Me personé ayer en el  Teatro Real para asistir de nuevo a "Gianni Schicchi". Estuve en el estreno hace una semana, pero quise repetir porque es una fabulosa miniatura de Puccini y porque establece una relación definitiva, explícita, entre Woody Allen y la ópera.

[U.K.] : Warner Home Video, [2014]

Dropped by the original publisher after a staff protest, the film-maker’s autobiography can be brutally honest but also a bore, and neither he nor Mia Farrow come out of it well

Though I see what he was getting at, I don’t quite agree with Hilaire Belloc, who once wrote that just as omelettes are either admirable or intolerable, and nothing in between, so it is with autobiography. Most memoirs, alas, struggle over the same things: fame, for instance, is often less interesting (or perhaps simply harder to describe) than the struggle to achieve it; the central irony of autobiography is that it’s far easier to be truthful about other people than it is to be honest about oneself. Such books tend, then, to be patchy: utterly delicious at times, but at other moments, stodgy and in need of seasoning.

If Woody Allen’s Apropos of Nothing was an omelette, you’d scoff down two-thirds of it pretty smartish, I think, after which – sated, to a degree – you’d mournfully scrape what remained on your plate into the bin. Later, you might be troubled by a hint of indigestion; even a little light queasiness. But in the morning, contemplating the Alka-Seltzer, I’m not sure you would be full of regret, let alone inclined to avoid omelettes for life. What I’m trying to say is that Allen’s autobiography is a mixed bag. If he can write (obviously, he can), and if he is, at points, surprisingly honest (eye-poppingly so, on occasion), then he can also be a bore and a self-deceiver. Of course, if you’re one of those who, disgusted by what you regard as his moral failings, has vowed never to watch Annie Hall or Manhattan again, then you’re unlikely to want to embark on Apropos of Nothing in the first place – and fair enough, that’s up to you. But I’m not in that camp. Nor can I comment on Allen’s alleged abuse of his adoptive daughter, Dylan, a crime of which he was first accused in 1992 (two police investigations into this have come to nothing). What I will say, however, is that I regard it as both disgraceful and alarming that Hachette, his original publisher, gutlessly dropped his book following a walkout by some of its staff – and that though I was sometimes repulsed by it myself, I was also fascinated, even entertained. So, shoot me. Again, that’s your choice.

Hachette Book Group employees in New York City, during a Thursday walkout protesting their company's decision to publish Woody Allen's memoir.; Credit: Kendra Barkoff Lamy/Twitter

On Thursday afternoon, dozens of employees of the publishing imprints Grand Central Publishing and Little, Brown staged a walkout to protest Grand Central's decision to publish Woody Allen's memoir, Apropos of Nothing, next month.

Both imprints are owned by Hachette Book Group (HBG), the same house that published journalist Ronan Farrow's Catch and Kill. The walkout comes after Farrow announced on Tuesday that he felt he could no longer work with HBG after the Allen acquisition.

Farrow is Allen's son with actress Mia Farrow; his sister, Dylan Farrow, has accused Allen of having sexually abused her as a child. Allen has long denied her allegations.

In his statement, Farrow wrote in part that HBG "concealed the decision from me and its own employees while we were working on Catch and Kill — a book about how powerful men, including Woody Allen, avoid accountability for sexual abuse."

Dylan Farrow also released a statement on Monday evening, in which she said in part: "Hachette's publishing of Woody Allen's memoir is deeply upsetting to me personally and an utter betrayal of my brother whose brave reporting, capitalized on by Hachette, gave voice to numerous survivors of sexual assault by powerful men. ... This provides yet another example of the profound privilege that power, money and notoriety affords. Hachette's complicity in this should be called out for what it is and they should have to answer for it."

Employees at both HBG's New York and Boston offices participated in the Thursday walkout. Many also sent out an auto-reply email that read in part: "We stand in solidarity with Ronan Farrow, Dylan Farrow and survivors of sexual assault." Those include Little, Brown executive editor Vanessa Mobley, who was the editor of Catch and Kill.

In a statement sent to NPR Thursday afternoon, HBG CEO Michael Pietsch said: "We respect and understand the perspective of our employees who have decided to express their concern over the publication of this book. We will engage our staff in a fuller discussion about this at the earliest opportunity."

NPR reached out for comment to Allen's agent, who did not respond as of publication time.

The New York Post reported that HBG employees approached the company's human resources department on Thursday afternoon to complain about the planned publication of Allen's book. A Hachette employee told NPR that HBG's CEO, Michael Pietch, attempted to hold a town hall meeting on Thursday to discuss the issue, but the employees walked out before the meeting was held.

Farrow's agent, Lynn Nesbit, told NPR on Thursday, "I feel moved almost to tears by the walkout. It was such a brave gesture to management who, in my opinion, made such a misguided decision." Signing Allen, she said, was "a betrayal of Ronan, of the women in his book, of the issues in the book and of the staff of this publisher." She added that Farrow is "grateful for the support of his colleagues at Little, Brown."

Last year, The New York Times reported that Allen had tried to sell the memoir to several major publishing houses, "only to be met with indifference or hard passes"; one source told NPR on Thursday afternoon that the title had been considered "radioactive" in the publishing world.

Farrow also said in his Tuesday statement that HBG had not fact-checked Allen's memoir, nor did it contact Dylan Farrow for any response. "It also shows a lack of ethics and compassion for victims of sexual abuse, regardless of any personal connection or breach of trust here. ... I've also told Hachette that a publisher that would conduct itself in this way is one I can't work with in good conscience."

This content is from Southern California Public Radio. View the original story at SCPR.org.

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Dylan Farrow took to Twitter for the first time in a year on Wednesday to blast Scarlett Johansson over her comments saying that she believes in Woody Allen's innocence and would work with him again.