Posted by Victoria Strauss for Writer Beware®

The enormous digital archive that is the Internet Archive encompasses many different initiatives and projects. One of these is the Open Library Project, a huge repository of scanned print books available for borrowing in various digital formats.

Unlike a regular library, the IA does not purchase these books, but relies on donations to build the collection. Nor are permissions sought from copyright holders before creating the new digital editions. And although the IA claims that the project includes primarily 20th century books that are no longer widely available either physically or digitally, the collection in fact includes large numbers of 21st century books that are in-copyright and commercially available--and whose sales the Open Library's unpermissioned versions have the potential to harm.

Most professional writers' groups consider the Open Library to be not library lending, but massive copyright violation. Many have issued alerts and warnings (you can see SFWA's alert here), and many authors have contacted the IA with takedown requests (to which the IA was not always terrific at responding; you can see my account of my own frustrating experience here).

In the fall of 2018, a novel (and disputed) legal theory was created to justify the Open Library and similar initiatives, called Controlled Digital Lending (CDL). CDL's adherents present it as "a good faith interpretation of US copyright law for American libraries" seeking to conduct mass digitization projects, and invoke as support the "exhaustion" principle of the first sale doctrine (the idea that an authorized transfer of a copyrighted work "exhausts" a copyright holder's ability to subsequently control the use and distribution of  that copy; this is what allows used book sales, for example) and the fair use doctrine (a complex principle that permits the copying of a copyrighted work as long as the copying is limited and transformative). As long as the library restricts its lending in ways similar to restrictions on the lending of physical books (for instance, allowing only one user at a time to access each digital format), CDL holds that creating new digital editions of in-copyright books and lending them out is fair use, and copyright holders' permission isn't necessary.

Libraries in particular have embraced CDL. Publishers' and writers' groups...not so much, especially in light of a recent legal decision that rejected both the first sale doctrine and fair use as basis for re-selling digital content. Here's the Authors Guild:

CDL relies on an incorrect interpretation of copyright’s “fair use” doctrine to give legal cover to Open Library and potentially other CDL users’ outright piracy—scanning books without permission and lending those copies via the internet. By restricting access to one user at a time for each copy that the library owns, the proponents analogize scanning and creating digital copies to physically lending a legally purchased book. Although it sounds like an appealing argument, the CDL concept is based on a faulty legal argument that has already been rejected by the U.S. courts.

In Capitol Records v. ReDigi, the Second Circuit held that reselling a digital file without the copyright holder’s permission is not fair use because the resales competed with the legitimate copyright holder’s sales. It found that market harm was likely because the lower-priced resales were sold to the same customers who would have otherwise purchased new licenses. In this regard, the court emphasized a crucial distinction between resales of physical media and resales of digital content, noting that unlike physical copies, digital content does not deteriorate from use and thus directly substitutes new licensed digital copies.

The same rationale applies to the unauthorized resale or lending of ebooks. Allowing libraries to digitize and circulate copies made from physical books in their collection without authorization, when the same books are available or potentially available on the market, directly competes with the market for legitimate ebook licenses, ultimately usurping a valuable piece of the market from authors and copyright holders.

For a more detailed deconstruction of CDL's arguments, see this statement from the Association of American Publishers.

Flash forward to 2020, and the coronavirus pandemic crisis. Last week, the IA announced the debut of the National Emergency Library--really just the Open Library, but with some new provisions.

To address our unprecedented global and immediate need for access to reading and research materials, as of today, March 24, 2020, the Internet Archive will suspend waitlists for the 1.4 million (and growing) books in our lending library by creating a National Emergency Library to serve the nation’s displaced learners. This suspension will run through June 30, 2020, or the end of the US national emergency, whichever is later.

During the waitlist suspension, users will be able to borrow books from the National Emergency Library without joining a waitlist, ensuring that students will have access to assigned readings and library materials that the Internet Archive has digitized for the remainder of the US academic calendar, and that people who cannot physically access their local libraries because of closure or self-quarantine can continue to read and thrive during this time of crisis, keeping themselves and others safe.

What this boils down to, under all the high-flying verbiage: the IA is ditching the one-user-at-a-time restriction that is one of the key justifications for the theory of controlled digital lending, and allowing unlimited numbers of users to access any digitized book in its collection.

The Authors Guild again, on how this harms authors:

IA is using a global crisis to advance a copyright ideology that violates current federal law and hurts most authors. It has misrepresented the nature and legality of the project through a deceptive publicity campaign. Despite giving off the impression that it is expanding access to older and public domain books, a large proportion of the books on Open Library are in fact recent in-copyright books that publishers and authors rely on for critical revenue. Acting as a piracy site—of which there already are too many—the Internet Archive tramples on authors’ rights by giving away their books to the world.

Here's just one concrete example. Katherine Harbour's Nettle King is available for borrowing in the National Emergency Library as a scan, an EPUB, and a PDF (the IA's EPUB versions are OCR conversions full of errors). Published in 2016, it's also "in print" and available on Amazon and other online retailers as an ebook, in addition to other formats. The IA, which never bought a digital license to Ms. Harbour's book and scanned and uploaded it without permission, now is proposing to allow unlimited numbers of users to access it, potentially impacting her sales. How is this any different from a pirate site?

Announcement of the National Emergency Library has been greeted rapturously by the press and by libraries. Less regarded has been the flood of protest and criticism from authors and professional groups. In situations like these, authors and publishers tend to be dismissed as greedy money-grubbers who are putting profits ahead of the march of progress and the noble dream of universal access to content...despite the fact that authors' right to make money from their work--and, just as important, to control the use of it--springs directly from the US Constitution, and has been enshrined in law since 1790.

In response to the outcry over the National Emergency Library, the IA has issued a justification of it, citing the "tremendous and historic outage" of COVID-19-related library closures, with "books that tax-paying citizens have paid to access...sitting on shelves in closed libraries, inaccessible to them." This noble-sounding purpose conveniently ignores the fact that those libraries' (legally-acquired and paid-for) digital collections are still fully available.

If your book is included in the National Emergency Library, and you don't want it there, the IA will graciously allow you to opt out (another inversion of copyright, which is an opt-in system).


Hopefully they'll be more responsive than they were in 2018, when I sent them DMCA notices that they ignored. Or later, when they began rejecting writers' takedown requests by claiming that the IA "operates consistently with the Controlled Digital Lending protocol.”


I've covered this question above, but I want to highlight it again, because it's such a persistent objection when this kind of infringement occurs: Brick-and-mortar libraries lend out books for free, so how are the IA's "library" projects any different?

A few reasons.

- Brick-and-mortar libraries buy the books they lend, a separate purchase for each format (hardcover, paperback, ebook, audiobook, etc.). The author gets a royalty on these purchases. The IA seeks donations, and lends those. Authors get nothing.

- Brick-and-mortar libraries lend only the books they purchase. They don't use those books to create new or additional, un-permissioned lending formats. That's exactly what the IA does. Moreover, one of its additional lending formats is riddled with OCR errors that make them a chore to read. Apart from permission issues, this is not how authors want their books to be represented to the public.

- People who advocate for looser copyright laws often paint copyright defenders as greedy or mercenary, as if defending copyright were only about money. It's worth remembering another important principle of copyright: control. Copyright gives authors not just the right to profit from their intellectual property, but to control its use. That, as much as or even more than money, is the principle the IA is violating with its library projects.

UPDATE: It appears that the IA--on its own initiative--is removing not just illegally-created digital editions in response to authors' takedown requests, but legally-created DAISY editions as well, even where authors don't ask for this (DAISY is a format for the visually impaired, and like Braille, is an exception in copyright law and is also permissioned in publishing contracts).


It did the same thing in 2018, even where the takedown requests specifically exempted DAISY editions. I don't know if the current removals reflect expediency or possibly are just a kind of FU to writers (and, indirectly, to disabled readers), but if you send a removal request to the IA, you might consider specifically asking them not to remove any editions for the blind and disabled (which, again, are legal for the IA to distribute).

UPDATE 4/2/20: The Authors Guild has issued a statement encouraging writers to demand that the Internet Archive remove their books from its National Emergency Library. The statement includes instructions on what to do, along with a sample DMCA notice in the proper legal form.

UPDATE 4/8/20: SFWA has issued a statement on the National Emergency Library, describing the legal theory of Controlled Digital Lending as "unproven and dubious". (A link to SFWA's DMCA notice generator is included.)

[U]sing the Coronavirus pandemic as an excuse, the Archive has created the “National Emergency Library” and removed virtually all controls from the digital copies so that they can be viewed and downloaded by an infinite number of readers. The uncontrolled distribution of copyrighted material is an additional blow to authors who are already facing long-term disruption of their income because of the pandemic. Uncontrolled Digital Lending lacks any legal argument or justification.

UPDATE 4/9/20: The Chairman of the US Senate Subcommittee on Intellectual Property, Thom Tillis, has sent a letter to the Internet Archive, pointing out the many voluntary initiatives by authors, publishers, and libraries to expand access to copyrighted materials, and expressing concern that this be done within the law. 

I am not aware of any measure under copyright law that permits a user of copyrighted works to unilaterally create an emergency copyright act. Indeed, I am deeply concerned that your "Library" is operating outside the boundaries of the copyright law that Congress has enacted and alone has the jurisdiction to amend.

The letter ends by punting "discussion" until "some point when the global pandemic is behind us." So, basically, carry on and maybe at some point we'll talk.

UPDATE 4/15/20: Internet Archive founder Brewster Kahle has responded to Sen. Tillis's letter, claiming that the National Library is needed because "the entire physical library system is offline and unavailable" (even though libaries' legally acquired digital collections are still fully available) and that "the fair use doctrine, codified in the Copyright Act, provides flexibility to libraries and others to adjust to changing circumstances" (there's no such language in the actual Fair Use statute).

Kahle also notes:

In an early analysis of the use we are seeing what we expected: 90% of the books borrowed were published more than ten years ago, two-thirds were published during the twentieth century. The number of books being checked out and read is comparable to that of a town of about 30,000 people. Further, about 90% of people borrowing the book only looked at it for 30 minutes. These usage patterns suggest that perhaps that patrons may be using the checked-out book for fact checking or research, but we suspect a large number of people are browsing the book in a way similar to browsing library shelves.

But this is hardly a compelling argument. Large numbers of these books are certainly still in copyright, and many are likely still "in print" and commercially available (in digital form as well as hardcopy). Just because a book was published more than ten years ago or prior to 2000 doesn't magically cause it to become so hard to find it must be digitized without permission in order to save it. "But they're older books" sidesteps, rather than addresses, the thorny copyright issues raised by the IA's unpermissioned scanning and digitizing.

This passage also tacitly confirms the IA's abandonment of the one-user-at-a-time restriction that is a key feature of the rationale for the Controlled Digital Lending theory. If the basis for your enterprise is a legal theory whose strictures can be jettisoned at will, how credible is that theory really?

Kahle also claims that "No books published in the last five years are in the National Emergency Library". As it happens, the example I provide above (Katherine Harbour's Nettle King) handily disproves this statement: it was published in 2016, and was digitized by the IA in 2018 (you can see the scan here). I seriously doubt it's the only instance. Either Kahle is being disingenuous, or he doesn't know his own collection.

As a sop to creators, Kahle reiterates that concerned authors "need only to send us an email" and their books will be removed. As I've pointed out above, this is yet another inversion of copyright law, which explicitly gives creators control over the use of their work. In other words, it's the IA, not authors, who should be the petitioners here.

UPDATE 4/16/20: This terrific, comprehensive article from the NWU's Edward Hasbrouck examines the multiple ways the Internet Archive is distributing the page images from its unpermissioned scanning of print books--"[o]nly one of [which] fits the Internet Archive’s and its supporters’ description of so-called Controlled Digital Lending (CDL)."

In the first world of first world-liest problems, a problem I would love to be having this very week when I’m shivering again (despite many suggestions of spring on the near horizon) is that when in my life I’ve been lucky enough to decamp to a tropical location for a vacation, and wish to do what one does on tropical vacations — I mean, aside from wearing such buckets of SPF that when I return people comment, “I thought you went to the beach?” — and that is ordering a piña colada. Possibly at a swim-up bar. In a hurricane glass with a tacky paper umbrella in it, a fluorescent maraschino cherry, and a creamy-tart balance that is unfettered vacation bliss with each sip. The problem is that they’re very often…. terrible, tinny and artificially-flavored. I mean, I drink it; I’m not a barbarian. But every time I do (daily, at 4:30pm, please), I vow that when I get home, I’m going to make a real and proper and perfect one to set things right again.

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Strange orbits of distant space rocks have been used to infer that the solar system has an unseen ninth planet, but those orbits may be less strange than we thought, meaning there is no need for a new planet

A bunch of asteroids near Jupiter and Neptune with orbits perpendicular to the plane of the solar system may have come here from a different star system

Stars that are similar to the sun in every way we can measure are mostly more active than the sun, which hints that the sun’s activity may ramp up someday, risking solar eruptions

Nicola Sturgeon says the situation in care homes is "profoundly upsetting".

The moves could include a gradual reopening of schools and allowing people to spend more time outside.

The coronavirus outbreak has left many feeling trapped indoors, but for some help may not be far away.

Ray normally runs his family bakery, Rinkoffs, but is currently staying at home with his wife.

Bruno Coelho (C) of Portugal misses a goal between Nicolas Sarmiento (L) and Damian Stazzone (R) of Argentina during the FIFA Futsal World Cup Semi-Final match between Argentina and Portugal at the Coliseo El Pueblo stadium on September 28, 2016 in Cali, Colombia. (Photo by Alex Caparros - FIFA/FIFA via Getty Images)

BUCARAMANGA, COLOMBIA - SEPTEMBER 12: Goalkeeper Nicolas Sarmiento #1 of Argentina is congratulated by fellow keeper Guido Mosenson after their 1-0 Group E match win against Kazakhstan in the 2016 FIFA Futsal World Cup on September 12, 2016 in Bucaramanga, Colombia. (Photo by Victor Decolongon - FIFA/FIFA via Getty Images)

CALI, COLOMBIA - SEPTEMBER 28: Nicolas Sarmiento of Argentina reacts as his teammate Leandro Cuzzolino scores his team's fifth goal during the FIFA Futsal World Cup Semi-Final match between Argentina and Portugal at the Coliseo El Pueblo stadium on September 28, 2016 in Cali, Colombia. (Photo by Alex Caparros - FIFA/FIFA via Getty Images)

CALI, COLOMBIA - OCTOBER 01: Nicolas Sarmiento of Argentina celebrates at full time during the FIFA Futsal World Cup Final match between Russia and Argentina at the Coliseo el Pueblo Stadiumon October 1, 2016 in Cali, Colombia. (Photo by Ian MacNicol - FIFA/FIFA via Getty Images)

CALI, COLOMBIA - OCTOBER 01: Nicolas Sarmiento of Argentina celebrates at full time during the FIFA Futsal World Cup Final match between Russia and Argentina at the Coliseo el Pueblo Stadiumon October 1, 2016 in Cali, Colombia. (Photo by Ian MacNicol - FIFA/FIFA via Getty Images)

Nicolas Sarmiento of Argentina poses with the goalkeeper award and the World Cup trophy after the FIFA Futsal World Cup final between Russia and Argentina at Coliseo el Pueblo on October 1, 2016 in Cali, Colombia. (Photo by Alex Caparros - FIFA/FIFA via Getty Images)

AL AIN, UNITED ARAB EMIRATES - DECEMBER 18: (L-R) Milton Casco, Javier Pinola and Jonathan Maidana of River Plate celebrate their team's second goal. scored by Rafael Santos Borre of River Plate (not pictured) during the FIFA Club World Cup UAE 2018 Semi Final Match between River Plate and Al Ain at Hazza Bin Zayed Stadium on December 18, 2018 in Al Ain, United Arab Emirates. (Photo by Francois Nel/Getty Images)

ABU DHABI, UNITED ARAB EMIRATES - DECEMBER 19: Santiago Solari, Manager of Real Madrid looks on during the FIFA Club World Cup semi-final match between Kashima Antlers and Real Madrid at Zayed Sports City Stadium on December 19, 2018 in Abu Dhabi, United Arab Emirates. (Photo by Michael Regan - FIFA/FIFA via Getty Images)

ABU DHABI, UNITED ARAB EMIRATES - DECEMBER 19: Santiago Solari, Manager of Real Madrid gestures during the FIFA Club World Cup semi-final match between Kashima Antlers and Real Madrid at Zayed Sports City Stadium on December 19, 2018 in Abu Dhabi, United Arab Emirates. (Photo by Michael Regan - FIFA/FIFA via Getty Images)

ABU DHABI, UNITED ARAB EMIRATES - DECEMBER 19: Santiago Solari, Manager of Real Madrid attends the post match press conference after victory in the FIFA Club World Cup semi-final match between Kashima Antlers and Real Madrid at Zayed Sports City Stadium on December 19, 2018 in Abu Dhabi, United Arab Emirates. (Photo by David Ramos - FIFA/FIFA via Getty Images)

ABU DHABI, UNITED ARAB EMIRATES - DECEMBER 19: Santiago Solari, Manager of Real Madrid looks on during the FIFA Club World Cup semi-final match between Kashima Antlers and Real Madrid at Zayed Sports City Stadium on December 19, 2018 in Abu Dhabi, United Arab Emirates. (Photo by Michael Regan - FIFA/FIFA via Getty Images)

Santiago Solari, Manager of Real Madrid holds the FIFA Club World Cup Trophy following the FIFA Club World Cup UAE 2018 Final between Al Ain and Real Madrid at the Zayed Sports City Stadium on December 22, 2018 in Abu Dhabi, United Arab Emirates. (Photo by Michael Regan - FIFA/FIFA via Getty Images)

Forest department is utterly displeased with the way the Navi Mumbai Municipal Corporation (NMMC) is going about implementing its tree belt project. On Friday, a range forest officer carried out a panchnama, a copy of which is with mid-day, listing the violations so far.

The panchnama states that the tree plantation done by NMMC contractors is inappropriate — the forest department had warned that plantation should be at least 50 metres away from the buffer zone surrounding the mangroves; and yet, it has been done right next to the boundary. The contractors have also allegedly cut the grown trees improperly and dumped the debris amid the mangroves.

Seeing red over green
An environment activist of Vashi, Rohit Malhotra, said, "NMMC removed 200 trees from the plot opposite Fortis Hospital, while dozens of fully grown and numbered trees inside the Rajiv Gandhi Joggers Park adjoining this plot have been felled, on the ground that were Subabul trees. All this has been done with much impunity... I had lodged a complaint with Prakesh Choudhary, range forest officer of Thane Division, who then deputed range officer Pandurang Gaikwad to survey the site. Mr Gaikwad has prepared the panchnama."

Residents had emailed their complaint to Dinesh Kumar Jain, chief secretary of Maharashtra, who has forwarded it to secretary of the forest department for necessary action.

A forest officer, confirming all violations, said, "I shouted at the contractors when I saw that some trees that were not on the list had been cut. Also, they removed soil from around others in such a way that the trees have tilted.

"However, senior forest officers have refused to sign the panchnama, saying they will settle the matter." "NMMC had taken permission from us to cut the Subabul trees in June 20... But I didn't know they dumped the debris amid mangroves. Also, the plantation in the buffer zone was done without our knowledge. I will visit the spot and decide on further action," said Choudhary.

The other side
NMMC Commissioner N Ramaswamy said, "We took all required permissions to cut the trees and for the project. About this particular complaint, I will check and take action accordingly."

The violations

• Planting trees close to mangroves, in violation of buffer zone distance restrictions
• Hacking full-grown trees inappropriately
• Dumping the cut parts amid the mangroves

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Top virologist Peter Piot spent 1 week at a London hospital in April and has been recovering at home since

ZURICH, SWITZERLAND - MAY 10: Winning captains Lola Corminboeuf of Young Boys Ladies and Tom Alen Tolic of Dinamo Zagreb pose with the trophy after the Blue Stars FIFA Youth Cup 2018 match between at Sportanlage Buchler on May 10, 2018 in Zurich, Switzerland. (Photo by Alexander Hassenstein - FIFA/FIFA via Getty Images)

Many Bollywood celebrities are seen following the strict rule of lockdown, to fight the deadly virus, COVID-19. Badplapur actor Varun Dhawan is no different! Being a responsible citizen of the country, Varun decided to celebrate his 33rd birthday at home, with his loved ones. Varun has been sharing his celebratory updates on social media.

Varun Dhawan ringed in his 33rd birthday by cutting a home-baked chocolate cake, and it looks absolutely mouth-watering. All elated, the actor also posed with the cake, with his bright smile. Take a look!

Chocolate cake/picture courtesy: Varun Dhawan's Instagram account

Varun Dhawan poses with his birthday cake/picture courtesy: Varun Dhawan's Instagram account

Speaking about his professional journey, Varun Dhawan was last seen in Remo D'Souza's Street Dancer 3D, opposite Shraddha Kapoor. He is all set to share the screen space with Sara Ali Khan is David Dhawan's Coolie No. 1.

For the uninitiated, Coolie No. 1 is the remake of the 1995 blockbuster, Coolie No. 1, which starred Govinda and Karisma Kapoor in the lead. This time, the ensemble has Paresh Rawal, Shikha Talsania, Johnny Lever, Rajpal Yadav, and Jaaved Jaaferi. Given the cult classic that film was, it will be exciting to see what new and fresh the makers have infused in the remake.

On the personal front, Varun Dhawan is dating Natasha Dalal, and the duo is said to tie the knot as the year ends. 

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Researchers have found that long term chronic isolation cause the build-up of a chemical in the brain, that increases stress, aggression and fear.

The mice isolated for two weeks showed behavioural changes like, increased aggressiveness towards unfamiliar mice, persistent fear, and hypersensitivity to threatening stimuli.

When encountering a threatening stimulus, mice that have been socially isolated remain frozen in place long after the threat has passed, whereas normal mice stop freezing soon after the threat is removed, the research said.

Although the study was done in mice, it has potential implications for understanding how chronic stress affects humans and has potential applications for treating mental health disorders, said lead author Moriel Zelikowsky, postdoctoral scholar at the California Institute of Technology in the US.

Previous studies have determined that social isolation for two weeks in mice resulted in the upregulation of the signalling molecule neuropeptide, tachykinin 2 (Tac2)/neurokinin B (NkB) -- a short protein molecule.

In the new study, published in the journal Cell, the team found that chronic isolation leads to an increase in Tac2 gene expression and the production of a neuropeptide called neurokinin B (NkB) throughout the brain.

But, administration of a drug that chemically blocks NkB-specific receptors enabled the stressed mice to behave normally, eliminating the negative effects of social isolation.

On the other hand, artificially increasing Tac2 levels and activating the corresponding neurons in normal, animals led them to behave like isolated and stressed, the research showed.

Suppressing the Tac2 gene in certain different brain parts, increased fear behaviours, or aggression accordingly, implying that it must increase in different brain regions to produce the various effects of social isolation, the researchers said.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Over one lakh students from 659 schools will be trained across the country to assemble solar lamps under the `Solar Urja through Localisation for Sustainability' (SoULS) project of the Indian Institute of Technology Bombay (IIT-B) on October 2.

Workshops will be held for this purpose at various places on Mahatma Gandhi's birth anniversary, said Chetan Singh Solanki of IIT-Bombay who heads the SoULS project. It is part of an initiative of the Union Ministry of New and Renewable Energy (MNRE), he said.

The objective is to "sensitise our future generation" about importance of solar technology, he said. The initiative also reaffirms India's commitment to the Paris Climate Agreement and the MNRE's goal of installation of 100 GW of renewable energy by 2022, he said.

IIT-B will observe October 2 as `International Day of Non-Violence to Environment', Solanki said. The SoULS program has trained several people from rural areas to assemble solar study lamps, he said. The participating students will take home the solar study lamps assembled by them.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Take a trip to one of the oldest docks in the city. Named after Baghdadi Jewish trader David Sassoon, the 143-year-old Sassoon Dock is the first wet dock constructed in Mumbai. The site is a melting pot of cultures including the Kolis, Banjaras, Tamilians, Kannadigas, and North Indians. Witness fishing activities in the noisy market where you can find people selling rare and popular varieties of fish, crab and oysters.

"Another interesting aspect of the Docks that the walk covers is bits on the smuggling and Bollywood angle there," says Gajanan Khergamker, founder, DraftCraft International.

TILL May 19, 7 am to 8.30 am
MEETING POINT Sassoon Docks Clock Tower, Azad Nagar, Colaba
CALL 9323141593
COST Rs 499 per person

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

Breakfast is the most important meal, which many of us tend to skip due to hectic schedules, leaving only Sundays to indulge in a lazy brekkie. Ours consists of pork sausages, creamy and cheesy scrambled eggs made in the sausage fat, and toast, with of course, coffee.

Chef Pablo Naranjo Agular of Le 15 Cafe, has fond memories of waffles in the shape of Mickey Mouse, with a pair of sunny side ups, drizzled with sriracha and sesame oil sauce. And so, for this edition of the eatery's monthly Table 13 evening on Wednesday, they are serving breakfast for dinner so you can eat at leisure.

Chef Pablo Naranjo Agular

"Making breakfast was a family activity and a beautiful memory. My parents loved cycling, so they would go off on Sunday mornings for three hours, which gave me enough time to cook something for them, with my little sister. I loved how happy they were when they came back and we sat down to eat. We would listen to old Colombian salsa that my father would put on," chef Agular shares.

Pablo's waffles 

While he is currently struggling to narrow down his list of 48 breakfast items, you can expect pancakes, waffles, bacon, and of course, eggs, along with some Indian options, all with a signature twist. "The menu will be inspired by what the French eat, which is on the sweeter side, as well as the not-so-sweet Colombian flavours," he says. And the idea too germinated when he was eating his favourite breakfast — waffles topped with egg and bacon — and owner Pooja Dhingra walked in and tried it. Book ahead because seats are limited.

Pooja Dhingra

ON March 27, 8 pm
AT Le 15 Cafe, shop number 18, Lansdowne House, MB Marg, Colaba
CALL 9769341994
LOG ON TO insider.in
COST Rs 2,800

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

Saddened by the news of the passing away of veteran Bollywood actor Rishi Kapoor, Maharashtra Navnirman Sena (MNS) chief and politician Raj Thackeray paid rich tributes to the late actor. On Thursday, the MNS leader took to social media to pay homage and penned a heartfelt note calling Rishi Kapoor the first 'Chocolate boy' of the Bollywood film industry.

A fearless tweet takes a bow!#RishiKapoor #à¤Â‹षि_à¤Â•पà¥Â‚र #मनसà¥Â‡à¤ÂÂÂÂÂ…भिवादन pic.twitter.com/NcVk6VqLZG

— Raj Thackeray (@RajThackeray) April 30, 2020

Titled 'A fearless tweet takes a bow!', Thackeray began his note saying that the country lost two exemplary artists back to back, mentioning the demise of Irrfan Khan and and Rishi Kapoor in a span of two days.

Talking about Rishi Kapoor's entry into the Bollywood Industry, Raj Thackeray said that although Kapoor made his debut at a time when the film industry had a strong group of young actors including Amitabh Bachchan, Vinod Khanna, Rajesh Khanna, Shatrughan Sinha, and Dharmendra, he managed to become the voice of the youth and remained so to date.

Raj Thackeray's post

A heartfelt trubute penned by Raj Thackeray for the late actor, Rishi Kapoor

The MNS chief said that Rishi Kapoor did full justice to the Kapoor legacy. Throwing light on Rishi Kapoor's acting skills and his persona, Raj Thackeray said that looking at his effortless performances, one felt that there was no camera in front of him.

Raj also heaped praises on the late Rishi Kapoor for always speaking his heart out and taking a stand. "My family and I have a deep affection for Rishi Kapoor. His performances and his forthright conduct is something, I wholeheartedly appreciate. Be it a social cause, political debate or any current happenings, he was very articulate and forthright in his thoughts and words. One could see his true core reflect in his tweets. Even if there was a huge uproar on any of his tweets, he held his own and never refrained from taking a stand," Raj wrote.

Rishi ji, a person who showed the Cine world what “good looks” truly meant and a friend of the family for decades and 3 generations.
Our heartfelt condolences to the Kapoor family.

— Aaditya Thackeray (@AUThackeray) April 30, 2020

While concluding his heartfelt tribute, Raj offered his condolence to Rishi Kapoor's family and said, "A deeply passionate person who loved his craft. I offer my humble and heartfelt tribute to this exceptional artist who leaves behind a legacy that will be etched in the ethos of our Indian film industry for eternity."

Besides Raj, Maharashtra Tourism Minister Aaditya Thackeray also paid homage to Rishi Kapoor. He said, "A friend of the family for decades and 3 generations. Our heartfelt condolences to the Kapoor family."

Rishi Kapoor, who was diagnosed with cancer back in 2018, was admitted at Sir HN Reliance Foundation Hospital in Mumbai around three weeks ago and he passed away on Wednesday morning at 8:45am in the hospital.

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Enforcing prohibitory orders strictly, the Maharashtra police have registered over 85,500 offences against lockdown violators across the state and arrested 16,962 people so far, an official said on Thursday. While combating COVID-19 and enforcing lockdown since late March, police have registered offences under section 188 of IPC against 85,586 persons, who violated prohibitory orders, he said. Section 188 of the Indian Penal Code is related to disobedience to order duly promulgated by public servant.

Also, 16,962 people were arrested for violation of lockdown-related norms, he said. During the period, at least 161 police personnel, 21 of them officers, have tested coronavirus positive, he said. At least 167 cases of assault on police have been filed in the state in which 580 accused persons have been arrested so far, he said. Police have registered 1,237 offences of illegal transportation and seized more than 50,000 vehicles during the lockdown period, he said.

Police collected Rs 3.02 crore as fine for various offences during the period, he said. At least 622 persons were detained by police for violation of quarantine norms, he added.

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We remember walking into Le 15 Café in Colaba on a late evening craving a gooey chocolate brownie. They had run out by then but a familiar voice from behind the counter told us if we weren't in a hurry, she'd bake a fresh batch. That was Pooja Dhingra, in her black and pink uniform and contagious smile, even at the fag end of a tiring service day.

Lodged opposite Ling's Pavilion, patrons to the Parisian café had many such stories to share, as seen with the thank you notes left on tissue paper. In 2015, Dhingra coaxed chef Pablo Naranjo Agular into moving to Mumbai from Colombia to create the savoury menu for the café. Their social media posts of sunny-side ups, waffles and tartine were drool-worthy enough to make followers land up for a meal.

'Uncertain times'

The lockdown and subsequent slump in business has pushed Dhingra to take the tough call of shuttering the café for good. "These are uncertain times and everyone has to look at the vision of their companies to decide the road ahead. Unfortunately for us, that meant to cut down our overheads to ensure we can keep the dessert business going. The challenges we predicted were low walk-ins, high rentals and the onset of the monsoon and a general slow-down of business," said Dhingra.

The café has been profitable for three years while the company has been profitable for six months. "We are operating from a central kitchen and servicing outlets. With a predicted decrease in revenue, it wouldn't make sense to keep this space going," reasoned Dhingra. For her, it's all guesswork about how long until the economy picks up. "What will change is how people dine out, and the emergence of social distancing that means reducing covers and higher deliveries," she said. Le15 at Lower Parel and Bandra will function as usual when the lockdown ends.

'A live organism'

When we call Naranjo in his home in Colombia, he is baking bread. His voice gives away the mood. Kneading dough might possibly help deal with the news. "A restaurant is a live organism that needs to feed, enjoy, rest, sleep and start all over again the next day. If you are not nourishing it, it suffers a lot. Coronavirus is showing us that reality," sighs Naranjo. "The time at the café was everything. I poured my heart and soul into it. I remember the times when Pooja would ask me to take a day off. But I would still show up on my off day. When I saw her love towards the business, it worked the same way for me. It's how we managed what we built together," he reminisces.

Dhingra is working on absorbing some of her staff. "We are working on an e-cookbook to raise funds for the team," she shares, signing off, "I dreamt of having a café since I was 16. I built it piece by piece with all my savings. Every memory will stay with me for life."

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The Mumbai Police’s social media pages are gaining popularly among netizens for their epic memes during the lockdown imposed due to Coronavirus outbreak. After taking inspiration from Bollywood and popular series streaming online for some of their recent memes, the police department has now turned to Potterverse for some meme-spiration to explain their followers why it is important to stay at home.

In the Mumbai Police’s recent post on their Instagram account, they have shared what Hermoine Granger would say in her sassy way to explain the necessity to stay at home. The caption for the post read, “You already know Hermione's reaction if you step out unnecessarily during the lockdown,” while asking the ‘magical folks of Mumbai’ to stay at home. The message displayed in the clip will make you think twice step out of the house

 

 

 

View this post on Instagram

You already know Hermione's reaction if you step out unnecessarily during the lockdown. Just #StayHome magical folks of Mumbai to win 'The Battle' against corona #BattleOfMumbaikars

A post shared by Mumbai Police (@mumbaipolice) onMay 1, 2020 at 10:26pm PDT

The clip shared on Saturday managed to garner 61,407  likes with many Potterheads relating to the post and calling the Mumbai police’s social media page the ‘coolest’. A user said, “Mumbai's Auror Department got no muggles.” Another user said, “Wish we could just expeliamus the virus. One more user said, “Harry Potter post on the day of Battle of Hogwarts?! You guys won my heart!”

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The Brihanmumbai Municipal Corporation (BMC) has been readying quarantine centres and acquiring hospitals for COVID-19 patients, but it seems it hasn't quite decided whom to let in. The 32-year-old wife of a COVID-19 positive patient from Dharavi has been running from pillar to post to get him to a hospital. The 35-year-old who requires dialysis, tested positive on May 1 but BMC officials allegedly advised her to quarantine him at home, as he is asymptomatic.

When she pointed out that they stay in a 180 sq ft house with senior citizen parents, they allegedly did not pay much heed. While the BMC maintains that asymptomatic patients are not hospitalised, the patient has become a potential threat not just to his family but to the whole SRA building with 91 flats, where they stay.

Neighbours and relatives of a COVID-19 positive person admitted to Sion Hospital being stamped. Pic/Suresh Karkera

"I repeatedly called the COVID-19 Helpline. They asked my husband's age and his other illnesses. But when they came to know he is asymptomatic, they told me to quarantine him at home. I told them we live in a 180 sq feet home with senior citizen parents, but they didn't pay attention," said the wife of the patient.

The patient needs to get dialysis done every three days from last year. "I don't know why they are doing this. Last week a patient was found in our building, and he also required dialysis. They took him to a hospital, but are refusing to take me. I am worried about my father and mother, who are senior citizens. In a house like this, how can we maintain physical distance?" the patient said.

"Home quarantine is not possible for him. The authorities should look into this matter and provide assistance. The family is also financially weak. The father of the patient, a former Indian Navy personnel, runs the house. Now they have approached the Mumbai police for help," said a family friend of the patient.

"Asymptomatic COVID-19 positive patients are not required to be admitted in a hospital. I don't have the details of this patient, but I will ask officials to inquire and we can also arrange for dialysis for him at JJ Hospital," said Assistant Municipal Commissioner G/North Ward Kiran Dighavkar. A BMC official said if the patient's conditions worsens, he will be admitted.

180
The area (in sq feet) of the house the man stays in with his wife and aged parents

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Ola Cabs began operations in 12 cities across Maharashtra, which are in green and orange zones from Monday. "Ola has resumed operations in over 100 cities across the country, adhering to the government guidelines. With the Ministry of Home Affairs (MHA) easing restrictions in select zones across the country, Ola will ensure safety during all rides," a note from the company said.

Anand Subramanian, Ola spokesperson and head of communications said, "As we reopen our platform to millions of citizens and driver-partners whose livelihoods are dependent on this, the safety of both continues to be the priority. The fight against COVID-19 is a collective effort and will be possible with both our driver-partners and customers doing their bit to ensure that everyone has access to safe and high-quality mobility."

List of 12 cities in Maharashtra
Alibaug, Ahmednagar, Shirdi, Latur, Kolhapur, Nanded, Sangli, Wardha, Amravati, Chandrapur, Gondia, Jalna.

100
Total no. of cities Ola resumed their services across India

Five-step safety

For driver-partners:
1. No travel in red zones: Vehicles will not operate to and from red or containment zones.
2. Selfie-authentication of drivers: All driver-partners are required to wear masks and need to authenticate this before the start of every ride by sharing a selfie through their partner app.
3. Equipped with hygiene kits: Driver-partners will be provided with masks, sanitisers and disinfectants.
4. Cars to be cleaned regularly: Common surfaces like handles, seats to be cleaned before every ride.
5. Flexible cancellations: Drivers and customers may cancel a ride if the other is not wearing a mask.

For riders:
1. Mandatory masks: Customers must wear masks and sanitise before and after the ride.
2. Non-AC rides: To avoid re-circulation of air, the AC will be switched off and windows will be kept open.
3. Two passengers per car: Only two passengers will be allowed in the cab and they will be urged to sit by the windows.
4. Load and unload luggage themselves: To maintain social distancing, customers are urged to load and unload luggage themselves.
5. Cashless payments: Customers are encouraged to make cashless payments to avoid contact.

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American TV star and model Olivia Culpo celebrated a unique prom night during self-isolation with her National Football League (NFL) star boyfriend Christian McCaffrey, 23.

The couple partied with Olivia's sister Sophia and Christian's mother Lisa besides other family members. "Tonight is prom night with our quarantine crew," the Sports Illustrated model Olivia wrote on social media alongside pictures and a video of their celebration. "Lisa made all the boys do a "promposal" and now's she torturing all of us with chores," added Olivia, 27.

The outdoor party in a cocktail lounge area could also be a celebration of Christian's four-year $64 million (R484 crore) contract extension signed with NFL side Carolina Panthers in April.

The group ate, drank and also played with a unique bubble machine, blowing bubbles for everyone around.

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Peri Peri Twister. Pics/Sameer Markande

The led lights fitted in 3D wall panels engulf The Pabulum (Latin: food) with a violet glow that spills on to the street. Standing next to a chemist and a stone's throw away from a farsan store, the QSR off SV Road in Santacruz, which promises 'fiery fries' and 'sexy shakes', resembles an alien spaceship.

The counter has a slot that holds these BBQ Cheese Fries served in a conical container

Our analogy isn't far off the mark as we step in and overhear a middle-aged couple, curious to know what Nacho Fries and Cheesy Potato Twisters actually mean. A millennial helming the service station explains the dishes. He points to staffers working in a bot-like fashion, adding dollops of Mexican salsa to golden fries and slicing potatoes to create spirals on a stick in an open kitchen. The couple places the order and moves to one of the two dining counters in the space, launched last month by three foodpreneurs - 21-year-olds Himanshu Jain and Mayank Jain, and their friend Deepak Joshi, 26, who runs a catering business.

A staffer preps the fries in the kitchen

The menu is The J-meets-Keventers-meets-Irla's Twisted Potato. It features French fries served with a host of vegetarian toppings - from aioli garlic to tandoori mayo and Schezwan sauce. They also offer Jain fries made with raw banana. From blueberry and rose to popcorn and Parle G, an array of ingredients make their way into the shakes, along with four varieties of twisters.

Death By Chocolate

A-peeling twist
We begin with the Peri Peri Twister ('69), a 12-inch long tornado of spicy flavours. The potato spiral - deep-fried and crisp but non-greasy - is piped with a fiery, paprika-and-garlic infused mayonnaise instead of a powdered spice mix. This enhances the stick, where the mayo's slight tang balances the heat. We wash it down with Popcorn Caramel Shake ('149), a lip-smacking, creamy rendition of the munchie with just the right hint of burnt brown sugar.

Popcorn Caramel Shake

The BBQ Cheese Fries ('99) feature crisp-till-golden, starchy potato fries doused with a peppery, slightly sweet barbeque sauce with an oh-so-good smoked taste that balances the sharpness of the cheese sauce. Our friend remarks, "They are better than the ones at The J."

The Poppers & Fries ('149) comprise three deep-fried cheese balls perched on a bed of fries, doused in chilli garlic sauce and mayonnaise. While the tangy-spicy sauces complement the dish, the poppers are underwhelming, and stodgy.

Try a dessert fry
Heading for a carb crash by now, we pick the apt climax - Death By Chocolate ('149). Coated with generous amounts of Nutella and chocolate sauce, the crisp, unsalted fries, topped with grated cheese, make for a great dessert. We exit with a promise to return, once we're cured of a potato hangover.

Time: 11 am to 11 pm
At: Shop No 3, Tagore Kunj, Saraswati Road, Santacruz West
Call: 8080805775 (delivery via Swiggy and Zomato)

It's new, and it's pink
Last week, Barry Callebaut, Zurich-based manufacturer of chocolate and cocoa products, revealed Ruby chocolate, which is made using the Ruby cocoa bean sourced from Ecuador and Brazil. Slated to hit the shelves by early next year, the chocolate has an intrinsic sweet-and-sour berry-like flavour and pink colour derived from the bean's reddish hue. The fourth type of chocolate (others are dark, milk and white) comes 80 years after Nestlé's white chocolate.

Illustration/Ravi Jadhav

Pink pavlova ice cream
alyssa chesson,
Co-founder, Bono Boutique Ice Cream
'I would create a creamy and smooth pink chocolate ice cream. It would be studded with crushed marshmallows and [French] meringue, which would enhance the chocolate's berry-like flavour.

This would go perfectly with a glass of Rose.'

Cardamom and ruby chocolate shahi Tukda
Ranveer brar,
Celebrity chef
'The idea is to enhance the richness of the Indian Shahi Tukda. I would use brioche bread as the base and instead of traditional custard, I would make crème anglaise with cardamom and Ruby chocolate. The dessert would be presented as a tiered gateau, topped with a crumble of nankhatai, featuring a liquid Ruby chocolate ganache centre that would add texture to it.'

Ruby mochi
jahan bloch,
Co-founder, The Omakase Kitchen
'Reports suggest that Ruby chocolate's flavour profile is along the lines of berries. Assuming that, I would pair it with flavours like vanilla and citrus, which go well with tangy taste.

Currently, I am obsessed with trying different versions of mochi, the traditional Japanese dessert that we serve at The Omakase Kitchen. So, I would create a Ruby Mochi, with Ruby chocolate ganache and candied yuzu strips encased within the chewy and sticky rice cake.'

Ruby fraisier cake
sanjana Patel,
Founder and creative head, La Folie India
'On my recent visit to the US, I tried Ruby chocolate with chef Jean-Marie Auboine in his factory. It tastes naturally of berries and has great acidity, so it's less sweet and more premium than white chocolate. I would use it to reinvent the classic Fraisier cake with strawberries. Ruby chocolate's flavour is also more pronounced when paired with cream cheese and fruits. If launched in India by February, I'll create a Valentine's Day special with the chocolate and pair it with champagne.

I already know chefs around the world who are planning to create champagne-flavoured pâte de fruit and coating it with Ruby chocolate. However, consumers will need to shell out more since the chocolate's production is at a nascent stage, with more demand than supply.'

Actor Rishi Kapoor died young, at 67. If he'd passed on few decades later, he would've still died young. And I don't mean that cliché about being 'young at heart' and all. I mean, literally, young in the head—where it counts.

Think he was between 25 to 30 years old; tops. This infused into his natural persona that casual aliveness of late youth—he's the guy you could chill at the corner-bar with, all through a party, as I did, couple of times. Feel blessed.

It also made him impulsive, tad impatient, moody, on occasion; unreasonable, even. Not an easy man to know and walk around, without care. Also he was therefore (mentally) a decade younger to me, and so there arose the minor/moral dilemma over what to call him! He didn't like Mr Kapoor ("Waddyathink, am an uncle or what?"). Rishiji wouldn't cut it. He preferred Rishi. I carried on with Mr Kapoor.

In the hierarchy of naam-karan (naming ceremony) in Indian popular culture, the apex of the pyramid belongs to the person the public bestows upon a common nickname, short-form, or epithet. It's not so much a mark of honour as it denotes the level of familiarity the public feels with a public figure!

This cuts across professions. It is most common in films—whether that be Shahenshah or Big B for Amitabh Bachchan; or Baadshah, King Of Romance, King Khan or SRK for Shah Rukh Khan. Tells you something about their image too.

Rishi went by the short, cute sobriquet, Chintu, at best, Chintuji—eternally that boy, at any rate India's first 'chocolate hero', who debuted as the National Award winning child-star of Raj Kapoor's magnum opus, Mera Naam Joker (MNJ; 1970). In fact, if you observed him closely, when he spoke with that impish smile—he still had a sweetly chubby face—it was quite easy to transpose him into the little Raju, besotted by his teacher Mary (Simi Garewal), from MNJ.

Thereafter he held a list of firsts for Bollywood that may not occur to you instantly, if I don't bring them to mind here. For one, up until Rishi's debut as the lead actor in Bobby (1973), he told me, Bollywood's heroes and heroines used to be men and women—holding books and going to college in their 30s and 40s! It's true. Rishi was 21; his leading lady, Dimple Kapadia, after whose character the film is titled, was 16.

While Bobby gave birth to a super-hit romantic pair, Dimple got married, and quit movies altogether. This posed a peculiar problem for Rishi. He was left to swim around a leading ladies' pool—Zeenat Aman, Parveen Babi, etc—that was considerably older, and therefore unfit to be cast as his conventional, romantic leads. There was Neetu Singh, absolutely his perfect onscreen better-half— later his off-screen wife. "But then, how many films could I do with her? So it had to be Neetu, or a new girl," he said.

Don't know if such an entry is allowed into the Guinness book, Rishi held the glorious record of introducing 23 female leads as his on-screen partner in the movies. And even that number he wasn't sure about. Besides that he wished to add even Alia Bhatt (Student Of The Year; 2012), Taapsee Pannu (Chashme Buddoor; 2013), into the list, since they had debuted in Bollywood with him, although he wasn't the lead in those movies.

Did he even remember all those 23 heroines he worked with; was he in touch with any of them? "Don't know where's Kajal Kiran (Hum Kisise Kum Naheen; 1977), Shoma Anand (Barood; 1976), Bhavana Bhatt (Naya Daur; 1978)…" Gah! Would've been a great idea to click Rishi seated in the centre as the good old Casanova surrounded by his debuting leading ladies — an eclectic array, almost stacked up like sardines — to celebrate 50 years of his debut, which falls on September 28, 2020.

Bobby (1973)

A mart is really how the movie business/trade has traditionally perceived itself — setting a price for what sells, and a sell-by-date for what doesn't. This is as true for stars as the image or genres associated with them. In that sense Rishi, although he liked to call himself the "right person at the wrong time", had an absolutely uninterrupted 25-year run at the movies — between 1973 and 1998 (averaging around five to six films a year) — which for its time is also a record of sorts: "Shelf life for a hero then was 20 years; 10 years for heroines."

He said the reason to quit films was also his. He had just got bored of the proverbial dancing around trees. Nothing exciting seemed to exist in the horizon. And so one fine day, he rounded up the four to five producers he owed advances to, and simply returned them their money.

This is when Rishi was 46. Shammi Kapoor, Rishi's uncle, and the seminal singing-dancing star of the generation he took over from, had retired at 37. Amitabh Bachchan, Rishi's older contemporary, left films (to return only much later) at 40. Of course none of these age restrictions/rules for retirement matter anymore. Shah Rukh Khan, 54, has currently taken a break to recalibrate his leading man's career.

Note: I mention Shahenshah, and Badshah or King Of Romance, again! This is because in the pantheon of Bollywood stars, Rishi saw himself sandwiched between the two: "I should've entered films in the '90s," he said. The year of Rishi's debut, 1973, is also when Prakash Mehra's Zanjeer proclaimed Amitabh Bachchan as the 'angry young man'— simultaneously killing that flowery phase of Rajesh Khanna romances; and gently pricking at the bud the romantic Rishi Kapoor from coming into full-potential, glorious bloom.

At the box office, Rishi, in many ways, would've been Rajesh Khanna's natural successor. In terms of a female fan-following, he sort of already was — with hordes of women, by his own account, taking their clothes off, so he could autograph their bras! And special 'Bobby buses', matched with theatre timings, plying between Punjab, Faridabad and (what was then) Gurgaon, so people from far-off towns could catch his first film.

Except the phase that followed, especially in the '80s, was full of, as he put it, "B and C centre maar-peet; Lahu Ke Khoon [both mean blood] kind of films, and some skin-show. The ambience, mahaul, was only for action." Rishi, on the other hand, had been secure enough in his masculinity to go drag with Rafoo Chakkar (1975). One such "totally wahiyaat (crappy)" film, he told me about, was called Hawalaat (1987), where he starred alongside the 'action types', Mithun Chakraborty and Shatrughan Sinha. He was of course the "guitar and dafli playing type." When it came to promoting the film, the producer asked him "to pose with a chaku (knife)" for the poster, to draw in audiences!

It is in this backdrop that one has to register the fact that Subhash Ghai's cracker musical Karz (1980) had tanked at the box-office. Ghai recently sold its remake rights for Rs. 3 crore, which is a sum he'd not even come close to with the original. Likewise, Rishi's Tina Munim, Poonam Dhillon, Rakhee Gulzar co-starrer, Yeh Vaada Raha (1982), based on Danielle Steele's novel The Promise, showed no promise either. Neither did Zehreela Insaan (1974). Nor was Ramesh Sippy (1985) quite the Sholay!

The above is merely a short Spotify playlist I'm making for you, so after you're through with the Hum Kisise Kum Naheen medley, you check out the opening riffs of Karz's Ek Hasina Thi, the title track of Yeh Vaada Raha, and the finest RD Burman number, O Hansini, from Zehreela Insaan, or O' Maria from Saagar. These soundtracks have been around us all along. Post Rajesh Khanna, RD arguably equalled Rishi, on screen. RD is very much alive. So will Rishi. Music is the medium through which Hindi movies survive public memory.

Also, only a proper desi film aesthete would be able to tell how Rishi was uniquely gifted at lip-syncing, to perfectly own a song, before the camera. It's called song-acting—a talent that has no use in any another film culture. The first time Rishi was asked to perform a track (Main shayar toh nahin, from Bobby), he recalled, his father, Raj Kapoor, allowed him no choreographer. The logic being the choreographer would give him steps that other stars had already performed to. He would automatically be compared to them!

Even as an actor, it can be argued, Rishi looked and behaved like no one else—of his time, or from the generations before. Let alone other Kapoors. None of whom seemed like shadows of each other — carving niches of their own — while being raised under the banyan tree of Prithviraj, a full-time theatre and later film-studio actor, who began a four-generational legacy that Rishi was a proud and aware progeny of.

Contrary to popular perception — mainly because so many get to take a shot at stardom in the first place — most superstar-kids don't make it in the movies. Comparisons do them in. What separated Rishi from his father Raj, for one, was the lack of being — a word he used himself — the "stylised" actor.

By which you mean certain tics, manners, or andaaz, as it were, that instantly marked out say Dilip Kumar, Raj Kapoor, Dev Anand, and others. Rishi didn't have that. And this is what made his return to "character-driven" or more realistic films, at a larger stage, easily possible. Which wasn't the case with most others before him. It's the lightheartedness of his films that rendered him an underrated actor—hardly ever taken seriously by the critical establishment; something that bothered him much. He told me comedian Johnny Lever had a bone to pick with him. Rishi was the only star who'd been around for so long, that Lever couldn't find a way to mimic on stage! Fair point.

In 2017, I had the honour to host Rishi's first (and as yet only) retrospective of films at the Jagran Film Festival. From a filmography of over 150, we had to pick five. This was impossible. Going back and forth with his suggestions, we kept widening the quota. Until we reached a point that we could no longer accommodate more than eight films. And yet, how could MNJ be left out? We decided to play eight and half films in all—the half comprising Rishi's section from the three-part MNJ!

To be fair, an artiste/entertainer's self-perception should be at the core of his fan-base. And for this moment, don't care what Rishi Kapoor gems you've found — let's make it about the jeweller foremost. According to him, besides Karz and Bobby, Rishi's greatest works were—Habib Faisal's Do Dooni Char (2010), Raj Kapoor's Prem Rog (1982), Karan Malhotra's Agneepath (2012), Shakun Batra's Kapoor & Sons (2016), Manmohan Desai's Amar Akbar Anthony (1977), and Yash Chopra's Chandni (1989).

Notice his latent bias towards more recent releases. You can gauge the phase he was enjoying the most — placing his acting chops on display. It doesn't seem as if fate had mortally attacked a man who's young or old — just someone with such vitality and zest for life, that he was looking to soar. That's what hurts far more. Rishi had battled leukemia for two years.

The reason for his return to films, he told me, was a lovers' tiff of sorts that he'd had with his filmmaker buddy Rakesh Roshan, who'd pricked his ego with some loose talk about his career (or the lack of it). The expectedly emotional Rishi reasoned that he had retired from stardom, yes, but not from acting. He decided to stage a comeback — also to prove a point to Roshan, who, along with Jeetendra, Prem Chopra, and his Campion schoolmate, director Rahul Rawail, were known to be his close friends.

Basically the Rishi Kapoor I observed from a private quarter was no different from the Rishi Kapoor one experiences from a distance, in public. Meaning, what you saw is what you got. No overt agendas as such. This often cofounded political coteries on social media, with a lot of his tweets driving traffic to the Right, and then swerving conveniently to the Left-Liberal, as they say!

Guess if you've lived your adult life entirely in the public eye, you'll either always fake it, or just stop caring beyond a point. Of course he also had a socially well-connected, mature, adult side to him, with an eye on the lay of the land. But for the most part, it seemed, Rishi kept it real.

With personal disclaimers, he had no qualms admitting to the world he'd frickin' bought the Filmfare Award, for Bobby! He wrote it in his book, and explained further at an interview with me before a live audience. What're you gonna shame him for?

As a Bollywood star, he didn't think twice before drunk-dialing me past midnight, referring to how I had obliquely compared his son Ranbir's performance in Rockstar (2011) to Amitabh Bachchan, Aamir Khan, Hrithik Roshan — "Abey, beta toh mera hai!" True.

He could get childishly excited even about wearing a delegate-badge at a film festival, given that he said, surprisingly (for me), he'd never been formally invited to one before. But then again, despite his first and only retrospective being held across 16 cities over three months, he could bail out a day before the all-important closing ceremony, for a conversation before a packed house.

Because? He had an issue with an absolutely random cartoon published in Mid-day, about the fire at RK Studio. No, you couldn't console him. Just couldn't. That was Rishi. His friends say the same. Everyone loved him just the way he was though. Good luck God. And thank you, Mr Kapoor.

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Alappuzha District Collector M Anjana said that houseboats in the districts may be turned into COVID-19 isolation wards if the need arises.

Kerala: Alappuzha District Administration has decided to convert houseboats into isolation facilities amid #COVID19 outbreak. "This would increase our bed strength by 1500 to 2000",says M Anjana, Alappuzha District Collector. pic.twitter.com/YpPViQZ6aF

— ANI (@ANI) April 15, 2020

"The Alappuzha model of handling COVID-19 has been one of preparedness and prevention. In the first phase we did this successfully, but in the second phase we propose to have a different strategy. Though our numbers are comparatively less, we need to augment our isolation facilities," M Anjana told ANI here.

"We have sufficient number of facilities but in the process of augmenting the facilities we have had extensive discussions with the houseboat owners' association. All the houseboat owners agree with the proposal and are willing to support the district administration in this respect," she added. She said that houseboats have different bed strengths.

"By bringing them together at a single spot or at two spots we would be able to convert them as a single isolation facility. This would increase the isolation facility strength by around 1,500 to 2,000," she further said. According to the Ministry of Health and Family Welfare, there are 387 COVID-19 cases in Kerala, including 211 cured/discharged/migrated and three deaths.

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Amid the rising number of coronavirus cases in Maharashtra, Nagpur police in its unique and witty is informing, educating and protecting its citizens across the city amid the nation-wide lockdown. With Prime Minister Narendra Modi extending the lockdown till May 3, citizens across the country have ample of time with themselves.

Things to do during #Lockdown#NagpurPolice pic.twitter.com/2cScHJ8KP8

— Nagpur City Police (@NagpurPolice) April 15, 2020

In order to kill boredom, Nagpur has come up with a few handy tips by taking inspiration from Bollywood's iconic film Sholay. On Wednesday, Nagpur police took to its Twitter account and shared a 4.0 handy guide list which will keep people engaged and entertained at home amid lockdown.

A still from Sholay urges people to play music and pursue hobbies

The Nagpur police shared few stills from the movie in order to get their message across to its people. A still featuring actor Amjad Khan as Gabbar urged people to call and connect with old friends while another still featuring superstar Amitabh Bachchan requested people to pursue their hobbies and indulge in music.

The witty post also featured two stills which urged families to engage in story telling while another one asked people to shave but at home amid the coronavirus lockdown. This ins't the first time that the Nagpur police took a clue from Bollywood films in order to create awareness on the spread of coronavirus.

Friends: Let's all go together for a picnic

Me : #CoronaStopKaroNa #BreakTheChain pic.twitter.com/NECkgJLZ5Z

— Nagpur City Police (@NagpurPolice) March 21, 2020

Last month, the Nagpur police has shared a meme from Shahid Kapoor's popular film Kabir Singh, which showed friends making plans to go for a picnic amid lockdown. But it was their picture-perfect caption that won many hearts. The caption urged people to maintain social distance and break the chain.

Here are few movie inspired memes shared by Nagpur police:

Essential Goods shall continue to be available.
Don't indulge in Panic Buying please. 🙏🏻#NagpurPolice pic.twitter.com/k64g3fz8pP

— Nagpur City Police (@NagpurPolice) March 25, 2020

The Rock featuring in Nagpur police meme as they request people to not indulge in panic buying.

Kaun Banega #Coronawarrior? pic.twitter.com/coh26bEype

— Nagpur City Police (@NagpurPolice) March 28, 2020

Taking a cue from Kaun Banega Crorepati, they asked people to be a corona warrior by being at home amid lockdown.

Was Bunty Right? pic.twitter.com/Bfif7lE80k

— Nagpur City Police (@NagpurPolice) March 12, 2020

Another one from an ad film showcasing the importance of washing hands amid coronavirus outbreak.

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The family members of at least 25 houses in the Rashtrapati Bhavan premises have been asked to isolate themselves after a staffer's relative tested positive for the novel coronavirus (COVID-19) that has claimed over 550 lives in India so far. Official sources confirmed the news to IANS on late Monday night.

"A relative of a resident of Rashtrapati Bhavan Estate Quarters died a few days ago. The person who has tested positive for the coronavirus on Sunday had attended the funeral," a source in the know of things said.

The individual has been sent to the quarantine centre in the nearby Birla Mandir complex.

The people in the house where the corona-positive person was found, along with the families living in around 25 houses have also been asked to isolate themselves as a precautionary measure. All of them have been instructed to follow social distancing norms strictly, sources said.

According to sources, the staffer's relative who has been found corona positive has no direct connection with Rashtrapati Bhavan. The individual's relative is serving there.

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A unique initiative by Tamil Nadu's Tiruppur Police to teach lockdown offenders a lesson and create awareness about the spread of the novel coronavirus has taken the internet by storm. A viral video shared by a meme page on Facebook shows police officers in Tamil Nadu teaching people violating the lockdown guidelines a lesson for life.

In the three minute 50 seconds video clip, police officers of Tiruppur Police can be seen stopping people roaming freely without face mask amid lockdown across the country. In order to teach a lesson to those defying lockdown rules, the Tamil Nadu police came up with their own unique initiative which has been appreciated by netizens.

As the video moves forward, the police officers are seen pushing the lockdown violators into an ambulance which has a man posing as a COVID-19 patient. Once pushed inside, the violators can be seen begging the officers to let them comes out of the ambulance van.

The hilarious yet creative video ends with a police officer making an appeal to people to not roam without face masks. The officer says, "When you roam around, anyone can have the novel coronavirus and you may not know. The government and the police officials have been stressing on the importance of staying indoors. If at all you need to come out to buy essentials, please wear masks."

The funny video which aims to create awareness to combat the spread of COVID-19 has garnered over 2.3 million views and about 73 thousand shares. Hundreds of people took to the comments section of the viral video to laud the Tamil Nadu police and shower praise on their unique initiative.

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Amid the rising number of coronavirus cases in India, the health ministry on Tuesday, issued home quarantine guidelines for people who have very mild symptoms of COVID-19. According to the guidelines, those with mild syptoms can opt for home isolation but will have to be in constant communication with the District Surveillance Officer, and a hospital and will have to sign an undertaking.

The present guidelines were issued in addition to guidelines on appropriate management of suspect/confirmed cases of Covid-19 issued by the Health Ministry on April 7

.@MoHFW_INDIA has issued guidelines for Home Isolation of very mild/pre-symptomatic COVID-19 cases: Media briefing on #COVID19

Details: https://t.co/koNEShuVZ7 pic.twitter.com/6wUPLNg9Ne

— PIB India #StayHome #StaySafe (@PIB_India) April 28, 2020

As per the revised guidelines, patients who have mild symptoms or are pre-symptomatic can now opt for self-isolation at their homes but they need to follow the norms laid down by the Health Ministry. 

Who is eligibile for self isolation at home?

COVID-19 patients who have been clinically assigned as a very mild case or pre-symptomatic case by the treating medical officer are eligible for self-isolation at home.

What are the pre-requisites in order to self-isolate at home?

• Patients who are eligible for self-isloation at home must have a requisite facility at their place of residence for self-isolation. More so, the patients must also ensure that there is enough space for other members of the family to quarantine at home.
• The patient must have a caregiver who can look after the patient and provide care 24x7. 
• Another prerequisite is that there should be a communication link between the caregiver of the patient and the hospital during the entire duration of home isolation.
• The caregiver and all the close contacts of the COVID-19 patient should take Hydroxychloroquine prophylaxis as per the protocol and as prescribed by the treating medical officer.
• The patient has monitor his or her health and regularly inform their health status to the District Surveillance Officer for further follow up by the surveillance teams.
• Finally, the patient needs to fill an undertaking on self-isolation stating that they shall follow all home quarantine guidelines laid down by the Health Ministry.

When should a COVID-19 patient seek medical attention?

According to the revised guidelines issued by the Health Ministry, mild or pre-symptomatic patients shall seek immediate medical attention on the following grounds.

• When they face difficulty in breathing
• If they experience persistent pain/pressure in the chest
• Feel mentally confused or inability to arouse
• If they develop bluish discolorations of lips or face
• And if advised by treating medical officers

When will home isolation end?

Home isolation for COVID-19 patients can only be discontinued when the symptoms are clinically resolved and the surveillance medical officer certifies the mild or pre-symptomatic patient to be free of infection after the necassary laboratory testing.

Do's and don'ts for self-isolation patients and caregivers

• Caregivers must wear triple layered medical mask when in the same room with the COVID-19 patient.
• Caregivers should avoid direct contact with body fluids of the patient, especially oral or respiratory secretions.
• Caregivers must use disposable gloves while handling the patient. Hand hygiene should be undertaken done before and after removing gloves.
• Caregivers should pay strict attention to hand hygiene before and after preparing food, before eating, after using the toilet, and whenever the hands look dirty.
• Caregivers should avoid sharing cigarettes, eating from the same utensils, or exposing themselves to used towels or bed linen.
• COVID-19 patient should wear triple layer medical mask at all times. The patient must discard the mask after eight hours of use or earlier if they have become wet or visibly soiled.
• The patient must isolate themselves in a room and stay way from people.
• Patient must stay away from the elderly who maybe suffering from co-morbid conditions like hypertension, cardiovascular disease, renal disease.
• During self-isolation, mild or pre-symptomatic patients must drink lots of fluids to stay hydrated and follow respiratory etiquette all the time.

With inputs from Agencies

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Uttar Pradesh Police on Monday registered an FIR against independent MLA from Nautanwa Aman Mani Tripathi and his six associates for stepping out without having a valid pass during COVID-19 lockdown.

They were returning from Uttarakhand and were detained in the Nazibabad area of Bijnor district. Superintendent of Police (SP) Bijnor Sanjeev Tyagi said, "He was not authorised by Uttar Pradesh government to go to Uttarakhand. He was out unnecessarily and did not have a valid pass. Action is being taken. He will be quarantined and tested."

No weapons were recovered from the seven, added the SP. Tripathi and others were earlier arrested by the Uttarakhand Police on Sunday allegedly for violating lockdown norms and misbehaving with government officials.

After the arrest, they were served a notice and were sent back to Uttar Pradesh. The incident had occurred at Gauchar of Chamoli district where his entourage was stopped for screening by the officials on duty. Tripathi, along with 10 others, was on a trip to Badrinath and Kedarnath.

Uttarakhand DG, Law and Order, Ashok Kumar had told ANI that an FIR has been registered against Tripathi and 11 other persons under Sections 188, 269 and 270 of the Indian Penal Code, Disaster Management Act and Epidemic Disease Act.

The Uttar Pradesh government had clarified on Monday that it did not authorise Tripathi to travel to Uttarakhand.

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