If you are home alone tonight on Halloween and fancy something spooky and electronic to listen to, please allow me to direct you to the annual Homebrew Electronica horrorthon! Promising “spooky bangers, creepy electronica and twisted soundscapes for Halloween night”,...

In 1914, English composer Gustav Holst began writing what would become The Planets, a seven-movement orchestral suite inspired by the seven planets in the solar system (minus Earth) and each planet's astrological character…

We at Pop-Up Music are seeking Electronic music in all genres. Ideally tracks that were created at the time and geographically genre specific. Late 80's Chicago House to contemporary Eletro Pop.

Ambient, Ambient dub, Breakbeat, Baltimore Club, IDM, House Music, Chicago House, Electro Swing, Bitpop (Video Game Music), Trap, 1980's Hip Hop - Break Dance, Electronic pop, Indie electronica, Dream Pop... and all the other forms of Electronic music - if it's good we'll take it!

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

The Pop-Up Music team looks forward to your submissions!

Many thanks,
The Pop-Up Music Team.

The beginner’s guide to electronic music production is a comprehensive resource offering a thorough introduction to the fundamentals of electronic music production. Tailored for beginners, the guide covers essential concepts, techniques, and tools in the field, spanning from basic sound design to the application of effects plugins and mixing strategies. Electronic music production is a ... Read more

The post Beginner’s Guide to Electronic Music Production: Tips and Tricks for Starting Out appeared first on Star Two.

A 200-km drive from Jaipur, Alsisar Mahal hosted a three-day music festival after two years in December

AEMCON - the Alberta Electronic Music Conference - is Canada's largest professional gathering of electronic music industry insiders, bringing together those who want to learn, teach, inspire, connect, and dance. Five days of panels, workshops, and night events will showcase 125-plus artists and speakers, with over 3,000-plus attendees expected.

The fourth edition of AEMCON takes place in Calgary from Nov. 13-17, 2019, and we've got Co-Founder Andrew Williams and Marketplace Coordinator Tyler Brown on the show to talk about the event and its unique programming streams like Addiction and Recovery, the DIY Feminist Resistance, and Dance Music as an LGBTQ Art Form. Then, we get into the state of electronic music in Alberta and Canada, identify some incoming trends that may inform future editions, and more.

Full of vibey electronic music, check out the latest LP from Ryan Crane entitled "HAZE" on October 11th 2019

For reading the frets of a stringed electronic musical instrument, a plurality of resistance wire strings are secured to a nut end and a bridge of the instrument, with the strings superposing in parallel relationship over a plurality of conducting frets mounted on a fingerboard on the instrument. The voltages produced by depressing the strings to the conducting frets, after being inverted and linearized, are quantized to levels representative of the particular frets to obviate the effects of contact resistance, and decision voltage levels are selected so as to account for such contact resistance. To enable the signals to be fed as conventional information through a MIDI channel to a synthesizer for generating frequencies corresponding to the signals, an analog to digital converter is used. The different components, as well as the digitized linearized signals, are selectively controlled and fed, respectively, to a microprocessor.

An electronic musical instrument having a number of keys, having tone generators capable of simultaneous tone production, the tone generators being smaller in number than the number of keys. The instrument forms an operation for synthesizing a desired waveform, the operation for synthesizing a desired waveform being performed in a repeating cyclic order with an operation cycle and in which the waveform is transferred to the tone generators and read out therefrom at a rate in accordance with the note of a key being depressed to obtain a desired musical waveform. The device includes a number-of-depressed keys detecting device which counts the number of keys which are actuating the tone generator upon depression. A cycle altering device is provided for changing the operation cycle, as a whole, on the basis of the number of depressed keys, counted by the number-of-depressed keys detecting device. The construction allows for a waveform of a smooth temporal variation to be produced.

Root and type of a chord are discriminated at discriminators in accordance with the operation status on a fingerboard. The chord is designated according to a simplified fingering rule predetermined on the fingerboard so as to designate the chord. An automatic accompaniment or a manual play is performed according to the discriminated chord obtained at chord discriminating device.

In an electronic musical instrument of the waveshape memory type including at least one waveshape memory for storing and reproducing sample values of a musical sound wave to be generated, the waveshape memory stores the sample values of the complete waveshape of a musical tone with a shaped envelope.

External sound signal coupled through a MIC IN terminal is fed through an operating switch panel section to an A/D converter for conversion to a digital signal. The digital signal is stored in a record memory through a waveform R/W controller under the control of a CPU. The digital signal stored in the record memory is read out from the CPU according to control data stored in a work memory to be fed to an external sound system for sounding.

The inventive system comprising a memory for storing the ADSR data, a clock controller for selecting the clock pulses, a counter for counting the output of the clock controller, a data switching means for buffering the output data of the memory, a holding means for holding the output of the data switching means, a comparator for comparing the output of the memory with the output of the holding means, and main controller. The main controller inputs a control signal to control the data access time in the memory and the outputs of the switching means and holding means. According to the present invention, the release data are outputted immediately after the putting off of the keyboard signal to produce more accurate ADSR data.

In an electronic musical instrument of the waveshape memory type including at least one waveshape memory for storing and reproducing sample values of a musical sound wave to be generated, the waveshape memory stores the sample values of the complete waveshape of a musical tone with a shaped envelope.

A portable electronic musical device has a keyboard disposed in a housing connected to a strap and a support plate connected thereto for suspension of housing by strap on shoulders of a person while housing is simultaneously supported on waist of person to allow person to easily move from one geographical position to another while playing instrument. Housing is pivotally connected to support plate by at least one member defining an axis around which housing is rotatable to playing of instrument and to facilitate viewing of hands of person and keys of keyboard while user is playing instrument. To further facilitate playing of instrument and visibility of hands and keys housing is curved with keyboard generally aligned therewith.

The invention relates to an electronic musical instrument system (1) for influencing the sound of an electric musical instrument having a housing (2) that has signal ports (14, 18) and a power supply port (15). In order to simplify the individual combination of different audio effects, the housing (2) contains control electronics (6) that have associated slots (4a-4f) for effects modules (19), wherein the slots (4a-4f) are arranged in the housing (2) and each slot (4a-4f) has a multipin connection (5a-5f) for connection to a plug-in effects module (19). The invention additionally relates to a corresponding effects module (19).

A music machine, comprising: a platform; a plurality of arcos disposed around a perimeter of the platform, the plurality of arcos disposed in a substantially vertical orientation; a central mast disposed substantially at a center of the platform; and a hand wheel disposed on the central mast, wherein each of the plurality of arcos is strung with a musical instrument string, and wherein each musical instrument string is tuned to produce a musical tone when caused to vibrate.

A delay time counter in a DSP cyclically counts a sampling clock from zero to a delay time sampling count and issues a delay time interrupt to a CPU each time the sampling clock count reaches the delay time sampling count. The CPU measures a time difference between each time the DSP issues the delay time interrupt and each time sequence clock interrupts occur a number of times corresponding to the delay time. Then, in order to reduce this time difference, the CPU increases or decreases a maximum count that is set to the sequence clock counter. Therefore, in the next delay process, the shift between the time by which the automatic performance is advanced by the CPU (which is equal to the delay time) and the timing of the delay process executed by the DSP (which is also equal in length to the delay time) will be corrected.

Electronic musical instruments as disclosed, include sensors to digitize and alter the sound using FSR sensors in the mouthpieces and other elements of the instrument to mimic the variations available in analog instruments.

The co-founder of electronic music pioneers Kraftwerk, Florian Schneider, has died at the age of 73 from cancer, the managers of the group announced Wednesday.The ...

Florian Schneider, co-founder of pioneering German electronic band Kraftwerk, which influenced generations of pop and dance musicians with mesmerising tracks such as "Autobahn", has died of cancer aged 73, longtime bandmate Ralf Huetter said.

Florian Schneider, co-founder of pioneering German electronic band Kraftwerk, which influenced generations of pop and dance musicians with mesmerising tracks such as "Autobahn", has died of cancer aged 73, longtime bandmate Ralf Huetter said.

He describes himself as a French dude surfing the karma ocean. French electronic music guru Théo Le Vigoureux, better known under his DJ name Fakear, has achieved international success following the release of two critically acclaimed records. His catchy hits frequently draw millions of views on YouTube. After some artistic soul-searching he's releasing a new album on June 26 called "Everything Will Grow Again", featuring a brand-new sound and style. FRANCE 24's Florence Villeminot caught up with him during the coronavirus lockdown to talk about this new venture. 

Florian Schneider, co-founder of pioneering German electronic band Kraftwerk, which influenced generations of pop and dance musicians with mesmerising tracks such as "Autobahn", has died of cancer aged 73, longtime bandmate Ralf Huetter said.

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