Why and how OM EAST produces Christian comics to reach minority peoples

Check here each week to keep up with the latest from John MacArthur's pulpit at Grace Community Church.

Check here each week to keep up with the latest from John MacArthur's pulpit at Grace Community Church.

Check here each week to keep up with the latest from John MacArthur's pulpit at Grace Community Church.

Check here each week to keep up with the latest from John MacArthur's pulpit at Grace Community Church.

We’re still a week away from Blizzard’s Warcraft 30th Anniversary Direct next Wednesday the 13th of November, but art from an apparent remaster of 1995 real time strategy game Warcraft II: Tides Of Darkness has leaked online, via Xibbly user Stiven. It’s a thin one, as far as leaks go, but does show what looks to be cover, logo art, and a Battle.net icon. Thanks for the spot, Percy Coswald Gamer.

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After years trapped in licensing hell, the classic action-RPG is back. But does it still hold up in the days of Dark Souls?

DARK EMMETT

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The dying star, which lit the galactic scene, is the most distant stellar explosion of its kind ever studied.

The post Dying star illuminates distant galaxy, lifting veil of interstellar darkness for astronomers appeared first on Smithsonian Insider.

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The Eye Camp programmes team up with a host ophthalmologist, to provide some training if it is required, and to help provide equipment, such as microscopes and autoclaves (used for sterilising surgical instruments). Repeat visits are made to the same country to maintain the projects' momentum.

Benjamin Stuben Farrar of Iowa City is a storyteller without a story to tell at the moment. The first story is as dramatic and layered as his bold scenic and lighting designs for area stages:...

Benjamin Stuben Farrar of Iowa City is a storyteller without a story to tell at the moment.

The first story is as dramatic and layered as his bold scenic and lighting designs for area stages: “Benjamin Stuben Farrar” is not his actual name.

He was born Stewart Benjamin Farrar 41 years ago in Kentucky. He didn’t want to go through life as “Stewie,” so he went by “Benjamin,” until he got to college at Vanderbilt University in Nashville. He ran into so many other Bens, that his buddies decided to combine his names into “Stuben.”

That name followed him to grad school at the University of Iowa in 2002, where he earned an MFA in theater design. But when he moved to New York City in 2006 to pursue his career, he didn’t like hearing “Stuben” shouted across the theater.

“It sounded too much like ‘stupid,’ ” he said, “so I reverted back to Benjamin.”

But nicknames have a way of sticking. When he and his wife moved back to Iowa City in 2015 to raise their daughter, he switched to “Stuben” again, since that’s how people knew him there.

Professionally, he uses “S. Benjamin Farrar” and on Facebook, he goes by “Benjamin Stuben Farrar” so friends from his various circles can find him. Even though most people now call him “Stuben,” he still introduces himself as “Benjamin.”

“To this day, I have 12 different names,” he said with a laugh. “Only the bill collectors know me as ‘Stewart.’”

Like his name, his artistry knows no bounds.

He has planted apple trees on Riverside Theatre’s indoor stage in Iowa City; a child’s outdoor playground on the Theatre Cedar Rapids stage; and dramatic spaces for Noche Flamenca’s dancers in New York City venues and on tour.

These days, however, his theatrical world has gone dark.

His recent designs for “The Humans,” “The Skin of Our Teeth” and “Kinky Boots” at Theatre Cedar Rapids and “A Doll’s House, Part 2” at Riverside Theatre have been canceled or postponed in the wake of the coronavirus pandemic. He has “The Winter’s Tale” in the works for Riverside Theatre’s free Shakespeare in the Park slated for June, but time will tell if that changes, too.

“Within the course of two weeks, five productions were canceled or moved indefinitely,” he said.

Looking ahead, he’s not sure what shows he’ll have time to design for the upcoming seasons. He’s used to juggling three or four productions at a time, but he said that could become really difficult if the shows fall on top of each other at the various venues.

As with so many artists right now, his world keeps changing.

He and his wife, Jody Caldwell, an editor and graduate of the UI Writers’ Workshop, are both freelancers, leaving them with no income during this pandemic. So Farrar has been wading through red tape and delays to secure unemployment compensation and the government stimulus check, for which he’s still waiting. One bright spot was receiving a $1,000 Iowa Arts & Culture Emergency Relief Fund grant given to 156 Iowa creatives who have lost income from canceled projects.

With his regular revenue streams drying up, he’s been considering other ways to earn money through teaching theater or creating and selling more of his digital and film photography — an outgrowth of his fascination for the way lighting can sculpt a scene on stage.

“I love doing nature (photography). I love doing details,” he said. “I love photographing people, too, especially on stage — I love photographing my own shows. It’s just a lot of fun.

“For me, nature’s so interesting, especially living where we do in North America, there’s vast changes from one time of year to another. I just love looking at that on a very small scale, and how light happens to fall on that particular surface — how that surface changes color,” he said.

“Right now the redbuds are out. The magnolias came out two weeks ago and then they started to fall. It changes the landscape dramatically, especially based on whether it’s a morning light or afternoon light or evening light, whether it’s cloudy, whether the sun’s peeking through clouds and highlighting a few individual leaves. I find that super fascinating.

“That’s how I can look at the same boring tree at different times of year, at different times of day, and find something interesting to photograph.”

While his scenic designs create an immediate visual impact and help tell the story swirling around the actors, Farrar was a lighting designer before he became a scenic designer.

It wasn’t love at first sight. He took a light design course in college, but didn’t “get” it.

“It’s really difficult to wrap your head around it,” he said.

His aha moment came when he was running lights for an operetta in college.

“I just had these little faders in front of me so I could raise certain lights up and down. And the music was happening in front of me and I thought, ‘I control this whole little universe. I can make things completely disappear. I can sculpt things from the side, I can make things feel totally different — just like music can — just based on how it’s lit.’ And then I finally started to understand how the lighting hooked things together,” he said.

From there, his interest in lighting soared.

“I absolutely love lighting,” he said. “I think it’s probably given me more joy than anything else, just because I can go for a walk someplace and just the way the lighting changes as the clouds come in or out, or as the time of year changes and the angle of the sun changes, I really enjoy seeing that — and that’s what got me into photography.”

While his design work is a collaborative process with the director and other production team members, the ideas begin flowing as soon as he starts reading a script. With the flamenco dance company in New York, he might start working on a show two years in advance. With Theatre Cedar Rapids, the lead time is generally six months to look at the season overall, and four months to “get things going” on a particular show, he said. The lead time is about two months for Riverside Theatre shows, which have shorter rehearsal periods.

He begins thinking about the theater spaces, the text that the audience never sees, the show’s technical demands, and the scale in relation to the human body. He still likes to do some of his design work by hand, but computers and the 3D printer he has in his basement workshop have made the process much quicker for creating the drawings and scale models for each show.

He also enjoys the variety and challenge of moving between the small space inside Riverside Theatre and the large space inside Theatre Cedar Rapids, as well as the theaters at Grinnell College and Cornell College in Mount Vernon, as well as the theaters in New York and the touring venues that have housed his designs.

Ultimately, the goal of scenic design “is always about the storytelling,” he said.

“There’s a version of a show that exists in a script, if there is a script. Assuming it has a script, there is a scaffolding for that show in the script, and then there’s a version of the show in the director’s head, and then there’s a version of the show that’s performed in my head as I read the script. So there’s all these different versions.”

If the show is a musical, the choreographer brings in another idea, and the musical score adds another element. Sometimes Farrar knows the music very well, but other times, he doesn’t.

“Hopefully, I can integrate that well if I listen to the music while working on the show — not usually when I’m reading the script, but while I’m drafting the show. I’ll listen to the music to get a sense of how the show wants to move.

“Integrating all these different versions of the show — the text, what’s in my head, what’s in the director’s head, what’s in the choreographer’s head, the role the music plays — and then you synthesize all those elements, and then you find out how the show wants to move in the space it has. And how a show moves is one of the most important things to me. ...

“You get a sense that the show becomes this conscious element that wants a certain thing, and will reveal those things over time.”

And time is something he has right now.

Comments: (319) 368-8508; diana.nollen@thegazette.com

This week on Open Air, KALW’s weekly radio magazine for the Bay Area performing arts, host David Latulippe talks with Susi Damilano (pictured, left), star of the new production of Tiny Beautiful Things at SF Playhouse - and also the company’s producing director. Performances are through March 7 at SF Playhouse (450 Post St.) in San Francisco.

Trapped deep under layers of solid Antarctic ice are air bubbles from before the industrial age holding clues to a climate riddle which could radically reshape our understanding of global warming.

The beloved sci-fi franchise continues to boldly go from strength to strength with a ripping adventure, first class production and a memorable villain.

Is it possible to remake a classic concept like Star Trek better than the original? Yes, apparently it is.

When you suffer from a mental illness, the darkness can be all encompassing. So finding something in your life to make you smile becomes precious. For some at the Bridges Health and Community Care centre in Bundaberg; the love of pets, their family, games and movies, and helping others all helps to brighten their day.

A classic of the genre that only lightly shows its age, this novel is more an essay in speculative Anthropology than Science fiction per se.

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I was coming home last night from a visit to Earth and as my spaceship slowed down to enter the atmosphere of Planet Sarillion I was horrified to see there was no planet!!!! There was just a big cloud and The Darkness.  I couldn’t believe it, where was my Mom and Dad, my friends, the […]

Hi all my friends, I was really looking forward to Olice Hush’s party today in the Palace.  I got all changed into my new fire dress and then the Darkness hit without any warning.  I couldn’t get out of my room, on my computer screen it said server failed and all sorts of other things happened to […]

Привет. Давненько ничего не делал. Решил размяться. Вообще-то в планах, не было делать эту работу. Но наткнулся на старые работы. Lord's Prayer и Das Omen после того как их посмотрел, захотелось сделать что-то своё. Но как обычно в стиле oldschool. Насчёт nickname решил использовать старый. Который на akross но с чистого листа. Да и вообще всем желаю приятного просмотра.

Информация
Автор: Kain4ig
Аниме: X (TV)
Музыка: Breaking Benjamin - The Dark of You

Though John Moe's podcast, 'The Hilarious World of Depression' centers on mental illness, the conversations are funny. Humor "can bust me out" of a dark place, he says, the way platitudes never would.

• Iron Man 3 Review
• Star Trek: Into Darkness Review
• The Great Gatsby Review
• What We Watched

(Stanford School of Engineering) After analyzing 95 million traffic stop records, filed by officers with 21 state patrol agencies and 35 municipal police forces from 2011 to 2018, a Stanford-led research team concluded that 'police stops and search decisions suffer from persistent racial bias.'

Women journalists -- Fiction.

Egret walking through the swamp on a foggy morning

This was one of the most spine chilling experience that I had in my entire time with wildlife It was a winter noon drive that we got into the woods of central India and soon we reached a particular point in the jungle we got intense langur calls saying the presence of a predator around After thorough checking for the same we found this subadult male tiger staring at us from the beside bushes It was really a spine chilling experience to see directly into a tigers eye at any time

An orthodox Jewish girl shares her testimony of coming to faith in Jesus at her baptism.

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Vatican City, May 6, 2020 / 07:00 am (CNA).- Pope Francis said Wednesday that Christ’s light illuminates the darkness of sin in our world and in ourselves.

“It is the mission of Jesus to bring light. And the mission of the apostles is to bring the light of Jesus,” Pope Francis said in his morning Mass homily on May 6.

“The Lord saves us from the darkness that we have inside, from the darkness of everyday life, of social life, of political life, of national, international life,” he said.

Speaking from the chapel of his Vatican City residence, Casa Santa Marta, Pope Francis quoted chapter 12 of the Gospel of John: “I came into the world as light, so that everyone who believes in me might not remain in darkness.”

The pope said that “the drama is that the light of Jesus has been rejected” by many who are blinded by sin. 

“Sin blinds us and we cannot tolerate light,” he said. “It is not easy to live in the light. The light makes us see so many bad things inside us that we do not want to see: the vices, the sins.”

He continued: “We think of our pride. We think of our worldly spirit. These things blind us. They distance us from the light of Jesus.”

Conversion is an experience of moving from this darkness of the “slavery” of sin to the light of Christ, the pope said.

“Paul had this experience of the passage from darkness to light, when the Lord met him on the road to Damascus. He was blinded. Blind. The light of the Lord blinded him. And then, after a few days, with baptism, the light was restored,” he said. 

“He had this experience of the passage from the darkness, in which he was, to the light. It is also our passage, which we sacramentally received in Baptism … This is why in the baptism liturgy we receive a lit candle … because the child is illuminated,” he added.

Pope Francis said that the Lord asks us to “have the courage to see our darkness so that the light of the Lord may come in and save us.” He added that there is no reason to be afraid of the light of Jesus because he is gentle and good, and “he came to save us.”

“And this will be the struggle of Jesus. He continues to illuminate, to bring the light that shows things as they are,” the pope said. 

“He shows freedom. He shows the truth. He shows the way to go with the light of Jesus.”

Why and how OM EAST produces Christian comics to reach minority peoples

Check here each week to keep up with the latest from John MacArthur's pulpit at Grace Community Church.

Check here each week to keep up with the latest from John MacArthur's pulpit at Grace Community Church.

Thousands of people have taken part in the mental health charity Pieta House's 'Darkness Into Light' Sunrise Appeal at dawn.

After analyzing 95 million traffic stop records, filed by officers with 21 state patrol agencies and 35 municipal police forces from 2011 to 2018, researchers concluded that 'police stops and search decisions suffer from persistent racial bias.'

A Sydney mechanic who rescued a seven-year-old girl being raped by convicted sex offender Anthony Sampieri tells a court he still has nightmares about the "feeling of a scalpel being dragged across the back of my neck".

The big question is whether you want to focus on the 2020 bit of the Bank of England's illustrative scenario, which shows a 14% fall in GDP.