'I have been dropped from films, I have been replaced after workshops. I did not play cricket for India. If I have to sit and think who Angad Bedi is, the end of that thought is that I am human. Life has taught me a lot.'

'I am making movies in a jiffy because I want to work with everyone.'

'I have started a series called Unsung Warriors.''This time, the film is about Tanhaji. The next film will be on someone from Rajasthan or maybe Punjab.''I don't want to pick a warrior that everyone knows about.'

'When it comes to work, he forgets his sleep, his food, everything.''He is too involved in the process and that gives him strength.'

Hayden Library - QH450.S85 2019

How Senegal is trying to involve the diaspora to curb emigration. By Sofia Christensen

KidZania is an unashamed shrine to the sterile, dystopian human-made landscapes, comedian Steve Parry writes.

It had reported a pre-tax profit of Rs 8,954.38 crore in the same period last financial year (Q4FY19).

Crafting a crafting a lab policy towards accessibility for all is an on-going process. It might be time to refresh yours.

Robert Lang explains how to fold the Wired issue 16.07 origami splash page.

The Toxic Cloud-Emitting Portable Dry Ice Maker in action.

Music-industry heavy hitters Dr. Dre, Diddy and Jimmy Iovine, chairman of Interscope-Geffen-A&M, discuss a new line of Beats by Dr. Dre headphones, Diddy Beats.

Wired.com checks out ArcAttack's musical Tesla-coil performance at Maker Faire 2010.

Guillermo Del Toro talks about the update of the 70's TV classic 'Don't be Afraid of the Dark'.  Since there is no swearing, nudity or graphic violence, Del Toro says the film got an R Rating for being"too scary".

Casey Hudson, Executive Producer of the Mass Effect series walks us through the voice-activated controls in Mass Effect 3.

Wired visits Industrial Light & Magic to see how they made the special effects magic behind 'The Avengers.'

These model makers bring their skills to new heights with larger than life wearable armour, which were recently used in a Halo fan film.  We find out how they do it.

At this year's Maker Faire we found a booth that lets you make your own action figure with 56 cameras and Autodesk software 123D catch. You can also do it with a single camera at: www.123Dapp.com/catch

Learn how the professionals make brains.  We got the recipe from the makers of Resident Evil Redemption. Mmmmm... delicious!

A quick and easy way to make wounds that will last for hours and hours.

It looks like something from a sci-fi flick, or maybe a meth lab. ButLe Whaf is a device for vaporizing liquids.

A plastics hobbyist shares how he makes tiny model trains.

Pieced together from scavenged and scratch-built parts in Thailand, these sports car knockoffs look like the real deal, even if they don't run quite the same.

WIRED built a giant robot mech in partnership with YouTube, Stan Winston School and Legacy Effects. And now you get to see how we did it. From design to tech, prototype to insanely detailed finished product, you'll find out how to build your very own. Just bring a lot of friends and a ton of parts.

Check out how the experts at Stan Winston School and Legacy Effects came up with the mind blowing design for WIRED's 9 foot 9 inch giant robot mech that stormed this year's San Diego Comic Con. It's a rare chance to see how the biggest practical effects for Hollywood's blockbusters are built.

If you thought our finished 9' 9" Giant Robot Mech that stormed Comic Con was impressive, wait until you see the engineering that was required to make it come "alive." In this amazingly detailed part 2 of our "making-of the giant robot mech" series, Stan Winston School and Legacy Effects research and construct a working prototype exoskeleton.

It's time to build the armor and weapons for WIRED's giant robot mech and give it a paint job with realistic battle scarring. Watch as Stan Winston School and the artists from Legacy Effects turn our hulking friend into an incredible work of art ... a work of art that you wouldn't want to meet in a dark alley.

The WIRED giant robot mech is STANDING TALL and looking good after it's assembly and paint job ... now it's time to BRING IT TO LIFE with Arduinos, radio controls, servos, lighting effects, voice modulators, and hidden surprises. Watch as Stan Winston School and Legacy Effects put the finishing touches on the mother of all mechs just days before it's big unveiling ...

All systems are online and it's time to test WIRED'S Giant Robot Mech ... just days before its big unveiling at the 2013 San Diego Comic-Con by Adam Savage from MythBusters and Tested. Watch as Stan Winston School and Legacy Effects put the finishing touches on the Big Guy in this penultimate episode of our Geek Week exclusive series.

In the CONCLUSION to WIRED's guide to building a 9 foot 9 inch tall walking, talking, mini-cannon totting GIANT ROBOT MECH, the crew from Stan Winston School and Legacy Effects reflect on a job well done. From concept to unveiling at Comic-Con, this was a labor of love, representing 2000+ man hours of work. Rest up guys, because next year ... we are bringing the Mech's BIGGER BROTHER to the show.

With its heavy anodized aluminum mold, Cocktail Kingdom’s Ice Ball Maker transforms cubes into spheres for ice that lasts longer than your typical bricks from a tray.

Jay Silver and his co-founder's concept was simple: Hook up everyday objects to small circuits and turn them into touchpads. See how their MaKey MaKey invention kit is changing the way we interact with the world. Brought to you by Intel.

They’ve resurrected RoboCop and we can’t figure out why. Actor Joel Kinnaman has a big helmet to fill, and considering all of the outrageous changes that have been made to the reboot, Angry Nerd is doubtful that the new cyborg will live up to the task.

It’s small in size, but packs the strong, flavorful punch that comes from a French press, with the clean and simple design of a drip coffee.

Pertinent question about the Mr. Peabody and Sherman cartoon: Why? It's a half-century-old cartoon with no brand recognition. But more to the point, all these expensive reboots tend to take away the things that made the original kids' shows…weird.

The House of Mouse might be onto something: Forget the hero and make the villain the star. Disney’s new film Maleficent does just that and it actually…kind of…works. Angry Nerd explains the pros of putting the evil queens and wicked witches front and center.

Founder and COO of Unruly Media, Sarah Wood, explains the myths, value, and impact of video content in an evolving digital landscape.

At San Diego Comic-Con 2013, WIRED debuted a giant robot mech. This year, a new version of the larger-than-life beast will be revealed at the ultimate fan convention. Watch a preview of what’s in store for the colossal creature, created in collaboration with the Stan Winston School, Legacy Effects, Stratasys, and WIRED. From design to tech and prototype to finished product, see how the ultimate cosplay creation came to life.

It's time to choose a concept for this year's giant creature. The only requirements this time around? It needs to be bigger and better, with even more innovative features. Watch as the team at the Stan Winston School and Legacy Effects choose a final design for the massive monster.

The design phase is over, and now it's time to prove that the 14-foot-tall creature can be built. As the team starts to build the prototype, challenges arise due to the creature's size and scale.

Designer Greg Smith walks us through the process of scaling up the massive beast to see how much volume is needed to create it. After taking photos and videos of the rough frame and superimposing it onto an image of the creature, the team is able to get a better idea of what dimensions they'll need to bring it to life.

Lead systems engineer Jason Lopes walks us through the process of creating a maquette—a 10 to 18-inch 3-D figure—which gives the team a tangible and highly detailed representation of the creature.

Now that the prototype is built, it's time to start constructing the full-scale pieces of the giant creature. In this episode, watch the dragon-like head come to life through an advanced sculpting process, after which it's refined, detailed, and painted for a realistic look.

Catch a first-look at the giant creature in action as the team tests out the mechanics of the frame.

Watch Matt Winston and the crew assemble the giant creature on Hollywood Boulevard before its big reveal on Jimmy Kimmel Live. Plus, watch Kimmel and his sidekick Guillermo take the nearly 14-foot tall, 2,000-pound creature for a ride. Watch the Kimmel segment here: https://www.youtube.com/watch?v=plmBWOL5LBw

How do you transport a 2,000-pound, 14-foot-tall beast? Find out, as the giant creature makes its way from the Stan Winston School facilities to Hollywood for its big debut on Jimmy Kimmel Live.

San Diego Comic-Con 2014 is underway and it's time for Bodock the Giant Creature to make his public debut. Catch a first-look at his #SDCC2014 reveal.

Bodock the Giant Creature tries to make some new friends at #SDCC2014, but ends up making a few enemies instead. Watch what happens when he faces off against two small dogs who aren't afraid of the colossal beast.

Why drive a regular cop car when you can patrol the streets in a massive beast? Watch what happens when the San Diego police department upgrades their regular vehicle to Bodock the Giant Creature.

Wonder how Bodock the Giant Creature and his alien sidekick got their voices? In this episode, we take a trip to Anarchy Post to see how the creature's voice came to life with the help of voice actors and Dehumaniser—a real-time vocal processor for monster sound FX.