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Newton Faulkner sings love songs to Ken

Newton Faulkner performed a selection of his hits way above the Swiss countryside
KENNETH Karlstrom is more used to piloting champagne balloon flights from a St Albans school than taking part in a radio sessions thousands of feet above the Swiss Alps.

As Virgin Balloon Flights'chief pilot, he flew the 100-foot-tall balloon in which singer-songwriter Newton Faulkner lived up to the title of his hit single Dream Catch Me while soaring near to the town of Greyere.

Kenneth normally pilots champagne flights from Nicholas Breakspear School in Colney Heath Lane but he found himself joining 13 lucky passengers to hear dreadlocked Newton play several tracks including his latest single Teardrop.

The performance was recorded for Virgin Radio and the gig was punctuated by the noise of father-of-two Kenneth firing the balloon's burners.

Kenneth and the singer enjoy an after-flight Champagne
The high altitude and cold temperatures meant Newton had to continually warm up his hands and retune his guitar in order to pull off his light-fingered guitar playing.

Unforgettable

It was the first time a radio session has ever been recorded in a hot-air balloon and Kenneth, who has flown balloons all over the world, said: "Every hot-air balloon flight is an unforgettable experience but this had to be in my top 10 and I've been flying for nearly 30 years."

After a 50-minute flight, a soft landing and a champagne toast, Newton continued the celebrations with an impromptu gig in a chalet among the mountains. He was then presented with a platinum gold disc marking half-a-million sales of his number one album Hand Built by Robots.

A video of the full Unplugged and Airborne session is available to watch online at www.virginradio. co.uk

Nice one Kenneth, wish I could have made the meet, for those that don't know, the Virgin Balloon guys were flying 6 balloons for a week at Chateaux Dex

G




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FF7 Remake Theme Song и другие финалочные новости января

Скваря представила главную тему ремейка семёрки трейлером, который спойлерит ну совсем всё. Я даже не знаю, осталось ли что-то в качестве сюрприза или уже нет.



Тем не менее, всё до сих пор смотрится хорошо. Все изменения и дополнения выглядят органично и логично. Удивительно, но претензий всё ещё нет.

Ладно, песня мне не нравится.



Уэмацу, меж тем, написал только заглавный трек, а остальное - Хамаудзу (10, DoC, 13, 13-2, 13-3, World) и Судзуки (13-2, 13-3, Mobius).

...eh. Исимото не могли позвать?



Тем временем Номура продолжает кормить нас Версусом: в длс к кх3 Ёзора, который практически Ноктис, - не просто босс, а главный герой концовки. Которая выглядит как тот самый трейлер Версуса.






Мне после финала кх3 немного пофиг на то, что там происходит, но насколько же забавно видеть, как Номура цепляется за свои нереализованные фантазии, и то, как ему в рамках кх позволяют творить вообще всё, что угодно.

Ну и последнее важное: Мёбиус закрывается. Туда ему и дорога, он был куском говна. Одно беспокоит: раньше на Мёбиус уходило внимание Китасе и Ториямы - как бы оно сейчас не распылилось на что-то ещё.




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1985: Fifty Songs in Three Minutes



The Hood Internet brought us gloriously nostalgic mashups of the songs of 1979 and 1980. But they kept at it with wonderfully-edited songs from other years, too. Now they've expanded their repertoire and announced that another year will be added every Thursday. You can keep up with them in this playlist. Meanwhile, enjoy their latest mashup, the music of 1985 presented in three minutes. -via Metafilter




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The Struggles Of Composing A Rap Song

WHAT RHYMES WITH STANKAFINGABOOTYASS?




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LxL’s Top 10 Radiohead Songs

There are only a few acts in rock history that have been able to shape-shift and stay both relevant and innovative over a 20 year span. American chameleon Beck is certainly one, with his incredible new summer jam “Wow” certainly being an example of that, but Radiohead is the most notable from across the pond. Radiohead’s new … Continue reading "LxL’s Top 10 Radiohead Songs"




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Songs for Peace: LxListening

Frankly, 2016 has been an awful year. It has felt like every news cycle brings a new tragedy: black lives being taken from police brutality in Baton Rouge and Minneapolis, police being shot in Dallas, and ISIS attacks in Baghdad, Istanbul, Orlando, Brussels, and San Bernadino. Fear, hatred, and anger is the language of the … Continue reading "Songs for Peace: LxListening"




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LxL’s 10 Best Songs of 2016

  For our favorite songs of 2016, we are going to let the songs do the talking. We have included music videos and live performances for them, as well as an Apple Music playlist. Enjoy and Happy New Year! Apple Music Playlist Childish Gambino – “Redbone” Beck – “WOW” Car Seat Headrest – “Drunk Drivers … Continue reading "LxL’s 10 Best Songs of 2016"




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02 – The Internet Musician – Music Tools for the Indie Artist/Songwriter

Show notes for Episode #2: Subscribe to the Internet Musician Podcast with iTunes: In this episode, I present “Music Tools for the Indie Artist”, a topic that I recently presented to a local songwriting group.  Specifically, I present the tools and process I use to capture and preserve those moments of musical inspiration–no matter whether they strike […]




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500 Songs: “Be-Bop-A-Lula”

https://www.500songs.com/e/episode-41-be-bop-a-lula-by-gene-vincent-and-the-bluecaps/ The new episode of A History of Rock Music in 500 Songs is now up! This one is on “Be-Bop-A-Lula” by Gene Vincent and the Blue Caps, and features a motorbike crash, a car crash, Fidel Castro, and probably … Continue reading




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New 500 Songs: “Ooby Dooby”

The new episode of A History of Rock Music in 500 Songs is now up! This one’s on “Ooby Dooby” by Roy Orbison, and how even Sam Phillips could make very bad mistakes. And a reminder that backers also have … Continue reading




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New 500 Songs Up: “I Gotta Know” by Wanda Jackson

https://www.500songs.com/e/episode-43-i-gotta-know-by-wanda-jackson/ The latest episode of A History of Rock Music in 500 Songs is up! This one’s on “I Gotta Know” by Wanda Jackson, and the borders between rockabilly, Western Swing, and the Bakersfield Sound. There’s also a Patreon backer-only … Continue reading




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500 Songs: Train Kept A-Rollin

This week’s episode of the podcast is now up! This one’s on “Train Kept A-Rollin'” by Johnny Burnette and the Rock ‘n’ Roll Trio, and how a novelty song about cowboys written for an Abbot and Costello film became a … Continue reading




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500 Songs: Blueberry Hill

https://www.500songs.com/e/episode-45-blueberry-hill-by-fats-domino/ Episode forty-five of A History of Rock Music in Five Hundred Songs looks at “Blueberry Hill” by Fats Domino, and at how the racial tensions of the fifties meant that a smiling, diffident, cheerful man playing happy music ended … Continue reading




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500 Songs: Brown-Eyed Handsome Man

https://www.500songs.com/e/episode-46-brown-eyed-handsome-man-by-chuck-berry/ The new episode of “A History of Rock Music in 500 Songs” is now up. This one looks at “Brown-Eyed Handsome Man” by the Chuck Berry Combo, and how Berry tried to square the circle of social commentary and … Continue reading




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New 500 Songs — “Goodnight My Love”

The new episode of the podcast is up at https://www.500songs.com/e/episode-47-goodnight-my-love-by-jesse-belvin/ This one looks at “Goodnight My Love” by Jesse Belvin, and at the many groups he performed with, and his untimely death. And Patreon backers can find this week’s Patreon-backer-only … Continue reading




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Bob Dylan announces first original album in 8 years, releases new song

Bob Dylan is done blowing in the wind.




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Bill Withers, 'Lean on Me' and 'Ain't No Sunshine' singer-songwriter, dies at 81

Bill Withers, known for acoustic soul hits "Lean on Me" and "Ain't No Sunshine," died Monday of heart complications, his family said Friday.




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John Prine, revered singer-songwriter, dies of COVID-19 complications at 73

John Prine, who survived cancer and heart issues, died from COVID-19 complications. The Grammy winner was known for his keen observations and mordant humor.




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Alexander McCall Smith reads up on solitude — and shares a new song — from Scotland quarantine

In his quarantine diary, "No. 1 Ladies' Detective Agency" author Alexander McCall Smith writes lyrics, reads Auden and watches "Brideshead Revisited."




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Elton John picks up his second original song Oscar, this one with Bernie Taupin

It's only fitting that Elton John shares the Oscar song award with Bernie Taupin for "(I'm Gonna) Love Me Again" from "Rocketman," the movie largely about their 50-year collaboration.




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Listen: Bob Dylan shares another new song, 'I Contain Multitudes'

Bob Dylan has released 'I Contain Multitudes,' his second new song in a matter of weeks, following the 17-minute-long 'Murder Most Foul.'




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Kacey Musgraves re-imagines song to honor coronavirus heroes on Earth Day

Country music star Kacey Musgraves released a new version of her song "Oh, What a World" in honor of Earth Day and "heroes on the front lines" of COVID-19.




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Listen to first original Rolling Stones song in 8 years, 'Living in a Ghost Town'

"If I wanna party, it's a party of one," Mick Jagger sings on the Rolling Stones' "Living in a Ghost Town," surprise-released on Thursday amid the COVID-19 pandemic.




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Nick Cordero's COVID-19 battle takes a turn; Broadway castmates salute him in song

As Broadway actor Nick Cordero suffers a health setback, his former "Waitress" and "Rock of Ages" costars have united for tributes to help support him.




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How Christine Baranski pulled off her viral Sondheim song with Streep and McDonald

Christine Baranski explains how she came to sing "The Ladies Who Lunch" with Meryl Streep and Audra McDonald for Stephen Sondheim's virtual birthday.




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John Lennon once revealed his least favourite Beatles song – ‘I knocked off Elvis Presley’



JOHN LENNON revealed his least favourite Beatles song was one he "knocked off" from Elvis Presley.




song

John Lennon once revealed his least favourite Beatles song – ‘I knocked off Elvis Presley’



JOHN LENNON revealed his least favourite Beatles song was one he "knocked off" from Elvis Presley.




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Covid-19 và sự lựa chọn đau đớn cho ai sống và ai chết

Thiếu thiết bị, giường và nhân viên có nghĩa là các bác sĩ phải đưa ra một quyết định khủng khiếp giữa đại dịch hiện nay.




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Kevin Jones performs his song, "I Can See The Stars"

Kevin Jones performs his song, "I Can See The Stars" before the Tom Odell show at the Moroccan Lounge in Los Angeles.

      




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Ben Folds makes a song called ‘Moscow Mitch’

Joe Scarborough of "Morning Joe" on MSNBC took credit for the name, which reportedly angers Senate Majority Leader Mitch McConnell.




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In response to Taylor Swift’s advocacy, Kellyanne Conway starts singing one of her songs

Swift called on the White House to respond to her petition in support of the Equality Act, which would explicitly outlaw discrimination based on gender and sexual orientation.




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Weezer rocks The Simpsons theme song ahead of their appearance on the show

This Sunday, Weezer will cameo on The Simpsons and as a teaser, the band released their cover of "The Simpsons Theme" by Danny Elfman. From Rolling Stone:

In the new episode of The Simpsons, Weezer will play a cover band called Sailor’s Delight, which serves as the house act on a romantic cruise Homer and Marge are taking. Sailor’s Delight will “perform” a handful of tracks from Weezer’s 2019 self-titled record (also known as The Black Album) and their 2017 effort Pacific Daydream, while the episode will also boast the premiere of the band’s new song, “Blue Dream,” from their upcoming LP, Van Weezer.

Read the rest




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The multilevel identity politics of the 2019 Eurovision Song Contest

7 May 2020 , Volume 96, Number 3

Galia Press-Barnathan and Naama Lutz

This article uses the 2019 Eurovision Song Contest (ESC) that took place in Tel Aviv to explore how cultural mega-events serve both as political arenas and as tools for identity construction, negotiation and contestation. These processes of identity politics are all conducted across national–subnational–international–transnational levels. The hosting of mega-events fleshes out these multiple processes in a very strong manner. We first discuss the politics of hosting mega-events in general. We then examine the identity politics associated more specifically with the Eurovision Song Contest, before examining in depth the complex forms of identity politics emerging around the competition following the 2018 Israeli victory. We suggest that it is important to study together the multiple processes—domestic, international and transnational—of identity politics that take place around the competition, as they interact with each other. Consequently, we follow the various stakeholders involved at these different levels and their interactions. We examine the internal identity negotiation process in Israel surrounding the event, the critical actors debating how to use the stage to challenge the liberal, western, ‘normal’ identity Israel hoped to project in the contest and how other stakeholders (participating states, national broadcasting agencies, participating artists) reacted to them, and finally we examine the behaviour of the institution in charge, the European Broadcasting Union, and national governments. We contribute to the study of mega-events as fields of contestation, to the understanding of the complex, multilevel nature of national identity construction, negotiation and contestation in the current era, and more broadly to the role that popular culture plays in this context.




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CBD News: Report Published by the Canadian Boreal Initiative, the David Suzuki Foundation, and the Boreal Songbird Initiative: Conservation Value of the North American from an Ethnobotanical Perspective: Boreal Forest.




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Life Sciences undergraduates track bird song and coral reef diversity from home

As part of the College's move to remote learning, 143 first-year students are taking a series of virtual field courses to investigate biodiversity.




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Gospel Spotlight: Gospel Song winner explores ‘Excess Love’

E xcess Love, a song by Nigerian gospel artiste Mercy Chinwo, has found favour with both Christians and non-Christians alike and has been flooding the airwaves since last year. Joanna Walker, the Jamaica Cultural Development Commission's (JCDC)...




song

The multilevel identity politics of the 2019 Eurovision Song Contest

7 May 2020 , Volume 96, Number 3

Galia Press-Barnathan and Naama Lutz

This article uses the 2019 Eurovision Song Contest (ESC) that took place in Tel Aviv to explore how cultural mega-events serve both as political arenas and as tools for identity construction, negotiation and contestation. These processes of identity politics are all conducted across national–subnational–international–transnational levels. The hosting of mega-events fleshes out these multiple processes in a very strong manner. We first discuss the politics of hosting mega-events in general. We then examine the identity politics associated more specifically with the Eurovision Song Contest, before examining in depth the complex forms of identity politics emerging around the competition following the 2018 Israeli victory. We suggest that it is important to study together the multiple processes—domestic, international and transnational—of identity politics that take place around the competition, as they interact with each other. Consequently, we follow the various stakeholders involved at these different levels and their interactions. We examine the internal identity negotiation process in Israel surrounding the event, the critical actors debating how to use the stage to challenge the liberal, western, ‘normal’ identity Israel hoped to project in the contest and how other stakeholders (participating states, national broadcasting agencies, participating artists) reacted to them, and finally we examine the behaviour of the institution in charge, the European Broadcasting Union, and national governments. We contribute to the study of mega-events as fields of contestation, to the understanding of the complex, multilevel nature of national identity construction, negotiation and contestation in the current era, and more broadly to the role that popular culture plays in this context.




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Inner Circle to create song from winning poem - Close to 100 entries for Circle of Light contest

IT IS said that every cloud has a silver lining, and that could still hold true, even in the midst of a terrifying global pandemic. Despite COVID-19, the cycle of life continues, and out of it has sprung forth an inspiring poetry competition,...




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JCDC weighs options amid COVID-19 pause - 230 entries received for Festival Song Competition

By the month of May in any given year, the many and varied events and competitions staged by the Jamaica Cultural Development Commission (JCDC) islandwide would have been in high gear. Each year the JCDC rolls out its much-anticipated menu board...




song

The multilevel identity politics of the 2019 Eurovision Song Contest

7 May 2020 , Volume 96, Number 3

Galia Press-Barnathan and Naama Lutz

This article uses the 2019 Eurovision Song Contest (ESC) that took place in Tel Aviv to explore how cultural mega-events serve both as political arenas and as tools for identity construction, negotiation and contestation. These processes of identity politics are all conducted across national–subnational–international–transnational levels. The hosting of mega-events fleshes out these multiple processes in a very strong manner. We first discuss the politics of hosting mega-events in general. We then examine the identity politics associated more specifically with the Eurovision Song Contest, before examining in depth the complex forms of identity politics emerging around the competition following the 2018 Israeli victory. We suggest that it is important to study together the multiple processes—domestic, international and transnational—of identity politics that take place around the competition, as they interact with each other. Consequently, we follow the various stakeholders involved at these different levels and their interactions. We examine the internal identity negotiation process in Israel surrounding the event, the critical actors debating how to use the stage to challenge the liberal, western, ‘normal’ identity Israel hoped to project in the contest and how other stakeholders (participating states, national broadcasting agencies, participating artists) reacted to them, and finally we examine the behaviour of the institution in charge, the European Broadcasting Union, and national governments. We contribute to the study of mega-events as fields of contestation, to the understanding of the complex, multilevel nature of national identity construction, negotiation and contestation in the current era, and more broadly to the role that popular culture plays in this context.




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Katy Perry to release new song 'Daisies' on May 15

Katy Perry announced "Daisies," a first single from her forthcoming fifth studio album and a rumored collaboration with Taylor Swift.




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CHASING BIRDSONG.




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Songs of the Godforsaken / John Bartlett.




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Students' Song About KKK Raises Cautions for Teachers

A viral video of Dover, N.H., high school students singing a song about the Ku Klux Klan to the tune of "Jingle Bells" is causing outrage.




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Episodes in human life described in Schiller's "The song of the bell". Line engraving by A. Schleich after C. Nilson.

[Dresden? Leipzig?] : Verlag und Eigentum von A.E. Payne, [1848?] (Printed by H. Boulton)




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The neuroethology of birdsong

9783030346836 (electronic bk.)




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Dolphin Boy Bands Sing 'Pop' Songs in Sync—and the Ladies Want It That Way

Female dolphins, it seems, aren’t immune to the allure of a harmonizing boy band




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Comment on Song Contest: Raab und Engelke sollen Eurovision-Finale moderieren by Deutschland News

<span class="topsy_trackback_comment"><span class="topsy_twitter_username"><span class="topsy_trackback_content">RT @imconair Song Contest: Raab und Engelke sollen Eurovision-Finale moderieren http://bit.ly/fsr6gD #IMCRadio.net: Song Contest: Raa...</span></span>