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MAHLER, G.: Symphony No. 6, `Tragic` (Essen Philharmonic, Netopil) (OC1716)




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MASCAGNI, P.: Cavalleria rusticana / LEONCAVALLO, R.: Pagliacci [Operas] (Di Toro, Iversen, Graz Opera Chorus, Graz Philharmonic, Lyniv) (OC987)




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WEBER, C.M. von: Freischütz (Der) [Opera] (Cornet, Muirhead, Banješević, Trinsinger, Aalto Theatre Opera Chorus, Essen Philharmonic, Netopil) (OC988)




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MATHIAS, W.: Choral Music - A May Magnificat / Learsongs / Riddles (St. John's Voices, The Gentlemen of St. John's, G. Walker) (8.574162)

William Mathias wrote some of the most imaginative, communicative and joyful choral music of the mid-to late 20th century. These qualities are perhaps most clearly represented in his substantial catalogue of works for choir and, in particular, his settings of sacred texts, notably the invigorating A Babe is Born and the hauntingly beautiful Ave verum corpus, one of his last compositions. This selection also includes the both serious and entertaining sequence of Riddles and the rapt, ecstatic A May Magnificat. More Mathias choral music can be heard on 8.573523.




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MAGNARD, A.: Symphonies Nos. 1 and 2 (Freiburg Philharmonic, Bollon) (8.574083)

The tragic death of Albéric Magnard, killed defending his home against German troops in 1914, brought a premature end to the composer’s life but not before he had completed four powerfully expressive symphonies (the Third and Fourth are on 8.574082). Symphony No. 1, with its strangely beautiful chorale, was first performed in 1893 but was then not heard again for a century. Symphony No. 2 caused a scandal at its premiere due to its length and complexity, but in its revised version offers radiant serenity and a dazzling confidence that reveals Magnard’s true compositional voice.




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LISZT, F.: Later Piano Music (Historical Hungarian Portraits) (Jandó) (Liszt Complete Piano Music, Vol. 54) (8.574059)




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CIMAROSA, D.: Overtures, Vol. 6 (Czech Chamber Philharmonic, Pardubice, Patrick Gallois) (8.574046)

Domenico Cimarosa’s operas were remarkably successful, being staged and re-staged in opera houses all over Europe. Success in his home town of Naples led to court appointments and royal commissions, including his best-known work Il matrimonio segreto (‘The Secret Marriage’) composed for Austrian emperor Leopold II. Other hits include L’impegno superato (‘The Broken Engagement’), an instant success and soon to become one of the most frequently performed of Cimarosa’s comic works, and Penelope that was produced as far away as London in 1817. The Cantata per Ferdinando IV was, however, written as an act of repentance, Cimarosa having made the mistake of backing the failed republican government in 1799.




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BEETHOVEN, L. van: König Stephan / Leonore Prohaska (excerpts) (The Key Ensemble, Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574042)

Aside from his only opera Fidelio, Beethoven’s general link with the theatre in Vienna came about largely with incidental music or songs to be inserted into the works of other composers—insertion arias. König Stephan was written to celebrate the politically significant opening of a new theatre in Pest, its triumphant mood honouring the ruling Austrian Emperor. Standard-bearer of female heroism Leonore Prohaska is commemorated with a Soldier’s Chorus and a Romance with harp accompaniment. In Friedrich von Matthisson’s poem Opferlied (‘Sacrificial Song’), a young man prays to Zeus to bestow upon him beauty and goodness in youth and old age. Two of Beethoven’s four settings are heard on this wide-ranging programme.




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Vocal Recital: Sternberg, Deborah - SIMPSON, A.E. / KITCHEN, E. / THIBAUDEAU, G. (Birds of Love and Prey) (8.579064)

Soprano Deborah Sternberg brings together three song cycles themed on birds, each with its own unique flavour and expressive vocabulary. Andrew Earle Simpson’s eloquent skills as a composer and pianist are united in Birds of Love and Prey, in which both antique and modern textual sources contrast songbirds and predators in a variety of ways. Eric Kitchen uses transcriptions of actual birdsong in The Olney Avian Verse of William Cowper, while Gabriel Thibaudeau’s Cycle Avicellus portrays birds within landscapes using a language of modern impressionism.




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MORLACCHI, F.: Tebaldo e Isolina [Opera] (1825 Dresden version) (Polverelli, Pastrana, Giustiniani, Baglietto, Vlad, Virtuosi Brunensis, Fogliani) (8.660471-72)

Francesco Morlacchi was a native of Perugia, but early success led him to become music director of the Dresden Opera where he remained for the rest of his life despite having an opportunity to succeed Rossini in Naples in 1822. He did make tours to Italy however, and Tebaldo e Isolina received its triumphant premiere in Venice, becoming the most successful of all his operas. Morlacchi’s gifts as a lyricist and for characterisation are heard here at their best, with showpiece arias and duets in a version of the Romeo and Juliet story that ends in happiness and the victory of reason over vengeance.




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Guitar Recital: Park, Ji Hyung - ALBÉNIZ, I. / BROUWER, L. / CASTELNUOVO-TEDESCO, M. / SCARLATTI, D. / TAKEMITSU, Toru / THIELEMANS, T. (8.574140)

Ji Hyung Park has won numerous prestigious competitions, with the 7th Changsha International Guitar Competition in 2018 his most recent triumph. The diverse selection of music performed in this programme features three virtuoso sonatas by Scarlatti, the world premiere recording of Leo Brouwer’s evocation of ancient Greek culture Las Cíclades arcaicas, Castelnuovo-Tedesco’s Sonata ‘Omaggio a Boccherini’ in its original, pre-Segovia manuscript form, Takemitsu’s final work In the Woods and rare selections from Albéniz’s masterpiece Iberia. The programme ends with a colourful arrangement of Toots Thielemans’ gorgeous Bluesette.




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BEETHOVEN, L. van: Ruinen von Athen (Die) (The Ruins of Athens) (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574076)

Die Ruinen von Athen (‘The Ruins of Athens’) was composed to celebrate the opening of the new German theatre in Pest in 1812. Designed to accompany the play of that name by August von Kotzebue, its incidental music is substantial enough to form a kind of one-act Singspiel and is full of attractive arias, duets and choruses and includes the famous Turkish March. Though the work’s theme was rooted in Greek mythology, in reality it was explicitly political in nature, celebrating Pest as ‘the new Athens’. This is the first ever recording of the work with full narration.




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BEETHOVEN, L. van: Celebrate Beethoven - Music from His Middle Compositional Period (9.30206)




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STRAUSS II, J.: Blindekuh [Operetta] (R. Davidson, Kunkle, Bortolotti, Sofia Philharmonic Chorus and Orchestra, Salvi) (8.660434-35)

Blindekuh (‘Blind Man’s Buff’) was Johann Strauss II’s sixth operetta and his least known. Neglected for well over a century, it was revived by Dario Salvi and the forces on this album in January 2019. The work’s initial lack of success is hard to explain but it may have been caused by a confusing libretto—the music itself is vibrant and captivating with waltzes, polkas, mazurkas, marches and bel canto arias. Performed in a concert version without dialogue, and in accordance with performing traditions, this production restores the work to the status of one of Strauss’s most melodically seductive works.




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Flute Sonatas (20th Century) - Lupachev, Denis - HINDEMITH, P. / NAGOVITSIN, V.L. / DENISOV, E. / PROKOFIEV, S. (Lupachev, Laul) (8.579069)

Written over the course of a quarter-century, these four flute works reflect the individual approaches to the flute sonata taken by their composers. Hindemith’s aim was to offer new music of buoyancy and brio, tempered by elegiac moments. Prokofiev’s famous sonata has Classical formal elegance, while the sonatas of Denisov and Nagovitsyn are single movement works that explore the flute’s extreme registers, as well as its dynamic contrasts and virtuosic capacities.




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DANIELPOUR, R.: Passion of Yeshua (The) [Oratorio] (UCLA Chamber Singers, Buffalo Philharmonic Chorus and Orchestra, Falletta) (8.559885-86)

Richard Danielpour’s dramatic oratorio The Passion of Yeshua—a work which has evolved over the last 25 years—is an intensely personal telling of the final hours of Christ on Earth. It incorporates texts from the Hebrew Scriptures and the Christian Gospels inspiring extraordinarily beautiful music that stresses the need for human compassion and forgiveness. Danielpour returns to the scale and majesty of Bach in this oratorio, creating choruses that are intense and powerful, and giving both Mary the mother of Jesus and Mary Magdalene a central place in a work of glowing spirituality. Conductor JoAnn Falletta considers The Passion of Yeshua to be “a classic for all time.”




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MULLEY, C.: Woman Who Saved The Children (The) (Unabridged) (NA0477)

This is an unconventional biography of an unconventional woman. Eglantyne Jebb moved from drawing rooms to war zones, often defying expectation and at times breaking the law. Although not fond of individual children, she founded Save the Children and originated the revolutionary concept of children’s human rights. Clare Mulley brings to life the brilliant, charismatic, passionate and compassionate woman, whose work has saved millions of lives and permanently changed the way the world treats children. Save the Children ambassador Joely Richardson narrates this extraordinary story.




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BURKE, E.: Philosophical Enquiry into the Sublime and Beautiful (A) (Unabridged) (NA0413)

In A Philosophical Enquiry… Edmund Burke sets out to define the nature of beauty and sublimity, and establish an objective criterion for discussing aesthetics. His definition of beauty as rooted in pleasure and sexuality, and the sublime in pain and survival, aligned him with the empiricists John Locke and David Hume, as he replaced the metaphysics of Plato’s aesthetics with a psychological and physiological perspective. According to Burke, the sublime and the beautiful are experiences that can be explained by biological and sensual factors; thus he proceeds to explain how smooth lines, sweet tastes and middle frequencies of sound can be considered beautiful, and the terror created by high mountains and dark forests can be sublime. These revolutionary ideas ushered in the age of Romanticism, and the Gothic genre of novels, with their delight in horror and fright, and continue to influence aesthetic theories today.




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Podcast: Ludwig van Beethoven. Music from his late compositional period. (Apr 24, 2020)

BEETHOVEN, L. van: Celebrate Beethoven – Music from His Late Compositional Period (c.1815–1827) 9.30207 Raymond Bisha introduces the latest release in the Naxos Beethoven anniversary digital album series. Ranging from a solo piano to the huge resources required for his final symphony, the programme comprises ten works that define the last ten years of Beethoven’s creative life, exemplifying his ever more technically c ...more




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Podcast: Black History Month. Some musical notes. (Feb 14, 2020)

The guest host of this podcast is Ashley Jackson. She is an accomplished musician, who has studied the music of both Margaret Bonds and Florence Price, who composed and worked during the civil rights movement in the United States. In this podcast, Dr Jackson gives us both an historical and a personal perspective on how the struggles of these composers, and those of her grandmother, helped make possible what she does today. Harpist Ashley Jack ...more




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Podcast: Ludwig van Beethoven. Works from his middle years. (Feb 28, 2020)

Celebrate Beethoven – Music from His Middle Compositional Period 9.30206 Raymond Bisha presents an overview of works written by Beethoven during his middle years period. It’s a companion resource to the latest release in Naxos’ monthly digital album series featuring the music of Beethoven in this 250th anniversary year of his birth. February’s compilation album (9.30206) presents a programme of wo ...more




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (Blu-ray, HD) (NBD0105V)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (Blu-ray, HD) (NBD0105V)




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RESPIGHI, O.: Bella dormente nel bosco (La) [Opera] (Teatro Lirico di Cagliari, 2017) (NTSC) (2.110655)




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RESPIGHI, O.: Bella dormente nel bosco (La) [Opera] (Teatro Lirico di Cagliari, 2017) (Blu-ray, HD) (NBD0106V)




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EXHIBITION ON SCREEN - LEONARDO: The Works (Art Documentary, 2019) (NTSC) (SEV207)




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DEUTSCHER, A.: Cinderella [Opera] (Viennese version for children) (Vienna State Opera, 2018) (NTSC) (BVE08044)




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MAHLER, G.: Symphony No. 5 / TCHAIKOVSKY, P.I.: Piano Concerto No. 1 (Live aus der Elbphilharmonie) (SoRyang, Yutaka Sado) (NTSC) (Gramola20004)




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WHEELDON, C.: Within the Golden Hour / CHERKAOUI, S.L.: Medusa / PITE, C.: Flight Pattern [Ballets] (Royal Ballet, 2019) (NTSC) (OA1300D)




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WHEELDON, C.: Within the Golden Hour / CHERKAOUI, S.L.: Medusa / PITE, C.: Flight Pattern [Ballets] (Royal Ballet, 2019) (Blu-ray, HD) (OABD7265D)




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DOHNÁNYI, E.: Symphony No. 1 / Symphonic Minutes (Rheinland-Pfalz State Philharmonic, Paternostro) (C5386)




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WEIGL, K.: Symphonies Nos. 4 and 6 (Rheinland-Pfalz State Philharmonic, Bruns) (C5385)




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KRENEK, E.: Tricks and Trifles / 7 Orchestral Pieces / Symphonie, `Pallas Athene` / Potpourri (Rheinland-Pfalz State Philharmonic, Steffens) (C5379)




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BUSONI, F.: Turandot / Arlecchino oder Die Fenster [Operas] (Pape, Plech, Wörle, S. Lorenz, Berlin Radio Symphony, G. Albrecht) (C5398)




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Orchestral Music - DUTILLEUX, H. / HINDEMITH, P. / KABALEVSKY, D. (Modern Times Edition) (Rheinland-Pfalz State Philharmonic, Steffens)(10-CD Box Set) (C7337)




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BERNSTEIN, L.: Mass (Dyk, Vienna State Opera Children's Choir, Company of Music, Wiener Singakademie, Vienna Radio Symphony, D.R. Davies) (C5370)




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Chamber Music (Clarinet Quintet) - SCHIFF, D. / ROGERSON, C. / COLEMAN, V. (Clarinet Quintets for Our Time) (Shifrin, Dover Quartet, Harlem Quartet) (DE3576)




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GOMES, C.: Schiavo (Lo) [Opera] (Teatro Lirico di Cagliari, 2019) (NTSC) (DYN-37845)




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GOMES, C.: Schiavo (Lo) [Opera] (Teatro Lirico di Cagliari, 2019) (Blu-ray, HD) (DYN-57845)




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GOMES, C.: Schiavo (Lo) [Opera] (S. Vassileva, Pisapia, Borghini, Balbo, Terenzi, Cagliari Theatre Chorus and Orchestra, Neschling) (CDS7845.02)




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Violin Concertos (Italian) - VIVALDI, A. / BONPORTI, F.A. / LOCATELLI, P.A. (Fanfoni, Ghidoni, C. Lazari, Martynov, Mezzena, Quarta) (CDS7861.10)




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DONIZETTI, G.: Elisir d'amore (L') [Opera] (Dalla Benetta, R. Hernández, Esposito, Salerno, Bergamo Musica Festival Chorus and Orchestra, De Marchi) (CDS577)




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BEETHOVEN, L. van: Piano Quartets, WoO 36, Nos. 1-3 (The Young Beethoven) (Lüthi, Sonoko Asabuki, A. Foster, Miucci) (CDS7854)




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RAVEL, M.: Miroirs / La valse / Le tombeau de Couperin (Idil Biret Archive Edition, Vol. 19) (8.571404)