Matthew Sadowski, conductorSafety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Pasolini, World Music, and the Demise of the Film ComposerWhile somewhat neglected in the English-language literature on film music, Pasolini’s daring use of pre-existing music in his early films—most notably Bach’s sacred music and Vivaldi—marked a watershed in the history of the subject. It also places him alongside such figures as Godard and Kubrick (among others) in an ideal pantheon of mavericks who broke away with the traditional division of labor that underpinned the creation of film soundtracks. Pasolini’s decision to hire Morricone for the music for The Hawks and the Sparrows(1966) could have signaled a change in direction. In fact, following that first collaboration, the relationship between Pasolini and Morricone soon turned into something of an embarrassment for the composer. By the early 1970s, Morricone’s role was to merely arrange already-existing repertoires “scavenged” on various recordings by the omnivorous and ever up-to-date poet/director. Pasolini’s gleeful embrace of reproduced music calls to mind André Malraux’s “museum without walls” and his celebration of the library as both a cabinet of curiosities and workshop. Focusing on Medea(1969) and the so-called “Trilogy of Life,” this talk examines Morricone’s work as mediated and indeed guided by Pasolini the consumer, curator and ultimately producer—for Arabian Nights(1974)—of recordings.Short BioGiorgio BiancorossoGiorgio Biancorosso’s work investigates the boundaries of music and sound in the theater, cinema and digital media. He is the author of Situated Listening: The Sound of Absorption in Classical Cinema(Oxford University Press, 2016) and Remixing Wong Kar Wai: Music, Bricolage, and the Aesthetics of Oblivion(Duke University Press, 2024). Biancorosso is the co-founder and editor of the journal SSS (Sound-Stage-Screen) and the co-editor of Scoring Italian Cinema: Patterns of Collaboration(Routledge, forthcoming).Biancorosso is Professor of Music and inaugural director of the Society of Fellows at The University of Hong Kong. He is currently 2024-25 Luce East Asia Fellow in Musicology at the National Humanities Center, N.C.

Max Abner and Dahlia Nayar, Ph.D. candidates in performance studies, will present their in-progress dissertation research.Max Abner is a PhD candidate, musician, and curator who hails from Louisville, KY, has deep roots in Chicago, and is currently based in Oakland. Working from an anti-colonial settler positionality, he draws together discourses from sound studies, Indigenous studies, and critical theory to approach what he calls settler sound, a concept that accounts for the ways in which contested relations to colonized land play out in aural aesthetics. His dissertation attends to settler sound in the Bay Area experimental music/sound art scene. He has essays set for publication in Revealing Posthuman Encounters in Performance (Routledge) and Power in Listening: The Sound Out! Reader (NYU Press), his recorded curations can be heard on his music label Pontac Publications, and his live performance curations can be experienced at Beauty Supply Arts in Oakland. Dahlia Nayar’s project studies embodied manifestations of Quiet in multiple mediums of minoritarian performance. Her study curates a constellation of contemporary artists working in dance, theater, sound, and visual art with an attention to how Quiet emerges through bodies in relation to layered contexts and multiple subjectivities. She proposes that, as a minoritarian aesthetic, Quiet activates an ephemeral commons through resonance and attunement that allows expansive possibilities of relationality. Prior to her doctoral studies, Dahlia toured nationally and internationally as a choreographer, performer, and multimedia artist. She is a recipient of the Jacob Javits Fellowship, Massachusetts Cultural Council Fellowship in Choreography, and the National Dance Project Touring Award.

Javanese Gamelan-New and Traditional:An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Swingin’ the GospelAn evening of gospel featuring jazzy & contemporary renditions of spirituals, hymns, & moreCandace Johnson, director Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required.Purchasing tickets in advance is highly recommended Social Media Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter: @ucbmusicdept Youtube: Berkeley Music channel Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu with as much advance notice as possible and at least 7-10 days in advance of the event. PERFORMANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE

dj sniff (Takuro Mizuta Lippit) Composition Colloquium (CNMAT) – Nov. 22Title of your talkParallel Traces - Records that stoped the war, trained the ear, and gave birth to turntablismshort abstractFor this occasion, I will talk about how my practice in turntablism and free improvisation led to the creation of my latest works that deal with historical narratives manifested through vinyl records and their playback devices. Namely, I will talk about Parallel Traces of the Jewel Voice (2022) and The Inverted Listening of Explosive Enemy Aircraft Sounds (2023) which both examine the critical roles that phonograph records played during WWⅡ Japan and its colonized territories, and Transformer (2023) - a sound installation that is constructed by reinterpreting stories about Grandmaster Flash’s early experiments with sound technology.short biodj sniff (Takuro Mizuta Lippit) is a musician and curator in the field of experimental electronic arts and improvised music. His work builds upon a distinct practice that combines DJing, instrument design, and free improvisation. Over the years, he has collaborated with artists such as: Evan Parker, Otomo Yoshihide, Tarek Atoui, Senyawa and many others. He holds a B.A. from Keio University Department of Aesthetics and Science of Arts, M.P.S. from NYU Interactive Telecommunications Program, and Ph.D. from De Montfort University Faculty of Computing, Engineering and Media. Alongside his artistic work, he has held positions at various institutions such as Artistic Director of STEIM – Studio for Electro-Instrumental Music Amsterdam (2007-2012), Visiting Assistant Professor at City University of Hong Kong School of Creative Media (2012-17), and Associate Professor at Kyoto Seika University (2020 - 2022). Currently based in Los Angeles, he is the Co-Director of Asian Meeting Festival (AMF) - an international music festival that brings together experimental musicians from Asia since 2005, instructor at Shared Campus Summer Schools led by Zurich University of the Arts, and a part-time lecturer at Kyoto Seika and Tokyo University of the Arts Graduate School of Global Arts.

‘Un Matisse Qui Chante’: Image, Sound, and Story in The Umbrellas of CherbourgWalter Frisch (Columbia University)The year 2024 marks the sixtieth anniversary of the release of Les Parapluies de Cherbourg(The Umbrellas of Cherbourg, 1964), which has since become a beloved classic in France and around the world. Diverging in many respects from the aesthetics of the contemporary Nouvelle Vague, Umbrellaswas a bold experiment by writer-director Jacques Demy and composer Michel Legrand that also departed markedly from traditional film musicals. Umbrellaswas sung from beginning to end, without any spoken dialogue. The creators aimed for a “transposed realism” that also bore little resemblance to opera. Legrand’s score, composed in close collaboration with Demy, was recorded before any filming began. The painterly costumes and sets were also coordinated with the music and screenplay. Umbrellashas been recognized as reflecting important cultural, political, and social issues of the France of its day, including modernization and commodification in the decades after World War II, the pervasive impact of Algerian War of 1954–1962, and changing family values during an early wave of feminism in France. More recently, Umbrellashas been interpreted within the framework of queer cinema. This talk will explore the genesis and unique qualities of Umbrellas, as well as some of these important contexts.Note: Frisch recommends watching Les Parapluies de Cherbourgin advance, if possible. It is available with subtitles on several streaming platforms. A reception will follow.

The Department of Music holds an annual concerto audition in the fall semester, open to current members of the UC Berkeley Symphony Orchestra and to music majors performing on non-orchestral instruments (i.e. piano, voice, instruments from other cultures). Free and open to the publicInformation for Applicants: The deadline to submit application forms is Wednesday, November 6, 4pm in the Music Department office, 104 Morrison Hall. The application form can be found here(PDF file). Copies of the form are also available in 104 Morrison Hall. The audition jury is made up of Music Department faculty and outside professionals. Winner/s will be chosen to perform their concerto with the symphony, usually by the end of the next calendar school year.General audition rules:Applicants performing on standard orchestral instruments must be current members of the UC Berkeley Symphony Orchestra. The auditions are also open to Music majors who perform on non-orchestral instruments including piano, voice, guitar, instruments from other cultures, etc. Applicants must currently be studying privately with department faculty. Concerti for single and multiple soloists, arias, concert songs, song cycles are all permitted. Repertoire must be suitable for the normal symphony orchestra, otherwise there is no restriction on style, length or period. The normal audition duration is 10-12 minutes at the jury panel’s discretion. Applicants are required to arrange for their own piano accompanist to play the orchestral reductions at the audition; the accompanist’s name must be included in the application. In cases of difficulty finding or affording an accompanist, the music department will provide one – this service includes ONE rehearsal the week of the audition and possible additional time for warm-up on the day of the audition. Applicants may present excerpts of their choice (which should be representative of the whole work), but must be prepared to play any part of the entire work if asked to do so by the panel. Memorization is preferred but not mandatory. Lengthy extended orchestral tuttis should be omitted during the audition. The jury panel reserves the right to choose several winners or none. Winner(s) must be prepared to attend all rehearsals and performances as arranged with the conductor. Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Javanese Gamelan-New and Traditional: An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director

SCOPE III is an experimental audio-visual concert featuring six new works by graduate composers at UC Berkeley. The concert will take place in the newly renovated Wu Performance Hall, which is located in Morrison Hall room 125 on the UC Berkeley campus. Works by: Andrew Blanton Alois Cerbu Nathan Corder Luke Dzwonczyk Kevin Lo Aine Nakamura Poster by Eda Er

Strum - Jesse MontgomerySymphony No. 2 - BeethovenSymphony No. 1 - BrahmsThomas Green, conductorNoam Elisha, conductor  Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Karola Obermueller Composition Colloquium (Morrison 250) – Nov. 15time, timbre, and transformation  abstractMy creative research revolves around a collection of themes which I return to again and again in my composing. I will discuss these areas of inquiry, how they connect to each other, and in which ways they form / govern / appear in my compositions. short bioKarola Obermüller’s composing, described by the NYT as “hyperkinetic music”, is constantly in search of the unknown. Her unique voice began forming in collages of sound made with tape recorders and evolved later with composition degrees obtained in Nuremberg, Saarbrücken, and at the Mozarteum Salzburg. Her sense of rhythm and form was forever changed by studying Carnatic and Hindustani classical music in India. Since receiving a doctorate from Harvard, Obermüller taught composition and co-directed the composition area at the University of New Mexico before joining the Department of Music at UC San Diego in 2023. Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics) and at karolaobermueller.net.

Featuring spirituals & anthems sung by Candace Johnson and the University Gospel Chorus. Concert also includes spontaneous improvisation based on audience input from the “idea box” provided at the start of show. Bring your favorite uplifting quote or share your own daily musing! Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

It's not often I am surprised by comments that are generated by my columns in The Christian Post. So imagine my surprise at being taken aback by some comments generated by my July 4th column.

"God in Eternity and Time" has been well received by all segments of the Evangelical community, and its irenic spirit has been much appreciated, drawing accolades from across the Evangelical theological spectrum.

I must confess that I have never penned a column with a heavier heart. My beloved country, the United States of America, is in trouble.

Jack Smith’s prosecution (or was it “persecution”) of Gov. Bob McConnell was so overly zealous that it provided an extremely rare unanimous Supreme Court repudiation of it. Bob McConnell’s legal expenses amounted to a devastating $27 million.

In one of the last public addresses Dr. Adrian Rogers delivered before his untimely demise at the age of 74, he warned pastors of the mortal threat presented to their ministries by the sins of lust and pride.

For me, someone raised in the segregated South, having attended segregated schools, a segregated church, and living in a segregated neighborhood, his sermon to America was a clarion call to commitment and action in support of a cause that was demanded both by our founding documents and, more importantly, by the Gospel proclaimed in the New Testament.

The UDHR articulates in its 30 articles every human being’s basic, fundamental rights and freedoms and affirms those rights as universal and unalienable. The UDHR directly led to the development of the concept of international human rights law.

If you've spent the last several years staring into the abyss of transgenderism, you learn to endure it by drinking deeply of some good biblical medicine: laughter (Proverbs 13:22).

The hideous Hamas terrorist attacks against Israeli civilians (including women, children, and infants) remind us that nothing in the Middle East happens in a vacuum and the ghosts of the past are always in the room with us.

I want to challenge Christian groups on college campuses and campus ministers to organize a concerted effort to accompany their fellow Jewish students to class and by their presence help protect Jewish students from harassment and abuse. Multitudes of Christians across America should make it clear that to get to our Jewish citizens you will have to come through us first.

As I sit in my study writing this column, I find myself in a contemplative mode. I have just experienced a Christmas season unlike any other in my eight decades of existence.

My lefty dinner guests who were chowing down on Coq Au Vin and pumpkin cobbler around my table the other night recounted how they have seen behind the Woke Left curtain and they detest it in the same way I loathe the rot in my sphere. The parallels were uncanny. 

One of the most common sayings in the English language is "the straw that broke the camel's back," signifying the gradual accumulation of heavy burden until finally, one additional blade of straw collapses the camel to his knees, no longer able to successfully bear the burden.

It takes far more guts to confront your ideological compatriots than your foes and a recent book documenting the assault of gender ideology on women’s rights from a leftist perspective exhibits such courage in spades.

This is a test of American resolve, a test of whether we will keep our commitments to our NATO allies and to our allies in Ukraine, Israel and Taiwan or whether we will shrink back into the neo-isolationism that was a catalyst for world war a century ago.

The woman who journalistically captured a burgeoning epidemic of self-harm among teen girls suddenly identifying as transgender has confronted yet another colossal behemoth: the mental health industry.

There has been much talk and concern regarding so-called Christian Nationalism in the past several years.

If American Evangelical Christians want any moral legs to stand on in the sexuality debate, we must own up to our sordid racial past.

It is notable that those who most vociferously denounce Christian nationalism often seem to be the ones intent on keeping Christian voices out of politics.

Author Salman Rushdie gives a 10-minute writer's workshop before an event recorded for radio in Portsmouth. The workshop was recorded backstage. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Author Stacy Schiff gives a 10-minute writer's workshop before an event recorded for radio in Portsmouth. The workshop was recorded backstage. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Virginia sits down with her idol, rocker and writer Patti Smith. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Scottish author, Alexander McCall Smith, lets us in on his writing process before an event recorded for radio in Portsmouth. The workshop was recorded backstage. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

We caught up with the NYT-best selling "Summer Beach Read Queen" Nantucket writer Elin Hilderbrand. The workshop was recorded backstage at the Music Hall Loft in Portsmouth, NH, before the Writers in the Loft series, where she was signing books. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Author, columnist and political satirist Christopher Buckley entertains and enlightens us as we talk about his writing process. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Described as "David Lynch for teenagers," award-winning crime writer Megan Abbott. Her latest, The Fever, seemed to make every Best of 2014 list, from the Village Voice, to Amazon, to NPR. Her forthcoming novel, You Will Know Me, is out in July 2016. We spoke to Megan from Manhattan on a busy NYC New Year's Eve, 2015 #writing #authors #books Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tom Perrotta is the author behind, among others, Little Children, The Abstinence Teacher, and The Leftovers, now a hit HBO drama which he co-writes. Recently, he provided the foreword to a new Penguin edition of The Scarlet Letter. We made a date with him and settled into a corner of Harvard Book Store to ask him about his writing process. #authors #books #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Marianne Williamson has written six New York Times best sellers, including The Age Of Miracles and A Return To Love. Known in some circles as Hollywood's favorite self-help guru, we just had to find out what the process for a spiritual author entails. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Bohjalian has written some thrilling novels tackling some tough subjects - Armenian genocide, the ethics of midwifery, and, most recently, sex trafficking - but he speaks about the process of writing with humor and aplomb. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We spoke to YouTube superstar and writer of books Grace Helbig after the publication of her second tongue-in-cheek guide, Grace & Style: The Art of Pretending You Have It. She gave us a glimpse at her writing process backstage at The Music Hall in Portsmouth, NH before a Writers on a New England Stage event. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Long-time NPR reporter and five-time author Tom Gjelten recently visited the studios here at NHPR. We, of course, couldn't resist talking to him about his latest book, A Nation of Nations, and asking him for ten minutes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alexander Chee is a careful craftsman of language. As we came to find out, when we talked to him from Argot Studios in NYC, he is as measured, unassuming and thoughtful in his speech. A retiring man, who prefers to write in transient spaces, he also just so happens to have penned the most hotly anticipated literary novel of 2016 - The Queen of the Night, a sophomore work fifteen years in the making*. *He assures us it only took eleven or twelve. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alice Dreger is a historian of science, anatomy, and medicine, known for her work studying and advocating for people born with atypical sex disorders. She famously resigned from Northwestern University in protest of academic censorship, and gained some infamy on Twitter for live-tweeting her son's sex education class. We had a delightful chat with her about her writing process in advance of the paperback release of her book, Galileo's Middle Finger: Heretics, Activists, and the Search for Justice in Science. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are thrilled to say the 10-Minute Writer's Workshop has picked up a ton of new listeners, so, we're bringing you this bonus episode to say thank you! and welcome...we are ecstatic to have you! On this episode, author, columnist and critic Olivia Laing. Her most recent work, The Lonely City, is part memoir, part searching exploration of loneliness and artists whose outsider experience inspired their creativity, from seeming social gadfly Andy Warhol to the reclusive Henry Darger. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, married co-authors Kevin Flynn & Rebecca Lavoie. Together, they have written four true crime books, most recently Dark Heart: A True Story of Sex, Manipulation, and Murder. They are also two of the eponymous crime writers behind the podcast Crime Writers On... Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Kill 'em and leave" was James Brown's commandment to his band before every show...it's also the title of a biography of the soul legend, the latest by James McBride. The National Book Award winner is also a musician and composer. We sat down with him just before his appearance at the Writers in the Loft series at the Music Hall Loft in Portsmouth, NH. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As a writer, Joe Hill's family name gave him a leg up. Instead, he chose to create his own. We sat down with the best-selling author just before his appearance at Writers on a New England Stage at the Music Hall in Portsmouth, NH, where he was discussing his latest thriller, The Fireman. Learn more about your ad choices. Visit podcastchoices.com/adchoices