The newspaper asserts that Ranked Choice Voting "cratered" voter engagement. That's bullshit. by Wm. Steven Humphrey

Starting in January 2025, Portland will have the most diverse, and politically balanced City Council in the history of our city. Full stop.

The reason why we’re able to celebrate this indisputable fact is thanks to charter reform and ranked choice voting, which allowed citizens from every demographic and Portland neighborhood the opportunity to serve their city (and the rest of us to vote for them). 

But despite those two objectively correct statements, local media continues to platform the dishonest cynics who have been fighting charter reform and ranked choice voting from the beginning. The Oregonian, who loves writing intellectually dishonest headlines like this, really outdid themselves with this recent post-election article: Portland’s ranked-choice debut causes voter engagement to crater; 1 in 5 who cast ballots chose no one for City Council. 

Let’s break it down, shall we? Using the word “crater” to describe Portland’s voter engagement, and attempting to lay the blame on the doorstep of ranked choice voting, is not only an unethical choice, it’s factually incorrect. While overall voter turnout wasn’t what it was in 2020 (79%), Portland engagement still reached 74.5%—that’s still three-quarters of our total population. Does that sound like overall engagement “cratered” to you?

 And perhaps it’s true that one-out-of-five voters chose not to rank any candidates for City Council and mayor—though, as a reasonable person, I might wait until that number got a little bit higher before labeling it as “cratering.” And yes, it is absolutely correct that a historically large group of candidates ran for City Council this year, which probably stunned some voters who aren’t used to doing a lot of research. BUT! And let me say this loud and proud so everyone in the back can hear it: Having a lot of candidates who love their community and want to serve it is A VERY GOOD THING. (And it’s even better for democracy.) And while we can definitely do more as a city to make sure minority and low-income communities have the information they need in future races, according to the Oregonian’s own numbers, four out of five Portlanders successfully filled out their ballots without their brains exploding. So actually, I’d call that a big win. 

And that’s my problem with this poorly headlined article: The main thesis seems to be that just because one-in-five Portland voters chose not to cast votes in two races, this is somehow the fault of ranked choice voting. That’s bullshit. And here’s why: Let’s imagine ranked choice voting never existed, and Portlanders were still choosing just a single candidate for every office. Thanks to the general ineptitude of the current City Council—which inspired so many people to run against them—a huge number of candidates would’ve still been on that ballot. And if that had occurred, voters would have been confronted with the exact same conundrum.

Oh, and if you do happen to dip into the O’s article, here’s a little media studies trick: While most news outlets claim objectivity as their guiding star, if you want to spot potential bias, head to the final paragraph of just about any article, and see who gets the last word. In the case of this Oregonian story, the last word was given to a failed conservative Council candidate, Bob Weinstein, who freely admits he was never in favor of charter reform in the first place, and issued this damning indictment of ranked choice voting: “It’s very anti-democratic, to me, to have a result like this.”

I’m curious: Which of the following results is the most “anti-democratic”? Was it three-quarters of the population voting? Was it the large number of candidates who, after 100 years of being shut out of elections, were finally given a chance to fairly compete? Was it the actual result, which was getting (as mentioned before) the most diverse and politically balanced City Council we’ve had in the history of our city? Or was it “anti-democratic” simply because he lost?

Unfortunately, we’ll probably be reading a lot more thoughtless headlines and hearing a lot more anti-Charter Reform language from Portland’s conservative business class. Frankly, the old system worked GREAT for them, giving the wealthy an outsized voice and control over policy in City Hall. And even though the new council will have conservative voices who will fight valiantly to ensure the rich continue getting richer, that’s not good enough for those who want absolute power. In short, if you like what conservatives did to Measure 110, keep an eye out on what they’re planning to do to Charter Reform.

For the rest of us, there’s an old saying: “Progress, not perfection.” We’re sorry to break the hearts of the Oregonian headline writers and the bad actors who have dominated Portland politics for over a century, but new, vital forms of government—like any new plan or system that regular folks like you put into action every single day—will NEVER be perfect from the start, and need time and grace in order to operate at top proficiency. That said, if one-in-five voters refusing to choose a candidate in two races is the worst thing to happen in an election where we make sweeping changes for the very first time? I’d say democracy continues to be in pretty good shape. 

But that’s just my opinion—from deep in the “crater.”

Four examples of music that take a decidedly
different spin on the holidays. by Corbin Smith

Over the years, the recording industry has managed to create Christmas music for every mood. Thousands of sad piano takes on "The Christmas Song" (Chestnuts Roasting Over an Open Fire), the pure pop joy of Mariah Carey belting out “All I want for Christmas is you,” the simple, light brain damage you get from a loud, irritating version of “Sleigh Ride.” But what about when you are in a VERY particular mood? When the season has transported you into one of life’s bizarre gutters, left you in such a particular place where you need a very particular sort of Christmas music to haul you out of it? For you, for this, I offer this guide to Christmas music for truly any mood. 

••••

For when you and your fellow teenage orphans—residents of a foster home owned by kindly old women in deep with the bank— just pulled off the Christmas Eve heist of the century to pay her mortgage and are tipping back a big ol’ glass of hot cider while looking over Portland: Bob Dylan, Christmas in the Heart

A few years back, Bob Dylan, our truest and most loving uncle, made a Christmas album. Surface analysis: it’s weird he did that. Deeper analysis: it’s not actually weird, because Bob admires folk music and the Great American Songbook, and Christmas music is a canon built from both. Even deeper analysis: it’s still pretty weird, because it’s weird to listen to Bob Dylan unleashing his signature late career Warm Croak on Christmas songs you’ve been inundated with your entire life.

But when you get past the sheer novelty of King Gravel intoning “Have Yourself a Merry Little Christmas,” a song made famous by Judy Garland, you remember that, oh yeah, Bob Dylan is one of history’s greatest musicians, and offers a wealth of feeling, warmth and energy—even (especially) when he’s pursuing a strange muse. His “Must Be Santa,” anchored by a loud accordion and augmented by a rechristening of the reindeer as post-war presidents, is pure jalopy shit—a sound of the Christmas gathering flying apart at the seams as candy-ridden children roam through the hallway and shove each other into toilets. “I’ll Be Home for Christmas,” is a standard ‘50s pop music take, lifted into something transcendent by Bob’s presence behind the microphone. “Winter Wonderland” and “Christmas Island” presents an alternate world Dylan, one more into vibing and tipping back, as opposed to an artist with an endless appetite for work and startling discipline.

The best song on here is Bob’s version of “Do You Hear What I Hear.” He is, after all, an old wise man now, wandering through deserts, handing out gifts. His intonation on “A child, a child/Sleeping in the night/He will bring us goodness and light,” is struck through with a warmth and sincerity that you don’t associate with Trickster Bob. Is it a performance of awe, trying to capture a world that still had some sense of the divine? Is it a true wonder in the potential of the child, a hope for the future? Is it just a straightforward exaltation of Christ himself? You can never really know with Bob, of course, but it stirs.

••••

For when your company—an international logistics concern—sent you on a last minute overseas business trip over Christmas, and you stroll the streets alone and alienated on Christmas Eve, until you walk into a fancy cocktail bar and lock eyes with another disaffected expat at the bar: Duke Ellington, The Nutcracker Suite

Did you know that Duke isn’t his real name? You see, when Duke Ellington was a child, everyone who lived in his neighborhood thought he seemed like minor royalty, and just started calling him Duke as a result. That was how smooth this man was, folks. But it would not have meant much if the Duke was not also a world historic musical genius. A bandleader, composer, a thinker, whose work brought a formal precision and imagination to jazz that changed the enterprise forever, transmuting it from an outgrowth of blues into the great American musical form.

One of the ways that Duke built this new form was taking forays into classical music, breaking apart or injecting the classical canon with improvisation and swing time, or likewise, taking the forms of classical music and overlaying them with original compositions informed by his lifetime as an orchestra leader working in a jazz idiom. In Duke’s hands, genre distinctions, of dance music or concert music, become wobbly, fall off the boat, drown in the ocean of his genius, and are reborn into an object of pure American greatness. 

In 1960, Duke, riding a popular revival as newfangled bebop artists codified his importance in their own development, worked with Billy Strayhorn—his longtime arranging partner—to break apart Tchaikovsky’s Nutcracker suite, perhaps the most famous piece of dance music ever composed, and reforge it into this album, which takes Pytor’s famous melodies and remakes them into nine swing numbers. 

“The Dance of The Sugar Plum Fairy,” all ethereal glockenspiels in the ballet, becomes “Sugar Rum Cherry,” a terribly horny reforging that asks a question that would not occur to you otherwise: What if I kind of want to fuck the Sugar Plum Fairy? “The Nutcracker March” is now “Peanut Brittle Brigade,” a New Orleans parade of nutcracker men. “Chinoiserie,” the Duke’s version of “The Chinese Dance,” loosens up the source material to the point where it sounds like something someone might actually dance to as opposed to the Tchaikovsky original, bloodless to the point of making its subject seem alien.

••••

For when you’re driving home from your family’s yearly Christmas gathering—which was good, for the most part, but your Aunt Shelly got WAY too blitzed on eggnog and hot toddies and vomm’d in the backyard: Wynton Marsalis, Crescent City Christmas Card

There’s a lot to know about Wynton Marsalis, the trumpeter, band leader, and academic, who has long represented a kind of traditionalist approach to jazz performance and composition that can maybe seem a little square. And while I personally don’t know a lot about Marsalis, I do know about this album, a suite of Christmas standards he released in 1989. A lot of it is fairly standard jazz takes on Christmas classics: a trumpet playing a slightly off-kilter rendition of “Winter Wonderland,” a brassy vocal take on “Sleigh Ride,” “Carol of the Bells” with the forward momentum of the death chant replaced by laconic swing music jamming, and “Jingle Bells,” with a li’l woodblock that brings horse evocations to the party. 

But some of it is insane—insane in a way that makes you wonder what Wynton is trying to get out. Take this album’s version of “Silent Night”: a standard female vocal, trilling and ethereal, but set to a backdrop of woozy, uncertain horns, that give the thing a vaguely creepy vibe. What does it mean to set a hymn of the infant Christ in front of trumpets that suggest a danger lurking on the horizon? Is it an evocation of Herod’s men in the field, looking for the child so he may butcher any competition for his spot at the top of Israel’s local government? Is it broadcasting uncertainty about the future of this child’s life, over the fanaticism he would come to embrace, the horror of his violent death? Is it a way of juxtaposing the sentimental story of Jesus’ birth with the world of unease and terror that would form in his wake? 

Why would someone make a version of “Little Drummer Boy” that seems to intentionally bury the drums in the mix? Trumpeter’s jealousy? What does a laid back swing version of “We Three Kings” mean? That the kings were cool? Were they cool? I have never thought about it, really. By insisting that he press as much jazz shit as possible into these standards, Wynton runs up against the idea of these things as content about Christmas and into the idea of them as forms.

••••

For when she took the kids home after their mandatory Christmas Eve visit and you have wandered out into the cold night, purchased a six pack of Rolling Rock and a bottle of Mad Dog, and—two brewskies and five sips of fortified in—you plop down in the arched, gothic-style doorway of a neighborhood church, and just sit there, sipping and watching the rain come in, wondering when and how it all went so wrong: Benjamin Britten, Ceremony of Carols

20th Century British Composer Benjamin Britten was a sad man who made beautiful music. Ceremony of Carols is a song cycle for boys choir and solo harp, written on a boat coming back to England during the middle of World War II, when U-Boats were scouring the ocean, looking to send boats full of British guys plunging into the icy ocean. It takes a bunch of old Christmas and Baby Jesus related poems in various languages, sets them to music, and goes at it hard as hell. It’s beautiful, it’s faintly sad, it’s everything you need for a Christmas where the disappointments of the year fight against the idea of a wee babe, born in a barn, bringing hope into the world. NOT FOR LIGHT LISTENING, but essential for any soul slipping into darkness. 

Nothing says “you’re cool” like the gift of vinyl. by Jenni Moore

The holidays are a great time to support your loved one’s passions (read: greatest obsessions) by splurging on vinyl copies of their favorite albums and cult classic soundtracks. Selected from my home record collection, my own Christmas list, and some that I’ve had fun wrapping up as gifts, here are eight vinyl releases that make great gifts for the holidays in 2024.

1. 
Cowboy Carter & Homecoming:
The Live Album, Beyoncé 

For a while, Beyoncé only made special edition cover versions of Cowboy Carter available for purchase—I have one such copy—but today you can buy the classic cover version with that iconic image of Bey as the blonde-haired rodeo queen holding the American flag on horseback at places like Target and Amazon. If the Beyoncé fan in your life isn’t the biggest fan of Cowboy Carter (for whatever stupid reason), consider splurging on Homecoming: The Live Album, so your loved one can enjoy the Queen’s world-stopping Coachella performance that sees her slay nearly two hours of back-to-back hits from her three-decade career—Destiny’s Child reunion included—even when the internet goes out. The Homecoming vinyl includes four LPs that are enclosed in double-sided artwork sleeves, and the box set also comes with a 52-page booklet featuring stunning album artwork, which alone is worth the purchase.

2.
Wicked: The Soundtrack

We have full-body chills from the sneak listen of “Defying Gravity” in the Wicked theatrical trailers. As someone whose musical theater beginnings were shaped by the original cast soundtrack, the fact that the movie roles of Elphaba (Cynthia Erivo) and Glinda (Ariana Grande) are being played by two megastar performers in their prime is comforting. Nearing EGOT status and only missing an Oscar, Cynthia Erivo is a stunning talent whether she’s slaying roles like Aretha Franklin, Harriet Tubman, or Celie in a Broadway revival of The Color Purple. And Ariana Grande has more than proven herself as a top tier vocalist—just watch her concert doc Excuse Me, I Love You for the receipts. These are two women who could sing the phonebook (do those still exist?) and make it Grammy worthy. I can’t wait to hear how the two interpret songs like “Popular,” “Defying Gravity,” and how their voices blend on those iconic Wicked harmonies. Sadly, we’ll have to wait for the second film (to be released in November 2025) to hear this cast’s versions of favorite tracks like ”Thank Goodness,” “As Long As You’re Mine,” and of course, the heartfelt duet finale “For Good.” Available exclusively at Target and dropping November 22, the same day the movie hits theaters, we already know the first volume of the Wicked soundtrack is worth buying for the musical theater kid in your life. (For the Wicked purest or skeptics of the new cast, consider acquiring a vinyl copy of the original cast recording featuring Kristin Chenoweth and Idina Menzel.) 

3.
Merry Christmas, Mariah Carey

As far as Christmas albums go, you can’t lose with 1994’s classic Merry Christmas from Mariah Carey, which is basically synonymous with the period between Thanksgiving and Christmas. While “All I Want for Christmas Is You” tends to get a lot of the attention, there’s a reason MC’s album is one of the most acclaimed Christmas albums of all time; Mariah’s at her vocal peak on her renditions of songs like “O Holy Night,” “Christmas (Baby Please Come Home),” “Santa Claus Is Coming to Town,” and gospel tracks “Joy to the World,” and “Jesus (Oh What A Wonderful Child).”

4.
The Rise And Fall of a Midwest Princess, Chappell Roan

For the pop-loving progressivist and campy music fan in your life, get your hands on Chappell Roan’s debut, which clearly pulls aesthetic influences from the drag world, and sonic influences from 1980s synth-pop. The cinematic album depicts the artist’s journey of falling in queer love for the first time, and includes highlights like “Red Wine Supernova,” “Hot to Go!,” and “Pink Pony Club.”

5.
Self-Titled, Roman Norfleet and
Be Present Art Group

Driven by Roman Norfleet, improvised jazz and soul collective Be Present Art Group’s self-titled debut emerged from drum gatherings in Washington DC’s Malcolm X Park, which the album’s liner notes describe as “a pocket of freedom built on collective improvisation and shared rhythm.” In Portland, Norfleet assembled a collective of artists including Jacque Hammond and members of Brown Calculus to channel the spirit of those DC sessions. The group’s resulting earthy and spiritual self-titled album was released via Portland-to-Chicago label Mississippi Records in 2023. [Record label Mississippi Records is under the impression it lives in Chicago now, but the store and SPIRIT remain in Portland. -eds.]

6.
Songs in the Key of Life, Stevie Wonder

I was handed down a vintage copy of Stevie Wonder’s Songs in the Key of Life from my family’s record collection accumulated in the ’70s. The Grammy-winning Stevie classic is one of my favorites to bump around the house, especially while doing housework. Widely accepted as one of the best and most influential albums in history, Stevie’s 18th studio album embodies—if not invents—the concept of “no skips” with songs like “Love’s In Need of Love Today,” “Sir Duke,” “Village Ghetto Land,” “I Wish,” “Knocks Me Off My Feet,” “Ordinary Pain,” “Isn’t She Lovely,” “Joy Inside My Tears,” and “Black Man.” The subject matter feels as relevant as ever, with Stevie singing about evergreen topics like his childhood, first love, lost love, and poignantly tackling heavier topics like racial justice, and social justice for the poor and disenfranchised. 

7.
The Nightmare Before Christmas (Soundtrack)

I have a younger brother who was absolutely obsessed with The Nightmare Before Christmas growing up, and by proxy, I too came to love the creepy stop-motion film, especially the music. Whether you consider it a Halloween movie or a Christmas movie—I happen to believe it’s both—The Nightmare Before Christmas is a family-friendly cult classic, and the soundtrack is nostalgic, campy, moody, but most of all fun! The soundtrack can be enjoyed from October all the way to Christmas, bringing joy to its recipient with songs like “This Is Halloween,” “What’s This?,” “Making Christmas,” and “Jack’s Obsession.” 

8.
Mm..Food, MF Doom
(20th Anniversary Edition) 

For the MF Doom superfan in your life (we all have at least one), many a vinyl gift will do—from his studio debut album Operation: Doomsday to his epic collab with Madlib, Madvillainy. But this year is a particularly good time to gift the 2004 concept album Mm..Food, Doom’s fifth studio album with lyrics and song titles that reference different foods, as it celebrates its 20-year anniversary with a special edition vinyl release that comes with super cool new artwork that depicts a new take on the original illustrated cover, which features Doom sitting down to eat breakfast. On the updated cover, Doom is seen through a window, sitting down in the booth of a classic American diner.

Everybody wants a good knife.
Here’s where to find the best in the land. by Andrea Damewood

For your favorite home chef or local line cook, a new knife is a thing of glory—and it’s even better when someone else pays for it. 

We’re here to assure you that—for the right person—the idea of giving someone 12 inches of highly sharpened carbon steel in a wrapped box isn’t a threat. It’s one of the best Christmas presents ever.

“I think a knife is a great gift,” Eytan Zias, who owns Portland Knife House on Southeast Belmont and is a co-founder of Portland’s Steelport Knife Company, which handcrafts its work in Northeast. “There are not many things you can gift to somebody that we all use every day. I don’t know anybody that goes a day without a kitchen knife. Even if someone is a knife collector, they always want another knife.”

But choosing the right knife for the right chef is a bit of an alchemy, which Zias says people often liken to how Harry Potter picks his wand. “I consider it a compliment,” he says, laughing. “We’ll filter 700 knives down to seven, and those are the ones you’ll put your hands on.”

With so many options out there, we asked the experts for their advice, honed over many years in the industry, on how to pick the best knife for yourself or a lucky recipient.

“Most people have Henckels, or worse, Ikea or Pampered Chef knives,” Zias says. “They’ve spent a lot of money, but they’re not actually good knives.” 

He believes you can find an inexpensive knife that outperforms those big names.

The key? Focus on function over flash, at least to start. Here’s what Zias says he asks shoppers to consider:

What kind of blade: Prioritize carbon steel for performance. It sharpens easily and holds an edge longer. If low-maintenance is a must, stainless steel is a good fallback. Zias says if the first question someone asks him is if they can put their knife in the dishwasher (the answer is NO), he quietly guides them to stainless steel.

Are you a righty or lefty?: Fun fact: there are knives that famous southpaw Ned Flanders could sell in his lefty shop. So try and peep which hand your beloved uses to chop. But if you don’t know, there are ambidextrous knives, Zias says.

Balance: The two dominant styles are Japanese and Western style. These days, Japanese knives are more popular, Zias says, but it really comes down to preference. “Two people will pick up the same knife and have completely different reactions,” Zias notes. The right balance reduces fatigue and feels like an extension of your hand.

Construction: Look for forged blades and full tang construction (the steel extends through the handle). These features increase durability and longevity.

For some people, there is no such thing as too many knives. But in case you’re not trying to go for the whole “guy who fills his house with lizards and blades” vibe, there are three basics to start any aspiring home cook off with, Zias says. 

First is an 8-inch chef knife, which he describes as the workhorse for 99 percent of tasks, from mincing herbs to slicing vegetables. Next is a paring knife, for intricate work like coring and peeling.

Finally, there’s a bread knife, which Zias says should only be used on bread, never tomatoes. Zias says the one Steelport makes is his personal fave. Ron Khormaei, the CEO and founder of Steelport Knife Co, unsurprisingly, says the same.

“Everybody else makes a serrated knife that’s terrible,” Khormaei says. “Our bread knife is the best bread knife in the world. You can’t describe it, you have to experience it.”

Khormaei says he even had a chance to put his engineering degree to work as they designed the serrated edge, landing on a 7 mm sine wave to optimize how it cuts through first crust, then a soft interior. (Brisket obsessives like to use bread knives for the same reason.)

This writer fell in love with the Steelport bread knife at the showroom recently. I hunkered down with a friend and sliced as many pieces of baguette as I could before it got weird. Steelport’s knives are expensive—the bread knife is $450—but it’s hand forged in Portland, given a gorgeous handle made from the burl of Oregon bigleaf maple and a tang that goes all the way through the handle. It has a coffee patina made with Coava beans. You can also get it sharpened for free, forever. It is truly the fancy-assest of presents.

“A knife is an amazing gift if it’s given to someone who truly shows caring about food,” Khormaei says. “It’s for people who don’t cook because they’re hungry, but because they show love to friends and family. You’re saying you value their passion and value their interest.”

Sidebar of Knives (MUAHAHAHAH)

There are a lot of damn knives out there. In order to avoid decision paralysis, here are a few options that Eytan Zias, owner of Portland Knife House and cofounder of Steelport Knife Company, recommends for holiday shoppers.

BEST BUDGET KNIFE

Tojiro Basic 8” chef knife

Price: $47

Blade: VG10 stainless steel. Made in Niigata, Japan. 

What makes it great: “I cannot think of a better value in the kitchen knife world. It’s very rare to find a Japanese-made professional quality knife under $50.”

THE KNIFE THE KNIFE
GUY WOULD GIFT

Sakai Takayuki 33 Layer Hammered-
Damascus 7” santoku

Price: $150

Blade: VG10 stainless steel. Made in Seki, Japan. 

What makes it great: “A little flashy looking for some, but it looks unique, performs well, and is user friendly. It’s a favorite for both professional and home cooks alike.”

FOR THOSE WHO
HAVE EVERYTHING

STEELPORT Knife Co 10” serrated bread knife 

Price: $450

Blade: Drop-forged 52100 carbon steel with a bigleaf maple burl handle. Made in Portland.

What makes it great: “It’s rare to find a bread knife with this steel quality and level of detail, and is a favorite among serious bread bakers and BBQ guys. (It also got a shout out from The New York Times food section.) It’s also Portland-made, using all US-sourced materials.”

BEST SPLURGE

Nigara Hamono 9.5” Ginsan Damascus ebony handle chef knife

Price: $525

Blade: Ginsan Damascus. Made in Hirosaki, Japan. 

What makes it great: “It’s my favorite example of a Japanese forged handmade knife that we have in the shop.”

Spend time NOT talking to family with our preview
of the holidays’ most-hyped new releases. by Dom Sinacola

Holidays are usually meant for time with family, which is obviously why so many people elect to go to the movies on Thanksgiving and Christmas. Thanks to theaters being open, you now have a ready-made excuse to avoid talking to loved ones for a solid two hours. 

From St. Johns Twin Cinemas to Regal Division Street, every corner of Portland is thriving with film love, be it a first-run chain or local rep theater. So, to gird thy loins for the upcoming high holy days, I’ve assembled a preview of the movies you can see in theaters on Thanksgiving and/or Christmas day when conversation runs as dry as an overcooked bird. 

Red One

Following the box office shrug that was 2022’s Black Adam, The Rock optimistically reported from the set of Red One that his new blockbuster, co-starring Chris Evans and JK Simmons (as muscle daddy Santa Claus), is a “big, fun, action packed [sic] and fresh new take on Christmas Lore [sic].” After The Rock’s supposed chronic lateness and “unprofessional” on-set behavior helped push Red One to late 2024, this “new take” on the late-December holiday will finally see the overcast light of mid-November. Apparently, when Santa Claus is kidnapped, the head of North Pole security, Callum Drift (Rock), must join forces with world-class bounty hunter (come on now) Jack O’Malley (Evans, seemingly running on fumes), to save Kris Kringle. Whatever. I have no doubt this movie will be excrement, struck with surprisingly upsetting violence splayed against the most conservative values you can carve from a $250 million budget. This comes out on November 15; will it still be in theaters on Thanksgiving? Let’s hope not.

Gladiator II

If you’ve seen Ridley Scott’s Napoleon, you know that the octogenarian director cannot be bothered by such woke trappings of cinematic culture as “historical accuracy” or “consistent accents.” Instead, Scott trades obsession for the spectacle of history; he’s in thrall more to the bloom of organs erupting from cannonball wounds than allegiance to facts most audiences wouldn’t know anyway. 

That energy will carry into Gladiator II, Scott’s sequel to his 2000 original, which will surely be a stupendously gory feast for IMAX screens. Arms all veined up, Paul Mescal is New Gladiator, the fate of Rome on his shoulders for some reason, with Denzel Washington clearly having a blast playing an ancient weapons dealer. Finally able to put a career’s worth of ideas onto the screen, Scott’s never been more prolific, and never less beholden to anyone than himself. Respect. 

Wicked Part One

The first half of an adaptation of the musical—as well as of the 1995 novel on which the musical’s based and the Wizard of Oz writings of Frank L. Baum—Wicked has a runtime of two hours and 40 minutes. More like Wicked Long Movie [pats self on back]. Growing to the width of the Garfield balloon at the Macy’s Thanksgiving Day parade, Ariana Grande’s dinner plate eyes will ultimately occlude all other light. Suddenly, lifetimes will pass in the dark of that theater. You will wake in another epoch, another land, and you will discover there is still a second movie to sit through.

Moana 2

The November of The Rock continues with the last IP he hasn’t stripmined of all goodwill. That’s right, Rockheads, Maui, the beefy demigod from Moana, is back for the sequel. Originally developed as an animated series, Moana 2 went theatrical eight months ago when Bob Iger announced the series had been reconfigured following a revamping of the producing and directing teams—for solely artistic reasons, I’m sure. Rarely are reports like this a good sign, usually accompanied by accounts of animators enduring hellish work conditions or presaging a movie that feels functionally incomplete. Still, I can’t imagine families not defaulting to this Thanksgiving weekend. Will our thumb-headed megastar once again drop a People’s Elbow on the box office? I sincerely do not care.

The Brutalist 

Brady Corbet’s gushed-over saga about architect László Toth (Adrien Brody) has the accolades (garnering Corbet the Silver Lion at the Venice Film Festival), distribution deal (A24), and runtime (215 minutes) to make it the year’s biggest small release. Couple this with Corbet and cinematographer Lol Crawley shooting in Vistavision—a process that can make 35mm film look as huge as 70mm in the theater just by running the stock through the camera sideways—and expect to see this engorged on the swollest screens in town. It’s so intentionally and obviously epic, you’d be forgiven for assuming architect László Toth is a real person. The magic of cinema!

Babygirl

I was going to make a joke about Halina Reijn’s Babygirl being the perfect choice for families wanting to watch a horny movie together on Christmas, but looking into the film’s reception at the Toronto International Film Festival, I find critics saying that Nicole Kidman’s performance as a repressed CEO who forms a sub-dom bond with an intern (Harris Dickinson) is a brave and reflexive exploration of her career and aging physicality. So I will be similarly brave and refrain from making that joke.

Nosferatu

A young foil to Ridley Scott and his disregard for the exigencies of time, Robert Eggers is a horror filmmaker who makes macabre period pieces—The Witch, The Lighthouse, The Northman—that are so thoroughly researched they feel like stolen visions, like sights from the past that we have no right to witness. With Nosferatu, he seems to be pulling from F.W. Murnau’s 1922 silent film as much as from Werner Herzog’s 1979 remake and Bram Stoker’s 1897 Dracula novel, filtering his hyper-literate taste through a century of German expressionism. 

A Complete Unknown

James Mangold responds to Walk Hard: The Dewey Cox Story—a satire responding to the pestilence of Oscar-bait biopics birthed by Mangold’s Walk the Line—by making an even more by-the-numbers take on an iconic musician. This time it’s Bob Dylan, given approximate life by Timothée Chalamet. A Complete Unknown will almost certainly hinge on Dylan going electric at the 1965 Newport Folk Festival, giving him the opportunity to reminisce about what led up to this all-culminating cultural moment. Its financial returns will be optimistic, its award season obligatory. So it is foretold.

Better Man

While we’re on the subject of biopics: Better Man is about the life of UK pop idol Robbie Williams… only he’s a CGI chimpanzee and no one else in the movie acknowledges he’s a CGI chimpanzee. I hesitate to call this conceit so stupid it may be genius, but I won’t hesitate to recommend it, because we both know it will be [my eyes glaze over and soul noticeably disappears from my body] bananas.

The best traditional events—and how they can be improved.
You’re welcome. by Wm. Steven Humphrey

When it comes to holiday traditions, Portland is horny as all get-out.

We love cramming as much festivity into our festivities as possible—regardless of how tiresome or long-in-the-tooth those annual events have become. What follows is a critical examination of Portland’s most time-honored holiday events, and my recommendations on how they can be improved. (Don’t remember asking me for my opinion? Trust me, it’s never necessary… I have so many! In fact, when it comes to opinions, many people think I’m “full of it.” And there’s a lot more where those came from, so let’s read some now!)

Description: Peacock Lane is a four-block stretch in Southeast Portland between Stark and Belmont, where many of the home owners go to great lengths to cram every inch of their property with lights and other Jesus and Santa-themed ephemera. During the holiday season the street is jam-packed with thousands of looky-loos on foot and in cars.

The problem: I don’t get it. I mean, I get why the residents do it… you can tell they’ve worked their collective asses off constructing these front lawn art installations, and some (for example, the Grinch house) are goddamn masterpieces. But it’s like if the Portland Art Museum was suddenly filled with thousands of people—including their dogs, snot-nosed kids, and wildly inappropriate double strollers—half of whom are either stoned out of their gourds or 10 seconds away from a rage-fueled meltdown. In short, there are… Too. Many. People!

The solution: A zip line. It’s a well accepted fact that zip lines improve most situations. Sure, they’re useful for getting from one side of a canyon to another, or traversing a tree canopy in Guatemala, but they can be just as useful in an urban environment! Las Vegas is famous for having a zip line that goes from one end of the historic Fremont Street to the other, and it’s a FANTASTIC way to see the sights quickly, efficiently, and to let your vomit rain down upon spandex-wearing moms who did not get the memo that it’s FUCKING RUDE to bring their double strollers to a place where thousands of people are trying to walk. Also if you happen to be high—and SO MANY OF YOU ARE—riding a zip line is AH-MAY-ZING, and will stop you from blocking the sidewalk whenever you slip into an extended Christmas light-induced trance. Trust me, install a zip line over Peacock Lane, charge $15 a ride, and the city’s budget will be funded for lifetimes.

Peacock Lane, between SE Stark & Belmont, Dec 15-31, car-free nights Dec 15 & 16, 6 pm-11 pm, free, keep your fucking double strollers at home

Description: Roughly two miles of racetrack decorated with various illuminated and animated holiday figures, including reindeer, snowboarding Santas, dinosaurs, all 12 days of Christmas, a lone menorah, and much more.

The problem: Well, the most obvious problem is that you can’t race. You creep around the track behind a long line of vehicles at around 10 mph—but actually that’s kind of nice, because you seriously do not want to miss the animated dinosaurs. All in all, it’s great… it just needs a couple more levels of excitement, which leads me to….

The solution: First, you could pay teenagers to dress up like the Terminator, wrap them in holiday lights, and have them chase the cars on foot. (I doubt you’d even have to pay them.) OR you could do what I’ve done every season for the past 10 years, which is LET YOUR CHILDREN DRIVE THE CAR! The moment I pay admission and enter the track, I say, “Okay… who’s driving?” The first five minutes are taken up by backseat fistfights to see who gets to drive first. Once that’s decided, they hop behind the steering wheel. Obviously if their feet can’t reach the pedals, you should let them sit in your lap—but under NO CIRCUMSTANCES do you EVER touch the steering wheel… because where’s the fun in that? They have to learn to drive somehow, and if that means occasionally careening off the track and into one of the 10 lords a’leaping (for his life), then so be it. The best part? There’s not a cop in sight. That’s a true “winter wonderland!”

Portland International Raceway, 1940 N Victory Blvd, Nov 29-Dec 31, Mon-Thurs 5 pm-10 pm, Fri-Sun 4:30 pm-11 pm, $49 per carload

Description: More than 200 tubas take to Pioneer Square to play an array of oompah-rific Christmas songs.

The problem: There is not a single problem with this.

The solution: Look, hearing 200 tubas blaring “Sleigh Ride” across the city is hard to beat. But anything can be improved, right? For example, what if all these tubas were playing “Holly Jolly Christmas,” when suddenly, marching up Sixth Avenue were 200 people playing Christmas songs on what’s known as the tuba’s natural enemy… the saxophone? Ooooooh, tuba players HATE saxophonists, and for good reason. They tend to be morally repugnant individuals who throw their dog’s poop bags into your recycling bin, and regularly destroy any decent song with their ceaseless and unasked-for squawking (take David Bowie’s “Young Americans” for example). Anyway, the 200 saxophonists would call the 200 tubaists into the street for a “Christmas song smack-down” to settle once and for all which is the superior instrument. (We all know it’s the tuba, but there’s no convincing these detestable saxophoneys.) The winners would continue the Pioneer Square concert, as the losers marched to the Morrison Bridge to throw their instruments into the murky depths of the Willamette—never to play again! It’s called “raising the stakes”—and there’s simply not enough of that at Christmas time.

Tuba Christmas Concert, Pioneer Courthouse Square, Sat Dec 21, 1:30 pm, free

Description: The Holiday Express is a vintage (TOOT! TOOOOOOT!) 1912 Polson #2 steam locomotive that transports kids and families from the Oregon Rail Heritage Center—porn for train nerds—and along the Willamette River for roughly a couple miles until returning to its starting point. Each train car is heated and decorated in lights and holiday finery, and… at some point… Santa shows up!

The problem: Mmmmm… other than Santa showing up, it’s kinda boring? (Unless you’re a train nerd, but you’re going to be too busy asking endless, arcane locomotive questions to the conductor—whose soul will leave their body—to be concerned about Santa.)

The solution: Can we PLEASE get a gang of cowboys on horses to rob this muthafukkin’ TRAIN?? Bear with me, and picture it: The holiday train is chugga-chugga-choo-chooin’ and toot-toot-tootin’ down the track without a care in the world… UNTIL. 

Out of the Oaks Bottom wetlands come a gang of ruthless, horse-riding villains who gallop down the bike path before hopping on the train, kicking the door open, and barking, “Git yer hands up, varmints!” Screams ring out from the train car as some passengers faint, and a couple of foolhardy “heroes” get a pistol butt to the noggin for their trouble. The bandits steal wallets, watches, necklaces, and other precious family heirlooms, cackling maniacally… UNTIL. 

A loud bump is heard on the roof, and seconds later, a window smashes as SANTA CLAUS comes bursting into the car! Slowly rising to his feet, Santa strikes a pose and says, “Looks like somebody’s getting added to the naughty list!” And with a mighty swing of his red bag, Santa bowls over three of the villains, delivers a sharp uppercut to another, and sends a fifth tumbling off the train with a vicious kick to the scrabble bag… UNTIL.

The ringleader grabs a crying child, puts a six-shooter to its little head, and growls, “One more step, Santy Claus, and I’ll send this li’l pecker-wood to the pearly gates!” A pause, as everyone in the train car holds their breath, tears streaming down the child’s face, and where the only sound is the repetitive clack-clack-clack of the train’s wheels. 

Slowly, Santa drops his bag, and says, “Well, Desperado Dan”—a stupid name for a stupid criminal—”I guess this is my last… STOP!” Santa yanks the “stop requested” cord hanging from the window, sending the train screeching to an ear-piercing halt, as Desperado Dan stumbles and falls, dropping both child and pistol. Santa quickly pulls the kid to safety, and with a devastating right hook, sends the villain into a coma, from which he will never awaken. The children and adults cheer as Santa throws the unconscious body from the train before turning to ask, “Now who here has a hankerin’ for a candy cane?” The train’s occupants rejoice, and for the first time since the debut of the Holiday Express, it was a train ride—and a Christmas—to remember.

Holiday Express, Oregon Rail Heritage Center, 2250 SE Water, Nov 29-January 4, various times, $25-$105, tickets and info 

PBOT’s maintenance woes aren’t just a problem for people who travel by car. by Taylor Griggs

In the bike-friendly cities of Northern Europe, a phrase is sometimes used to lightly chastise those who are intimidated to cycle in the rain: “You’re not made of sugar.” That is, you can get a little wet—you won’t melt. 

But not all rainy cities are created equal. The “sugar” sentiment is easier applied in places like the Netherlands and Denmark, where people on bikes dominate the streets all year long, even in the cold, wet months. The bike capitals of the world, many of which are hardly tropical paradises, were purposefully designed to treat people traveling outside of cars as worthy of quality amenities. And a lot of that comes down to the state of the pavement. 

Here in Portland, our streets—including the bike lanes—could (surprise!) use some work. The Portland Bureau of Transportation (PBOT) has a roughly $6 billion maintenance backlog, mainly consisting of unmet pavement needs on busy and local streets, which has failed to be adequately tempered by funding sources like the gas tax. And as Portland’s street maintenance needs have become more apparent, gripes about PBOT’s priorities have gotten louder. 

“There are potholes everywhere, and PBOT wants to build a new bike lane?” is the common refrain from armchair urban economists. It’s a talking point that’s parroted by people who should know better, too. One example: A questionnaire to 2024 City Council candidates written by reporters at the Oregonian and OPB asks people to decide whether to prioritize “creation of more protected bike lanes and priority bus lanes or improved surfacing of existing degraded driving lanes.” 

The implication contained in this false dichotomy is that protected bike lanes and priority bus lanes—and the people who use them—are frivolous compared to the potholes car drivers have to deal with. But even stranger is the implication that people who bike, walk, or use public transit aren’t impacted by the city’s street maintenance problems. In fact, those who get around without a car often face the brunt of PBOT’s maintenance backlog woes, especially during the winter. 

Take the ubiquitous bike lane puddles. These puddles proliferate during the late fall and early winter, after most of the autumn leaves are off the trees and clogging up the gutters. Unfortunate topography and storm drain placement has resulted in some puddles that remain landmarks on Portland’s streets all winter, like the notorious “Lake Blumenauer” on the north side of the car-free Blumenauer Bridge across I-84. 

These puddles might not seem like a big deal, but believe me when I tell you that riding through one of them can temporarily make you question your will to live. Fenders and rain pants can only do so much to protect you from six inches of grimy water and whatever might be floating in it. 

Then there’s the gravel. After major winter weather events, like the ice storm early this year, PBOT spreads gravel and road salt on the roadways so vehicle traffic can get by. That’s fine, but after the ice melts, tiny pebbles end up piled in the bike lanes, creating treacherous conditions for riders, and they often stay there for weeks or months. 

I can give the city some grace: PBOT has $6 billion of maintenance work on its hands, so it makes sense that some needs fall to the wayside. This would be a more acceptable situation to me if the proliferating narrative wasn’t that bike riders are preventing the city from getting its basic maintenance work done. 

The truth is that bike advocates are some of the most dedicated street maintenance wonks in the game, often taking the responsibility of keeping the streets clean into their own hands. After January’s ice storm, members of bike advocacy group BikeLoud PDX took to the streets with a bike lane-size sweeper, picking up an impressive amount of gravel in the process.

More recently, PBOT has said it will purchase a sweeper for protected bike lanes, as larger street sweepers are too big to do the job. This is a good step, but the sheer novelty of it indicates how far behind we are from some of our international bike city peers. 

So, no—we’re not made of sugar, and Portland’s rainy and cold winter weather is not necessarily prohibitive to mass adoption of biking as transportation. But we have quite a bit of work to do to get to where we need to go. However, though the road ahead is lined with gravel, we are armed with volunteer street sweepers.

President-elect Donald Trump has vowed to "dismantle government bureaucracy," enlisting the help of billionaires to achieve his goals. Federal workers with memories of Trump's first term are scared.

Ford is idling production of its F-150 Lightning, the latest in a series of announcements signaling a slower-than-expected transition to electric vehicles. What are other automakers planning?

The Friday bout pits the 58-year-old former heavyweight champ against a much younger opponent whose fame is rooted in social media.

NPR's Michel Martin speaks with Penn State labor and employment relations professor Paul Clark about blue-collar voters and their decision to back President-elect Trump in this election.

Aldis Hodge stars as the latest on-screen version of James Patterson's sharp police detective.

October 17, 2014 Democrat Martha Coakley and Republican Charlie Baker are in a dead heat in the Massachusetts governor's race. The margin of error in the polls for both candidates is slim, but can voters in communities of color fill the margin with a victory, sending one of them to the governor's office? Are the campaigns of the independent candidates resonating with black, Latino, or Asian voters? This week on Basic Black, we look at how the candidates for governor are delivering their message to communities of color in the race to the finish line on November 4. Panelists:
- Latoyia Edwards, Anchor, New England Cable News
- Phillip Martin, Senior Reporter, WGBH News
- Peniel Joseph, Professor of History, Tufts University
- Marcela Garcia, Regular Contributor to the Boston Globe's Editorial and Op-Ed Pages
- Paul Watanabe, Director of the Institute for Asian American Studies, UMass, Boston

On the ground and in the street…

Charlie Baker beat the highly touted Democratic ground game to win the Massachusetts Governor’s race. What does his victory mean for communities of color? And later in the show, the viral video that to date has gotten over 30 million views: men catcalling a woman while she's performing the simple act of walking through the streets of New York City. We’ll talk about what it shows, and why it has sparked a heated debate about street harassment, race, and sexism. Panelists:
- Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH News
- Kim McLarin, Assistant Professor of Writing, Emerson College
- Peniel Joseph, Professor of History, Tufts University
- Phillip Martin, Senior Reporter, WGBH News
- Akilah Johnson, Reporter, The Boston Globe
(Image: Screenshot from the video by Hollaback!)

February 6, 2015 This week on Basic Black’s roundtable: • With the rise of television shows like Black-ish and Empire and the newly-released movie Black and White, we ask if Hollywood is on the way to realistic portrayals of families of color.
• A measles outbreak earlier this week at Disneyland in California re-ignited the debate over vaccinations - with oftentimes limited access to healthcare are children of color at particular risk?
Panelists: - Latoyia Edwards, Anchor, NECN - Phillip Martin, Senior Reporter, WGBH News - Kim McLarin, assistant professor of writing, literature and publishing, Emerson College - Donna Patterson, Assistant Professor fo Africana Studies, Wellesley College

February 13, 2015 Back to back storms in as little as two weeks dropped record amounts of snow on New England. The capacity of the MBTA’s equipment was put to the test, but the system buckled under the weight of the weather. In the face of widespread train delays and mounting criticism, MBTA General Manager Beverly Scott responded with a fiery press conference that’s not likely to be forgotten anytime soon. The day after her press conference, Scott submitted her letter of resignation. We’ll take a look at her tenure and immediate task at hand to get the trains back to normal.

Later in the show, as the Bay State Banner celebrates 50 years of reporting the news of New England’s communities of color, we discuss the continuing evolution of journalists of color.

Panelists:
- Latoyia Edwards, Anchor, NECN
- Phillip Martin, Senior Reporter, WGBH News
- Kim McLarin, Assistant Professor of Writing, Literature and Publishing, Emerson College
- Yawu Miller, Senior Editor, The Bay State Banner
- Akilah Johnson, Reporter, The Boston Globe

February 20, 2015 The African American experience is taught in many forms from songs to films to performance, but one of the latest forms to grow in popularity is the graphic novel. We’ll talk with author Joel Christian Gill about his newest work, Strange Fruit: Uncelebrated Narratives From Black History.

Later in the show, on the eve of the 50th anniversary of the death of Malcolm X, we look at the last years of his life and the meaning of his movement for contemporary times. Panelists:
- Latoyia Edwards, Anchor, NECN
- Phillip Martin, Senior Reporter, WGBH News
- Kim McLarin, Assistant Professor of Writing, Literature, and Publishing, Emerson College
- Joel Christian Gill, author, Strange Fruit: Uncelebrated Narratives From Black History
- Laura Jimenez, Lecturer, School Of Education, Boston University
- Emmett Price, III, Associate Professor of Music, Northeastern University Image: From Bass Reeves, Tales Of The Talented Tenth, Vol 1., by Joel Christian Gill, 2014.

May 22, 2015

Looking forward, looking back -- Twitter abuzz as President Barack Obama signs on and the Guinness Book of World Records confirms he is now THE most followed person to join. And we know the stories about Michael Brown, Eric Garner, and Tamir Rice, but what about Rekia Boyd, Shelly Frey, and Darnisha Harris? Later in the show, connecting the dots from this week's events in history, to today's headlines… Panelists: - Callie Crossley, Host, Under The Radar with Callie Crossley, 89.7 WGBH - Phillip Martin, Senior Reporter, WGBH News - Kim McLarin, Associate Professor of Writing, Literature, and Publishing, Emerson College - Peniel Joseph, Professor of History, Tufts University Photo: President Obama sends his first tweet (Source: whitehouse.gov).

Palaeontologists have pieced together the brain structure of a bird that lived 80 million years ago named Navaornis hestiae, thanks to a remarkably well-preserved fossil  

Researchers mapped Earth’s ionosphere, part of the upper atmosphere, using signal data from 40 million phones – a method that could improve GPS accuracy and help track space weather

Rates of near-sightedness are rising all over the world. But solutions to the epidemic are coming into focus and could be simpler than you think

Food production is responsible for more than a third of greenhouse gas emissions. To get everyone the food they need in a warming world, governments worldwide must invest in securing our food systems

Air pollution has been linked to eczema before, and now a study of more than 280,000 people has strengthened the association

The mega-coral measures 34 metres by 32 metres – making it larger than a blue whale – and it is thought to be three centuries old

Feedback was delighted to learn of the appearance of quantum physicist Garrett Josemans on Netflix's Love is Blind. After all, being comfortable with two opposing realities can surely help in a relationship

Conservatives in Canada have accused the government of banning military chaplains from reciting prayers in accordance with their faith during Remembrance Day ceremonies across Canada, an accusation liberals have denied. 

A shark fisherman and professional roofer has been arrested after being accused of stealing over $194,000 from a church in Kentucky.

The man charged with murdering Georgia nursing student Laken Riley waived his right to a jury trial in the case that has garnered national attention amid outrage over the Biden administration's immigration policies. 

Ukrainian President Volodymyr Zelensky appealed to Western allies asking them for help after Russia's most recent attack on Kyiv. "It is crucial that our forces have the necessary means to defend the country from Russian terror. I am grateful to each of our partners who help us. Timely delivery of interceptor missiles for our air defense, fulfilling agreements on defense systems, and electronic warfare production and supply are, without exaggeration, lifesaving efforts," Zelensky wrote on X. In the morning, Kyiv Mayor Vitali Klitschko reported explosions in the Ukrainian capital. A threat of a missile attack was declared in the city. It was later reported that explosions took place in Kyiv's suburbs.

The Saraya al-Quds* group, a military wing of the radical Islamic Jihad* movement (a terrorist organization banned in Russia), released a new video of Alexander Trukhanov, a Russian citizen, who was kidnapped on October 7, 2023. The video of the hostage posted on the Telegram channel of the terrorist group shows the man speaking Hebrew. The man complains about the difficult situation the hostages found themselves in. They do not have enough water and have run out of hygiene products, the man said. Fearing Israeli bombings and missile attacks, Trukhanov called on the Israelis not to forget about the hostages. He also urged the people of Israel to go to rallies and advocate for a ceasefire so that hostages could return home.

Twelve soldiers escaped from a military unit in the Novosibirsk region of Russia on November 13. The servicemen pogromed the military unit when escaping. One of the escapees was filming others smashing windows and breaking furniture. "Look, there's a riot going on here. A riot, yehoo! [I'm sick of] it all," the man can be heard saying filming his reflection in a mirror. Another soldier in the background shouts: "Come on, break all the windows!"

The Ukrainian military received US-made shells for Soviet 2S7 Pion self-propelled guns. Kyiv had used up its stocks of Soviet shells for Pion cannons in 2022, and the system had not been used much since then. 203-millimeter 100-kilo shells are suitable for use with Pion guns. It is believed that Ukraine received the required shells from the US. During World War II, the United States produced the 203-millimeter M115 howitzer before the M110 system was developed in the 1950s. It was actively used during the Vietnam War. The system was decommissioned from the US Army during the 1990s. This fact suggests that there were 203-millimeter shells left in the arsenals, and the United States could thus help Ukraine with the supply of ammunition.

In 2011, Vladimir Putin, who then served as the Prime Minister, at a meeting with Joe Biden, who then served as the Vice President, suggested breaking stereotypes and introducing a visa-free regime between Russia and the United States. Joe Biden responded positively to the idea. Needless to say that Putin's suggestion did not receive any practical development at all.  Many in Russia advertise the Trump agenda these days not so much in the hope for the US-Russian relations to improve, but simply because the name of the US President-elect still makes headlines all over the world.   Moscow's PR agency Glavpiar sent an official appeal to President Putin with a proposal to reward Donald Trump for winning the election in order to improve the relations between Russia and the United States, Moskvichmag publication reports. 

Codeless Platforms has revealed that Meridian Farm Market, a Canadian-based retailer of meat and farm produce, has automated its sales orders and data transfers between SYSPRO, Shopify and its POS system using BPA Platform.

Visix, Inc. has released version 1.87 of their AxisTV Signage Suite digital signage software. This latest update includes a new Microsoft Power BI widget, major speed enhancements, simplified content scheduling and other updates for a better user experience.

Los rayos X son un componente habitual de las pruebas diagnosticas y el monitoreo industrial, y se utilizan para todo, desde el control de los dientes hasta el escaneo de maletas en el aeropuerto. Sin embargo, los rayos de elevada energia tambien producen radiacion ionizante, que puede ser peligrosa tras exposiciones prolongadas o excesivas. Ahora, investigadores que publican en ACS Central Science han avanzado hacia rayos X mas seguros con la creacion de un detector altamente sensible y plegable que genera imagenes de buena calidad con dosis mas pequenas de estos rayos.

A la mayoria de la gente no le gusta aplicarse vacunas o inyecciones para recibir tratamientos. Por eso, los investigadores trabajan para crear mas medicamentos, como los que se fabrican a partir de ARN mensajero (ARNm), que puedan pulverizarse e inhalarse. Un estudio publicado en la revista Journal of the American Chemical Society informa sobre los avances para hacer posible los medicamentos de ARNm inhalables. Los investigadores indican que la nanoparticula de polimero lipidico, que es estable cuando se nebuliza y libera aerosoles (gotitas liquidas) en los pulmones de ratones de forma satisfactoria, se optimizo para contener el ARNm.

Research findings from Sylvester Comprehensive Cancer Center and the Miller School of Medicine at the University of Miami will be presented at the Annual Meeting & Exposition of the American Society of Hematology in San Diego, Dec. 7-10.

The American Association of Nurse Anesthesiology (AANA) calls on Department of Veterans Affairs (VA) Undersecretary for Health, Shereef Elnahal, to correct his inaccurate statement made under oath about Certified Registered Nurse Anesthetist (CRNA) practice during a House Committee on Veterans' Affairs hearing.

Jiang He, M.D., Ph.D., Professor and Chair Designate of Epidemiology in the Peter O'Donnell Jr. School of Public Health at UT Southwestern Medical Center, is a 2024 recipient of the American Heart Association's (AHA) highest commendation, the Distinguished Scientist award. The honor recognizes Dr. He's prolific research on reducing the risks of cardiometabolic diseases, including heart disease, stroke, obesity, Type 2 diabetes, hypertension, dyslipidemia, and chronic kidney disease.

The University of Kentucky Sanders-Brown Center on Aging Director Linda Van Eldik, Ph.D., hopes to shed light on how specific brain cells may contribute to the progression of Alzheimer's disease, paving the way for potential new therapeutic approaches.Van Eldik recently received a three-year, $300,000 award from the BrightFocus Foundation to support her research project, "Relationship between astrocyte p38 MAPK, neuroinflammation, and Alzheimer pathology.

University of Kentucky Co-Executive Vice Presidents for Health Affairs Eric N. Monday and Robert S. DiPaola sent the following message to the UK HealthCare community on Nov. 6, 2024: We are very pleased to announce that Chris DeSimone and Tim Slocum have accepted the positions of Executive Chief Medical Officer and Senior Vice President and Chief Operations Officer, respectively.

Hematology researchers from Sylvester Comprehensive Cancer Center and the Miller School of Medicine at the University of Miami are authors or co-authors on more than 70 posters to be presented at the Annual Meeting & Exposition of the American Society of Hematology in San Diego, Dec. 7-10. Links to each abstract are included in this tip sheet.

Um estudo da Mayo Clinic sugere que um stent em forma de ampulheta poderia melhorar o fluxo sanguineo e aliviar a dor toracica intensa e recorrente em pessoas com microangiopatia.

Un estudio de Mayo Clinic sugiere que un estent en forma de reloj de arena podria mejorar el flujo sanguineo y aliviar el dolor toracico intenso y recurrente en personas con microangiopatia.

A new book, Nurses' Extraordinary Experiences During the COVID-19 Pandemic: There was Something in the Air, offers a poignant and firsthand account of the challenges and triumphs faced by nurses during the most devastating pandemic of our generation.

Recent advances in bladder cancer treatments may offer hope of curative care to more patients, including those with high-risk localized, muscle-invasive disease, according to a New England Journal of Medicine editorial published by Matthew Milowsky, MD, FASCO, a bladder cancer expert at UNC School of Medicine and UNC Lineberger Comprehensive Cancer Center.

Rutgers Health study uncovers vulnerabilities in drug-resistant TB, offering hope for improved treatments.

A small clinical trial shows promising results for patients with triple-negative breast cancer who received an investigational vaccine designed to prevent recurrence of tumors. Conducted at Washington University School of Medicine in St. Louis with a therapy designed by WashU Medicine researchers, the trial is the first to report results for this type of vaccine -- known as a neoantigen DNA vaccine -- for breast cancer patients.