutshell, is the message in Bombay Aaram Se, a new song that encapsulates what living in this city is all about. And what sets it apart from other musical tributes to Mumbai, such as the folksy 1969 classic Bombay Meri Hai, is that the two people who have composed it - Lydia Hendrikje Hornung and Dario Brandt - are both German. They landed in the city a few years ago to teach at The True School of Music in Lower Parel, and started sharing a flat in the process. Then, at some point, Hornung floated the idea to Brandt that they use the medium of music to give concrete shape to what their experience of living in the city has been like.

A still from the Bombay Aaram Se video

Brandt tells us, "Lydia is the one who came up with the chorus, and it felt perfect because going 'aaram se' is exactly how we were both feeling about being here. I then added some beats to it and she came up with the hook lines, and we had time to work on it since we were living together. So, we would just knock on each other's doors and say, 'Hey, what do you think about this input, or that one?'"

The product they eventually came up with is a catchy, EDM-inflected number with a modern, hip-hop vibe. The track starts with a 1970s-like Bollywood song sample, before it takes an edgy turn five seconds in. The lyrics capture the intrinsic tumult of the Maximum City, with lines like "I'm hailing kaali-peeli cabs/ I'm waking up in Bombay flats" interspersed with "Let me cough up rickshaw fumes/ Don't care what time we do". And the accompanying video feels as if the two of them are on a drive around town, stopping at quintessential Bambaiyya locations such as the Gateway of India, an Irani café, Land's End in Bandra and Marine Drive.

So all in all, it seems as if both Hornung and Brandt have internalised Mumbai to the extent that they, too, are riding the see-saw that life here can be about. Brandt says, "I find that despite it being such a welcoming place, it's also easy to disappear in this city. I mean, I step out of my house and I feel as if I have vanished sometimes," while Hornung adds, "Moving here was a completely life-changing matter for me. I got the feeling of, 'This is going to be my new home for a while.' And that made me find my peace with some of the things that annoy me, like traffic for instance. And eventually that's what also led me to think, 'Bombay, aaram se.' I mean, just chill, right?"

Log on to: YouTube and type "Bombay Aaram Se" to listen to the track

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Shades of red, bordeaux, pink and yellow are the key emanating colours this summer. Along with these colours, core summer essentials like white and blue also build foundations of the wardrobe. Prernaa Lohiya, Marketing Manager, French Connection, and Samantha Chilton, Head of Design KOOVS, have listed seven best summer fashion trends you must look out for. 

1. Fun and message-driven slogan T-shirts: Fun and message-driven slogan T-shirts that speak your mind, some core checkered shirts and athleisure inspired look for men are big this season. For women, soft florals and fashion infused athleisure is here to stay.

2. Side-striped bottoms and popper pants: Some of the other trends this season include side striped bottoms and popper pants.

3. Summer dresses in pastel shades: For a more ethereal look, you can choose pretty summer dresses in pastel hues as well.

4. Florals, solids, and patterns in green: The new hot colour for the summer is green and this can be seen in the form of florals, solids and patterns.

5. Bohemian grunge: It is also that time of the season when Bohemian grunge and festival dressing is popular including details like studding, lace inserts and broderie.

6. Neon camo and digital oversized sleeveless shirts for men: Men can add an element of exploration, with utility and military accents. Also this season it's all about the prints; from contrasting resort florals to neon camo and digital oversized sleeveless shirts.

7. Embroidered denim jacket: For layering, denim works wonders in summer and one can pick an embroidered denim jacket to layer a look with clean slip ons.

This summer, let your clothes speak your mind and add bright hues to your wardrobe to make a fashionable statement, say experts.

(Edited by mid-day online desk, with inputs from IANS)

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Accepting the futility of genres, of boxing songs into different compartments like stacked products in supermarket shelves, seems to be at the forefront of Rafiq Bhatia's musical endeavour. The 30-year-old American of Indian descent is the guitarist for a New York-based indie outfit called Son Lux. But it's his recent solo album, Breaking English, which makes the listener really question the need for musical boundaries, of sticking labels to a composition as if it's packaged meat.

The title track of the album, for instance, is not jazz, is not electronica, is not lounge, but all of these generic classifications rolled into one lush sound with a coherent narrative, where Bhatia's melancholic guitar plays the role of the protagonist. Each sonic detail in the track is well-defined, to the point where even though fellow Son Lux member Ian Chang's drum beats seem dissonant, they fit like a glove into the overall musical fabric. Bhatia describes this sensibility when he tells us over the phone from Berlin, where he's on tour, "Ryan (Lott, the vocalist for Son Lux) would say that instead of building a house, designing a room and then placing a chair in it, why don't we start with the chair first, and then design the room around it before building the house. There is a theory in poetry called organicism, where the poet lets each individual verse define the form that the poem will take. That is kind of similar to what I'm trying to do with my music."

He further explains his musical process when he narrates a story about one of his influences, Sam Rivers, the late American jazz great. "I've read that he would attend the concerts of all his peers, and purposely study their music to understand what they were trying to do. But this wasn't to replicate what they were playing. Instead, it was to consciously avoid it. Similarly, John Coltrane took the music of his predecessors and retooled the entire musical vocabulary keeping a similar underlying foundation, but with new pathways built on top of it," he says, giving us an indication of how he doesn't hesitate to flush rule books down the toilet.

Hybridity, in fact, lies at the core of Bhatia's creative evolution. The basis for this, he says, might well be his mixed identity. Born in North Carolina, he has never really fit in to any particular community. For, even though his parents are of Gujarati origin, they grew up in Tanzania, before moving to London and then finally to the US. So, while his brown skin stood out among the white kids in his school, he didn't feel completely at home among the Indian community either. "Everybody thinks that I am something else. So, my music is a result of a need to express my identity. It's a form of therapy at some level, because it's also a way of accepting who I am," he says.

He adds that this therapy started early. When he was about eight or nine, the older desi kids in Bhatia's neighbourhood would pick him up in a car and stop at a parking lot, listening to the hip-hop albums that became one of his earliest influences. Was he drawn to them because of the political overtones that such songs often embody? "Not really," he answers, adding, "I was only in the third grade at the time, and I couldn't even understand the words. So it was the musicality that I fell for. But the deeper question is, why were a bunch of brown kids sitting in a car in a parking lot and empathising with hip-hop music? What is it that was drawing them to the words? So you see, it's difficult to disentangle the politics from the music."

It follows thus that an intertwining of politics and music sometimes features in his own compositions. For example, Hoods Up, a complex instrumental piece, drew its inspiration from Trayvon Martin, a black teenager who was cruelly shot down because of a case of mistaken identity. The guitarist says, "I feel some amount of compulsion to express my [political] ideas. But sometimes, it's easy to get carried away with being overtly political because there is so much to be angry about, and often the responsibility falls on artistes to emphasise it. So I would say that politics is a general part of what inspires my music, because there are so many other facets of my personality that also make their way in."

Essentially, then, what Bhatia wants to keep doing is create genre-defying tracks where attention to detail is of paramount importance. "When you take the details and all the generalities of music for granted, that's when your songs start sounding more like other people's music. That doesn't mean you can't make great tracks. It's just that the less you consider those things, the less is the chance that you will make music that departs from convention. The flip side is that when you think actively about each decision, and each one comes from a place of individuality, it becomes hard to find a coherent logic that ties all those things together. And that ends up being the riddle that I am constantly trying to solve with my music."

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"
The cast and crew of Malgudi Revisited

Malgudi - the famous fictitious place that RK Narayan created - has a certain sense of innocence that seems incongruous with the fast pace of life in a city like Mumbai. It offered the characters a chance to enjoy the simpler pleasures of life, be it a young boy following the journey of a paper boat down a nullah or chucking pebbles into a lake. But now, people here can also get a chance to spend a day in the laidback town, as Tantra Theatre Group brings it to life in a series of short plays called Malgudi Revisited.

In it, a narrator will take the audience around different locations, making them meet the locals who populated Narayan's much-loved book. The day begins early, at 8 am, with a visit to the school where Swami - one of Narayan's most iconic characters - studied with his friends. Their exploits were of an everyday nature. And yet, there were lessons embedded in the story that are relevant even today, such as how a wall of conflict can be broken down with just a bit of empathy and understanding.

The short play featuring the astrologer

Then, around noon, the audience will be taken to a chowk where they will meet "the talkative man", who narrates a story called Old Man of the Temple. It deals with how the talkative man had once encountered a ghost while driving by a roadside temple, who possessed the spirit of the young man at the wheel. Krishna Battar, the ghost, was the one who had built the temple. But his spirit refused to leave the area even after his death, since there was no one else to take care of the holy place. Eventually, the talkative man convinces Battar that it is important to let go of the past, no matter how tough that is. And in the end, it seems that Battar has understood this point, because the next time the man comes around to that temple, the ghost is nowhere to be seen.

Later in the afternoon, the scene shifts to a bank, where a watchman is sitting outside the gate. This watchman tells the audience about how, after retiring from his job, he had discovered a talent for making paper dolls. He had received a lot of love for the same, but one day, he got a registered letter from a bank whose manager had been one of the recipients of his dolls. Now, back at that time, receiving a registered letter invariably spelt financial doom for a person. So, the watchman cursed himself for giving the manager his gift, and the insane fear he felt about opening the letter finally made him lose his mind. The irony, though, is that the envelope had contained a sum of `100, which the manager had sent the watchman, elated with his gift.

Soumitra Acharya

After that, in the evening, the audience is taken around to a marketplace, where they meet an astrologer whose quick thinking saves him from being pummelled by a man he had once tried to kill in his village. And finally, the narrator notices that a light is still switched on in the bank, so he goes to find out if someone is still working there. In the process, the audience comes across the character who was the protagonist of a story called Forty Rupees a Month. This man had decided to quit his soul-crushing job to spend more time with his family. The sum of Rs 40 was not completely peanuts back then. But it still didn't allow him to take his wife and children out for movies, for instance, and so he decided to hang up his boots. But at the last moment before submitting his resignation letter, he found out that he had got a pay hike of `5, and that made him change his mind about packing up his working life and calling it a day.

Soumitra Acharya, who directed and wrote the short plays, and also essays the role of the narrator, reveals this plot structure to us. He also points out how relevant Narayan's stories continue to be. "For instance, the main character in Forty Rupees a Month might well be me, where instead of taking my family out for a movie, my ambition could be to take my parents on a foreign trip. So, like him, even I am stuck in my comfort zone, and refuse to get out of that rut come what may," he says, pointing out how some issues remain constant through the years, and some places like Malgudi - fictitious as it may be - have a sense of timelessness that persists through the ages.

ON: May 13, 7.30 pm
AT: Whistling Woods - Andheri Base, Link Road, Andheri West.
LOG ON TO: bookmyshow.com
ENTRY: Rs 350

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More than 3.11 crore voters spread across 17 Lok Sabha constituencies will cast their vote today, in the final phase of the 2019 Lok Sabha elections in Maharashtra. While voters across North Maharashtra, Mumbai, Thane, Palghar and parts of Western Maharashtra gears up to cast their valuable votes come April 29, a popular restaurant in Malad added its own twist in order to urge its patron and voters to cast their votes as responsible citizens.

While the Mumbai votes today, innumerable initiatives have come up in the city with innovative ways to encourage people to exercise their franchise. However, a suburban restaurant in Malad came up with a cheeky poster to encourage voters to cast their valuable vote.

The cheeky message by Uncle's Kitchen, Malad requests voters to cast their voters on April 29, 2019

Uncle's Kitchen in Malad is a popular eatery and it put up a rather quirky poster on the wall outside their restaurant. The poster on the wall of Uncle's Chicken read, "We will keep our chicks away from you till 6 pm so that you can cast your valuable vote." Thus, urging their patrons and voters in Malad and Mumbai to come out in large numbers on April 29 and cast their vote. They, of course, were referring to their chicken dishes in the witty poster.

Uncle's Kitchen in Malad is a popular restaurant that serves Chinese cuisine and celebrities including Mithun Chakraborty, Raza Murad, music director Pritam, Mohnish Behl and Suresh Oberoi are believed to be regulars.

The right to vote is the gift of democracy. Let's all go out and VOTE!#VoteForIndia#LokSabhaElections2019 pic.twitter.com/CuzLniWUsn

— Sachin Tendulkar (@sachin_rt) April 26, 2019

Just two days ago, Bharat Ratna Sachin Tendulkar took to Twitter to urge voters to cast their vote on April 29. He said that this year besides him and Anjali Tendulkar, his children, Sara and Arjun too will cast their votes for the first time this election. He captioned the video: The right to vote is the gift of democracy. Let us all go out and VOTE!

The results of the Lok Sabha Elections 2019 will be announced on May 23, 2019. You can log on to eci.gov.in for more information.

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Thunderbird. Pic/Illustrated by Tomislav Tomic © Bloomsbury Publishing 2017, taken from Fantastic Beasts and Where to Find Them

One for the muggle library

If you're a Potterhead, you'll love the updated version of Fantastic Beasts And Where To Find Them (Bloomsbury; '599) that comes on shelves 16 years after JK Rowling gave muggles the original edition. An A to Z guide of the magical creatures lurking in the wizarding world, this one includes six new beasts (total of 81 species), new illustrations (neat work by Tomislav Tomic) and a revised foreword by the book's fictional author and magizoologist Newt Scamander. The breezy 144-pager teleported us into the Potter universe as familiar images of Hungarian Horntail and Basilisk flashed before our eyes. We also discovered incredible new beasts, including Thunderbird or Hidebehind. Apart from Scamander's wry humour, evident in the footnotes, we were hooked by the foreword, where he clarifies wild assertions made by Rita Skeeter and hints at being the secret-keeper for Albus Dumbledore. That's some fine foreshadowing, JK.

Gluten-free goodness

We've never shied away from going for the bread basket when it's placed in front of us at a restaurant. But, for those who have embarked on a let's-eat-healthy mission, Kitchen Garden by Suzette has launched the country's first organic, multigrain, gluten free bread, which they say looks and tastes like 'normal' bread. We decided to call for a loaf this week, not knowing what to expect. Organic goodness or just fancy jargon? The bread came as a nicely packaged gigantic loaf. The texture was soft and fluffy. You might not fall in love with it at first go, but with each bite the taste grows on you. Packed with nutrients and fibre, it's got the flavour of buckwheat. We had it with peanut butter and it went well. If you're having a PB & J craving, this could be the healthier version to try.

Illustrations/Ravi Jadhav

Girgaum, Kamat Chawl Thakurdwar
Celebrating the festival for the last 122 years, simplicity is key for Kamat Chawl residents. And they are happy to share tales from the forgotten pages of history and freedom struggle. Here, they do not follow the concept of themed decor and celebrate the festival in an absolute traditional manner. The idol is made of eco-friendly material called shadu. Following the spirit of why the festival was started in the first place, the pandal is built by the residents and each one volunteers to manage the space and the stage area.

Khetwadi, Tulsi Building Sarvajanik Ganeshotsav Mandal
This is the 75th year of the pandal and, like each year, the Ganesh idol is made up of different things, mostly edible. For instance, dry fruits, cereal and pluses, chikki, and stationery and diamond have been used. This year's focus is on kids and the theme is Disneyworld. The idol is made of Cadbury chocolate and the children cannot wait to see their favourite sweet take the shape of their favourite deity.

Malad, Shree Sai Darshan Mitra Mandal
For the last 11 years, this eco-friendly Ganesha has been a hit with devotees. Made from paper and cardboard, the organisers use various concepts including football erasers, pencils and cars. This year, Bappa is giving a shout out to nostalgia as the idol is made of old coins of 1 paise, 10 paise and 20 paise. The mandal's focus is to create awareness and education, especially about global warming.

Ghatkopar, S G Barve Nagar Sarvajanik Ganeshostav Mandal
Since 1966, the pandal's idols, one large and one small, have been luring devotees to this suburb. This year's theme is a dreamy fusion of a golden pillared palace, the religious oeuvre of Om Ganapataya namah and the galaxy. A daily bhandara of rice, dal, chole, bhaji, papad, pickles and gulab jamun feeds a thousand people. A blood donation drive along with free blood test and blood group check is done during the 10 day period.

Fort, Fort Vibhag Sarvajanik Ganesh Utsav Mandal
Celebrated since 1956, this is one of the biggest fully centralised pandals in the city. This year, they have invited special artists from Rajasthan to create a palace setting. Their finesse and specially crafted artwork adds to the grandeur of the pandal. While you are here, you can easily spot a celeb or two. The maha aarti, especially for the police department, is scheduled for tomorrow.

Thane, Narvir Tanaji Mitra Mandal
For the last 38 years, this pandal has been not only known for its large murti and grand themes but also for reaching out to those in need, especially in rural areas. Bappa will happily rest in the grand Rajasthani Palace and overlook the tasks the members of the mandal will take up. Medical camps and a beautifully curated cultural programme that will see participants sing, dance and create beautiful flower arrangements and rangolis are in store for the Utsav.

Tilak Nagar, Sahyadri Krida Mandal
For the last 41 years, this pandal has been dedicatedly putting up themes on social awareness. This year, their theme is 'Jai Jawan, Jai Kisan, Jai Vigyan' and will include artworks illustrating places from Kashmir to Kanyakumari, highlighting important destinations like the Himalayas and Madurai's Meenakshi Temple. These will be interspersed with reproductions of the metro, rail space research, army personnel and agricultural families to show how they co-exist to form an integral part of society.

U/A: Drama romance
Dir: Ritesh Batra
Cast: Nawazuddin Siddiqui, Sanya Malhotra
Ratings: 

Ritesh Batra's The Lunchbox, achieved international success six years ago, and despite two international projects (one with Robert Redford and Jane Fonda) along the way, Batra comes home again, to his comfort zone. He has on offer here, a rather chaste story of kinship, bordering on romance between two acutely lonely souls. Sounds familiar, doesn't it?

While the construct here is similar to The Lunchbox, it doesn't garner a matched significance because of the inherent familiarity in the set-up. This time around he takes on an unlikely pairing of opposites — Sanya Malhotra as Miloni, a CA foundation-course topper from a typically repressed middle class gujarati home, and Nawazuddin Siddiqui as Rafiq, an impoverished photographer, overburdened with familial responsibilities.

Romance for Batra is not about heavy emotion and carnality. It is a process of revealing your innermost fears without putting them into words for someone you can share them with. Both Rafiq and Miloni experience loneliness in varying degrees, and for diverse reasons. Rafiq is impoverished, shares his one-room tenement in a slum colony with fellow photography peddlers.

Check out the trailer here:

In comparison, Miloni is well-heeled; on her way to being considered successful in life. They come from different social strata, and if they spent time thinking about it, they would never have entertained the fanciful notion of getting together. It's a random connection at best, which is made further intriguing by the lie it gets embroiled in. Repressed emotions find an outlet for Miloni in this covertly rebellious action. For Rafiq, they become an aspirational pursuit bordering on hope.

Batra focuses his viewfinder on the warmth that develops between the two characters. It is quite clear that they are drawn to each other based on their individual needs. The timely play of Bollywood songs heightens the possibility of romance for a bit. Peter Raeburn's sweetly compelling score lends nuance to some of the quietly definite moments in the film.

The narrative is an assemblage of beautiful events shot with breath-taking lucidity — by cinematographers Tim Gillis and Ben Kutchins. Mumbai beckons hauntingly as the two central characters make this seemingly fleeting tryst last a lot longer than what seems possible in real life. Photograph is the emblematic representation of that connection we seek in these disconnected times. It speaks to us, but not as much in words as in the moments that warm our hearts.

Also Read: Ritesh Batra's Photograph gets a thumbs up from critic

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Kesari
U/A: Drama History
Director: Anurag Singh
Cast: Akshay Kumar, Parineeti Chopra
Rating:

First off, this might well be actor Akshay Kumar's finest performance ever. And this has much to do with an earthy, true-blue, proud Punjabiness that he exudes in his natural persona that translates so seamlessly on to the big screen; him fitting into the get-up like a glove, as Havildar Ishar Singh, a die-hard, hatta-katta soldier with a sharp disc on his huge turban, belonging to what the British deemed the 'martial race'—born to fight and protect, for community, and honour.

And that's tall compliment for a superstar, currently at the brightest phase of his career, who for years since he made his debut was condescendingly dismissed as woodwork—chiefly for the kind of work he starred in, of course.

Kumar, lesser known as Rajiv Bhatia, over the past few years, has upped his game to a point that you can't tell one character of his from the next (his last outing was as the iPhone sensation, Pakshi Rajan, in 2.0), naturally generating curiosity in ways that Aamir Khan has been capable of. Surely there are other contenders too, but hardly as prolific.

That said, you know where this film is coming from: 1897, Battle of Saragarhi, fought between Sikh soldiers under the British, and Afghan/Pashtun tribesmen from North West Frontier Province, or what's now the Khyber Pakhtunkhwa in Pakistan.

What's more important for the viewer to figure/gauge/understand is where this film is going—mainly towards mainstream, mass-belt audiences in Punjab/North, naturally inclined towards manic action films, exhibiting bravado of a community that has enough history to prove for it.

The director is most loved for massive Punjabi hits like Jatt And Juliet, and its sequel. Frankly, Sunny Deol is the only other actor I can think of who could so easily have pulled off this rustic 'gadarness' with gusto. The younger lot doesn't quite cut it in that sense. And Kumar has a cred that precedes his presence. Here he does to Sikh pride through dialogue-heavy, relatively over-the-top, period action-drama, what he attempted in Singh Is Kinng (2008) through comedy, with considerable success.

The key is the story of course. But the downer, the script/screenplay, probably naturally flows from there as well. For how do you spin off an entire feature from what's essentially a merciless, brutal battle between two groups, where the side you're on (the Sikhs) has no stake in the system?

They're minor soldiers. Their bravado is deliriously captivating, yes. You can see it. You can feel it. But the battle can't be the whole film. Well it is already half of it, with scenes leading up to the big moment essentially checking off boxes for issues that the film wants to perfunctorily highlight: caste, religion, colonialism, slavery. What you seek is simply what you get; no more, no less.

At the heart of this pic is the fact that 21 soldiers of a Sikh regiment held fort, carried on what was self-admittedly a suicide mission, against an army of over 10,000 tribesmen attacking them one fine day. Could this be a case-study on tactical warfare? How else did the Sikhs survive even more than a second? Or were the Afghans/Pashtun soldiers completely daft to suffer huge casualties still? Was there unlimited ammo at Saragarhi, or was the opposing side marching in with seriously primitive weapons?

Watch Kesari Trailer

The statistics are staggering. This explains why this film has been made and can be loved for that moment in military records alone. And which is why there is already a movie on the same episode on Netflix (with Mukul Dev; haven't seen yet), and another one that director Rajkumar Santoshi is currently shooting still.

Maybe there's more to the battle. Or maybe this in-your-face, goose-bumpy ride—heartwarming, because its history; and hysterical, because it's that kinda movie—is just the best one can do. Well, either way, this works alright.

Also read: Sikhs dress up in saffron hues to watch Akshay Kumar-starrer Kesari

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Avengers: Endgame
U/A: Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

How does one put together words about a film that, for all practical purposes, anything and everything you write, is likely to be misconstrued/diagnosed as a spoiler?

Suffice it to know that this expectedly dramatic conclusion of Marvel's three-part Infinity Saga is a relatively internalised, deep and sober film, concerned more with the motivations of super-heroes, the choices before them, and what they should pick, in order to take on super-villain Thanos—of course.

For one, the earth is a much quieter place, since as you're aware, its species have been annihilated, decimated by Devil Thanos, ever since he got his hands on the infinity stones, and went on to execute the bizarre plan of supposedly ethical ethnic cleansing—randomly ridding planets of half its populations, to make them more sustainable, by restoring balance of sorts, as it were.

Of course, there will be survivors. And Iron Man or Tony Stark (Robert Downey Jr), to start with, is thankfully rescued or reunited with the human family back home. So is Hawkeye (Jeremy Renner). Both of them, like all the others, seem to be somberly dealing with the aftermath of a universal tragedy.

Surely, you have your own favourites from this cinematic universe (and how can Iron Man not top that list?). But there's something about the inherent cuteness of Hulk (Mark Ruffalo) that saves this franchise's final installment from turning into a complete depresso—left to be downed over rounds of espresso, what with the screen-time running three hours plus.

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

Indians might thank their theatres for the usually hated interval. I caught it without one, but didn't miss it either. There's enough material here to keep you engaged, even if to wonder, on occasion, if some of it makes any sense. You may or may not be impressed with the long drawn explanations, but you're only too happy to go with it.

Frankly, I'm no Marvel fanboy/fanatic—if the movie-world is indeed divided into two types, then more the DC demographic. That said, there is an infectious verve and energy that multiple super-heroes bring to this cinematic universe that is hard to not be swayed by, even if an individual or sub-set, Guardians Of Galaxy in particular, may be difficult to appreciate on their own.

Check out the Avengers: Endgame trailer here:

Avengers: Endgame does a fine job of navigating a reasonably cogent script without over-populating the screen. Avengers: Infinity War seemed more overwrought in comparison. I re-watched portions of the 2018 prequel on my phone (for quick revision), which of course means I didn't watch it at all.

For, at the end of the day, battle sequences and pyrotechnics is the point of it all, isn't it? Endgame, despite all the philosophy, is not an exception. It shines gloriously as 3D spectacle on the IMAX screen, ideally viewed from the third-row, from the back—and if you're not on IMAX, then the third row from the front—for a stunningly immersive experience, with such depth of field that the points where the camera focuses on a river, the ripples flowing towards you, you almost feel like you can wade through the frickin' water!

I know, don't need to put in a word (spoilers be damned). Suffice it to know that seldom has the excitement of audiences entering a theatre, matched by those exiting, after a hugely hyped pic. Endgame equals its astounding anticipation. And that's saying a whole lot!

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

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No one informed us that my brother had been killed. We heard about his death on news," said Rakesh Tiwari, the brother of Kalpavrishkgiri Chikne Maharaj who was lynched in Palghar earlier this month, from Uttar Pradesh's Bhadohi taluka where the deceased priest's family lives.

On the night of April 16, a frenzied mob of close to 450 tribals lynched 70-year-old Chikne Maharaj, another priest and their driver, suspecting them to be thieves, at Gadchinchale village. While the incident made headlines across the nation, Chikne Maharaj's family learnt about his death only two days later.

Rakesh told mid-day over the phone that neither the police nor the authorities in the state informed them about his demise. We learnt through the news two days later that Kalpavrishkgiri had been brutally murdered in Palghar, he said.

Kalpavrishkgiri had left his home in Uttar Pradesh at the age of nine and was reunited with his family after 20-long years. When Kalpavrishkgiri was nine years old, he left home for Gramsabha Bhusavla school at Bhadohi one day, and never returned. We searched for him across the town but didn't find him." After reuniting with him 26 years later, the family learnt that he had gone to Nashik to become a monk, Rakesh said.

"We found his address when Kalpavrishkgiri was about 35-year-old and learnt that he had become a priest. After leaving UP, he had gone to Trimbakeshwar Shiva Temple to become a monk and later moved to Mumbai. He was a priest at Vandevi temple at Jogeshwari East. We accepted him and I used to meet him whenever I visited Mumbai."

Kalpavrishkgiri wanted to attend the last rites of our mother, who died on March 22, said Rakesh, adding that he couldn't make it to Uttar Pradesh due to the lockdown in Mumbai announced by the Maharashtra government in an attempt to contain the spread of the novel Coronavirus.

"On March 22, I called to my brother to inform him about our mother's demise, but due to the restrictions he could not attend her funeral. He was our mother's favourite son," Rakesh told mid-day. Rakesh said, "Our wish was to attend my brother's final rites but we received the information very later and that too from the media."

He also accused the police of failing to save his brothers and the two others with him. The videos clearly show that the police surrendered my brother to the mob, who then brutally thrashed him to death, said Rakesh, adding that the police could have saved Kalpavrishkgiri.

"Not a single police officer informed us about his death," Rakesh told mid-day.

Tilghate was driving Chikne Maharaj and Sushil Giri to Surat where the duo were headed to attend the last rites of a head priest, Ramgiri Maharaj. However, they came across the tribals, who were enraged by the rumours that a gang of child lifters were active in the region. While the police maintain that close to 450 people were part of the mob, a local leader had said as many as 2,500 tribals had gatheredthat night.

16 April
Day the two priests and their driver were lynched

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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On April 16, two priests and their young driver travelling in a car from Mumbai to Surat were lynched to death by a frenzied mob in Gadchinchale village, Palghar district. This paper has been closely following the sequence of events, including interviews with the family of the slain, and the political brouhaha that followed.

While it is learnt that the men became the target of an enraged and armed mob, it is clear that they were fuelled by rumours and in some cases by alcohol too. Locals claim talk about child kidnappers and organ sellers was doing the rounds. There were also rumours about outsiders coming into the village and spreading Coronavirus.

We now have to think and put into place some kind of gameplan, so that such incidents do not occur again. Having said that, it is also understood that there is no guarantee, and one acknowledges that it is very difficult to control a mob baying for blood.

This does not mean that we cannot try and learn from some takeaways of this crime. Police and leaders must act proactively the next time any rumours start swirling around. This could be done by putting signboards in areas or making announcements to dispel rumours. The frontline of the tribal community and villagers, those who command respect could be roped in at an early stage by authorities as allies. They could then hold meetings of people dispelling and squashing dangerous, loose talk. An aggressive truth campaign can be started.

Action against culprits stoking irresponsible fires can be part of the rebuff-the-rumour strategy. All this should be driven by those who have won the trust of the people. All easy to say, but worth giving a shot. The key seems to be not to be reactive and try to pacify an already charged, unmanageable group, but, proactive so that there is a strategy in place to scotch lies and wilful attempts to misguide.

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Malad police arrested two people on Tuesday night for selling liquor at a premium and delivering it at people's doorstep. The Santacruz and Kandivli residents had a stock of liquor, orders for which were taken on WhatsApp. Police seized alcohol worth Rs 1.35 lakh from the duo."

The duo would send WhatsApp messages with a list of available liquor brands along with prices to their acquaintances. The message soon went viral and Malad police got wind of it. "We received this information from an informant and laid the trap. We placed an order with Kaushal Mashro, 28, on the WhatsApp number provided in the message. When he came to deliver the products in Kandivli, we arrested him," said a police officer.

During interrogation, Mahsro revealed the identity of his accomplice, Akshay Parihani, 28, and another team reached Akshay's home in Santacruz, arrested him and seized the stock of alcohol. "During further interrogation, the duo said they decided to sell the available stock as they needed money," the officer added.

The duo has been booked under Section 65E of the Bombay Prohibition Act and relevant sections of the Epidemic Diseases Act.

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Why do movie stars matter so much to us? May be, because cinema amplifies and engages with not the timidities of rational logics, but the boldness of the senses. Its hyperkinetic tangle of conventions and innovations, speaks to our urges, desires, emotions and intellect, allows us to be all this and also several people at one time, fluid, unlike the rigid identities of law, society, political correctness. Movie stars communicate these libidinal energies of cinema through a bodily presence. Star and audience, mirror and remember each other, in an intimate, mysterious embrace.

The three stars who died recently, each represented a specific era in this ongoing relationship.

Nimmi died in March, at 88. A major star of the studio era, she acted in India's first technicolour film (Aan, 1952). Often the feisty village belle, the unbound girl in the garden, she made heavy-lidded eye-contact with audiences in songs that yearn for love. Born Nawab Banoo, she was one of the last star-heroines from the tawaif communities. Practitioners of the sensual courtesanal arts—dance, music, poetry—tawaifs were erased from performing arts via colonial laws and rising nationalism, both squeamish about eroticism and pleasure. They transitioned to films, as producers, directors, actors, contributing to Bombay cinema's defining aesthetic—stylised eroticism through song, heightened emotive ada-kari, androgynous appeal, glimpsed in figures like Nighar Sultana and a focus on pleasuring the audience. With each filmic embrace we surrender to, each dance move we mimic, each song we sing, these aesthetics become part of us: a queer form of memory, bodily, but ephemeral.

Rishi Kapoor, who died at 67 last week, carried forward the sensuality through his dance and romance persona. His bodily vivacity fluidly merged masculine and feminine, past pleasures like qawwali and more contemporary pop enjoyments, even as parallel cinema's realism and masculine-centered Bachchan films began dominating. His beauty was delicate—androgynous pleasures—and he often paired with women whose attractiveness was more robust. Love was freedom, frolic, khullam khulla, yet luxuriously intimate, hum tum ek kamre mein.

Maintaining traditional cinema pleasures, he also replaced their stylised nature with a modern, casually stylish manner, pre-figuring later realist commercial film, into which he flowed with energetic ease, bridging two cinematic worlds.

Irrfan, who just passed away at 53, was an iconic figure in the post-globalisation emotional realist cinema with its cross-over films, less interested in symbolic storytelling, making room for more everyday characters. Some of this cinema believes in what I call aspirational realism, which considers older conventions of emotional and ornamental excess—like songs—as lesser. But, in fact, quite apart from his acting skills, what made Irrfan a star was the sexual intensity
of his presence—carrying forward that desi quality of emotional and sensual excess, something larger than life, yet intimate, to connect directly with the audience.

This is why I believe he was most compelling in films where he had a romantic track—Maqbool, Life In A Metro, Piku—and underserved by anaemic works like Lunchbox.

Critical culture sometimes favours a real estate mentality: location, yaniki cinema category, determines value and meaning. So it is, that too little has been said of Irrfan's cinematic, libidinal intensity, not enough about Rishi Kapoor's virtuosity. And barely anything about Nimmi. The artistes themselves defied categorisations.

Through cinema they straddled the cusp of worlds always changing, for better and worse simultaneously, just like us, helping us to flow with the flux.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at aromita.vohra@mid-day.com

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Revising the COVID-19 lockdown guidelines further, the state government has allowed stand-alone liquor shops to reopen in Mumbai and its metropolitan areas from Monday.

However, shops in the demarcated containment zones in Mumbai Metropolitan Region (MMR), will remain shut. Permit rooms and restaurants serving alcohol have not been allowed to operate.

The order for liquor shops also applies to Pune Metropolitan Region and other red zones. The shops will have to comply with strict measures such as social distancing.

The local authorities like municipal chiefs and district collectors have been tasked with deciding the number of shops in each area for preventing mass gathering.

This information is subject to guidelines/conditions in the state government's notification dated 02.05.2020. Imaging/Uday Mohite/Suhas Kale

Sources said the state government has convinced the Centre despite national restrictions on non-essential business in red zones.

The Centre was told red zones had non-containment clusters that were unaffected. Liquor production and sale will also replenish the state's depleted coffers.

Several ruling leaders and Maharashtra Navnirman Sena (MNS) chief Raj Thackeray have been demanding the opening of liquor shops for revenue's sake.

Alcohol retail shops will be open from 10 am to 6 pm. Only sealed (bottled) liquor is allowed to be sold. The shops will have to work on 50% staff strength and the employees will have to be tested for body temperature and other symptoms.

Liquor factories, which give maximum revenue on site, have also been allowed to start production. Thermal screening of staff and access control will be required.

In addition, urban standalone shops selling non-essential commodities like clothes, footwear, stationery, electronic and electrical/domestic appliances will be opened in non-containment zones, but only 5 shops will operate in one lane/street. Spas, barber shops and salons will not open in red zones.

"Medical shops and and grocers will not have a five-shop restriction and no restrictions on business hours," said Bhushan Gagrani, principal secretary, in-charge of media relations for COVID-19 mitigation plan.

Travel by air, train and metro, inter-state road movement, opening of educational institutions, hotels and malls, places of worship and large gathering will not be allowed anywhere.

However, goods supply will not be affected. Industry with access control and urban industry have been allowed in orange and green zones.

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In giving Chief Minister Uddhav Thackeray a new lease of life in the CM's office by way of asking the Election Commission of India (ECI) to hold legislative council polls, the Bharatiya Janata Party (BJP) has kept the battle between the state government and governor raging. A timely request made to Prime Minister Narendra Modi has helped the CM survive a chair scare, and his party has profusely thanked the Centre for facilitating the legislative council's biennial elections. However, the Sena and its Maha Vikas Aghadi (MVA) partners have been forced to accept that the Raj Bhavan holds the ultimate right to reject the Cabinet's recommendation, that the CM be made a legislator under the governor's quota, in the circumstances he (the governor) found fit for refusal. The BJP has also averted a situation wherein it could have been blamed by the people for playing 'brutal' politics by collapsing the government in the time of a grave health crisis.

A game fixed?
The events that finally led to the CM's relief seemed to be orchestrated delicately. Actually, the Sena offered it on a platter to the BJP which created a pressure cooker-like situation, in which the rival teams ended up doing the unexpected. The verdict in this game is varied. For some, the Sena has won. For some, the BJP is the victor because it hurt Sena's pride. But people in the know say the game was fixed at the last moment to appear like a tie, and insist that the next rounds of the game will be rather interesting. The Raj Bhavan should be elated because it was converted into an execution hub with its control strings being manoeuvred in New Delhi, which also honoured Bhagat Singh Koshyari's consistent say. The state BJP leaders who are alleged to be hand-in-glove with the Raj Bhavan may also have a reason to feel somewhat contented because they were able to get even with the Sena, if not successful in completely decimating a friend-turned-foe.

With its West Bengal and Delhi counterparts already in the news, Maharashtra's Raj Bhavan shot into the limelight after a decade, since it installed the BJP's 'sunrise' government late last year. The government fell in three days because the coalition didn't have the numbers, and the Supreme Court acted very swiftly to direct the conduct of proceedings that went against the BJP's plan. And then Uddhav became the first from the Thackeray family, to govern the state directly from the CMO, and his son Aaditya also achieved yet another first for the family, when he got elected as an MLA. A period of six months since then has set many precedents like formation of an axis of three parties that are ideologically so different.

All seats available in the council of ministers were filled, though it perhaps isn't the first in the state's political history, but it surely was an aberration because it hadn't happened in the recent past.

However, most of the precedents were set in the past one month. The CM, unlike some of his predecessors, chose to not contest Council polls that were held after he assumed the office, or asked a party MLA to vacate a seat for him by facilitating a by-election for him. The unexpected novel Coronavirus pandemic compounded the CM's political difficulties when the biennial elections were deferred in the wake of the health scare. If pandemic-related eventualities are considered, then, ifs and buts shouldn't really hold ground to blame the CM for making wrong decisions. Left with no option, the Cabinet twice recommended twice Thackeray for the governor's quota, but the governor refused citing a similar denial in December. So far, a governor's nominee hadn't become a CM. And here, the BJP seemed to have trapped the Sena tiger.

But Thackeray, maybe prompted by his friends in the BJP, relied on an all-effective hotline to PM Modi. Writing on the CM's prospects of making to the legislature in the previous column, I had said that a lot would depend on how much Thackeray has been able to covertly repair the fracture that upset the Sena-BJP applecart six months ago. We will have to see how the BJP-Sena relationship shapes up in the future.

More precedents set
Few other precedents we set after the PM-CM talks. The political veterans haven't recalled any occasion when the Raj Bhavan recommended to the ECI, the holding of Assembly or Council elections. They haven't dug out a trace of political parties asking the governor to make such a recommendation to the ECI. This time, not only the Congress and Nationalist Congress Party, but the CM also petitioned the governor in this regard. If that was not enough, the Maharashtra Chief Secretary voluntarily assured the ECI that the state machinery was well-equipped to hold the polls for which the candidates and 288 MLAs should be travelling to Mumbai, to file nominations and vote in the lockdown or lockdown-like situation.

All this happened in just one day. To top it all, the ECI convened an emergency meeting next morning with its chief participating from abroad. Within hours, the elections were scheduled. It is anybody's guess why events took such dramatic turns overnight.

So, can we say all is well that ends well? Well, we may say so when we're fighting a deadly pandemic which has its epicentre in Maharashtra, especially Mumbai, which is the country's powerhouse. It seems the political foes who share ideology have put aside the differences in bad times. Henceforth, we would like the CM and PM to talk frequently to ensure public good. Politics can wait.

Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com

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Shivam Misra from Khar, founder and managing partner of Walnut & Co, a strategy and market access consulting firm in Singapore, flew from Budapest to Kathmandu, for business meetings in early March, but due to COVID-19, he found himself locked in Kathmandu.

"When I landed, Nepal had around six novel COVID-19 cases. I had no clue that Nepal or India may move towards a lockdown," said Misra, adding, "Some reports citing official figures say there are approximately 12,000 Indians stranded in Nepal. There are a huge number of labourers stuck here, being looked after by the Indian Embassy." He has been living at the Marriott in Kathmandu with nine other guests.

He said, "The Indian officials at the embassy have been stupendous. They have put forward my case to the Ministry of External Affairs (MEA). They have always been accessible on email or phone. I do feel a twinge when I think of family back home, but one has to be patient. Gaurav Aggarwal, in charge of this property, has been wonderful too, inviting me to his home, which helps dispel the homesickness a little." The entrepreneur's days in Kathmandu are full of, "reading, writing and exercise. I walk through the hotel property. I am a photographer; portraiture and fashion being my forte." Misra said, "The downtime taught me that we are in a mindless race. This may teach us to value what is true. My lens will now capture human stories differently."

When not behind a business desk, Misra will be thinking of "conscious capitalism. This is not socialism, for without capitalism the economy cannot grow. I will, though, recalibrate a more fair distribution of wages and a more equitable distribution of wealth."

Biz whiz Narayan Murthy spoke about how he changed his philosophy from socialism supporter to 'compassionate capitalist' after an unsavoury incident abroad. Misra's changing mindset too proves that we may come out of this pandemic altered in our hearts and minds.

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Spotting a tiger during a walk is not an encounter you would wish to experience. With stories of wild animals being spotted in unusual places during the lockdown, seeing a tiger on the loose is the last thing you want and which might lead to chaos! This is exactly what happened when few people in countryside Kent in England called the police for help saying that they had spotted a tiger in the neighbourhood.

Armed policemen and a helicopter arrived at the scene to locate the tiger but to their surprise, they found that it was just a sculpture that looked like a real tiger!

Picture/Martha Simpson-Twitter

The incident was narrated by Twitter user Martha Simpson. She said that the tiger sculpture that armed cops with a helicopter came to hunt for, was made by her grandmother. She also shared the pictures of the incident in which the police officers were investigating the sculpture.

My Granny is a sculptress. Today 10 armed police and a helicopter were called to her house after walkers reported a tiger in the woods. This is the tiger. pic.twitter.com/Kn21npZPiS

— Martha (@marthasimpson__) May 2, 2020

Simpson was quoted by the Guardian as saying that her 85-year-old grandmother Juliet built the sculpture using chicken wires and resin 20 years ago. She said that her son called her on her phone to tell her about the armed police coming at her doorstep with their helicopters. "Ten of them! By then I could see the helicopter above, and I thought, goodness me. So then I walked up the road and saw the police Land Rover. I went up and said: 'Do you want to be introduced to this tiger?'" she was quoted by the Guardian.

Simpson went on to say that tiger’s sculpture never bothered anyone before this incident apart from dogs, adding that the police left after looking into the matter and establishing that the sculpture did not pose any risk to the public.

But the sculpture that created a buzz attracted some attention from netizens.

Congratulations to sculptor granny. 😹 Whether granny wants to still sell the work or still keep it as landmark. Legendary!

— Imcha Imchen (@im_chat_sung) May 3, 2020

It's the tiger that came to tea! He's gorgeous!

— Hazel Preller (@pierkisser) May 3, 2020

Did it put smile on the police's face? Hope so.

— kharis (shig_ðŸ¦Â‹) (@kharis_kun8) May 3, 2020

Tiger Queen as a sequel to Tiger King?

— Mitch Cohen (@MitchCohen12) May 3, 2020

A person, who has visited the spot calls it a 'great scuplture' and said that  he visits the spot regularly for walks with his dogs.

Hilarious. Walk here with the dogs regularly. My kids love the swing very kindly left there. Great sculpture! pic.twitter.com/F3sHeTpYYk

— Phil (@PhilipRJSmith) May 3, 2020

What do you think about the post?

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At a time when the Coronavirus outbreak has thrown people all over the world into despair, jazz legend Louis Armstrong’s ‘What a wonderful world’ bring a sense of hope and positivity. The song’s message of having a happier and better tomorrow couldn’t be any more relevant at such a time, which is why a rendition of the song that has gone viral on YouTube has won hearts online.

The video shared by the India chapter of the International Advertising Association features four melodious singers, Prabhakar Mundukur, Shalini Gupta, Subhash Kamat, and Rajeev Raja, who are a part of the Marketing and communications field.

The video opens with a message flashed on the screen that reads, “A musical message of optimism from the four members of the Marcom industry,” after which the singers present their soothing rendition of the famous song accompanied by the piano and the flute.

Shared on Tuesday, the video has garnered 4,885 views on YouTube with tons of comments praising the rendition and how the song made them feel refreshed.

A user said, “It’s people like you who make India a splendid part of this wonderful world.” Another user said, “Wow.. what a masterpiece !! Feel so refreshing.” One more user said, “Thank you, it is indeed a wonderful world and thank you for your part in making sure we hear it in your amazing voices. Beautiful!!"

What do you think about the post?

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India is riding the fashionable wave inspired by Bollywood as 2017 saw movie buffs buying trends inspired by their favourite stars online, says an annual fashion report by e-commerce site Flipkart. The latest findings and trends of 2017 by Flipkart Fashion saw shoppers getting their hands on trendy outfits inspired by Bollywood.

According to the findings, Alia Bhatt, Varun Dhawan starrer "Badrinath Ki Dulhania"; Aditya Roy Kapoor, Shraddha Kapoor starrer "Ok Jaanu"; Arjun Kapoor, Shraddha starrer "Half Girlfriend"; Vidya Balan starrer "Tumhari Sulu"; Salman Khan starrer "Tubelight" and Kangana Ranaut starrer "Simran" ruled the fashion sense of the millenials.

According to Flipkart fashion report, Alia Bhatt's latest hit became the fashion guide for Indian outfits in 2017. Her style statement in the movie refreshed shopper's style quotient by purchasing cold shoulder cholis, bandhani lehenga skirts and jhumkas donned by her in the movie, said a statement. Flipkart sold thousands of jhumkas and bandhani skirts within the first month of the movie's release. The first week alone saw the sales of 2,500 plus pairs.

Shraddha made a popular fashion statement of embroidered shorts and skirts in the remake of the iconic Rahman classic "Humma Humma" in "Ok Jaanu". She again made fashion trend with skater dresses, off shoulder tops and layered looks in "Half Girlfriend". From silks to Kanjeevarams to georgettes and crepes, Vidya has always shown her love for the sari. In "Tumhari Sulu", the actress created trends again with people buying saris inspired by her looks. Smaller cities like Bhopal, Chandigarh, Nagpur and Indore shopped for the Vidya Balan look.

Another fashion trend that hit the country was the Kangana-inspired red dress from the movie "Simran". Also men's fashion wasn't far behind as Salman Khan's look with the brown shoes hanging around his neck in "Tubelight" created a lot of buzz making fans wanting to get their hands on a pair at the earliest. The brown shoes topped men's footwear search across cities for two weeks on Flipkart after the movie released.

Except for the headline, the story has not been edited by mid-day online. This story is taken from a syndicated feed & is published on AS IS basis.

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The Story Re-Spun, Raymond's Khadi Project fashion show, was held on April 4 at its flagship store at Breach Candy

The guests gathered at Raymond's Breach Candy store earlier this month for The Story Re-Spun, a showing of the menswear brand's latest line, had one question on their minds - how will the corporate professional accustomed to crease-free workwear warm up to whimsical, organic khadi? But the team at India's oldest fabric retailer knew they had pressed the right button when the campaign around their just-launched Khadi initiative clocked 15 million views in 30 hours on their social media page.

Raymond has launched the collection in association with young designers Gaurav Khanijo, Anuj Bhutani, Ujjawal Dubey and Alan Alexander Kaleekal, and their choice of textile is the "fabric of the nation", which they call universal, and one that transcends age and social barriers. The brand has used its fabric technology expertise to lend khadi, drape and wash-and-wear qualities. The silhouettes and prints which comprise the collection of suits, tuxedos, bandhgalas, bomber jackets, hoodies, shirts and kurtas, are modern and approachable. To complete the look, on offer is a range of khadi accessories - ties, pocket squares, cuff links and shoes.

Varanasi-based textile developer and designer Hemang Agrawal's

"The design and technical teams from Raymond worked extensively with clusters of khadi weavers from across the country for over 12 months to give the fabric a whole new face and form," says Gaurav Mahajan, President-Apparel Business, Raymond. Style observers see Raymond's move as one that seeks to give sustainable fashion a nifty edge, a trait often compromised in the drive to produce ethical fashion, and promote indigenous crafts. Fashion entrepreneur and consultant Sabina Chopra says, in the absence of labels offering appealing sustainable designs at reasonable prices to the young buyer, Raymond's model could be one to ape. "Collaborations [between designers and fabric manufacturers] could be the way forward if we are to impact purchase," she thinks.

Summer 2018 collection reimagined Benarasi textiles to make minis and box-pleated dresses, and used Tanchoi and Katarwan weaving techniques to create the houndstooth pattern

While the world over, sustainable fashion champions fair trade, local techniques of production, and reuse and upcyling, in India, an ancient tradition of craft has moved focus to the revival of textiles. That it is currently also a political talking point, makes it complicated. "In India, we stress on sustainable fashion from an aesthetic point of view, motivated by the revival of textiles. There's too much of one thing, without regard for price point, the young customer demographic, fit or design," feels Delhi-based designer Arjun Saluja. He is currently occupied with creating a collection from upcycled cotton, with a focus on minimum fabric wastage. And so, the sustainable cause is a subtle story behind the collection, not its central identity.

After showing at LFW S/R 2018, The Good Loom showcased its summer collection of casual menswear and sarees, designed with a special focus on ethical production and getting the right fit at ARTISANS' gallery at Kala Ghoda last week

Hemang Agrawal, textile developer and designer from Varanasi, agrees. "Shoppers buy basis design and style. The ethical credentials of a label come later," he says. Living in a city that's at the heart of the ongoing revival of Benarasi weaves, he speaks of fly-by-night designers jumping in to claim to own the cause.

Agrawal decided it was time to rewrite the script; one that tested the sprightly, dressy competence of time-honoured Indian weaves. Un-Revive, his summer 2018 collection, included modern-day essentials such as minis Mary Quant-would approve, trench and box-pleated dresses, maxis, cropped pants and palazzos. He pinned his interest on the sustainability mast by working with master weavers from his hometown to create tartan checks, polka dots, houndstooth and geometric patterns using the Tanchoi and Katarwan techniques. "Why can't handlooms be young?" he says, explaining the thought behind using one of India's oldest textiles to create plucky, young designs.

Chopra wonders why sustainable clothes are devoid of colour or refined cut. A chunk of craft practitioners focusing solely on revival of textiles are taking for granted the design element of clothing. "Hence, the final tailored garment tends to be weak on cut, giving us tent-like, boring clothes…who decided colour is not cool?" she says. Veteran designer duo David Abraham and Rakesh Thakore of A&T push the boundaries when the former says, "Theoretically, you could do anything with craft, even design a bikini or hot pants. The trouble is, designers are not intervening into developing their own textiles. Ideally, they should."

A&T made a compelling case for ethics-meets-aesthetics with the recent #SadakSmart collection. Encouraged by DIY countercultural streetwear trend, the range looked at indigenous shapes, such as the salwar, kameez, saree and ghagra, and tipped them in favour of teasing everyday styles using updated versions of sequined Chanderi, aari embroidery, and floral patterns inspired by the great Indian chintz.

Not so long ago, anti-fit fashion found its moment internationally, and India, a land of drapes, was more than happy. The unstructured silhouette became an approved form of anti-fit, and handloom - one of the heroes of sustainable fashion - tagged along. Saluja points out that a change in design will take place only when we break the myth that hand-woven equals anti-fit. "The latter is about how you play with both, fabric and body - kiss it or turn it away from skin. Lend it form or leave it formless. Fabric development plus emphasis on silhouettes is key."

And so, good design is both the problem and the solution. Sustain, a 12-year-old apparel vertical of the Good Earth brand of luxury lifestyle, insists on being known as classically Indian. "We are not interested in being hip or cool. But we understand the value of offering modern clothing options that highlight India's incredible workmanship. It might be difficult to make khadi glamorous, so we've started working with Bhagalpuri silks for evening wear. Similarly, we've updated traditional embroideries by combining them with fresher colour ways," says Deepshikha Khanna, head of Sustain.

Rozana, a sub-brand of Sustain, positions itself as daily tonic for everyday wardrobe woes. Aimed at younger clients, it's a line of separates. Sassy shirtdresses, long and short kurtas, lehengas, kalidar kurtas and Hiba trousers are made in malkha cotton, khadi and muslin, priced between Rs 4,500 and Rs 22,000. Interestingly, timely interest by two of India's biggest fashion weeks has plucked the sustainable fashion lobbyists from their craft-based address to dazzling runways with dedicated show slots. The Autumn/Winter 2017 edition of Amazon India Fashion Week addressed the relevance of handlooms, while highlighting sustainable businesses with, The Handloom School. Supported by Good Earth, nine designers including Sanjay Garg, Neeru Kumar, Gaurav Jai Gupta, Rajesh Pratap Singh, Rohit Bal, Péro and Ekà worked with weavers and textiles designers under the watchful eye of textile revivalist Sally Holkar.

For the last seven years, Lakmé Fashion Week has dedicated a day towards the promotion of Indian crafts, recycling and re-purposing. "It started as a means to encourage dialogue on sustainable values. And with initiatives like #CraftisCool, we are working towards creating viable collections that appeal to high street sensibility," says Gautam Vazirani, fashion curator, IMG-Reliance, organisers of LFW.

This season, LFW collaborated with The Good Loom, an artisanal brand from GoCoop, (the first e-commerce store to win a national award for 'Marketing of Handlooms') to present a selection of smart, casual menswear and sarees, with a special focus on ethical production and getting the right fit. It was a sincere attempt at bridging the gap between how the country's Instagram generation interprets fashion and its duet with indigenous craftsmanship. "That sustainable fashion should be sexy, and not stop at mundane or homogeneous, is now our agenda. The millennials don't see themselves dressed in kaftans or anti-fit shapes," adds Vazirani. But he's up against a challenge. Designers often tell him of the 35+ consumer loving the anti-fit way. Saluja has an answer to that. "Let's not be blinded by the revival manifesto. Sixty per cent of India's population is under 35, and they are seeking stylish ready-to-wear options."

Challenge of handlooms: Colour forecast doesn't figure in our scheme
For 11-year-old label, Amrich, led by Delhi-based Amit Vijaya and Richard Pandav, instead of reinforcing a divide between ethical and non-ethical consumers, they prefer to be known as a Western wear brand of separates, infused with enough versatility to be worn in Indian styles. "Working with handlooms is not without its unique set of challenges. For example, we can't afford to follow the colour forecast, since we work with natural dyes. Plus, we work with tricky timelines. We have to work two years in advance since there is lot of back and forth between craftsmen and our design team," says Vijaya. Luckily, the two design and develop their signature shibori in-house, making it possible to control how the garment is cut. "It also allows us to keep the price affordable. The shibori range starts at Rs 13,000," he adds.

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Bajrang Punia, World silver-medallist wrestler

Wrestling is a contact sport. When wrestling will resume, there is no way you can avoid physical contact. But I don't think there would be any hesitation. I don't see any change happening.

Sachin Tendulkar, cricket legend

Players will be wary for some time when it comes to using saliva [to shine the ball]. High fives and hugging your teammates will be avoided for some time. They will be conscious to begin with and may maintain social distancing.

Vijender Singh, India's only male boxer to win an Olympic medal

Athletes will be more cautious. Certainly, training abroad won't be all that easy. Less tournaments will happen and whenever they happen, I am not sure what the participation would be like.

Joshna Chinappa, Top squash player

I think I will have to be extra careful on flights as those are the main transporters of germs around the world. My first instinct after the game is to shake hands with the opponent but now things might change there also.

Bhaichung Bhutia, Former India football captain

Sports events will gradually come back to what they were before and can be held behind closed doors for now. Till the time a vaccine is out, I don't think they can have people inside as it involves a lot of risk.

Mahesh Bhupathi, Multiple-time Grand Slam winning former tennis player

Sport won't change. Things will be normal once COVID-19 goes away.

Abhinav Bindra, India's only individual Olympic gold-medallist

The post-COVID-19 world could be a blessing in disguise for India. There may not be so much foreign exposure and this may allow India to build proper sporting infrastructure.

MC Mary Kom, Six-time world champion and Olympic bronze-medallist

Once a vaccine is developed, things can go back to how they were before but until then, travelling will be less frequent, training will not exactly be a team thing and tournaments, I don't know how they will resume.

Text:PTI

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Tofu for Ganesha
This vegan, gluten- and sugar-free modak is bound to get the fitness freak interested. A blend of tofu, almond flour, coconut powder and soya milk, with a whiff of cardamom and saffron, makes this made-to-order eat delicious to the core.

Time: 12 pm to 1 am
At: Dishkiyaoon, ground floor, The Capital, Bandra Kurla Complex Road, Bandra East.
Call: 8291139404
Cost: '350 plus taxes for five modaks

With love from Manchuria
Enjoy the piping-hot and deep-fried Manchurian Modak that oozes with Chindian flavours or opt for other savoury varieties like Dahi Modak Chaat, Matar Samosa Modak and Hara Bhara Modak at a 10-day chaat festival.
Time: 12 pm to 10 pm at Dillie Heart, Nalanda Co-op housing Society, Evershine Nagar, Malad West
Call: 28800781
Cost: '99 (for a plate of five pieces)

Do the tutti frutti
If you love a dose of colourful tutti frutti, this mawa modak with a mix of the confectionary is what you need. They offer 20 variants, including Chocolate Chips, Gulkand, Roasted, and Mathura Modak.
At: Puranmal restaurants at Juhu, CSMT, Chandivali, Khopoli and Ghatkopar.
Call: 8080806749 (CSMT)
Log on to: puranmal.com
Cost: '121 for six modaks

Break it open
Try D:OH! Dak, a hollow chocolate modak filled with ice cream brownie and chocolate sauce, served with a side of hand-churned modak ice cream featuring jaggery, coconut and dry fruits.
Till: September 5 Time 9 am to 1 am
At: D:OH outlets in Kamala Mills, Lower Parel and Fun Republic Mall, Andheri West
Call: 62372830 (Lower Parel)
Cost: '299

For gooey goodness
Here's an artisanal version of your regular festive favourite - this modak has a filling of caramel and tender coconut, all encased in a shell of saffron mousse. And to help you maintain your vegetarian diet, it's egg-free!
Time: 10.30 am to 12.30 pm
At: Toshin, first floor, IVY Restaurant & Banquets, GM Road, Amar Mahal, Chembur West
Call: 67982298
Cost: '260 per piece

The anti-dairy bite
Sworn off dairy products and unable to enjoy mawa modaks? Order the decadent Chocolate Cranberry variety, which includes oats laced with cocoa and bits of tangy-sweet berries. It isn't just vegan but gluten- and sugar-free too.
Time: 9 am to 9 pm at Buddha Bowl, Hill Road, Bandra West
Call: 33126724
Cost: '360 (for a box of 11)

When it comes to physical well-being, there is little doubt that we are what we eat. Yet, in our fast-paced lives, what we put into our system often pales before other priorities. Combine it with our readiness to consume packaged and junk foods, and we may be looking at serious health concerns in the long run.

A whole plant-based basics cooking workshop by Sharan, an organisation that spreads awareness about holistic health and an ecologically sustainable lifestyle, aims to reverse this trend by teaching its participants simple ways of eating healthy through the day. "The moment we start eating right, the body starts healing. The aim of this workshop is to celebrate food rather than deprive ourselves of it, which is why all the recipes are not just healthy and wholesome, but also delicious," says Reyna Rupani, the organisation's Mumbai head.

The workshop will be conducted by whole plant nutritionist Madhura Vayal and chef Rose Pinto, who will share tried-and-tested breakfast, lunch, dinner and snack recipes such as Green Smoothies, Red Rice Idlis, Peanut Butter Salad, bread, vegan ice cream and cheese, oil-free Dahi Wadas and even home-made green tea. "The idea is to eliminate processed, preservative-laced ingredients from our diets. The best part about these recipes is that nobody misses the oil or sugar because the flavours only get better with healthier substitutes," Rupani sums up.

Crispy Eggplant Burger

If you're vegan, you can probably count on one hand the number of eateries in the city that cater to your needs while also serving delicious grub. Narrow down the search to just vegan burgers, and you arrive at another figure — nil. But, if you live around Bandra, you're in luck, thanks to a new delivery service called Vegan Burger Kitchen.

Asian-style Sweet Potato and Peanut Burger

The menu currently offers nine burgers, each different from the next, and all made using locally sourced, organic produce.

Being day one of operations, when we call, we're informed that the BBQ Pulled Jackfruit Burger and the Cauliflower and Red Lentil Burger aren't available. On sensing the disappointment in our voice, however, we are promised that it will be available soon enough.

Among the burgers we try, we find two favourites. The first is the Asian-style Sweet Potato and Peanut Burger (Rs 329), where the sweet potato patty pairs beautifully with the creamy soy milk-based Sriracha mayo and Asian slaw. The Crispy Eggplant Burger (Rs 299) is best eaten fresh. The fun lies in biting into the crunchy exterior of the patty — robed in a vegan Thousand Island dressing and pickles — to get to the mushy eggplant that sits inside.

Smoked Black Beans, Mushrooms and Beet Burger

We also enjoy the Smoked Black Beans, Mushrooms and Beet Burger (Rs 299). The patty gets its form and flavour predominantly from the black beans, so if you don't enjoy them, avoid this one. The Unmeat Burger (Rs 329), meanwhile, is an acquired taste. The texture of the wheat protein that makes up the patty is odd and unfamiliar, and the grainy flavour seeps through, despite a generous use of punchy condiments in the burger.

Bounty Pudding

In addition to the burgers, the menu also lists beverages like iced tea and cold brews, as well as two desserts. Pop the Vegan Chocolate Brownie (Rs 129) into the microwave oven for a few seconds before digging in, and you won't be disappointed. The Bounty Pudding (Rs 129) is a riff on the coconut-filled chocolate bar. Here, however, the desiccated coconut is replaced by coconut milk, giving you a chocolate dessert that feels like velvet on the tongue. We hear that the menu is going to be expanded to include more burgers, and meals. Until then, we're content to binge on another Crispy Eggplant Burger.

TIME: 12 pm to 11 am (closed Tuesdays) delivers to Bandra West, Khar West, Santacruz West
LOG ON TO: Vegan Burger Kitchen on Facebook
CALL: 879296027