Radhika Madan was heartbroken when Angrezi Medium — a film that she had dedicated the past four months to — ran in theatres for only a day, before the shutdown of cinemas came into effect from March 14. But good things come to those who wait. The Irrfan-starrer was recently released on Disney+Hotstar and has been winning viewers' hearts.

"I feel the movie is getting its due finally," says the actor, relieved that their labour of love has reached the audience. Though producer Dinesh Vijan initially toyed with the idea of releasing the comedy again after the situation returns to normalcy, the makers did a rethink. "We understood that the pandemic and its repercussions were far bigger than our individual interests. As a team, we reflected that we had made the film because we wanted to share the story and make people smile. So, it didn't make sense to delay the digital release. We did not want to wait and re-release the movie because there [is a backlog of] too many films."

Madan believes that viewers are able to identify with the father-daughter story more strongly today because the current scenario has made them value their relationships more than ever before. "People have written to me about the scenes they liked in the film. It was adorable to see fathers and daughters watching the film together and bonding over it. People are re-evaluating their priorities because of the lockdown. Now that I am away from my parents, I value them so much more, and the film highlights that emotion."

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Radhika Madan, who played the role of Irrfan Khan's daughter in his last release Angrezi Medium, remembers the actor as a "fighter". "I don't know what to say. My heart aches when I write this. He was one the strongest people I knew, a fighter. And so are (Irrfan's wife) Sutapa ma'am, (his sons) Babil and Ayan," Radhika said.

"I am just grateful that our paths crossed in this lifetime. He is and will always be an inspiration to many. A legend. The man who changed the wave of the Indian film industry. May his soul rest in peace," she added in her statement.

Radhika was the last actress in Bollywood to share extensive screen space with the late talented actor in Homi Adajania's comedy, Angrezi Medium. The film centred on a father-daughter story, narrating the desperate bid of a smalltown father to fulfil his daughter's dream of education in a top UK university against all odds, often leading to hilarious outcome.

Irrfan had been admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection and was in the intensive care unit (ICU), as reported by IANS in an earlier report on Tuesday. The actor has been ailing ever since he was diagnosed with neuroendocrine tumour a while back, and has been under medical attention for the same.

In his last days, Irrfan was mourning the loss of his mother. The actor's mother Saeeda Begum breathed her last on Saturday in Jaipur where she used to stay. However, owing to the ongoing lockdown, the actor could not physically attend his mother's last rites and reportedly paid his last respect through video conferencing.

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Pakistani actor Saba Qamar, who starred opposite Irrfan Khan in 2017's "Hindi Medium", said she is at loss of words with the untimely demise of her co-star. The 53-year-old actor lost his battle with a rare form of cancer and died in a Mumbai hospital on Wednesday.

He was buried at the Versova graveyard in the afternoon. Saba said she does hope things were better between India and Pakistan as she wants to meet Irrfan's wife Sutapa and their two sons Babil and Ayaan. "I'm numb today. I still cannot accept the loss of a brilliant co-actor Irrfan. I really am at a loss for words. It's very heart wrenching for me to say rest in peace Irrfan. "I really hope things were better between our countries and I could go see his family but my heartfelt condolences to his family," Saba told PTI.

 

 

 

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Deeply disturbed to hear about the passing of Irrfan Khan. I still can’t absorb the news. It feels like yesterday coming back from the sets of Hindi Medium. You taught me a lot as an actor and a mentor. It is indeed a huge loss to the cinema world. Such a brilliant actor gone too soon. You left a huge irreplaceable void in Cinema Irfan. My heartfelt condolences to his family. May Allah give them strength to bear this loss. RIP Raj 💔 Yours Only, Meeta. 🌸

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She said Irrfan's death is a huge loss to world cinema. "We lost a gem today. It's a huge loss to the cinema world and I hope we become able to bear that," she said. "Hindi Medium"', directed by Saket Chaudhary, marked Saba's debut in Bollywood. She received critical acclaim for her portrayal of a nouveau riche in the 2017 comedy drama. The actor had also paid tribute to Irrfan on Twitter. "Deeply disturbed to hear about the passing of Irrfan Khan. It feels like yesterday coming back from the sets of 'Hindi Medium'. You taught me a lot as an actor and a mentor. Such a brilliant actor gone too soon. I'm at a loss for words. RIP Raj Yours Only, Meeta #IrrfanKhan" she had posted.

Meanwhile, many other actors from Pakistan have also condoled Irrfan's sudden demise. Pakistani actor Imran? Abbas, who was seen in a cameo appearance in Karan Johar's "Ae Dil Hai Mushkil:, said art has no boundaries and he can feel the pain of his sudden demise. "Rest in peace the legend Irfan Khan!! You will surely be missed forever¿Since art has no boundaries, we can feel the pain and are equally grieved by your sudden demise...May Allah bless the departed soul. Undoubtedly, we all belong to Allah all mighty and have to return to HIM," he tweeted. Pakistani singer and actor Ali Zafar, who has acted in quite a few Bollywood films such as "Tere Bin Laden", "Mere Brother Ki Dulhan" and "Dear Zindagi", posted, "RIP #IrrfanKhan. You were inspirational and unparalleled." Pakistani actor Sajal Ali wrote, "Shocked and sad. What a brilliant actor he was! Rest In Peace #IrrfanKhan."

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While competition in Bollywood has always been cutthroat, there have been a few exceptions, who with their A-game have managed to rule the roost in the entertainment world. And ever since actress Radhika Madan stepped on board in Bollywood there has truly been no looking back for her. In fact, in very little time the actress has garnered immense popularity, thanks to her amazing performances. Now while Radhika continues her victory march, we bring you 3 reasons why she is Bollywood’s next blue-eyed girl.

1) She made it without a godfather in the industry

Radhika is amongst those few who ventured into the movies on their own terms. Yes, the Mard Ko Dard Nahi Hota actress stepped into the industry with a guiding force or a godfather and yet has managed to do so well for herself. And while she also fought her detractors all alone, her earnest approach and efforts are what brought her all the name and fame.

2) She has played 3 unique roles

Very few get opportunities like Radhika did, right from her debut the actress has only landed in roles which made her standout. While all her roles in Pataakha, Mard Ko Dard Nahi Hota and Angrezi Medium have been quite different, they have also been quite complex, but Radhika has pulled them off quite effortless. With all her roles she has truly proven that she is a versatile actress we all need to watch out for.

3) She has been a director’s favourite

With amazing performances to her credit, the Angrezi Medium actress has been making her way to every director’s wishlist. While so far she has been working with the best of filmmakers, namely, Vasan Bala, Vishal Bhardwaj and Homi Adajania, we are sure that Radhika is going to be working with a lot more movie mavericks in the future.

While Radhika is rising to greater heights with every film, the actress is going to charm us next with her performance in Shiddat.

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13/03/2020

Education-based films might not seem like profitable ventures but over the past few years, several such films have tasted enormous success like SUPER 30 [2019], CHHICHHORE [2019] and HICHKI [2018]. And the film that started this trend in recent times was HINDI MEDIUM [2017]. The film was a runaway success thanks to its message, realism, humour and performances. And now producer Dinesh Vijan is back with a second part of this franchise, titled ANGREZI MEDIUM. The film has been awaited keenly mainly because it’s a comeback of sorts for Irrfan Khan, after he was diagnosed with a neuroendocrine tumour. So does ANGREZI MEDIUM manage to entertain and impress as much as HINDI MEDIUM? Or does it fail to impress? Let’s analyse. <img class="aligncenter size-full wp-image-1082858" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/03/Angrezi-Medium-Review-1.jpg" alt="" width="720" height="450" /> ANGREZI MEDIUM is the story of unconditional love between a father and daughter. Champak (Irrfan Khan) is a single parent of Tarika (Radhika Madan) and is based in Udaipur. His brother is Gopi (Deepak Dobriyal) and though both have lot of love for each other, they are also involved in a legal tussle. Both run a shop named Ghasiteram Sweets and both claim to be the original shop running since generations. The matter reaches court where Justice Chheda (Zakir Hussain) gives a verdict in favour of Gopi. In a drunken state, Gopi later reveals that he bribed the judge which is why he won the case. Gajju (Kiku Sharda), a friend of the brothers, records this statement. Tarika, meanwhile, is an average student and wishes to win the scholarship offered by her school that will take her to London. She works quite hard and manages to get 85% and it makes her eligible for UK scholarship. A felicitation ceremony is held for this occasion. The chief guest here is none other than Justice Chheda. Champak, in anger, informs the crowd of the nefarious activities of Chheda, not realising that Chheda is the husband of the Principal of the school (Meghna Malik). The Principal, in anger, cancels Tarika's scholarship. Champak promises Tarika that come what may, he’ll get her admission done, that too in the college of her choice in London. Sadly, Tarika fails to get the admission from other quotas. Gopi suggests Champak that they contact Bablu (Ranvir Shorey), their childhood friend who is settled in London. Bablu comes to Udaipur on a plane ticket sponsored by Champak. He tells Champak that he can help him get British citizenship after which Tarika can get admission easily. Champak, Gopi and Tarika reach London airport. Here, Champak and Gopi are mistaken for drug dealers. They are deported back to India while Tarika is stranded in London. What happens next forms the rest of the film. Bhavesh Mandalia, Gaurav Shukla, Vinay Chhawall and Sara Bodinar's story sounds interesting on paper. Their screenplay, however, doesn’t live up to the expectations. While the writers get the father-daughter bond right, the other tracks aren’t convincing and arguably, not even necessary. Bhavesh Mandalia, Gaurav Shukla, Vinay Chhawall and Sara Bodinar's dialogues are decent and a few one-liners are witty. Homi Adajania's direction is decent. He gets brownie points for the scenes involving Champak and Gopi as these scenes and their performances elevate the impact. Also the scenes of Champak and Tarika at some places will be loved. The Indian audiences, especially the middle aged and senior citizens, would connect with the message of children often leaving them after turning adults. On the flipside, the film has too many subplots that are difficult to digest. Audiences will find it strange that Champak and Gopi are business rivals and even fighting it out in the court. But at the same time, they even drink and hang out together like best of buddies. Not just that, Gopi doesn’t even mind when Champak leaks his video where the latter brags that he bribed the judge! The manner in which Champak and Gopi get deported over a misunderstanding seems stupid. Tarika, meanwhile, gets settled in London and finds a job and house, even before her admission is done. She doesn’t ask Champak even once how they’ll manage to procure funds. Also the track of Naina and her mother Mrs. Kohli (Dimple Kapadia) seem totally unwanted. Audiences never come to know why they are at loggerheads. ANGREZI MEDIUM starts on an average note, depicting the life of Champak and Tarika, and also the feud between Champak and Gopi. The latter part seems bewildering though as their love-hate relationship. A few scenes here stand out like a drunken Tarika accusing Champak of being intoxicated, the madness at the court and at the school ceremony. The father-daughter bond touches viewers. The intermission point is unconvincing. Post-interval, the film drops at places thanks to too many confusing developments and too many subplots. Thankfully, a few genuinely novel moments stand out here like Tarika turning her T-shirt into a crop top to fit in among her new London friends, Gopi tying Champak to his bed and Champak and Gopi rescuing Mrs. Kohli and later singing Happy Birthday song for her. Also the finale might leave viewers teary eyed. <span style="text-decoration: underline;"><strong>Angrezi Medium | Public Review | Irrfan Khan, Kareena Kapoor Khan, Radhika Madan | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/angrezi-medium-public-review-irrfan-khan-kareena-kapoor-khan-radhika-madan-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Talking of performances, Irrfan Khan delivers a top-notch performance. He seems completely in form and ensures that he makes audiences laugh and moist eyed. Deepak Dobriyal too is superb and his chemistry with Irrfan saves the film to a huge extent. Radhika Madan has a fine screen presence and gives a fine performance. Her dialogue delivery, however, is difficult to comprehend at few places. Kareena Kapoor Khan looks great but is underutilised and same goes for Dimple Kapadia. Ranvir Shorey gets some scope in the second half and excels. Pankaj Tripathi (Tony) tries too hard but manages to raise laughs. Kiku Sharda is dependable. Zakir Hussain, Meghna Malik, Manu Rishi (Bheluram), Ankit Bisht (Anmol) and Manish Gandhi (Advait) are fine. Tillotama Shome (Counsellor) leaves a mark and deserved more screen time. Sachin-Jigar's music is disappointing. <em>'Ek</em> <em>Zindagi'</em> works well as per the situation. The rest of the songs are forgettable. Sachin-Jigar's background score is however quite better. Anil Mehta's cinematography is appropriate. Smriti Chauhan's costumes are real and the transformation of Radhika once she moves to London is effective. Bindiya Chhabria's production design is quite good. A Sreekar Prasad's editing is nothing great and suffers because of loopholes in the script. On the whole, ANGREZI MEDIUM works only because of Irrfan Khan and Deepak Dobriyal's chemistry and also due to some touching moments. At the box office, HINDI MEDIUM’s goodwill and Irrfan's comeback will ensure decent footfalls for the movie over the weekend.

These graphs offer a brief summary of the commodity trade situation in the country.

These graphs offer a brief summary of the commodity trade situation in the country.

These graphs offer a brief summary of the commodity trade situation in the country.

These graphs offer a brief summary of the commodity trade situation in the country.

SMEs form the vast majority of businesses in most countries and contribute strongly to employment and economic growth, but they face particular challenges, particularly as concerns access to finance. Governments have a range of policy levers, including tax policies, that can and should be used to support the growth and development of SMEs, according to a new OECD report.

Exports (Bop) - Medium&Heavy Trucks, Buses&Other Motor Vehicles in Canada decreased to 497.40 CAD Million in March from 544.70 CAD Million in February of 2020. Exports (Bop) - Medium&Heavy Trucks, Buses&Other M in Canada averaged 341.06 CAD Million from 1988 until 2020, reaching an all time high of 776.40 CAD Million in May of 1999 and a record low of 105.70 CAD Million in August of 1992. This page includes a chart with historical data for Canada Exports of (bop) - Medium&heavy Trucks, Buses&oth.

These graphs offer a brief summary of the commodity trade situation in the country.

While the outlook for many OECD countries remains subdued, Emerging Asia is set for healthy growth over the medium term. Annual GDP growth for the ASEAN -10, China and India is forecast to average 6.5% over 2015-19. Growth momentum remains robust in the 10 ASEAN countries, with economic growth averaging 5.6% over 2015-19.

These graphs offer a brief summary of the commodity trade situation in the country.

This paper describes and provides guidance on policy and practice relating to financial education for MSMEs and potential entrepreneurs in Asia, with a particular focus on Indonesia.

This paper aims at identifying which countries and regions in the world might face structural overcapacities or capacity shortfalls in the automobile industry in the near future.

While the outlook for many OECD countries remains subdued, Emerging Asia is set for healthy growth over the medium term. Annual GDP growth for the ASEAN -10, China and India is forecast to average 6.5% over 2015-19. Growth momentum remains robust in the 10 ASEAN countries, with economic growth averaging 5.6% over 2015-19.

Structural transformation towards a more knowledge-based economy will strengthen Spain’s medium-term growth prospects. To deal with long standing impediments to higher growth the government has a substantial structural reform programme touching on education, the labour market and the business environment.

The world economy has picked up momentum, as expanding investment, employment and trade support synchronised growth across most countries, according to the OECD’s latest Interim Economic Outlook.

These graphs offer a brief summary of the commodity trade situation in the country.

While the outlook for many OECD countries remains subdued, Emerging Asia is set for healthy growth over the medium term. Annual GDP growth for the ASEAN -10, China and India is forecast to average 6.5% over 2015-19. Growth momentum remains robust in the 10 ASEAN countries, with economic growth averaging 5.6% over 2015-19.

Artificial intelligence could become very real in the world of business. But funding needs to be corrected first for medium-sized firms, where millions of jobs are at stake.

China One-Year Medium-Term Lending Facility Rate was at 2.95 percent on Friday May 8. Bank Lending Rate in China averaged 3.19 percent from 2016 until 2020, reaching an all time high of 3.30 percent in April of 2018 and a record low of 2.95 percent in April of 2020. In China, the One-Year Medium-Term Lending Facility Rate is the main rate at which the central bank lends to big commercial banks. The MLF rate acts as a guide for the PBOC’s new lending benchmark, the Loan Prime Rate (LPR). This page provides - China Prime Lending Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

A 'prayer session' was conducted on Monday in Malaysia last week less than 24 hours before the body of the teenager, who had suffered physical and mental disabilities since birth, was found.

Foggy conditions were witnessed on Thursday morning. In Himachal Pradesh, biting cold wave conditions swept the hills as minimum temperatures dropped due to snowfall and rain.

A government panel supports freeing Doordarshan and AIR from having to run socially relevant programming. But what else is public broadcasting for, asks Ammu Joseph, pointing out that all over the world there is growing awareness of the need to keep media honest in serving the public interest.

Cinema and Censorship - The Politics of Control in India is a landmark in the world of books on Indian cinema on the one hand, and on the politics of control on the other, writes Shoma Chatterji.

The Assembly elections saw the culture of 'coverage packages' explode across Maharashtra. In many cases, a candidate just had to pay for almost any coverage at all. P Sainath reports.

The bank is looking at the short term now - the next two or three quarters, a senior SBI official said on condition of anonymity.

Irrfan, despite a difficult phase of illness just before the film’s shooting began, puts forward a stellar performance, absolutely convincing as the loving father.

Our very own #Irrfan has finally made a dhamaakedaar comeback with #AngreziMedium. A film, in which he does an impossible task of sending his daughter abroad for further studies. But does this film hold up to the hype? Is it better than the prequel 'Hindi Medium'? Does it deserve your time in these #lockdown days? Watch this hilariously honest review to find out.

Hayden Library - PN1995.9.F36 F365 2018

Hayden Library - PN1995.A43 2018

Online Resource

The Angrezi Medium trailer is unimpressive, but Irrfan is a treat to watch, feels Moumita Bhattacharjee.

All you wanted to know about Angrezi Medium.

Cinema halls have been ordered to shut down in many cities after the COVID-19 scare, so films are being screened only at a limited number of cinemas.

Belting, Hans, author

McMullan, John, author

Australia. Parliament. Joint Standing Committee on Foreign Affairs, Defence and Trade, author, issuing body

A plastics hobbyist shares how he makes tiny model trains.