Obviously it's a bad idea to go out into space without a trusty spacesuit, but what exactly happens?

Gasp! The answer will amaze you. Still Image Credit: MaFelipe / iStock

This unmanned aerial vehicle can be launched from, and land on, a moving ship thanks to new technology Narrated by T.A. Frail Script by Brendan McCabe Video courtesy of Insitu

An incredible trove of archaeological artifacts has been unearthed once again at Saqqara—including 100 coffins, and incredibly rare statues dating back 4,500 years.

Anthony Atala | Smithsonian Magazine’s 2016 American Ingenuity Award Winner for Life Sciences The director of the Wake Forest Institute for Regenerative Medicine, Atala is a surgeon and leading expert in creating living human tissues and organs to replace those that are defective or damaged. He has spent the past decade attempting to construct living organs using 3-D printing technology. Atala implanted the world’s first laboratory-grown organ into a human in 1999 and, this year, he and his colleagues “printed” cartilage, bone and muscle tissue before successfully implanting them into a lab animal. That’s a crucial first step toward Atala’s long-term goal of overcoming the dire shortage of donated organs with custom-made body parts. Read more about Atala's work: http://smithmag.co/SiiV2J | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

Not to worry—shut-eye comes easily to these aquatic mammals

Have you ever wondered how a simple shot can keep you from dying a horrible death? In this one-minute video, Ask Smithsonian’s host, Eric Schulze, unravels how vaccines boot-camp our bodies into shape, getting us ready to fight off deadly diseases.

In the years before digital cameras, the process of getting shots from the field to the printers was incredibly complicated and dangerous. Video by Adam Grossman | Good Dog Media

Take a guess - the answer might surprise you

In WW2, the British made destroying German dams a key strategic target in order to kneecap the German industrial effort. To accomplish this, they needed a special plane to deliver the payload: the Lancaster Bomber.

Watch newsreel footage of Angel Macias' astonishing performance at the Little League World Series.

Boston’s iconic lighthouse, the Boston Light, is managed by a single person: Sally Snowman. She is the 70th keeper of the lighthouse since it was built over 300 years ago.

While camouflaged on the ocean floor off the coast of Israel in the Red Sea, octopods use their arms to grab unsuspecting prey

Our photographer gets up close and personal with orcas in Norway. Credit: Jacques de Vos and Jeremy Goncalves with Valhalla Orca Expedition

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

You don’t actually see microwaves, you only see what they do to your food. So how, exactly, does it warm up your lunch?

Taylor Swift and Beyoncé have achieved a degree of power in the music industry that singer/songwriters of earlier eras like Joan Baez—as the folk icon tells us—never even contemplated. Six decades ago, Baez was part of a folk revival that regarded music not merely as entertainment but as a vessel for political engagement and social change. In the documentary Joan Baez: I Am a Noise, the now-83-year-old musician and activist reflects on her career and legacy. Smithsonian senior editor Jennie Rothenberg Gritz interviewed Baez about the film and about the shifting intersection of art and activism. We present excerpts from that conversation in this episode. Then, veteran music critic Evelyn McDonnell discusses how the political dimensions of pop music have changed since Baez’s era, and what it means that many fans now look Beyoncé and Taylor Swift not just for great music, but for comment on the state of the world. Clips from Joan Baez: I Am a Noise in this episode are used with permission from Magnolia Pictures & Mead Street Films. Learn more about that film here (https://www.magpictures.com/joanbaez/) . Evelyn McDonnell’s latest book is The World According to Joan Didion (https://www.harpercollins.com/products/the-world-according-to-joan-didion-evelyn-mcdonnell?variant=41001679487010) . You can learn more about Evelyn and her work at her site, Populism (https://populismblog.wordpress.com/about-2/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Mathew Brady is known for his Civil War photography and groundbreaking work in the field. Read more about the Civil War at http://www.smithsonianmag.com/history-archaeology/Civil-War-History.html.

Watch this exclusive clip from the upcoming Ric Burns documentary about the "Green Book"

Have you ever wondered why these birds strike this peculiar pose? Find out in this one-minute video, where Ask Smithsonian host Eric Schulze walks us through the reasons behind the majestic bird’s one-legged stance.

Christopher Nolan's epic new film "Oppenheimer" is no mere biopic… nor is it the first attempt to capture the father of the atomic bomb in fiction. We look at prior dramatizations of this very complicated man—including one wherein J. Robert Oppenheimer played himself!—and examine why they worked or didn't. In the episode: Physicist-turned-photographer Minesh Bacrania shares his experience photographing inside the top-secret labs at Los Alamos National Laboratory, where J. Robert Oppenheimer and other scientists created the first nuclear weapon. Next, with Christopher Nolan’s film Oppenheimer exceeding commercial expectations, Smithsonian magazine writer Andy Kifer discusses the complexities of Oppenheimer's genius and how prior attempts to depict him in film and television and on stage have fared. Read Andy Kifer’s “The Real Story Behind Christopher Nolan’s Oppenheimer” here (https://www.smithsonianmag.com/history/the-real-history-behind-christopher-nolans-oppenheimer-180982529/) . See Minesh Bacrania’s photographs of Los Alamos and read Smithsonian senior editor Jennie Rothenberg Gritz’s text here (https://www.smithsonianmag.com/history/exclusive-behind-scenes-look-los-alamos-lab-where-robert-oppenheimer-created-atomic-bomb-180982336/) or in the July/August 2023 issue of Smithsonian. There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Genevieve Sponsler, Adriana Rozas Rivera, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

The figurative painter talks about the artistic process, his education and his influences.

Watch how the artist directs his team so when a photograph is taken, Bolin is completely camouflaged by his surroundings

Geese have known something for millions of years that humans have only recently figured out for themselves.

The team at the Ol Pejeta Conservancy needs to transport Kinani, a blind male elephant, to a 4,000-acre compound where he'll be able to roam freely without disturbing other wildlife. Weighing in at nearly eight tons, it'll take careful maneuvering and custom equipment to bring the animal to his new sanctuary.

Feel a sneeze coming on? Don’t hold it in! In this one-minute video, our Ask Smithsonian host, Eric Schulze, explains why we sneeze.

Have you ever wondered why Yellowstone is full of hot springs, bubbling mudpots and geysers like Old Faithful? In this one-minute video, Ask Smithsonian host Eric Schulze explains the supervolcano that lies beneath this national park and answers the life-or-death question: Will it erupt in a fiery inferno anytime soon?

Archaeologists uncover an exciting find: a tomb that predates most of the others in the area by around 2,000 years. Inside, is a series of perfectly preserved inscriptions on a panel known as a "false door’."

Over the years, the mail has been delivered by train, donkey, bus, truck and even rocket (Produced by: Boaz Frankel )

Two weeks before he died, the legendary astronaut wrote a letter in recognition of Jeff Bezos' work, read at the 2016 American Ingenuity Awards Smithsonian magazine American #IngenuityAwards

Atlantic staff writer Frank Foer interviews Damion Thomas about athletes moving from a position of apathy to engagement

Have you ever felt embarrassed by the need to carry a towel, or even a fresh shirt, with you during the most sweltering months of the year? You shouldn’t. Sweating is one of the most remarkable ways our bodies protect themselves when the mercury heads north. With summer temperatures spiking around the world as the sweat-filled Olympic Games begin in Paris, we’re joined by Sarah Everts, a Smithsonian contributor and the author a marvelous book called The Joy of Sweat: The Strange Science of Perspiration. She explains why the body’s thermostat is so ingenious, and how it cools athletes—and the rest of us. Plus: A series of snack-sized anecdotes about the Olympics! Let us know what you think of our show, and how we can make it better, by completing our There's More to That listener survey here (https://docs.google.com/forms/d/e/1FAIpQLSfS90zjBZ2oGa9JxVa-R5affKcOHaR2-ib1_KZeWm3HDQXJIA/viewform) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . Read Smithsonian magazine's coverage of the Olympics (https://www.smithsonianmag.com/arts-culture/the-paris-summer-olympics-smithsonians-guide-to-the-games-2948430/) , past and present, here (https://www.smithsonianmag.com/arts-culture/when-the-olympics-gave-out-medals-for-art-6878965/) , here (https://www.smithsonianmag.com/innovation/how-wheaties-became-breakfast-champions-180978246/) , here (https://www.smithsonianmag.com/smart-news/breaking-will-debut-at-the-summer-olympics-180984199/) , and here (https://www.smithsonianmag.com/innovation/this-graphic-artists-olympic-pictograms-changed-urban-design-forever-180978256/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz  Music by APM Music.

Learn about this often misunderstood creature

After reviewing more than 30,000 photos, the editors of Smithsonian Magazine are proud to announce the Grand Prize Winner. #shorts

The 6888th Central Postal Directory Battalion was the only unit comprised entirely of Black women to have been deployed overseas during World War II, and it had served a critical function: clearing the backlog of mail that marked the only line of communication between American soldiers in Europe and their loved ones back home. In this episode, we speak with retired Army Colonel Edna Cummings, who made it her business to get the 6888 their belated recognition, and with Smithsonian magazine senior writer Jennie Rothenberg Gritz, who wrote about Col. Cummings' quest (https://www.smithsonianmag.com/history/how-all-black-female-WWII-unit-saved-morale-battlefield-180981540/) for the March 2023 issue of Smithsonian. NOTE: In the interval since we recorded our interview with Col. Cummings, another veteran from the 6888 has died. With the passing of Crescencia J. Garcia last month at the age of 103, there are now five women who served in the 6888 during World War II who remain alive. Learn more about the women of the 6888th Central Postal Battalion at the Women of the 6888th site (https://www.womenofthe6888th.org/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Marc Edwards and Leeanne Walters | Smithsonian Magazine’s 2016 American Ingenuity Award Winners for Social Progress The duo joined forces to protect tens of thousands of people during the disastrous water crisis in Flint, Michigan. Walters, a Flint resident, grew suspicious when her tap water changed color and her family suffered odd maladies. Officials insisted that the problems were limited to her household, but she refused to accept that answer and sought out Edwards, a Virginia Tech civil engineering professor and a veteran of municipal water wars. Combining political action and scientific credibility, the testing initiative undertaken by Walters and Edwards showed that the city’s water supply was contaminated with toxic chemicals—an explosive finding that finally forced state and local officials to address the dangers. Read more about their work: http://smithmag.co/D4dIHy | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

Margaret Wertheim talks about how math and climate change inspired her to start the Hyperbolic Crochet Coral Reef project. Read more at: https://www.smithsonianmag.com/arts-culture/how-to-crochet-a-coral-reef-69064479/

Reclining and dining in the ancient classical world

The Chicago White Sox were heavy favorites going into the 1919 World Series. But they were defeated by the Cincinnati Reds - and it soon became clear that the game was rigged

The American Ingenuity Award winner on the connection between history and music

In 1913, British Royalty would come in direct contact with a changing social order, thanks to a suffragette named Emily Davison. Her death at Epsom Falls would send shockwaves through the nation.

The facts of Sojourner Truth’s life are inspiring: Born into slavery in the late 1790s, she became an influential abolitionist and Pentecostal preacher, transfixing audiences from the mid 1840s through the late 1870s with her candid and powerful voice, not to mention her singing. Tall and strong, Truth was physically formidable, too. No one was using the term “intersectionality” in the 19th century, but Truth embodied this idea, declaring that her Blackness and her womanhood were equally essential facets of her identity. But many people, both in Truth’s lifetime and in the approximately 140 years since her death, have found it useful to recast Truth as they wish to remember her instead of as she was. There’s no better example of this than “Ain’t I a woman?,” the hypothetical that Truth supposedly put to the audience when she addressed a women’s rights convention in 1851 in Akron, Ohio—the city where a public plaza will be dedicated in her honor this spring. There’s reason to doubt she said that, or at least that she said it in that way. In this episode, we speak with two historians who’ve dug into Truth’s complicated legacy and challenged much of what’s been written about this American icon. Cynthia Greenlee reported on recent efforts to honor Truth (https://www.smithsonianmag.com/history/remarkable-untold-story-sojourner-truth-180983691/) for the March 2024 issue of Smithsonian. Nell Irvin Painter wrote the groundbreaking 1996 biography Sojourner Truth: A Life, A Symbol, and she’s hard at work on a follow-up volume titled Sojourner Truth Was a New Yorker and She Didn’t Say That. Together, Greenlee and Painter help us understand us who Sojourner Truth really was, and why several generations of activists have claimed her as a symbol — at the expense of our understanding of her as a person. Read Cynthia Greenlee’s March 2024 Smithsonian story about Sojourner Truth here (https://www.smithsonianmag.com/history/remarkable-untold-story-sojourner-truth-180983691/) . You can learn more about Dr. Greenlee and her work at her site (https://www.cynthiagreenlee.com/) . You can learn more about Dr. Nell Irvin Painter’s work as an author, artist, and historian at her site (http://www.nellpainter.com/) . And read more here for the history of Mar-a-Lago (https://www.smithsonianmag.com/history/history-mar-a-lago-180965214/) mentioned in our dinner party fact. Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Two British artists travel to Pittsburgh for their second installment of their "Mysterious Letters" art project.

From gender roles to etiquette to fashion, step back in time to learn more about the real lives of the Regency women who inspired 'Bridgerton.' --- To read more about the Regency era - and 'Bridgerton' - check out these articles from Smithsonian Magazine: What 'Bridgerton' Gets Wrong About Corsets: https://www.smithsonianmag.com/history/what-bridgerton-gets-wrong-about-corsets-180976691/ The Real History Behind 'Queen Charlotte: A Bridgerton Story' https://www.smithsonianmag.com/smart-news/the-real-history-behind-queen-charlotte-a-bridgerton-story-180982130/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Producer: Nicki Marko Video Editor: Sierra Theobald

Lindow Man, believed to be a victim of human sacrifice, remains one of the best preserved ancient bodies in all of Europe. The level of detail on his face is staggering—not bad for a 2,000-year-old mummy

What happens when one of the nation's largest rivers dries up? Photojournalist Pete McBride tells us about the consequences of a prolonged drought in the Colorado River, which provides drinking water and electricity to millions of Americans, and shares his experience walking the river from end to end. What can we learn from the landscape revealed by the historically low water levels, and will they become the new normal? Read “The Breathtaking Glen Canyon Reveals Its Secrets (https://www.smithsonianmag.com/science-nature/glen-canyon-reveals-its-secrets-180980754/) ,” photographs & text by Pete McBride, Smithsonian, October 2022. Learn more about Pete and his work at his site (https://petemcbride.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Used more for grasping than locomotion, seahorse tails are both flexible and uniquely strong. (Video courtesy Dominique Adriaens, UGent)

The musicians of the Union and Confederate armies provided strong memories of the homes left behind for the battlefield.

Staff writer Abigail Tucker recounts the scene of a beach littered with horseshoe crabs and a sky filled with red knots. Read more at http://www.smithsonianmag.com/science-nature/Return-of-the-Sandpiper.html