He was one of the Twelve and a kinsman of the Lord according to the flesh (see Luke 6:16, Acts 1:13; according to holy Tradition, Joseph the Carpenter, before he was widowed, had four sons by his wife Salome: James, Hosea, Simon and Jude). As an Apostle, St Jude preached in Mesopotamia, Arabia and Syria, and met a Martyr's end in Beirut. He is the author of the New Testament Epistle that bears his name. His name ("Judas" in Greek, from "Judah" in Hebrew) means "praise".

His Hebrew name is Jacob. He was a close kinsman of Christ, and was therefore called, according to the Jewish usage of the time, his "brother." Some accounts say that he was a child of Joseph by his first marriage; others accounts say that he was the son of Joseph's brother Cleopas and his wife Mary, who was first cousin of the Theotokos. He took the Nazirite vows of one completely consecrated to God according to the Law, and from a young age he was called "the Just" by his people. He is called James the Lesser in Scripture (Mark 15:40) to distinguish him from James the son of Zebedee, who is called the Greater. The Apostles appointed him first Bishop of Jerusalem. It was he who presided at the earliest Council of the Church in Jerusalem, where he resolved the problem of how gentile converts should be received into the Church (see Acts 15). He wrote the New Testament Epistle, addressed primarily to Jewish converts to the Faith, that bears his name. About the year 62, he ascended to the peak of the Temple in Jerusalem on Passover, and there bore witness to Christ so effectively that the people cried out "Hosanna to the Son of David." At this, the Scribes and Pharisees, fearing that all the people would be converted to Christ, cast him down to the ground. By God's grace, he survived long enough to rise, kneel and pray, like his Master, "Forgive them, Father, for they know not what they do." He was then clubbed to death by one of the scribes.

We affirm as central to the Great Tradition both the divinity and humanity of Jesus, but today Fr. Tom focuses on the humanity of Christ as our Friend and Brother.

The prophet Jeremiah helps us to consider, along with this Sunday’s gospels and epistle, the different ways in which God makes himself intimately known to each of us, and to all of us together, in the Church. (Luke 8:26-39; Gal 1:11-19; Luke 16:19-31; Jeremiah 31:31-34)

This week we tackle Rev 1:9-17, and seek to understand John’s initial vision of the LORD Jesus in the light of the OT passages that he echoes: Rev. 1:9-17; Exodus 20; Daniel 7:9-14; 10:16-19, and Ezekiel 43:2.

"Saint James, The Brother of the Lord," from The Co-Workers for the Gospel, Illustrated Biographies, Book 5, by Spiritual Fragrance Publishing (2012)

44. Book 1: Angel in the Waters by Regina Doman (Sophia Institute Press, 2004) Book 2: Brother Bartholomew and the Apple Grove, by Jan Cheripko (Boyds Mills Press, 2004)

We finish this Lenten series discussing the virtues of patience, love, and not judging our brother. Again, the Orthodox axiom of working out the virtues in the body is true, and we learn that patience is not merely a passive state, but also requires spiritual/bodily effort to restrain evil thoughts/actions, choosing to perform God's will instead. Love for God, neighbor, enemies and the whole of creation is our aim, cultivated with our growing awareness of God's pure and captivating eros coming down from heaven. Engulfed in this love we lose interest in the world and adopt the humble mind of Christ, whose words on the Cross, "forgive them for they know not what they do," are to become our own towards all men.

Brother Luke shares about an addict and a group of mourners he met at St. John the Compassionate Mission.

Listen to three short reflections about interactions at St. John the Compassionate Mission, reminding us that all lives are worth living.

Fr. Christopher talks about the three major characters in the story of the prodigal son.

In his last episode, Dr. Rossi reflected on the character Fr. Zosima from the Fyodor Dostoyevsky novel The Brothers Karamazov. Today he talks about the brothers themselves and the correlation with our own lives.

Beginning the second series of "A Word From the Holy Fathers," Archimandrite Irenei calls upon the spiritual homilies of St. Makarios the Great, reflecting on the saint’s profound question, "Do you wish to be a friend of God, and a brother and son of Christ?" What does it mean to be God’s "friend," and how should this affect how we see ourselves—and what God requires of us—as Orthodox Christians?

A homily on Matthew 25:31-46

What sort of life we live is determined by who we think we are. If we are servants of God, that means that not one of us belongs to himself. His time, his energy, his resources, all belong to the King that he serves.

Players were subjected to online abuse after their shock cup final defeat on Sunday.

Brian Whitelock told neighbours he did not know why he stabbed Wendy Buckney, a court hears.

Aled Morris says the show has become a big part of his life.

by Mitchell Longan[1] Introduction The European Parliament is currently considering a proposal to address problems of piracy and other forms of copyright infringement associated with the digital world.[2] Article 13 of the proposed Directive on Copyright in the Digital Single

The driver charged with killing NHL hockey player Johnny Gaudreau and his brother, Matthew, as they were cycling on a rural New Jersey road briefly appeared in court Tuesday, where the judge extended the window for prosecutors to seek an indictment.

Mizkan America, Inc., (MA) announced that it has acquired the natural and organic barbeque sauce and broth brand Born Simple® for an undisclosed sum.

Whole Foods Market stores nationwide now carry new Freak Flag Organics Bone Broth products. The retailer will sell three of the company’s bone broths, all of which are USDA-certified organic and GMO-free. The partnership allows for even more opportunities of expansion for other retailers to carry Freak Flag Organics Bone Broths.  

LonoLife, a brand of portable, powdered bone broth and collagen products, announced its newest innovation, which aims to meet consumers’ need for elevated nutrition, convenience and flavor. LonoLife Noodle Soups are made with 20g of protein, use high quality egg noodles and contain savory, flavorful bone broth. 

All 100% plant-based, no-sugar, oil-free, and low in sodium, these shelf-stable products are offer healthy plant-based convenience and taste, and can help consumers have a fast, healthy meal on the table in minutes.

Powered by 15g of protein and 5.5g of collagen per serving, the Dr. Kellyann broths can be a meal replacement, snack, or stock alternative for the entire family to enjoy.

Kitchen Basics® has a portfolio of conventional and organic stocks and broths, including Chicken, Unsalted Chicken, Beef, Unsalted Beef, Vegetable, Unsalted Vegetable, Turkey, Seafood, and Creamy Bean & Vegetable.

Ocean's Halo use of the pod allows the company to expand its product offerings into a new market without creating more plastic pollution.

Every product from LonoLife totes a strict guideline of no artificial colors, sweeteners, preservatives, or flavors, bringing health-conscious shoppers a convenient, shelf-stable, and nutritious solution.

The Certified Organic Keto Broth is gluten- and grain-free and made with Bonafide Provisions' best-selling pasture-raised, organic bone broth, MCT oil, and quality fats.

With the launch of Bone Broth — inspired by soups and stews — Cerebelly is responding to parents' requests for more variety and are now able to offer their children Cerebelly's full portfolio of products more often for a longer period of time throughout key developmental milestones.

David Gross, executive director, INSTALL, highlights the Sisters in the Brotherhood (SIB)—a women’s union organization within the United Brotherhood of Carpenters and Joiners of America. He provides an update on how the unions have evolved over time and talks in depth about the support and resources the SIB offers.

From the earliest days, Ruggieri Brothers of Cranston, R.I., was a hometown, family business.

Ahead of the hardcore band's sold out show at Revolution Hall, Johnny Whitney and Jordan Blilie tell us what the group's intense, abstract song lyrics really mean. by Suzette Smith

Like any fan of Seattle hardcore band the Blood Brothers, I have found myself at a show, pressed up against a wall of people, shouting the wrong lyrics to their songs. For instance, on their hit "USA NAILS" there's a hook where you think you're singing a cheer-style "one, one, and two!" but the lyrics are actually: "These pigs locked me up to see what color I'd rot into!"

The energetic screamo group was active from 1997-2007, during which time they released five critically-acclaimed albums, completed several European tours, and even played a set on Jimmy Kimmel Live, overcoming the reservations of the show's freaked-out producers. Perhaps the best indicator of their success is the fact that their US reunion tour—which hits Portland on November 12—is completely sold out.

Ever ones to cut the bullshit, Blood Brothers don't have a new record; they're playing the fucking hits. Still, the tour is timed with Epitaph's anniversary reissue of one of their biggest albums Crimes (2004) on vinyl.

When we sat down to talk to Johnny Whitney, who fronts the band with fellow singer/screamer/guttural whisperer Jordan Blilie, he noted that plenty of lyrics websites list incorrect verses for Blood Brothers songs. "It's hilarious how wrong some of them are," Whitney said. "The lyrics on Spotify are not even close to what I'm actually saying. Just buy the fucking CD, and look it up. Come on, people."

We spoke with Whitney and Blilie separately, over sprawling phone calls that we have organized into this piece. For clarity, we're listing their responses together, as we seek to get into the nitty gritty of this group's  danceable, screaming-nightmare material.

Blood Brothers in San Francisco, on the first night of their reunion tour. They were incredible. Photo by Suzette Smith Jordan Blilie (left) and Morgan Henderson (right) Suzette Smith

Foremost, Whitney and Blilie both began by gushing about the other three members of their band: frenetic drummer Mark Gajadhar, vigorous guitarist Cody Votolato, and ultra-versatile bassist Morgan Henderson, who is currently best known as a member of Fleet Foxes.

Related: Multi-instrumentalist/Ultramarathoner Morgan Henderson Is Busier Than You

"I cannot fucking believe that I got to work with these guys," Whitney says. "I just took all those things for granted at the time. Everybody was, and still is, coming from totally different places [musically], but there was always something really special about all of us together that was there from the moment that we started."

PORTLAND MERCURY: Johnny, I've always gotten the impression that you're the major force behind the lyrics.

JOHNNY WHITNEY: I came up with the majority of the lyrics, but it certainly was collaborative between Jordan and I. I would freewrite as much as I could, to have material to draw from, and going back to those notebooks kept things as free and fresh and not contrived as possible. The drawback of that approach is the lyrics are very abstract and hard to parse direct meaning from, but that's also kind of the point. I found myself writing about the absence of answers, or the absence of concrete truths that you can hold onto.

A lot of times, my process would center around coming up with a cool idea: a song name or some common refrain that we would want to work into a song, like "Burn Piano Island, Burn." Something that has a hook or conveys an image or feeling. Then we would reverse engineer the lyrics from that.

JORDAN BLILIE: I would absolutely say that I felt like Johnny was the driver, and for good reason. He's really good. When you see someone who is in a flow state, you do your best to accentuate and collaborate, to help mold and shape and add your pieces. It was always stuff that I was really excited to dig into. It was just that rich and that vibrant. The challenge for me was what can I add to it, you know? It always pushed me to try and come up with the most creatively-inspired stuff that I could.

You two have such an engaging stage style. People would call it sassy, but that has always felt like a description from people who have never been to a play and can't recognize theater. Do either of you have a background in theater arts?

WHITNEY: I wanted to be a child actor—I actually auditioned for that movie Blank Check (1994). Actually, a year after Jordan and I met, we were both in a Jr. High production of Alice in Wonderland. He was the Mad Hatter, and I was the Mock Turtle.

BLILIE: Why would you say that? [Laughs]

Jordan Blilie (left) and Johnny Whitney (right) Suzette Smith Jordan Blilie screams on the tour's first night in San Francisco. Suzette Smith

"USA NAILS" was such a hit, and it involved a phone number everyone could scream. How did that come to be?

WHITNEY: The name and the "1-900-USA-NAILS" comes from the chain nail salon, but we reverse-engineered it into a song about somebody using their one phone call from the county jail to call a phone sex line. It's the idea of loneliness, disaffection, and parasocial relationships with things that exist solely for their own profit or gain.

And yet it's also danceable. There are these moments live where you have an audience of people shaking their asses and shouting "to see what color I'd rot into!" Did you start with that idea and work backwards, or just jam it into that moment of the song?

WHITNEY: At that time, the band would all sit together in a room and have a kind of song tribunal about how each part should go. Then, at some point, we'd have a semi -finished version and [Jordan and I] would just try to fit lyrics to the songs. Especially on Burn, Piano Island, Burn. Some of those songs needed an editor so bad, right? I wouldn't change a thing about it, but looking back, there are parts where it sounds like everybody's playing a different song at the same time, but it kind of works, right? And for the lyrics, sometimes we just had to make it work.

That wasn't the first time Jordan whispered his lyrics in a guttural tone, but it's one of the more emblematic, right? How did that start?

BLILIE: By necessity—I don't have much of a range, you know? I have this weird baritone. Very early on we were drawing from crust punk, where you just have two voices screaming. And we didn't put a whole lot of thought into even what the other person was doing. But then, as we continued to develop, the stuff became more complex, and there was more room for different sorts of shadings of what we could do vocally. So it was just finding out: What is it I can do other than scream at the top of my lungs?

WHITNEY: Jordan's part at the end just works right? He was very inspired by Jarvis Cocker.

BLILIE: Yeah, you can trace that right back to Pulp. If you listen to any Pulp song, there's gonna be some whispery storytelling, with the compression cranked up so you can kind of hear every lick of the lips.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/burn-piano-island-burn">Burn, Piano Island, Burn by The Blood Brothers</a>

BLILIE: Some of my favorite moments of writing with Johnny are the ones that we would where we would crack each other up.

Can you give an example?

BLILIE: Every lyric of "Guitarmy." We really got a kick out of the idea of opening our major label debut with the words, "do you remember us?" Because of the audacity, the absurdity of it.

So you guys all started this band when you were in your teens.

BLILIE: Yeah, we started when we were like, 15-16.

Are there any lyrics that have not aged well, in your opinion?

BLILIE: I'm sure they're the ones that we're not playing. [Laughs.] This question reminds me of something one of my professors said. It was my first class at UCLA, Queer Lit from Walt Whitman to Stonewall. In class discussions my fellow classmates would critique writing from the 1800s for not satisfying certain criteria, and our professor would say: You cannot look at the text backwards. You have to look at it forwards. You can't apply current day criteria to something that was written when that criteria didn't even exist. You have to engage with it in the context of when it was written. I don't think anything we wrote is in a canon warranting that level of examination, but it's useful nonetheless. It's a way for me to remind myself that I was 20, and I had the tools of a 20-year-old. It helps me to not beat myself up too much about it.

WHITNEY: There's a story behind this. When we were doing the song "Camouflage, Camouflage" on Young Machetes, Jordan and I were going back and forth on the lyrics. He was like, "Yeah, I'm great with all this." But he put a line through one verse, where I say: "All the girls in Montreal are smashing skateboards in the street." And I was just like: Fuck you, dude. I'm gonna keep this in. But he was right, because it sounds stupid, and it's like, really horny and makes me want to light my skin on fire. So I'm changing it to something else, probably something different every night.

Johnny Whitney (left) holds a crowd member's hand for support. Suzette Smith The crowd supports Johnny Whitney while he sings. Suzette Smith 

I wonder about imagery in Blood Brothers' songs that seems to be responding to beauty standards at the time. Like, in "Ambulance, Ambulance" you've got this blistering segue to the chorus: "What is love? / What is scam? / What is sun? / What is tan?"

WHITNEY: That's a double meaning. Because it's like tan—like suntan—but also tan is a blah color, right? It's like the color of a dentist's office wall. If you think of the idea of love being something that could feel on-fire, passionate, the color of a dentist's office wall is the opposite. Although, tanning does come into play in a lot of our lyrics. I've noticed as well.

Or on "Beautiful Horses" the lyrics are "gallop into your romance novels / dance atop heavy pectorals."

BLILIE: I think we were seeing an increasingly vapid culture, and we were trying to dig into that—dig into: What does it do to someone when they're bombarded by these sorts of images and messages? There was a lot of that in that writing; I can't say specifically with "Beautiful Horses," but I think "Trash Flavored Trash," would probably fit under that umbrella.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/crimes-bonus-track-version">Crimes (Bonus Track Version) by The Blood Brothers</a>

In "Rats and Rats and Rats for Candy" there's an ongoing narrative of rats living inside a woman. It's like a play. There are characters. And the rats eventually chew out of her and try to find a new body to live in. I wondered if that was also about beauty standards or body dysmorphia?

WHITNEY: That song, it's about that, but it's also about manipulation, right? Not to get too personal, but I grew up with somebody who weaponized being sick—faked being sick—for their entire life in order to manipulate people and extract something they needed out of them. The character in that song is kind of a victim, but like a siren at the same time. They're trying to lure somebody in.

Is that person the rats, or are they Candy?

WHITNEY: The rats are in Candy. I mean, it's both.

What about "The Shame?" Your group resonates so much with "everything is gonna be just awful / when we're around" that you're putting it on t-shirts 20 years later. What does it mean?

WHITNEY: The whole premise of that song is having to sell yourself—how to commoditize yourself. It's about how you function in a capitalist society. You sink or swim by your ability to market yourself, make yourself desirable—whether it be in relationships, job market, blah blah blah. I've always been repulsed by that and was especially at the time we wrote it, which was in Venice Beach, while we were recording Burn, Piano Island, Burn. It was the longest time I'd ever been in LA, and that's the epicenter of being a self-salesman. That line encapsulates the feeling of being sold something. And you're in a position where, in order to survive, you have to be your own salesman.

Salesmen show up in other songs, like "The Salesman, Denver Max." That's another one that almost feels like a short story.

WHITNEY: I initially cribbed the idea for that song's lyrics from the Joyce Carol Oates short story, "Where Are You Going? Where Have You Been?" It follows a narrative of a very dangerous, predatory man in the process of stalking and kidnapping somebody. “Denver Max” was a huge, uncomfortable gamble for me, because I wrote the entire song on my acoustic guitar, recorded it to a 4-track, and then played it for the guys—totally expecting them to hate it. It was really daunting to try to contribute as a songwriter; Cody, Morgan, and Mark are such talented musicians. I think they may have hated it; I don't really remember how we ended up recording it. It was nobody's favorite thing, but we just tracked it, and it sounded great and worked.

Have you read anything by playwright Caryl Churchill?

WHITNEY: Never heard of her.

"Live at the Apocalypse Cabaret" has a lyric in it that reminds me of her play Far Away, which has a scene of milliners making hats for people to wear at a public execution, so I always felt a symmetry there, because of the lyrics "the cross-eyed map of the afterlife is knitting tiny neck ties." 

WHITNEY: I'm going to be super honest, the songs that I'm the most familiar with the lyrics of, at this very moment, are songs that were going to be playing, because I've been rehearsing them. But I do remember, with that song, we were trying to be funny without being silly. Like, a cross-eyed map is a map that makes no sense, where you don't know where you're going. Knitting tiny neckties are noose ties. It's like dressing yourself up for death, right? It's trying to dress up something that's really heinous and horrible and incomprehensible, and also trying to navigate that, through a map that makes no sense.

At this moment you have cracked my understanding of a play you haven't even read. But I digress, I've read that "Celebrator" was a direct response to Toby Keith's "Courtesy of the Red, White and Blue."

BLILIE: That pumped up patriotism felt gross when taken in context with the images and much of the information that we were seeing come out of Iraq and Afghanistan.

Is that why there are so many mentions of amputated limbs on Crimes?

BLILIE: The bulk of Crimes was trying to engage with war so that's where you get a lot of that grizzly imagery.

Related: The Blood Brothers Set Expectations Ablaze at Last Night’s Surprise Black Lodge Show

Well, personally, it's so nice that you're touring right now. Blood Brothers are great for when you need to scream, but you can't. You can scream along to the Blood Brothers in your head, or out loud at a show.

BLILIE: I'm glad that we could be of service, in that regard. It's hard for me not to go into a really bleak mindset when I look at our current political landscape. I find myself equal parts enraged and terrified. And there are times when I have to just close all news down. I guess it is a good time to get up and scream.

The Blood Brothers play Revolution Hall, 1300 SE Stark, Tues Nov 12, 8 pm, SOLD OUT, all ages.

The Rev. Roland Mouton, the twin brother of the late East Bethel Missionary Baptist Church pastor the Rev. Ronald K. Mouton, who was fatally shot in the chest in June 2022 after a 10-second argument with an Uber driver in Houston, is calling for the suspect in his brother’s killing to be jailed for violating the terms of his bond as his laments the slow pace of justice for his family. 

An expanded meeting of the Board of the Ministry of Defenсe was held in Moscow on December 21. During the meeting, Defence Minister Sergei Shoigu delivered a keynote speech. President Vladimir Putin also spoke at the meeting. Below are key remarks that Shoigu and Putin made about the army, the special operation and priority tasks for 2023. Russian President Vladimir Putin: Of course, the hostilities and military operations are always associated with tragedy and loss of lives. We understand this very well, we are aware of this. But since this [conflict] is inevitable, better today than tomorrow. I think that everyone present in this auditorium perfectly understands what I am talking about. I still consider the Ukrainian people our brotherly nation. What is happening now is a tragedy, but it does not come as a result of our policy. We need to study NATO's experience and tactics in order to include that in the troops training programme and equipping the army. NATO weapons must be analyzed and used to build the Armed Forces of the Russian Federation. Russia will continue to develop the nuclear triad. This is the main guarantee of maintaining the sovereignty and territorial integrity of the country. As many as 150,000 of the 300,000 mobilised are now undergoing training at training grounds. The other half is in the zone of hostilities. This is enough for the special operation. The past mobilisation has revealed certain problems. To eliminate them, we need to modernise the system of military commissariats. The hostilities have identified issues that need to be worked on, including communication issues. The Ministry of Defence should be attentive to criticism. The ministry should respond to it in a timely manner. Everything a fighter needs must be modern and reliable. Officers and sergeants who have gained experience in the special operation should be assigned to new positions as a matter of priority. It is necessary to develop and use drones in the army — they must be everywhere. We need to expand the arsenal of modern attack weapons. Sarmat intercontinental missiles will be put on combat duty in the near future. The Admiral Gorshkov frigate with state-of-the-art Zirkon hypersonic missile systems will enter combat service in early 2023. We need to saturate the troops with everything necessary — from modern first-aid kits to sights. Everything is important on the battlefield. There are no restrictions to finance the Russian Armed Forces. The country gives the army everything they ask for. We've got everything. We look forward to constructive and meaningful negotiations with a visible end result that would ensure equal security for all, within a certain timeframe. We will not engage in the militarization of the country and economy. Defence Minister Sergei Shoigu:

Business technology solutions provider Brother UK has launched three new managed print services (MPS) solutions to enhance its support for resellers amid growing demand for print-as-a-service.

This Earth Day, Brother International Europe is celebrating 15 years since first joining forces with the rainforest conservation charity, becoming their longest-serving commercial partner.

Brother UK has been named as a 'leader' in sustainability programs and services in the most recent IDC Sustainability MarketScape assessment.

Business technology solutions provider Brother UK has launched a compact range of mono laser printers for businesses, helping resellers to support customers with downsized offices and decentralised workforces.

Business technology solutions provider Brother UK has upgraded its professional labelling line-up, launching two new devices to help make compliance easier for electricians and network installers.

Edgar Wright attends the 55th Annual International Cinematographers Guild Publicists Awards at The Beverly Hilton Hotel on March 2, 2018 in Beverly Hills, California.; Credit: Tommaso Boddi/Getty Images

FilmWeek

The joke about Sparks — if you’ve even heard of them — is that it’s the best British band to come out of America. That confusion is why Edgar Wright, the director of “Baby Driver” and “Shaun of the Dead,” wanted to make his first documentary about the group, headed by brothers Ron and Russell Mael. Quite simply, Wright was tired of explaining who the band was and why he loves them. His documentary, called “The Sparks Brothers,” premiered at this year’s Sundance Film Festival. John Horn talked with Wright after its January premiere about his personal connection to the band, how he connected with the brother, the editing process of the documentary and more. The film is in theaters now.

With guest host John Horn

Guest: 

Edgar Wright, director of the new documentary “The Sparks Brothers;” he tweets @edgarwright

This content is from Southern California Public Radio. View the original story at SCPR.org.

New product series provides faster, higher quality print and simple, untangled connectivity to simplify the portable, full-page thermal printing process.

"In 1970, my dad and uncle opened our first restaurant," says Daniel Schwartz, president, Schwartz Brothers Bakery, Renton, WA. "Three years later, they opened a concept called The Sandwich Shop and Pie Place. They were looking to source the very best pies to serve at their restaurant, and they couldn’t find any that they liked."

Brothers All Natural is excited to announce the launch of its 1-oz. Freeze-Dried Fuji Apple and Mango Fruit Crisps. 

The partnership between Interplay and Peterman comes at a pivotal time as Peterman continues to expand its operations and scale its technical training efforts.

Three Chord Bourbon announced the highly anticipated release of its 2024 Backstage Series with The Allman Brothers Band, a blend of straight bourbon whiskey finished with toasted peach wood.

Travis Betters, founder and CEO of Brothers, will be leading the combined business, but Brothers and Hosh will continue to operate under their respective names and operate in their current areas.