Two labourers were killed on Friday after falling from the eighth floor of an under-construction building here, a disaster control official said. The incident occurred when they were fitting window panes of the Shabari Park building, coming up opposite the RK Studios in Govandi suburb.

Suddenly they lost their balance and fell nearly 80 feet below, the Brihanmumbai Municipal Corporation official said.

Other workers rushed them to the Shatabdi Hospital where they were pronounced dead.

It is not clear if they were wearing safety belts or whether a safety net was installed below to prevent such accidents.

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Three labourers died after inhaling toxic gas while cleaning a sewage treatment plant of a local civic body in Thane district of Maharashtra, a police official said on Thursday. The deceased were daily wage labourers and had no formal training in sewage cleaning, he said.

The incident took place on Wednesday when the labourers were cleaning a chocked valve in a chamber of the non-operational sewage treatment plant located in Mira Road area, an official at Thane rural police's control room said.

One of the labourers climbed down into the sewage treatment plant to clean it, but felt suffocated and collapsed, he said. Two more labourers later went inside to check their colleague but they also inhaled toxic gas and died, he said. Another 17-year-old labourer, who also inhaled the toxic fumes, was admitted to a hospital where he was undergoing treatment, the official said.

The labourers were hired by a civic contractor from near the Mira Road railway station for the cleaning work but they were not given any protective gear like masks, he said. They were also not trained in such cleaning operations, he said. The deceased were identified as Muzaffar Moulik (24), Rafique Mandal (50) and Mofjum (18). The bodies were sent to a local hospital for post mortem, the official said, adding that a probe was underway.

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In a shocking incident, a man allegedly killed his wife on Tuesday over the suspicion of her having an extramarital affair. According to the police, the accused, Kumar Bhaoir (32), used to stay with his wife Veena in Murdagaon area in Uttan. On Tuesday morning, he entered his wife's office in Bhayandar West and allegedly stabbed her more than 16 times and fled from the spot. Later, he surrendered before the Bhayandar police stating that he killed his wife following frequent disputes between the two. 

The deceased was working at a Chartered Accountant’s office situated in Bhayander West. After the incident, she was immediately rushed to the local government hospital where she was declared dead by the doctors. The police have registered a case of murder and have arrested the husband. During the interrogation, they learnt that Kumar had filed a missing complaint of his wife Veena on January 2, 2019, after his wife left the house following an argument with him.

The couple was married for 14 years and had no kids. During the investigation, the Bhayandar police learnt that a missing complaint had been filed earlier this month but Veena returned back on January 10 and was living separately. Kumar doubted her character and thought she was having an extra material affair with another person. He tried to get in touch with her but was unsuccessful. 

On Tuesday, he learnt that she showed up at her workplace. At around 10:30 am, the accused showed up at Venkateshwara Cooperative Housing Society near Bhayandar station and initiated a conversation with her. Soon it turned into a heated argument and the accused, who was carrying a sharp knife, stabbed her multiple times until she fell to the ground. He then fled from the crime scene and went to the police station to surrender himself. Veena was rushed to the local government hospital by her colleagues where she was declared dead before admission. 

“We have booked and arrested Kumar under section 302 of IPC and will produce him before the court,” said police R. Jadhav, Police Inspector, Bhayandar police station.

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In what can be called as a shocking incident coming from thane, a 34-year-old man was apprehended for allegedly filming people bathing. Police said that the accused is a student who is pursuing higher education from the prestigious Indian Institute of Technology-Bombay.

The molester, identified as Avinash Kumar Yadav, is a Thane-resident who has been arrested under section 354 (any man who watches or captures the image of a woman engaging in a private act in circumstances where she would usually have the expectation of not being observed) of the Indian Penal Code.

"A woman filed a complain that she found a mobile phone on the bathroom window while she was bathing on Friday night. She alerted her husband who confiscated the phone. The couple saw the accused fleeing from the place," a Kapurbawdi police station official said.

"The accused was nabbed by other residents. The mobile phone had clips of men and women, mostly residents of the same building, bathing," he added.

In another incident in Thane, a 36-year-old man was sentenced to seven years imprisonment by a local court for raping a married woman in his neighbourhood. District Judge Kavita D Shirbhate convicted Bablu Lakhan Shaha under section 376 (rape), 385 (extortion) and 506(2) (criminal intimidation) of the Indian Penal Code and also imposed a fine of Rs 9,000 on him.

(With inputs from PTI)

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A 45-year-old man working at a stone crushing site in Boisar was allegedly crushed to death in a machine at Gundale village of Palghar district on Monday. The stone crusher owner has been booked in link with this case.

According to the police, the deceased identified as Sanjay Ganeshkar was cleaning the stone crusher machine when his co-worker Harishankar suddenly switched it on due to which Sanjay fell into the conveyor and was crushed to death.

"His body parts were recovered from the machine. James Colaco, the owner of the stone crusher machine and worker Harishankar Umbarsada have been booked under IPC section 304 A (causing death by negligence) and further investigation is underway," said a police official from Boisar police station.

Also Read: Woman riding pillion crushed under wheels of BEST bus in Malad

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Maharashtra minister Eknath Shinde has expressed confidence that the BJP-Shiv Sena alliance will win the Lok Sabha polls and asked the coalition workers to work for increasing the victory margin this time. Addressing a meeting of Shiv Sena-BJP workers at Dombivli town in Maharashtra's Thane district on Sunday night, the senior Sena leader also asked them not to be reckless or underestimate the rival candidates. "Our victory is definite this time also.

Our target should be to ensure maximum difference of votes between the winning and losing candidates," said Shinde, who is also the guardian minister of Thane. Lauding Srikant Shinde, the sitting Sena MP from Kalyan seat in Thane, for the work done by him in his constituency in the last five years, the minister claimed the voters would elect him this time also. State minister Ravindra Chavan said voters in Dombivli segment of the constituency earlier supported the BJP and Shiv Sena and this time also they will ensure victory for the alliance candidate.

"This election is an important one and the party workers should ensure that our candidate wins by the maximum victory margin," he said. Srikant Shinde is the saffron alliance's candidate from Kalyan where his main rival is Babaji Patil of the NCP. Lok Sabha elections to total 48 seats in Maharashtra will be held in four phases on April 11, 18, 23 and 29 and the results will be declared on May 23.

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Representation Pic/AFP

My mother died at 84, on September 1, 2015. I was two oceans away, settling my son into his new university life in Montréal. Back in Mumbai, my two sisters and brother did what had to be done. Relatives were notified, last rites performed, and the body taken to the electric crematorium where we'd interred my father decades ago.

Cremation is a sombre moment. The tears have almost dried up, the words have been said. After years of watching a slow decline, death is not a surprise. So they stood there, my siblings, in the crematorium manager's office, to receive the warm earthen pot with the ashes of the woman who had made us everything we were.

Waiting with them was a fellow, a crematorium worker, blase about yet another death but eager for the customary tip. He made some money-seeking sounds, and my sister, distracted, pressed a Rs 1,000 note into his hand. We normally get Rs 2,000, he murmured. She gave him a second note. He still hung around, and then leaned forward to whisper. Apparently, a senior officer of the crematorium would drop by to see how things were going. It was normal, she was told, to give him Rs 3,000.

My sister, never at a loss for fire, asked him what he had done to merit that sum. It was the tradition, she was told. Haggling over a tip seemed the wrong action for the moment, so she gave him the money. But when she reached home, she Internetted out the email address of BMC's erstwhile municipal commissioner, explaining in plain, unfettered English that he was paying a salary to a staff of flesh-eating vultures who feasted off the grief of Mumbai's bereaved.

To her astonishment, within hours, she had received an invitation to meet with the man himself, three days away. A strange thing happened the following morning. The crematorium's manager and his money-grubbing workers, who had sought and received 'tips', showed up at our house. The envelope they handed over contained all the money they had extorted.

"Please take your tips back, madam," they beseeched my sister. "Just kindly cancel that appointment you have with the municipal commissioner." "Ah, no, I didn't make that appointment, so I cannot be the one who cancels it," said my sister. When she went to the Andheri office that issues death certificates, her name triggered an immediate flutter of interest. Apparently her letter to the commissioner was all the news that day. Many employees congratulated her for standing up to the crematorium's predators. At the BMC three days later, there were more surprises. The manager and key staff of that particular crematorium had been invited and were sitting in the outer room with hangdog looks. The commissioner wasted no time with them.

"You are accused of soliciting and extorting exorbitant tips from grief-stricken family members in the moment of their greatest grief — in return for doing a job that you are already paid to do," he said. "Please sign here, and here and here." He pushed letters of confession towards each of them, and they signed without a murmur. "These letters will be photocopied and mailed to every crematorium worker in Maharashtra, as an object lesson," he said.

They looked at their shoes wretchedly. "That's not all," he continued. "You are all hereby suspended from your jobs for a period of four months. This too will be made known to all your colleagues." He paused. "You may go now," he said, ending the meeting. Mumbai has surprised me in the past with its compassion. I remember during the biblical floods of 2005, when 1,094 people died and thousands were stranded in their cars, householders came out with coffee, tea and hot breakfast for those stranded souls as dawn broke.

But there is a dark underbelly to Mumbai, and it is predatory, ruthless, and astute. In 1996, I wrote in mid-day about a schoolboy, Murtuza, hit by a lamppost too close as he hung out of a train approaching Chembur. The wheels ran over both his legs. He was rushed to Sion Hospital, where he died despite all efforts.

But when his parents came to collect the body from the morgue, they found a leg missing. None of the ward boys seemed to know where it was. Eventually, it was whispered that the leg might be miraculously 'found' if a certain amount was paid to a ward boy. And so it was. That was 1996. Living in distant Bangkok, where too I'm certain corruption smiles, but in more sophisticated ways, I hear often that in the new India of the Modi raj, there is less tolerance for everyday corruption. Moments like this make me believe they may be right.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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While women sit devoutly, the male attitude has tended to be: let us spray. Representation pic

Bangkok's malls have thousands of people. And people tend to pee, which is partly why they're called peeple. So malls have dozens of men's and women's toilets. Being Bangkok, city of fragrances and aroma oils, they really hate bad smells, so the lavatories generally smell like boudoirs.

In a hurry recently, and finding all the cubicles in the Men's occupied, I looked left and right, then darted into the Women's toilet, which happened to be woman-free at that moment, and locked myself into a booth there. Man's gotta do what a man's gotta do. Emerging, visibly relieved, I noticed two things: there were no cleaning ladies in the women's toilet; and there was no pee smell there either.

The adjacent men's toilet had two cleaners toiling away with mops and buckets of perfumed disinfectants, but you could also detect the fouler odour they were masking: the stink of uric acid and ammonia from male piss. While women sit devoutly, the male attitude has tended to be: let us spray. I know, I know. We don't talk about such things in polite society. It's like the 13th floor in a skyscraper: you can't get rid of it, but you pretend it's not there. Never say "I would like to urinate, be right back". Better go with, umm, Have to see a man about a dog, or Going to make the bladder gladder, or Excuse me while I drain the dragon. Or, if a lady, Pardon me while I take a quick tinkle.

Say it how you wish, amigo, but here's the bottom line - India has fewer malls than Bangkok, but billions more, erm, happy pissers to whom the world is a urinal. Urinary odors were so much a part of childhood that I always assumed that toilets would always smell like, well, toilets. And it's true - a men's toilet in Chicago or Piccadilly will reek just like one of the 71 million apparently built so far by the Swacch Bharat Abhiyan.

What can I say? Piss smells. But Bill Gates, who loves poking his nose where things don't smell right, commissioned a worldwide study and found that usage of freshly minted toilets slopes off after six months. Respondents cited "dirty and smelly toilets" as reasons why they preferred the fields. Gates started the Reinvent the Toilet initiative in 2011, and began working with Firmenich, a Swiss company that makes bad smells better. They identified the four stinky molecules in toilets as indole, butyric acid, p-cresol and dimethyl tri-sulfide, and came up with a fragrance that blocks the nose's receptors that detect these. You could be up s**t creek, so to speak, and not smell a thing.

Like pretending the 13th floor doesn't exist even as you pass it. But you know me. The man with the humble opinion. While Gates would like to block your nose, I think I'd like to block the stink itself. After all, women seem to have it figured out - they sit when they tinkle, so they don't sprinkle. So - men should stand to pee why?

Toledo University's 18-month study found three causes of toilet odors - Missing the target. Face it, not all men are born snipers. The average Indian pissoir is haloed by a wet ring of failed attempts to hit the superbowl.

Uric acid, from men who pissed, but missed and dribbled on floors and walls (and their own shoes) instead, causing smelly bacteria build-up. Splashes - even when the target has been successfully met, a fine aerosol of uric acid lands on nearby surfaces. Urine in the cracks: Urine is absorbed into grout, ponging over time. I'd add poorly paid municipal cleaners and maybe a faint inherited attitude that only untouchables clean toilets. Splashing a bucket of water in a Swachh Shauchalay only spreads the urine evenly across the floor.

Research from the Dutch Leiden University Medical Centre says sitting down to pee helped men suffering from lower urinary tract disease symptoms to pee with greater force.

The stand-up guy activates a host of discreet muscles in the pelvis and spine, which prevent proper urination. More acute in public toilets where certain muscles might be clenched to suppress nether blasts while peeing.

As always, I didn't think of it first. In 2012, the Swedish Left party of Sormland Country Council put forward a motion that all male employees should sit down like well brought up girls when open their sluice gates. Taiwan and Japan have begun advising their men to sit down to pee - or else. And since a real man is clean, courteous, considerate and utterly lazy, a squat over the pot should suit him right to a, well, P. Believe me, I'm a recent convert. Want better reasons? Listen to Larry David from Curb Your Enthusiasm. http://tinyurl.com/ycqa6q3g

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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If you're sharp-eyed about rivets, you'll know that dust gathers on the top half, but not on the bottom. Pic Courtesy/CY Gopinath

In the house where i lived in Andheri Lokhandwala, I'd wipe a finger along the window sill in the morning, and a layer of dust would come away. The domestic help would wipe it clean every morning; 24 hours later, it would be grimy again.

But it was 1982, we were children then and had simple theories about things. Mine was that with so much crazy construction going on in Lokhandwala Complex, well, what would you expect if not clouds of dust? And thus, dust became another little thing we stopped questioning in Bombay. And then Bombay became Mumbai. But the dust remained dust.

I wouldn't be writing this today if I hadn't moved to Bangkok, on work first, but finally just to live. And the questions began coming. Bangkok and Mumbai are very similar, both urban, crowded and sleepless world cities with local life and culture richly woven into cosmopolitan sensibilities. Question 1 was why Bangkok didn't have swarms of flies despite being the world's street food capital. I wrote about that in this column on April 17.

The second question was why my window sills never got dusty in Bangkok — or more accurately, why nothing ever got dusty in Bangkok. After a hard day's toil, you could wash your hands clean without creating rivulets of grime.

I began paying special attention to public places where you'd normally expect dust. For example, on the outside of pedestrian overpasses across busy streets, large hexagonal rivets hold down steel barriers left and right of the walkway. If you're sharp-eyed about rivets, you'll know that dust gathers on the top half, but not on the bottom.

So I began checking Bangkok's outside rivets: they sparkled like freshly painted. And not because it had rained either. Next, I checked those ugly black nests of telephone and electricity cables that hang between lamp posts — another place where dust, cobwebs and pigeon s**t build up. In Bangkok, they were spotless. A week later, I saw several old women in municipal uniform with mops and swabs whose job apparently was to specifically clean dust and grime from all hard-to-reach places. Such as rivets on the outside.

I checked out one of Bangkok's many construction sites, which process the same materials as any Indian site — gravel, cement, bricks, concrete mixers. But miracle of miracles, no dust, thanks to the simplest of strategies. One worker on the site has just a single, simple task all day: he stands with a hose pipe watering the grounds every 15 minutes. Damp dust doesn't fly.

ON MY NEXT VISIT to Mumbai, I became a student of dust. Building construction sites are not the only dust devils. Major culprits are the mounds of debris that lie where utility companies have dug up the earth to lay cables. Since their job is not road cleaning, they leave the debris where it is when they're done.

By the time the department for debris-removal has slowly moved its creaky bones, passing winds have stirred the dirt and dust and blown it everywhere. The debris-removers finally come, but they do not fix the road, since that it is the roadworks department's job.

Meanwhile, more winds blow more dust around. In most cases, the roadworks people never show up. Mumbai has looked like a war zone as long as I've lived there, a bit like Aleppo after some barrel bombs.

And then I noticed another little dust-maker: the cute zig-zag paving tiles that give many Mumbai crossroads a faux European look. With just some basic geometry, you'd have seen the glaring mismatch between the kerb and the pavestones. The kerb is a straight edge, while the paisley tiles are curved.

When a curved object meets a straight one, gaps are guaranteed. A good road maker would know what to do about those gaps. He'd pack them tight with concrete cement, and they'd be gap-free when it dried. But Mumbai's heritage is of roads with beautiful tiles that are abandoned inches before they touch the pavement. Those are the tiles that go loose first, exposing dusty road. One by one, the rest follow.

Soon, the happy roadmaker has to be re-hired to repair his own work. Meanwhile, more and more dust flies around as more and more tiles come loose. I ASKED A ROADMAKER why his work was so shoddy. He shrugged and said, "It's how the system works. To win the contract, I have to pay someone in the municipality first, almost one-third of the amount. But after that, I don't have enough money left to deliver the job as I promised once I deduct the bribe and my profit. So I have to cut something somewhere. We just leaves the edges incomplete." And voila! Another cloud of dust.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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Things have not been going well for The Simpsons. Aside from the fact that it became America's longest running scripted TV series last month, having clocked 636 episodes. Last November, Hari Kondabulu, in his documentary The Problem With Apu, drew the world's attention to what Apu really was — a problem. The characterisation of this immigrant convenience store owner who had a PhD and eight children was sharply criticised. Describing Hank Azaria's voice of Apu, Kondabulu said it resembled "a white guy doing an impression of a white guy, making fun of my father".

The world took note, but, the creators of the series decided there was no problem with Apu. In a veiled attack on Kondabolu's film, the "Apu problem" is dismissed as a hazard of being "politically incorrect" in the words of Lisa, in an episode titled No Good Read Goes Unpunished. That, followed by The Simpsons' creator Matt Groening saying that people "love to pretend they are offended", it was a slippery slope for Apu and his makers. And while keyboard crusaders continue to express their ire, Indian-American producer Adi Shankar and John Rhodes, co-founder of a Hollywood screenwriting talent-discovery platform, launched a contest inviting writers to rewrite Apu. The winning script shall be pitched to the The Simpsons' makers. Here are three writers who have been on the job.

'I changed his voice'
Shreyas Manohar, 23, screenwriter

Nagpur born Shreyas Manohar moved to the US three years ago. He just graduated from Columbia university in English and Creative writing. He had also been working on spec scripts for diversity TV programs conducted by CBS and NBC, especially The Simpsons and Veep, when he came across this contest. "I couldn't comprehend how a show of this calibre could address the controversy in such a tone-deaf manner," he says. Priyanka Chopra was not the only one asked in high school in the US why wouldn't she speak like Apu. "One of my closest friends once remarked, 'If you could talk normally, would you?' It was hurtful, but, not surprising." Manohar's Apu in Much Apu About Nothing enrolls in an accent workshop being taught by Peter Sellers, the actor who inspired the character of Apu. The trials that the episode takes Apu through lends him a manner of speaking that's not a lazy caricature. "I changed Apu's voice, so that his actual voice, and not just his accent, is heard," he says.

'He could be more useful'
Forest Kirst, 61, flight instructor

A flight instructor by profession, 61-year-old Forest Kirst started watching the show in the early 90s. His students would carve Apu, Bart, Lisa in aluminum and brass. When Kirst learnt about the contest, he wanted to try his hand in creating a new Apu, because he too had certain reservations. Having travelled extensively in India and Pakistan, Apu's accent did not sit well with him. "It's annoying, but comical. It's a product of how the writers of the show remember accents of convenience store employees in LA." Kirst's Apu in Apu Saves Springfield is a hero. "I feel Apu could be a more useful character. In my story, world leaders and spies are on the hunt for Apu, the hacker. My Apu could use his knowledge in computers to reprogram a nuclear reactor. He could block Trump from tweeting thus saving the US from much embarrassment. But, Apu must remain a comedy character, who calmly runs his store while keeping his brilliance a secret." He points out that everyone on the show is a stereotype. "They are bumbling idiots. I hope people don't think Americans are as dumb and fat as depicted on this show."

'He reminded me of my dad'
Herman Dhaliwal, 25, aspiring filmmaker

Born to immigrant parents, Herman Dhaliwal grew up in Charlottesville. His dad, who passed away in 2015, used to own a convenience store. "Seeing any Indian guy on TV who owned a convenience store, was of course going to remind me of my father. I would say, both Apu and my dad were comically overqualified for the job. My father was also bit of a workaholic, and, like Apu, he was friendly but also stubborn," says Dhaliwal who was only four when he started watching the show. "Stereotypes are rooted in truth. When taken at face value, and out of context, they become caricatures. As writers, we need to educate ourselves to be able to create something sensitive and human," he says. His script, titled "The World of Apu", is taken from the third installment of Satyajit Ray's The Apu Trilogy. In this story, Apu is mute. "He has an accident at the store and turns mute. The rest of the story has him figuring how to deal with life after that," Dhaliwal says. Apu is not the only character he has changed. "I also wanted to give his wife Manjula something to do. If representation of South Asian men in American media is bad, South Asian women have it worse." In Dhaliwal's story, Manjula, takes on the reins of the store after Apu's accident. The man instead gets to use his skills as a computer science doctorate.

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A result of the 2013 floods, which wreaked havoc and killed thousands of people, is that the river Mandakini, which passes the temple area disappears after a stretch

I happily strut on through the Gaurikund market where vendors pour hot chai and roll parathas for eager yatris freezing under their overalls. It is April 29, the first darshan of the season. I have set out at 4.45 am, dodging horses and men wearing pithoo baskets ready to carry pilgrims to the top. I am in the company of a rishi, who grins at my woollens. "It is going to be sunny today," she says, wrapping a rice-paper thin shawl over her white skirt and blouse.

The path is peppered with signboards advising yatris to check their pace

Trek record
A cobbled path begins where the kaccha road ends. A green signboard reads: Kedarnath 16 km. The 2013 flood washed away the old route. Uttarkashi's Nehru Institute of Mountaineering re-charted the route via Gaurikund and passing Jungle Chatti Bheembali and Linchauli to reach the basecamp. Then, another kilometre leads to the temple. Rain shelters, medical camps, bio toilets and potable water fountains appear frequently.

The path has toilets and food stalls and medical camps are regular intervals

When the going gets tough
Uphill, at gradient 8, I set a steady pace, holding onto an orange railing; matching the sparse spotting of crimson-red Buransh flowers in an otherwise green flora valley. The gushing of a waterfall and a dawn in the breaking lend a quietude broken by enthusiastic cries of "Jai Bhole!" and "Har Har Mahadev!". I stop at each signboard that advises walkers to take regular breaks. An hour of evening walk in the city, I realised, was not enough training to adjust to the thin air quality and keep the body supple.

The flood had washed away the old route

Giving up is easy
Ahead of me, a couple plonks onto a bench. "Aur kitna dur hai," the wife asks. A sweeper, cleaning the tracks, laughs, "Bas che ghante chalte jao. Upar mat dekho (Keep walking continuously for six hours. Don't look up to see how far it is)." By now, I have lost sight of my 58-year-old companion, who has kept a steady lead.
I stare at the green board that reads 14 km, the time is 5.30 am. A tendency to get cramps on my right leg, I am surprised it hasn't revolted yet. But there's a sharp pull in my thigh, a new pain on this new adventure. I think to myself: "Why did I sign up for this? Turn back. Just turn back." Probably from the distress look on my face, a woman on horseback sees me and screams from afar: "Don't give up. You will make it."

The tough get going
This is my first victory. To turn a deaf ear to my feet's pleads. By the time I make it to Bheembali, the road steepens. People who have finished their darshan shower encouraging words and promise the ever-winding road will smoothen. By the time I reach Kedarnath basecamp, the clouds have covered the peaks, and there's a light rain splatter. I follow a group through steep patches that help you cut the road time. Sometimes, I find myself on all fours, holding onto branches. My inspiration pool is slowly evaporating.

Miracles find you
In that moment, the clouds clear and the snow peaks make an appearance. It fills me with gratitude — for everything that is right and wrong in my life. The walk down to the confluence of the Mandakini and Saraswati and dip my hands in the icy cold water. I skip the line to the temple, bow to the dhwaj on the temple and turn around for the road downhill.

A walk to remember
The rains have washed the muddy road and turned it into a sludge fest. I follow a couple and their son down a 'short cut' which catches me off-guard. It is open to the valley, and one wrong step will have me tumbling down. This descent is long but we walk it with a joyous gait. The burden was my own uphill, but now, it is ours to share.

8
No. of hours it takes in a state-run bus from Rishikesh to Sonprayag

Adventure & Religious
Tour & taste
Food and Leisure
Relaxing
Educational

Representational picture

If your pets are following to every nook and cranny of your house and especially when you decide to have some lone time in the bathroom, blame it to their 'pack behaviour'. According to the recent studies, dogs have evolved to be pack animals with strong bonds to those around them, and in their domesticated state, the instinct to physically stick with the members of the pack transfers to their humans.

Reports say that if a pet follows you everywhere he might start suffering from anxiety and separation issues whenever the pet owner leaves the dog on its own. But on the flip side cats are not known to be as pack animals. They are in a constant search of warmth and thus are often seen cuddling up in towels or pillows. For cats their own privacy is paramount.

The cats would also follow you to your loo trips but not cause of their concern of separation from you but as they are insecure and want to check if there is nothing untoward going inside the house which could be threatening to them.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

The eight-year-old's name floats about in your head like a fly - not so long ago, buzzing around insouciantly - fallen into a cup of tea gone stale and cold. A child, who would have perhaps stared at you with demurred confusion were you to read the chargesheet for her abduction, rape, and murder to her. "Myean beyni! Emuk matlab kya chu may wann te (My sister! Tell me what does that mean)," she would have asked in Kashmiri. The case sparked widespread national outrage, and social media was taken by storm. However, amid much of the hammering that has taken place after the Kathua rape, a relatively quieter means of dissent surfaced in the form of art on Instagram. Meet its makers.

Orijit Sen,
A veteran artist based in Delhi
"I had been hearing things but I was busy with deadlines so I wasn't aware of all the details until I took a break. When I read about the case and the chargesheet, it made me sick, but then I saw her photograph and it left a deep impact. It haunted me. I added the horse because I read that she had been abducted when she was out herding horses.

It was like her guardian spirit. The wildflowers in her hand signify flowers she may have collected and the meadows around, because I read that playing in the meadows was her favourite thing to do. The shadows on her face are to obscure her identity and in all, I was just trying to capture the vulnerability and innocence of a child her age. I think to me, the image portrays a child of the meadow, returned," he explains.

Abhilash Menon,
visual artist and illustrator from Mumbai
"When the agony gets too much, the voice inside me takes over. The hands of a criminal are always eager to touch flesh, with insane brutality. Such criminals don't shy away from wearing the mask of cast, creed, colour, religion or politics - as depicted by the five fingers in the image - but when the masks come off, they are all the same.

The five fingers here are in the shape of the male genitalia, establishing the mindset of such criminals - decadent and unbeknownst to human values and pain. Irrespective of their background, they should be delivered the harshest common punishment, so that others abhor an act such as this. Punish these delinquents and bring peace to the soul of that little girl."

Sourabh Basu,
Student and Kolkata-based graphic designer
"My illustration focuses on the multiple thoughts running through her head in the moments before her death. She might have cried, struggled in pain, the pitch of her voice might have been unbearable. She might have cried out for her mother, hence the text 'Ma'.

But it also depicts that she was in a temple, a goddesse's shrine, which to most of us is also an abode of the mother. In those last minutes, she must have been filled with hatred toward the world and its cruelty."

Satish Acharya,
Well-known Kundapur-based cartoonist
"I couldn't believe that people could be so cruel to an eight-year-old. Her thoughts started haunting me. I was saddened to see that some people were shamelessly defending the rapists. I did a series of three cartoons. The first one was about how the little girl is receiving so much love from us, but what she deserves more is justice.

The next two panels are about how nothing has changed since the brutal Delhi gang rape. In spite of a revised law named after the victim, rapes continue to be used as a tool to scare and hurt women, to settle political scores, to impose age-old gender biases and caste hierarchy. What was also worrying was how divided the country was unlike in the case of Nirbhaya which was protested in one voice."

Saira Khan,
Toronto-based Health Studies and Psychology student
"This artwork is not only dedicated to the eight-year-old, but to every child who has been a victim of rape and physical and psychological harm. The news of the Kathua rape reminded me of Zainab, a six-year-old Pakistani girl who was raped and murdered in January.

The illustration is that of a faceless and nameless girl and the hashtag #Justicefor, has been left incomplete to depict that in a society where rape and violence against women is ingrained, one name can soon be replaced with another. The shards represent brutality and crimes against women and children. The use of red paint is to depict the urgency of the message," she explains.

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Representational picture

New York: Let your child be curious for learning new things as it may help him or her to grasp basic math and improve reading skills from an early age, a new study led by an Indian-origin researcher suggests. Curiosity in young children was defined as a trait for the joy of discovery, and the motivation to seek answers to the unknown.

But, the current early learning interventions just focus on improving a child's effortful control which includes their ability to concentrate or control impulses, the researchers rued.

The findings, published in the journal Pediatric Research, suggest that even if a child manifests low effort control, high curiosity can lead to higher academic achievement.

This is why children who have developed a wide range of socio-emotional skills such as invention, imagination, persistence, attentiveness to tasks, as well as the ability to form relationships and manage feelings, are generally more successful when they start school, the researchers said.

"Our results suggest that while higher curiosity is associated with higher academic achievement in all children, the association of curiosity with academic achievement is greater in children with low-socioeconomic status," said lead author Prachi Shah, from the University of Michigan in Ann Arbor.

For children from poorer communities, curiosity is even more important for higher academic achievement, because it can help them close the achievement gap associated with poverty, the researchers added.

For the study, the reading and math skills and behaviour of 6,200 children in kindergarten were measured.

Their parents were interviewed during home visits and the children were assessed when they were nine-months and two-years-old, and again when they entered pre-school and kindergarten.

"Our results suggest that after controlling for other factors associated with higher achievement, curiosity continues to make a small but meaningful contribution to academic achievement," Shah explained.

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Taking care of leather shoes in summer is not so cumbersome. Just keep them away from direct sunlight and water, say experts. Kanika Bhatia, Chief Experience Officer, Egoss, and Ambud Sharma, Founder, Escaro Royale Luxury (Escaro.in), tell how to maintain your leather shoes:

1. Keep them away from direct sunlight: Leather fades faster when exposed to sunlight. If it is kept out of direct sunlight, it will fade naturally over time. Sunlight can lead to drying and cracking. Ideal places to store leather footwear are darker places with some humidity, with slight ventilation to avoid formation of mildew.

2. Avoid keeping socks in shoes: Shoes wear off faster if socks are kept inside the shoes as they leave a pungent smell leading to bad odour that transpires into the socks worn with the shoes.

3. Don't store shoes in plastic/grocery bags: Leather shoes need some ventilation. Air should be able to pass through leather. For this, shoes should never be stored in plastic or grocery bags. Use bags made of breathable fabric and pillow cases to keep the shoes.

4. Do not wear the same pair daily: Leather shoes need time to dry up naturally as they have a tendency to soak water from your feet. Wearing the same pair everyday will not help the shoe to dry up leading to a faster wear down.

5. Use shoe tree: Keeping shoe tree in the shoe would enable it to maintain its shape, reduce creases and also to soak in excess moisture and odour.

6. Cleaning is important: Regular cleaning, polishing and conditioning play an important role in taking care of leather shoes. You should clean, polish and condition your leather pieces regularly with high quality cleaners and sprays to increase its lifespan. Always clean your leather shoes with a soft cloth before applying special shoe cream on the soft leather handcrafted products.

7. Stay away from water: Don't put water on your leather products especially hand-painted products.

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Caroline (Laura Mishra) pours out her fears about her rocky marriage to the governess Ms Chacko (Pooja Nair)

All the world's a stage, but that doesn't make all of us actors, as we discovered after three long hours of watching an adaptation of Agatha Christie's Go Back For Murder by the theatre group, Making Noise. The play follows the protagonist Chloe Miranda (played by director Laura Mishra), on her journey to prove her mother innocent of her father's murder.

The catch is, the murder happened 15 years ago, and her mother is no longer around to defend herself, having passed away in prison. So, Chloe joins hands with her lawyer Filip Calisto (male lead essayed by Navin Talreja) to piece together who really killed her father. They track down friends and family members who were present on the day of the murder. Everyone returns to the scene of a crime in Goa to recreate the events leading up to the murder.

True to form, the tight plot devised by the queen of crime writing keeps the audience guessing until the very end when the killer is finally revealed in the denouement.

Unfortunately, there is another murder that needs to be addressed — that of the play itself. The warning signs appeared from the very beginning: Actors stumbling over their words, even forgetting their lines at times; lacklustre delivery was a problem throughout the play. Direction was, dare we say, missing. Actors killed a ridiculous amount of time milling about on stage, unable to hold still even during conversations with other characters. As a result, even though the advertised run time was two hours and 15 minutes (including the interval), the audience was trapped for an extra 45 minutes. The delay did not go unnoticed by the director, who apologised for having taken up so much time.

It would not be an exaggeration to call the performance a snoozefest; many in the audience had nodded off within the first half hour, while others gave up and left the auditorium midway.

Actor-director Laura delivered one of the few believable performances but failed to draw out the same from her cast. There were other peculiar directorial calls, such as one of the characters holding the same cigarette to his mouth for over two hours. In all the scenes with multiple characters, several actors had visibly zoned out on stage while the lead actors droned on. A theatre aficionado who accompanied us said it was like a "school play", hardly the kind of fare one would expect to see at St Andrew's Auditorium.
When: May 27, 7.30 pm
Where: St Andrews Auditorium
Entry: Rs 200-Rs 1,000
Contact: 26410926

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Sanjay Sharma with his daughters Aayushi (left) and Shriya, both of whom enjoy skating. Pic/Satej Shinde

"When you get divorced, the people you used to hang out with disappear. Suddenly, you have no friends, and neither does your child," begins Hemant Amrute, 43, who has been raising his 12-year-old son as a single parent since 2010. Similarly, Goregaon resident Sanjay Sharma has had full custody of his daughters since 2013, when his older child was not yet five, and the younger two-and-a-half years old.

Hemant Amrute with his son Aryan before a parasailing trip in Goa last December

Taking on the role of both parents hasn't been easy for either of these single dads, but that hasn't stopped them from providing their little ones with an upbringing that isn't lacking.

Striking a work-life balance
Recently, actor Tusshar Kapoor and director Karan Johar made news when they became single fathers to children born via surrogacy. But while these men, who come from privileged backgrounds, presumably have help, this is not the case with most single dads who have to juggle work and kids.

A normal day in the life of the Sharma family is hectic. "Luckily for me, I run my own business, so I do all my work when the kids are at school. My job is to pick them up and later in the evening, drop them off for skating or swimming lessons. My older daughter has also been learning Kathak for two years, while my younger one takes singing lessons," shares 35-year-old Sharma, adding that his mother helps him out on the home front.

Amrute, meanwhile, is also a busy entrepreneur, but now feels confident enough to leave his son home by himself whenever required, as he's a little older. His challenge, however, lies in the kitchen. "I never learned to cook," laughs the Thane resident, adding, "We've had a string of cooks come and go, because both of us invariably end up not liking the food."

Not to mention that being a single parent still has stigma attached to it, which is multiplied when the single parent in question is the father. "In the beginning, people would say, 'Yeh nahin kar paayega (he won't be able to do it)'. Now, they've seen it for themselves," says Sharma. Echoing the sentiment, Amrute adds that once a couple gets divorced, people tend to look down on them, and your social circle shrinks to prevent the awkwardness.

Creating a lasting bond
Sharma's daughters and Amrute's son love being outdoors. Sharma takes his kids to the beach, park, as well as for kiddie events across the city. "We love going on holidays, too, even if they're to nearby places like Mahabaleshwar or Daman."

Amrute and his son Aryan spend weekends at their farmhouse in Yeoor Hills, and head to the cinema or the mall on other days. "We also spent Christmas in Goa last year, which was a lot of fun. A few years ago, I took him with me on a work trip to the US, and we visited a lot of places when I had some downtime," he shares.

Both men recently discovered and joined iSingleParent, a Facebook community that organises meet-ups and holidays for single mums and dads and their kids.

Amrute says that when not at school, his son would end up spending time playing with a smartphone. "We live in a standalone house, so there aren't any kids around for him to play with. But he loves technology, and scored full marks in Robotics. He also enjoys beatboxing and recently started trying out parkour. And now, thanks to the group, he looks forward to bonding with the other kids who come for the meet-ups," he says.

Harsha Dehejia looks at paintings by street artists on the Kala Ghoda stretch leading to Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. Pic/Sayyed Sameer Abedi

Sitting under a tree on a footpath that connects Jehangir Art Gallery with CSMVS, an astrologer reads the kundalis and palms of those keen to know their future. Nearby, a quack sells jadi buti (herbal medicines) sourced from the jungles of India. "Sometimes, will digging up medicines, a snake or scorpion jumps at me," he regales Harsha V Dehejia, as the latter strikes up a conversation with him.

A hawker at Ranade Road in Dadar. “Even art comes alive on a footpath,” says Dehejia. Pic/Datta Kumbhar

These anecdotes that Dehejia, 79, indulges in while strolling down the heritage precinct of Kala Ghoda are part of a 30-minute DVD that accompanies the second edition of his book, Walk With Me On Mumbai Footpaths (Wilco), launched recently.

In the DVD, you'll also find tete-a-tetes with Amin Sayani and Shobhaa De. "Mumbai's footpaths have a life of their own. Many people have started their careers and lives on these footpaths and gone on to become billionaires and movie stars," says De in the video.

Look closer at Pedder Road: On an afternoon stroll on the street in 1980s, Dehejia spotted a cobbler solving a crossword puzzle and down the road, a man sleeping in a bathtub. Pics courtesy/Harsha Dehejia

Blast from the past
Born and bred in Malabar Hill, Dehejia's fascination with footpaths traces back to his college days when he would walk down from Flora Fountain to elphinstone College. That's where he first met the aforementioned astrologer and quack. "I would spend a lot of a time at a street bookstore near Central Telegraph Office. I would also spot artists sketching on the pavements. Today, even 50 years later, you still find these treasures on footpaths. If you talk to those who work or live on them, you'll realise that their courage in trying to make a living is exemplary," says Dehejia, who has a double doctorate, one in medicine and another in ancient Indian culture. Previously, he has authored books on Krishna.

In 1970, he shifted base to Ottawa (Canada) in 1970 where is a faculty member at Carleton University, and also runs a radio show. "However, I hold a strong connect with Mumbai, visiting it at least once a year."

What's in the book?
A condensed version of the previous edition (2011), the book features over 100 photographs, which capture interesting people, and activities that take place on the city's footpaths on a daily basis. In one, a typist sits with his instrument drafting a letter near GPO, while a man naps in a bathtub-turned-bed on Pedder Road in another. The frames also showcase clay pots filled with water placed at a footpath in Chembur, a student preparing for an exam under a street lamp in Worli and kids using a pavement to play gully cricket in Borivali.

"Mumbai's footpaths are full of life, brotherhood, colours, enterprise and commerce, and religion. You'll spot many roadside shrines, which may be illegal from the municipal sense, but offer solace to those living and walking on the footpaths. You'll often see passersby stop at the shrine to offer a prayer. However, to discover their true beauty, you need to rid yourself of the notion that they are chaotic and dirty, and meet them with an open heart."

Many frames date back to 1980s, when Dehejia would pick up his camera and roam around the streets of Mumbai. "Then, in 2007, I was at a coffee shop, showing these photographs to [late historian] Sharada Dwivedi, who suggested that I bring out a book. That's how the project began," he recalls. The book also features photographs contributed by his friends and photographers, Rafiq elias, Chirodeep Chaudhroi and Sailesh Mule among others, along with illustrations by cartoonist Hemant Morparia.

The Second Act

U/A: Comedy, Romance
Director: Peter Segal
Cast: Jennifer Lopez, Leah Remini, Vanessa Hudgens
Rating: 

Jennifer Lopez probably fancies herself as a 'Working Girl' and that explains her producing and acting in a film that has shades of the Oscar winner mashed up with done to death romcom elements. The script credited to Elaine Goldsmith-Thomas and Justin Zackham transforms an uneducated, street-smart 40-year-old woman, Maya(Jennifer Lopez) into a winning corporate consultant – and to get there she jumps the truth about her background, gets a resume makeover and wins the confidence of the head honcho. The boss (Treat Williams) sets up two teams, one lead by Maya and the safer one led by his daughter, Zoe (Vanessa Hudgens). But no prizes for guessing who won that battle. The usual alienation from old friends is followed by a redemptive effort at truth-telling.

Peter Segal's Second Act tries to do too much. The impetus for Maya's cheat makeover comes from professional rejection - We meet Maya the day she loses out on a big promotion at Value Shop, because of her lack of an MBA and a dopey idiot gets it because he does. We see Maya reconciling with the daughter she gave up for adoption and then losing her again for a bit before they reconcile again. The same happens with her friends and colleagues from her former workplace. They are the ones who support and encourage her (to hilarious results sometimes). Corporate skulduggery notwithstanding there's also the romantic interest whom she failed to confide in. It's all too complicated rather than complex.

Check out the trailer here:

The few times the film manages to perk you up involves an impromptu dance with Maya leading her office nemesis (Freddie Stroma) onto the dance floor in an attempt to sideswipe his attempt to expose her. And another time you feel the passion is when she and her girlfriends (Remini, Lacreta, Dierdre Friel) do a "Push it REAL good" dancing sing along. The writing is not without its frivolous light-hearted banter but much of it is lost in the attempt to paint Maya in a gratifying light. This romcom is fairly bearable but not exactly likeable.

Also Read: Jennifer Lopez explains why she did Second Act

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One Less God

U/A: Drama, Thriller
Director: Lliam Worthington
Cast: Joseph Mahler Taylor, Sukhraj Deepak, Mihika Rao
Rating: 

As a film that hopes to capture the terror heralded by the 26/11 attacks on Mumbai, 'One Less God' is rather feeble, nondescript and ineffective. The scope is narrow and the budget too small to do justice to a disaster that is amongst the most unforgettable in recent history. This is drama written around a real-life crisis but at no point does it feel real. The 2008 Mumbai attacks included a series of terrorist strikes that felled 164 people across south Mumbai - carried out by 10 members of the Laskar-e-Taiba, an Islamic terrorist organisation based in Pakistan. But none of that drama or tragedy is captured here with any grit or enticement.

The Mumbai siege is presented in a slap-dash fashion that never really gets the audience involved. The focus is largely on the Taj Mahal hotel and what it's guests went through in the final hours before their falling victim to the terrorist onslaught. The film focuses its efforts on the men and women attempting to survive, while intermittently cutting across to the two men perpetrating the attack. The bits of humour that creep in at odd times appears to be in bad taste.

Check out the trailer here:

Everything here seems rather pretentious and ineffective. The general cross-national mix of characters, their touristy experiences and the aftermath of the siege may have some diverse moments but we never feel attached or interested enough to be affected. There are barely any validating moments here. The performances are bad, the direction is sloppy, there are continuity breaks that look ridiculous, the art direction and production values leave a lot to be desired. Even the attempt to go one-up on the much awaited Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs starrer 'Hotel Mumbai'- (a film that covers the same territory), by releasing earlier, reeks of Opportunism.

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Captain Marvel
U/A: Action, Adventure, Sci-Fi
Director: Anna Boden, Ryan Fleck
Cast: Brie Larson, Samuel Jackson, Ben Mendelsohn, DeWanda Wise, Samuel L. Jackson
Rating: 

Brie Larson's entry into the Marvel superhero fold as the titular hero in Captain Marvel is not the 'Wonder' we expected. Though Captain Marvel is the first Marvel Studios film to be built around a female superhero, it comes minus the savoir-faire that gave Marvel productions its high brand value over the years. There are two directors, Anna Boden and Ryan Fleck at work here, alongside several writers including Nicole Perlman, Anna Boden, Geneva Robertson-dworet, Meg LeFauve, Ryan Fleck, Jac Schaeffer, Liz Flahive and Carly Mensch. And it does feel like too many cooks have literally subdued the vivacity and nihilistic exuberance unique to the comic book cinema superhero universe.

The Captain Marvel female counterpart first appeared in comic books in 1977 but the real inspiration for this film comes from Kelly Sue DeConnick's series, beginning in 2012, that featured the alter ego of Carol Danvers.

Check out Captain Marvel trailer here:

While the experience of this film is not exactly unfavourable, the narrative never really takes off into the stratosphere even though it has a storyline that has Carol Danvers (Brie Larson) straddle a galactic war between two alien races. The narrative is a little jumbled up and the eventual aim to launch her into the Avengers team becomes a little too obvious even as the non-linear plotting is laid out with convoluted reasoning. Danvers' is with the Air Force, but she is also the eponymous warrior on behalf of Starforce, an intergalactic fighting squad committed to battling the fiendish, shape-shifting Skrulls. As the film opens we see her being tutored by her mentor, Yon-Rogg (Jude Law), leader of the intergalactic military force of the Kree. Danvers is shown as uncertain about her past and as the narrative trudges along things get a little too murky and distorted for comfort. Danvers may go from cosmic to earthbound (C-53) in the fraction of a second and then back up into the skies again but for the viewer, this is not much of a roller-coaster thrill ride. The action is set in the '90's, the storytelling is obligatory at best, none of the characters stay on in your mind after the movie is done and the writing and direction lacks definition and seems a little too obviously patched-up towards a grander purpose.

Brie Larson tries hard to instil humour into the role but there's only so much she can achieve in a jumbled-up universe. She is solid if not exciting and that's the mainstay of this film – if at all it can be considered to have one!

Also Read: Captain Marvel reviews: Here's what the critics are saying

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Mere Pyare Prime Minister
U/A: Social drama
Dir: Rakeysh Omprakash Mehra
Cast: Anjali Patil, Om Kanojiya
Ratings: 

What's the first thing you wonder about this film, given its title, and the fact that no head honcho of a democratic state in world history has ever had as many biopics - shorts, docs, features, web-series - simultaneously being made on him/her, even while they're still in office?

So, well, no, this isn't really a film on Prime Minister Narendra Modi. Or it is, only by suggestion, since a boy writes a letter to the PM, which would be Modi (who else), but we don't see his lookalike on screen (unlike Uri, and many others in the pipeline).

Be that as it may, a film that focuses on the problem of urban, open defecation, the eradication of which should be on the agenda of every corporator/legislator, and of course the PM (current, or ones to follow), belongs to proper public service advertising/announcement (PSA) space, rather than propaganda of any kind.

Why are your suspicions slightly legit still? For it's hard to explain why the filmmakers would go ahead with this PSA script (unless they're genuinely struggling, or been forced into coming up with one), when every element here has been dished out plenty of times before, and there is no attempt to top any of it either.

Check out the trailer here:

And you could go right from trying to meet, or connect, with a head of state (I Am Kalam, My Name Is Khan), to detailing life among kids in a Mumbai slum (Salaam Bombay, Slumdog Millionaire), or in general, the Mumbai slum itself (Dharavi, Gully Boy), to addressing head-on how the poor in India (men, but women, in particular) have to bear the burden of shitting in the open, because there are no frickin' loos, which is what the rather entertainingly done, recent Akshay Kumar picture, Toilet: Ek Prem Katha, was all about.

Even as a peek into the lives of Mumbai slum-dwellers, who constitute about half the metropolis, the Iranian Majid Majidi's Beyond The Clouds (2017) seemed a far more perceptive, original and thought-provoking take, than this local, thoroughly distant, predictably upper-class view of the lives of the downtrodden others, with every conceivable cliche that must dictate it - rape, domestic violence, drunken males, and Sheela Ki Jawani, Baby Doll type of Bollywood songs/entertainment as the only route towards momentary escape.

This is the sort of film that ideally aims to ride on its supposedly noble intentions alone, rather than engaging characters or story, the gist of which is that there's a little boy (a wonderfully cast Om Kanojiya), who does odd jobs selling newspapers, condoms, etc.

He shares a lovely bond with his single mother (Anjali Patil). He writes a letter to the PM hoping for a public toilet in his slum. That the right to shit in peace must involve a petition to the PM, no less, is tragic enough. That you don't feel for anyone in this film (let alone, the issue), with the camera hovering around a bunch of parallel songs/story-lines, aimed to extend a simple short film into a full-length feature, is perhaps worse.

Also Read: Watch video: The fun-filled making of Mere Pyare Prime Minister's title track

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No Fathers In Kashmir
U/A: Drama
Dir: Ashvin Kumar
Cast: Kulbhushan Kharbanda, Soni Razdan, Zara La Peta
Ratings: 

So grim and unnatural are the goings-on in Kashmir, that it's almost hard to find yourself not questioning the films that claim to mirror the realities in the Valley. Ashvin Kumar's No Fathers In Kashmir is empathetic in its approach, but critiques the militarisation in the state. Kumar narrates the story through the eyes of Noor, a teenager oblivious to the situation in the Valley.

Like those of her kind, she continues to showcase her life on social media, ever so often posing with a terrorist because... Well, why not? Unaware of the repercussions of her actions, Noor eventually stumbles upon some harsh truths pertaining to her family. Her father, Basheer was picked up by the Army, and never returned. The more she delves into the details, the more the skeletons she finds in the closet - literally!

Kumar uses Noor's naïvety to explore the plot from the perspective of a third person, elucidating how Kashmir's normal is actually bizarre, claustrophobic and heartbreakingly inhuman. At the crux of the film is an innocent love story involving Noor and Majid, who bond over their unfortunate but common fate as both their fathers were taken away by the Army.

Lucidly shot, and wonderfully executed, the film seems to evade the point that it attempts to make at first, but is more aligned post-interval. Shots involving the goings-on in interrogation rooms, graves that see militants dumped in masses, and the common sighting of stray dogs roaming around with severed parts of the human body, successfully invoke the fear that the makers desire. It's a matter that should most certainly be discussed in mainstream media.

To drive home this point, Kumar successfully highlights the effects of the situation on children when he showcases one kid elaborating on the difference between a terrorist and a militant, to his friend, and attempts to state how those perceived as enemies of the state, have clarity of intention in their heart. The actors are perfect, especially the children.

Kumar's film, however, isn't without loopholes. But you are willing to let them pass because the film makes a brave point - no one deserves to be woken up in the midst of the night by the resounding noise of bullets. Can this be rectified? The film makes an earnest plea, urging us to do our best.

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Pet Sematary

U/A: Horror, Mystery, Thriller
Director: Dennis Widmyer, Kevin Kolsch
Cast: Jete Laurence, Hugo Lavoie, Jason Clarke, Lucas Lavoie, Amy Seimetz
Rating: 

The 1989 version of Pet Sematary based on the 1983 Stephen King novel, was certainly no classic but it was a cheesy horror tale powered by a solid performance from Fred Gwynne and the title song from the Ramones was quite rage. Given the cult popularity of horror films today, it's no surprise that even such an unremarkable representative of the genre gets recast for the GenNext voyeurs of horror thrills. Co-directors Kevin Kölsch and Dennis Widmyer don't have much of a challenge on their hands, given the fact that there's no attempt being made here to tell the story from a different vantage point.

Dr Louis Creed (Jason Clarke), wife Rachel (Amy Seimetz), eight-year-old daughter Ellie (Jete Laurence), two-year-old son Gage (Hugo and Lucas Lavoie) and pet cat Church—relocate to a rustic home in the quaint rural town of Ludlow, Maine. Though there's plenty of land, with a mysterious pet cemetery and a strange bog behind the home there's not much of it in front - with a state highway running through right at the curb just off their driveway. So one would think that responsible parents would take the trouble of checking out their abode and taking the necessary precautions before moving in.

Check out the trailer here:

Such deliberate contrivance is of course a given for a horror film attempting to spook you by suggestions rather than facts. Soon enough the pet cat gets crushed under a speeding mammoth and the grieving Dr Clarke, helped on by friendly neighbour Jud Crandall(John Lithgow) takes the cat to be buried near the mysterious bog which apparently has mystical powers of resurrecting the dead. A rather convenient ploy to give wandering souls a rejuvenated body to do evil. The rest of it is rather brutal.

The film, as the book, is riddled with plenty of plot holes but King's book at least had a descriptive set-up that kept the interest going. The film doesn't have much exposition. The wife's torment from a traumatic experience during childhood is represented through hallucinatory flashbacks and the tragedies that befall the Creed family just keep piling up soon after they move in. The directors and writer Jeff Buhler, make a few deviations but they play out as altogether facile and non-requiting. The actors do their job well but the narrative doesn't create enough empathy for us to be worried about their fate. Closing it out with a Starcrawler cover of the Ramones's original theme may stir up some nostalgia but that's not going to spook you. Even King's original denouement gets replaced and that makes this particular effort altogether superficial.

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A 36-year-old man was arrested for beating his 70-year-old father in Bhandup to death after an argument on Sunday night. According to the police, the man, identified as Sachin Gorivle was having an argument about his employment with the deceased, Krishna, The Times of India reported.

Sachin did odd jobs for a living and was at home since the lockdown due to coronavirus outbreak in March. When Krishna argued with Sachin about his job, the latter attacked the former in a fit of rage. His mother and sister were in a different room when the incident happened.

Krishna was rushed to a hospital where he succumbed to his injuries.

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Mumbai on Tuesday reported the highest death toll due to COVID-19 in a single day. There was a significant increase in the number of cases in Aurangabad and Malegaon. State health officials recorded 729 new cases in Maharashtra and 31 deaths, taking the state's total to 400 deaths. Apart from 25 deaths in Mumbai, four were recorded in Jalgaon and two in Pune. Maharashtra now has 9,318 postive cases.

393 new cases in city
Civic officials said a total of 25 deaths were reported in the city on Tuesday. Of these, five died between April 23-25, and 17 of them were suffering from other ailments. According to the civic body, 393 new infections were confirmed in the city on Tuesday. The patients are admitted in isolation wards and are undergoing treatment.

After a dip in the number of cases, the COVID-19 count rose in G North ward with 42 new cases in Dharavi, five in Mahim and four in Dadar. Four deaths were also reported in Dharavi. Civic officials said two of the patients who died — a 60-year-old man and a 60-year -old woman — had tested positive earlier and died at Sion Hospital while undergoing treatment.

Total 18 deaths in Dharavi so far
Two other patients — a 48-year old man from Kasarwadi and a 55-year-old man from Social Nagar in Dharavi — were confirmed to have contracted the deadly respiratory disease and died at KEM Hospital on Tuesday. As of now, a total of 330 positive cases and 18 deaths have been reported from Dharavi.

Civic officials said that seven of the infected people are residents of 90 feet road, while four others are from Mukund Nagar, and majority of them were aged below 60 years. In Mahim, a 35-year-old female resident of the police colony tested positive and the total number of cases in the area has jumped to 30. In Dadar, two 44 -year-old male residents of the municipal quarters and a 47-year-old woman from the police colony have tested positive.

On Monday, four staffers from the Mantralaya had tested positive. After tracing their contacts, civic officials said that they identified around 25 high-risk contacts and all of them have been tested. Their test results, however, are still awaited. Meanwhile, one COVID-19 patient with severe symptoms was given plasma therapy that will help the patient fight the infection.

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Uttar Pradesh CM Yogi Aditya Nath was quick to call his Maharashtra counterpart Uddhav Thackeray after two Hindu sadhus associated with Kashi's Juna Akhara were lynched by a mob in Palghar last week.

On Tuesday, Thackeray responded by ringing up the UP CM to express his concern over the murder of two sadhus in Bulandshahar. Thackeray said he was expecting Palghar-like prompt police action in arresting the culprits and suggested not giving a communal colour to the incident.

According to a Maharashtra CMO release, Thackeray told Yogi that he was with the UP government in protesting against the heinous crime. Yogi's response was not known.

Thackeray had assured Yogi that the Palghar incident wasn't communal, but a fall-out of rumour-mongering. The government and Opposition continue to exchange barbs and accusations as the lynching is being probed.

Thackeray had issued a warning against communalising the Palghar incident with a special emphasis on the Hindi-speaking religious leaders who threatened to march towards Maharashtra to seek answers from the CM.

When the Palghar issue seemed to be alive, more so because of a police case against a news anchor, the anti-BJP lobby raked up the UP killing asking right-wingers many questions. Congress spokesperson Sachin Sawant questioned the silence over the UP incident. "This happened in a BJP-ruled state. The BJP politicised the Palghar lynching but is now keeping silent," he said.

April 16
The day three men were lynched in Palghar

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A day after the number of deaths dropped, Mumbai's death toll rose to 27 deaths on Saturday, the highest number recorded in a single day. The city's count of new cases was also high, as slum areas like Dharavi recorded 89 new cases in a single day.

Maharashtra reported 36 deaths on Saturday and 27 of them occurred in Mumbai, three in Pune, three in Amravati and one each in Vasai-Virar and Aurangabad. State health officials said that in addition to the 27 COVID-19 related deaths in Mumbai, a resident of West Bengal also died in the city. Civic officials said that 20 of those patients were suffering from other ailments including hypertension and diabetes and 15 of the patients were in the age group of 40-59 years.

Civic officials stated that 89 new cases were reported in Dharavi on Saturday and 38 new cases on Friday which took the total count of cases in the area up to 496. Among other areas, Kumbharwada continued to be a hot spot with 16 new cases in two days while Kunchikurve Nagar had 10 new cases. Apart from Dharavi, 17 new cases were reported in Mahim over the past two days which included two patients from the fisherman colony, and 13 new cases in Dadar.

Civic officials of G South ward, which had the highest number of cases, reported that 30 new cases were confirmed on Saturday. "The situation is better at the Worli Koliwada and Jijamata Nagar. However, there are a number of cases emerging from the BDD chawl and Prem Nagar," said Sharad Ughade, assistant municipal commissioner of G South ward. When asked if the restrictions at Worli Koliwada that has been sealed for several weeks will be relaxed, Ughade added that they will take a decision next week.

Two engineers in the maintenance department of Nair Hospital also tested positive. Dr Mohan Joshi, who is in-charge of Nair Hospital, confirmed the news and said, "These engineers did not come in contact with any COVID patients, they caught the infection from the areas where they live."

State health officials said that Maharashtra reported 790 new cases and of them, 547 of them were from Mumbai, and the city now has 8,359 cases. In areas across the state, 121 patients were discharged after a full recovery. Till date, Maharashtra has had 12,296 confirmed cases and 521 deaths.

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Over the past six days, the Brihanmumbai Municipal Corporation (BMC) has recorded a total of 124 COVID-19 deaths, almost double of the toll recorded between April 22 and April 27 (59), making it one of the major causes of concern for the city. With four BMC workers succumbing to the viral infection in the last two days, 21 deaths were reported just on Sunday.

Of the 124 deaths, 60 are in the age group of 40 to 60 years, three are aged below 40, and the remaining 61 are above 60 years of age. As per the civic body's data, 2,144 new cases and 59 deaths were reported between April 22 and April 27. Another 3,024 cases got added between April 28 and May 3. Meanwhile, 441 new cases were reported on Sunday taking the city's tally to 8,613.

Sources in the BMC said that they had formed a four-tier system to deal with the COVID-19 cases. Around 2,000 asymptomatic patients have been shifted from hospitals to COVID-19 quarantine centres across the city so that the health workers can focus on the treatment of serious patients.

Meanwhile, the number of patients in Dharavi is also increasing by the day. On Sunday, 94 new cases and two deaths were reported in the area. So far, the total number of patients in the largest slum of the city has reached 590 with 20 deaths. Mahim has reported 16 new cases with the total being 68 in the area.

Four BMC workers die
A total of four BMC workers, including a BEST staff, involved in fieldwork related to COVID-19 have died over the past two days.

A 46-year-old staff was working in the labour ward of civic-run Shatabdi Hospital in Govandi, where a pregnant woman had tested positive for the virus. The worker was a high-risk contact and had tested positive for the virus too, after which he was admitted to Rajawadi hospital in Ghatkopar. However, he succumbed to the infection on Saturday.

One motor loader, 49, working with the solid waste management department in BMC died due to the viral infection on Saturday. Another worker of N ward and deputed at the MCMCR training unit in Powai for COVID-19 related work died the same day.

Speaking to mid-day, Ramakant Bane, general secretary of the municipal union, said, "The workers are worried about their and their family members' health. With the growing number of COVID-19 cases, the BMC should test their workers on priority."

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Amid the panic around COVID-19, alternative medicine is being desperately promoted as a treatment, especially to boost immunity. At such a juncture, scientists from the country have issued a public statement on such cures and immunity boosters with a scientific explanation that there is no evidence suggesting successful use of any of these treatments in COVID-19. They have cautioned that these are not alternatives to other precautions that need to be taken such as social distancing, washing hands, etc.

The statement reads, "As of now, no scientific studies show that any substance boosts the immune system specifically against COVID-19, be it modern medicines like hydroxychloroquine or homoeopathic solutions like Arsenicum Album D30 or ayurvedic preparations. These so-called remedies and/or immunity boosters may give people a false sense of security. Some people may wrongly assume that they won't be affected by COVID-19 anymore, leading to risky behaviours such as not using a masks, not washing hands, or not following physical distancing protocols. Such unintentional violation of guidelines may have disastrous results."

While there are several social media posts, there have been instances when even people from government have backed such practices. For example AYUSH ministry supporting homoeopathic and ayurvedic products as defence against COVID-19 and the TN government issuing a circular about the efficacy of a herbal powder. Explaining the need for such a statement, Aniket Sule, scientist at Tata Institute of fundamental Research, said, "There are lots of social media forwards suggesting unproven treatments to fight COVID-19. We want to caution people that there is no scientific evidence to suggest that they work against COVID-19."

The statement concludes, "Colloquially, many people use the word "immunity" when they actually just mean "good health". While a healthy diet and exercise improves a person's general health (and the capacity of their immune system), this cannot make him/her immune to COVID-19. The most severe cases of COVID-19 are made worse by an overreaction of the immune system. So trying to boost general immunity or trying to interfere with its regulation using untested methods, may be risky. Claims such as benefits of drinking cow urine, exposing people to UV light or injecting with disinfectants, are not supported by scientific evidence, and are harmful to the human body. Similarly, while some supplements such as garlic may be harmless, others such as zinc or Datura seeds, if taken in excess, are toxic."

Busting hoaxes

'The Hoaxbusters' — a group from the Indian Scientists' response to COVID-19 has issued new set of slides answering several questions around COVID-19 at https://indscicov.in/

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'Goodfather' is one of the biggest Hollywood cult classic of all times. The dialogues in the film are so popular that even Mumbai Police, being themselves, played around with words and used it in their latest post on Instagram, to share the importance of wearing masks.

In the post, the police department shared a meme with a still from the film and played around with its famous line, "I'll make him an offer he can't refuse' to 'I'm gonna offer him a mask he can't refuse.' In the captions, the police wrote, "Your enemy 'corona' always gets strong on 'the mask' you leave behind," with a striking hashtag #GodfathersOfSafety.

 

 

 

View this post on Instagram

A post shared by Mumbai Police (@mumbaipolice) onMay 5, 2020 at 9:05pm PDT

The post, shared on Wednesday garnered 16,459 likes so far. One of the users who double tapped on the post was Bollywood actor Abhishek Bachchan, who seemed impressed by the creativity of the police department, just like the users who commenting on the post.

A user said, "Suddenly i can't remember what the original line was. Mumbai Police tum bohot acha kaam karta hai." Another user said, "Mumbai Police are now best police in the world... In making memes too!" One more user said, "These guys keep getting better day by day!!"

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WITH 43 new deaths due to COVID-19, Maharashtra on Thursday recorded the highest daily toll. More than half of the deceased were from Mumbai, where the total number of confirmed novel Coronavirus cases has crossed 11,000, with 680 new infections as of Thursday.

The 26 victims of COVID 19 from the city included a resident of Manipur and Bihar each. According to state health department officials, seven deaths were reported in Pune, five in Vasai Virar, two in Solapur and one each in Akola, Palghar and Aurangabad.

Of the 43 deceased, 25 were senior citizens while 14 were in the age group of 40-59 years. And 29 of them were suffering from other ailments. The death toll in the state now stands at 694.

Focus on pregnant women too

Across Maharashtra, 1,216 new cases were confirmed on Thursday, taking the total count to 17,974. Officials said that 207 COVID-19 patients were discharged after a full recovery. Apart from senior citizens, civic officials are also focussing on pregnant women, especially those who are nearing their delivery date. Additional facilities have been made for them at Wadia Hospital, Surya Hospital and others, the officials added.

50 new cases in Dharavi

Meanwhile, cases in G North ward continued to rise, with 50 new cases reported in Dharavi and majority of the patients were below the age of 60 years. Five new cases were reported from Mahim and two from Dadar, including an 80-year-old man who lives near the Plaza Theatre. Currently, G North ward has around 945 COVID-19 cases and has the second highest number of infections in the city.

Owing to the high concentration of cases, a team from the Centre visited Dharavi on Thursday along with civic chief Praveen Pardeshi and IAS officer Ashwini Bhide who is handling the COVID-19 war room under the civic body. Civic officials, however, remained tight-lipped about the recommendations and observations made by the central government team.

1,900 Indians to land in city

The Centre on Thursday began the process of bringing back thousands of Indians stranded in other countries. As many as 14,800 Indians from 12 countries will return home via airplanes or ships. Around 1,900 of them will land in Mumbai from the USA, Bangladesh, the Philippines, the UK, Malaysia and Singapore.

The BMC has reserved 3,343 rooms in 88 two/three/four/five stars and budget hotels for the nationals returning home. All of them will be quarantined and tested for COVID-19 as a precautionary measure.

17,974
Active coronavirus cases in maha  as of today

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Migrant workers continue to suffer amid the lockdown. In the latest incident, hundreds of labourers, who had set out for home on foot, were lathi-charged by police at Kashimira on Thursday. Police chased them away towards the city, and now they have nowhere to go.

Over 250 daily-wagers were headed towards Gujarat when they were stopped by the police on the Mumbai-Ahmedabad highway near Ghodbunder Road junction. As police rained lathis on them, many ran down the bridge and crossed to the other side. Others ran to hide behind vehicles. A mid-day team witnessed the baton charge that took place on the north-bound Versova bridge on the highway. With no food and to transportation back home, the workers had decided to walk hundreds of kilometres to reach home.

'Don't know where to go'

"Dhobi ke kutte wali haalat ho gayi hai humari… na ghar ke rahe na ghaat ke... kidhar jayein samajh nahin aata (We don't know where to go anymore)," said Baliram Choudhary, who left his rented house at Dahisar East on Thursday to walk home to Maharajganj in UP.

Police lathi charge workers near Ghodbunder Road junction on Thursday

"I filled the form five days ago to take a train home. But I have not received any response. I got a test done for COVID-19 and my report came back negative. I lost my patience and decided to walk home," he added.

"We are stuck at this tri-junction for three hours because the police are not allowing us to cross Versova bridge," said Choudhary, accompanied by his two friends Naushad Ahmed and Sahban Hussain. "We are all tailors and lived together in the rented room. Now, even if we decide to go back, the landlord won't take us back suspecting we may have contracted COVID-19," said Ahmed. "We are now jobless as well as homeless. Police are beating us up and not allowing us to go to our hometowns," said Hussain.

Gita was headed to Nalasopara with her two kids, spouse and a relative

Among the hundreds was Gita, who was headed to Nalasopara with her two kids, husband and a relative. They worked at a construction site before the lockdown. She had planned to go to her relative's place at Nalasopara and then arrange a transportation to UP. "Why are cops chasing us away and beating us? What is our fault?" asked her relative Mukesh.

Youth looted by auto driver

A youth Umesh Paswan had boarded an autorickshaw from Bhayandar for Nalasopara, but the driver and his two friends allegedly snatched his phone and Rs 50 cash. "A few minutes after I took the auto, the driver stopped midway and his two friends came, slapped me and snatched my mobile phone and the cash," said Paswan, who did not file a complaint fearing the police would book him for violating the stay-at-home order. He then decided to walk to Nalasopara where his brother stays.

However, the police have refuted the allegations of lathi charge. "I was present there on Versova bridge and they [migrant workers] were not lathi charged," said Assistant Commissioner of Police Sanjay Kumar, Thane Rural.

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Encouraging everyone around him to stay indoors, Mayur Jadhav himself has been visiting various containment zones in Lokhandwala and Oshiwara wearing a PPE suit for three to four hours daily. A frontline worker, Jadhav does the risky job of collecting bio-medical waste from residential buildings and COVID-19 quarantines.

Amid the Coronavirus-caused lockdown, people are asked to put household waste in black bags and bio-medical waste — gloves, masks and items touched by COVID-19 patients, staffers at a quarantine facility — in yellow bags.

Like Jadhav, conservancy workers dealing with bio-medical waste are trained for the task. Jadhav, 30, resides at Durgadevi Chawl, Vakola and after weeks of practice, he is comfortable with the job. "Initially, I was worried as I had heard many were getting sick. But once we get the hang of it, we do the work without problems. Every day, we put sanitiser and spray disinfectant on the yellow bag and wait for five minutes before loading it on the vehicle meant only for yellow bags," he said. In K West ward, there are over 650 COVID-19 cases and over 300 containment zones.

'Made wife understand'

Rishikesh Dhotre, 43, is among the workers residing far from his workplace and spends over 10 hours outdoors. He leaves his Nalasopara residence 4:45 am for Worli and returns home around 3:30 pm. "I was nervous as we were visiting places everyone was asked to avoid. My wife would fight and ask why I am the one to go. But gradually, I understood the precautions we have to take and explained them to my wife. She is worried but understands the importance of the job," Dhotre said.

While Dhotre is glad to have access to fresh PPE kits every day, he also has to contend with how hot it gets during the three-hour collection.

Worried about family

Conservancy workers constantly worry about their family members, especially senior citizens at a higher risk of infection. Sarthak Chandramani, 29, works in G North ward comprising Dharavi. He takes extra precautions once he reaches home as he has a two-and-a-half-year-old daughter and 63-year-old father.

"I don't touch my phone after wearing the PPE and I call my family before I reach home. They have strict instructions to leave the house and keep a bucket of hot water and soap near the door. They are only allowed to enter after I have soaked my clothes in the bucket and gone for a bath," he said.

Chandramani often picks up medical waste falling out of the garbage bags with his hands. "People often overstuff garbage bags and then they can't be tied. Waste falls out from overflowing bags and we have to disinfect it, put back in the bag and disinfect the bag again," he said. Chandramani lives in BDD chawl, another high-risk area.

After the recent death of a civic official on food-distribution duty in Dharavi due to COVID-19, the BMC is screening all staffers. Kiran Dighavkar, assistant municipal commissioner, G North ward, said, "We have around 900 labourers collecting waste and there are 200 containment zones in this ward. We conduct screening once a week and check for fever with infrared thermometers. We have also counselled staffers to immediately report symptoms," he said.

Where is biomedical waste taken?

Medical waste is taken to a biomedical facility managed by the Maharashtra Pollution Control Board at Deonar. Amar Supate, principal scientific officer with MPCB said that since March 29, the facility has processed 11 tonnes of COVID-19 waste from Containment Zones and other biomedical waste.
"The yellow bags are directly put into the incinerator. Other kinds of plastic waste, glass vials, injections or syringes and scalpels are sterilised with sodium hypochlorite and then shredded for recycling," Supate said.

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Five-time world chess champion Viswanathan Anand has joined WWF (World Wide Fund) India as its ambassador for environment education programme. WWF India is celebrating its 50 years of conservation in India and it is delighted to see Anand lend his support to conservation and protection of the environment. In the midst of the coronavirus pandemic, governments, development organisations, corporates and individuals around the world are doing their bit to prevent the spread of the disease.

Talking about his association with WWF India, Anand, said, "Our children deserve a better, greener and more sustainable world than the one we are living in today and it is our responsibility as parents and elders to show them the way. "I am very excited and happy to join WWF India and work together with them to enthuse more and more children and youth about the need to protect our natural world. I look forward to an enriching and progressive association with WWF India."

WWF India's environment education programme is as old as the organisation itself, starting way back in 1976 with the Nature Clubs of India (NCI) initiative. Currently the environment education programme undertakes five large initiatives that reach out to school children, youth and citizens across the country and aim to create a generation of critical thinkers, problem solvers and environmentally conscious individuals.

The environment education programme currently reaches out to over 5,00,000 children across 2000 schools in the country.

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The financial independence of professional sportspersons has never been more important than during this Coronavirus-caused lockdown period. And given their limited sources of income due to no sporting activity, it's unfair if these athletes are refused their due.

Maharashtra's long distance-running trio of Jyoti Gawate, Srinu Bugatha and Kalidas Hirave emerged champions at the Dailyworld Marathon in Chandigarh on March 31 last year but are yet to receive their monetary rewards.

Women's full marathon winner Gawate (who clocked 2:50:02) and men's full marathon champion Bugatha (2:25:55) were both entitled to cash awards of R2 lakh each, while half marathon winner Hirave's (1:06:02) prize money was R1,25,000. Among the three, only Bugatha has received a part payment so far.

"I have been calling the organisers several times since last year for my prize money. I have spoken to different people each time. Initially, a person called HS Gujral gave me assurances. Then, one Ravi Sharma spoke to me, followed by some PC Kushwaha and now the last person I spoke to a few days ago is one Manish Tiwary. But my money has still not come. An amount of Rs 2 lakh is huge for an athlete like me who is jobless. I have won over 15 marathons till date and each time, I have received my prize money within 45 days," Gawate, 33, who lives in Parbhani, told mid-day on Tuesday.

Army Sports Institute (Pune) athlete Bugatha, who is currently at home in Vizianagaram, Andhra Pradesh due to the lockdown, said the organisers are not even answering his calls. "Of the R2 lakh, I received only R50,000 and that too just a month back after a lot of follow ups. Now, they're not even responding to my phone calls. I requested them many times, pleading that it's my hard-earned prize money but to no avail," said Bugatha, 27, claiming that the Ethiopian and Kenyan runners received their prize cheques immediately.

The trio are now contemplating legal action. "We have only been getting false assurances from the organisers that they will deposit our money soon. We have made dozens of calls to them. Now, Srinu, Jyoti and myself are thinking of sending them a legal notice," said Hirave, 27, from his home in Wai, Satara. Dailyworld's Editor-in-chief Tiwary told mid-day that the cash awards will be handed over soon. "This event was done in association with the Punjab government. We have received a part payment from them and are awaiting the balance which has caused this delay. Still, out of 90 winners in all categories, we have paid 87 athletes. We will check our records and pay the others immediately. These athletes are our stars and it's our responsibility to take care of them," said Tiwary.

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Chef Saransh Goila and TV personality Mini Mathur at Silver Beach Cafe, Juhu. Pics/Pradeep Dhivar

The glass walls overlooking a quiet street at Silver Beach Café are misty. Chef Saransh Goila is early and orders a plate of Eggs Benedict, Beetroot Cous Cous Salad and a glass each of orange and carrot juice, choices that TV host Mini Mathur is happy with when she walks in. "The last time we met we were both drunk," Mathur says animatedly. Both TV stars are currently hosting digital food shows. Goila has married his two loves — fitness and food — for his Facebook show Run to Eat (Singapore). Mathur has been cooking with Bollywood stars for her show The Mini Truck. One is a trained chef and the other a home cook, but when they speak, their love for rich traditional food takes over.

Sabhnani: How did an erstwhile vegetarian chef move to selling butter chicken?
Goila: In Delhi, my vegetarian family was tired of eating sweet paneer. So I smoked the gravy for them. That's how I came up with it. My friends in Mumbai loved it. We are actually Goels, my great-grandfather changed it to 'Goila'. When I was opening Goila Butter Chicken, my dad got calls asking him, 'Can't he just call it Saransh's Butter Chicken?' Once I graduated, I realised you cannot be a chef who is vegetarian.
Mathur: Mera butter chicken khaake dekho, hum bhi Dilliwalle hai! I am a Kayasth married to a Hyderabadi. Both the families are very proud of traditional recipes. I hate bastardised versions of food — if someone gave me Szechuan dosa, I'd spit on them! Every Diwali, I pickle six kilos of aloo or chana for achaar. I will make some for you and you can give me butter chicken instead.

Sabhnani: Your new shows are shot internationally, though…
Mathur: My next show, Mini Me, is about a bad**s mum travelling with her seven-year-old. We went to 15 cities across six countries in Europe in 25 days. It was originally shot for digital viewing, but a channel picked it up.
Goila: Run to Eat (Singapore) was originally supposed to be shot in India, but I didn't get support from the state tourism boards.

Sabhnani: You must have collected many stories while shooting.
Goila: Once, on an uphill trek in Himachal, we saw a tree full of apples. As soon as I plucked one, I slipped. I quickly grabbed a branch or I would have rolled down the hill. Things you do for apples and shots!
Mathur: Sunny Leone is such a cool woman. When she shot for my show, she said things like, 'Now let's grind.' I had to control my crew.

Sabhnani: Was the shift to digital platforms a natural progression?
Mathur: Digital is the future. The problem is figuring out how to monetise it.
Goila: Every time I enter a house party, there is a group of people watching something on their phones. My mom wants a Chromecast!
Mathur: People are waking up to the fact that watching TV at an appointed time is not necessary.

Eggs Benedict, Beetroot Cous Cous Salad and juices arrive
Goila: My plate looks beautiful! They have made an effort.
Mathur: Do you always shoot your food before you eat? The whole thing of 'let's tuck in yaar' is not happening any more.

Sabhnani: The impact of social media is huge...
Goila: People explore social media, and not colleges, for learning, which is fine. But one out of 100 people succeeds that way.
Mathur: I mostly find positivity on Instagram and YouTube. Twitter is a different universe.
Goila: Sometimes you have to choose to ignore it [trolls]. It's also driven by brands and PR.
Mathur: Today, you can backslap a star online and say, 'Hey, I don't like your moustache!'

Sabhnani: Do looks matter?
Goila: I am not the best-looking chef in the country. I generally believe in fitness (I used weigh 93kg). You can't judge a chef by his belly, though.
Mathur: If you are good-looking, it can't harm you.

Sabhnani: Dilliwallah's take on Mumbai's food?
Mathur: I love Maharashtra's coastal cuisine. Mumbai should give up on chaat; vada pav is your thing. The Mughlai scene is better in the north.
Goila: The international cuisine spread is better in Mumbai.
Mathur: Eat food at the place where it comes from. Don't go asking for vada pavs in Delhi.

Ajay Devgn has produced and directed a music video, Thahar Ja, which speaks about weathering the storm. The star, who also features in the video, shot it himself at his Juhu home. It also marks the debut of son Yug as assistant director. The song has been rendered by Mehul Vyas.

It's a four-minute-long video and it not only captures the actor and his montages but also all the medical practitioners and unsung warriors that are fighting day and night to conquer the Coronavirus crisis. This is indeed a soothing way to spread hope and positivity.

Have a look right here:

 

 

 

View this post on Instagram

We will weather this storm together. Stay safe, Stay Happy. Apno ke liye #ThaharJa #IndiaFightsCorona @narendramodi @uddhavthackeray @cmomaharashtra @praveensinghpardeshi @my_bmc @meenaiyerofficial

A post shared by Ajay Devgn (@ajaydevgn) onApr 25, 2020 at 12:31am PDT

During this lockdown, all the Bollywood celebrities have asked all of us to stay safe and inside our homes. They have also been saluting and applauding the efforts being put by the doctors and nurses to eradicate the virus. Some uploaded a video, many of them tweeted to thank them, and Devgn goes a step ahead and dedicates a song that's all about keeping patience and positivity.

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Should we? Should we not? That's the question on the minds of several filmmakers who are contemplating releasing their offerings directly online as a cloud of uncertainty looms large over the re-opening of cinemas. However, Reliance Entertainment has decided to wait out the lockdown period instead of pursuing a direct-to-web release for their two big-ticket movies, Akshay Kumar's Sooryavanshi and Ranveer Singh's 83.

While he understands that OTT platforms enjoy a wide reach, Shibasish Sarkar, group CEO, Reliance Entertainment, says, "Sooryavanshi and 83 have been made for the big-screen experience. We are hoping theatres will open [in the near future], and we will be able to release our films. For now, we are willing to wait for four to six months [before considering an alternate course of action]." He doesn't deny that holding off a film's release for so long poses a financial risk. "We are taking a risk in terms of our equity and return. But we believe in our films and want to see them on the big screen. Also, theatres are an important part of the entertainment eco-system."

A still from Sooryavanshi

Exhibitor Akshaye Rathi opines that while smaller films can be web-bound, big-budget projects should not bypass a theatrical run as they are integral to the survival of cinemas. "Even 10 films [of the calibre of] Shubh Mangal Zyaada Saavdhan can't boost the exhibition sector the way a Sooryavanshi can. We depend on such films to keep our balance sheet in the green. Watching an Akshay Kumar or a Rajinikanth film on a mobile phone hardly gives viewers the larger-than-life theatre experience," he reasons.

Shibasish Sarkar, Group CEO, Reliance Entertainment

Grateful that the key players are not biting the OTT bait, Manoj Desai, executive director, Gaiety-Galaxy, says, "Almost 50 per cent of my losses will be recovered if Sooryavanshi is the first release after the lockdown is lifted. If such films consider [a direct-to-web release], I will have to down the shutters of my theatres."

South theatres angry

Down south, multiplex owners are already resisting direct-to-home releases. The Tamil Nadu Theatre and Multiplex Owners’ Association has threatened to ban films produced by or featuring Suriya when his home production announced it will release wife Jyothika's Pon Magal Vandhal directly online. Following this, the association released a video warning that they will not allot screens to Suriya’s films if the couple goes ahead with the decision.

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Megastar Amitabh Bachchan on Wednesday condoled the demise of ace actor Irrfan Khan with a heavy heart. The star called the passing of Khan the 'most disturbing and sad news' and said that he 'left us too soon, creating a huge vacuum.

The 77-year-old actor took to Twitter and conveyed his deepest condolences. He tweeted, "just getting news of the passing of Irfaan Khan .. this is a most disturbing and sad news... An incredible talent .. a gracious colleague .. a prolific contributor to the World of Cinema .. left us too soon .. creating a huge vacuum .. Prayers and duas."

T 3516 - .. just getting news of the passing of Irfaan Khan .. this is a most disturbing and sad news .. 🙏
An incredible talent .. a gracious colleague .. a prolific contributor to the World of Cinema .. left us too soon .. creating a huge vacuum ..
Prayers and duas 🙏

— Amitabh Bachchan (@SrBachchan) April 29, 2020

Irrfan passed away at Mumbai's Kokilaben Hospital on Wednesday while battling rare cancer. He was 53. Khan was last seen on screen in 'Angrezi Medium'. He was not a part of the film's promotions owing to his ill health. He was regarded as a fine actor by fans and critics alike with critically acclaimed films like 'The Lunchbox' and 'Paan Singh Tomar' to his credit.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Khosla Ka Ghosla and Bheja Fry famed actor Vinay Pathak bid an emotional goodbye to actor Irrfan Khan, who passed away this morning due to cancer and colon infection-related complications.

"I am very numb right now. I don't know what to say, I am devastated. It's really heartbreaking. I can only imagine what his wife and kids must be going through. I can't talk much, I am sorry," said Vinay, when we contacted him for his reaction.

On the subject that Irrfan's demise is a big loss for the industry, he said: "All these are conversations. This is someone's personal tragedy because this news has shaken his family, his friends, and people like us who were very close to him. This we will debate after one month, on what the industry has lost. In my eyes, he was one of the most gifted and talented actors today," said Vinay.

Irrfan passed away in the wee-hours of Wednesday in Kokilaben Dhuribhai Ambani Hospital.

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Versatile Bollywood actor Irrfan Khan passed away at the age of 53 on Wednesday, April 29, 2020 at 11:11 am due to colon infection. The actor was undergoing treatment for Neuroendocrine cancer and was admitted at Mumbai's Kokilaben Dhirubhai Ambani Hospital due to a colon infection. The actor's last rites were performed on the same day in the presence of his family, close relatives and friends. Irrfan is survived by his wife Sutapa and sons – Babil and Ayan.

Soon after news of Irrfan's death broke on the internet, social media was flooded with messages from fans and celebrities expressing their grief. Son Ayaan also mourned the loss of his father by sharing beautiful memories of his father through his childhood pictures.

In the picture, Irrfan is seen riding a bike with Ayaan sitting in front. He captioned the black and white picture, "The flesh we roam this earth in is a blessing, not a promise (sic)". In another photo, the father-son duo looks handsome.

 

 

 

View this post on Instagram

The flesh we roam this earth in is a blessing, not a promise.

A post shared by ayAAn khan (@arkane_7) onMay 1, 2020 at 9:36am PDT

Earlier, Irrfan's elder son Babil had shared has posted a video of the late actor indulging in pani puri after a shoot. "When you're on diet for so long and then the shoot ends and you can have pani puri," Babil captioned the video posted on Instagram.

 

 

 

View this post on Instagram

When you’re on diet for so long and then the shoot ends and you can have pani puri.

A post shared by Babil Khan (@babil.i.k) onMay 1, 2020 at 6:42am PDT

Earlier, Babil had shared a heartfelt note on his Instagram handle. In the note, Babil thanked everybody for their support and condolence messages as his family faced with the most difficult challenge. He wrote: "I'm deeply grateful for all the condolences you beautiful friends are pouring in for me. Although I hope you understand that right now I’m not being able to reply because my vocabulary is dizzy. I will get back to each one of you but just not right now. Thank you so much. I love you (sic)."

On April 28, the Piku actor was admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection and was in the Intensive Care Unit. In 2018, Irrfan was diagnosed with neuroendocrine tumour and was undergoing treatment for the same.

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When Raveena Tandon was a child, Rishi Kapoor was already a big star. Years later, Raveena would star opposite the man who is one of the greatest romantic icons in Bollywood, heartthrob of millions. In an interaction with IANS, Raveena shared her fond memories of Rishi Kapoor, who passed away on April 30, and also spoke of her father, filmmaker Ravi Tandon's long association with the late actor.

"I have not worked with him in many movies but my dad has worked with him a lot. I have seen him since I was a child. I literally grew up in front of his eyes. My heart is heavy right now," said Raveena, recalling Rishi Kapoor.

She added: "Rishi sir's death is a huge blow for my father. My father has lost one more friend from his inner circle. I clearly remember how my dad, Pancham uncle (RD Burman), Ramesh Behl uncle and Rishiji used to hang out together. After his demise, my dad has been feeling very down."

Ravi Tandon worked with Rishi Kapoor in films like "Khel Khel Mein" and "Jhoota Kahin Ka". Raveena was paired opposite Rishi Kapoor in the 1995 movie "Saajan Ki Baahon Mein".

Remembering her last encounter with Rishi Kapoor, who's fondly called 'Chintu', Raveena shared that it happened last year when she met him during Ganpati pooja at Rishi Kapoor's sister Rima Jain's house in Mumbai.

"I was at Rima's house for Ganpati pooja. When I was about to leave, Rima told me to wait as Chintu ji's coming. I waited for him because I had not seen him for a long time since he was in New York. He came, we did aarti and had a good talk. That was my last and final memory of him. I will miss him a lot. May his soul rest in peace," Raveena said.

She took to social media to mourn the death of Rishi Kapoor, remembering the first walkie talkie doll he bought for her as a gift from Paris.

"Just totally love you! Seems like a part of my life, my childhood memories, my now..all taken away so fast. Not fair Chintu uncle. Not fair on all of us..could not even say a goodbye. We will miss you terribly. His infectious laughter, his wit, incidents, even when he used to scold me on sets when working with him. Still seeing me, as the same 5 year old he knew, my first walkie talkie doll he bought from Paris, a make-up gift for getting engaged to Neetu aunty without telling me," Raveena recalled.

Rishi Kapoor died in a Mumbai hospital on April 30. He was 67 and had been battling leukemia.

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On May 3, 1981, Sanjay Dutt's mother and legendary actress Nargis Dutt passed away after suffering from Cancer. All of Sanjay Dutt's fans know he shared a very emotional bond with his mother and how much he was eager to show her his debut film, Rocky, which was slated to release at that time.

Today, on her 39th death anniversary, the actor took to his Instagram account to share an unseen picture with Nargis and penned an emotional note. He wrote- "It's been 39 years since you left us but I know you're always by my side. I wish you were here with me, today and everyday. Love you and miss you everyday Mom." (sic)

Have a look right here:

 

 

 

View this post on Instagram

It’s been 39 years since you left us but I know you’re always by my side. I wish you were here with me, today & everyday. Love you and miss you everyday Mom.

A post shared by Sanjay Dutt (@duttsanjay) onMay 3, 2020 at 2:04am PDT

Abhishek Bachchan, Suniel Shetty, Athiya Shetty commented on the post with a heart whereas the actor's daughter Trishala Dutt wrote-"I love you dad." His wife Maanayata also commented with two hearts. This is indeed a gutting moment for the actor as he remembers his mother today.

On the work front, Dutt will be seen in Shamshera, Prithviraj, KGF: Chapter 2, Torbaaz, and Bhuj: The Pride of India.

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Everyone in the world needs only and only positivity, faith, hope, and happiness to stay and survive this global pandemic called Coronavirus. People who have access to their phones are watching videos and pictures of Bollywood celebrities and their daily chores. Time to see something different and very adorable. Ishaan Khatter's father and actor Rajesh Khattar has introduced to all of us his baby boy and the newest member of the family, Vanraj.

Taking to his Instagram account, he wrote- "Hello Everyone (my first hello to all you wonderful people)Dad says world is going through trying times but this too shall pass & for us children,you all are going to make this world more beautiful than it ever was. We kids believe & thank all of you for this promise #stayhome #staysafe & keep us safe." (sic)

Have a look at the post right here:

 

 

 

View this post on Instagram

Hello Everyone (my first hello to all you wonderful people😊)Dad says world is going through trying times but this too shall pass & for us children,you all are going to make this world more beautiful than it ever was. We kids believe & thank all of you for this promise #stayhome #staysafe & keep us safe 🙏 #vanrajkhattar ( #happyanniversary #momdad ,though ur 12th but its a special one as your first with me 😊)

A post shared by Rajesh Khattar (@rajesh_khattar) onMay 2, 2020 at 9:01pm PDT

Khattar and wife Vandana Sajnani welcomed Vanraj last year in August and he even announced this on his Instagram account, have a look right here:

 

 

 

View this post on Instagram

Overwhelmed .. thank you for blessing the little one 🙏 Keep the love flowing

A post shared by Rajesh Khattar (@rajesh_khattar) onAug 31, 2019 at 9:01am PDT

Well, these cute and charming pictures are surely likely to put a smile on your face amid this crisis. So are we all set to witness another social media sensation?

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The media industry and movie industry are very much interlinked with each other. It’s very common that many media personnel are associated with well-known film stars. One such name who is building her reputation among many celebrities is Vaishali Rathod, a journalist who is the favourite of every celebrity in Dhollywood. She has not just covered events but has also interviewed many big stars and veteran personalities from Bollywood and Dhollywood. With a degree in journalism from the University of Mumbai, Vaishali also had the flair of writing and taking interviews.

She is currently handling the Gujarati entertainment section from Mumbai. Some of the well-known names from Dhollywood with whom Vaishali share a warm rapport include Khushi Shah, Aarohi Patel, Malhar Thakar, Mitra Ghadvi, Hiten Kumar, Alisha Prajapati, Meet Jain, Bharat Chawda among others. As far as Bollywood is concerned, she has interviewed top stars including Shah Rukh Khan, Salman Khan, Ranbir Kapoor, Katrina Kaif, Yami Gautam, Ranveer Singh, Alia Bhatt, Vicky Kaushal and many other prominent names.

Besides writing, the journalist also loves to act and loves to create videos during her leisure time. While speaking about her work, she said, "As a celebrity journalist, it is always a pleasure to meet some of the dignitaries from the film industry. Every celebrity has his or her fair of struggles before they gain success and it has always been a delight to know about their life story", said Vaishali. When asked about her future plans and, she said, "My current focus is to build and grow myself in the field of journalism. There are a lot of things to learn. So I am going with the flow." The journalist further stated that she focuses on one thing at a time as she does not like to do things in haste.

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Priyanka Chopra's cousin, Meera Chopra, recently tweeted about her father, Sudesh Chopra, being robbed at knifepoint. The Section 375 actress took to Twitter and tagged CM Arvind Kejriwal and the Delhi Police in her tweet.

Meera Chopra wrote, "@DelhiPolice my dad was taking a walk in #policecolony. 2 guys came in a scooter, showed knife and snatched his phone. This is how safe you claim delhi to be. @ArvindKejriwal @CPDelhi"

@DelhiPolice my dad was taking a walk in #policecolony. 2 guys came in a scooter, showed knife and snatched his phone. This is how safe you claim delhi to be. @ArvindKejriwal @CPDelhi

— meera chopra (@MeerraChopra) May 5, 2020

She then shared the FIR number in a follow-up tweet. Later, Meera thanked DCP North Delhi for the prompt response and quick action. She wrote, "Thanks @DcpNorthDelhi for such a quick action. Makes me proud when we feel protected by our police department. It's never abt what has been snatched but protecting our elders is most important! Respect @DelhiPolice."

Thanks @DcpNorthDelhi for such a quick action. Makes me proud when we feel protected by our police department. Its never abt what has been snatched but protecting our elders is most important! Respect @DelhiPolice https://t.co/KFmH0vTtFo

— meera chopra (@MeerraChopra) May 5, 2020

Meera Chopra made her acting debut with the Tamil film Anbe Aaruyire in 2005. She was seen in Hindi films like Gang of Ghosts, 1920 London and Section 375.

Bollywood debut in 2014 with the film Gang of Ghosts. She was later seen in films like 1920 London, Nastik, and Section 375.

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If you find yourself feeling bored and at a loss for what to do next while you're quarantined at home, you only have to head on to Karan Johar's Instagram page and check out videos of his twins. Roohi and Yash Johar, are super adorable, and they keep entertaining themselves and everyone else with their shenanigans. From calling papa KJo's clothes 'girl clothes' to annoying mama Hiroo Johar, Yash and Roohi will surely bring a smile to your face.

Recently, Karan Johar shared another sweet video of his babies giving their father a reality check about his bathroom. Roohi declares that bathtub is "useless", to which Karan replies, "It is rather useless. I have to say because I have never used it ever". He moves his attention towards Yash who goes about fiddling with one of the taps to the tub. Karan asks him what he is doing to which Yash answers, "I am washing dadda".

Sharing the video, the director wrote, "Now in the bathroom! We have moved from the closet #lockdownwiththejohars (sic)". Take a look at the video:

 

 

 

View this post on Instagram

Now in the bathroom! We have moved from the closet #lockdownwiththejohars

A post shared by Karan Johar (@karanjohar) onMay 5, 2020 at 11:30pm PDT

Earlier, the filmmaker had shared a video of his kids calling him a "bad dancer".  Sharing the video on Instagram Karan wrote, "Ok I have had enough!!!!!!!! I want to weep into my blanket! I am the Talentless MR JOHAR according to my children! #lockdownwiththejohars (sic)."

 

 

 

View this post on Instagram

Ok I have had enough!!!!!!!! I want to weep into my blanket ! I am the Talentless MR JOHAR according to my children! 😪😪 #lockdownwiththejohars

A post shared by Karan Johar (@karanjohar) onApr 11, 2020 at 12:30am PDT

Earlier the filmmaker had shared a video in which his kids express their dislike for his singing.

 

 

 

View this post on Instagram

So ever since I can remember I have loved singing! Am so glad to know I have a loving audience .....#lockdownwiththejohars

A post shared by Karan Johar (@karanjohar) onApr 9, 2020 at 12:51am PDT

In another video that he shared, the kids were seeing body shaming their father. "I have been body-shamed!!!! #lockdownwiththejohars #toodles (sic)", he wrote.

 

 

 

View this post on Instagram

I have been body shamed!!!! #lockdownwiththejohars #toodles

A post shared by Karan Johar (@karanjohar) onApr 6, 2020 at 11:56pm PDT

There are a lot of other videos that you all must see to cheer yourselves in case you have a bad day!

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One of the most versatile actors of Bollywood, Rishi Kapoor passed away at the age of 67 in Mumbai on April 30. The news came as a big shock to Bollywood as it lost another brilliant actor a day after Irrfan Khan, who passed away on April 29. Condolence messages flowed in from all quarters, with film personalities, politicians and millions of fans expressing their grief at the untimely death of the two stars.

Recently, Raveena Tandon shared a heartwarming video message from Rishi Kapoor wishing her father Ravi Tandon on his birthday. The video was recorded just before Rishi left for New York for his cancer treatment. Sharing the video, she wrote, "Dearest dearest Chintu uncle... you are missed every day. Just before his going to New York for treatment, he recorded this for papa and then surprised him by being there with us on papas birthday. you will always be there at home and in our hearts forever Chintuuncle. we love you (sic)".

Watch the Video here:

 

 

 

View this post on Instagram

A post shared by Raveena Tandon (@officialraveenatandon) onMay 7, 2020 at 7:49am PDT

In an interaction with IANS, Raveena shared fond memories of Rishi and her father. "I have not worked with him in many movies but my dad has worked with him a lot. I have seen him since I was a child. I literally grew up in front of his eyes. My heart is heavy right now," said Raveena, remembering Rishi Kapoor.

She added: "Rishi sir's death is a huge blow for my father. My father has lost one more friend from his inner circle. I clearly remember how my dad, Pancham uncle (RD Burman), Ramesh Behl uncle and Rishiji used to hang out together. After his demise, my dad has been feeling very down."

Ravi Tandon worked with Rishi Kapoor in films like Khel Khel Mein and Jhoota Kahin Ka. Raveena was paired opposite Rishi Kapoor in the 1995 movie Saajan Ki Baahon Mein. Rishi Kapoor died in a Mumbai hospital on April 30. He was 67 and had been battling leukaemia.

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With things being serious and upsetting with the number of coronavirus cases on the rise in the country, it's nice to have a tiny bit of respite from it all. It may come in the form of listening to your favourite music, watching a good web show, or just scrolling through Instagram for some cute videos.

And for your daily dose of cuteness, all you have to do is log on to Karan Johar's Instagram account for videos of his babies, Roohi and Yash! To say that Roohi and Yash are aww-dorable would be the understatement of the year. Now, a video has gone viral of his son Yash discovering Karan's well-hidden locker behind a sliding door. In the video, Yash declares the closet as a "washing machine". Upon being asked by Karan for the location, Yash slides a wooden door with a locker behind it. The filmmakers then says that it is a tijori, but would have been more useful during lockdown if it was actually a washing machine.

 

 

 

View this post on Instagram

Well we are now back in the closet but this time with a twist #lockdownwiththejohars

A post shared by Karan Johar (@karanjohar) onMay 6, 2020 at 11:08pm PDT

Just a day before, Karan had shared a sweet video of his babies giving their father a reality check about his bathroom. Roohi declares that bathtub is "useless", to which Karan replies, "It is rather useless. I have to say because I have never used it ever". He moves his attention towards Yash who goes about fiddling with one of the taps to the tub. Karan asks him what he is doing to which Yash answers, "I am washing dadda".

 

 

 

View this post on Instagram

Now in the bathroom! We have moved from the closet #lockdownwiththejohars

A post shared by Karan Johar (@karanjohar) onMay 5, 2020 at 11:30pm PDT

Earlier, the filmmaker had shared a video of his kids calling him a "bad dancer".  Sharing the video on Instagram Karan wrote, "Ok I have had enough!!!!!!!! I want to weep into my blanket! I am the Talentless MR JOHAR according to my children! #lockdownwiththejohars (sic)."

 

 

 

View this post on Instagram

Ok I have had enough!!!!!!!! I want to weep into my blanket ! I am the Talentless MR JOHAR according to my children! 😪😪 #lockdownwiththejohars

A post shared by Karan Johar (@karanjohar) onApr 11, 2020 at 12:30am PDT

In another video that he shared, the kids were seeing body shaming their father. "I have been body-shamed!!!! #lockdownwiththejohars #toodles (sic)", he wrote.

 

 

 

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I have been body shamed!!!! #lockdownwiththejohars #toodles

A post shared by Karan Johar (@karanjohar) onApr 6, 2020 at 11:56pm PDT

There are a lot of other videos that you all must see to cheer yourselves in case you have a bad day!

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