Jesse Brandow, a longterm missionary with the Orthodox Christian Mission Center, talks about the Orthodox mission efforts in Guatemala.

 As we've seen, the Mayan Calendar is a chart of the evolution of consciousness in the universe.

Each Cycle or Age has its own dominant paradigm or point of view. As you move up through the 9 Cycles, new perspectives and new ways of being arise.

This new perspective starts to show up in the world, but it isn't an immediate switch from the old way of doing things to the new way.

It takes time, and a process of transition, for a new understanding to gain prominence.

The quantum physics revolution is a perfect example. We've known since the 1950's that matter isn't solid, and reality is nothing like we've imagined. Yet for the most part, our world continues to go along believing in the old materialistic ways... "Reality" is what can be proven with the senses. Medicine sees the body as a machine with unconnected parts. The Earth is dead, and humans are the pinnacle of evolution. And so on...

Yet, as we progress, the old perspective becomes more and more marginalised. People begin to talk about things in a new way. Then people begin to act in a new way. Finally (we're not there yet), the tipping point is reached -- the old way is as disregarded as the once unshakeable "knowledge" that the Earth was flat.

And that process is what the 13 days and nights of the Mayan Calendar describe.

The "Days" are times when consciousness expands, new perspectives arise -- times of fresh beginnings.

The "Nights" are times when the new consciousness is applied, new procedures initiated, and old ways (usually forcefully) overthrown.

And each of these 13 periods is characterised by specific circumstances.

Here's a breakdown of each of the 13 Days And Nights of the Mayan Calendar, and the specific transformation that occurs in each.

A period of illumination -- new perspectives arise. Beginnings. Seeds are planted; energy begins to flow in a new pattern or paradigm.

A period of darkness, rest. Integration. The new pattern begins to germinate within the dark subconscious of mind.

The second period of illumination. Dual paradigms, the old and the new, overlap -- both can be seen. In history, a time of turmoil, as the old ways (status quo) try to repress the new.

(This is where we are as of April 20, 2011.)

The second period of darkness. Followers of the two different paradigms battle for supremacy. Historically, very violent eras.

The third period of illumination. The new paradigm begins to spread deep and wide, beginning to show up in the world as new methods of doing things, new ways of perception. The new pattern begins to overtake the old, as fables, falsehoods, and failures expose the weakness of the past system.

The third period of darkness. The fledgling perspective of the new paradigm is refined, and the earlier, simplistic aspects fall away. The old system is thrown over, usually by force.

The fourth period of illumination. The new pattern becomes stronger and goes deeper into consciousness. A period of expansion, as the new paradigm takes form in the world. New corollaries emerge, as the new perspective takes precedence.

The fourth period of darkness. Healing the pain of the transition and the death of the old ways. Rebuilding after the destruction of the old status quo systems. The new, more healthy paradigm is truly established now.

The fifth period of illumination, and point of greatest radiance in the Cycle. The new paradigm flourishes, sending information about wonderful new knowledge out into the world. The highest possibilities for this Cycle are attainable.

The fifth period of darkness, and the nadir of darkness. This is a time of major hardships, cultural collapse, horrific violence. However, it is also a little like gestation: within the dark, something new awaits. From the death, new life will arise.

The sixth period of illumination, a time of Enlightenment. The flowering of the paradigm into stunning new insights and newer perspectives... in fact, sowing the seeds for the new Cycle of evolution to follow.

The sixth period of darkness. The paradigm has reached its peak and begins to dry and wither, like wheat in autumn. Typically a time of war and violent conflict.

The seventh period of illumination. There is a sense of openness, of being ready for something new. The best of the paradigm has been harvested, and it's time for a new level of consciousness to arise.

From the Seventh Day of the Mayan Calendar, we proceed directly to the First Day... from Light to Light. This demonstrates that whole process, even though it contains much dismantling and death, is finally and entirely a process of Creation.

The Mayan Calendar is an illustration of this process.

That's what makes it so fascinating... How did the Mayans ascertain such detailed information, that accurately predicts the ancient past (of which they could have known nothing) to the far future (which they are scarcely more likely to know)?

We may never know the answer to this question. But at least we finally know enough to appreciate their wisdom at last.

And just in time!

With Bright Blessings,

[Place of publication not identified] : [eBookIt.com], [1996]

Veteran actor Mukesh Rawal, known for his ‘Vibhishan’ role was run over by a train while crossing railway tracks

Singham's character is based on Ram, Kareena's based on Sita, Tiger's on Lakshman, Ranveer's on Hanuman, Akshay's on Jatayu and Arjun takes up the Ravan role.

The core characteristics of the main characters of the epic manifest within everyone, depending on the situation

'This epic adaptation brings to life one of India's most cherished tales with unmatched scale and visionary storytelling.'

Actor Dipika Chikhlia, who was seen playing the role of Sita in Ramayan, was introduced to an unmatched popularity that has not faded even today. In an earlier interview, she had revealed how people in the villages would still refer to her as Sita and would even try touching her feet! However, given a choice today, Sita would not be the character she would like to play.

In a recent conversation, Dipika revealed she had evolved as an actor, and would rather be interested to play Kaikeyi, lord Ram's stepmother who insisted her husband Dashratha to send Ram, Lakshman and Sita to an exile for 14 years. Dipika added that playing a negative career was an entirely different experience and she was fond of playing roles that let her explore herself as an artist.

Actor Sunil Lahiri, who played Lakshman's character, said he'd still pick the same role, but if he had another choice, he would like to get into the shoes of Ravana as the character had many shades and would give an actor many varieties to perform.

As the nationwide lock-down began, Doordarshan started re-airing some of its most popular TV shows, Ramayan being the first one. On April 16, it became the world's most watched TV show, with 7.7 crore viewers.

missgingin:

The underground rivers at Xcaret in the Mayan Riviera in Mexico

Check out travel recommendations at Wanderfly!

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From watching Ramayan to dancing to Bollywood music, Nurvi's quarantine time looks fun! - entertainment  Mid-Day

Owing to the lockdown, old popular shows like Ramayan and Mahabharat are being retelecasted for the viewing of the younger generation. Ever since the show has gone on air, the cast from the show has been revealing interesting stories that went behind the scenes. Recently actor Sunil Lahri aka Lakshman revealed another interesting fact related to late actress Lalita Pawar who played the role of Manthara. 

Recently, during a virtual press conference, Sunil Lahri said that while they were shooting the scene where Lord Ram returns to Ayodhya, Lalita Pawar suffered injuries and still chose to shoot despite the pain. "Lalita Pawar ji once suffered an injury. During a sequence when Lord Ram returns to Ayodhya, the entire set was lit with diyas. Lalita ji being an enthusiastic actor did not realise and she walked over them, by mistake she stepped on the lanterns and both her feet got burnt. The spot dadas would carry her till the set from the room and she used to give her shot. In fact, she was asked to relax and rest, but she was such an excited actor that she would love to work. Nobody got to know that she was in pain, she showed no signs when she was on camera. She was so committed that despite the injuries she continued to shoot and hat's off to her. She was a great lady," said the actor.

Lalita Pawar has also been a part of over 100s of films including Hindi, Gujarati and Marathi where she is seen playing character actors. The actor passed away in 1998 after suffering from mouth cancer. 

ALSO READ: “Ramanand Sagar was born to make Ramayan,” says his son Prem Sagar

Ever since the lockdown has been announced, mythological show, Ramayan and its actors are hitting headlines for one or the other reason. As the viewers are aware, Doordarshan had re-aired Ramayan during lockdown on popular demand. The iconic show broke all

The Coronavirus outbreak has brought everything to halt. Shooting of the films and shows are not happening due to the lockdown. Since no new episodes are being shot, the channels are forced either to re-air the old episodes or re-run old

The latest BARC/TRP ratings for the Week 17 (April 25-May 1, 2020) are here. The mythological shows are still ruling the TRP chart. Among the mythological shows, Doordarshan National's Uttar Ramayan is at the tops slot while DD Bharti's Mahabharat has

The Coronavirus outbreak has brought everything to halt. Shooting of the films and shows are not happening due to the lockdown. Since no new episodes are being shot, the channels are forced either to re-air the old episodes or re-run old

The latest BARC/TRP ratings for the Week 17 (April 25-May 1, 2020) are here. The mythological shows are still ruling the TRP chart. Among the mythological shows, Doordarshan National's Uttar Ramayan is at the tops slot while DD Bharti's Mahabharat has

For more than 120 years the Venus Table of the Dresden Codex -- an ancient Mayan book containing astronomical data -- has been of great interest to scholars around the world. The accuracy of its observations, especially the calculation of a kind of 'leap year' in the Mayan Calendar, was deemed an impressive curiosity used primarily for astrology.

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The game, which has been launched in India and the US, is available for Rs 6,249 on its portal and Amazon.in.

At Myntra, Kamal was heading different verticals including logistics, operations excellence and the training function, where he built the in-house logistics team and scaled it to include more than 3500 people, spread across 80 plus towns and delivering over 100,000 packets a day.

Rameshwaram is a holy town located on Pamban island and is separated from mainland India by the Pamban channel. It is just 40km from Mannar island Sri Lanka.

1. Netizens swoon over Sunil Lahri's son's handsomeness; a look at rare and unseen pics of the cast of Ramayan's family members  Times of India
2. Ramayan actor Dipika Chikhlia would love to play Kaikeyi, Sunil Lahri wishes to play Raavan’s role if...  Hindustan Times
3. Throwback: Ramanand Sagar had THIS condition for roping in Arun Govil for Ram’s role in Ramayan  PINKVILLA
4. Buoyed by Ramayans record-breaking run, Kapil Sharmas episode with stars to air again - Republic World  Republic World
5. Ramayan's Sita Dipika Chikhlia and Lakshman Sunil Lahri on making of the show  Hindustan Times
6. View Full coverage on Google News

A still from Marvel Studio's Avengers: Infinity War

Maybe because they thought I was some angrez-type, dissing one after another loads of films being dished out in the early 2000s - inevitably, a film producer or the other would proudly remind me back then, about how India (in this case, Bollywood) was absolutely the only movie market in the world where Hollywood, or the appearance of a Spielberg or George Lucas film in theatres, made no difference to the lives of local filmmakers, Subhash Ghai, Yash Chopra, if you may.

This was true for India, up until a decade ago; and yes, not true for anywhere else. Still, since the names mentioned to me were of filmmakers (no doubt, well-known/mainstream), I argued, this had a lot more to do with the reliably desi, nearly mythological star-system, that movies pivoted around and audiences lined up in cinemas for. You need a face to build a following (for anything). Any branding intern will tell you that. Hollywood had its own star-system. Few filmmaking cultures, apart from India and the US, did.

So sure, the handsomely paid Tom Cruise or Julia Roberts, or for that matter Superman/Batman, were huge in India as well. But, their films merely ran at exclusive cinemas for English films in bigger cities (say Chanakya, Sterling in South Delhi/Bombay).

Did the cash-rich Hollywood not wish to partake in the desi star, plus song, mainstream movies that enchanted millions? By late 2000s, American studios began setting up offices in Mumbai, cheekily over-paying Bollywood's lead cast, getting into lopsided deals favouring local producers, to make a direct entry into Indian markets, at last.

Bollywood films, more or less, remained the same, in terms of scale. For they weren't here to change the status quo. It suited them. The budgets (for them) were pocket-change, anyway. Major Indian filmmakers continued to feel safe in the face of a captive audience. In about a decade though, one region, small-town at a time, the American studios, having deepened a desi distribution network, began to spread out the release of their own global blockbusters that none in India could potentially compete with. The economics simply wouldn't match.

Spiderman first spoke to its audience in Bhojpuri in 2007. Ronald Emmerich's 2012 (2009), with the Taj Mahal in a shambles in the promo, with no such scene in the picture, had curious villagers walk over to nearest theatres to catch the end of the world. By 2012, even Ang Lee's deeply meditative, Life Of Pie, collecting R90 crore, had thumped the Akshay Kumar masala picture, Khiladi 786 (releasing around the same time), by a R20 crore margin!

Woah. Did desis stop loving their super-stars? Nope. They still do. Here's what happened. Hollywood altogether destroyed its own, entire 'star-system' instead - making films not about actors (or even directors, for that matter), but relentlessly concentrating their massive might/resources/energy on propping up super-heroes (several for the price of one), gigantic disasters, and dazzling 3D/IMAX special effect, to effectively conquer the earth while, sometimes, saving it on the big screen.

Perhaps 2015 was a turning point, when up until mid-year, three out of India's top five hits had emerged from Hollywood (rightly subtitled in English, even in their English versions). Fast & Furious 7 (basically racing cars) was the first film to hit R100 crore mark. Avengers: Age of the Ultron, and Jurassic World, had wholly crowded out domestic competition on the opening weekend.

These movies may have lacked a singular creative voice/vision, but they were fail-safe in the boardroom's understanding of markets, and shares. As is expectedly the case with the latest, stupendous success of Marvel's Avengers: Infinity War (having grossed over a record-breaking R200 crore, already) - where nothing exceeds like excess!

The global fan-boy pressure to get off on this pic (like many others), made critic-proof by critics themselves, is such that you simply don't want to be that guy pooping on everyone's parade. It's like being the first fellow to suggest the whisky being served from a Blue Label bottle at the boss's house-party tastes suspiciously like Aristocrat Premium: "Kya baat kar raha hai?" Naah, don't wanna be that guy!

Curiosity is irresistible. There's nothing to call out. Conditioning is complete. Indians can probably see in Thanos's quest for 'infinity stones' their own uncles, who wear similar rings for inter-planetary changes! Balance of the universe sounds a lot like 'srishti ka santulan' from Abhishek Bachchan's Drona.

The film itself being a Bollywood multi-multi-starrer, where in the end, Amrish Puri wins, and if you wonder how dead superheroes might stage a comeback-hey, Ekta Kapoor's been spinning this for decades. The premise of so many avengers, guardians, and devils, all in one, is lost on no one who devours Hindu mythology, with 330 million gods anyway. Yeah, this is desi entertainment. I say this listening to actor Ranveer Singh's voice in the Hindi trailer of Marvel's forthcoming Deadpool 2 go: "Kitna traas dega, Thanos." Sach mein, bro!

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week

If you think about it, the reason the girl (Juhi Chawla) can't be with the boy (Aamir Khan) in Mansoor Khan's directorial debut Qayamat Se Qayamat Tak (1988) - path-breaking romance for its time - is rather simple. Years ago, the boy's father had killed the girl's uncle. This is because the uncle had impregnated the boy's aunt, but forced to marry someone else - abetting her suicide.

Now, why this uncle and aunt couldn't get together isn't quite clear in this adaptation of Romeo And Juliet. Unlike the couple in Sairat (2016), both belonged to rich, neighbouring families, from the same (Rajput) caste. The thorn in their backsides was the khadoos patriarch (Goga Kapoor). He enjoyed the sole right to decide who his son (and later his grand-daughter) would marry. Also, that girl had slept with his son out of wedlock.

For a movie mirroring such rigid, patriarchal values, it's amazing that it remains, up until 2018, a rare occasion where the heroine (Juhi) falls for first, and actively chases the hero (Aamir) - a sign of ultimate gender equality (to my mind), making it one of the most feministic films I know. QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week. Aamir, who also shared writing credit for the movie, organised a special screening with cast and crew to mark and discuss the moment.

I just saw QSQT myself, after several years, to observe with much relief that the film hasn't aged much (certainly not as much as humans have, since), although it's not as young as the all-time favourite, Mansoor's Jo Jeeta Wahi Sikander (1992), which still looks as fresh as last Friday's catch.

One of the things that Mansoor revealed after the QSQT screening, which is rather ironic given the film's subject, were the constant creative differences/fights he would have with his late father, producer-writer Nasir Husain, during the making, making others worry if they could ever move on. That way, QSQT is full of ironies.

To begin with, for a 2-hour, 43-minute movie, there are only four-and-a-half songs. This, coming from Nasir, king of Bollywood musicals, who produced, among other great soundtracks, the 10-minute-plus medley in Hum Kisise Kum Naheen (1977; best piece of music ever).

Once, being told that a track in QSQT had been composed, while it hadn't been, Nasir decided to hop over to the studio of music composer sons of Chitragupta, Anand-Milind, giving them only a 15-minute heads up. In that interim, Anand-Milind came up with the song, Aye Mere Hum Safar.

Don't know if the pressures were equally high throughout, for I recently discovered the track, Return To Alamo (1977) by The Shadows, which even by Bollywood's liberal standards for 'inspiration', seems shockingly lifted, note for note, even tempo intact, for the number Akele Hain Toh Kya Gham Hai. The only stroke of genius being that a war-cry has been turned into a romantic melody!

In 1995, Mansoor and Aamir teamed up to unofficially remake Kramer Vs Kramer (1979), even picking up scenes from the original, while one of the main songs was copied from The Godfather score. I once asked Aamir if he thought this was a complete, creative low. He didn't agree.

What young Mansoor, and indeed Aamir, did with one foot firmly on traditions and family customs/values, and the other on relatively modern sensibilities/outlook with QSQT, is take baby steps out of the shadows of the veteran Nasir Husain. This is very similar to how the Barjatyas' reticent scion Sooraj, 25, made his directorial debut with Salman Khan in Maine Pyar Kiya (MPK, 1989), and Yash Chopra's son Aditya, 24, smartly, gently pushed the mainstream bar with Shah Rukh Khan in his first film, Dilwale Dulhania Le Jayenge (DDLJ, 1995).

Together, with soft romances involving hardened parents, the three newbie Khans invaded Bollywood, gradually extricating it from the '80s 'Angry Young Man' hangover, rape-avenger actioners, and family melodramas driven by baffling sensibilities of the money-making, assembly line movies, adapted from the South. QSQT, originally titled Nafrat Ke Waaris, was as much 10 years ahead of its time, as comforting for mainstream audiences from 20 years before. I remember older family members (and teenage girls alike) being struck by Aamir and Juhi, who were formally "introduced" in the film, although Aamir had earlier already starred in Ketan Mehta's Holi (1984).

Leading up to QSQT's release, a hoarding teaser campaign had been launched across Mumbai (and perhaps other cities), with just the question, "Who's Aamir Khan? Ask the girl next door!" The billboards turned into QSQT's posters upon the film's release. Yup, it's been 30 frickin' years. Of course, we know who's Aamir Khan. What film-buffs have always been curious about ever since, and for good reason, is what's he up to next! We always inevitably remember his last film. Which is why, I suspect, QSQT, unlike MPK, DDLJ, if you think about it, hasn't actually got its due.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

The most erudite can be swayed by numbers alone. Representation pic

The only reason a semi-circle of well-connected writers, and well-paid editors seemed to loathe Chetan Bhagat so vehemently is because he is so widely read, perhaps even loved, and they aren't, I (rightly) thought — standing in the periphery of that semi-circle at a literary fest after-party, over half a decade ago. With that bitchy conversation over-valuing Bhagat's national impact going nowhere, I stepped out to grab a drink.

Bhagat was at the corner of the bar at Indigo, where a big-shot industrialist, now I forget if it was Anand Mahindra or Ness Wadia (and that's not even the point), somberly walked up to him to check on what's going on in Indian politics. His vishesh tippani followed. Now, where to go?

The most erudite can be swayed by numbers alone, in this case the number of Bhagat's English young-lit readers. Do these numbers always signify democracy? It could produce the opposite effect. Let's look at politics in a bit, but we do know a little about mass news, entertainment, although it's hard to tell one from the other.

They're crafted around second-guessing audience's supposed tastes, often where one thing works, automatically everybody else follows, and therefore an entire industry, over time, step by step, splicing out everything that doesn't fit into the larger, determined hole, produces a mainstream media that looks the same —across. Pick up the most popular radio, television stations, websites, newspapers, or even movies (creating stars, or special effects), and you'll know. One size must fit all. Your circus, my monkeys. It's a numbers' game. And numbers can be gamed.

Is politics that aims for more complicated arithmetic, and much larger audiences, another field that defies free-market, with greater competition only inhibiting choice, and progressively screwing up quality? Survey the national scene. Examine its broad product categories that, weeding out the highest common multiple over time, every political party has conveniently fit into, in order to appeal to the lowest common denominator: Nehru/Gandhi, Sangh, Ambedkar, Lohia, Left (and those opposing them, of course). Grand promises of abolishing poverty (1971), 'acche din' (2014) etc, although well-meaning, are merely side-shows, and tag-lines.

Every politician, ideally, must check one or the other box, holding uniformly same and sometimes inter-changeable opinions on a variety of complex issues. That's what you need/scream to lord over vast public resources/institutions. Target in place. Hit-job ordered. Distraction complete. Groups vote en masse. Design is set.

Educational qualifications, past experience, passing tough exams/interviews that test competence, are for minions entrusted with growing/protecting a small company's pocket change. If you're part of none of the above cult groups, the newbie Aam Aadmi Party, for instance, you do appear like an "anarchist". It's easy to be portrayed as one. This is basically show-business, albeit of relatively not such good-looking people.

How did we get here? Because Ambedkar, the father of Indian Constitution, said we would. If, for one, he ironically stated, we fell prey to 'personality cults', or quoting John Stuart Mill, "lay liberties at the feet of even a great man, trusting him with powers, which enable him to subvert institutions." Two, if political democracy did not follow actual social democracy on the ground (unqualified liberty, equality, fraternity, for all). It didn't. So where do the regular folk stand? Between a rock, and a hard place. But you must pick a side. It makes life simpler.

And you must vote. Have to vote. It's your right. Your privilege. You must vote. This is democracy. They go to vote — for one, or perhaps, against the other. As they did in Karnataka. In a tri-partite fight, the party with the lowest number of seats, steps in to form a government, with the help of the party they fought against. The one with the highest number of seats looks at how they could "poach" from the other two, whose MLAs were locked up! It didn't matter what they fought for, or against.
The popular television anchor with the second highest English news ratings asks the gentleman from the scavenging team how they would manage the numbers. Arrey! He names his captain; and winks, pretty much. They both laugh out loud, in public, on TV, simultaneously. This is supposed to be "horse-trading" to form a "stable" government.

The highest read Indian English writer, Bhagat, weighs in with a pragmatic tweet, that must be seen as our form of public intellectualism — calling horse-trading an "art form". Yes, the election is over. Another will follow. The voter looks puzzled. Or maybe doesn't. Now let's just frickin' move on, right. No, you wanna question this? Oh.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

How well did you know Rishi Kapoor—the man, through his movies? How much do you wanna know about him? Learn as you go up 10 fun rounds, of 3 questions each, discovering surprising facts and amazing trivia, while cracking the #DesiPopQuiz with Mayank Shekhar: Rishi Kapoor Special. Your time starts now!

Veteran Gujarati actor Arvind Trivedi, who became a household name all over India playing Raavan in Ramanand Sagar's Ramayan, got emotional while watching the re-run of the popular mythological serial.

In a video circulating on social media, Trivedi, who is in his eighties now, is seen watching the 'Sita Apaharan' (Kidnapping of Sita) episode with great attention. The video has gone viral on the internet.

In the video, Trivedi folds his hands in the end. The scene got him very emotional, as per a report by timesofindia.indiatimes.com.

Have a look:

 

 

 

View this post on Instagram

So touching. 84 year old veteran #ArvindTrivedi ji watched his #Ravana role after 30 years & seeks forgiveness from others 🙏🙏

A post shared by @ koro_na_hunter onApr 12, 2020 at 7:54am PDT

Amid the ongoing 21-day nationwide lockdown, the popular mythological series is being re-telecast on Doordarshan.

Ramayan aired in 1987-1988 and is created, written, and directed by Ramanand Sagar. The show was a television adaptation of the Indian Hindu epic of the same name.

The show was a game-changer for Indian television, hooking the nation to the show. Sunday mornings were never the same for families in India after the first episode of "Ramayan" aired on television. The impact was such that the actors associated with the show, continue to live under the shadow of their characters, with people remembering them for the roles they played in the show, which narrated the life story of Lord Ram and Sita.

The role of Ram was played by Arun Govil, Sita played by Deepika Chikhalia, Lakshman was played by Sunil Lahiri, and Hanuman by late Dara Singh. It also featured Sanjay Jog, late Vijay Arora, Sameer Rajda, late Mulraj Rajda and late Lalita Pawar.

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The years 1987 and 1988 were nothing less than revolutionary for television. We saw Ramayan on tv, one of the grandest shows in history, and also one of the most spectacular and memorable, and of course, iconic. And since no shootings are happening due to the Coronavirus pandemic, all the episodes have resurfaced on Doordarshan for the viewers' entertainment.

It was reported that the reruns of Ramayan fetched a staggering 1.4 million views within four days and the data is likely to go higher. But given everything that's classic invites memes on social media, how could Ramayan stay away? In case you have not seen them, watch them right here and have a great laugh.

The first one was all about the patience level once can have in today's times, have a look:

The patience i have vs The patience i need.#Ramayana #Ramayan #Laxman pic.twitter.com/UlsGDHkuaQ

— Sameera Khanam (@SameeraKhanam11) April 8, 2020

If you thought Amitabh Bachchan in the 70s and Shahid Kapoor in recent times are the prime examples of the 'Angry Young Man', think again, or rather watch the original Angry Young Man:

Best angry young man in universe#ramayan #Laxman pic.twitter.com/ng5UlCRxb4

— Ankit Singh (@AnkitSi80834082) April 6, 2020

And another user followed up to the same meme and introduced us to the first Angry Young Man:

First angry young man #laxman #Ramayan #DDNational pic.twitter.com/0xwF4R3HKJ

— Sameer Gargey (@gargeys) April 13, 2020

What will you do if you get the opportunity to eat Gol Gappas, Momos, and every possible junk food once the lockdown is over? This video is the answer:

When I get to eat Golgappas, Momos and junk food that are bad for me after this lockdown is over:#RamayanOnDDNational #Ramayanmemes #Ramayana #Laxman pic.twitter.com/qTy8Z83nWN

— AnonymousGirl (@Anonymo99859659) April 13, 2020

And remember a meme that became very famous on social media a few months back that was all about 'The Art' and 'The Artist'? Now Ramayan has the same one too:

#Ramayan #laxman
The Art... The Artist pic.twitter.com/QRaqahYsWW

— Tony AS (ଘରେ ରୁହନ୍ତୁ ସୁରକ୍ଷିତ ରୁହନ୍ତୁ) (@TonyASOnline) April 7, 2020

Last but not the least, how has Doordarshan benefited from Ramayan as far as their TRPs are concerned? All hail Lord Ram!:

 

 

 

View this post on Instagram

Hum karte hain prabandh, aap chinta mat kijiye

A post shared by Sagar (@sagarcasm) onApr 11, 2020 at 11:54pm PDT

We expect more such memes in the coming days since Ramayan will continue to hook the viewers for a longer period now!

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You all must have seen those tons of memes that came on Ramayan and will continue to flood social media as long as the serial is airing on Doordarshan. These memes have only been made because Ramayan is a classic show that cannot and will never be forgotten! And that's precisely what Sunil Lahri feels, the actor who played the role of Lakshman.

In an interview with Koimoi, he spilled the beans on what he thinks of these memes and his reaction on seeing them. "I have seen many memes that a lot of people have sent. Even my brother's children in the house send me the memes. I am liking it. I am enjoying it. It's said that you are popular and that's why they make these memes. I am honoured. I feel honoured to be a part of the memes."

Talking about his character and why he cannot imagine himself don the role of another one, he said, "Lakshman had a lot of shades to perform, as an actor. If you go to see any other character, it didn't have that kind of performance. Maybe, Raavan but it's a negative character. I am slightly uncomfortable at the moment because my face doesn't permit me to play anything negative. I can play that character but I prefer not to."

He added, "That's why I prefer playing the same character and now I feel I can perform 10 times better because, at that time, I think I didn't have experience. I didn't have an idea of what reaction and action one should do. Now, with experience in the industry for such a long time, I feel, I can perform much better."

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Veteran actor Arvind Trivedi, who is best known for his role of Ravana in Ramanand Sagar's Ramayan, has joined Twitter. His debut on the micro-blogging site comes after his former Ramayan co-stars Arun Govil and Dipika Chikhila made their Twitter accounts.

The actors are back in the limelight after Doordarshan started the re-run of the mythological show amid the Coronavirus lockdown.

With Arvind's Twitter debut, fans got excited and showered him with love and praise. They even started trending #RavanonTwitter.

"Due to my kids and because of your unconditional love, I have joined Twitter. This is my original ID. Whoever retweets my tweet with #RaavanOnTwitter on April 18, I will follow them without second thoughts. Jai Shri Ram. Om Namah Shivaay," Arvind tweeted.

He also tweeted a picture of himself from the show as his character and his picture now, rightly captioning it- Then and now, and wrote- "Finally I Am on twitter." (sic) Have a look right here:

Finally I Am On twitter#RavanOnTwitter pic.twitter.com/3CqPFAUI3X

— Arvind Trivedi (@Arvind_Trivedi_) April 19, 2020

Apart from thanking fans for their love, Arvind also urged people to stay at home.

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A lot of Bollywood filmmakers and actors have said that the legacy of Hindi Cinema will now be split into pre-Corona and post-Corona. And during this lockdown, nobody will forget the fact that it was all also the time when we got the opportunity to see some unseen and amazing throwback pictures of Television and Bollywood celebrities. Joining the bandwagon is Ramayan's Sita aka Dipika Chikhlia.

For all those who grew up in the 90s, this picture will surely put a smile on your face. But here's a genuine question- How many of you knew that Superstar Rajesh Khanna also graced her wedding reception? In case you feel it's not true, here's some proof.

Have a look at the picture right here:

 

 

 

View this post on Instagram

Rare Rajesh khana attending Dipika Chikhliya Marriage photo #90s #Ramayan #ramayan #dipikachikhlia #sita #bollywoodmovies #rajeshkhanna

A post shared by The90sIndia (@the90sindia) onApr 20, 2020 at 6:02am PDT

Such was the legacy of the TV show that they all got a call from the then Prime Minister Rajiv Gandhi and he personally wanted to meet the team and facilitate them. And the actress even took to her Instagram account to share a picture with him, have a look:

 

 

 

View this post on Instagram

This is the 1st time we were felicitated ....we realized we were a part of a legacy Ramayan ..we created history ...remember the day vividly when we got a call from delhi to meet the PM ...#rajivgandhi#feliciate#delhji#ramayan#ramayanworld#sagarworld#shivsagar#lockdowndisriessa

A post shared by Dipika (@dipikachikhliatopiwala) onApr 25, 2020 at 8:39pm PDT

Ramayan and Mahabharat were truly historic in their own ways, and the reruns have been phenomenal with never-seen-before TRPs. Well, as they say- Old Is Gold!

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Ramanand Sagars popular TV serial 'Ramayan' which is re-airing on Doordarshan became the world's most-watched show on April 16 with 7.7 crore viewers, DD India posted on its official Twitter handle on late Thursday night. 'Ramayan' is being telecast again since March 28 on public demand. In fact, when it was telecast for the first time, the serial had broken all records of popularity, and the show has repeated its history again. Ramanand Sagar had made a total of 78 episodes of this serial based on Valmiki's Ramayana and Tulsidas' Ramcharitmanas.

For the first time in the country, the serial was originally broadcast from January 25, 1987 to July 31, 1988. Then, every Sunday, at 9.30 a.m. the show was aired on TV. From 1987 to 1988, 'Ramayan' became the most watched serial in the world. Till June 2003, it remained recorded in the Limca Book of Records as "the most watched mythological serial in the world".

Interestingly, when the serial started airing in the country for the first time, people used to remain glued to the TV sets. Since there were less TVs at homes then, most of the people used to gather at some neighbour's place to watch 'Ramayan'.

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Ramanand Sagar's epic "Ramayan", a show re-telecast almost three decades later, has become the most-watched entertainment show in the world. Actress Deepika Chikhalia, who gained popularity playing Sita, is ecstatic with the love that the serial has received yet again. She feels the magic created 30 years ago has helped make the re-run very successful.

On Thursday, a tweet from the official account of channel Doordarshan read: "WORLD RECORD!! Rebroadcast of #Ramayana on #Doordarshan smashes viewership records worldwide, the show becomes most-watched entertainment show in the world with 7.7 crore viewers on 16th of April"

According to media reports, the show has overtaken the popular "Game Of Thrones" in terms of viewership.

"I am really overjoyed that it has overtaken 'Game Of Thrones'. I thought it was one show that everyone has viewed and when I looked into it that 'Ramayan' has overtaken 'Game Of Thrones', I was really very happy. I am really very happy about it. It is great news," Deepika told IANS.

What according to Deepika is the reason behind the smashing success? "I have not analysed. I am not the sort of person who sits down and analyses. The only immediate thing I can think of is -- it has always had a story and a background. It always had a legacy and an era. When people started watching I would get messages that 'now, we are also part of that legacy and the magic'."

She added: "I think the word of mouth that people had loved it 30 years ago was the first kick-off. And once they started seeing and watching I think they kind of believed in the magic. I think that is how the circle moved. The series already had a name for itself and I think that the re-telecast rode on the success of original success. That's how I see it."

Deepika credits all the hard work of all departments for the show's success.

"I see it as a genuine labour of good work when it comes to performances, narration, direction. As an actor, when I see my own performances, I am baffled that at the age of 18, I had so much maturity to carry forward the lines, dialogue and there was so much patience in me. I performed with my eyes. Ramanand Sagar said that I want someone who emotes with her eyes because the body language should be that of Sita."

"Today, I see his vision. He had a vision and it's really, really wonderful. It is a genuine piece of work in every department. They all added to the success," she said.

Would she like to be a part of "Ramayan" again, if re-made? "If I am Sita I would like to," she said.

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StarPlus is all set to enthral audiences with the legendary show – Ramayan. Written, produced and directed by Ramanand Sagar, Ramayan, first aired in 1987 and acquired a cult status over the years. The show boasts of a talented ensemble comprising of Arun Govil as Lord Rama, Dipika Chikhlia Topiwala as Goddess Sita and Sunil Lahri as Lakshman.

It also starred veteran actors Lalita Pawar as Manthara, Arvind Trivedi as Ravana and Dara Singh as Hanuman. The popular mythological show has successfully garnered record-breaking viewership even today due to its engaging and simple narrative which has earned a memorable place in the audience's minds.

Dipika Chikhlia who essayed the role of Sita in Ramayan said, "The role of Sita has been one of the most memorable moments in my life. I have received much love and affection over the years from audiences not only in India but also overseas. With the show now being telecast on StarPlus, viewers will once again to get relive the epic mythological tale."

Sunil Lahri who is known for his portrayal of Laxman said, "Ramayan has received adulation from audiences across age groups. This narrative has engaged people all over with its entertaining narrative and life lessons making it one of the best offerings on Indian television. It's a happy moment for all of us as the show will now be telecast on StarPlus for entertaining viewers once again."

Tune in to the epic mythological tale of Ramayan at 7.30 pm everyday only on StarPlus!

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Actor Gurmeet Choudhary became a household name after playing Lord Ram in the 2008 TV show "Ramayan". If given a chance, he would like to revisit the character, but for a film. It's been a while since the audience saw him in a mythology show. Asked if the genre still interests him, Gurmeet told IANS: "I'd definitely like to do (a mythology project) if I like it. The audience saw me as TV's Ram, but I'd really like to do a film called 'Ramayan', and I'd like this film to reach all over the world." Looking back at the show, he shared that he didn't want to copy actor Arun Govil, who originally played the role in Ramanand Sagar's blockbuster mythological series "Ramayan" way back in the eighties.

"When I was very small, I had watched Ramanand Sagar's 'Ramayan'. But I remembered very less about it. As I grew up, my dad would narrate stories of 'Ramayan'. So story-wise I knew it. When finally 'Ramayan' was given to me, I had a thought that before doing another 'Ramayan' if I watch the 80s 'Ramayan' then as an actor...Arunji had acted really well. Had I seen his version of Ram again then there might have been chances of me copying him. Every actor can understand that he needs to do his own style, so I tried to act in my own style," he recalled.

And he gave a lot to playing Ram in his show, which has been brought back on the small screen by Dangal TV. "I had given many auditions and then mock shoot happened. During that duration, I got many ideas on how to play my version of Ram. While shooting for 12 hours, I used to be in that character only," he said. He focussed on his character's walking style and smile.

"Everyone used to tell me to switch on and off (the character) otherwise I'd become a brahmachari (celibate) or quit acting but I have always believed that as an actor, it was one character that very few people got the opportunity to play. I gave my 200 percent," said Gurmeet. "Ramayan" brought him fame but there was also a fear of getting typecast.

"It generally happens that when actors do mythology shows, they get typecast. But I got saved. I didn't get typecast. It didn't happen suddenly though. I had prepared myself," he said. Talking about moving on from the character, he said: "Once 'Ramayan' got over, I did some reality shows. So people saw me and said 'he is young, wears jeans, T-shirt, dances and does action. Then I won 'Jhalak Dikhhla Jaa' and participated in 'Nach Baliye', did 'Punar Vivaah' and then due to God's blessings, I got films. 'Khamoshiyan' was my first film. Mahesh Bhatt had launched me. My film journey started there," said the "Paltan" actor.

In fact, prior to the announcement of the lockdown in March, he was shooting for a film, which he would like to wrap up once work starts again.

"I really like black coffee. So I'll have that in a coffee shop. The shooting of my film 'The Wife' was happening in Jaipur. We had shot 50 per cent of the film. I really liked the film's script. So after coffee, I'd catch a flight and complete its shooting," he said.

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On Wednesday the nation woke up to Ramayan’s favourite Sita, Dipika Chiklia being quoted in a Hindi daily, “अगर मोदी सरकार को लगता है क‍ि 'रामायण' ने संस्‍कृति में योगदान द‍िया है तो हमें पद्म सम्मान से सम्‍मानित करें (if the Modi government feels that Ramayan has contributed to India culture then we should be honoured with the Padma award).”

On hearing this statement, there was a widespread hue and cry among the fans and well-wishers of the serial. A Union Minister on oath of anonymity observed, “I’ve never heard of an artiste lobbying for his or her own Padma award. Let the Government decide whom it wants to honour.”

In a startling twist to the controversy Dipika completely denied having lobbied for her own Padma. “I never said that I should be given the Padma award. People are twisting my words. The topic (of getting the Padma award) never came to me. It was directed at Arun Govil only. I was asked about the royalty from the latest telecast of Ramayan. And yes, I did say we should get royalty. It was Arunji who spoke about the Padma awards, and that too because he was asked about it,” says Dipika in an exclusive chat with me.

Also Read: World’s favourite television series, Ramayan, launches on StarPlus!

StarPlus, the country’s leading general entertainment channel StarPlus is entertaining viewers with the legendary show – Ramayan. Written, produced and directed by Ramanand Sagar, Ramayan, first aired in 1987 and acquired a cult status over the years. The show boasts of a talented ensemble comprising of Arun Govil as Lord Rama, Dipika Chikhlia Topiwala as Goddess Sita and Sunil Lahri as Lakshman. It also starred veteran actors Lalita Pawar as Manthara, Arvind Trivedi as Ravana and Dara Singh as Hanuman. Not many people are aware that the show’s maker Ramanand Sagar was destined to make this mythological saga into a classic rendition for television.

There is an interesting story that has been shared by Ramanand Sagar’s son Prem Sagar in the book that he has written on his father’s life - An Epic Life: Ramanand Sagar: From Barsaat to Ramayan. In 1942, when Ramanand was 25 years old a Kashmiri mystic, Pandit Nityanandji had predicted that Ramayan would be retold by Ramanand Sagar. In 1976, noted film producer, Mr Mohla, on observing Ramanand’s astrological chart, had said that Ramanand Sagar would cause a spiritual awakening globally through the medium of cinema. Going forward, Ramanand Sagar ensured that this vision turned into reality and the rest is history!

Ramayan created waves across the world with its soulful narrative. The divine tale of how good triumphs over evil gladdened hearts of every viewer. Streets would be deserted on Sunday mornings as people stayed glued to their television sets as Ramanand Sagar’s Ramayan described the tale of Lord Ram in vivid detail.

ALSO READ: Ramayan’s Sita denies asking for Padma Award from government

Dipika Chikhlia rose to fame with her performance as Sita in Ramanand Sagar's show Ramayan. Owing to the lockdown the show is being aired on television for the viewing of the younger generation. Now, Dipika is once again going to be seen on screen as she will be playing Sarojini in her new film.

Dipika took to her social media handle to unveil the first look poster of the movie which is based on freedom fighter Sarojini Naidu. Dipika is seen posing in a thoughtful mode in the poster.

#sarojininaidu...1st look....poster pic.twitter.com/zN5hhdSJmX

— Dipika Chikhlia Topiwala (@ChikhliaDipika) May 7, 2020

Sarojini is directed by Akash Nayak and Dhiraj Mishra. The story has been written by Dhiraj Mishra and Yashomati Devi. The venture is produced by Kanu Bhai Patel under the Royal Film Media banner. Sarojini Naidu is a strong personality in India's freedom struggle and is known as the Nightingale of India.

This is the first full-length feature film on Sarojini Naidu that will show her political career.

ALSO READ: Dipika Chikhlia reveals that people in small town think of her as Sita and touch her feet even today

Mayank Gandhi on ground at rural development projects

The Aam Admi Party (AAP) took the country by storm in 2012 and people believed they were looking at a new dawn. But "leaders are not what they seem like from far. When you go closer, you can see that they have feet of clay. What they project and what they actually are, are two different things", alleged Mayank Gandhi, former AAP leader and a founder member of the party, in an email interview, hours before his book AAP & Down: An Insider's Story of India's Most Controversial Party (Simon and Schuster India), co-authored by Shrey Shah, was released in the city yesterday.

At the book launch in Mumbai. Pic/Bipin Kokate 

Wake up, India
The tell-all was released to mark the third anniversary as the ruling party in Delhi. When we asked the Mumbai-based leader about his reasons for penning it, he said, "The primary purpose was to lay down the bare truth about what happened and how the country's citizens realised that democracy was more than just about voting during five-year elections. It is to also tell the youth who still harbour the hope of alternative politics coming from AAP that their dream is over."

In the book, besides Arvind Kejriwal and Anna Hazare, Gandhi focuses on those who worked behind the scene to shake the nation into consciousness. He elaborated, "As a young man, I had felt the pain of being betrayed when the Janata Party experiment failed, in which I had personally invested part of my life. I was insignificant then and inconsequential. Now, when the youth of the country are being betrayed all over again, I can feel their pain. And this time, I am not so inconsequential and would like to be a medium of letting the people know what happened and how."

A file photo of Arvind Kejriwal at an AAP rally in Delhi

Opportunity lost
Gandhi, who played a key role in AAP's formation, admits that writing the book was a tumultuous journey. From re-living the India Against Corruption (IAC) days to the crushing of dreams, "the only thought that came to my mind was the opportunity that we lost in transforming the nation". Gandhi believes that AAP failed because instead of maintaining the founding principles for which it received extraordinary support, the party decided to indulge in the three Cs — corruption, casteism and communalism — after it won Delhi by unprecedented margins. "This impatience and abandonment of ethics and morals was the biggest mistake it made," he said.

But despite losing focus, the IAC movement has given people the courage to assert themselves before authorities and politicians. "Counter hegemony has started appearing as people have understood the power of standing up to the wrongs," says the man who has decided to focus on development politics, and is now working for the development of rural India, starting with the Beed district in Maharashtra.

AAP & Down, which is a documentation of India's "second independence" struggle according to Gandhi, gives readers a chance to see how power changes man. "People who operate in the name of serving the poor, many a times are serving their personal ambitions and egos," the author said.

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Former Indian opener Virender Sehwag has stated the real inspiration behind his swashbuckling batting technique was 'Angad' -- a character in mythological epic 'Ramayan'.

Sehwag, who was known for his great hand-eye coordination with minimal footwork, on Sunday shared a picture of 'Angad' on Twitter and said: "So here is where I took my batting inspiration from. Pair hilana mushkil hi nahi, namumkin hai. #Angad Ji Rocks."

So here is where i took my batting inspiration from :)

Pair hilana mushkil hi nahi , namumkin hai . #Angad ji Rocks pic.twitter.com/iUBrDyRQUF

— Virender Sehwag (@virendersehwag) April 12, 2020

According to mythology, it is believed that Angad -- who was part of vanar sena which helped Lord Ram in rescuing his wife Sita from Lanka -- was sent as an emissary to the court of Ravan in order to avoid war.

However, Ravan declined the offer and then to break his ego, Angad challenged that if anyone present in the court would be able to lift his feet from the ground then Lord Ram would accept defeat and leave Lanka.

But it is believed that none of the warriors present in Ravan's court was able to lift Angad's feet.

Sehwag, who played 251 ODIs and 104 Tests for India, scored 8,273 and 8,586 runs respectively. In fact, he is the only Indian cricketer to hit two triple centuries in Test cricket.

The swashbuckling opener also played 19 T20Is for India in which he amassed a total of 394 runs.

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The lockdown has unveiled a large public health crisis. A recent development, of an increase in eye injuries, has now been attributed to re-runs of Mahabharata and Ramayana.

आज सुबह रामायण (Ramayana) टीवी पर आते ही सोशल मीडिया (Social Media) पर लोगों ने इसे देखते हुए तस्वीरें शेयर करनी शुरू कर दी हैं. ट्विटर (Twitter) पर #Ramayan नंबर 1 पर ट्रेंड करता दिखाई दिया.

रामायण (Ramayan) और महाभारत (Mahabharat) के बाद अब टीवी पर पुराने विज्ञापन (90s Advertisement) लौट आए हैं.

रामायण (Ramayan) का दौर एक बार फिर वापस आ गया. ऐसे में जानें जामवंत (Jamwant) का रोल निभाने वाले अभिनेता राजशेखर उपाध्याय (Rajshekhar Upadhyay) के बारे में.

रामायण की सीता (Sita) यानी एक्ट्रेस दीपिका चिखलिया (Deepika Chikhalia) ने उस दौर की कहानी बताई जब रामायण (Ramayan) का पहला एपिसोड शूट हुआ था.

रामायण (Ramayan) के लक्ष्मण (Laxman) यानी एक्टर सुनील लहरी (Actor Sunil Lahri) की पुरानी फोटोज (Old Photos) जबरदस्त वायरल हो रही हैं.

30 सालों में कितने बदल गए 'रामायण' (Ramayan) में लव-कुश (Luv-Kush) का किरदार निभाने वाले अभिनेता मयूरेश क्षेत्रमाडे (Mayuresh Kshetramade) और स्वप्निल जोशी (Swapnil Joshi).

रामायण (Ramayan) में भगवान राम के भाई 'भरत' (Bharat) का किरदार निभाने वाले अभिनेता संजय जोग (Sanjay Jog) के बारे में जानें कुछ अहम बातें.

रामायण (Ramayan) की सीता (Sita) यानी एक्ट्रेस दीपिका चिखलिया (Deepika Chikhalia) ने अहम सीन काटे जाने पर खुलकर नाराजगी जाहिर की है.

परशुराम जयंती (Parshuram Jayanti) के मौके पर देखिए 'रामायण' (Ramayan) में राम (Ram), लक्ष्मण (Laxman) और परशुराम (Parshuram) का संवाद.