As the dams begin to come down, the National Park Service looks back at the region’s history and prepares for the welcome changes to the ecosystem

A true-life saga involving organized crime, racial prejudice, and evolving American identity, David Grann’s 2017 nonfiction book Killers of the Flower Moon: The Osage Murders and the Birth of the F.B.I. seemed at first glance like a perfect fit for Martin Scorsese, the beloved filmmaker whose dozens of critically adored movies include Taxi Driver, GoodFellas, and The Departed. But when Jim Gray, a former chief of the Osage Nation, and other Osage leaders invited the filmmaker to Oklahoma to hear their concerns about his new project, Scorsese came. Scorsese listened. And then he rewrote and reconfigured Killers of the Flower Moon from soup to nuts, with a result that has earned a rapturous response from Native viewers like Gray and journalist Sandra Hale Schulman, and from the broader critical community, too. The movie opens in theatres tomorrow and will appear on the Apple+ streaming service before the end of the year. In this episode, Schulman walks me through a brief history of how Native Americans have been depicted in a century’s worth of movies. Then, Chief Gray tells me about his personal connection to Killers of the Flower Moon, the pattern of Native American erasure from national discourse, and how he and his colleagues persuaded Scorsese to rethink the new movie. A transcript of this episode can be found here (https://www.smithsonianmag.com/smithsonianmag/how-the-osage-changed-martin-scorseses-mind-180983094smithsonianmag.com/smithsonianmag/how-the-osage-changed-martin-scorseses-mind-180983094) . Sandra’s Smithsonian story about Native representation in cinema is here (https://www.smithsonianmag.com/history/a-brief-history-of-native-representation-in-film-180983043/) . You can learn more about Sandra and her work at her site (http://www.sandraschulman.com/) . Dennis McAuliffe Jr.’s The Deaths of Sybil Bolton: An American History, which Chief Gray cites as formative in this episode, is here (https://www.amazon.com/Deaths-Sybil-Bolton-American-History/dp/081292150X) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

In the spring of 1945, with the Third Reich crumbling, the Nazis hid their stolen art in a sealed salt mine. But when U.S. troops arrived, they found that the opening to the mine had been destroyed.

ARTICLE: https://www.smithsonianmag.com/history/civil-war-veterans-come-alive-in-audio-and-video-recordings-97841665/ In this exclusive clip from the 1930s, Confederate veterans step up to the mic and let out their version of the fearsome rallying cry.

Many cultures have found ways to preserve the human body after death, but how? In this one-minute video, our Ask Smithsonian Host, Eric Schulze, wraps up the answer.

After reviewing more than 30,000 photos, the editors of Smithsonian magazine are proud to announce the winning submissions. Learn more about the finalists and winners of 2024 here: https://www.smithsonianmag.com/arts-culture/see-winners-21st-annual-smithsonian-magazine-photo-contest-180984001/. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

Through her television shows, Julia Child shared her love for culinary arts with the world.

Read more about sperm whales: http://j.mp/sOSais Watch underwater footage of the mammal and hear its strange clicking sounds that are crucial to their survival

In the 1920s, the U.S. was in full thrill-seeking mode. From horse-diving (you have to see it to believe it) to barnstorming. And at the center of many of these activities were a group of daring young women.

Local Burmese fisher Maung Lay shows how his family has traditionally teamed up with rare river dolphins and explains why their partnership is now at risk. (Video by Demelza Stokes and Mark Scialla)

Read more at http://blogs.smithsonianmag.com/science/2010/04/01/a-peep-experiment/ Our Surprising Science blogger tests whether stale peeps or fresh peeps are better for the spring tradition of peep jousting.

Ranchers and wildlife advocates are at odds over how to handle the gray wolf's return to the Rockies

Using new technologies, Smithsonian entomologists are using detailed photo of ant faces to understand the differences among the 12,000 species

Looking at the future of geopolitics, the author reveals the surprising results of his research. Read more at http://www.smithsonianmag.com/specialsections/40th-anniversary/George-Friedman-on-World-War-III.html

Read more at http://www.smithsonianmag.com/history-archaeology/The-Beer-Archaeologist.html One of the brains behind the famed Delaware brewery talks about what goes into producing one of their beers.

Eclipses have been a subject of fascination throughout human history, and the fact that we now have a clearer understanding of what they actually are—at least in the celestial mechanics sense—than we did in centuries past has not made them any less exciting. With the North American total solar eclipse (https://www.smithsonianmag.com/science-nature/prepare-for-2024s-solar-eclipse-now-with-these-four-key-steps-180981933/) just days away as we’re releasing this episode, and the next one visible from the contiguous United States not due until 2044, we’ll learn about the eclipses from astronomy obsessive (and Smithsonian science correspondent) Dan Falk and hear from Indigenous astronomer Samantha Doxtator about how the Haudenosaunee people have observed and interpreted these mysterious daylight darkenings of the skies over many centuries. You can read Dan’s Smithsonian story about how ancient civilizations responded to eclipses here (https://www.smithsonianmag.com/science-nature/how-ancient-civilizations-reacted-to-eclipses-180983894/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

More on biomimicry: http://j.mp/RI3OOB Scientists believe the iridescent wings of the morphos butterfly could be used in technology to benefit humans.

"OK Go made music videos relevant again." – Stephen Colbert OK Go​, Damian Kulash Jr. and Trish Sie​ won the Smithsonian magazine​ American Ingenuity Award for Visual Arts for pushing the music-video envelope with their zero-gravity video for "Upside Down & Inside Out." Read more about their work and see the video here: http://smithmag.co/HZ8vzr The Smithsonian has been celebrating innovation in American culture for more than 150 years, and following in this tradition, Smithsonian magazine presents the American Ingenuity Awards, honoring revolutionary breakthroughs in the arts and sciences, education and social progress. http://smithmag.co/R7hyRO

Part of the visual album of Joan Baez' "Whistle Down the Wind," this cover of Joe Henry's "Civil War" was directed by New York University's Deborah Willis

Human remains discovered at Wharram Percy are about to be examined by an expert, in a bid to determine what happened. Is it a medieval murder mystery—or something far more sinister?

From the stars moving across the night sky to clouds moving over snow-capped mountains, photographer John Eklund captures the beauty of the region

Read more at http://www.smithsonianmag.com/history-archaeology/Wayne-B-Wheeler-The-Man-Who-Turned-Off-the-Taps.html Beverage expert Derek Brown shows how to make three cocktails from the early 20th century at his Washington, D.C. bar.

An exclusive group of thought leaders gathered at the museum to discuss how the world prepares for the next global pandemic, raises public awareness, and explores potential responses and solutions

Television reporter Shannon LaNier is a direct descendant of the third President of the United States. (Credit: Drew Gardner)

The Huichol people of west-central Mexico have designed the Vochol—a car turned work of art

Timelapse of a British artist creating a site-specific piece for the Ulster Museum

Recently digitized footage shows the 5th Div. cemetery dedication on Iwo Jima with band, gun salute and officers speaking. In the final scene, tow Marines kneel over the temporary resting place of 3/13 PFC Ernest T. Langbeen. (U.S. Marine Corps History Division and Moving Image Research Collections, University of South Carolina)

African cuisine has always been well represented in the United States, particularly in dishes characterized as “Southern” in origin, like gumbo or hoppin’ john. But even before chef Serigne Mbaye’s New Orleans eatery Dakar NOLA was named (https://www.eater.com/24175309/james-beard-awards-2024-winners-restaurant-and-chef-awards) the Best New Restaurant of 2024 at the James Beard Awards this week, the contributions of the African diaspora to the American diet had at last begun to enjoy a long-overdue reappraisal via reality television, Netflix docuseries and, most important, a number of widely praised dining establishments: If you want to book a table at Tatiana (https://www.tatiananyc.com/story/) in Manhattan, Dept of Culture (https://www.deptofculturebk.com/) in Brooklyn or Kann (https://kannrestaurant.com/) in Portland, you’d better plan ahead, because their tables are often booked up well in advance. In this episode, Smithsonian contributor Rosalind Cummings-Yeates explains how the ascendancy of pan-African cuisine from “auntie” restaurants into the rarefied fine dining sphere is part of a larger and more meaningful campaign of cultural reclamation. And Mbaye tells us why it was so important to him to make Dakar NOLA (https://www.dakarnola.com/) a showcase of the distinctive flavors of Senegal, where he spent his formative years. Read Rosalind's Smithsonian story about the rise of West African fine dining in the U.S. here (https://www.smithsonianmag.com/arts-culture/these-chefs-are-elevating-african-and-caribbean-cuisines-from-carryouts-to-fine-dining-180984466/) . See the full list of 2024's James Beard Award winners here (https://www.jamesbeard.org/blog/the-2024-james-beard-award-winners) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz / photography by Katherine Kimball, Joshua Brasted, and Jeremy Tauriac Music by APM Music.

Sometimes, in fact, nature is stranger than fiction

Read more at http://www.smithsonianmag.com/history-archaeology/Nikita-in-Hollywood.html As part of a diplomatic mission, Soviet premier Nikita Khrushchev traveled across the United States, meeting Americans from New York to Iowa to California.

A new study reveals the secrets and chemical makeup behind "Shreckstoff"

On April 2, 1931, 17-year-old Jackie Mitchell struck out the New York Yankees slugger.

This is video of the new hermit crab species Pylopaguropsis mollymullerae taken by Ellen Muller at dive site 'Something Special', southern Caribbean. Credit: Rafael Lemaitre and Ellen Muller

A modern medical mystery

The southern widow's Maryland house was a crucial stop on the escape route for assassin John Wilkes Booth the night he shot the president. Read more about Abraham Lincoln at http://www.smithsonianmag.com/history-archaeology/life-of-lincoln.html

Watch breathtaking underwater footage off the Panama coast, where coral reefs reproduce in a flurry of carefully-timed action. Read more at http://www.smithsonianmag.com/arts-culture/A-Coral-Reefs-Mass-Spawning.html

The CIA used birds, cats and even dolphins to help them on covert operations.

The American Ingenuity Award winner describes what it takes to tell a great story

Hung Huynh, winner of Season 3 of Top Chef, prepares the giant clam two different ways, raw and fried. Read more at http://www.smithsonianmag.com/science-nature/Happy-As-Clams.html

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

Have you ever wondered what a solar eclipse is? Join us as we explore the science behind this awe-inspiring celestial event. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Producer: Nicki Marko Video Editor: Sierra Theobald

The sweet science behind our sense of taste

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

It’s a tradition that dates back more than 100 years, but have you ever wondered why? Learn more about why we cast our votes on a seemingly random weekday - and its roots in past customs. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Producer: Nicki Marko Video Editor: Sierra Theobald

In the early 20th century, the medical establishment became fixated with the idea that gay people could be “cured.” To achieve this, they turned to a litany of brutal practices: from electrotherapy to lobotomies.

Ancient Greeks were endlessly fascinated by Egyptian culture, and especially the Egyptian Gods whom they saw as versions of their own. So much so that they ended up adopting Egyptian culture and customs as their own.

Czech immigrants brought the pastry to Texas; Autumn Stanford brought them to New York

Edwin Bearss lends a dynamic personality and a booming voice to teaching the history of the Civil War in northern Virginia (Meredith Bragg)