Taking care of leather shoes in summer is not so cumbersome. Just keep them away from direct sunlight and water, say experts. Kanika Bhatia, Chief Experience Officer, Egoss, and Ambud Sharma, Founder, Escaro Royale Luxury (Escaro.in), tell how to maintain your leather shoes:

1. Keep them away from direct sunlight: Leather fades faster when exposed to sunlight. If it is kept out of direct sunlight, it will fade naturally over time. Sunlight can lead to drying and cracking. Ideal places to store leather footwear are darker places with some humidity, with slight ventilation to avoid formation of mildew.

2. Avoid keeping socks in shoes: Shoes wear off faster if socks are kept inside the shoes as they leave a pungent smell leading to bad odour that transpires into the socks worn with the shoes.

3. Don't store shoes in plastic/grocery bags: Leather shoes need some ventilation. Air should be able to pass through leather. For this, shoes should never be stored in plastic or grocery bags. Use bags made of breathable fabric and pillow cases to keep the shoes.

4. Do not wear the same pair daily: Leather shoes need time to dry up naturally as they have a tendency to soak water from your feet. Wearing the same pair everyday will not help the shoe to dry up leading to a faster wear down.

5. Use shoe tree: Keeping shoe tree in the shoe would enable it to maintain its shape, reduce creases and also to soak in excess moisture and odour.

6. Cleaning is important: Regular cleaning, polishing and conditioning play an important role in taking care of leather shoes. You should clean, polish and condition your leather pieces regularly with high quality cleaners and sprays to increase its lifespan. Always clean your leather shoes with a soft cloth before applying special shoe cream on the soft leather handcrafted products.

7. Stay away from water: Don't put water on your leather products especially hand-painted products.

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Kylie Jenner on vacation with her daughter Stormi. pic courtesy/ instagram.com/kylie jenner

Last month, social media star Kylie Jenner was severely mom-shamed by keyboard warriors for heading to a music festival without her infant daughter, Stormi. While Internet trolls are no experts, what exactly does it take to form a bond with your baby?

“Fundamental human nature includes adapting to changes. For a woman to transition into motherhood is common, nevertheless, it’s not a cakewalk. Many women experience post-partum blues for about two weeks after delivery. Should it extend beyond this period, it could be a sign of a post-partum disorder. Therefore, we need to build a society that accepts and understands the plethora of emotions that a new mother experiences,” says Maithili Thanawala Kanabar, counselling psychologist.

Dr. Bindu KS

Here’s our primer on how to face up to it, and move on.

1. Return to working out
“The body needs six weeks to heal — whether it’s a natural birth, caesarean or an episiotomy [which involves a vaginal cut]. The body’s physiology gets back to normal in six weeks, the uterus comes back to shape and body fluids return to normalcy. Whether a housewife or a working woman, it is advisable that she resumes her fitness regime in six weeks,” says Dr Ranjana Dhanu, consultant, gynaecology and obstetrics, Hinduja Healthcare Surgical. But if you have been regular with your fitness routine before and during your pregnancy, you can even go back to working out within a week if you have had a normal delivery. “Start with light exercises such as stretches and walks,” says Dr Bindhu KS, consultant, gynaecology, Apollo Hospitals, Navi Mumbai. The body, especially the spine, kidneys, heart and lungs and not just the reproductive organs, undergo changes, says Dr Bindhu.

2. Get back to the office
Kanabar explains that there is no “mother manual” that defines the best time for a new mother to dive into a competitive workspace. “Try being around the baby for the first few months. Talk to your baby about beginning work and scaffold it for him/her. If your baby is used to co-sleeping, breastfeeding, and you are finding it difficult to wean him/her off, they may take some time to get used to your absence,” says Kanabar. Unfortunately, not many companies in India have a full-time crèche facility. “Indian companies must make it mandatory to have a full-time crèche at the workplace. This will increase the overall efficiency of working women, especially when it comes to the corporate workplace,”
believes Dr Dhanu.

Dr Ranjana Dhanu

“Almost all companies have a six-month maternity leave policy. The key is to strike a balance between motherhood and work,” says Dr Bindhu. If it gets overwhelming, Kanabar suggests reaching out to your support system. However, she warns that it is imperative for mothers to remember to not board the overcompensating train, which might drive one to overdo things and become more lenient.

3. Take a break
“Any wound takes six weeks to heal and it heals well in this period for any kind of birth. Hardcore physical or adventure activities are absolutely safe after six weeks. All the medical textbooks say that the body needs to resume some kind of exercise or physical activity post six weeks of delivery. If you can afford it, take a nanny along,” suggests Dr Dhanu.

4. Slip into a chic mode
Be it exercising or getting your glam on, pursuing something that makes you look and feel good is a good way to boost your morale. “Me-time is viewed as a selfish concept while in reality, it is a safe space that every human needs to visit to rejuvenate,” says Kanabar. It is the quality of time spent with the baby that matters.
Dr Bindhu adds that people also spend only two to three hours with their child but that does not mean there is no bonding.

Maithili Thanawala Kanabar

Mother, baby and attachment

Some studies suggest that the first three months are the most crucial. Infants develop representations of attachments based on the bond with the primary caregiver. Pioneering British psychiatrist John Bowlby suggested that this attachment acts as a prototype for their future relationships and psychological health.

An infant communicates in rudimental ways and attending to those needs reinforces the infant’s sense of security. It is essential that the mother is attentive and spends quality time with the infant, but there is no need to spend every breathing moment with them. Comforting, breastfeeding on time (or feeding the baby yourself), and communicating with the baby leads to a secure attachment.

Usually, securely attached babies cry when the mother leaves and allow the mother to comfort them when she returns. Every baby responds differently. Remain receptive to the baby’s needs and spend quality time without distractions.

Watch for signs like how the baby responds when you return after a brief absence. Most would allow you to comfort them and look at you when they are inching towards exploring something new. And lastly, mum knows best. So look out for every sign.

Mandira Bedi with her son Veer, who is six today. pic courtesy/jitu savlani

I was fit when I was pregnant. After birth, I had to wait for 40 days before I could exercise again. On the 41st day, I stepped out for my first walk. It was pouring at the time but I had decided that come rain or storm, I will go for it. Later, I started jogging, moved to gymming and lifting weights. I had gained 22kg and was able to return to my pre-pregnancy weight in six months. I had serious post-partum depression that lasted for those 40 days. My depression disappeared after I started exercising. I had a baby pretty late in my life [at 39]. I didn’t fall in love with him at first sight. I wondered, ‘This is the end of my freedom. Will I get work after this?’. It was overwhelming. It’s important to be aware that what’s going on with you is normal and okay. But in that period of 40 days I eventually fell in love with him. Giving birth to him is the best thing I have done. But motherhood is not the only thing that defines me. I am hands-on, but I think you can be a better mother if you are not thinking about it 24/7. That little time for you is crucial. The rule in our house is either parent has to be there at home, always. Working out has less to do for me physically than what it does for me mentally.

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Representational picture

New Delhi: Jewellery is timeless but when it comes to trends, every season, occasion and era brings with it a wave of intriguing new designs so make sure you are opting for the right pieces this season. Ishu Datwani, Founder of Anmol Jewellers, lists some tips.

• The big jewellery trend to look forward to in 2018 will be very classic European with designs and finish in an international tone.
• Classic diamond jewellery with statement diamonds and precious coloured gemstones like emeralds, rubies and tanzanite is expected to trend in 2018.
• Jewellery set in rose gold is another very popular trend as rose gold gives a very classy, elegant and luxurious look and works well for Indian skin tones.
• When it comes to bridal jewellery, diamonds will continue to shine as the eternal charm of Polki is here to lead the show.
• Samir Sagar, Director, Manubhai Jewellers, agrees that rose gold is expected to continue shining in 2018, especially in the lightweight segment.
• The metal has become popular as the warm pink hue brings with it a dash of luxury and can be clubbed with yellow gold and white gold jewellery too.
• Daily wear lightweight jewellery studded with diamonds in pink gold is trending amongst the young, urban, working women. The USP of these diamond collections is that they give the wearer the pleasure of adorning the luxury metal with diamonds on an everyday basis as the range starts from Rs 35,000 only.
• In bridal jewellery segment, Jadau continues to be in trend.
• Gold chokers with long kanthas studded in kundan karigari with colourful gemstones in hues of green, pink, red, blues and pearls have become a new trend, especially with Bollywood divas donning the same for reel and real life weddings.

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Sonam Kapoor and Anand Ahuja

Bollywood's resident fashionista Sonam Kapoor got married to entrepreneur Anand Ahuja in a star-studded ceremony on May 8. The fairytale wedding was filled with glitz, glamour and romance, as one of the hottest couples tied the knot in front family and Bollywood's best.

The theme was "Indian festive shades of white". Celebrity hairstylist Asgar Saboo who is the go-to stylist for Sonam shows you a step-by- step guide on how you can get Kapoor's glamorous hair for you to steal the show!

Step 1
Begin by centre parting your hair, and dividing it into three separate parts. Do this by making two at the front and one, which will be to accommodate the large braid, at the back.

Step 2
Start with the left section of your hair by French braiding it and attaching more from the sides as you go along. Then loosen the braid before you move on to the right side by setting it aside. Repeat on the right.

Step 3
After braiding, tie elastic at the end of your hair to keep it in place. Take the front sections and tie them to the back.

Step 4
Then take the gajra you have chosen for your hair and place a bobby pin at the top. Wrap the gajra in a zigzag manner down the braid and as you come to the very end, secure it with an elastic band. Fancy trying out others? Then check out some of these simple easy-to- do styles to get the ideal locks!

View Photos: Sonam Kapoor-Anand Ahuja's wedding reception: SRK, Salman, Akshay attend the grand bash

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Beards are to men what make-up is to women, and a quick Internet search of actors in a pre- and post-beard phase will confirm this. Such has been the impact and acceptance of facial hair that they have gradually crossed the barriers of hipsterdom to find their way to boardrooms. But are corporate firms with a strict formal dress code open to men with beards?

"We have a strict dress code, where a shabby demeanour is unacceptable. We even keep daily checks; employees cannot walk into the office in jeans or sports shoes, especially when they have client interactions. But full beards are not a concern. We have employees with full beards and twirled moustaches," says Sudhir Dhar, CHRO – director HR, Motilal Oswal Financial Services Ltd.

Dr Sujaya Banerjee

Rohan Vaswani, CHRO, Nexus Malls, a fully owned subsidiary of investment firm Blackstone Group, shares a similar thought. The company follows a formal dress code from Monday to Thursday and smart casuals on Friday. "You can't walk into the office with your shirt not tucked in or in bright blue trousers. But beards, if they are well-kept, are fine," shares Vaswani.

Dress to impress
"The first impression is created by the physical appearance of a person; it's later that you have an interaction and people get influenced by your personality. So, if you seem shabby, you create a perception even before you talk," says Dhar.

He adds that as long as one is confident of carrying it off and not look out of place, a beard is acceptable.

Rohan Vaswani

"We conduct training on executive presence — how to look, behave and dress like a leader. These aspects are now becoming increasingly important as often, you find that people are competent but they don't make it beyond a point because they don't look like the part or someone who can represent the organisation before multiple stakeholders. It's not about good looks but about appearance. A haircut and a well-groomed beard are a part of this understanding. You can't have a two-day stubble where you look like you have just woken up and come to work. We actually check if there's a valid reason behind an unkempt stubble: Is the employee unwell? Or is he battling a low?" says Dr Sujaya Banerjee, CEO and founder of Capstone People Consulting.

Do you shave before an interview?
Most HR personnel we spoke to felt there's no middle ground; you either opt for the clean-shaven look or wear a groomed full beard. "It's better to shave off a two-day stubble and not go in between. It can be interpreted as a sign of laziness," warns Dhar.

"I am more interested in knowing if a person has the right competence and capability for the job. The older generation, however, associates beards with carelessness and mistrust. Traditionally, even in films, the bearded guy will always be the villain or from the underworld. If a full beard is groomed, it's fine. Long hair is not allowed. You are not an artist or performer, you are corporate. Hence, certain norms remain. We allow personal freedom as long as you stay well-groomed," adds Banerjee.

Make a bearded impact
"Some people look smarter with a beard," says Dhar. Vaswani feels that real estate companies are often promoter-driven, and the vision of the promoter and the top management often reflects on the staff where people would go the extra mile to keep with the image. "Those with gaunt features can look fuller with a beard. It also saves you the trouble of having to shave every day. A good beard can actually help you appear stronger. Also, today, people look for organisations where individuality is encouraged, where you can bring your authentic self to work. It's motivating to be in an organisation where you can express who you are, as long as it doesn't hamper business. So, if the beard is within acceptable parameters, all's well," says Banerjee.

Grooming tips
Keep it clean
Wash your beard three times a week to prevent the build-up of dead skin cells.
Keep it moisturised Oil your beard daily to keep it soft and moisturised.
Shape it up
Trim your beard when you see stray hair or as desired to maintain the shape. Repeat this once every two weeks when you want to maintain a consistent length.
Kaushal Pratab, founder, Shepherd For Men 

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The Louvre Museum

The Mona Lisa. Pic/AFP

The Louvre: Also known as the Louvre Museum and the Musée du Louvre in French, it is considered the the world's largest museum and a historic monument in Paris, France. Housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, It is the world’s most-attended museum as of 2015. Opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the Louvre was closed in 1796 until 1801. The Louvre's collections are divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings. Leonardo da Vinci's Mona Lisa is the Louvre's most popular attraction.

The main entrance of the British Museum in central London. AFP PHOTO

British Museum: Located in the Bloomsbury area of London, the British Museum is among the largest and most comprehensive in existence with a permanent collection of over 8 million works. Established in 1753, the museum first opened to the public on 15 January 1759, in Montagu House in Bloomsbury. It was largely based on the collections of the physician and scientist Sir Hans Sloane. Some objects in the British Museum's collection, most notably the Elgin Marbles from the Parthenon, have caused controversy and calls for restitution to their countries of origin. The museum's expansion over the following two and a half centuries has resulted in the creation of several branch institutions, the first being the British Museum (Natural History) in South Kensington in 1881. The centre of the museum was redeveloped in 2001 to become the Great Court, surrounding the original Reading Room. The Rosetta Stone and the Sumerian Queen's Lyre are popular exhibits.
The British Museum houses the world's largest[h] and most comprehensive collection of Egyptian antiquities (with over 100,000[58] pieces) outside the Egyptian Museum in Cairo.

Grounds and entrance to the Smithsonian Institute Castle, Washington D.C.

Smithsonian Institution: Termed "the nation's attic" for its holding of 138 million items, the Smithsonian Institution chiefly located in Washington D.C. is a group of museums and research centers administered by the Government of the United States. The Institution has nineteen museums, nine research centers, and a zoo including historical and architectural landmarks, mostly in the District of Columbia. Additional facilities are located in Arizona, Maryland, Massachusetts, New York City, Virginia, and Panama. A further 170 museums are Smithsonian Affiliates. The museum has over 30 million visitors annually, who are admitted without charge. The Wright brothers' 1903 Flyer, the original Star-Spangled Banner at the National Museum of American History; the Gem Hall (including the Hope Diamond) at the National Museum of Natural History, and the Apollo 11 command module at the National Air and Space Museum are some of its main attractions.

The Acropolis Museum in Athens, Greece

Acropolis Museum: The museum, which was founded in 2003 in Athens, Greece was opened to the public on 20 June 2009. The Organization of the Museum was established in 2008. Nearly 4,000 objects are exhibited at the Acropolis Museum over an area of 14,000 square metres. It is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens and was built to house every artifact found on the rock and on its feet, from the Greek Bronze Age to Roman and Byzantine Greece. The museum also lies on the archaeological site of Makrygianni and the ruins of a part of Roman and early Byzantine Athens. The Acropolis Museum has received numerous awards and accolades over the years. During the August full moon nights, the museum remains open until late at night and welcomes visitors for free. Also the same night concerts take place on the museum's courtyard. Excavation below ground level continues. The site and process are visible through the ground level glass flooring. The site will be available for visitation once the excavation is complete. The Silver Cup designed by Michel Bréal and awarded to the Marathon Winner Spyros Louis at the first Modern Olympic Games (1896), is displayed at the Acropolis Museum and will remain to the Acropolis Museum until the completion of the Stavros Niarchos Foundation Cultural Center, where it will be permanently exhibited.

The Rijksmuseum

Rijksmuseum: Also known as the Imperial Museum, the Rijksmuseum is a Dutch national museum dedicated to arts and history in Amsterdam and has on display 8,000 objects of art and history, from their total collection of 1 million objects from the years 1200–2000, among which are some masterpieces by Rembrandt, Frans Hals, and Johannes Vermeer. The museum also has a small Asian collection which is on display in the Asian pavilion. It is also the largest art museum in the country and was the most visited museum in the Netherlands with record numbers of 2.2 million and 2.45 million visitors in 2013 and 2014. The Rijksmuseum is located at the Museum Square in the borough Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The museum was founded in The Hague in 1800 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened its doors in 1885. On 13 April 2013, after a ten-year renovation which cost € 375 million, the main building was reopened by Queen Beatrix. Frans Hals' Portrait of a Young Couple (1622), Johannes Cornelisz Verspronck's Girl in a Blue Dress (1641) are some of its popular exhibits.

The Winter Palace during the day

The Double Triumphal Arch, the General Staff Building

Hermitage Museum: One of the world's largest and oldest museums, the Hermitage Museum was founded in 1764 by Catherine the Great and has been open to the public since 1852. It is located in Saint Petersburg, Russia. Also called the State Hermitage, its collections, of which only a small part is on permanent display, comprise over three million items including the largest collection of paintings in the world, which occupy a large complex of six historic buildings along Palace Embankment, including the Winter Palace, a former residence of Russian emperors. Of six buildings of the main museum complex, five, named the Winter Palace, Small Hermitage, Old Hermitage, New Hermitage and Hermitage Theatre, are open to the public. Entrance is free of charge the first Thursday of every month for all visitors, and free daily for students and children. The museum is closed on Mondays.

The Museo Nacional Del Prado in Spain

Museo Nacional Del Prado: Alternatively known as the Museo del Prado, it is the main Spanish national art museum, located in central Madrid, Spain and features one of the world's finest collections of European art, dating from the 12th century to the early 19th century, based on the former Spanish Royal Collection, and unquestionably the best single collection of Spanish art. Established in 1819, El Prado is one of the most visited sites in the world with over 2.8 million visitors in 2012 and is the largest in Spain. It is considered one the greatest museums of art in the world. The numerous works by Francisco de Goya, the single most extensively represented artist, as well as by Diego Velázquez, El Greco, Titian, Peter Paul Rubens and Hieronymus Bosch are some of the highlights of the collection. The collection currently comprises around 7,600 paintings, 1,000 sculptures, 4,800 prints and 8,200 drawings among others out of which 1,300 works were displayed in the main buildings by 2012, while around 3,100 works are on temporary loan to various museums and official institutions. The Museo del Prado authorities are planning a 16% extension in the nearby Salón de Reinos, to be opened in 2019.

Exhibits at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. Pic/Sameer Markande

Chhatrapati Shivaji Maharaj Vastu Sangrahalaya: Formerly known as Prince of Wales Museum of Western India it is Mumbai's main museum and was founded on 10 January 1922 by prominent citizens with the aid of the government to commemorate the visit of the then prince of Wales. Located in the heart of South Mumbai near the Gateway of India, the museum was renamed in the 1990s or early 2000s after Shivaji, the founder of Maratha Empire. The CSMVS houses approximately 50,000 exhibits of ancient Indian history as well as objects from foreign lands, categorized primarily into three sections: Art, Archaeology and Natural History. Indus Valley Civilization artefacts, and other relics from ancient India from the time of the Guptas, Mauryas, Chalukyas and Rashtrakuta are also housed there. In its recent modernization programme (2008), the Museum created 30,000 sq ft (2,800 m2) space for installation of five new galleries, a conservation studio, a visiting exhibition gallery and a seminar room, in the East Wing of the Museum and it also houses a library. a host of activities have been planned at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. The events have been designed keeping this year's theme, Museums and Cultural Landscape in mind. Start the day with a guided walk through Fort and listen to stories about its history. (Read more)

Guggenheim-Bilbao

The Guggenheim Bilbao located in Basque Country, Spain, and was constructed in 1997 by Frank Gehry.
It overlooks the Nervión River, and it was created from glass, limestone, and Titanium. Meant to look like a bunch of flowers growing by the river. It is also known to have started what is poppularly known as the “Bilbao Effect”, an effect that is now used to describe the phenomenon of comissioning 'starchitects' to design structures in the city.

Jewish Museum in Berlin

The Jewish Museum in Berlin located at Lindenstrasse in Berlin was constructed in 2001 by Daniel Libeskind. The new building (pictured above) is meant to look like a zigzag pattern and feature sharp angles, dark and narrow paths, interior walls of bare concrete, as well as a titanium-zinc facade with minimal openings. It is meant to document the history of the Jews of Germany and commemorate the Holocaust

Louvre Abu Dhabi

Louvre-Abu Dhabi is located in Abu Dhabi and is a dome shaped structure overlooking the Arabian Gulf. Inspired by Al Ain, which is an oasis emirate, and Islamic and Arabic architecture, this structure was designed by Pritzker Prize winner Jean Nouvel

Museo-Soumaya

The Museo Soumaya, located in Mexico City, Mexico, was constructed in 1994. It was funded by
Carlos Slim and cost 47 million Euros to build. The avant-garde structure with a reflective outer wall brings to mind the sculptures of Auguste Rodin is constructed with an exterior wall of 16,000 polygonal Aluminium panels. It houses various types of art pieces from Europe and Mexico.

Museum of Islamic Art

The Museum of Islamic Art is located in Doha, Qatar and was constructed by I.M.Pei in 2008. Inspired by the mosque of Ibn Tulun in Cairo, Egypt and Islamic architecture, the museum overlooks the the Arabian Gulf, is composed of a 5-floor building that is linked to an education center by a vast courtyard.

Niteroi Contemporary Art Museum

The Niteroi Contemporary Art Museum, located in Niteroi, Brazil was built in the year 1996. A result of the collaboration between prominent architect Oscar Niemeyerand structural engineer Bruno Contarini, the museum was based on the futuristic design resembling an alien spaces ship. The Museum is encircled by a reflecting pool and has a very striking red ramp

The Louis Vuitton Foundation

The Louis Vuitton Foundation is located in Paris, France and was constructed by Frank Gehry in 2014.
The 143 dollar cultural center is not only a museum but is also a cultural centre that enourages the growth of contemporary art. The musum was designed so it looked as if it were floating against gravity.

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An EU-funded project has driven collaboration on renewable energy between businesses and researchers in Armenia, Belarus, Georgia and Moldova with counterparts from EU countries. The links are boosting innovation - helping the participating countries make the transition to more sustainable energy sources.

As absurd as it may sound, we love art more than we love food. And when we come across a café that combines the two, it surely gets our hopes up. Tucked in one of Linking Road's bylanes teeming with eateries is Me Time Cafe, an art studio-cum-café with a variety of vegetarian and vegan options on the menu.

When we enter the space on a Saturday afternoon, it is packed with students working on college projects, couples, business partners, and a family. No, we didn't intend to eavesdrop, but it's a relatively small space for the seating it offers, which makes it easy to hear all the talk.

Vanilla panna cotta

The decor is an eclectic mix — books hang as chandeliers and there's graffiti and framed doodles on the wall. The staff gives us a warm welcome and hands over the menu shaped like a palette. A glass wall divides the studio and the café.

There's an hourly charge of R700 if you wish to do artwork in the studio (all materials are provided). While the children inside seem occupied with their blank sheets, we decide to order the cashew cream cheese, smashed avocado and black sesame tartine (R320), which is subject to availability, and we're instantly told that it isn't our lucky day today.

Grilled vegetable lasagna with pesto cream

So, we choose the grilled vegetable lasagna with pesto cream (R350) and an apple and cinnamon iced tea (R120). The menu also has a key to dishes that are vegan, Jain or gluten-free. Our order arrives in 10 minutes.

The iced tea is perfectly blended and unlike most other places we've tried it, not loaded with ice cubes. A slight dash of lemon would've improved the overall flavour. The lasagna is an absolute delight. It isn't overloaded with cheese and the pasta slices melt in your mouth. We're positive that we have reached a point where we don't know if we want to finish the entire bowl and be filled with it or grab the menu again.

Apple and cinnamon iced tea

After sipping all the iced tea, we decide to do the latter. We choose the Thai-flavoured Asian bowl (R350), and the server asks us to pick between tofu and paneer as an addition to the dish. We go with tofu, and again, the café delivers with their prompt service. We lap up the mushrooms and tofu tossed in sesame, and the sautéed pakchoy that complements the soy chilli rice with coconut curry.

The dessert menu is also extensive ranging from fudge and fondant to cheesecake and ice cream sandwiches. We opt for a vanilla panna cotta (R250), and it arrives looking like a work of contemporary art with splatters of coconut dust. But it is too dense and could pass off as custard.

All in all, we are pleased with our experience. It proves to be a good hangout space for a diverse audience. With numerous haunts in the neighbourhood, we think this one is here to stay. Where else can you witness people talking share prices and having a heated debate over Frida Kahlo's artworks in the same space?

At Me Time Art Cafe, 467 Maya Building, Unit 1 ground floor, 14th Road, Khar West
Time 12 pm to 11 pm
Call 26054884

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A habitual wife-beater has landed behind bars for trying to burn down his neighbour's house when the latter tried to rescue the woman during a fight. After the secretary of Shivswaraj Society in Pant Nagar, Ghatkopar filed a complaint against the accused Alok Verma, 35, the local cops arrested him.

According to the police, Verma used to often fight with his wife and beat her up while drunk. Speaking to mid-day, secretary Rajgopal Nadar said, "On April 26, Verma reached home inebriated and started fighting with his wife. He even threw the food outside the house and vandalised the utensils inside. Soon after, his son came to my house and begged me to save his mother."

Also read: Couple who are having a baby ask neighbours to cook, do housework for them

Nadar went to their house and tried to stop Verma. "When I was trying to talk to him, he suddenly pinned his wife to the floor and started punching her. I immediately pulled him up and shouted at him, asking him to leave or else I would call the cops," Nadar said.

According to the complainant, Verma felt insulted at being yelled at and in turn threatened Nadar with harm. However, Nadar took his words lightly as he was drunk. Around midnight, the accused returned with petrol and set the door to Nadar's home on fire.

When one of the residents smelled something burning, he went out to check and saw flames had engulfed Nadar's door and window curtains. However, the neighbours rushed to the house with water and managed to douse the fire.

"Initially, we were not aware of how this happened. But later when I checked the CCTV footage from the cameras outside my door, I saw who the culprit was. After that I approached the Pant Nagar police and filed a complaint against Verma," said Nadar.

When contacted, Rohini Kale, senior police inspector of Panth Nagar police station, said, "The accused has been arrested under various sections of the IPC. The matter is being investigated."

Also read: Ex-IAF wing commander's wife found dead at her house in Dwarka

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With Saturday evening marking the last day of campaigning, most candidates spent Sunday at their office, after a month of being on the field to woo voters. Most of them held meetings with party workers.

Speaking to mid-day, Shiv Sena-BJP candidate from Mumbai North West constituency, Gajanan Kirtikar said, "I am really happy with the support we have got during campaigning and it will work in my favour because the Shiv Sena-BJP has delivered on the promises that were made. The added advantage for Shiv Sena-BJP is that we have a very good force of party cadres on ground and their efforts will help us achieve success. I would also appeal to voters to come out in large numbers and cast their votes."

While many candidates interacted with party workers and people from the constituency, many also studied voting patterns to understand where they stand, instead of having a relaxing day at home. Shiv Sena workers have been assigned various tasks including interacting with voters in their localities and requesting them to come out and vote in large numbers.

Mumbai North West Congress-NCP candidate Sanjay Nirupam said, "There has been a good response to our campaigning and all I can say is that people should come out in large numbers and exercise their right of voting." Other candidates such as Rahul Shewale (Mumbai South Central), Eknath Gaikwad (Mumbai South Central) and Gopal Shetty (Mumbai North) spent the Sunday in their offices similarly.

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A major fire broke out at a Big Bazaar outlet in Matunga West area on Monday afternoon. As per reports, the fire broke out in a ground-plus-one building housing. However, no casualties have been reported so far.

Several Fire Brigade personnel, one ambulance and a Quick Response Vehicle reached the spot to douse the flames. Five fire engines have also been deployed at the spot, said the officials.

All the people inside the store at the time of the fire were reportedly were to rushed out to safety and no casualty has been reported as yet. Firefighting operations were continuing.

A similar incident occurred last week in South Mumbai. According to reports, a fire broke out at the famous Crawford Market area. Reports also state that four fire engines were immediately rushed to the spot.

The fire engines are currently making efforts to douse the flames at Crawford Market. No casualty was reported in the incident, he said.

The blaze erupted around 10.50 am at the shopping centre located behind a mosque on Abdul Rahman Street and spread rapidly in the complex, the official said.

Several electronic goods, plastic, stationery items and electric installations were gutted in the fire, he said.

Four fire engines, as many water tankers, and a quick response vehicle were rushed to the spot, he said. The fire brigade personnel managed to extinguish the flames after hectic efforts for about an hour, he said.

Also Read: Mumbai: Major fire at a chemical plant in Dombivli MIDC

The exact cause of the blaze was yet to be ascertained, the official said, adding that a probe was on into the incident.

(With inputs from PTI)

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After waiting for a year, most fans of Avengers Endgame would have left the cinema hall in tears. As the final credits rolled, what had come to an end wasn't just the longest feature film in the series, but also an era of comic goodness we knew as the Marvel Cinematic Universe, or the MCU.

Celebrating the culmination of the 22-movie series, the folks at Cancetta Mumbai, a social media-handling firm, will organise a gathering for all Mumbaikars to meet like-minded fans and discuss the conclusion of the series.

"It's the Star Wars of this generation," says curator Anthony Stephen Mendes. The event will include fun activities like cosplay and scene recreations, fact-sharing sessions, and character-based rapid-fire rounds. There's even a quiz where the winners will stand a chance to bag cool merchandise from the series.

A still from the film

The meet-up is sure to take you on a trip down memory lane from what started with an experimental move at the end of Iron Man (2008) over a decade ago to a movement and hysteria that has resulted in a new genre of movies and growing fan base, stemming from readers of the original comic books. "The gathering is an offline way to bid goodbye to one of the best cinematic universes of all time," adds Mendes. The event is open to all but participants below 21 years will have to be accompanied by parents.

On Tonight, 7 pm onwards at Doolally Taproom, 135 Kwality House, Kemps Corner.
Call 48931314
Free

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A Nepalese farmer’s son will walk the ramp at the upcoming Mumbai style extravaganza, Lakmé Fashion Week Summer/Resort 2017, and ‘he’ isn’t modeling menswear Anjali Lama, born Navin Waiba to a family of agriculturists in Nuwakot, is Nepal’s first transgender model. In another first, she is about to become the first transgender person to model clothes at an Indian fashion show next month.

Before Anjali, 32, could tackle the identity crisis, she was battling poverty. “My family is uneducated. We hail from a small village. We had no electricity when we were growing up. I completed my education by studying under lanterns,” she says, her flawless skin showing no signs of the struggle when we meet her at a central Mumbai hotel.

But juggling her dreams with anguish was something she learnt early. For as long as she can remember, Anjali wanted to be a girl. Finding solace in the company of her late mother and female friends, she realised she didn’t identify with the gender she was assigned at birth. “By the time i hit my teens, I was drifting away from the family. My brothers wondered what was wrong; they had already heard rumours. I decided to come out. When I did, they told me to stay away from the family. But my mother supported me. She would have been thrilled to see this,” she says, taking a moment.

Anjali’s success coincided with Nepal making progress in recognising the rights of transgender communities. The country allows its citizens to choose their gender identity, and issues passports with a third gender category.

In Kathmandu, where she moved to find her freedom, she was ostracized in the hospitality industry that she tried breaking into. Then, she met others like her and was guided to a community center that worked for LGBT rights. Friends suggested that with her lean frame (she’s 5’ 9”) and killer cheekbones, she stood a chance at modelling. “I liked the sound of it,” she says about the career she dabbled in back in 2009 while continuing to work for the centre. When she was featured on the cover of Voice of Women, a Nepalese magazine, that same year, she thought it would be her big break. “There were times I was better than the others but didn’t make it. My trainer at a modelling agency admitted it was my orientation that was coming in the way of success. Brands didn't want to associate with me.”

The next year, when she walked for an event titled, Monsoon Fashion Show, she caught a blogger’s eye, who told her story to the world. That was the turning point. “By 2016, I had established myself in Nepal,” she recollects, although she was yet to crack a premier fashion week. “I didn’t have the money to travel far or invest in an expensive photoshoot.” India was close at hand. She wrote to the Lakmé organisers last year to check if they’d entertain an entry from a transgender model. And although, they were game, she failed the audition. A disappointed Anjali returned to Nepal but couldn’t take the idea of walking the ramp before hundreds out of her head.

“I couldn’t sleep, and began working out to distract myself. I spent the year reaching out to agencies in Mumbai, gymming and learning the catwalk from youtube videos. “The models out there were young, beautiful. I was already 30,” she says, explaining how an attempt to put on weight with calorie rich foods ended in acquiring a paunch. “I decided to work out every day for 30 minutes, and managed to crack the auditions this year. I was in the top 5.”

Anjali says if she hadn’t made it, she was planning to quit modelling. But that’s another story.

Shacking up with friends at an apartment in Santacruz, she is already dreaming big the way everyone does in Mumbai. The breast augmentation she underwent in 2010 was a step towards transitioning fully, which she hopes to do with a sex change surgery. “I hear things get better for models with this big a platform, but my orientation worries me. That the fashion industry is a lot more open gives me hope,” she says, wondering if she’ll ever model for the designer she has her heart set on. “Manish Malhotra… I want to walk for him.”

'I realised I’m not the typical model'
He is “obsessed” with Manish Malhotra’s designs, but also digs Sabyasachi and Manish Arora. That’s a string of strong likes for someone who will model on the Indian runway for the first time.

Czech-born Petr Nitka, 23, is used to making news. And it’s no different here, with a ramp gig planned at fashion week in early February. Hailed as Czechoslovakia’s first gender-neutral model, Petr says over an email from his country that he, like his colleagues back home, is curious about what Indian designers are going to dress him in.

Having taken to modelling like fish to water, Petr first modeled for designer Alexandra Blanc at the South Africa Fashion Week in July 2016. Johanessburg-based menswear designer Roman Handt saw an article on him in a publication the next day, and was keen that Petr become the face of his brand.

A career in fashion, predictably, allowed him to explore his passion for make-up and clothes. Growing up in Ostrava, a city in north-east Czech Republic, he remembers a childhood marked by an unusual interest in getting made up. “When I was a kid, I was disappointed that I couldn't wear make-up or nice clothes. Contrary to that, I feel free now.”

His mother’s support and a move to Australia to pursue academics proved to be game changers. The trip led to a meeting with independent photographer Bharathan Kangatheran in Perth. When pictures from a shoot were published in a leading magazine, Petr met his moment of truth. “I realised that I wasn’t the typical model. The best aspect of being a gender-neutral model was that I could pursue my profound love for fashion.”

Petr, who in an interview to fashion magazine, Emma, last year, said he was a bit of a man and woman (“I am empathetic [like a woman] but I am lazy like a man. I’m a mix of both sexes.”), has worked towards moving away from conventional gender identification. Gender-neutral persons prefer not to identify as man or woman, and have recently begun taking on unisex pronouns like ‘they’ or ‘them’. Petr’s variegated choices reflect in long, mascara-lined lashes and unwaxed arms.

When he isn’t working, Peter prefers to dress in unisex clothing. “But I am skinny and it is difficult to find basic male clothing. I prefer simple fashion for women — skinny jeans and tops. They look like they were made just for me.”

Petr is excited at walking the ramp in India, because it’s only in strange places that he has found fame and acceptance. His career really began outside of his own country after he found that no Czech agency wanted to represent him. Now, he walks for brands that make menswear (Brandt) and womenswear (Jaroslava Prochazkova, Marcel Holubec, Lukas Krnac). Although, he does admit to designers finding it challenging to figure what they will dress him in.

Is Manish Malhotra racking his brain?

Haitham with Shah Rukh Khan on the sets of Dil Hai Hindustani where the two sang SRK’s chartbuster Jabra Fan

When we meet Haitham Mohammed Rafi inside the dimly-lit sets of a popular music reality show, he stands out from those sitting beside him. The white of his traditional dishdasha and the colourful turban — called the massar — make him look like an anomaly. The 23-year-old appears to be closely observing his fellow singer — a girl half his age — who is on stage and singing the famous DDLJ-towel song, 'Mere Khwabon Mein Jo Aaye,' when we raise our hand and call for his attention. There is instant recognition.

"Wallah!" he yells out in Arabic. "How come, you here?" he goes on, in his Middle-Eastern accent.

It has been three years since we first met Haitham. The last time it was in his hometown Muscat, the capital city of the Sultanate of Oman. "I will sing in Bollywood, someday, Inshallah!" he had then rapped, much to the amusement of this correspondent. At the time, we had wished him luck, without mocking his expectations or pointing out the risks.

Last week, when a video of filmmaker Karan Johar sitting in stunned silence after Haitham’s performance of Naina Thag Lenge, went viral on Arab social media, this writer was glad she had kept mum then.

Haitham, an Omani national, has just made it in the final 11 of the first season of music reality show Dil Hai Hindustani. Being an Arab, has only worked in his favour. For the judges, Johar, Badshah, Shalmali Kholgade and Shekhar Ravjiani (of Vishal-Shekhar fame), the first question on their mind was, “Can an Arab sing in Hindi?”

"Okay, maybe!" "But, that good!"

"I have Mohammed Rafi’s blessings," Haitham jokes. Not like, we hadn’t been meaning to ask him the story behind his namesake. Haitham al Balushi takes his middle name, Mohammed Rafi, from his father, who was surprisingly christened by the veteran Hindi singer himself. "Though Omani, my grandfather was a huge fan of Mohammed Rafi," he recounts. “When my father was born, Rafi saab was performing in Bahrain. My grandfather, who was working there, went for the show and managed to have a quick chat with him backstage," he says, adding, “He told Rafi saab, I want you to name my newborn.” The rest, as the Balushi family recalls, is history.

Until seven months ago, Haitham worked as a personal banker with a leading national bank in Muscat. “It was so boring. I hated going to work...it was suffocating," he says. Unable to take it anymore, Haitham put in his papers, and ferociously started looking for opportunities to sing. "I wanted to pursue my passion," he says. We ask him what that is? And, pat comes the reply, "I want to become the first Arab playback singer and composer in Bollywood." Haitham has been harbouring that dream since he was 11.

In Oman, Haitham says, there is no concept of vocal training. "If you're a good singer, you're a good singer." His only source of Bollywood music was audiocassettes and CDs as a child, and later YouTube. "So, when I told my Omani friends that I wanted to become a singer, they laughed. They said, 'You can’t make it big in India…it is so tough'."

On an Indian friend’s advise, he started listening to a lot of ghazals. "I was told that it would help me get my nuances and accent right," he says. His favourite ghazal singers are Jagjit Singh and Rahat Fateh Ali Khan. But, that's how Haitham’s Bollywood dreams first took flight.

In 2012, he became the first Omani to win Muscat Idol, which sees participants mostly from the Indian Diaspora. From there on, due to dearth of a great body of work, Haitham started composing music for Omani TV shows. “But, I realised that I wasn’t enjoying Arabic music. Each time, I sang in Hindi, I was happier,” he says. Of the 500 songs he has composed, 450 were in Hindi. “My mum knew I wasn’t meant for Oman. So, she kept pushing me to try my luck at Indian reality shows,” he says. He tried thrice and failed. The fourth time, he decided to think practically and opted for 'The Voice Ahla Sawt', the Arabic version of the international music show. “Even there, I could not fit in,” he says. This December, after five years of working towards his dream, he got the call. And, that too, from India.

Here, he is still just another contender at the show. But, back home, things have changed for Haitham. After a video of his performance went viral, Omanis in Muscat, who he claims love Hindi cinema, have gone into an overdrive. “I’ve already signed 13 shows in Muscat and Dubai,” he says. “My friends are buying the Indian digital channels, just to watch my show.”

"I think it's a proud moment for my country," Haitham says. Just as we end, he gets his cellphone out, and shows us a photograph of his, clicked with Shah Rukh Khan, where the two are facing each other, striking the latter's signature pose. “India has already opened its arms to me," he gushes.

Baby Olive ridley turtles all set to embrace the sea in Velas.

Turtles - female Olive ridley turtles in particular - have a phenomenal memory. In their lifespan of about 50 years, where they swim for thousands of miles in the underwater world, they never forget one route. The females return to the same beach where they hatched to give birth to new life. The creatures are also communal in nature - they arrive at their native beach in thousands to lay eggs. The phenomenon, which makes for a stunning sight, is called Arribada.

Inhabitants of warm waters, the species has two haunts on the Indian coastline: Rushikulaya in Odisha and Velas in Ratnagiri. Over the years, Olive ridley turtles have borne the brunt of human activities and are now recognised as vulnerable by the International Union for Conservation of Nature Red List. Conservation measures have been underway to ensure the eggs hatch in a conducive environment and the hatchlings safely take their first steps to the sea. If Arribada has piqued your interest, a two-day eco-tour organised by Mumbai Travellers will take you to the Velas beach where you can watch the phenomenon unfold before your eyes.

"The baby turtles trek to the sea in early mornings and evenings, so we take travellers straight to the beach as soon as we arrive in Velas," shares Karishma Joshi, eco-tours division head of the travel group. The trip includes a visit to the Bankot Fort and Harihareshwar. "In the evening, travellers will be taken to conservationist Mohan Upadhye's home, where they will watch a documentary on the turtles. This will be followed by a skit presented by local children on turtle conservation," shares Joshi.

ACP Sanjay Kadam starts his day early at the gym, before heading to his office in Bandra West. Pic/RANE ASHISH

Right opposite Dongri police station, cut only by a turning road-strip, is a small ground that sees a flurry of activity every evening. Men in khakhi head out here post work, and engage in a few minutes of pushing and pulling under the dim street lighting, before finally calling it a day.

The open-air gymnasium was started 18 months ago. Until then, the vacant plot doubled up as a makeshift storage area for seized goods. But, with a fitness-conscious senior police inspector, Nitin Bangale, at the helm of affairs, the force had a slim chance of escaping a tough physical regime. When not manning his jurisdiction, Bangale goads his juniors to train with him. In 2015, when Sangram Balasaheb Kadam, a trained body-builder, joined as sub-inspector, Bangale found a willing partner to fuel this obsession. Together, they pump enough iron to put Salman Khan to shame. But, could that be said of the rest of the force serving in the 97 police stations within the city's jurisdiction?

Last month, after the Mumbai police fired back at author Shobhaa De for a tweet that fat-shamed a cop, whom she had incorrectly assumed was from Mumbai Police, the force made no pretence at hiding its disdain. Whether this confidence had anything to do with the healthy turnaround that they have witnessed of late, was what piqued our interest. What we learnt on our 'fit cop' trail was that Bajirao Singham and Chulbul Pandey aren't just figments of Bollywood's popular imagination. Some of them are right there in your nearby police thana. The success stories, however, weren't written overnight. They have been in the making for years.

Seasons of change
Mumbai Police historian Deepak Rao says it was Arvind Inamdar, who first introduced the rigours of exercise within the force as joint commissioner of police, crime, in 1987. Now, 77 years old, the retired Mumbai-based top cop, recalls, "Back in the 1980s, the gang wars in Mumbai were at their peak. To tackle them, we started the Special Operations Squad (SOS), with brand new weaponry. But, unless they were physically fit, they wouldn't be able to fight anyone. So, every morning, I would meet them and run with them for at least six kms." However, this fizzled out after five years.

While some health initiatives were revived years later under former CP MN Singh (2002), the noose around ill-health only tightened during the last decade, says Rao. "Unlike earlier, 80 per cent of the force takes fitness seriously. You don't see hawaldars or officers smoking on duty these days," says Chimaji Adhav, inspector, crime branch, Unit 11.

When the present CP, Datta Padsalgikar, took over the post on January 31, 2016, he was confronted with disturbing figures from the previous year's health report. Of the 163 policemen, who reportedly died in 2015, 30 per cent had suffered from heart-related ailments. Long-work hours, stress, and poor-eating habits, were leading contributors to the problem.

Work hours re-jigged
Within a few months of taking charge, Padsalgikar called for a meeting of all senior cops to discuss possible solutions to the problem.

Top on the to-do list was slashing work hours of constables, who form 80 per cent of the force, from 12 to eight. "The idea was to ensure that the constable gets enough time to spend with his family and also exercise. This would ultimately make him mentally and physically fit," said joint CP (Law & Order) Deven Bharti. However, the project is still a work in progress.

Eight months ago, the Mumbai police also launched a free health-check drive, which made it compulsory for every cop to get an annual medical test done.

Defining a cop's fitness
What makes for a fit cop? Someone who has "learnt to start his day with fruit and not chai," says nutritionist Rujuta Diwekar, who has been working with the Mumbai police since 2016. Phase 1 of the Mumbai Police Welfare Project kicked off in October, in Zone IX wherein for over three months, she and her team visited all police stations on Tuesdays and Thursdays to conduct morning and evening sessions. Here, they would share inexpensive tips on diet and relaxation. They also tied up with gyms to help policemen get access to quality workout facilities. "They were reluctant at first — the eight chais a day didn't come down to two for everyone, but we got it down to five. The banana became the first meal of the day. As they observed positive changes in their body, they became more receptive," says Diwekar. The second phase of the programme will see her working with police representatives, in a more feedback-led module.

For holistic health professional Mickey Mehta, who continues to work closely with the Mumbai police, fitness in the force is more about mental resilience. "A cop who can clock in 15 hours a day and still has the energy to go on, is a fit cop. They, I feel, are more tenacious than their counterparts in Delhi and Haryana. The amount of pressure these guys can take is not funny," says Mehta, who conducted a training camp at Naigaon last year. The road to fitness, he says, is an uphill one for the police. There aren't enough training facilities, and maintaining a diet is a challenge. But, he rules out the need for gyms. "We don't want beefcakes. We are looking at resilient cops, not athletic ones. I recommend a desi workout — 21 minutes of dand baithak (push-ups/squats), stretching, naukasan (boat pose), chakrasan (wheel pose), dhanurasan (bow pose). They need more of military drills and agility training. For instance, I'd scatter potatoes on the ground and make them collect them in the least time possible."

While expert guidance is always at hand, the force too, has its own set of in-house experts. Inspector Sanjay Nikam, crime branch, was a fitness enthusiast even before joining the force in 2001. However, for him the need for mental strength trumps physical fitness. "When you don't have the opportunity to maintain a proper diet and get good rest, it is only your mental strength that keeps you going," says the 41-year-old, who set up a gym at the Wadala (East) police station, which was his first posting. "That gym is still used by policemen. Later, when I moved to Unit 4, I built one on the upper floor," says the inspector who would organise body-building competitions between 2001 and 2006, for the police force. Nikam's sustained efforts also inspired his seniors, who have followed his example and provided fitness equipment at their respective outposts.

DCP Dr Vinay Rathod enjoys the advantage of being a medical expert himself. "Having worked as a resident in one of Nagpur's busiest medical colleges has helped me deal with stress and pain. That comes handy when my staff approaches me for help. If someone has migraine or acidity, I'll recommend anulom vilom. The body's well-being impacts the mind and vice versa," says Rathod, who has run the half marathon for five years.

An endearing image
Sub-inspector Sangram, who grew up idolising Ashok Kamte, former additional CP, Mumbai police, still remembers the late cop toiling away at his gym in Kolhapur, during a brief posting there. Another popular role model is Himanshu Roy. ACP Sanjay Kadam says, "He changed how people perceived the police force. When he walked into the crowd, people scattered, not out of fear, but respect."

The ACP says that when a cop is fit, his confidence "increases by 100 per cent". "It boosts your morale," he says, adding that you begin to feel like a 'superhuman,' which changes how you handle work too.

Image consultant Rukhsana Eisa stresses on the importance of a smart-looking cop, because that has a direct impact on how the public perceives them. "Fitness will translate into confidence and that in turn will lend them a positive demea-nour while interacting with people. If they maintain a correct posture and a level of hygeine, it only adds to the overall image of a fit cop. This way, the feeling of negativity that people generally tend to associate with the police, will fade away."

ACP Sanjay Kadam starts his day early at the gym, before heading to his office in Bandra West.  PIC/SHADAB KHAN

Sanjay Kadam, 56ACP, Bandra police division
I begin my day at 6 am with a glass of milk and four almonds. An hour later, I head to the gym. I become a child in the gym, working out for at least two hours. I do a combination of weights, cardio and functional exercises. If I had to give advice on staying healthy, I would suggest taking packed lunch from home. On most days, my dabba comprises four to five rotis and sabzi. I eat rice only on Sundays. I don't smoke, drink or have tea.

Mickey Mehta, holistic health professional
Mehta says, "A cop who can clock in 15 hours a day and still has the energy to go on, is a fit cop. Mumbai cops, I feel, are more tenacious than their counterparts in Delhi and Haryana. The amount of pressure these guys can take, is not funny." For tenacious cops, not beefcakes, he recommends a desi workout of dand baithaks and yoga asanas.

Rujuta Diwekar, nutritionist
Diwekar and her team have been working with the force since 2016, sharing inexpensive diet and fitness tips. She says making the banana the first bite of the day is a small victory.

Arvind Inamdar is believed to have introduced the rigours of exercise within the force as joint commis-sioner of police, crime, in 1987

Himanshu Roy, former ATS Maharashtra chief, says ACP Sanjay Kadam, changed how people perceived the police force with his image.

Sub-inspector Sangram Balasaheb Kadam often works out with his immediate boss, senior PI Nitin Bangale, at a gym near Dongri police station. Pic/SHADAB KHAN 

Sangram Balasaheb Kadam, 29 Sub-inspector, Dongri Police Station
There's never a fixed schedule [for a police officer]. But, if I start work at 8 am, I wake up at 6.30 am. My diet is different because I am training to become a professional bodybuilder. I begin my day with six boiled eggs, one boiled sweet potato and oats soaked in water. I pack my own dabba. So, around 10 am, irrespective of where I am, I eat three boiled eggs, and a sweet potato. For lunch, I eat two chapatis and 300gm boiled chicken. This is followed by a cup of brown rice and 2 boiled eggs at 5 pm. At 9 pm, just before my workout, I have 3 boiled eggs again and mosambi juice, followed by a protein shake. Dinner is at around 12.30 and is the same as lunch.

DCP Vinay Rathod runs at least 15-20 km each week. Pic/BIPIN KOKATE

Dr Vinay Rathod DCP (Detection), Crime Branch
I joined Force 1 (a specialised counter terrorism unit) in 2011. For this, you need to undergo commando training for two months, where you run 25 km in full gear, while carrying 30 kg. I completed my training and then ran my first half marathon in 2011. Since then, running has become a part of life. I run three times a week and try to clock 15-20 km over seven days. As marathon season approaches, I increase the mileage to 17 km and then leave it at that. Also, while running the race, I am not keen on minimising time. I finish it comfortably in 2.5 hours. I intend to take my officers on regular treks as part of their physical training.

Inspector Chimaji Adhav swims twice a week to stay fit. Pic/NIMESH DAVE

Chimaji Adhav, 47 Inspector, Crime Branch, Unit 11
I wake up at 5.30 am and head out for a one-hour morning walk. I follow that with an hour in the gym in my housing society, where I do weights, skip-jumping and walk the treadmill. Twice a week, I swim. For breakfast, I have chapati-bhaji and do a light lunch if I get the time, which is usually three days a week. Else, I make do with a vada pao and bananas. For dinner, I have chapati-bhaji and one glass of milk.

Inspector Sanjay Nikam carries a mobile workout kit wherever he goes, so that he doesn’t miss a session

Sanjay Nikam, 41 Inspector, Crime Branch, Unit 4
I follow a seven-day workout rule because during a work week, you are bound to miss at least one day. My morning and evening workout schedule lasts from 6.30 to 8.30 am, and 20 minutes after 9 pm. In the morning I do cardio and weights. In the night, it's walking, running and lunges. I also carry a mobile workout kit, comprising extension, rollers and dip sets. That helps me maintain my schedule even when I'm on duty, especially out-station. I begin my day with 15 egg whites and a glass of protein shake, followed by a light lunch of three chapatis and bhaji (if possible). Between 4 and 5 pm, I have 100 grams of chicken. At 7 pm, I have a light snack with coffee. This is my last meal for the day. I only have a glass of warm water before going to bed.

Constable Sushant Mohite is professional body builder and continues to participate at events

Sushant Mohite, 30 Constable, LOCAL ARMS DIVISION, MAROL
I wake at 6 am, and eat an apple, three boiled egg whites, and brown bread or chapati. At 10 am, I eat two to three idlis, a banana and drink a glass of mosambi juice. If I don't manage to get my hands on this, I eat a sandwich without butter and potatoes. For lunch, I eat boiled chicken, chapatis and salad. Around 5 pm, I eat dry fruit, apple and some boiled eggs. Dinner is light with salad and fruit. I work out twice a day — 20 minutes in the morning and another 20 in the evening. I have struggled with my fitness, but a disciplined lifestyle has helped.

(From left) Kamal Sidhu, Purab Kohli, Dino Morea, Maria Goretti, Cyrus Sahukar, Mini Mathur, Cyrus Broacha, Luke Kenny. Location Courtesy/The Bombay Canteen; Pics/Rane Ashish

When video killed the radio star in the 1990s, we were not complaining. Our eyes were glued to the TV as cable television made its debut. We had heard our rock and pop idols on FM, and now, we had them, in our living rooms. MTV had landed, followed by Channel V. Along with them came a glam and chatty species called VJs. On them we pinned our hope for a favourite song, crushed on them, and sought fashion wisdom during our fumbling teenage years. Suddenly, we had new pin-up stars.

At a reunion of India's first set of VJs at Lower Parel's The Bombay Canteen, we saw model-VJ from MTV and Channel V Kamal Sidhu; the brain behind Channel V Luke Kenny; mad-hatter MTV VJ Cyrus Broacha; crush-worthy Channel V VJ Purab Kohli; model-actor with dear dimples Dino Morea; MTV's effervescent Mini Mathur; MTV's Mr Comical Cyrus Sahukar and MTV VJ-turned-food TV host Maria Goretti.

Madness ensued, with a whole lot of laughter and wisecracks. There were blows below the belt but not a brow was raised. For us, the '90s kids, they were the epitome of cool. It's true that we saw them in a different light — some of them are now parents — but they are just as charming.

Launching with the '90S
Kamal: I think I speak for everyone when I say, without the '90s, we wouldn't have had a career.

Mini: I was doing TV much before music television arrived. At that time, all of it was based out of Delhi, and only fiction came out of Bombay. But the music channels made it all cool.

Cyrus S: There were a handful of these networks in operation. It was a great time to be in and we got away with murder.

Luke: One of the things that happened was that the 18 to 24 demographic was created. That's the demographic for youth programming even today. Once 2000 rolled in, the concept of the TV anchor was born, but the VJ had died.

Kamal Sidhu makes a point as Purab Kohli listens in

Kamal: While the role of the VJ was fairly new to India, around the world there were VJs we were exposed to. In Canada, we had a local music channel, which didn't allow MTV to enter the country. There was Downtown Julie Brown (who hosted Club MTV from 1987 to 1992). On the show, the light switch went on, with the camera going up her legs and under her skirt, while she went, 'Waba Waba Waba Downtown Julie Brown'. She was among the real pioneers. When MTV launched in Asia, we beamed shows from Hong Kong. And, then, we launched in India with a party at the Taj Mahal Hotel [in 1992] in Mumbai. It was called The Bombay Blast Weekend. It received a lot of backlash, I remember, because the riots (Babri Masjid) had just happened.

Where i want to be: Vjing
Maria: I used to watch Kamal and Danny [McGill] VJ, and, suddenly, I was one of them. I didn't know what I was getting into until I did. The thing about VJing in the '90s was that it let you be who you wanted to be. I was lucky to be part of something I loved. Today, everyone wants to be something more, so, a lot of people get nudged out of television. MTV put Indian VJs on air and that changed something. It was now damn cool to be Indian; there was no need to have an accent. I didn't realise I was cool but apparently, I was.

Purab: I joined Channel V as a host for a travel show, and, gradually, when other slots opened, I started VJing too. There was a serious naiveté back then and VJing wasn't thought of as a stepping-stone to other things.

Cyrus Sahukar tells a story to Luke Kenny

Cyrus S: We were all there with the knowledge that this where we want to be.

Behind the scenes
Purab: There were times when we shot close to five episodes a day. It was intense. Sophiya [Haque], Laila [Rouass] and Meghna [Reddy] would do their own make up, write their own shows and select their own music. There was a transition, when I came in 1999 to Channel V. There was one show where we were asked to write and select songs. We would run it by Luke.

Cyrus B: Luke? Was everything right?

Purab: Yes!

Cyrus B: Luke himself didn't know what his designation was.

Purab: He would approve songs and that was our process.

Maria: Producers hated it when VJs would get together because that meant no one would be working. Once a year, we did a show together for Christmas or New Year and that would be a blast. I miss all of us working together — miss the travelling, the early morning flights, sleeping at airports because we had missed our plane. When I look back I realise that what I did was part of history.

Music then, music now
Luke: What do I think of the indie music scene? It's very niche, and some of the musicians have a chip on their shoulder. But, that aside, what business are they doing? Few manage to get paying gigs, and whoever turns up to support, comes, has a drink, pays R300 and then doesn't buy the album. How does it help the artist? I have been consulting with Channel V recently, and we are trying to go back to the model where the music channel only plays music, and supports indie acts by giving their originals air time.

Cyrus Broacha monkeys around as Dino Morea greets Kamal Sidhu

Kamal: I remember they would send us pop music videos at the Hong Kong office. And most of them were bad. We had to consciously decide to help some artists with their videos. And then Rahman and acts like Indus Creed came in, and the videos changed.

Luke: Kids today love their pop as they did back in the '90s.

Kamal: It was more authentic back then.

Luke: That's because the labels saw a market and invested in it. No one sees a market in today's indie scene.

Cyrus S: They were competing with an international kind of space and knew that spending money on videos was requisite. Everybody was trying to match international standards.
Kamal: And then everything got homogenised into one game plan — the Bollywood game plan.

The '90S role model
Dino: I landed in Bombay in December 1997, looking for opportunities and I remember sharing a room, not even a flat, with a girl who wanted to be a model too. Back in Bangalore, I remember seeing Kamal. I was in college and had to go meet a photographer. There she was, shooting for some perfume or cosmetics ad, and I was like, "Whoa!" Models were these superstars then. I did stare at her.

Kamal: Did I stare back at you?

Dino: (Laughing) I don't think you noticed me.

Sinking into reality
Kamal: A big change from the '90s, well, is that reality television came about, for better or worse.

Luke: One of the earliest reality shows to come was Channel V's Popstars, from which [girl band] Viva emerged. History rewrote itself in that decade with reality television.

Cyrus B: There was also MTV Bakra, which started towards the end of 1999.

Kids with an edge
Kamal: I think it was the time of the Asian liberation. Everything was booming. Also, it was a time for adjustment. Parents of '90s kids looked at people like us and questioned our place as role models. They said, we need to control the remote control.

Luke: No, there was no parental control at all.

Purab: I think it was because those kids were the first movers into the globalisation space.

Cyrus S: Even I used to come home and watch TV. It was a time when I had a VCP, not even a VCR.

Luke: Do you know why those kids had an edge over today's? Because they didn't have these. (Points to a mobile phone).

Maria: I think it was because there was a more organic interaction between people. The communication was real, which I don't see today. These days, it's about the phone. My kids just asked me why they don't have the blue tick on Instagram. Everyone is looking into their phones. We have become tech-savvy but have lost a bit of the soul. (Snapping her fingers). It's now all about reaching a place and changing the game.

Your fav music video of the '90S was?
Luke: Pretty Child by Indus Creed
Cyrus Sahukar: Ice Ice Baby by Vanilla Ice
Dino: Can't Touch This by MC Hammer
Kamal: Anything by AR Rahman
Maria: Freedom by George Michael
Mini: All Sukhbir and Lucky Ali videos

Illustrations/Ravi Jadhav

Girgaum, Kamat Chawl Thakurdwar
Celebrating the festival for the last 122 years, simplicity is key for Kamat Chawl residents. And they are happy to share tales from the forgotten pages of history and freedom struggle. Here, they do not follow the concept of themed decor and celebrate the festival in an absolute traditional manner. The idol is made of eco-friendly material called shadu. Following the spirit of why the festival was started in the first place, the pandal is built by the residents and each one volunteers to manage the space and the stage area.

Khetwadi, Tulsi Building Sarvajanik Ganeshotsav Mandal
This is the 75th year of the pandal and, like each year, the Ganesh idol is made up of different things, mostly edible. For instance, dry fruits, cereal and pluses, chikki, and stationery and diamond have been used. This year's focus is on kids and the theme is Disneyworld. The idol is made of Cadbury chocolate and the children cannot wait to see their favourite sweet take the shape of their favourite deity.

Malad, Shree Sai Darshan Mitra Mandal
For the last 11 years, this eco-friendly Ganesha has been a hit with devotees. Made from paper and cardboard, the organisers use various concepts including football erasers, pencils and cars. This year, Bappa is giving a shout out to nostalgia as the idol is made of old coins of 1 paise, 10 paise and 20 paise. The mandal's focus is to create awareness and education, especially about global warming.

Ghatkopar, S G Barve Nagar Sarvajanik Ganeshostav Mandal
Since 1966, the pandal's idols, one large and one small, have been luring devotees to this suburb. This year's theme is a dreamy fusion of a golden pillared palace, the religious oeuvre of Om Ganapataya namah and the galaxy. A daily bhandara of rice, dal, chole, bhaji, papad, pickles and gulab jamun feeds a thousand people. A blood donation drive along with free blood test and blood group check is done during the 10 day period.

Fort, Fort Vibhag Sarvajanik Ganesh Utsav Mandal
Celebrated since 1956, this is one of the biggest fully centralised pandals in the city. This year, they have invited special artists from Rajasthan to create a palace setting. Their finesse and specially crafted artwork adds to the grandeur of the pandal. While you are here, you can easily spot a celeb or two. The maha aarti, especially for the police department, is scheduled for tomorrow.

Thane, Narvir Tanaji Mitra Mandal
For the last 38 years, this pandal has been not only known for its large murti and grand themes but also for reaching out to those in need, especially in rural areas. Bappa will happily rest in the grand Rajasthani Palace and overlook the tasks the members of the mandal will take up. Medical camps and a beautifully curated cultural programme that will see participants sing, dance and create beautiful flower arrangements and rangolis are in store for the Utsav.

Tilak Nagar, Sahyadri Krida Mandal
For the last 41 years, this pandal has been dedicatedly putting up themes on social awareness. This year, their theme is 'Jai Jawan, Jai Kisan, Jai Vigyan' and will include artworks illustrating places from Kashmir to Kanyakumari, highlighting important destinations like the Himalayas and Madurai's Meenakshi Temple. These will be interspersed with reproductions of the metro, rail space research, army personnel and agricultural families to show how they co-exist to form an integral part of society.

Make heads turn by carrying a stylish umbrella that tells a story. In this engaging art revival workshop, you could learn to paint with a play of colours to create an illusion of varying textures that ensures that it isn't any run-of-the-mill print. Hosted by Blue Bulb, the workshop starts with an introduction to Gond painting, a folk art of the Gondi people of Madhya Pradesh. It then progresses into understanding freehand drawing and painting, directly using paints and pens. "One need not be an artist to be a part of this workshop. Once you've got the hang of it, you could even paint your t-shirt, canvas bags, shoes, stoles, wall art and furniture too," informs Ritika Jhunjhunwala, co-founder of Iteeha, organisers of the event.

Our society thrives on myths and fictitious stories and Gond art is an embellishment for those stories. The art form allows the artists to use more of their imagination than the somber rules. However, it has evolved considerably from its ritual storytelling days.

"The fine lines, dots and dashes of traditional Gond Pradhan motifs were introduced to the world by the late painter J. Swaminathan, who discovered a talented 17-year-old Jangarh Singh Shyam decorating the huts of Patangarh in Madhya Pradesh. The combination of vivid colours and distinctive forms, gives the traditional art a modern look and yet maintains its originality," says Jhunjhunwala for whom monsoon is the perfect time to unleash the creative side. "What you get is a full-size umbrella, all art supplies required and garma garam chai and kande pohe to enjoy the rains," she adds.

What: Umbrella Gond Painting Workshop
Where: Shivaji Park
When: August 27, 10.30 am - 1:30 pm
Fees: Rs 1,200 + plus taxes
Call: 7506122332

Why Cheat India
U/A: Drama Satire
Director: Soumik Sen
Cast: Emraan Hashmi, Shreya Dhanwanthary
Rating:

The 'curse of the second half' in Hindi pictures is simply so severe, especially when it comes to films with well-known faces, that even as I find myself really enjoying a movie, there's a radar at the back of the brain constantly cautioning one to only hope that the post-interval portions even live up to the first half — by half. If so, then as an audience, you're pretty much through.

Is this movie an exception in that regard? Well, it eventually starts descending to such levels of random, thoughtless spinning of the yarn that by the end of it you're not even too sure it's the same film that you had started with in the first place. And hell yeah, it begins really well, what with highlighting the academic strains of being a teenaged 'padhaku' kid, Sattu (the boy's so brilliantly cast), in a lower-middle class family in Lucknow, coaxed into cracking a coveted engineering entrance exam (they don't call it IIT for some reason). For, how else does the father who's invested all his money into his child's supposed dream see his pension scheme through?

The film shines much-needed light on a common Indian teenaged nightmare, as sincerely presented in stand-up comedian Biswa Kalyan Rath's rather under-rated Amazon Prime series, Laakhon Mein Ek (2018). While sticking to searing realism — getting its time-setting, the year 1998 right, down to baggy trousers, and Force 10 type sneakers — the filmmakers manage to give the hero, Emraan Hashmi, a filmy sort of entry, smartly slipping in a soothing ballad, as well. Well done!

Hashmi plays a one-man racketeer who sneaks in smart kids, with counterfeit hall tickets, to max entrance tests on behalf of rich children, sitting at home, paying their way to top colleges as a result. You sort of know where the film might be going with this. And, maybe, that's the problem. Proxy contestants at overcrowded competitive exams for key educational institutions, where even well-prepared students wait for Godot to get in, is a huge multi-crore, organised industry, involving a system wholly corrupted, from top to bottom. Technology would have plugged some of the holes already; one's unaware to what extent.

If you haven't heard as much about this underworld, one should legitimately blame the news media for it — particularly in the case of the 2013 Vyapam (Madhya Pradesh Professional Examination Board) Scam, for instance, where close to 40 people, most of them whistleblowers, have mysteriously died, while the investigations are still on (or not quite) —but largely under-reported in the mainstream press.

And I thought this is what the film could be about — unearthing an earth-shaking scandal that should ideally knock you off your head. But, no, this is a film that attempts to combine strong commentary on the education/examination system, with a high-paced, heist thriller, with belaboured twists and turns, while trying to balance all of it with the urban slickness and high-life that Hashmi's inevitably romantically inclined, unscrupulous characters aspire for, and achieve, in his typical capers.

Watch Why Cheat India Trailer

So whatever fault you may find in the film possibly exists in the story/script to start with. And perhaps the reason is Hashmi himself, for he can't help but get on the big screen with strong baggage of the sort of flicks that have made him the star he is. The audience is obviously to blame for it, and the fact that Hashmi remains still an under-rated actor, because he is hardly commercially lauded for parts where he wholly goes off the beaten path — Dibakar Banerjee's Shanghai (2012), I'm told, tanked; Danis Tanovic's Tigers (2018) went straight to OTT (Zee 5), both being his career's best works.

And so he goes back to being himself: the trademarked flawed hero, who eventually justifies his wily actions as a natural outcome of a multiple-choice, rote-learning system that gives very few kids a choice beyond acing it to get ahead. How a scamster like his character is the solution still, and not the issue, is beyond me. Have to say though, what the audience will empathise with is the fact that far too few fine courses/colleges exist for far too many desi children: a progressively massive problem staring us in the face and an even uglier future. This affects everyone. To be fair, the government is just as clueless on how to deal with it as this totally confusing 'pop-con' pic.

Also read: Emraan Hashmi: Change of Cheat India title is illogical, ridiculous

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One Less God

U/A: Drama, Thriller
Director: Lliam Worthington
Cast: Joseph Mahler Taylor, Sukhraj Deepak, Mihika Rao
Rating: 

As a film that hopes to capture the terror heralded by the 26/11 attacks on Mumbai, 'One Less God' is rather feeble, nondescript and ineffective. The scope is narrow and the budget too small to do justice to a disaster that is amongst the most unforgettable in recent history. This is drama written around a real-life crisis but at no point does it feel real. The 2008 Mumbai attacks included a series of terrorist strikes that felled 164 people across south Mumbai - carried out by 10 members of the Laskar-e-Taiba, an Islamic terrorist organisation based in Pakistan. But none of that drama or tragedy is captured here with any grit or enticement.

The Mumbai siege is presented in a slap-dash fashion that never really gets the audience involved. The focus is largely on the Taj Mahal hotel and what it's guests went through in the final hours before their falling victim to the terrorist onslaught. The film focuses its efforts on the men and women attempting to survive, while intermittently cutting across to the two men perpetrating the attack. The bits of humour that creep in at odd times appears to be in bad taste.

Check out the trailer here:

Everything here seems rather pretentious and ineffective. The general cross-national mix of characters, their touristy experiences and the aftermath of the siege may have some diverse moments but we never feel attached or interested enough to be affected. There are barely any validating moments here. The performances are bad, the direction is sloppy, there are continuity breaks that look ridiculous, the art direction and production values leave a lot to be desired. Even the attempt to go one-up on the much awaited Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs starrer 'Hotel Mumbai'- (a film that covers the same territory), by releasing earlier, reeks of Opportunism.

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Thackeray
U/A: Biopic
Dir: Abhijit Panse
Cast: Nawazuddin Siddiqui, Amrita Rao
Rating:

Rather than a biopic, Nawazuddin Siddiqui's Thackeray tends to become a hagiography that doesn't offer an insight into the larger-than-life personality that was Balasaheb Thackeray. If you've wondered what lay beneath this powerful leader, or how he rose when the odds were against him, be warned this film doesn't answer those questions. Which is not to say it doesn't work.

Director Abhijit Panse's offering is an interesting drama for those who don't know much about Thackeray. The protagonist's journey from being a cartoonist at a newspaper to becoming a ruthless leader, insistent on the progress of the Marathi manoos, is captured well. But is this movie an image makeover exercise for the party, which is at loggerheads with its long-time ally, the Bharatiya Janata Party, ahead of the Lok Sabha elections this year? It definitely feels so. Interestingly, while the film starts with a disclaimer which reads that the makers don't support violence in any manner, they haven't shied away from showing Thackeray as someone who was in favour of using violence as a means to instill peace.

The film opens with the leader's trial in a Lucknow court as he is being questioned about his role in the demolition of Babri Masjid. When he is asked about his supporters tearing down the mosque, he replies, "Nahi, nahi. Toda nahi, saaf kiya." The film then travels between Thackeray's past — stylishly shot in black and white — and the courtroom where he has to justify his deeds and decisions.

From the rise of the angry Marathi consciousness against the dominant South Indians in Mumbai to the killing of Krishna Desai, a member of the Communist Party, to Thackeray supporting the Emergency because he believes that the country would finally be disciplined — various chapters present the protagonist as a tyrant.

The problem, however, lies in the most important chapter — the '93 Bombay riots. The film skims over the matter, and shows it as a conspiracy to kill Thackeray rather than people avenging the post-Babri riots, as is popular knowledge. The storyline then leaps to the bomb blasts that shook the city, and unsurprisingly, Thackeray and the Shiv Sena, rather than being depicted as the instigators of the communal riots, are shown as the city's saviours.

Siddiqui is riveting as Thackeray. It is his terrific performance that makes you invested in the film even when it trudges down a predictable path. But he falters with his voice; he can't match the deep baritone of his subject. Amrita Rao is convincing as Meena Thackeray. The movie ends with the victory of the Sena-Bharatiya Janata Party alliance in the 1995 state elections; the makers also use the opportunity here to announce the sequel. Produced by Shiv Sena Member of Parliament Sanjay Raut, the film barely goes beyond being the audio-visual version of Sena's official newspaper.

Watch Thackeray Trailer

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Amavas
U/A: Horror
Dir: Bhushan Patel
Cast: Sachiin Joshi, Nargis Fakhri
Rate: 

The experience of watching a Ramsay Brothers horror is unique. It's almost synonymous to buying a ticket for a comedy. Dealing with Amavas, is pretty much the same. It's the modern-day equivalent to a Ramsay product. Do you love it? Yes, to bits! It's a laugh riot. But, that's not how director Bhushan Patel designed it to be, which is why, it's disappointing.

Patel, who previously directed the Bipasha Basu and Karan Singh Grover-starrer Alone, takes the tomfoolery a notch higher with this film. We are introduced to the familiar 'praacheenkal' knowledge of 'bhooth-pret'. There is a haunted mansion - resembling a cross between that in The Conjuring and Sushmita Sen's Vaastu Shastra.

Familiar tactics - creaking doors, spooky scores and shadows - are employed to evoke fear. Yet, the idiocy on display doesn't occupy my mind. What does is the fact that viewers could have been spared from the goings-on had the cast simply travelled to Paris. Let me explain. Karan Ajmera (Sachiin Joshi) is coaxed by girlfriend Aahana (Nargis Fakhri) to take a trip to the former's Brit mansion, instead of taking off on a romantic getaway to the French capital. On arriving, skeletons begin to tumble out, and they learn the reason behind the house being locked up for eight years. All hell breaks loose.

Even the slightest mention can be a spoiler in a horror, so we'll leave the details aside should you wish to catch this one. But, we can reveal that this uninspiring story ticks every clichéd check box in the horror rule book, including possessed bodies, hapless spirits, barren trees, a grave and temple bells. In addition, there's a half-faced doll, and a bored ensemble of supporting actors who look more clueless than the doll in question. As lovers, Joshi and Fakhri certainly lack chemistry. In fact, the latter's visible disinterest even overshadows Joshi's ineptness.

What is really horrifying is the depiction of the psychiatrist, played by Mona Singh. 'Calm down' or an increase of medicinal dose, are apparently appropriate responses to paranoia and migraine. While the boyfriend battles serious issues, the girlfriend busies herself by exploring the estate, and playing hide-and-seek.

The incoherence is baffling, and one is only compelled to wonder why a team of qualified artistes would create this kind of cinema. But since the movie doesn't take itself too seriously -the quality of VFX and continuity being obviously ignored - it is best relished as a comic caper.

As for Fakhri, who makes a comeback of sorts to Bollywood with this film, she had more meat in her five-minute act in the American thriller, Spy (2015) than she does here. Pro tip for the writers - Just send them to Paris next time. It's always a good idea!

Also Read: Nargis Fakhri annoyed with press prying into personal life; leaves Amavas promotions midway

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Milan Talkies
U/A: Drama romance
Dir: Tigmanshu Dhulia
Cast: Ali Fazal, Shraddha Srinath
Ratings: 

This film is so inherently inconsistent, uneven in its storytelling that you feel like rooting for it still, simply because of the scattered set-pieces full of humour and insights/mannerisms of a small town, north India that you encounter once in a while.

It's almost like spotting diamond among the roughs - whether that be the local uncle breaking into nostalgic songs after a few pegs of whisky, or the street goon, wannabe Vidhayak (legislator) - both being the same - desperate to test his skills as a Hindi film star.

We're referring to Uttar Pradesh in particular, and Allahabad (now Prayagraaj) to be more specific - effectively a land of bakchods (blabber-mouths), with tonnes of tashan (exhibition of bravado) dictating mofussil male lives.

I know this isn't as true anymore, but another aspect that has geographically remained common to Indian towns is the cinema hall (or talkies) as the all-important landmark (there are usually two or three max in a district), where both the rich and the poor, predominantly young, but also the old, merge for their movie entertainment, and other accoutrements that naturally surround it.

Check out the trailer here:

Milan Talkies, that the film is named after, is one such adda/theatre in Allahabad where a young dude spends most of his time in the projection room, aspiring to become a Mumbai filmmaker when he isn't shooting low-budget films with neighbourhood talents himself. One assumed this would be some sort of a version of Giuseppe Tornatore's Italian classic Cinema Paradiso (1988) - ultimate tribute to the movies.

Hell, no. This is a full-on, wannabe-classic romantic story about that boy, and the girl with an authoritarian dad, and the fact that they can't get together - even as the film doesn't care to explain exactly why. And the two are happy to elope - not once, but several times in a row, and oh my god, 'will they, won't they,' just go on, and frickin' on.

The film is directed by Allahabad boy Tigmanshu Dhulia (Paan Singh Tomar, Saheb Biwi Aur Gangster), who whether he likes it or not is probably better known for the dialogue, "Jab tak Hindustan mein saneema hai, log c****iye bante rahenge," that he delivered as an actor in Anurag Kashyap's iconic Gangs Of Wasseypur (2012). Such is how crisp dialogues (like tag-lines in ads) work on us anyway.

Whether this film itself is part-autobiographical or not, Dhulia got noticed as a filmmaker with his debut Haasil (2003) - at the time a rare, robust insider's account of his home-town, and campus politics in a north Indian small-town. Over the years, that script (or the premise, if you may) has been milked so much to death, that it's turned into a tiring genre of its own.

Ali Fazal (similarly seen as a UP ruffian in the Amazon Prime series, Mirzapur) plays the protagonist here - a role that I'm told has been through several replacements (Imran Khan, Shahid Kapoor, etc) in the past. Although at some portions he sounds/behaves a lot like Dhulia himself, Fazal is competent to the core (no doubt). As is the female lead (Shraddha Srinath), making her Hindi film debut.

The film itself though does little to the genre, besides deliberately revisit some old-world Bollywood cliches. Maybe there's some subversion (that I'm unable to see). Maybe a full-blown, big-screen romance hinges much on the scale, for effective suspension of belief, which is sadly missing. Either way, one suspects, much of this movie pretty much remains in the filmmaker's imagination/head. Rest of it, quite honestly, gave me a bit of a headache.

Also Read: Sonu Nigam's soulful voice in Shart from Milan Talkies will tug at your heartstrings

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Dumbo
U/A: Family, Fantasy
Cast: Colin Farrell, Michael Keaton, Danny DeVito
Director: Tim Burton
Rating: 

Disney's attempt to lend more darkness and quirks to this live-action remake of its 1941 animated classic about a baby elephant whose ears double as wings, Dumbo, pays off with loads of cuteness but the director Tim Burton's signature strangeness is missing. Burton's craft is more simplistic here - even though the film is a sort of circus fantasia with all the aspects of an imagination running wild.

The owner of a struggling circus, Max Medici(Danny De Vito) enlists a man(Colin Farrell) and his two children to care for a new born elephant that can fly. Of course, the contretemps are not merely about a flying elephant but also about those opportunistic times when diabolical people sought to make their fortunes off the sweat of lesser mortals.

Check out the trailer here:

With Michael Keaton and Danny DeVito on the same page here, one would have expected something more whimsical and intriguing but this production doesn't quite fit the bill. Burton's attempts to stuff up the visuals with a surrounding darkness doesn't set flight to the imagination. Ehren Kruger's screenplay is inconsistent and chaotic. Character development is uneven so even the leads don't come across as engaging. Burton's attempts to give vein to the freakish performer doesn't have much impact because the plotting is quite wayward. Even the presence of snake charmer Pramesh Singh (Roshan Seth) and the resident circus "mermaid," Miss Atlantis (Sharon Rooney), who strums a ukulele by the fireside and sings "Baby Mine," feels out of place in this extravaganza that lacks connect and soul!

Also Read: Disney's 'Dumbo' will take you to new heights

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Notebook
U/A: Romance
Dir: Nitin Kakkar
Cast: Zaheer Iqbal, Pranutan Bahl
Ratings: 

I, for one, am not of the belief that remakes are a bad thing. If made well, they can stand their ground and even shine, in some cases, better than the original. Given that Notebook is directed by Nitin Kakkar (the man behind the luminous gem Filmistaan), I had a fair share of expectations, despite the underwhelming trailer. Kakkar's powerful storytelling in the unassuming Filmistaan played in my mind as I walked in to watch Notebook, an adaptation of the Thai film, The Teacher's Diary that released in 2014.

It's not a good sign when, in a love story, children steal your heart over the lead pair. Individually, both debutants Zaheer Iqbal and Pranutan Bahl sparkle, but they meet only at the fag end of the film. Kakkar draws out adequate performances from both, playing to their strengths, using the naivety of the novices to build on some screen charm. But with so much solo heavy lifting and a wobbly screenplay in tow, Kakkar delivers far short of what he is capable of.

Watch the trailer here:

As a plus, the film uses the picturesque settings of Kashmir, blending it with good music. The story, much like the original, traces the unlikely love life of Firdaus (Bahl) and Kabir (Iqbal). She leaves behind a notebook full of sketches and doodles; he is her replacement in a school where they teach. The notebook becomes a source of hope for Kabir, who connects deeply with her over the pages. She is an unusual teacher in an abusive relationship. As Kabir struggles to bond with the children, the notebook comes handy. The rest of the film paves the way to their final interaction.

Kakkar remains faithful to the original design, transporting his viewers into a world of innocence. It is concerning that the director never delves deep into the problems of the state, bringing forth its elements for a pure cosmetic use. A child with a fundamentalist father is a needless addition to the plot. Kabir's former job as a soldier, and his Kashmiri pandit background, also do little to add to the larger plot. It's a balanced view, but not a bold one; too simplistically handled, which is unlike Kakkar's risque style.

Watch it for the adorable kids, and if you are excited about star children in general, Pranutan is a good deal as a first timer.

Also Read: Notebook celeb review: Bollywood unanimously touts the film as a sweet and genuine

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The Least Of These
U/A: Drama
Dir: Aneesh Daniel
Cast: Sharman Joshi, Stephen Baldwin, Shari Rigby
Ratings: 

Aneesh Daniel's attempt to relook at real-life events that triggered the grisly murder of Graham Stuart Staines - Australian born evangelist/poor leprosy patients' caregiver, living and working in the remote regions of Orissa - is a rather tame experience.

It's obvious the filmmakers were eager to avoid any confrontations with right-wing fanatics, who had a major role to play in triggering the gruesome killing of Staines (Stephen Baldwin) and his two sons. Don't know how much of a spoiler the censor board played in this regard, but needless to say, this is a largely sanitised version of the truth and does a great disservice to the lives lost in the throes of a communal crossfire. Defanged of the court ordained facts, including the name of the convicted killer (Dara Singh) and his right-wing Hindu fundamentalist political affiliations, this film merely plays around with the 'conversion' issue.

The narrative device employed here is in itself flawed. It's the late 1990's. Journalist Manav Banerjee (Sharman Joshi) moves with his pregnant wife to a small town in Orissa. The editor (Prakash Belawadi) of the New Orissa Daily treats him like a stringer and expects him to coerce stories about forced conversions from the villagers. Manav, who shuns lepers and is clearly biased against Christian groups, would rather do the exposé without being personally involved. But his editor deems it necessary that Manav himself play victim to the conversion hoax to expose the Australian missionary's so-deemed unlawful activity. With his wife delivering prematurely and costs of hospitalisation mounting by the day, Manav is forced to toe the line.

While forgiveness plays an important part in this misrepresented drama, it doesn't have the effect of a great act here. It is depicted so ineffectually that there is little impact on the viewer. The actors are either over-the-top or inconsistent. Joshi overstates his eagerness by repeating phrases like 'I am a journalist' and 'He is a leper'. Scripting by Andrew E Mathews is so slack that his turnaround defies logic. Even Baldwin and Shari Rigby fail to arouse empathy. Technically too, this film is not upto the mark. The direction, editing and cinematography lack distinctive focus. This unaccomplished production doesn't amount to anything!

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Romeo Akbar Walter
U/A: Action
Director: Robbie Grewal
Cast: John Abraham, Mouni Roy, Jackie Shroff
Ratings:

John Abraham's latest nation-in-peril movie is set against the backdrop of the 1971 India-Pakistan war. Releasing nearly a year after Raazi, this one suffers from an acute hangover of the Alia Bhatt-film. It even ends with a song that seems inspired (read blatantly copied from Ae Watan…).

Romeo Akbar Walter (RAW) has a confusing structure, is supported by a blaring background score, and lacks both the smarts and the menace of being a good espionage thriller. The problem here lies with director Robbie Grewal (also director of Aloo Chaat, Mera Pehla Pehla Pyaar, and Samay), who botches his own script.

Given the twists and turns, the film comes across as a convoluted and tedious mess. For a major portion of the film, you find yourself trying to decipher where it is leading. In order to fit the sub-plots, the script is stretched to a point that you stop caring. The first part revolves around Romeo's (Abraham) induction into the task force and imbibing the nuances of Akbar as he enters Pakistan. What could have been an interesting depiction, is reduced to a clichéd montage of training. In the second half, our super-spy hero is in pursuit of getting details of the Pakistani Army which threatens to set a bomb in a part of East Pakistan (now Bangladesh).

Watch the Romeo Akbar Walter trailer:

The sequence is shot so casually that it makes you wonder if walking on the streets of Pakistan while trying to gather sensitive information, is a cakewalk. The attempt to create a sense of urgency and intrigue are undermined by the lack of coherence. The film manages to pick up the pace in the second half, but by then, it is too late to salvage the situation.

Also Read: Romeo Akbar Walter director shoots across the country in 46 days

The screenplay moves at a snail's pace and is devoid of tension. The unnecessary inclusion of a love story between Romeo and Parul (Mouni Roy) makes it further lethargic. That's not all, amidst the supposed high-tension situation, a lovemaking scene seems like a desperate attempt to titillate the audience.

Grewal tries to bank on the emotional side of Romeo as he remembers his mother. The scene is almost an ode to Darsheel Safary from Taare Zameen Par (2007). It comes across as pretentious and dreary. It seems, the director hoped to present the film as a complete package, and failed miserably. Had he stuck to the narrative of a spy, the outcome would have been very different.

Sikander Kher is the only one who has attempted to salvage the film. Jackie Shroff as the director of Research & Analysis Wing (RAW) sails by. Abraham's deadpan expressions are a hindrance but he somehow manages to hold his ground. And Roy should stick to doing Naagin instead of a gratuitous role like this. As for RAW, YAW(n).

Also Read: John Abraham: RAW: Romeo Akbar Walter isn't a jingoistic, flag-saluting film

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Kalank
U/A: Action, Drama, History
Director: Abhishek Varman
Cast: Varun Dhawan, Alia Bhatt, Madhuri Dixit, Sanjay Dutt, Sonakshi Sinha and Aditya Roy Kapur
Rating: 

Not one to get wooed by the scale and production value of a film, I can't help but be smitten by the sheer beauty of Abhishek Varman's Kalank. In 2019, when Netflix rules our lives, this film is a rare cinematic experience that blends in opulence, glamour with a solid story about a family torn by its own skeletons in the closet. Star crossed pairs, their infidelities and how it destroys the world around them.

Drawn to forbidden pleasures and immoderate love is Roop, played with heft by Alia Bhatt. Varman's vast screenplay primarily plays off the luminous chemistry between Bhatt and co-star Varun Dhawan. There's a tantalising quality about their pairing and Varman uses this element to full effect. But a lot of the emotions drown in its self imposed ornate design of the film, which gives it a synthetic quality.

Watch the trailer of Kalank here:

So when a feisty Rajputana girl (Alia's Roop) is compelled by circumstances to marry a man (Aditya Roy Kapur's Dev) she can't even recognise in broad daylight, you want to discover more about their faulty dynamics. Or even how a well-educated woman like her, who has opinions strong enough to be voiced in front of an all-male team of writers running a flourishing newspaper, would fall for a visibly dubious man (Varun Dhawan's Zafar) with a promiscuous life. All of this and much more about the period's socio-political submerges beneath Binod Pradhan's gorgeous cinematography. It's almost as if there is a barrier between the audience and the characters - a gulf presumably created because of the director's reluctance to delve deeper into the plot.

Kalank movie poster

It's at the casting department, Varman scores big. Raging with simmering pain, Varun's aching performance beautifully transcends from showing him as a bitter man thirsty for revenge to a kind soul softened by love. Aditya's character has little graph but he adds soul to his act, supported adequately by Sonakshi Sinha who keeps her brief role serene all through. The seniors - Madhuri Dixit and Sanjay Dutt bring their effortless experience in a climactic sequence which packs a punch. Kunal Kemmu's grey part is portrayed with flair.

Also Read: Kalank: Here's everything you should know about the multi-starrer film

By no means is Kalank an unbearable film, despite being nearly 2 hours 48 minutes long. But there is a constant tryst to divert our attention from its storyline; Varman distracts us with his suggestive background scores, special numbers and sometimes even the perfectly created Manish Malhotra costumes. It's also equally problematic that a film set in pre-Partition doesn't stir up much political conversations throughout the narrative. There are stray mentions of their noble intentions but it remains largely detached from the divisive politics of the time it is set in. It also pays a tribute to Sanjay Leela Bhansali's school of filmmaking by borrowing a lot of his trademark sequences (especially Alia's entry which reminds one of Aishwarya's first scene in Hum Dil De Chuke Sanam). Varman's prism is fresh - his women aren't caricatures, his characters aren't perfect. Roop is innately flawed, her decisions are damaging but she fights back for love with all her might. His men aren't all heroic and larger than life; they stumble, are unforgiving and equally faulty.

Watch the video of the Kalank movie review here:

I was reminded of Deepa Mehta's masterpiece - 1947, Earth, rightly melodramatic, potently emotional which walked the tightrope of a love triangle in stormy times in a balanced way. Kalank doesn't aim for that depth. It's content in being pretty even when it has the potential of so much more.

Kalank screening: Janhvi Kapoor, Alia Bhatt, Aditya Roy Kapur attend:

Also Read: Kalank Celeb Review: B-town can't stop praising this period drama

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Amid the rising number of coronavirus cases across the city, the Mumbai Police on Monday took to Twitter to thank Bollywood actor Akshay Kumar for his humble contribution towards the Mumbai Police foundation amid the COVID-19 crisis.

Mumbai Police thanks @akshaykumar for contributing Rs. 2 Crore to the Mumbai Police Foundation. Your contribution will go a long way in safeguarding the lives of those who are committed to safeguarding the city - the men and women of Mumbai Police!#MumbaiPoliceFoundation

— CP Mumbai Police (@CPMumbaiPolice) April 27, 2020

While extending a thank you note to the action-superstar of the B-Town industry, Mumbai Police said that the contribution will help to safeguard the lives of the Mumbai Police personnel who are committed to safeguarding the city to fight the global pandemic.

In the past too, Sooryavanshi actor donated Rs 3 crore to help the Brihanmumbai Municipal Corporation (BMC) in order to help them to make rapid testing kits, personal protection equipments and face masks in its battle against the deadly virus.

#RohitShetty has facilitated eight hotels across the city for our on-duty #CovidWarriors to rest, shower & change with arrangements for breakfast & dinner.

We thank him for this kind gesture and for helping us in #TakingOnCorona and keeping Mumbai safe.

— Mumbai Police (@MumbaiPolice) April 21, 2020

Besides helping Mumbai Police and the country's richest civic body, Akshay also contributed Rs 25 crores to the PM CARES fund to help the country fight the epidemic. Earlier, Mumbai police expressed gratitude to Bollywood director Rohit Shetty for facilitating eight hotels across the city for Mumbai police personnel.

Thanking Rohit Shetty for his kind gesture, Mumbai Police said that the facility would help on-duty corona warriors to rest, shower and change with arrangements for breakfast and dinner.

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Brihanmumbai Municipal Corporation (BMC) Mayor Kishori Pednekar on Monday informed that the total number of containment zones in the city is now 1036.

"There has been a significant drop in the number of containment zones in Mumbai," Pednekar said. The Mayor said that many zones are out of the list as they reported zero COVID19 cases in the last two weeks. "231 zones are out of the containment zone list after they didn't record a single COVID-19 positive patient for the last 14 days," she added.

According to the Union Ministry of Health and Family Welfare, the total number of positive COVID-19 cases in Maharashtra is 8,068. Till now, 1,076 people have either been cured and discharged, while 342 deaths have been reported in the state.

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With the Railways refusing to comply with Maharashtra's request to help migrants reach their hometowns, the state government is working out its own plans to despatch them. Sources said the government has roped in the Maharashtra State Road Transport Corporation (MSRTC) for help.

An internal plan of just one district — Yavatmal by MSRTC (a copy of which is with mid-day) has revealed that it has lined up 115 buses to 15 state capitals. In an unprecedented gesture, these buses will travel around 1,000 to 1,800 km to drop off over 2,000 migrants and return back to base. Mentioning about the cost element, the letter has sought a sum of R1.35 crore from the district collector to release the buses as per the plan.

Labourers wait in a queue to collect Ifatri food packets at Kidvai Nagar in Wadala on Monday

Sources also said that the state government is negotiating with other states to accept the proposal and two states - Odisha and Uttar Pradesh have displayed readiness. However, a few states have claimed that they do not have enough money to arrange transportation for the migrants and also conduct the COVID-19 testing at the same time. Therefore, they want either Maharashtra or the Union government to spend on transportation which can be a contentious point in the entire deal.
However, MSRTC officials said the plan was still under consideration and nothing has been finalised yet.

Moreover, MSRTC and transport department officials said that meetings have been held at Mantralaya about these issues and discussions have been going on with various stakeholders. But as of now, no final decision has been taken yet.

The delay is because it involves stakeholders from other states and there are issues like streamlining the process and to develop a standard operating procedure to allow Maharashtra state buses into their state borders. A comprehensive plan involving all stakeholders needs to be arrived at so that the transport becomes smooth from end to end. This is besides the decision of who will bear the expenses of the journey.

Buses for students in Raj?
The MSRTC has also proposed to run another 91 buses from six bus depots to get about 1,764 medical students stranded in Rajasthan back home. Sources said since it is a long road journey, the buses will have two drivers. Of the 1,764 students, about 23 are from Mumbai, Thane and Palghar districts. However, MSRTC spokesperson denied this saying that no plan has been finalised yet.

17,000
Total no. of buses with MSRTC

115
Total no. of buses lined up from Yavatmal

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After the death of three police personnel due to COVID-19, the Mumbai police are telling constables aged above 55 years and those having existing ailments to immediately proceed on leave. The option for the paid leave was made available on Monday and will last till the lockdown.

Accordingly, the police top brass has directed police stations and traffic divisions to give leave to such constables. If a constable still wishes to come to work, he will be allowed to.

Traffic cops are most vulnerable as their work involves highest people-to-people contact

The three deaths in the Mumbai police workforce occurred within 48 hours. Wanting to save the rest of their colleagues who might be especially vulnerable, senior officers have given clear instructions.

"We have given orders to police stations and traffic divisions to give leave to constables aged beyond 55 years. Those having serious health issues have also been advised to take rest," said Param Bir Singh, commissioner of Mumbai police.

A policeman checks a car at Bhendi Bazar. Pic/Ashish Raje

"On Sunday, we asked for information from the headquarters about constables aged between 50 to 52, 52 to 55 and 55 to 58 years and any ailments they might have," said a senior police officer on condition of anonymity.

Health experts have observed that people aged above 50 and having health issues such as diabetes, asthma and heart conditions are more susceptible to the Coronavirus. "Since the beginning of the lockdown, we had asked our senior inspectors and traffic division in-charges to assign desk duties to constables aged above 50 years, with minimal contact with outsiders," said another officer. "Yet we lost three personnel. Hence, we are enforcing the policy further to avoid more fatalities," added the officer.

Deputy Commissioner of Police and spokesperson for Mumbai police, Pranaya Ashok said, "The message is loud and clear — cops aged above 50 should not be posted in hotspots or in containment zones. In fact, they should serve for tasks that involve minimum social contact. Now we are going a step forward by giving constables aged above 55 years the option to go on leave."

"Enforcing law and order is our priority but saving the lives of our men is also our duty. Therefore, we have given such constables the option to stay home April 27 onwards till the end of the lockdown. Traffic cops have the most contact with people, making them the most vulnerable," said a senior officer from the traffic police.

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The Brihanmumbai Municipal Corporation (BMC) on Monday claimed that around 75 per cent of the nursing homes in the city have restarted services, after its warning of cancelling their licences if they did not do so, on Saturday. The municipal commissioner has ordered the cancellation of licences of the remaining 25 per cent nursing homes. Action will also be taken against private clinics who continue to remain shut, under the Epidemic Diseases Act, 1897.

Warning issues
The associations of doctors, nursing homes have expressed fear to work during the COVID-19 pandemic without proper safety kits and strict guidelines. The BMC has several times offered to provide safety kits but most private clinics and nursing homes remain closed due to fear of transmission of COVID-19. On Saturday, the BMC warned nursing homes and clinics to restart immediately and refer patients who have symptoms of COVID-19 to its centres. On Monday, the BMC claimed that out of 1,416 nursing homes, 1,068 have restarted their service. "Out of 99 dialysis centres, 89 are working," said an officer with the health department of the BMC.

According to the press note issued by the civic corporation, the municipal commissioner has ordered the health department to start the process of cancelling licences of the 348 nursing homes which haven't started services yet.

Mayor in nurse's uniform

Mayor Kishori Pednekar visited Nair hospital to meet the nurses

Kishori Pednekar, mayor of Mumbai and a former nurse, donned on a nurse's uniform and visited the COVID-19-only Nair hospital on Monday morning. She was there to encourage nurses. The mayor will visit Sion hospital on Tuesday to communicate with nurses. Pednekar followed social distancing norms during her visit. "I was a nurse by profession and am aware of their challenges. I am getting many calls from nurses and their parents who expressed fear. This is a challenging time and we all should fight the pandemic," said Pednekar.

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To increase efficiency, effectiveness of patrolling and to give the city's foot soldiers some much-needed rest, the Mumbai police department has decided to adopt a new duty pattern.

Under the new pattern, the constabulary and officers will have to work 12 hours post which they will get a 24-hour break. Apart from doctors and health workers, cops too have been busy fighting the COVID-19 pandemic on the frontline. However, after constables (three already) started losing their lives to COVID-19, the top brass decided to set up a new duty pattern.

Accordingly, a new 12-hour shift has been introduced in the force. In this, personnel at police stations will be divided into three units, each working a 12-hour shift. "Duty will start at 8 am and end at 8 pm, when the next batch will come for night duty," a senior police officer said. "Whichever cop finishes his/her 12-hour duty at night, they will go home and come back to work the next day at 8 pm," added the officer.

This duty pattern will give each officer rest of a good 24 hours. "Even if this duty looks like 12 hours, a lot of multitasking is expected on this job as it includes patrolling, nakabandi and other activities. This makes cops new duty timings doable in such tough situations. As there are hardly any crimes happening in the area, the duty load has reduced," another a senior police officer said.

"Also, when an officer or constable gets more than 12 hours off, they can look after the families and their own health which will improve their immunity," the officer added.

Out of 94 police stations, 74 have adopted the new duty pattern and the rest will follow. "This duty pattern does leave me with a smaller force, but it reduces their exposure to the virus. As a frontline worker, we can't think about avoiding crowded places, but we can be well prepared for it," a senior Inspector from Eastern Region said.

"We have given instructions to all Zonal DCPs to chalk out a plan which will give a 12-hour duty and 24-hour rest to cops. We have to take care of our men, too. Currently, feedback from cops is good," Mumbai Police Commissioner, Param Bir Singh said.

Third cop succumbs to COVID-19

A third cop has died from COVID-19, taking the casualty toll among city cops to three. Head Constable Shivaji Sonawane, 56, attached to Kurla Traffic division, died on Monday. He was turned down by four hospitals on April 21, when his 25-year-old son tried tp get him admitted. Sonawane, a resident of Kurla's Kamani area, had a fever since April 20. The GP gave him medication and advised him to visit a hospital if he did not get relief. His fever did not subside and he started to feel breathless.

Sharad, Sonawane's son, took him to Rajawadi Hospital, Ghatkopar, on April 21, to get him admitted, but was told to take him to Kasturba. He was turned out at Kasturba, over no beds and at Nair and KEM too. Finally, it was after Kurla traffic division in-charge spoke to the Bhoiwada senior inspector that Sonawane was admitted at KEM Hospital.

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COVID-19 has now reached the doorstep of the state government, with four Mantralaya staff members testing positive for it. The state health department officials confirmed 27 deaths in Maharashtra, which was the highest number reported in a single day and the state's count of cases climbed to 8,590.

Civic officials said that of the four Mantralaya staffers, three tested positive on Sunday while one was confirmed on Monday. "They were on duty and include a sweeper and a driver. Contact tracing is underway and we will test the high-risk contacts," said a civic official. The official added that a portion of Mantralaya may be cordoned off if necessary. Guardian Minister Aslam Shaikh said that the staffers were taken to Kasturba Hospital for testing.

Four more ward boys of the TB Hospital in Sewri tested positive on Sunday taking the total count of infected staff members to 14. "One of the ward boys had directly gone to Kasturba Hospital and was admitted with symptoms. He has been shifted to the ENT Hospital. Two others are Thane residents and had sore throats," said Dr Lalitkumar Anande, medical superintendent of the TB Hospital, adding that two of the ward boys have been kept in isolation at the staff quarters.

No new cases in Mahim, Dadar
The number of cases in Dharavi continued to rise with 13 new cases reported on Monday. Majority of the new patients were senior citizens taking the total count in the area to 288. Civic officials said that no new cases were reported from Dadar and Mahim for three consecutive days and while 17 patients were discharged from Dadar, nine were discharged from Mahim on Monday.

The cumulative cases in Mumbai city are 5,776 while the total cumulative deaths here are 219. State health officials said that there were 522 new cases in Maharashtra, of which 369 were from Mumbai. Of the 27 deaths, 15 were from Mumbai, six in Amravati, four in Pune and one each in Jalgaon and Aurangabad. Among the deceased patients, 22 suffered from other ailments including diabetes and hypertension.

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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Every day for over 10 days, a 39-year-old mechanic has been driving down to Mumbai from his house in Virar, to sanitise the vehicles of the police and the BMC. Vijay Kumar Babanna Rajappa runs a small garage opposite the Siddhivinayak temple at Prabhadevi. It has been closed since the lockdown, but Rajappa, who wanted to do something for our frontline warriors in the battle against COVID-19, has been helping them free of cost. So far he has sanitised over 150 vehicles.

Rajappa has sanitised all the vehicles of police stations at Shivaji Park, Mahim, Dadar, Virar and Arnala. He was given a letter of appreciation from many police stations for this. "We gave a letter of appreciation to Rajappa for helping the police department by sanitising our vehicles including mobile vans, cars, beat Marshal's bikes etc. It protects us from this virus while traveling from one place to another place," said Sunayana Nate, inspector of Dadar police station.

Virar corporator Maya Chaudhary said, "We took Rajappa's help to sanitise municipal emergency service vehicles, buses, police vehicles and auto rickshaws in Vasai-Virar. Rajappa is doing great work without charging for it. We have also asked him to sanitise vehicles used by doctors, nurses and ward officers."

'Keeping our police safe'
"Every day the police deal with many people including accused and have to take them to police stations or courts. Currently these may include COVID-19 positive people. The accused touch many areas inside the vehicle. So I decided to clean their vehicles and keep all our police personnel safe from the danger. I also clean the bikes of beat Marshals. If their vehicles are safe, they are safe," said Rajappa.

Rajappa even explained the process of cleaning the vehicles. At first he washes a vehicle with water from both inside and out. "Then I wash it with diesel and dry the entire vehicle. Then I use a litre of water mixed with sanitiser and apply it to the vehicle. It takes me an hour to completely clean a car. I use a sanitiser which is WHO and FDA-approved. It is only used on the metallic body of cars and bikes."

'Sanitisation helps'
He added, "If a person who is infected by COVID-19 travels in the car, there are chances it can spread to others who use the vehicle. The air-conditioning can also increase chances of spreading this virus, but if we sanitise the vehicle, there are no chances of the virus spreading." He claimed after a vehicle is sanitised, it is safe for about 15 days. He now wants to approach hospitals to sanitise ambulances.

Rajappa has been working as a mechanic since 1999. The usual charges for deep washing of vehicles are around R300-R500 each, but he has not been charging for the same.

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Ruling out lifting of lockdown after May 3 from across the country, Prime Minister Narendra Modi has asked states to decide on their lockdown guidelines depending on the prevailing situation on the ground. He said the pandemic was far from over and hence the country needed a balance between the lockdown and the efforts of keeping normalcy in daily life.

Modi told chief ministers on Monday that the lockdown had yielded positive results and the country had managed to save thousands of lives in the past 45 days.

"Our aim must be rapid response, and 'do gaz doori' (physical distancing)," he said, adding that the states where positive cases were higher should not be treated as criminals.

Maharashtra CM Uddhav Thackeray is reported to have supported the lockdown where it is needed most. He also said on Sunday that the lockdown could be lifted after May 3 only if the situation allowed. Union Home Minister Amit Shah reaffirmed the need to enforce lockdown so that maximum lives were saved.

Amid rising concerns about a weakening economy, Modi said that efforts of states should be directed towards converting red zones into orange and thereafter to green zones.

"We have to be brave and bring in reforms that touch the lives of common citizens. We have to give importance to the economy as well as continue the fight against COVID-19. The impact of Coronavirus will remain visible in the coming months, masks and face covers will be part of our life," he said.

"India's population is comparable to that of the combined population of several countries. The situation in many countries, including India, was almost similar at the beginning of March. However, due to timely measures, India has been able to protect many people," the PM said, emphasising that the danger of the virus was far from over and constant vigilance was of paramount importance.

Cabinet meet tomorrow
He said, "This is the time we used technology as much as possible and utilised time to embrace reform measures," the PM said.

Sources said the Union cabinet would discuss the matter on Wednesday. In all likelihood, the decision on lifting or easing lockdown is expected to be announced at least four days before the deadline of May 3.

State home minister Anil Deshmukh who also participated in the CM's interaction with PM said in Nagpur that the red zones where higher cases of COVID existed would in probability continue to have lockdown."Orange and green zone may get lockdown relaxed and CM himself would announce about it," he said.

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A doctor working at a hospital for treatment of coronavirus patients here in Maharashtra has revealed the tough task and challenges they face in collecting swab samples of the suspected patients. The process of swab sample collection of a person does not take more than 30 to 40 seconds, but it is a "high-risk job", Dr Pushkar Dahiwal, who collects 80 to 100 swab samples in a day at the government hospital in Aurangabad, told PTI.

"We work for three days and then remain self- quarantined for 14 days," he informed. During the six-hour duty, doctors have to keep wearing the personal protective equipment (PPE) and amidst the fast-paced work, they do not even get a chance to drink water, he said. "We need to finish the work in a short time to avoid contact with patients and also with those who come to give their swab samples," the doctor said. A 10 to 12 cm long stick is used to collect a sample from a person's throat, while the stick used for collecting a sample from the nose is comparatively longer and thinner, he said.

"Before the person coughs or sneezes, we need to finish the sample collection. Being a dentist, I have the practice of handling the patient's mouth area," he said. Dahiwal also said that at times they need to counsel coronavirus suspects as some of them think they don't have the infection but carry fear in mind. "Some of the people think the test is something different and dangerous. But, we explain the procedure to them so that there should be no need to collect another sample of the person," Dahiwal said.

The nurse and other accompanying staff also need to stay alert as the swab samples are to be sealed immediately and kept in a proper storage facility, he said. "If the swab sample falls, it would be a problem. All these things have to be completed in a very short span of time. So, there is no scope for mistake," he added. Dahiwal also recalled that he took care of victims of the 26/11 terror attack in 2008 at the Saint George Hospital in Mumbai. "I left the Chhatrapati Shivaji Maharaj Terminus in Mumbai just 20 minutes before the attack began. At that time, we had feared the attackers may come from any side. That incident keeps coming to my mind every time when I collect swab samples of suspected coronavirus patients," he said.

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A 36-year-old man was arrested for beating his 70-year-old father in Bhandup to death after an argument on Sunday night. According to the police, the man, identified as Sachin Gorivle was having an argument about his employment with the deceased, Krishna, The Times of India reported.

Sachin did odd jobs for a living and was at home since the lockdown due to coronavirus outbreak in March. When Krishna argued with Sachin about his job, the latter attacked the former in a fit of rage. His mother and sister were in a different room when the incident happened.

Krishna was rushed to a hospital where he succumbed to his injuries.

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A nine-months pregnant woman was turned away from hospitals in Bandra for not having the COVID-19 reports with her. According to her family, 24-year-old Misbah Shaikh was experiencing cramps on Sunday night after which they visited the Holy Family Hospital where she had registered for delivery. The family members alleged that they were made to wait at the hospital for six hours while requesting to admit her, but the staff did not budge, The Times of India reported.

Shaikh said that she had already paid the hospital the deposit for her delivery and was in touch with a gynaecologist for the past four months. She also alleged that the hospital did not tell her to do the test during their previous visits. The family visited the hospital at 9 am on Monday after Shaikh felt cramps, but the staff did not allow them to enter the hospital without the COVID-19 test report. While Shaikh waited in the car and her family in the hospital, at 3 pm, a doctor at the emergency section agreed to see her and prescribed her a COVID-19 test.

The family then went to Bhabha Hospital to get the test done but the staff there asked her to get admitted, which they did not agree upon. "The cramps have reduced but haven't gone. My due date for delivery is close," Shaikh was quoted as saying by the newspaper. The family then took an appointment at a lab Andheri to take the test on Tuesday.

As the newspaper was not able to contact the authorities at the Holy Family Hospital, a staffer at the gynaecology ward was quoted as saying that pregnant women nearing their delivery due date are asked to get admitted here two days in prior. "We carry out a Covid-19 test and if she comes negative, we go ahead with the delivery. If the woman is positive, we refer her to another hospital. We also ask one attendant accompanying the woman to take the test," the staffer was quoted as saying.

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Social distancing and lockdown may have impacted each one of us mentally, emotionally and psychologically but it is the children and teenagers who have had to cope with sudden closure of schools, cancellation of exams and a prohibition of face-to-face interaction with their friends and teachers.

Anusha Manjani, Manager, Counseling Services at Akanksha Foundation, says, "Children are acutely aware of the sudden changes and panic in the environment around them. Younger children can feel confused, uneasy and scared; older children express feelings of anxiety, sadness and helplessness."

She added, "The uncertainty and chaos of the pandemic impacts all aspects of children's lives- it is not just a threat to their physical health- but to their learning, their home environment, their interaction with peers, their emotional well-being. Moreover, economic hardships, the overcrowding in homes, the lack of access to resources in low income communities can lead to higher incidence of neglect, violence and abuse- making staying at home itself a risk to some children's safety."

In such a time, it is crucial that children have support of their parents and teachers to help them in having a routine and structure to their day. Anusha says, "Parents and teachers can be key caregivers and anchors during this time to support the mental well-being of children- by reassuring them of their safety, creating a space to share feelings and using art, play, fun learning activities to engage with them."

Akanksha Foundation has started a helpline number called 'The Listening Space' for all the stakeholders such as students, teachers and parents to express themselves or just discuss about what's happening. While younger children have more questions about whats happening outside, older  children are venting out their frustration, their anxiety about their parents etc.

Parents and teachers are also coming up with interactive tasks and new ways of learning. Worksheets are sent to the students everyday and once the child solves it and shares it, the teacher reverts with the corrections as well. 

It is not just academics that are taken care of amid lockdown, things such as maintaining gratitude journals and 'doing a good deed everyday' are also being imbibed in the children to maintain their mental and emotional health.

A creative snakes and ladders

"At Akanksha, teachers, counsellors, social workers and parents are working together to support the children- whether it is checking in for the child's well being, spreading awareness of safety measures, encouraging learning through low-cost tech or doing parent-child activities- we are keeping the lines of communication and connection open and strong to navigate these difficult times together," says Anusha.

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The 73-year-old mother and wife of a police constable have tested positive for COVID-19 in neighbouring Navi Mumbai, an official said on Tuesday. The constable, who is attached to the Mumbai police, had tested positive for the infection earlier, while swab reports of his elderly mother and wife came out positive on Monday, public relations officer of the Navi Mumbai Municipal Corporation Mahendra Konde said.

In another development, a 42-year-old heart patient, who died while being shifted to a hospital in Navi Mumbai, tested positive for coronavirus post death, the official said. A 57-year-old medical personnel of a civic hospital in Mumbai has contracted the infection, and at least 12 civic workers, who came in contact with her, were quarantined, a release from the Palghar district administration stated.

As per reports, the number of positive cases in Palghar stood at 146, of which 10 patients have succumbed to the infection. Meanwhile, as many as 41 new COVID-19 cases were reported in Maharashtra''s Thane district, taking the tally to 728 in the region and toll to 21, after two more died on Monday, an official from the district administration said.

With 41 patients, Mumbra town has recorded the highest number of cases in the district.

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Central Railway and Western Railway joined hands to ensure a two-year-old child in Telangana received camel milk — a mandatory medical requirement needed urgently. In a 28-hour-long operation, the two zones of the Indian Railways coordinated to deliver the item in Secunderabad from Falna in Rajasthan.

On April 25, the nodal officer of Falna on WR contacted us and told us that they needed to send a parcel of camel milk to Secunderabad urgently for a medicinal requirement and sought details of the trains on the route, said Jitendra Mishra, chief commercial inspector, Mumbai Division, CR.

"I checked the schedule of parcel trains and immediately informed him that if they will send the item to Mumbai via 00902 Ludhiana-Bandra Terminus parcel train, then we could be promptly load it on 00111 CSMT-Secunderabad train leaving Mumbai CSMT on April 26 at 3.30pm," he said.

Mishra then coordinated with him and booked a consignment to Bandra Terminus first and then via CSMT to Secunderabad. "We live-tracked the consignment with the help of Mumbai Central (WR) control staff and officers. As soon as the consignment reached Bandra Terminus, a transport was arranged to take it to the CSMT parcel office from where it was loaded onboard the Secunderabad-bound parcel train," he added.

Mishra's role was not over here. He then called up the Chief Parcel Supervisor and Commercial Inspector at Secunderabad and explained the importance of the parcel that would be arriving there by 5.30 am on April 27.

Shivaji Sutar, CR's chief public relations officer, said, "The transportation of essential camel milk was based on coordination among parcel staff and the officers. The consignment reached from Falna to Secunderabad within approximately 28 hours."

WR's chief PRO Ravinder Bhakar said that special teams in every division of the IR are taking care of the medical emergencies as well as the essential transportation during this global health crisis.

Sowmya also thanked the Railways for delivering the parcel meant for her child in such a short time.

CR extends another help
Jitendra Mishra intervened again on Monday to help get a crucial medicine for a heart patient delivered to Chiplun from Vikhroli. "We collected the parcel from his son's residence at Vikhroli and booked it onboard Okha-Ernakulam Parcel Express. As the train doesn't halt at Chiplun, I contacted the staff at Konkan Railway and requested a halt to drop the parcel, which was then handed over to Chiplun Station Master," he said.

28
No. of hours it took the railways to get the milk to the child

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Amidst the general gloom of these days, we should never forget all the stories of courage and hope. One such uplifting account has lessons for all of us.

A teacher of a BMC school, came up with the idea to hold classes for students during the lockdown period. She has been holding conference telephone calls with students, who are now getting lessons via these telephone calls.

It must be remembered that these are kids that do not have access to the Internet or computers. There is a section of children in the city who are logging on to the Internet every day and have regular school online. While that is one of the upsides of our hi-tech lives these days, those that do not have this lifestyle must also be encouraged and be able to continue with their studies.

A report in this paper highlighted how this teacher is telling her students to come together via telephone calls and imparting lessons.

It is true, as she said, that too long a break results in children forgetting what they have learnt, or in extreme but real scenarios, dropping out of school altogether.

Students must be on our radar in these times. They face tough questions, about exams, their future and stress over what the next academic year will bring for them.
Teachers must be creative in bringing lessons to children. Parents must try to ensure that children re-learn and refresh what they had learnt in the past. Extra effort and pain are needed from all stakeholders in these times.

Clear communication by the school principal or management at regular intervals may dispel some uncertainty. Let efforts towards academics be full-on and let us take care of young minds and hearts which may be filled with confusion and trepidation.

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After the death of three police constables within 48 hours, the police have rolled out a 10-point strategy to tackle the COVID-19 infection in its force that comprises around 45,000 personnel — both constables and officers. Apart from resting its senior members and changing duty patterns, the police have now begun administering Hydroxychloroquine (HCQ) to cops along with multivitamin tablets. Provisions will also be made for stay and nutritional food for cops till the lockdown lasts.

This will go on till the lockdown lasts. Ever since the pandemic broke out, senior cops have been given desk jobs but the infection spread among a few policemen and their family members.

Also Read: Exclusive: After Third Cop Dies Of COVID-19, Mumbai Police Sends Personnel Above 55 On Leave

"Our personnel are risking their lives to protect the city. Keeping their personal health and immunity strong has been a major priority for us," DCP (PRO) Pranay Ashok told mid-day, adding, "We have initiated a strategy to tackle it."

Accordingly, all cops above 55 years of age have been asked to stay at home, cops above 52 years of age with previous medical conditions have also been asked to stay home. The duty hours will also be changed from 8-hour shifts to 12-hour shifts and giving cops 24 hours off after that.

Around 12,000 cops will soon be administered with HCQ under medical supervision. Multivitamin tablets and protein supplements too will be given to 20,000 cops to strengthen their immunity.

Apart from this, police personnel will have the following special services:

1. Designated hospitals and dedicated beds in all COVID hospitals.

2. COVID Helpline number for personnel and families at the control room to resolve any doubts or issues.

3. Adequate number of PPEs, face masks, hand-sanitisers, gloves, face shields.

4. Amenities like food packets, ration, hot water flasks, pandals at checkpoints

5. Accommodation facilities

6. '50 lakh ex-gratia amount to all personnel who lose their lives fighting COVID (by the government).

12,000
No. of cops who will soon be administered with HCQ under medical supervision

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Even as the number of positive COVID-19 cases continues to rise in the city, a new trend has left medical experts puzzled. While doctors had expected that TB patients would be more prone to the virus as their immune system is already weak, surprisingly only two such cases have been reported by the health department. Also, officials at the TB Hospital in Sewri said that while 14 of their staff members have tested positive, the infection has not spread to a single patient.

A senior official from the civic health department said that it might be too early to draw a conclusion but a study could be done to understand the correlation between the two. "So far, we have reports of two TB patients who have tested positive. However, there have been no deaths so far. One reason for the low numbers could be that we have given all TB patients medication for a month and have asked them to stay indoors," added the official.

BMC medicos heading towards Shastri Nagar slum on Tuesday. Pic/Pradeep Dhivar

The trend has left Dr Lalitkumar Anande, medical superintendent of TB Hospital, surprised and has led him to believe that anti-TB drugs could be preventing such patients from contracting the virus. "One would have expected that the virus would have a fatal effect on TB patients since they are immunocompromised and their lungs are already damaged. However, here at the TB Hospital, we have not seen any such case yet," he added.

Dr Anande further said that laboratories like the National Institute of Virology in Pune could conduct studies on this since they have culture samples of TB as well as Coronavirus. "Anti-TB drugs penetrate the lipid coating of a TB organism similar to what hydroxychroloquine does to the Coronavirus strain. Anti-TB drugs could turn out to be an answer for Coronavirus. Studies regarding it need to be fast-tracked in order to understand how they react to each other," he said, adding that the research would also be able to ascertain whether the mycobacterium or the TB medication has an impact on the virus. While Sion Hospital reported two cases of TB patients suffering from COVID-19, the authorities of KEM and Rajawadi Hospital said that none of their COVID patients were suffering from TB.

'Evidence needed'
Speaking to mid-day, Dr Rajendra Nanaware, a chest physician, who deals with drug resistant TB cases, said, "Ideally, there should have been an increase in the number of TB patients suffering from Coronavirus since their immunity is already compromised. But I haven't seen any case so far."
Other pulmonologists in the city treating TB patients have noticed a similar trend but they are of the opinion that evidence is required before a trend can be verified.

Dr Lancelot Pinto, a pulmonologist with Hinduja Hospital, said that since the OPD of many hospitals have shut down, patients were not able to access healthcare. "Since chronic obstructive pulmonary disease has been identified as a risk factor among COVID-19 patients, intuitively, one would expect the cases of TB patients testing positive to be high. I have not seen any TB patient testing positive for the viral infection. But there is no evidence yet," he said.

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Mumbai on Tuesday reported the highest death toll due to COVID-19 in a single day. There was a significant increase in the number of cases in Aurangabad and Malegaon. State health officials recorded 729 new cases in Maharashtra and 31 deaths, taking the state's total to 400 deaths. Apart from 25 deaths in Mumbai, four were recorded in Jalgaon and two in Pune. Maharashtra now has 9,318 postive cases.

393 new cases in city
Civic officials said a total of 25 deaths were reported in the city on Tuesday. Of these, five died between April 23-25, and 17 of them were suffering from other ailments. According to the civic body, 393 new infections were confirmed in the city on Tuesday. The patients are admitted in isolation wards and are undergoing treatment.

After a dip in the number of cases, the COVID-19 count rose in G North ward with 42 new cases in Dharavi, five in Mahim and four in Dadar. Four deaths were also reported in Dharavi. Civic officials said two of the patients who died — a 60-year-old man and a 60-year -old woman — had tested positive earlier and died at Sion Hospital while undergoing treatment.

Total 18 deaths in Dharavi so far
Two other patients — a 48-year old man from Kasarwadi and a 55-year-old man from Social Nagar in Dharavi — were confirmed to have contracted the deadly respiratory disease and died at KEM Hospital on Tuesday. As of now, a total of 330 positive cases and 18 deaths have been reported from Dharavi.

Civic officials said that seven of the infected people are residents of 90 feet road, while four others are from Mukund Nagar, and majority of them were aged below 60 years. In Mahim, a 35-year-old female resident of the police colony tested positive and the total number of cases in the area has jumped to 30. In Dadar, two 44 -year-old male residents of the municipal quarters and a 47-year-old woman from the police colony have tested positive.

On Monday, four staffers from the Mantralaya had tested positive. After tracing their contacts, civic officials said that they identified around 25 high-risk contacts and all of them have been tested. Their test results, however, are still awaited. Meanwhile, one COVID-19 patient with severe symptoms was given plasma therapy that will help the patient fight the infection.

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A senior citizen from Kalina, Anwari Begum, 70, died after three top hospitals in the city refused to give her dialysis without her COVID-19 test results being in, the woman's family has claimed. The test results, which arrived on Monday, returned negative.

Begum had been undergoing dialysis at Guru Nanak Hospital in Bandra East for the past one year. Her last dialysis at the hospital was on April 18, when a COVID-19 positive patient was found in the hospital. The hospital asked her to visit on April 22 — which was also the day of her next dialysis — for a COVID-19 test.

Anwari Begum's two sons (from left) Zakaria Shaikh, Haroon Shaikh and Mohammed Hasan (right ) her son-in-law

"My mother-in-law's COVID-19 test was done on Wednesday, April 22. She was also supposed to get dialysis on the same day but the hospital refused, saying they will do it only after her test results come, which was going to take 48 hours. On Thursday, she had severe pain and needed the dialysis urgently. So we went to the hospital around 4 pm but they refused as her reports were pending. We waited for over two hours at the hospital, but they did not listen," said Mohammed Hasan, Begum's son-in-law.

"After Guru Nanak, we approached Nanavati Hospital. Many other patients like us were stopped at the gate. They took her files and after two hours, enquired about her COVID-19 test report and said that they are not taking outside patients. Some from the family took her to Kokilaben Dhirubhai Ambani Hospital around 8.30 pm and I went to look for a dialysis centre in Kalina and Sakinaka. At Kokilaben, my family was asked to finish formalities, which took two hours, but they too refused to treat her," Hasan said.

Guru Nanak Hospital in Bandra East. File pic

Found help, but too late
Dialysis patients all over the city have been suffering amid the Coronavirus pandemic. Despite guidelines from the State Health Department that do not necessitate a COVID-19 test for patients needing dialysis and only ask hospitals to take universal precautions, hospitals across the city are refusing to treat patients without the test.

Hospitals say that they are overburdened due to the closure of dialysis centres which has increased the volume of patients with kidney ailments and that they cannot accommodate every patient.

Hasan approached Axon Hospital in Sakinaka, which said that the dialysis centre is closed as their staff is unwell. "I requested them explaining the condition of my mother-in-law and pleaded with folded hands to have mercy. I also promised to pay whatever amount is required. After some time, the concerned doctor listened to me and called his dialysis staff. My mother-in-law reached the hospital around 11 pm. At 11.30 pm, the assistant doctor told me that her condition has worsened."
Begum died shortly after that. Her test results, which came on Monday, showed her negative for Coronavirus.

"The funeral was performed the next day at 10 am. Sometime later, I received a call from the person who had referred us to the nephrologist at Guru Nanak Hospital. He was apparently told by someone from the hospital that my mother tested positive. We live in a joint family and everyone panicked but no one from the hospital called us. A few days later, we got her report, which was negative," Hasan said.

According to BMC's Health Department, a COVID-19 test is not mandatory for dialysis patients. "Everyone has to take universal precautions, a COVID-19 test report is not mandatory," said Dr. Daksha Shah, BMC's deputy executive health officer.

"24 hours after sanitising the dialysis centre, the hospital can resume services as per the guidelines. If they suspect a patient to be positive, he/she can be quarantined," Dr Shah added.

'Followed task force rules'
Guru Nanak Hospital defended itself saying it was just following guidelines of the state government's task force committee, as per which, an affected dialysis centre must close for fumigation and surface cleaning. "Our dialysis centre is open 24x7. That day, a COVID-19 case was reported. As per the rules, we had to shut the dialysis centre for 24 hours, sanitise the area and quarantine the staff. Around seven workers from the dialysis centre were quarantined. They have tested negative," said Dr. Narendra Sharma, spokesperson of the hospital, who did not clearly remember on which day the case was reported.

"Dialysis patients travel through Containment Zones. Despite taking all precautions, such incidents are happening, which is the biggest challenge for us," Sharma said.

"As per my knowledge, the case was reported on Saturday. We needed the dialysis on Thursday. That makes five days. Why did Guru Nanak Hospital refuse to treat her when it is supposed to be shut only for 24 hours?" Hasan said.

Dr. Santosh Shetty, executive director and CEO, Kokilaben Dhirubhai Ambani Hospital, said, "We are not testing our existing dialysis patients. We take patients' history and screen them before every dialysis. Currently, we have nearly 200 patients on dialysis. We are following BMC and state task force's guidelines."

While the spokesperson of Nanavati Super Speciality Hospital said, "Nanavati Hospital is one of the very few quaternary care medical facilities in Mumbai to provide dialysis treatment for COVID-19 patients. Thus the high influx of patients ensures dialysis beds reserved for patients as per their COVID-19 status are occupied. However, the unavailability of a bed is immediately communicated to the patient or their family."

Apr 22
Day Anwari Begum was tested for Coronavirus

Apr 27
Day her test returned negative, four days after her death

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