9

NEUMEIER, J.: Beethoven Project [Ballet] (Hamburg Ballet, 2019) (Blu-ray, HD) (753704)




9

OFFENBACH, J.: Contes d'Hoffmann (Les) [Opera] (DNO, 2018) (NTSC) (752808)




9

OFFENBACH, J.: Contes d'Hoffmann (Les) [Opera] (DNO, 2018) (Blu-ray, HD) (752904)




9

WAGNER, R.: Fliegende Holländer (Der) [Opera] (Maggio Musicale Fiorentino, 2019) (NTSC) (753808)




9

WAGNER, R.: Fliegende Holländer (Der) [Opera] (Maggio Musicale Fiorentino, 2019) (Blu-ray, HD) (753904)




9

VERDI, G.: Trovatore (Il) [Opera] (Arena di Verona, 2019) (NTSC) (754608)




9

VERDI, G.: Trovatore (Il) [Opera] (Arena di Verona, 2019) (Blu-ray, HD) (754704)




9

Piano Trio and Quartets - ELSNER, J. / SZYMANOWSKA, M. / MOZART, W.A. / LESSEL, F. (Warsaw Music Salon) (Arte dei Suonatori) (CDAccordACD269)




9

Piano Recital: Kim, Honggi - GRANADOS, E. / RAVEL, M. / SÁNCHEZ-VERDÚ, J.M. / SCHUMANN, R. / VINE, C. (8.574232)

Honggi Kim, winner of the 2018 Jaén Prize International Piano Competition, has chosen a fascinating recital programme for his Naxos recording debut. Both Scarbo and Los requiebros are pillars of the piano repertoire, brimming with expressive and technical challenges for any performer, as is Carl Vine’s beautifully written but rarely heard Piano Sonata No. 1. Sánchez-Verdú’s Jardín de espejos (‘Garden of Mirrors’) is influenced by the multiple layers in Islamic art, the ‘mirrors’ of the title lending shape to a tradition of listening, silence and echoes. The programme concludes with Schumann’s Piano Quintet in E flat major, an outstanding work in the chamber-music literature.




9

Piano Recital: Józsa, Peter - HAYDN, J. / SCHUBERT, F. / CHOPIN, F. / LISZT, F. / BRAHMS, J. (Portrait) (Gramola99213)




9

Impressions of China - Winning Works from the 2018 Huang Zi International Chinese Piano Composition Competition (G. Luisi) (8.579070)

All of the works in this programme were prize winners in the hotly contested 2018 Huang Zi International Chinese Piano Composition Competition, an event marking the 80th anniversary of the death of this influential composer and educator. Themes explored include the charm and unpredictability of China’s landscape, alongside elements of Chinese musical and theatrical aesthetics. Joint First Prize winners were Emile Naoumoff, whose Celestial Parade describes the composer’s wonderful experiences while in Shanghai, and Zhiliang Zhang, whose Qiao Ling Liu Dan portrays six widely differing ‘Dan’ or female characters in Sichuanese opera.




9

HERNÁNDEZ, S.: Piano Music Initiation to the Shadow / Terra Santa / Fantasia for Piano / Don't Forget About That (S. Hernández) (8.579072)

The distinguished Spanish composer and pianist Sira Hernández is known especially for her involvement with multi-discipline arts projects at major international festivals and cultural events. Many of her works are inspired by Italian artists as can be heard on this album. Minimalist techniques and the significance of tonality and timbre in communicating darkness and light are heard in Iniciación a la sombra and the sewing-machine ostinatos of Fantasía para piano. The presence of God amidst the bleak spaces of madness are expressed in Terra Santa, and the intensity of Don’t Forget About That invites us to resist oblivion.




9

HANDEL, G.F.: Messiah (1742 version) (Mields, Schachtner, Kristjánsson, Berndt, Gaechinger Cantorey, Rademann) (ACC-30499)




9

Guitar Recital: Aguiar, Pedro - PEREIRA, M. / GNATTALI, R. / REIS, D. / GAROTO / GUINGA / GARCÍA AGUILERA, J. de D. / VILLA-LOBOS, H. / ASSAD, S. (8.574069)

Rooted in European music, native folk traditions and often infused by jazz, Brazilian music encompasses a huge variety of dance forms and songs. Prize-winning guitarist Pedro Aguiar has selected a panoramic recital to illustrate these elements which include the choro and music rich in melody and rhythmic vitality. From Villa-Lobos, whose Choros No. 1 is one of the most popular guitar solos ever written, through to the work of the revered Dilermando Reis, and on to contemporary examples of the genre, this is music of dazzling virtuosity and finesse.




9

FISCHER-DIESKAU, Dietrich: Lied Edition, Vol. 1 - ZELTER, C.F. / REICHARDT, J.F. / SPOHR, L. / WOLF, H. / PFITZNER, H. (C992205)




9

DOHNÁNYI, E.: Piano Concertos Nos. 1 and 2 (Gülbadamova, Rheinland-Pfalz State Philharmonic, Matiakh) (C5387)




9

COUPERIN, F.: Harpsichord Music (L'Unique) (Vinikour) (CDR90000-194)




9

COLOMBIA Son Real Orchestra: Salsa (EUCD2900)




9

CLARKE, N.: Mysteries of the Horizon / Dial 'H' for Hitchcock / Swift Severn's Flood (Vanhoorne, Grimethorpe Colliery Band, Thornton, Clarke, S.Smith) (8.574097)

Nigel Clarke has always been fascinated by virtuosity and timbre—it is the brass band genre that has lent itself most to his passion for musical athleticism. Dial ‘H’ for Hitchcock is an imaginary film score in the film noir vein, complete with classic and chilling sound effects, while the heroic, brooding and violent Swift Severn’s Flood was inspired by a line from Shakespeare. Cornet concerto Mysteries of the Horizon examines the atmosphere of paintings by René Magritte, and Earthrise celebrates one of the most iconic photographs in history and the drama of the Apollo 8 mission.




9

CIPULLO, T.: Parting (The) [Opera] (Strickling, C. Cook, Mayes, Music of Remembrance, Willis) (8.669044)

Heard here in its world premiere recording, The Parting is a daring opera by award-winning composer Tom Cipullo and librettist David Mason that explores the life and art of Miklós Radnóti, one of the most important poetic witnesses to the Holocaust, and one of its tragic victims. Radnóti’s poems express emotions from love and enchantment to absolute loss, and The Parting includes texts found in his jacket pocket after his death. This opera is a profound meditation on what it is about art that outlives us, that enables us to be creative even in the face of unimaginable adversity, and reminds us to guard against hatred and to celebrate what makes us human.




9

CHINA / SYRIA Gao Hong / Issam Rafea: From Our World to Yours (EUCD2899)




9

Cello, Soprano and Piano Recital: Ruh, Janina / Kusnezow, Boris - POULENC, F. / DEBUSSY, C. / FRANCK, C. (Dialogues) (SWR19030CD)




9

CATHER, W.: My Ántonia (Unabridged) (NA0457)

Orphaned at the age of 10, Jim Burden moves to Nebraska to live with his grandparents. There he meets Ántonia Shimerda, the daughter of an immigrant family from Bohemia, who have come to carve out a life for themselves in the harsh and bountiful Nebraskan landscape. At the urging of her father, Jim teaches Ántonia English and together they share adventures that will bind them throughout their lives, despite the vicissitudes of time and fate, and years of separation. The final book in Willa Cather’s Great Plains trilogy, My Ántonia is a lyrical tribute to the bygone pioneer life and the struggles and successes of America’s early settlers.




9

BRUCKNER, A.: Symphony No. 4, `Romantic` (1886 version, ed. L. Nowak) (Bavarian Radio Symphony, M. Jansons) (900187)




9

BOLIVIA Ruphay (Los): Music of the Andes - Jach'a Uru (The Great Day) (EUCD2893)




9

BERNSTEIN, L.: Songfest / GERSHWIN, G.: An American in Paris (Wolf Trap Opera, National Orchestral Institute Philharmonic, Judd) (8.559859)

An American in Paris is one of Gershwin’s most vivacious works, an orchestral ballet saturated in homesickness and the blues. This recording, however, uses the new 2019 critical edition and offers Gershwin’s original orchestration, unheard for 75 years—leaner, more angular and transparent, it also employs the correct use of the iconic taxi horns, for a new sonic experience. The breezy vitality of Copland’s An Outdoor Overture is balanced by Bernstein’s Songfest—written to celebrate the Bicentennial Year in America, setting the verses of 13 of the country’s poets.




9

BEETHOVEN, L. van: Symphonies Nos. 1-9 (Warsaw Philharmonic Choir and Orchestra, Kord) (CDAccordACD075)




9

BEETHOVEN, L. van: Symphonies (Complete) (Stuttgart Radio Symphony, Norrington) (SWR19525CD)




9

BEETHOVEN, L. van: Celebrate Beethoven - Music from His Late Compositional Period (c.1815–1827) (9.30207)




9

BALADA, L.: Clarinet Works - Caprichos Nos. 6 and 7 / Double Concerto (Ivanov, Rominski, Polaczyk, Eryılmaz, Larson) (8.579056)

Barcelona native Leonardo Balada’s creative style has been labelled ‘Dalí’s surrealism in music’—an aspect of his work explored in this programme through the technique of ‘sound transformation’ in which abstract musical materials become familiar melody. Fusing traditional and contemporary elements, Caprichos Nos. 6 and 7 engage intimately with Spanish culture and history, while the virtuoso Double Concerto, heard here in an arrangement for flute, clarinet and piano, blends well-known Mexican folk tunes with the composer’s distinctive avant-garde style.




9

ADÈS, T.: Piano Solo Works (Han Chen) (8.574109)

Composer, conductor and pianist Thomas Adès has been described by The New York Times as ‘among the most accomplished all-round musicians of his generation’. His Concert Paraphrase on Powder Her Face reflects the glamour of the opera’s subject in the grand manner of Liszt or Busoni, while Still Sorrowing and Darknesse Visible explore John Dowland’s haunting lute works. Heard here in its world premiere recording, competition piece Blanca Variations is lyrical and flowing in character, and Traced Overhead is a vivid description of ascent and flight. Adès captures and transforms Polish style in his Mazurkas, and the spirit of Satie and Ravel in a Souvenir from the film Colette.




9

Violin Sonatas (American) - SCHOENFELD, P. / STUCKY, S. / HARBISON, J. (Three American Sonatas) (Cho-Liang Lin, J.K. Parker) (8.559888)

The three sonatas on this recording were written at the behest of violinist Cho-Liang Lin, who worked closely with each composer at their premiere performance. Paul Schoenfeld’s Violin Sonata references literary influences and the composer’s past as well as his Jewish heritage in the work’s final Freilach or “joyous dance”. Steven Stucky acknowledged Debussy as the source of inspiration in his work, while the alchemy of John Harbison’s style creates music that is simultaneously abstract and narrative. Wryly introduced as “crazy modern music”, Bernstein’s brief Canon for Aaron was composed for Copland’s 70th birthday celebrations.




9

Violin Recital: Arnoldi, Roberto - ANZAGHI, D. / ARNOLDI, N. / GARBARINO, G. / SPINOSA, R. / VACCHI, F. (New Music for Solo Violin) (TC940003)




9

VERDI, G.: Attila [Opera] (I. D'Arcangelo, Monastyrska, S. La Colla, G. Petean, Bavarian Radio Chorus, Munich Radio Orchestra, Repušić) (900330)




9

SKORYK, M.: Violin Concertos (Complete), Vol. 2 - Nos. 5-9 (Bielow, Ukraine National Symphony, Sirenko) (8.574089)

Myroslav Skoryk is one of Ukraine’s leading composers and teachers, with a portfolio of works that include opera, a symphonic transcription of Paganini’s Caprices, and a cycle of nine violin concertos written over a 45-year span (Volume 1 is on 8.574088). Concerto No. 5 utilises jazz elements and a vivid fugato, while Concerto No. 6 explores the use of sensual moods and provocative dance rhythms. Syncopation and lyricism suffuse Concerto No. 7, while No. 9 is both touching and dramatic. Concerto No. 8 offers a representation of events in Chopin’s life through quotations, in combination with Skoryk’s own distinctive musical voice.




9

SIERRA, R.: Cantares / Loíza / Triple Concierto (Trío Arbós, Cornell University Chorus and Glee Club, Xalapa Symphony, Marcelletti) (8.559876)

Roberto Sierra’s refined compositional voice is subtly combined with contemporary musical techniques and his Puerto Rican heritage in the three works recorded here. Cantares, commissioned by the Cornell University Chorus and Glee Club to celebrate the university’s sesquicentennial anniversary, evokes ancient Peruvian, Aztec and Afro Caribbean voices lost in time. The virtuoso Triple Concierto transforms the popular Caribbean rhythms of salsa, bolero and merengue into complex contemporary expressions, while the polyrhythmic layers of Loíza conjure a Puerto Rican town known for its strong African traditions.




9

SCHARWENKA, P.: Piano Trio, Op. 121 / Duo for Violin and Viola / Viola Sonata / 4 Concert Pieces (Breuninger, Berthaud, Triendl) (C5391)




9

SAURET, É.: 24 Études Caprices, Vol. 4 - Nos. 20-24 (Rashidova) (8.574159)

The final volume of the 24 Études-Caprices by the internationally renowned virtuoso Émile Sauret, crowns one of the most impressive but seldom performed bodies of solo violin writing in the entire canon. In the last five Études, once again played by Nazrin Rashidova on Sauret’s own Stradivarius violin, the full range of his art can be heard, from double- and triple-stopping, to registral leaps, chordal and staccato techniques and exercises for absolute control of the bow. Of Volume 3 (8.573975) The Strad wrote: ‘Rashidova plays superbly’.




9

PROKOFIEV, S.: Symphonies Nos. 3 and 6 (German Radio Saarbrücken-Kaiserslautern Philharmonic, Inkinen) (SWR19086CD)




9

Piano Music (French) - BOULEZ, P. / DEBUSSY, C. / MESSIAEN, O. / RAVEL, M. (Rare French Piano Music) (van Raat) (8.573894)

This album of French piano rarities features seldom-heard and recently discovered works by composers who had an influence on Pierre Boulez, as well as the premiere recording of Boulez’s Prélude, Toccata et Scherzo. This large-scale early work looks back on virtuosic Romantic music, while at the same time exploring the new compositional styles that Boulez would subsequently embrace. Among the rarities is a posthumously discovered piano study by Debussy, a reconstructed birdsong work by Messiaen, and a tiny masterpiece by Ravel found in a notebook.




9

PETTIFORD, Oscar: Baden-Baden Karlsruhe (1958-1959) (JAH-419)




9

INDIA Sabri Family (The) (EUCD2904)




9

HAYDN, J.: Cello Concertos Nos. 1 and 2 (N. Clein, Recreation - Graz Grosses Orchester, Hofstetter) (OC1895)




9

HAYDN, J.: 6 Original Canzonettas, Books 1 and 2 / Lieder (Britain's Glory) (Horak, R. Fuller) (Gramola99212)




9

HARSÁNYI, T.: Piano Works (Complete), Vol. 2 (Koukl) (GP807)

The Hungarian-born composer Tibor Harsányi is now recognised as an important personality in ‘L’École de Paris’. He had a lifelong interest in modern dance, represented here by the Petite suite and Trois Pièces de danse, and he also embraced jazz, which was part of the Parisian atmosphere of the inter-war period, and other influences, while keeping the Central European rhythms and tonalities of his Hungarian origins. The Trois Pièces lyriques is a rare example of Harsányi expressing torment during the turbulent years of the Second World War.




9

HANDEL, G.F. / GLUCK, C.W.: Opera Arias for Soprano (Care Pupille) (Mariño, Halle Handel Festival Orchestra, Hofstetter) (C998201)




9

GYPSY Zingaros: Tango (EUCD2905)




9

FRANCK, C.: Psyché (version for choir and orchestra) / Le Chasseur maudit / Les Éolides (RCS Voices, Royal Scottish National Orchestra, Tingaud) (8.573955)

César Franck was a childhood prodigy who gained later renown as an organist and teacher. His compositions received scant attention until the success of Le Chasseur maudit, a symphonic morality tale that vividly portrays the ‘accursed huntsman’ from his defiance of the Sabbath to a dramatic chase and a horrific fate. Les Éolides is infused with Wagnerian colours and depicts the mythological Aeolids as they reawaken nature with their song. Franck’s lushly orchestrated final symphonic poem Psyché expresses the power of love in dreams and a passionate union.




9

Flute Music - CASTALDI, P. / COSMI, G. / DAVISMOON, S. / FANTICINI, F. / MORRICONE, E. / PROCK, S. / TACCANI, G.C. (Flute XXI) (Fabbriciani) (TC980090)




9

DAUGHERTY, M.: This Land Sings: Inspired by the Life and Times of Woody Guthrie (Socolofsky, J. Daugherty, Dogs of Desire, D.A. Miller) (8.559889)

In This Land Sings, GRAMMY Award-winning composer Michael Daugherty has created an original musical tribute to the singer-songwriter and political activist Woody Guthrie (1912–1967). Traveling the backroads of America from coast to coast with a guitar and harmonica, Woody Guthrie performed folk songs of love, wandering and social justice during the Great Depression and the Second World War. Daugherty has composed his own original songs and instrumental interludes that give haunting expression, ironic wit and contemporary relevance to political, social and environmental themes from Guthrie’s era. Under the baton of GRAMMY Award-winning conductor David Alan Miller, the Albany Symphony’s new music ensemble Dogs of Desire, joined by soprano Annika Socolofsky and baritone John Daugherty, give a poignant and rousing performance.