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Widow Can't Seek Remedy From Husband's Co-Worker, Tavern Operator

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Supreme Court Overturns $3 Million Judgment for Worker's Death

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Court Voids Award to Worker for Burn Injury, Vacates Award on Wage Claim

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Court Overturns VSSR Award for Worker With Chemical Burns

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Governor Appoints Members of Nominating Committee

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Court Overturns Denial of Employer's Motion for Costs as Partially Prevailing Party

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Governor Approves Pay Raise for Doctors Treating First Responders

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Federal Court Upholds Conviction for Pharmacy Kickback Scheme, Overturns Restitution Order

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Book Review – Serengeti – The Eternal Beginning

I was excited to get the opportunity to review a photography book that wasn't technical in nature. It gave me a chance to read for once and not have to think about the technical merits about the subject material being discussed.

At first I thought it might just be a pure photography book, nothing but pictures and little text. When it arrived I realized that there was a fair amount of story that surrounded the photos. The story about the Serengeti was very interesting and unique and an important part of the book.


Book Title: Serengeti – The Eternal Beginning
Author: Boyd Norton
ISBN: 978-1-55591-593-3
Publisher: Fulcrum Publishing
Hard cover - 265 pages

The Review
One of the first things that struck me about the book was the experience and depth that the author 'Boyd Norton' had with this area of Africa. While its not exactly clear, it appears that he has spent more than 25 years visiting and getting to know this area intimately about the life and its nuances in the Serengeti.

The book is not only about Serengeti as its title suggests but also includes the Maswa Game Reserve, Ngorongoro conservation area, Loliondo Game controlled area and the Masai Mara National Reserve. As with most geographical features, country boundaries do not define its scope.

This geographical area defines the coverage, for the most part of the 'Great Migration' that we are all familiar with. Where thousands upon thousand of larger African animals such as wildebeests are seen to run for thousands of miles in search of food as the weather patterns change. While the predators lie in wait for the dinner train to run by.

The author discusses the parks earliest beginnings when there wasn’t a park but only early explorers and big game hunters. The early problems all countries seem to have when they want to control activities within an area with competing demands from indigenous groups, expanding farming base and other users of the resources.

This is not only a book about the big and small animals that are found here but about the life of the people who have lived here for aeons. It’s interesting to read how the locals, weather patterns and what was a perfect balance of nature all worked together to create a faultless ecosystem. Especially when you think of this place as the dawn of human kind some 3-4 million year ago.

The author’s writings give a life to photos that are not apparent directly from the photos. As an example, he discusses how certain rock outcrops called Gol Kopjes seems to have extra gravity that applies only to the big cats. In that whenever they arrive on these outcrops the local rock gravity immediately pulls them flat on the rock and holds them for hours.

The book covers the Great Migration when it seems most of the life in the Serengeti is on the move and about the carnivores who patiently wait for their turn at the Great Feast or migration as we call it.

The next chapter is about the lions which is a fascinating subculture all unto itself. Who gets to lead, who eats and who gets to live with the group.

The 4th chapter is about Ngorongoro which is the remains of a huge volcano called a caldera, like a giant cauldron. In this crater life is different due to its unique ecosystem.

The next chapter deals with creatures both large and small and how like any balanced system they each depend on each other for survival. From control of foliage to providing food for the predators. If your visit is to only see the big game animals then you are missing so much more about the life in the Serengeti.

The next chapters deal each with the other more famous of the big African animals such as the Rhino, Leopard, Cheetah and Elephant and how they live and communicate. There are personal stories around each encounter with the wilds of Africa and this is what makes this book more exciting than just a lot of photos.

There is Anna who can talk Rhino talk and the perception that they are stupid is really outdated. There are also the Acadia trees who can communicate when the giraffes arrive for dinner.


Recommended Audience

This book doesn’t tell you how to use your camera or take better photographs, which I'm glad as sometimes we just need stories that surround images we are seeing. Inspiration rarely comes from a technical how-to-manual.

I now know that if I were to go on an African photo safari I would not expect or want a 1 or 2 day quick tour and photo-op around the park. The book has conveyed to me that there is just so much more to see and experience that it can only be fully appreciated if you take the time to watch and wait. When there, live in the flow of the Serengeti's life.

If not for yourself then this would make a great gift for any friend who has been talking about going on an excursion to see those big game animals of Africa. A time before man, at least modern man, has had an impact on the natural world.

Link to:
Boyd Norton`s Wilderness Photography website with info on supporting the Serengeti.


I have provided an amazon link for the book, below.


Niels Henriksen


Disclaimer:
Other than receiving a book to review, which will be given away, I did not or will not receive any remunerations, gifts or any considerations for this review from the publisher, author or anyone affiliated with this book.



Update:
Thanks to a comment from Mike I realized that I hadn't fully reviewed the book by also commenting on the photographs within the book.

I found every photo crisp and clear and representative of the its natural environment.

The photos are taken as found and therefore the lighting is natural and not staged. Nor are the images manipulated to give extra punch as I am prone to do. All are color prints with no B&W.

Since most of the animals by nature's design want to blend in with their surrounding there is not always a lot of high contrast, but they all stand out in the photos. The photos are all of the caliber that you would find in the National Geographic magazine.

The front cover image is representative of the quality of images whether they are up close or distant landscapes contained within the book.






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The Making of a Fine-Art Print 'Man, Lantern and Orange Wall'


I am once again in San Miguel de Allende and for the last 2 weeks I've been like a young boy running around in a large candy shop. It feels great to be back and there have been so many favourite places to visit and most importantly eat some great food.  I have managed to photograph some new scenes and these will be the subject of future articles.

Last year I photographed the image below from the section of the Casa Mission on Cerrada de Pila Seca which is only a walking street that runs behind Cafe Monet. I was initially struck by the strong primary colors, the lantern and its shadow and the texture on the wall, but when I printed it, it seemed to lack something to give it extra punch. Some extra texture.

Man, Lantern and Orange wall   12” x 16.5”

Final image with texture added


I tried several generic textures that I had on file, mostly splatter type patterns but none provided the effect that I wanted. Not that I knew what I wanted but I felt that when I saw it, it would feel right.

From the article title you may wonder about the man. If you look closely at the image you should be able to see a man walking in amongst tall bare trees and their branches. It is subtle and that's what I wanted but it's there in the image. Only by accident, I decided to try other B&W images that were actual images. I came across one image with a man walking amongst tall trees and when I overlaid on colorful wall image it worked for me.

In the detailed close-up below the man becomes clearly visible.



The print I made is 12” by 16.5” and to all I showed the print, no one could see the man. In fact, several people showed other areas that they thought was man, which became an added twist to the print.


The overlay photograph is shown below.



A fine-art photograph is about what inspires you. It not about what others are doing with their art or what people think is right or wrong.

Don't be intimated with experimenting or concerned that others don't get it. If you like the results and it provides meaning for you then it's a perfect piece of art work.  With so many people on the planet you can be sure that there will be some that find your work inspirational.

When I printed my final proof photograph which I keep around to ensure that my impressions don't change, one was immediately spoken for.

This photograph is printed on 300 gram, 13” x 19:, Ilford pearl paper. Usually, I tend to print on textured fine-art matte/watercolor paper but this image called for more vibrancy in the colours.

My prints are limited within a series and these are normally sets to 5. If I do another series they will be different in some form, either paper selection and other tonal attributes or printed larger. But any future series will  be sold  at a price that is higher by a reasonable margin than the highest price for the previous series.

2 prints, unframed,  are currently available at the
Orange Gallery   near the Parkdale market in Ottawa


It's just a coincident that the major color of this print and the art gallery are the same.



Niels Henriksen





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