The post Earn Up to $600: Get Paid to Listen to Music appeared first on DailyBlogTips.com.

Event Begins: Wednesday, November 13, 2024 7:00pm
Location: Earl V. Moore Building
Organized By: School of Music, Theatre & Dance

Kristen Pellegrino, recipient of the 2024 Christopher Kendall Award from the SMTD Alumni Board, presents a guest lecture with support from the Department of Music Education.

Many researchers have found connections between (a) developing a strong teacher identity; (b) building connections among themselves, their subject, and their students; and (c) positively affecting student learning and teacher satisfaction/ resilience. I will briefly share how I became interested in studying music teacher identity and my process of reframing how to study it. Then, I will spend most of the session sharing what I have learned about college music education majors’ music teacher identity development, and public-school string teachers’ and music teachers’ experiences, beliefs, teaching practices, and identities.

KRISTEN PELLEGRINO, Professor of Music Education at the University of Texas at San Antonio and Past-President of American String Teachers Association, has 40 scholarly publications. In addition to international and national research journal articles and book chapters, Kristen was co-editor of two Oxford University Press books (2019, 2023). She is currently co-authoring a third book, Conway Publications’ *Journeys of Becoming and Being Music Teachers* (forthcoming, 2025). Pellegrino’s degrees are from the University of Michigan (Ph.D. in music education; M.M. in violin/chamber music performance) and the Eastman School of Music (B.M. in music education; B.M. in violin performance).

Event Begins: Wednesday, November 13, 2024 6:30pm
Location: East Quad 1511
Organized By: Maize Pages Student Organizations

Join us every Wednesday in East Quad 1511 from 6:30-7:30 for a fun evening of meditation with live musical accompaniment, breathing exercises, insightful discussions, and a free vegetarian dinner! Open to anyone, regardless of meditation experience! If you're looking for a place to relax and destress in the middle of your busy week, this club is for you! 

CTA is the best travel option to get around town. Customers can save money by purchasing an unlimited rides pass, either the 1-Day ($5) – far more economical and convenient than the price of gas and parking - or the 3-Day ($15) pass – a real budget-saving move.

Ticket scalping frustrates fans, but it fascinates economists. It's been a favorite topic of ours in the past. This time, Darian turns to friends and experts to navigate the world of concert tickets like an economist who is also a music fan. Then we find out just how big Adele is on vinyl. So big her latest album disrupted the whole market for vinyl, the material itself. | These stories come from our daily podcast The Indicator. Go subscribe if you haven't already.

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This episode, Micro-Face: The Musical. A full concert recording of a one-of-a-kind Planet Money superhero musical, taped during our recent live show at the Roulette Theater in Brooklyn, New York.

Here's more from our project We Buy A Superhero.

Subscribe to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.

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The Japanese band's discography is heavily inspired by the American rock of the '60s, but with their own distinctive twist.

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A new box set chronicles Elvis Presley's time in Grind City.

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World Cafe's new concert series highlights music from Louisiana's Cajun Country.

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Tune in to a mini-concert with Latin pop and hip hop group 2MX2, plus learn about the foundation cultivating Fort Collins' music scene.

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Hear a live performance from the young Cajun group Amis Du Teche as they perform songs from their latest self-titled album.

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The composition was performed at the “Prelude to Juneteenth Day Celebration” event held earlier this year at Royce Hall.

Compositions provide a soundtrack for the Cassini probe’s final plunge into planetToronto, ON –After centuries of looking with awe and wonder at the beauty of Saturn and its rings, we can now listen to them, thanks to the efforts of astrophysicists at the University of Toronto (U of T). “To celebrate the Grand Finale of […]

In the midst of ‘festival season’ in Toronto, The Cities Podcast features interviews with two artists deep in TO’s music scene. Izzy Ritchie, from Juno-winning group The Strumbellas, and music critic Ian Gormely explain how they made it as professionals in the industry — and describe the changes they hope to see in Toronto’s music […]

In this hour, storytellers have to face the music. This episode is hosted by Suzanne Rust. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.

Hosted by: Suzanne Rust

Storytellers:

EJR David

Mary Furlong Coomer

Karen Kibaara

Colin Channer

In this hour, Motown, hip hop, folk and pop. Stories of the indelible impact of music on both its creators and listeners. This hour is hosted by The Moth's Senior Director Jenifer Hixson. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.

Hosted by: Jenifer Hixon

Storytellers:

David Montgomery gets immersed in Spice World.

Cal Street describes her time as part of The Velvelettes.

Dawn Smith grows up in a cult that forbids music.

Jin Au-Yeung's lyricism connects him to Barack Obama.

Face The Music by Paul Wegner is a(n) Limited Edition. The Edition is Limited to n/a pcs

“(I’m Your) Heat Pump” is a soft, funky, R&B love song told from the perspective of a heat pump that depicts just what a heat pump can provide to its users.

In the summer months, scheduling music lessons flexibly is possible. How do you want to schedule your summer music lessons?

Recently, we asked, "What's one thing you wish you knew before starting your own private music studio?" Here are some of the comments we received.

We know from talking to hundreds of music teachers over the years that students' practicing habits are always a point of discussion. We've seen parents fall into a whole range of attitudes. Here are a few that we've seen.

Washington, D.C. -- In response to the announcement by the House Judiciary Committee that it will markup the American Music Fairness Act next week, the following statement can be attributed to NAB President and CEO Curtis LeGeyt:

Washington, D.C. -- In response to the House Judiciary Committee's markup of the American Music Fairness Act (AMFA), the following statement can be attributed to NAB CEO and President Curtis LeGeyt:

WASHINGTON, DC -- The National Association of Broadcasters Leadership Foundation (NABLF) today announced award-winning ABC News broadcaster Gio Benitez as the host of the 2023 Celebration of Service to America Awards. The ceremony, which honors broadcasters for their outstanding commitment to public service, will be held in Washington, D.C. on June 6 at The Anthem.

Recently I have felt the need to do something more at my concerts as far as music advocacy is concerned. I hate to just hit my audience over the head with it as I am not sure how effective that is, so I had an idea for this years Christmas Concert. I interviewed each of my music students (only those who wanted to) and then I put edited them all together into a video that I played on a big screen while parents were coming in before the concert ever started.

The parents really seemed to love seeing their kids via this medium and the kids loved being on the big screen. I did this for both my Junior and Senior High Schools. I think if I did it again I would make the videos shorter and maybe sneak in a few slides with music advocacy stats on them.

Check out the Spanish translation of this article here! We recently added Stephen Street‘s Urtext Edition of Bottesini’s Concerto di Bravura to our Sheet Music Store, prompting a common question: Why is Bottesini’s music written down an octave? The issue at hand is that Bottesini wrote all his solo bass music at sounding pitch rather […]

Disney World: Getting the new Tron roller coaster online is a matter of timing.

SeaWorld Orlando's Viva la Musica concert lineup include Melina Leon, Jon Secada, Grupo Mania, Rey Ruiz

Alphabeats, pioneers in mental and focus training by fusing music with neurofeedback technology, have teamed up with Muse to bring music-driven mental training to their consumer electroencephalogram (EEG) platform. This partnership lowers the price barrier to a wider spectrum of users, undercutting Alphabeat's current BrainBit headband setup

Carmen Pellicer organiza una red de solidaridad por toda España. "No es fácil sostener la solidaridad en el tiempo", admite Leer

“Instant gratification” isn’t a phrase typically associated with Bollywood’s methodical star Ayushmann Khurrana — except when he’s talking about live performance. Speaking with Variety ahead of his November U.S. tour with band Ayushmann Bhava, the actor-singer opens up about his return to American stages after an eight-year hiatus. “As an artiste, I always look forward […]

Dana Laake and her special guest Michael S. Tyrrell will discuss the benefits of therapeutic music for healthy sleep. Michael S. Tyrrell has dedicated over 4 decades to the study of music. Michael discovered specific…

The post Benefits of Therapeutic Music for Healthy Sleep first appeared on Federal News Network.

In a park amid Manhattan skyscrapers, a gem has emerged: a posh public bathroom complete with fresh flowers, imported tiles, classical music and artwork

The post No dump here: Posh public bathroom pops up, with music, art first appeared on Federal News Network.

Burundi’s musical greeting akazehe tries to resist modernisation

Keep the volume of your personal listening device at or below 60%

Location: Electronic Resource- 

Location: Electronic Resource- 

Music Pearls of Beth-Nahrin: An Assyrian / Syriac Discography

Assyrian arts, music events to raise funds, awareness of culture

King Sargon Inc. [Record Label | Music Production | Publishing | Promotion]

Randy Travis has released a new song, "Where That Came From," with the help of artificial intelligence. It's his first single since he had a stroke.

Sony Music Group is sending more than 700 letters to tech companies and music streaming services, calling on them to not use its music to train AI without authorization from the label.

Jones’s musical legacy—and devotion to his Seattle roots—carries on. by Alexa Peters

In 2017, during a performance from local garage-jazz quartet Industrial Revelation at Upstream Music Festival, I noticed a commotion near the stage as people huddled around the VIP seats. I stood on my toes and looked—Is that Quincy Jones?!

While Jones, the legendary musician, producer, and alumnus of Seattle’s Garfield High School, had given a keynote address earlier in the festival, I didn’t expect to see the mastermind behind Michael Jackson’s Thriller sitting amongst the crowd. But there he was, shaking hands, taking pictures with fans, and even sharing generously with a young musician who asked him about score orchestration. Then, it was my turn to thank him. He grasped my hand and grinned, wrapped in one of his iconic striped scarves.

On Sunday, Jones passed away at his home in Los Angeles. He was 91. Though it’s been many decades since he lived in Seattle, and he was only a resident from 1943 until 1951, Jones continuously nurtured his ties to the city over the course of his life and inspired generations of local musicians.

“Sometimes, in today's musical world, there can be a level of superficiality, and Quincy was the opposite of that,” says Riley Mulherkar, a graduate of Garfield High School and rising jazz trumpeter who released his acclaimed debut record earlier this year. “[He had] mastery of the form at a young age—and then he was able to take that into all sorts of musical situations, and literally change the world.” 

Jones was born on March 14, 1933, in Chicago. After a tumultuous early childhood with his mother, who had schizophrenia, Jones’s father, Quincy Jones Sr., moved Jones and his brother to Bremerton, Washington. When he was 12, Jones began playing trumpet at Bremerton’s Coontz Junior High. 

In 1947, after Jones’s father remarried, he moved his sons, his new wife, and her three children, to Seattle. Jones started at Garfield High School and quickly met fellow student Charlie Taylor, who played saxophone.

Taylor was one of the sons of Evelyn Bundy, a trailblazing Seattle jazzwoman who formed one of the city’s first jazz bands in the 1920s. At Garfield, Taylor was ready to put together his own group. He invited Jones to become a member of his band, and Jones agreed, joining a cast of elite musicians at Garfield including Oscar Holden Jr. and Grace Holden, two children of pianist and Seattle jazz scene patriarch Oscar Holden.

After their first few gigs as the Charlie Taylor Band, Bumps Blackwell, a bandleader, songwriter, arranger, and record producer (who would go on to mentor Ray Charles, Ernestine Anderson, and Sam Cooke, among others), offered to manage them as the Bumps Blackwell Junior Band.

As Paul de Barros notes in his book Jackson Street After Hours: The Roots of Jazz in Seattle, the Bumps Blackwell Junior Band was a “focal point” in people’s memories of Jackson Street, which was home to a bustling jazz scene in the years around World War II until 1960. 

The time in the band was influential for Jones, too. Jones got to perform frequently, including opening for Nat King Cole at Civic Auditorium, and the group allowed him to befriend other notable musicians who worked on Jackson Street at the time, like Ray Charles or “R.C.”, who first taught Jones about arranging.

Jones left Seattle in 1951 to attend Berklee School of Music. He soon dropped out to tour with Lionel Hampton’s orchestra and eventually form his own band. From there, Jones’s career is one milestone after another. 

Some highlights from Jones’s career include working as musical director, arranger, and trumpeter in trumpeter Dizzy Gillespie’s band, becoming the first African American vice president at Mercury Records in 1964, composing film scores for dozens of films, composing for iconic TV shows including Roots, and serving as producer and arranger for top-tier talent including, of course, Michael Jackson. 

Jones also founded Quincy Jones Productions, an all-encompassing media and artist management company that helped jumpstart the careers of artists like Jacob Collier.

With all his accomplishments and fame, Seattle organizations have bestowed Jones with various honors, including Lifetime Achievement Awards from both the Northwest African American Museum and the Seattle International Film Festival. Likewise, Jones kept up his connection to the Emerald City, often supporting the local music scene and returning home for visits. 

As far back as 1959, when Jones was hired to form his own band, he hired musicians from Seattle he admired, including pianist Patti Bown, trumpeter Floyd Standifer, and one of his lifelong friends, bassist Buddy Catlett. 

Upon Catlett’s death in 2014, Jones tributed his “brother and bandmate” on Facebook, calling him “one of the greatest bass players to ever take the stage. From Charlie Taylor's and Bumps Blackwell's bands when we were starting out in Seattle to my Free and Easy tour of Europe, we traveled the world playing the music we love.”

Jones has stayed especially linked with Garfield High School. In 2008, when Garfield High School decided to name their freshly renovated performing arts center after Jones, he flew in for the dedication ceremony. As recently as last year, Jones donated $50,000 to Seattle’s Washington Middle School, which feeds into Garfield High School, to help keep their jazz program alive. 

“Today, I had the pleasure of visiting my old school in Seattle, Garfield High, and man did it bring back some memories!!,” Jones wrote in a 2017 Facebook post. “I can't believe it’s been 70 years since I walked these halls as a student...Moving to Seattle forever changed me for the better...and finding music here showed me that I could be more than a statistic...”

Mulherkar, like Jones, found music at Garfield High School, where Jones is now embedded into the lore of the school.

In 2009, as a high school junior playing trumpet in Garfield’s jazz band, Mulherkar had the chance to meet and work with Jones when the legendary producer came into their rehearsal. He conducted the students in a couple songs, including a swingin’ Jones original and one of Mulherkar’s favorites called “Stockholm Sweetnin’.”

“It was hard to even wrap our minds around, because there's Quincy Jones, the celebrity,” said Mulherkar. “It felt so special to have this personal connection to the man, as a Garfield student, as a trumpet player, and [as] someone who wanted to make my life in the music.”

Mulherkar, who now lives in New York, still finds it special that the beginnings of his career were so touched by the icon.

“As a jazz musician from Seattle who went to Garfield… I love that he was able to make such a tremendous impact starting from a place that, for me, is so relatable,” said Mulherkar.

Through Garfield students like Mulherkar, and the countless other artists Jones mentored as a producer and music executive, Jones’s musical legacy—and devotion to his Seattle roots—carries on. 

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