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Church Growth Orthodox Style

Orthodox priest Fr. Wayne Wilson shares the encouraging story of the growth of one of the fastest-growing parishes in the Antiochian archdiocese and the lessons he has learned along the way.




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New Lifestyle or New Life?

What difference does the message of the resurrection make in the thinking and actual lives of those who believe it?




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Spiritually Minded Eating and Cultivating a Spiritually Minded Lifestyle

Kevin's guest is Rita Madden, host of the AFR podcast "Food, Faith, and Fasting." Rita is a Registered Dietitian who finds inspiration in the great role that the Orthodox Christian faith can play in her modern-day healthcare profession. Here she discusses caring for your health in a spiritually minded manner.




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Launch: Google Pages, new Geocities-style site-building software

Google has released a new program that gives users 100MB of web space to make simple HTML pages in.




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Introducing TODS – a typographic and OpenType default stylesheet

Introducing TODS, an open source typography and opentype default stylesheet. One of the great things about going to conferences is the way it can spark an idea and kick start something. This project was initiated following a conversation with Roel Nieskens (of Wakamai Fondue fame) at CSS Day, where he demonstrated his Mildly Opinionated Prose Styles (MOPS).

The idea is to set sensible typographic defaults for use on prose (a column of text), making particular use of the font features provided by OpenType. The main principle is that it can be used as starting point for all projects, so doesn’t include design-specific aspects such as font choice, type scale or layout (including how you might like to set the line-length).

Within the styles is mildly opinionated best practice, which will help set suitable styles should you forget. This means you can also use the style sheet as a checklist, even if you don't want to implement it as-is.

TODS uses OpenType features extensively and variable font axes where available. It makes full use of the cascade to set sensible defaults high up, with overrides applied further down. It also contains some handy utility classes.

You can apply the TODS.css stylesheet in its entirety, as its full functionality relies on progressive enhancement within both browsers and fonts. Anything that is not supported will safely be ignored. The only possible exceptions to this are sub/superscripts and application of a grade axis in dark mode, as these are font-specific and could behave unexpectedly depending on the capability of the font.

In order to preview some of the TODS features, you can check out the preview page tods.html and toggle TODS.css on and off. (This needs more work as the text is a bit of a mish-mash of examples and instructions, and it's missing some of the utility classes and dark mode. But that’s what open source is for… feel free to fork, improve and add back into the repo.)

Walkthrough of the TODS.css stylesheet

You can download a latest version of the stylesheet from the TODS Github repo (meaning some of the code may have changed a bit).

Table of contents:

  1. Reset
  2. Web fonts
  3. Global defaults
  4. Block spacing
  5. Opentype utility classes
  6. Generic help classes
  7. Prose styling defaults
  8. Headings
  9. Superscripts and subscripts
  10. Tables and numbers
  11. Quotes
  12. Hyphenation
  13. Dark mode/inverted text

1. Reset

Based on Andy Bell’s more modern CSS reset. Only the typographic rules in his reset are used here. You might like to apply the other rules too.

html {
  -moz-text-size-adjust: none;
  -webkit-text-size-adjust: none;
  text-size-adjust: none;
}

Prevent font size inflation when rotating from portrait to landscape. The best explainer for this is by Kilian. He also explains why we still need those ugly prefixes too.

body, h1, h2, h3, h4, h5, h6, address, p, hr, pre, blockquote, ol, ul, li, dl, dt, dd, figure, figcaption, div, table, caption, form, fieldset {
  margin: 0;
}

Remove default margins in favour of better control in authored CSS.

input,
button,
textarea,
select {
  font-family: inherit;
  font-size: inherit;
}

Inherit fonts for inputs and buttons.

2. Web fonts

Use modern variable font syntax so that only supporting browsers get the variable font. Others will get generic fallbacks.

@font-face {
  font-family: 'Literata';
  src: url('/fonts/Literata-var.woff2') format('woff2') tech(variations),
       url('/fonts/Literata-var.woff2') format('woff2-variations');
  font-weight: 1 1000;
  font-stretch: 50% 200%;
  font-style: normal;
  font-display: fallback;
}

Include full possible weight range to avoid unintended synthesis of variable fonts with a weight axis. Same applies to stretch range for variable fonts with a width axis.

For main body fonts, use fallback for how the browser should behave while the webfont is loading. This gives the font an extremely small block period and a short swap period, providing the best chance for text to render.

@font-face {
  font-family: 'Literata';
  src: url('/fonts/Literata-Italic-var.woff2') format('woff2') tech(variations),
       url('/fonts/Literata-Italic-var.woff2') format('woff2-variations');
  font-weight: 1 1000;
  font-stretch: 50% 200%;
  font-style: italic;
  font-display: swap;
}

For italics use swap for an extremely small block period and an infinite swap period. This means italics can be synthesised and swapped in once loaded.

@font-face {
  font-family: 'Plex Sans';
  src: url('/fonts/Plex-Sans-var.woff2') format('woff2') tech(variations),
       url('/fonts/Plex-Sans-var.woff2') format('woff2-variations');
  font-weight: 1 1000;
  font-stretch: 50% 200%;
  font-style: normal;
  font-display: fallback;
  size-adjust:105%; /* make monospace fonts slightly bigger to match body text. Adjust to suit – you might need to make them smaller */
}

When monospace fonts are used inline with text fonts, they often need tweaking to appear balanced in terms of size. Use size-adjust to do this without affecting reported font size and associated units such as em.

3. Global defaults

Set some sensible defaults that can be used throughout the whole web page. Override these where you need to through the magic of the cascade.

body {
    line-height: 1.5;
    text-decoration-skip-ink: auto;
    font-optical-sizing: auto;
    font-variant-ligatures: common-ligatures no-discretionary-ligatures no-historical-ligatures contextual;
    font-kerning: normal;
}

Set a nice legible line height that gets inherited. The font- properties are set to default CSS and OpenType settings, however they are still worth setting specifically just in case.

button, input, label { 
  line-height: 1.1; 
}

Set shorter line heights on interactive elements. We’ll do the same for headings later on.

4. Block spacing

Reinstate block margins we removed in the reset section. We’re setting consistent spacing based on font size on primary elements within ‘flow’ contexts. The entire ‘prose’ area is a flow context, but so might other parts of the page. For more details on the ‘flow’ utility see Andy Bell’s favourite three lines of CSS.

.flow > * + * {
  margin-block-start: var(--flow-space, 1em);
}

Rule says that every direct sibling child element of .flow has margin-block-start added to it. The > combinator is added to prevent margins being added recursively.

.prose {
  --flow-space: 1.5em;
}

Set generous spacing between primary block elements (in this case it’s the same as the line height). You could also choose a value from a fluid spacing scale, if you are going down the fluid typography route (recommended, but your milage may vary). See Utopia.fyi for more details and a fluid type tool.

5. OpenType utility classes

.dlig { font-variant-ligatures: discretionary-ligatures; }
.hlig { font-variant-ligatures: historical-ligatures; }
.dlig.hlig { font-variant-ligatures: discretionary-ligatures historical-ligatures; } /* Apply both historic and discretionary */

.pnum { font-variant-numeric: proportional-nums; }
.tnum { font-variant-numeric: tabular-nums;    }
.lnum { font-variant-numeric: lining-nums; }
.onum { font-variant-numeric: oldstyle-nums; }
.zero { font-variant-numeric: slashed-zero;    }
.pnum.zero { font-variant-numeric: proportional-nums slashed-zero; } /* Apply slashed zeroes to proportional numerals */
.tnum.zero { font-variant-numeric: tabular-nums slashed-zero; }
.lnum.zero { font-variant-numeric: lining-nums slashed-zero; }
.onum.zero { font-variant-numeric: oldstyle-nums slashed-zero; }
.tnum.lnum.zero { font-variant-numeric: tabular-nums lining-nums slashed-zero; }
.frac { font-variant-numeric: diagonal-fractions; }
.afrc { font-variant-numeric: stacked-fractions; }
.ordn { font-variant-numeric: ordinal; }

.smcp { font-variant-caps: small-caps; }
.c2sc { font-variant-caps: unicase; }
.hist { font-variant-alternates: historical-forms; }

Helper utilities matching on/off Opentype layout features available through high level CSS properties.

@font-feature-values "Fancy Font Name" { /* match font-family webfont name */

    /* All features are font-specific. */
    @styleset { cursive: 1; swoopy: 7 16; }
    @character-variant { ampersand: 1; capital-q: 2; }
    @stylistic { two-story-g: 1; straight-y: 2; }
    @swash { swishy: 1; flowing: 2; wowzers: 3 }
    @ornaments { clover: 1; fleuron: 2; }
    @annotation { circled: 1; boxed: 2; }
}

Other Opentype features can have multiple glyphs, accessible via an index number defined in the font – these will be explained in documentation that came with your font. These vary between fonts, so you need to set up a new @font-font-features rule for each different font, ensuring the font name matches that of the font family. You then give each feature a custom name such as ‘swoopy’. Note that stylesets can be combined, which is why swoopy has a space-separated list of indices 7 16.

/* Stylesets */
.ss01 { font-variant-alternates: styleset(cursive); }
.ss02 { font-variant-alternates: styleset(swoopy); }

/* Character variants */
.cv01 { font-variant-alternates: character-variant(ampersand); }
.cv02 { font-variant-alternates: character-variant(capital-q); }

/* Stylistic alternates */
.salt1 { font-variant-alternates: stylistic(two-story-g); }
.salt2 { font-variant-alternates: stylistic(straight-y); }

/* Swashes */
.swsh1 { font-variant-alternates: swash(swishy); }
.swsh2 { font-variant-alternates: swash(flowing); }

/* Ornaments */
.ornm1 { font-variant-alternates: ornaments(clover); }
.ornm2 { font-variant-alternates: ornaments(fleuron); }

/* Alternative numerals */
.nalt1 { font-variant-alternates: annotation(circled); }
.nalt2 { font-variant-alternates: annotation(boxed); }

Handy utility classes showing how to access the font feature values you set up earlier using the font-variant-alternates property.

:root {
    --opentype-case: "case" off;
    --opentype-sinf: "sinf" off;
}

/* If class is applied, update custom property */
.case {
    --opentype-case: "case" on;
}

.sinf {
    --opentype-sinf: "sinf" on;
}

/* Apply current state of all custom properties, defaulting to off */
* { 
    font-feature-settings: var(--opentype-case, "case" off), var(--opentype-sinf, "sinf" off);
}

Set custom properties for OpenType features only available through low level font-feature-settings. We need this approach because font-feature-settings does not inherit in the same way as font-variant. See Roel’s write-up, including how to apply the same methodology to custom variable font axes.

6. Generic helper classes

Some utilities to help ensure best typographic practice.

.centered {
    text-align: center;
    text-wrap: balance;
}

When centring text you’ll almost always want the text to be ‘balanced’, meaning roughly the same number of characters on each line.

.uppercase {
    text-transform: uppercase;
    --opentype-case: "case" on;
}

When fully capitalising text, ensure punctuation designed to be used within caps is turned on where available, using the Opentype ‘case’ feature.

.smallcaps {
    font-variant-caps: all-small-caps;
    font-variant-numeric: oldstyle-nums;    
}

Transform both upper and lowercase letters to small caps, and use old style-numerals within runs of small caps so they match size-wise.

7. Prose styling defaults

Assign a .prose class to your running text, that is to say an entire piece of prose such as the full text of an article or blog post.

.prose {
    text-wrap: pretty;
    font-variant-numeric: oldstyle-nums proportional-nums;
    font-size-adjust: 0.507;
}

Firstly we get ourselves better widow/orphan control, aiming for blocks of text to not end with a line containing a word on its own. Also we use proportional old-style numerals in running text.

Also adjust the size of fallback fonts to match the webfont to maintain legibility with fallback fonts and reduce visible reflowing. The font-size-adjust number is the aspect ratio of the webfont, which you can calculate using this tool.

strong, b, th { 
    font-weight: bold;
    font-size-adjust: 0.514; 
}

Apply a different adjustment to elements which are typically emboldened by default, as bold weights often have a different aspect ratio – check for the different weights you may be using, including numeric semi-bolds (eg. 650). Headings are dealt with separately as the aspect ratio may be affected by optical sizing.

8. Headings

h1, h2, h3, h4 { 
    line-height: 1.1; 
    font-size-adjust: 0.514;
    font-variant-numeric: lining-nums; }

Set shorter line heights on your main headings. Set an aspect ratio for fallback fonts – check for different weights of headings. Use lining numerals in headings, especially when using Title Case.

h1 {
    font-variant-ligatures: discretionary-ligatures; 
    font-size-adjust: 0.521;
}

Turn on fancy ligatures for main headings. If the font has an optical sizing axis, you might need to adjust the aspect ratio accordingly.

h1.uppercase {
    font-variant-caps: titling-caps;
}

When setting a heading in all caps, use titling capitals which are specially designed for setting caps at larger sizes.

9. Superscripts and subscripts

Use proper super- and subscript characters. Apply to sub and sup elements as well as utility classes for when semantic sub/superscripts are not required.

@supports ( font-variant-position: sub ) {
    sub, .sub {
        vertical-align: baseline;
        font-size: 100%;
        line-height: inherit;
        font-variant-position: sub;
    }
}

@supports ( font-variant-position: super ) {
    sup, .sup {
        vertical-align: baseline;
        font-size: 100%;
        line-height: inherit;
        font-variant-position: super;
    }
}

If font-variant-position is not specified, browsers will synthesise sub/superscripts, so we need to manually turn off the synthesis. This is the only way to use a font’s proper sub/sup glyphs, however it’s only safe to use this if you know your font has glyphs for all the characters you are sub/superscripting. If the font lacks those characters (most only have sub/superscript numbers, not letters), then only Firefox (correctly) synthesises sup and sub – all other browsers will display normal characters in the regular way as we turned the synthesis off.

.chemical { 
    --opentype-sinf: "sinf" on;
}

For chemical formulae like H2O, use scientific inferiors instead of sub.

10. Tables and numbers

td, math, time[datetime*=":"] {
    font-variant-numeric: tabular-nums lining-nums slashed-zero;    
}

Make sure all numbers in tables are lining tabular numerals, adding slashed zeroes for clarity. This could usefully apply where a time is specifically marked up, as well as in mathematics.

11. Quotes

Use curly quotes and hang punctuation around blockquotes.

:lang(en) > * { quotes: '“' '”' '‘' '’' ; } /* “Generic English ‘style’” */
:lang(en-GB) > * { quotes: '‘' '’' '“' '”'; } /* ‘British “style”’ */
:lang(fr) > * { quotes: '«?0202F' '?0202F»' '“' '”'; } /* « French “style” » */

Set punctuation order for inline quotes. Quotes are language-specific, so set a lang attribute on your HTML element or send the language via a server header. Note the narrow non-breaking spaces encoded in the French example.

q::before { content: open-quote }
q::after  { content: close-quote }

Insert quotes before and after q element content.

.quoted, .quoted q {
    quotes: '“' '”' '‘' '’';
}

Punctuation order for blockquotes, using a utility class to surround with double-quotes.

.quoted p:first-of-type::before {
    content: open-quote;
}
.quoted p:last-of-type::after  {
    content: close-quote;
}

Append quotes to the first and last paragraphs in the blockquote.

.quoted p:first-of-type::before {
    margin-inline-start: -0.87ch; /* Adjust according to font */
}
.quoted p {
    hanging-punctuation: first last;
}
@supports(hanging-punctuation: first last) {
    .quoted p:first-of-type::before {
        margin-inline-start: 0;
    }
}

Hang the punctuation outside of the blockquote. Firstly manually hang punctuation with a negative margin, then remove the manual intervention and use hanging-punctuation if supported.

12. Hyphenation

Turn on hyphenation for prose. Language is required in order for the browser to use the correct hyphenation dictionary.

.prose {
    -webkit-hyphens: auto;
    -webkit-hyphenate-limit-before: 4;
    -webkit-hyphenate-limit-after: 3;
    -webkit-hyphenate-limit-lines: 2;

    hyphens: auto;
    hyphenate-limit-chars: 7 4 3;
    hyphenate-limit-lines: 2;    
    hyphenate-limit-zone: 8%;
    hyphenate-limit-last: always;
}

Include additional refinements to hyphenation. Respectively, these stop short words being hyphenated, prevent ladders of hyphens, and reduce overall hyphenation a bit. Safari uses legacy properties to achieve some of the same effects, hence the ugly prefixes and slightly different syntax.

.prose pre, .prose code, .prose var, .prose samp, .prose kbd,
.prose h1, .prose h2, .prose h3, .prose h4, .prose h5, .prose h6 {
    -webkit-hyphens: manual;
    hyphens: manual;
}

Turn hyphens off for monospace and headings.

13. Dark mode/inverted text

Reduce grade if available to prevent bloom of inverted type.

:root {
  --vf-grad: 0;
}

@media (prefers-color-scheme: dark) {
  :root {
    --vf-grad: -50;
  }
}

* {
  font-variation-settings: "GRAD" var(--vf-grad, 0);
}

Not all fonts have a grade (GRAD) axis, and the grade number is font-specific. We’re using the customer property method because font-variation-settings provides low-level control meaning each subsequent use of the property completely overrides prior use – the values are not inherited or combined, unlike with font-variant for example.

There are probably better ways of doing some of these things, and the preview page is rather lacking at the moment. Please let me know on Github, or better still fork it, edit and resubmit.

Read or add comments




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Dilemmas of style when translating legislation

Many dilemmas of style arise when translating legislation into English. This post looks at the most common ones and solutions to them. By legislation I mean any laws or rules set down by a governing body, be that of a country, company or university. So everything from a criminal code to a health and safety […]




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A Comparison of Learning and Teaching Styles – Self-Perception of IT Students




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Assessing the Impact of Instructional Methods and Information Technology on Student Learning Styles




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Web Based vs. Web Supported Learning Environment – A Distinction of Course Organizing or Learning Style?




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Does Technology Impact on Teaching Styles or Do Teaching Styles Impact on Technology in the Delivery of Higher Education?




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Getting Practical With Learning Styles In “Live” and Computer-based Training Settings 




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The Role of Management Games in Mapping Learning Styles to Elements of Business Know-How Acquisition: A Case Study




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Learning Objects: Adaptive Retrieval through Learning Styles




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Connectivist Learning Objects and Learning Styles




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Tuning Primary Learning Style for Children with Secondary Behavioral Patterns

Personalization is one of the most expected features in the current educational systems. User modeling is supposed to be the first stage of this process, which may incorporate learning style as an important part of the model. Learning style, which is a non-stable characteristic in the case of children, differentiates students in learning preferences. This paper identifies a new hybrid method to initiate and update the information of children’s learning style in an educational system. At the start-up phase, children’s learning style information is gathered through the modified Murphy-Meisgeier Type Indicator for Children (MMTIC) questionnaire, which is based on the well-known Myers-Briggs Type Indicator (MBTI). This primary information will be tuned by tracking children’s behaviors during the learning process. Analytical data mining helped us to cluster these behaviors and find their patterns. The proposed method was applied on 81 fourth grade children in elementary school. Delivering results suggest that this method provides a good precision in recognizing children learning style and may be an appropriate solution for non-stability problems in their preferences.




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The Impact of Middle and Senior Leadership Styles on Employee Performance -- Evidence From Chinese Enterprises

Aim/Purpose: This paper examines the impact of the transformational, servant, and paternalistic leadership styles on employee performance at the middle and senior levels. Background: Transdisciplinary research promotes the integration and development of various sciences. It provides more choices for leaders to adopt ways and practical activities to promote enterprise development. Complexity leadership theory emphasizes that effectively functioning organizations need distinct forms of leadership to work together. Leaders rely on different leadership practices in an emergent collaborative context, and finding an optimal balance is challenging. Many scholars have attempted to explore which leadership styles have a more significant impact on employees by distinguishing and defining types of leadership styles and explaining the process by which they influence employee behavior and performance. Various scholars have further explored and empirically demonstrated the impact of these three types of leadership styles (transformational, servant, paternalistic)on employee performance. While transformational and servant leadership have their roots in the West, paternalistic leadership has roots in China. Few scholars have conducted comparative studies on their positive impact on employee performance. How do these three leadership styles affect employee performance at the middle and senior levels in the Chinese context? Which combination of middle and senior leadership styles performs best? These are the second area that this paper will attempt to explore. Methodology: This study constructs a three-tier model at the senior, middle, and grassroots levels. A questionnaire survey was used to collect data. SPSS 22.0 and Amos were used for data analysis. Contribution: Through its construction of a three-tier model (senior, middle, and grassroots levels), the paper explores the combined effect of three leadership styles (transformational, servant, and paternalistic) on grassroots employees. It explores the impact of senior leaders across levels on grassroots employee performance, which is expected to provide a valuable addition to theories on leadership styles. It is also instructive to examine which leadership style performs better and what middle and senior leadership configurations are more conducive to driving beneficial employee behavior and, ultimately, corporate growth. Findings: The transformational, servant, and paternalistic leadership styles, both at the top and middle levels, have a significant positive relationship with employee performance; the middle leadership style plays a positive mediating role between the top leadership style and employee performance. In terms of impact on employee performance, transformational leadership shows the best results at both the top and middle levels, with paternalistic leadership second and servant leadership at the same level. Regarding which middle and senior leadership style pairing is the best, the sample is relatively small, and the gap between various pairing combinations is not evident from the data. If the sample size is enlarged, the coefficient will likely expand year-on-year. Therefore, we can assume that the pairing effect of top servant leadership and middle transformational leadership is the best, top paternalistic leadership and middle transformational leadership is the second-best, and the combination of top paternalistic leadership and middle-level servant leadership leaders is the weakest. Recommendation for Researchers: This paper extends the study of top and middle leadership’s combined effect on employee performance as a positive response to the call for multi-layer or cross-layer analysis in leadership research. The findings further enrich the literature on leadership style-related theories. The middle leadership style plays a positive mediating role between the top leadership style and employee performance. The trickle-down effect is further verified, i.e., the top leadership will have a permeating influence on employees through the middle leadership, and the top’s influence on the middle is generally more significant than the influence on grassroots employees. However, the difference between the influence of the middle leadership on the grassroots and that of the top on the grassroots is not apparent, which is inconsistent with the trickle-down effect that the middle leadership communicates more with the grassroots and has more influence on the grassroots, and further verification is needed. All three types of leaders positively affected employee performance, with the best being transformational leadership, paternalistic leadership, and servant leadership. This finding is consistent with some scholars and inconsistent with some scholars. The interested scholars can do further research. The better performance of diverse pairings in middle and senior leadership combinations is consistent with previous research suggesting that leadership styles have their own strengths and can be complementary. This paper further provides a comparative study of multiple leadership styles to validate the recognition and adaptability of leadership styles and further explain the complex relationship between leadership styles and employee job performance. Scholars can conduct comparative research on other leadership styles, and there may be different results. Future Research: Because of the cross-sectional data taken, the findings’ generalizability still needs further validation. There are many types of leadership styles, and there are other types of leadership styles that can be explored comparatively, perhaps leading to different findings. From another point of view, various leaders have their strengths, and they are not mutually hindering. More research is needed on team formation in a variety of contexts. Organic organizational structure enables knowledge creation and integration through the process of organizational learning through deep and continuous social interaction or dialogue. So we can further examine the influence process of leaders on employees from how to give full play to their advantages, such as improving shared leadership and shared communication.




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css list-style-type with parentheses

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Sustainable Living: Simple Steps for a Greener and Eco-Friendly Lifestyle

Sustainable Living: Simple Steps for a Greener and Eco-Friendly Lifestyle




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Airport chic: Fashion that lets you have both comfort and style

The trick to merging comfort and style is all about finding pieces that are both functional and fashionable.




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Like Mahira and Sajal, start embracing fusion wear and watch your style game soar

Add Western touches to traditional outfits to get the best of both worlds




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Celebrate in Style: 12 Fabulous Birthday Nail Designs for a Standout Manicure

Today is the youngest you’ll ever be!




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10 Trending Fringe Hairstyles You Need to Try in 2024

Bangs are making a bold statement this year—get ready to find your perfect fringe.




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Angelina Jolie brings classic style to 'Maria' premiere night in NYC

Angelina Jolie brings classic style to 'Maria' premiere night in NYC

Angelina Jolie exuded elegance in New York City on Tuesday as she promoted her upcoming biographical film, Maria.

The 49-year-old actress was spotted heading toward an awaiting car in a sleek, black dress, paired...




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Layering tips to keep you warm in style this winter

Layer up and stay warm all season long




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Style 101: 9 Lines

Playing dress up with 9 Lines' latest collection




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The Style Edit

Tips to style your oversized blazer




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Style 101: Sadia Tariq Güzel

Playing dress up with Sadia Tariq Güzel




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Style 101: Mehdi Couture

Playing dress up with Mehdi Couture




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The Style Edit

Make a style statement by reviving fashion elements from the 90s




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Celebrity Style Watch

Decoding the Latest Timepieces




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Slaying the Denim Game With These Super Trendy Style Tips

Slaying the Denim Game With These Super Trendy Style Tips




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5 Easy Clothing Hacks To Restyle Your Old Wardrobe

5 Easy Clothing Hacks To Restyle Your Old Wardrobe




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Pamela Anderson slays in classic style at ‘The Last Showgirl' screening

Pamela Anderson slays in classic style at ‘The Last Showgirl' screening

Pamela Anderson exuded elegance in New York City, as she attended the special screening of The Last Showgirl.

As reported by MailOnline, 57-year-old actress who attended the star-studded event at...




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Kate Middleton to dazzle with ‘bold yet sophisticated style' at Christmas Carol Service

Kate Middleton is expected to showcase a "bold yet sophisticated style" at her upcoming "Together at Christmas" Carol Service, according to a fashion expert.

Speaking with GB News, fashion guru James Harris predicted that the Princess of Wales’ outfit will potentially featuring...




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Pro Freestyle The Hague 2017 x Radiobikes





Felix Prangenberg Wethepeople Endstate Part


Felix Prangenberg has produced a lot for his WTP "Endstate" part during his Cali trip, in which each clip is just sick! enjoy the video! Best regards, your kunstform BMX Shop

Video: Grant C.

Subscribe our youtube channel: https://www.youtube-nocookie.com/kunstformbmxshop




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X_MAS JAM 2018 - Freestyle indoor Park Zurich



At the 12th December 2018, the X_MAS JAM 2018 will take place again at the Indoor Park Zurich. From 2pm - 4pm you can have a chilled warm up session at the park after that you'll have the chance to win some prizes, which are kindly sponsored by Focuswater, TSG Switzerland, Kunstform BMX Shop and Biroma. At 6pm the rankings will be announced afterwards you can shred the park til 10pm. So come over and have a great time there!

All the best, your kunstform BMX Shop Team!

What:
X_MAS JAM 2018 - Freestyle indoor Park Zurich

When:
15th of December 2018

Where:
Freestyle indoor Park Zurich
Bändlistrasse 76
8064 Zürich


More infos on Facebook.




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