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Actor Dipika Chikhlia, who was seen playing the role of Sita in Ramayan, was introduced to an unmatched popularity that has not faded even today. In an earlier interview, she had revealed how people in the villages would still refer to her as Sita and would even try touching her feet! However, given a choice today, Sita would not be the character she would like to play.

In a recent conversation, Dipika revealed she had evolved as an actor, and would rather be interested to play Kaikeyi, lord Ram's stepmother who insisted her husband Dashratha to send Ram, Lakshman and Sita to an exile for 14 years. Dipika added that playing a negative career was an entirely different experience and she was fond of playing roles that let her explore herself as an artist.

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<strong>EXPECTATIONS</strong> There was a time when a Rajshri film was special and its music was much awaited as well. However, of late the production house has slowed down its operations, at least when it comes to feature films. Their last biggie was <em>Prem Ratan Dhan Payo</em> and now they are coming up with <em>Hum Chaar</em> which features four newcomers. Though Barjatyas have traditionally worked with a single composer for music of their films, they bring on board a horde of composers for <em>Hum Chaar</em>. Shabbir Ahmed writes. <img class="aligncenter wp-image-941754 size-full" title="Music Review: Hum Chaar" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/01/Music-review-–-Hum-Chaar.jpg" alt="Music Review: Hum Chaar" width="720" height="405" /> <strong>MUSIC</strong> George Joseph is the composer for <strong><em>'Friends Bhi Family Hain'</em></strong> which has night club music feel to it. That said, somehow the music overpowers lyrics (by Abhishek Dixit) and hence somehow the rendition by Aaman Trikha and Rajiv Sundaresan is lost in the middle of it all. Moreover, the core hook of the song is the kind that sounds more like an ad jingle than a film song. Team SARA gets to compose maximum number of songs in <em>Hum Chaar</em> with three of these to their credit. First to arrive is <strong><em>'Tum Aisi Kyun Ho'</em></strong> which is rendered by newcomer Sameer Khan. A romantic song which is set in a style that was prevalent 20 years back, this one has an Indi-pop feel to it. That said, it is still better than the opening number and is somehow ok at least. <strong><em>'Duffermasti'</em></strong> is the second offering by Team SARA and the first question that comes to mind is what exactly is the meaning of the song's title here. As it turns out though, this one tries to be all fun and peppy but doesn't really cover much of a distance. It has a feel of certain songs that have been created by Pritam in the past [<em>‘Ullu Ka Patha’</em>, <em>‘Pungi’</em>] but that's about it. Sameer Khan and Asees Kaur come together for Team SARA's third number <strong><em>'Gussa Tera Jayaz Hai'</em></strong>. A situational number where the protagonist is trying to pacify the girl in question who is a bit upset, it goes around in multiple directions before arriving at the key line. A slow moving number, one doesn't expect this one to cover much of a distance. With the name Atif Aslam attached to <strong><em>'Auliya'</em></strong>, one has good expectations from the song. That said, since the four songs so far haven't made much of an impression, there are doubts too about how would this Vipin Patwa composition play out. Well, this one too turns out to be just about okay. Though Atif does sing well, the composition doesn't cover much of a distance. Raaj Aashoo is the composer of <strong><em>'Manmeet Mere'</em></strong> and again one has some sorts of hope since Mohit Chauhan is the singer. As it turns out, this one turns out to be the best of the lot that <em>Hum Chaar</em> had to offer in this soundtrack. The song has good rhythm to it and though one does feel that a bit more energy would have made this a more pleasant outing, it is still fine. <strong>OVERALL</strong> There isn't much to celebrate about the music of <em>Hum Chaar</em> which is only fair and that's about it. <strong>OUR PICK(S)</strong> <em>‘Manmeet Mere’</em>, <em>‘Tum Aisi Kyun Ho’</em>

<strong>EXPECTATIONS</strong> With the film already running in theatres and each of the songs been out one after another, you are pretty much aware about what the music of <em>Total Dhamaal</em> has to offer. Gourov-Roshin are the composers for this soundtrack that is quite snazzy with just four songs in there. <img class="aligncenter wp-image-956955 size-full" title="Music Review Total Dhamaal" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/02/Music-Review-Total-Dhamaal.jpg" alt="Music Review Total Dhamaal" width="720" height="405" /> <strong>MUSIC</strong> It is a retro beginning for <em>Total Dhamaal</em> as Laxmikant-Pyaarelal, Anand Bakshi and Kishore Kumar's <strong><em>'Paisa Yeh Paisa'</em></strong> is recreated by Gourov-Roshin and lyricist Kunwar Juneja. The good part about this recreation is that the core essence of the song has been kept intact right from the 'mukhda' to the 'antara'. While Dev Negi and Subhro Ganguly do well to keep the playful element on, it is Arpita Chakraborty's vocals in the 'antara' portions that really elevate the song further. A good number to hear and enjoy all over again. The next track to follow is a recreation too with Gourov-Roshin and Kunwar Juneja putting together Rajesh Roshan and Usha Mangeshkar's <strong><em>'Mungda'</em></strong>. With Gourov Dasgupta bringing on rap into the song which has been picturised on Sonakshi Sinha, this one actually turns out to be a fast paced entertaining hear that works well even four decades after the original from <em>Inkaar</em> was heard first. Though the song has been slammed by a few, it actually turns out to be a good effort by Jyotica Tangri who is supported well by Shaan and Subhro Ganguly. The song which actually turns out to be the best of the lot is the original number <strong><em>'Speaker Phat Jaaye'</em></strong> that has been written by Kumaar. It is surprising that this one was not the first to be promoted as it actually has a good rhythm to it which places it well as a party anthem. Harrdy Sandhu takes the lead in this club track while being supported by Abuzar Akhtar. As for Aditi Singh Sharma and Jonita Gandhi, they chip in well too hence ensuring that there is no dull moment in there. Play this on in loop and you would be hooked for sure. Last to arrive is the <strong><em>'Theme song'</em></strong>, the sound of which has been heard in the promo of the film. Yet again, it would have actually helped had a music video been created around it and promoted as this one too is fast paced that goes with the film's theme. This one too has a lot of energy to it which is in line with the spirit of the film. Dev Negi takes centre-stage for this song which arrives briefly in the film's narrative and does make its presence felt. <strong>OVERALL</strong> The music of <em>Total Dhamaal</em> fits in quite well with the mood and spirit of the film. Moreover, with audiences appreciating the film, there is further recall on the cards for the music that would only make it further popular. This one is a mood booster. <strong>OUR PICK(S)</strong> <em>‘Speaker Phat Jaaye’</em>, <em>‘Paisa Yeh Paisa’</em>, <em>‘Mungda’</em>

<strong>EXPECTATIONS</strong> There are good expectations from the music of <em>De De Pyaar De</em>. After all, it's the <em>Sonu Ke Titu Ki Sweety</em> team of Bhushan Kumar and Luv Ranjan coming together, and that by itself sets the platform for an entertaining score. Moreover with Ajay Devgn and Rakul Preet Singh coming together, it turns out to be a unique combination that further adds on to enhanced interest. <img class="aligncenter wp-image-981143 size-full" title="Music Review De De Pyaar De" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/05/Music-Review-De-De-Pyaar-De.jpg" alt="Music Review De De Pyaar De" width="750" height="450" /> <strong>MUSIC</strong> Multiple composers, lyricists and singers come together to create half a dozen songs for <em>De De Pyaar De</em> and the first to arrive is <strong><em>'Vaddi Sharaban'</em></strong>. A song about getting intoxicated and celebrating hard, this song written by Kumaar is put to foot tapping tune by Vipin Patwa. Moreover, with Sunidhi Chauhan leading the show as a singer, it adds further credibility. She is at her vivacious best in this song which has a catchy hook to it and Navraj Hans gives her good company too behind the mike. Later, it also arrives in a 'talli mix' which brings in recall value. A romantic number comes next in the form of <strong><em>'Tu Mila To Haina'</em></strong> and this one is the kind that could well have been seen and heard in a Ranbir Kapoor or a Saif Ali Khan starrer. Amaal Mallik comes up with a soulful tune here which has Arijit Singh delivering his best. A soothing number that has some beautiful lyrics by Kunaal Vermaa, <em>'Tu Mila To Haina'</em> is the kind of song that should have a good shelf life in time to come. Next to arrive is a dance number <strong><em>'Hauli Hauli'</em></strong> and if one was missing Neha Kakkar all this while then well, the wait is over as she gets into her mischievous best with this one. This is the best song to arrive in the album so far as the entire team of composer/lyricist Tanishk Bagchi along with Neha and co-singer Garry Sandhu (who also chips in with the lyrics) does really well to make this one a cracker affair. Mellow D brings on the rap portions in this song which plays in the end credits and ensures that you take this song home and play it all over again. The soundtrack continues to oscillate between a party number and a love song, and it is time for latter to arrive this time around in the form of <strong><em>'Chale Aana'</em></strong>. A happy-sad number which has the team of Amaal Mallik and Kunaal Vermaa pairing up again, this is yet another winner number which is sung beautifully by Armaan Malik. With a soothing tone to it, the song comes at just the right time in the film's narrative and the accompanying visuals further help in making sure that it manages to make a good impact. Moreover, the lyrics stay with you as well. A Punjabi-Hindi number comes up next in the form of Kumaar written <strong><em>'Mukhda Vekh Ke'</em></strong> which is the recreated version of the song that was originally put together by composer Atul Sharma and lyricist Shamsher Sandhu. A celebration number by Manj Musik that has a fun element to it, it may not the kind that would stay on for long amongst the audience but does manage to leave a good impression while it plays on. Mika Singh and Dhvani Bhanushali pair up well to keep good energy flowing right through the song's duration. Last to arrive is Rochak Kohli composed <strong><em>'Dil Royi Jaye'</em></strong> and this one turns out to be one of those sad numbers that actually end up making you feel so sad that you don't quite aim for repeated hearing. In fact the core hook of this Kumaar written song turns out to be way too sad and the song too arrives at that juncture of the film where it only ends up bringing down the film's pace. Arijit Singh is the singer here but somehow you don't quite take this song back home. <strong>OVERALL</strong> The music of <em>De De Pyaar De</em> by and large ends up working quite well with most of the soundtrack actually keeping you pretty much engaged and entertaining. Be it a couple of party numbers or the love songs, they fit in well into the film's narrative as well, hence lending an overall good experience. <strong>OUR PICK(S)</strong> <em>‘Hauli Hauli’</em>, <em>‘Chale Aana’</em>, <em>‘Vaddi Sharaban’</em>, <em>‘Tu Mila To Haina’</em>

Yeh Saali Aashiqui is the story of love gone wrong. Sahil Mehra (Vardhan Puri) falls head over heels in love with Mittee Deora (Shivaleeka Oberoi) when they first meet in their classroom. Their love story hits a roadblock when he sees her flirting with another boy in the class. But Sahil forgives her when she asks him to give her one chance. One day, Mittee is caught copying in the examination hall and she feels, Sahil is responsible for her being caught. Hell hath no fury like a woman caught copying. She decides to teach Sahil a lesson. She accuses him of trying to rape her. Sahil is arrested but instead of being sent to prison, he is sent to a mental asylum as it is revealed that he had killed his own father in a fit of fury some years ago and so he is assumed to be of unsound mind. Sahil pleads innocence and maintains in court that Mittee is playing games with him but the court does not heed his pleas. What happens thereafter? Is Sahil able to avenge his humiliation? Even as Sahil is in the mental asylum, Mittee hooks up with a rich boy, Anuj (Ruslaan Mumtaz). Also, Sahil’s past catches up with him. What is that? Does Mittee marry Sahil or Anuj?

This is an omnibus of 6 short films mentored by Rajkumar Hirani, Vikramditya Motwane, Raj Kumar Gupta and Amit V. Masurkar. They encompass a wide range of narratives and emotions, with each film bringing a unique interpretation to the notion of `twists`. From the character study of a washed-out music composer to a psychological thriller about fear; from a family drama with underlying tensions to a comic take on a common menace; and from a buddy film about 2 female friends to a love story about breaking away from conventions - multiple storylines merge seamlessly into the anthology.

Kajol's sister and Bollywood-South Indian film actress Tanishaa Mukerji has been doing rounds on the internet these days. She has been treating her fans with her beautiful pictures one after the other and her recent traditional look is what we

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Dulquer Salmaan, one of the most talented actors of the South film industry is all set to embrace Tollywood. Known for his charismatic persona, the actor is gearing up for a second Telugu film after his incredible debut in Mahanati. According

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Lewis Library - ML410.C756 M84 2019

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