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Wind Concertos - BOTTI, S. / TURNER, J.L. / GRYC, S.M. (Heavy Weather) (Koffman, Mendoker, M. Goldberg, Hartt Wind Ensemble, Adsit) (8.574087)

The Hartt School Wind Ensemble presents recent concertante works by three contemporary American composers—demonstrating once more the versatility of the ensemble, heard here in conjunction with soloists. Susan Botti’s sull’ala is inspired by flight, expressed in rhythm, harmony and texture, while Jess Langston Turner describes powerful meteorological phenomena in Heavy Weather. In Guignol, Stephen Michael Gryc conjures witty banter and frenetic action from his puppet hero.




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MAYR, J.S.: Mass in E-Flat Major (Szczepańska, Krödel, M. Schäfer, Ochoa, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.574057)

Mayr’s great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with its clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr’s imposing, tonally consonant and expressive setting can be heard in all its grandeur and eloquence. With its striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.




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Guitar Recital: Park, Ji Hyung - ALBÉNIZ, I. / BROUWER, L. / CASTELNUOVO-TEDESCO, M. / SCARLATTI, D. / TAKEMITSU, Toru / THIELEMANS, T. (8.574140)

Ji Hyung Park has won numerous prestigious competitions, with the 7th Changsha International Guitar Competition in 2018 his most recent triumph. The diverse selection of music performed in this programme features three virtuoso sonatas by Scarlatti, the world premiere recording of Leo Brouwer’s evocation of ancient Greek culture Las Cíclades arcaicas, Castelnuovo-Tedesco’s Sonata ‘Omaggio a Boccherini’ in its original, pre-Segovia manuscript form, Takemitsu’s final work In the Woods and rare selections from Albéniz’s masterpiece Iberia. The programme ends with a colourful arrangement of Toots Thielemans’ gorgeous Bluesette.




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FARRENC, L.: Symphony No. 1 / Overtures Nos. 1-2 / Grand Variations on a theme by Count Gallenberg (J. Muller, Solistes Européens, Luxembourg, König) (8.574094)

Louise Farrenc was renowned in her lifetime as a pianist, composer and teacher, but it is only recently that her compositions have emerged from many years of neglect. Symphony No. 1 in C minor—cast in the German tradition—is an exceptionally accomplished work, finely orchestrated, lyrical and fiery, and a substantial contribution to the canon. The Grand Variations on a Theme by Count Gallenberg is a showcase for virtuosic elegance, and the two overtures demonstrate real theatrical drama—Overture No. 2 was admired by no less a figure than Hector Berlioz.




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ZÁDOR, E.: Sinfonia Technica / Music for Clarinet and Strings / Trombone Concerto (Sólyomi, Fejér, Budapest Symphony Orchestra MÁV, Smolij) (8.574108)

The music of Eugene Zádor is both warmly expressive and colourful. The composer took great delight in writing for overlooked solo instruments, as his Trombone Concerto, garnished with elements of Hungarian folklore, clearly shows. The easy-going, gypsy-influenced Music for Clarinet and Strings is a beautifully proportioned quasi-concerto. The Sinfonia Technica, composed much earlier when he was living in Vienna, and something of a one-off, is an enchanting and exuberantly orchestrated example of ‘industrial music’.




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WEINBERG, M.: Clarinet Music - Clarinet Concerto / Clarinet Sonata / Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) (8.574192)

Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet.




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STRAUSS II, J.: Blindekuh [Operetta] (R. Davidson, Kunkle, Bortolotti, Sofia Philharmonic Chorus and Orchestra, Salvi) (8.660434-35)

Blindekuh (‘Blind Man’s Buff’) was Johann Strauss II’s sixth operetta and his least known. Neglected for well over a century, it was revived by Dario Salvi and the forces on this album in January 2019. The work’s initial lack of success is hard to explain but it may have been caused by a confusing libretto—the music itself is vibrant and captivating with waltzes, polkas, mazurkas, marches and bel canto arias. Performed in a concert version without dialogue, and in accordance with performing traditions, this production restores the work to the status of one of Strauss’s most melodically seductive works.




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JOLIVET, A.: Flute Works (Complete), Vol. 2 (Boulègue, Tulliez, L. Warnier, Gimeno) (8.574079)

In this second volume of André Jolivet’s complete works for flute (Volume 1 is on 8.573885), Kobe International Flute Competition winner Hélène Boulègue explores further examples of some of the most individual and important of all 20th-century works for the instrument. The Flute Concerto No. 1 exemplifies Jolivet’s genius for liquid melodic lines and frenetic bravura. The intricately scored Suite en concert for flute and four percussionists is one of the most fascinating in the repertoire, whilst the Sonatine is both trance-like and rhapsodic.




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BEETHOVEN, L. van: Cantata on the Death of Emperor Joseph II / Cantata on the Accession of Leopold II (Chorus Cathedralis Aboensis, Segerstam) (8.574077)

By the time of Emperor Joseph II’s death in 1790 Beethoven was a member of the court musical establishment in Bonn. To mark the occasion, Beethoven was commissioned to write two cantatas, one to mourn Joseph’s death and the other to celebrate the accession to the throne of Emperor Leopold II. Although Beethoven was only 19 years old at the time, both works show the embryonic marks of his greatness: intense expression and control of structure in one, and an almost operatic panache in the other. Neither piece was performed during Beethoven’s lifetime.




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JAMES, H.: Roderick Hudson (Unabridged) (NA0404)

Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin’s garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy’s great masters, while Rowland lives vicariously through Roderick, patiently hoping that the artist’s fiancée, Mary Garland, might one day share his feelings.




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MUIR, J.: Yosemite (The) (Unabridged) (NA0410)

For two years Scots-born John Muir lived in a small cabin along the Yosemite creek, observing the valley’s natural beauty and reading Emerson under the stars. The experience forged a lifelong affinity with the site, which would result in its establishment as a national park in 1890. Originally written as a guidebook to the park, The Yosemite describes every aspect of wildlife and landscape that one might encounter there. In exuberant and reverent language, Muir presents its scaling peaks, winding rivers and thunderous creeks, and gives observations on nearly every plant, animal, and geological feature. With childlike awe he rides in avalanches, rushes to witness floods, and climbs rocks under waterfalls. The Yosemite is Muir’s ode to nature and the magnificence of the outdoors.




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JAMES, H.: Beast in the Jungle (The) (Unabridged) (NA0416)

Bachelor John Marcher is haunted by the premonition that something terrible lies in store for him, like a ‘beast in the jungle’ lying in wait. So he spends his life in idleness, unable to carry out his dreams or desires, while his friend May Bartram, curious to see how this spectacular fate will manifest, helps watch out for the arrival of the beast. The two develop a strong platonic relationship, stoked by this mystery, and gradually the best years of their life roll by, unfulfilled—lost to John’s dread and fear of the unknown. Written soon after The Wings of the Dove, The Beast in the Jungle is a haunting story of crippling obsession and a life unlived.




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Sounds Interesting. A witty ditty (Jan 03, 2020)

This podcast from the Naxos Sounds Interesting series highlights some humorous lines from the pens of the past masters. The presenter is Richard Kennedy. Listen to the podcast




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Podcast: Write It – Reflections on Sanctuary Road (Jan 10, 2020)

MORAVEC, P.: Sanctuary Road Laquita Mitchell, Raehann Bryce-Davis, Joshua Blue, Malcolm J. Merriweather, Dashon Burton, Oratorio Society of New York, Kent Tritle 8.559884 WQXR radio host Terrance McKnight introduces the world premiere recording of an oratorio by composer Paul Moravec and librettist Mark Campbell. It’s a deeply moving tribute to the men and women of the Underground Railroad and to one heroic man in ...more




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Podcast: Nino Rota’s works for solo piano. A magical melting pot. (Jan 17, 2020)

ROTA, N.: Piano Solo Works (Complete), Vol. 1 Eleanor Hodgkinson GP827 Raymond Bisha introduces this new release from the Grand Piano label. It’s the opening volume in what is to be the first complete series of recordings of Nino Rota’s works for solo piano, performed by Eleanor Hodgkinson. Nino Rota embraced neo-Classical, neo-Romantic and even neo-Baroque affiliations. His music prized melodic directness ...more




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In the Studio with Kenneth Fuchs and the United States Coast Guard Band (Jan 18, 2020)

Kenneth Fuchs, the GRAMMY Award-winning American composer, is no stranger to followers of our burgeoning American Classics Series, in which he is represented by six fine releases, including the GRAMMY-winning album with “Spiritualist” piano concerto from last year’s award ceremony. His next recording, a programme of music for wind band, will be available in August 2020. As part of the preparations for that release, Kenneth has been working on a couple of video pre ...more




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From the Naxos Blog: I can zing a rainbow (Jan 24, 2020)

I never tire of listening to the voice of Peggy Lee (1920-2002), the American jazz and popular music singer who was also a songwriter, composer and actress. And with an active career that spanned some six decades, it seems I’m not the only one in her fan club. Her unique vocal timbre was apposite to one of her hits, Sing a Rainbow. I wondered if the Naxos catalogue could similarly zing a rainbow and turn up an interesting collage of pieces reflecting the individual c ...more




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SUK, J.: Asrael (Bavarian Radio Symphony, Hruša) (900188)

Review by Richard Whitehouse
Gramophone, May 2020




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Piano Recital: Gulda, Friedrich - BEETHOVEN, L. van / BACH, J.S. / SCHUBERT, F. / COUPERIN, F. (The Stuttgart Solo Recitals) (1966-1979) (SWR19081CD)

International Piano, May 2020

View PDF  




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Piano Concertos - MOZART, W.A. / BEETHOVEN, L. van / HAYDN, J. (Gulda, Keilberth, Müller-Kray, Rosbaud) (1959-1962) (SWR19088CD)

International Piano, May 2020

View PDF  




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NIELSEN, C.: Flute Concerto / IBERT, J.: Flute Concerto / ARNOLD, M.: Flute Concerto No. 1 (Andrada, Frankfurt Radio Symphony, J. Martín) (ODE1340-2)

Review by Christian Hoskins
Gramophone, May 2020




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KÕRVITS, T.: Hymns to the Nordic Lights / Silent Songs / Élégies of Thule (Vind, Estonian National Symphony, Joost) (ODE1349-2)

Review by Ivan Moody
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (Blu-ray, HD) (NBD0105V)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (Blu-ray, HD) (NBD0105V)




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SHAKESPEARE, W.: Romeo and Juliet (Royal Shakespeare Company, 2018) (NTSC) (OA1291D)




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SHAKESPEARE, W.: Shakespeare Trilogy - Julius Caesar / Henry IV / The Tempest (Donmar Warehouse, 2016) (4-DVD Box Set) (NTSC) (OA1297BD)




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BENJAMIN, G.: Written on Skin / Lessons in Love and Violence [Operas] (Royal Opera House, 2013-2018) (NTSC) (OA1309BD)




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BENJAMIN, G.: Written on Skin / Lessons in Love and Violence [Operas] (Royal Opera House, 2013-2018) (Blu-ray, HD) (OABD7271BD)




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Vocal Recital (Soprano): Ramos, Melba - TURINA, J. / GRANADOS, E. / MOMPOU, F. / OBRADORS, F. / GARCÍA ABRIL, A. (C3008)




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LABOR, J.: Piano Quintet / Piano Quartet (Karmon, Sachse, Grimm, De Groot, Triendl) (C5390)




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ZEMLINSKY, A. von: Traumgörge (Der) [Opera] (Protschka, P. Coburn, J. Martin, H. Welker, Frankfurt Radio Symphony, G. Albrecht) (C5395)




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ABERT, J.J.: Ekkehard [Opera] (Kaufmann, Gerhaher, Ingen, H. Böhm, South West German Radio Kaiserslautern Orchestra, Falk) (C5392)




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Vocal and Piano Recital: Miedl, Christian / Springer, Jendrik - PFITZNER, H. / SIRODEAU, C. / LOEWE, C. / RIHM, W. / LISZT, F. (Songs of the Night) (C3009)




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Violin and Cello Recital: Gringolts, Ilya / Kouzov, Dmitry - EISLER, H. / RAVEL, M. / WIDMANN, J. (Duos) (DE3556)




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Violin Recital: Wohn, Dawn - ESMAIL, R. / ZWILICH, E.T. / KAPRÁLOVÁ, V. / KANG, Jung Sun / PRICE, F. / BOULANGER, L. / BEACH, A. (Perspectives) (DE3547)




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Opera Arias (Soprano): Bayrakdarian, Isabel - HASSE, J.A. / VIVALDI, A. / GLUCK, C.W. (The Other Cleopatra - Queen of Armenia) (DE3591)




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Tien tips voor coronacampagnes gericht op jongeren

Hoewel jongeren weer naar school en sport mogen, blijven de coronavirusrichtlijnen ook voor hen van groot belang. Ze lijken weliswaar minder vatbaar voor het coronavirus, maar kunnen wel anderen besmetten. Maar hoe overtuig je tieners van nut en noodzaak van de beleidsmaatregelen en hoe bevorder je het gedrag dat de besmettingscurve zou moeten afvlakken?




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Zo maak jij van de telefoon een modern marketingkanaal #spon

Online marketeers sturen op conversie data maar vaak ontbreekt hierin een belangrijk kanaal. En dit kanaal is telefonie. Marketeers steken veel geld en energie in het meten en optimaliseren van online campagnes. Zij sturen op KPI’s en ROAS zodat zij precies weten wat elke geïnvesteerde euro oplevert. Maar op het moment dat de telefoon overgaat, tasten veel marketeers in het duister. Dat betekent dat essentiële conversie data ontbreekt bij het optimaliseren van campagnes. Lees verder om erachter te komen hoe je met call tracking je telefonische conversies inzichtelijk krijgt en zo je campagnes kunt optimaliseren op basis van volledige data.




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Blended onderwijs, maar in welke verhouding?

De vraag of we na de crisis wel écht terug willen naar de oude manier van werken roept links en rechts emotie op. Het blijkt namelijk nogal af te hangen van de vraag wat je daarmee bedoelt. Velen missen het échte overleg, vooral met collega's, maar voor sommige vormen van digitaal onderwijs blijkt videobellen juist weer een uitkomst. Wat wel werkt en niet zullen we leren, maar ervaring uitwisselen is de eerste stap. NIMA B/C in One Day werkt prima. 




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Zo zorg je ervoor dat je de juiste klantenergie gebruikt

​Welke boeken zijn interessant en wat vinden ervaren marketingprofessionals ervan? NIMA Register Marketeers recenseren de meest uiteenlopende marketing-gerelateerde boeken. Deze keer: ‘De Klant Energieke Organisatie’, door Sonja Stalfoort. Een boek dat de ogen weer eens opent.




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Waarom je volgens gedragswetenschap juist nú moet communiceren

Het coronavirus heeft een flinke impact op de economie. Er heerst veel angst, wat van invloed kan zijn op consumentengedrag. Daarnaast leeft de vraag of de consument reclame nu wel gepast vindt. Heeft het als adverteerder dan wel zin om te communiceren? Ik bekijk deze vraag vanuit een gedragswetenschappelijk perspectief.




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Zo creëer je energieke virtuele workshops die impact maken

Normaal gesproken doen we onze workshops altijd live met een groep van tien tot vijftien deelnemers van verschillende afdelingen van een organisatie. Maar dat ging hem dus niet worden deze keer. Tijd voor een online experiment, vonden we. Dat experiment werd een succes! In deze blog deel ik zeven tips zodat ook jij energieke virtuele sessies en workshops kunt verzorgen.




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OFFENBACH, J.: Mari à la porte (Le) [Operetta] (Placa, Ogii, Mezzaro, F. Benitez, Fiorentino Maggio Musicale Orchestra, V. Galli) (CDS7844)




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OFFENBACH, J.: Mari à la porte (Le) [Operetta] (Maggio Musicale Fiorentino, 2019) (NTSC) (DYN-37844)