Pohl, Michael, author

Drewry, Rachel, author

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Hayden Library - QL666.O69 P35 2018

Hayden Library - QH641.A53 2018

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Hayden Library - QA8.4.S69 2019

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Hayden Library - PR9550.9.B8 A8 2019

Cambridge, Mass. : National Bureau of Economic Research, 2020

REALITY CHECK: Doctors explain the myth behind the disease usually found during second opinion through Navya

In a memorandum dated April 1, the ministry of environment, forest and climate change relaxed the import policy to facilitate use of second-hand ventilators by hospitals.

The ministry asserted that if dos and don'ts are followed, the peak in number of COVID-19 cases can be avoided.

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This week, we have stories on how ultraviolet rays may have jump-started the first enzymes on Earth, a new fossil find that helps date how quickly birds diversified after the extinction of all the other dinosaurs, and a drug that may help reverse the effects of traumatic brain injury on memory with Online News Editor Catherine Matacic and special guest Carolyn Gramling. Sarah Crespi talks to Christian Catalini about an experiment in which some early adopters were denied access to new technology and what it means for the dissemination of that tech. Listen to previous podcasts. [Image: Michael Wuensch/Creative Commons Music: Jeffrey Cook]

On this week’s show, Senior News Correspondent Jeffrey Mervis talks with host Sarah Crespi about a stalled Facebook plan to release user data to social scientists who want to study the site’s role in elections. Sarah also talks with Jennifer Gruhn, a postdoctoral research fellow at the University of Copenhagen Center for Chromosome Stability, about counting chromosomes in human egg cells. It turns out that cell division errors that cause too many or too few chromosomes to remain in the egg may shape human fertility over our reproductive lives. Finally, in this month’s book segment, Kiki Sanford talks with Daniel Navon about his book Mobilizing Mutations: Human Genetics in the Age of Patient Advocacy. Visit the books blog for more author interviews: Books et al. This week’s episode was edited by Podigy. Ads on this week’s show: MOVA Globes; The Tangled Tree by David Quammen Download a transcript (PDF) Listen to previous podcasts. About the Science Podcast  

Cham : Springer International Publishing : Imprint: Springer, 2014

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There was a time when a ventilator made in India was not considered a ventilator, says Ashok Patel, Managing Director, AB Industries. About 90 per cen

The 30-year-old moved to Old Trafford from Chinese side Shanghai Shenhua in January and has a contract until May 31.

The annual meeting was originally scheduled for October 28, 2020 but had to be postponed due to uncertainty surrounding the coronavirus pandemic.

The Lombardy club returned to individual training this week and are expecting Swedish star Zlatan Ibrahimovic to return in the coming days.

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Andy Clarke digs deep into snow to find ways flat design can be brought back to life in CSS with the use of techniques to create a sense of depth. Like spring after an everlasting winter, perhaps it’s time to let a different style of design flourish. What a relief.

A reaction to overly ornamental designs, flat design has been the dominant aesthetic for almost a decade. As gradients, patterns, shadows, and three-dimensional skeuomorphism fell out of fashion, designers embraced solid colours, square corners, and sharp edges.

Anti-skeuomorphism no doubt helped designers focus on feature design and usability without the distraction of what some might still see as flourishes. But, reducing both product and website designs to a bare minimum has had unfortunate repercussions. With little to differentiate their designs, products and websites have adopted a regrettable uniformity which makes it difficult to distinguish between them.

Still, all fashions fade eventually. I’m hopeful that with the styling tools we have today, we’ll move beyond flatness and add an extra dimension. Here are five CSS properties which will bring depth and richness to your designs.

To illustrate how you might use them, I’ve made this design for the 1961 Austin Seven 850, the small car which helped define the swinging sixties.

Transparency with alpha values

The simplest way to add transparency to a background colour, border, or text element is using alpha values in your colour styles. These values have been available in combination with RGB (red, green, blue) for years. In RGBA, decimal values below 1 make any colour progressively more transparent. 0 is the most transparent, 1 is the most opaque:

body {
  color: rgba(255, 0, 153, .75); 
}

Alpha values also combine with HSL (hue, saturation, lightness) to form HSLA:

body {
  color: hsla(0, 0, 100, .75);
}

Currently a Working Draft, CSS Color Module Level 4 enables alpha values in RGB and HSL without the additional “A”:

body {
  color: rgb(255, 0, 153, .75);
  /* color: hsl(0, 0, 100, .75); */
}

This new module also introduces hexadecimal colours with alpha values. In this new value, the last two digits represent the transparency level, with FF producing 100% opacity and 00 resulting in 100% transparency. For the 75% opacity in my design, I add BF to my white hexadecimal colour:

body {
  color: #ffffffbf;
}

Although there’s already wide support for hexadecimal, HSL, and RGB with alpha values in most modern browsers, the current version of Microsoft Edge for Windows has lagged behind. This situation will no doubt change when Microsoft move Edge to Chromium.

2. Use opacity

Using the opacity property specifies the amount of opacity of any element (obviously) which allows elements below them in the stacking order to be all or partially visible. A value of 0 is most transparent, whereas 1 is most opaque.

This property is especially useful for tinting the colour of elements by allowing any colour behind them to bleed through. The British Motor Corporation logo in the footer of my design is solid white, but reducing its opacity allows it to take on the colour of the body element behind:

[src*="footer"] {
  opacity: .75; 
}

You might otherwise choose to use opacity values as part of a CSS filter. 0% opacity is fully transparent, while 100% is fully opaque and appears as if no filter has been applied. Applying a CSS filter is straightforward. First, declare the filter-function and then a value in parentheses:

[src*="footer"] {
  filter: opacity(75%); 
}

3. Start blending

Almost universally, contemporary browsers support the same compositing tools we’ve used in graphic design and photo editing software for years. Blend modes including luminosity, multiply, overlay, and screen can easily and quickly add depth to a design. There are two types of blend-mode.

background-blend-mode defines how background layers blend with the background colour behind them, and with each other. My layered design requires three background images applied to the body element:

body {
  padding: 2rem;
  background-color: #ba0e37;
  background-image:
    url(body-1.png),
    url(body-2.png),
    url(body-3.png);
  background-origin: content-box;
  background-position: 0 0;
  background-repeat: no-repeat;
  background-size: contain;
}

You can apply different background-blend modes for each background image. Specify them in the same order as your background images and separate them with a comma:

body {
  background-blend-mode: multiply, soft-light, hard-light;
}

When I need to apply an alternative colour palette, there’s no need to export new background assets. I can achieve results simply by changing the background colour and these background-blend modes.

Sadly, there’s not yet support for blending modes in Edge, so provide an alternative background image for that browser:

@supports not (background-blend-mode: normal) {
  body {
    background-image: url(ihatetimvandamme.png); 
  }
}

mix-blend-mode, on the other hand, defines how an element’s content should blend with its ancestors.

To blend my Mini image with the background colours and images on the body, I add a value of hard-light, plus a filter which converts my full-colour picture to greyscale:

[src*="figure"] {
  filter: grayscale(100%);
  mix-blend-mode: hard-light; 
}

You can also use mix-blend-mode to add depth to text elements, like this headline and large footer paragraph in a green and yellow version of my design:

.theme-green h1,
.theme-green footer p:last-of-type {
  color: #f8Ef1c;
  mix-blend-mode: difference;
}

4. Overlap with CSS Grid

Whereas old-fashioned layout methods reinforced a rigid structure on website designs, CSS Grid opens up the possibility to layer elements without positioning or resorting to margin hacks. The HTML for my design is semantic and simple:

<body>

<p>You’ve never seen a car like it</p>

<h1><em>1961:</em> small car of the year</h1>

<figure>
  <img src="figure.png" alt="Austin Seven 850">
  <figcaption>
    <ul>
      <li>Austin Super Seven</li>
      <li>Morris Super Mini-Minor</li>
      <li>Austin Seven Cooper</li>
      <li>Morris Mini-Cooper</li>
    </ul>
  <figcaption>
</figure>

<footer>
  <p>Today’s car is a Mini</p>
  <p>Austin Seven 850</p>
  <img src="footer.png" alt="Austin Seven 850">
<footer>

</body>

I begin by applying a three-column symmetrical grid to the body element:

@media screen and (min-width : 48em) {

  body {
    display: grid;
    grid-template-columns: 1fr 1fr 1fr; 
  }

}

Then, I place my elements onto that grid using line numbers:

body > p {
  grid-column: 1 / -1; 
}

h1 {
  grid-column: 1 / 3; 
}

figure {
  grid-column: 1 / -1; 
}

footer {
  display: contents; 
}

footer div {
  grid-column: 1 / 3; 
}  

[src*="footer"] {
  grid-column: 3 / -1;
  align-self: end; 
}

As sub-grid has yet to see wide adoption, I apply a second grid to my figure element, so I may place my image and figcaption:

figure {
  display: grid;
  grid-template-columns: 1fr 3fr; 
}

figcaption {
  grid-column: 1; 
}

[src*="figure"] {
  grid-column: 2; 
}

Previewing the result in a browser shows me the energy associated with driving this little car is missing. To add movement to my design, I change the image’s grid-column values so it occupies the same space as my caption:

figcaption {
  grid-column: 1;
  grid-row: 3; 
}

[src*="figure"] {
  grid-column: 1 / -1; 
  grid-row: 3;
  padding-left: 5vw; 
}

5. Stack with z-index

In geometry, the x axis represents horizontal, the y axis represents vertical. In CSS, the z axis represents depth. Z-index values can be either negative or positive and the element with the highest value appears closest to a viewer, regardless of its position in the flow. If you give more than one element the same z-index value, the one which comes last in source order will appear on top.

It’s important to remember that z-index is only applied to elements which have their position property set to either relative or absolute. Without positioning, there is no stacking. However, z-index can be used on elements placed onto a grid.

As the previous figure image and figcaption occupy the same grid columns and row, I apply a higher z-index value to my caption to bring it closer to the viewer, despite it appearing before the picture in the flow of my content:

figcaption {
  grid-column: 1;
  grid-row: 3;
  z-index: 2; 
}

[src*="figure"] {
  grid-column: 1 / -1; 
  grid-row: 3;
  z-index: 1; 
}

Z’s not dead baby, Z’s not dead

While I’m not advocating a return to the worst excesses of skeuomorphism, I hope product and website designers will realise the value of a more vibrant approach to design; one which appreciates how design can distinguish a brand from its competition.

I’m incredibly grateful to Drew and his team of volunteers for inviting me to write for this incredible publication every year for the past fifteen years. As I closed my first article here on this day all those years ago, “Have a great holiday season!” Z’s still not dead baby, Z’s still not dead.

About the author

Andy Clarke is one of the world’s best-known website designers, consultant, speaker, and writer on art direction and design for products and websites. Andy founded Stuff & Nonsense in 1998 and for 20 years has helped companies big and small to improve their website and product designs. Andy’s the author of four web design books including ‘Transcending CSS,’ ‘Hardboiled Web Design’ and ‘Art Direction for the Web’. He really, really loves gorillas.

More articles by Andy

Dewey Library - JC327.S79 2019

Court had earlier on Sept 18 reserved its order till Sept 23 on Jagan's bail plea.

After an initial probe by Andhra Pradesh police, the NIA had taken over the case.

Chief Minister Naveen Patnaik made an aerial survey of the flood-hit Balasore, Jajpur, Bhadrak and Mayurbhanj districts this afternoon.

MP was arrested for allegedly destroying evidence and not informing police about the maid's death.

Norman, M. A

Ndlovu, Sehliselo, author

In this episode of JavaScript Jabber Charles Max Wood continues interviewing speakers at RxJS Live. First, he interviews Mike Ryan and Sam Julien. They gave a talk about Groupby, a little known operator. They overview the common problems other mapping operators have and how Groupby addresses these problems. The discuss with Charles where these types of operators are most commonly used and use an analogy to explain the different mapping operators. 

Next, Charles talks to Tracy Lee. Her talk defines and explains the top twenty operators people should use. In her talk, she shows real-world use cases and warns against gotchas. Tracy and Charles explain that you don’t need to know all 60 operators, most people only need about 5-10 to function. She advises people to know the difference between the different types of operators. Tracy ends her interview by explaining her desire to inspire women and people of minority groups. She and Charles share their passion for diversity and giving everyone the chance to do what they love.

Dean Radcliffe speaks with Charles next and discusses his talk about making React Forms reactive. They discuss binding observables in React and how Dean used this in his business. He shares how he got inspired for this talk and how he uses RxJS in his everyday work.  

The final interview is with Joe Eames, CEO of Thinkster. Joe spoke about error handling. He explains how he struggled with this as did many others so he did a deep dive to find answers to share. In his talk, he covers what error handling is and what it is used for. Joe outlines where most people get lost when it comes to error handling. He also shares the three strategies used in error handling, Retry, Catch and Rethrow and, Catch and Replace. Charles shares his admiration for the Thinkster teaching approach. Joe explains what Thinkster is about and what makes them special. He also talks about The DevEd podcast. 

Panelists

• Charles Max Wood

Guests

• Mike Ryan 

• Sam Julien

• Tracy Lee

• Dean Radcliffe

• Joe Eames

Sponsors

• ABOUT YOU |aboutyou.com/apply

• Sentry -use the code "devchat" for 2 months free on Sentry's small plan

• CacheFly

____________________________________________________________
"The MaxCoders Guide to Finding Your Dream Developer Job" by Charles Max Wood is now available on Amazon. Get Your Copy Today!
___________________________________________________________

Links

• https://www.rxjs.live/

• RxJS Live Youtube Channel

• https://twitter.com/mikeryandev

• https://twitter.com/samjulien

• https://twitter.com/ladyleet?

• https://www.npmjs.com/package/rx-helper

• https://twitter.com/deaniusol

• https://twitter.com/josepheames

• https://devchat.tv/dev-ed/

• https://www.facebook.com/javascriptjabber

• https://twitter.com/JSJabber