Spoiler alert: The writer turned out to be a YouTube star.

A pinch of ingenuity can transform sad-looking ingredients into something desirable.

Scott Z. Burns explains why the villain of his blockbuster film is an anti-science blogger, while the heroes are government officials.

Posted by Victoria Strauss for Writer Beware®

Happy New Year! It's that time again--time for a look back at the schemes, scams, and issues Writer Beware covered in 2019.

PUBLISHER TROUBLES

Sadly, there's never a shortage of stories like these.

Scandal Engulfs Independent Publisher ChiZine Publications: Arguably the biggest small press story of the year, the spectacular collapse of Canadian indie ChiZine Publications--amid allegations of non-payment, financial mismanagement, and a horrifically toxic work culture rife with bullying, sexual harassment, racism, and more--posed thorny questions for the small press community about cultures of silence, the treatment of whistleblowers, and the tacit enabling of unprofessional behavior.

Authors' Concern Grows Over Late Royalty Payments At Dreamspinner Press: Multiple author complaints of nonpayment and other problems, for which Dreamspinner has provided confusing and conflicting explanations. (Dreamspinner has become part of the implosion of Romance Writers of America, with RWA accused of failing to assist Dreamspinner authors who requested help.)

Fireside Press Cancels Multiple Contracts: Mass contract cancellations don't generally bode well for publisher health.

Complaints At Month9Books, Nonstandard Business Practices at Black Rose Writing: Long-standing issues, including late payments and bullying, appear to be ongoing at Month9. As for Black Rose, it presents as a "traditional" publisher but, vanity publisher-style, sells a large menu of marketing services to its authors.

Trouble at Dog Ear Publishing: Multiple, long-standing author complaints of nonpayment by this assisted self-publishing company (this publishing model is in trouble generally).

AWARDS TO AVOID

If you've been reading here for a while, you'll know that I'm no fan of contests and awards--not just because they often involve big entry fees (even the legit ones), but because they so often have author-unfriendly rules and guidelines. Here are a few I encountered in 2019.

Can We Get a Do-Over? What do you do when you get caught with predatory language in your contest guidelines? You hastily switch it out, of course. That's what Harper's Bazaar did when the copyright grab in its annual short story competition was outed on Twitter.

Rights Grabs by the Sunday Times Audible Short Story Award: Another prestigious (and rich: the winner gets £30,000) contest with a predatory rights grab.

The Pressfuls Short Story Contest: Why not to enter a contest that doesn't post rules and guidelines: you may discover, as writers who entered this contest did, that your work has been published without your permission.

SAVE YOUR CASH

The shady underbelly of the publishing world is chock-a-block with those who scheme to take authors' money, by fair means or foul. Here are some especially foul examples.

Seven Prolific Vanity Publishers: A look at the vanity publishers about which I get the most questions, including Austin Macauley, Page Publishing, and Christian Faith Publishing.

Anatomy of a Book-To-Screen Scam: One of the most unlikely outcomes of publishing a book is selling film rights. Book-to-screen scammers--who purport to turn your book into a screenplay, shop it to Hollywood, and more--don't want you to know that.

Vanity Radio: Why You Should Think Twice: Should you ever pay for a radio interview? Like paid book reviews, this is an iffy proposition--even if you're not being solicited by a scammer.

A Pack of Scammer Lies: Dissecting the highly deceptive pitch by one especially egregious publishing and marketing ripoff.

ADVICE YOU CAN USE

When a Publisher Claims Copyright on Edits: This predatory practice is a big publishing contract red flag.

How Predatory Companies Are Trying to Hijack Your Publisher Search: Among other sneaky techniques: fake publisher matching sites that purport to guide you to appropriate publishers but steer you to vanities and self-publishing companies; deceptive use of Google ads to do the same thing; fake facts and statistics about traditional publishing designed to make the vanity model seem preferable.

Awards Profiteers: How Writers Can Recognize Them and Why They Should be Avoided: Profiteering awards programs have a secret agenda: making money for the sponsor with huge entry fees. They're not about honoring writers.

GENERAL BEWARES

Be careful out there!

From the Philippines, Not With Love: A Plague of Publishing and Marketing Scams: This is one of the biggest new scam trends threatening self-pubbed and small press authors. Some background on how the scams came to be, plus a list of the nearly 70 scammers I've discovered so far.

Issues at Audible's ACX: Including attempted rights fraud and inexplicably withdrawn promo codes.

Caution: Turkish Publisher Mavifil Publishing (Mavifil Yayinlari): Old scammers never die; they just change their names. A non-paying publisher that stalked writers in 2011 returns to stalk them in 2019.

AMS Literary Agency: Approach With Caution: Old scammers never die; they just change their names. Whoops, didn't I just say that? The owner of one of the most notorious vanity publisher scams ever returns in the guise of a literary agent.

Beware: Wid Bastian aka Widtsoe T. Bastian/Genius Media Inc./Kairos Phoenix Company: A convicted felon, an ebook promo and box set scheme. What could go wrong?

Publishizer: Do Authors Really Need a Crowdfunding Literary Agency? Yet another of those reinvent-the-wheel attempts that are so common in publishing: a crowdfunding site for writers that claims to represent manuscripts to publishers, but is mostly used by vanities and other fee-chargers (some of them seriously questionable).

Posted by Victoria Strauss for Writer Beware®


Last year, California passed a new law, AB-5, intended to make things better for gig economy workers, such as Uber and Lyft drivers, by forcing these companies to provide employee protections and benefits for their freelance workers.

However, the narrowly-written law, which went into effect on January 2, has created unintended consequences for freelance writers, most of whom are independent by preference. If they sell 35 or more pieces to the same company in a year (which can easily happen with short blog posts or  product reviews), the company must treat them as employees rather than freelancers and pay payroll taxes as well as unemployment and other insurances. Even before the law went into effect, companies were laying off California freelancers and seeking replacements in other states.

Book writers may be affected too, under certain specific circumstances.

The article below was originally published by the Authors Guild; I'm re-printing it with permission. This is an issue all writers need to be aware of, as similar laws are under consideration in other states, including New York and New Jersey.


We have been receiving inquiries about California’s new law AB-5 and similar pending legislation in other states that require companies hiring individuals on a freelance basis for labor or services to treat them as employees, unless the individual’s work falls within one of several exceptions. Laws like AB-5 (which goes into effect on January 2) are meant to aid gig economy workers, such as Uber and Lyft drivers, who work for a single company and have no employee protections. They are well-intentioned pieces of legislation, but unless they are narrowly written, they can go beyond protecting gig workers and disadvantage many traditional freelancers who wish to remain independent by overriding existing state agency law.

To be clear, the Authors Guild fully supports employment protections for freelance journalists and authors, and will be lobbying for collective bargaining rights in 2020. Like Uber drivers, writers have no benefits and are often paid less than minimum wage. But forcing writers to work as employees, especially on a state-by-state basis, is not the way to go about it. The situation in California speaks to the importance of deliberation, careful drafting, and getting buy-ins from the various industry groups. Similar “gig worker” bills are in the works in New York and New Jersey. The new draft NJ bill includes a strict, sweeping version of the ABC test. Those working closely on the bill are concerned that freelance journalists will in many cases be treated as employees. We will watch the bill and do our best to ensure that the necessary protections for freelance journalists are added.

* The NY bill attempts to exclude freelance journalists, and we have provided comments to the drafters to make it clearer.* (correction 12.30.19)

AB-5’s 35-Submission Cap

As many of you are aware by now, much of the debate surrounding AB-5 comes down to its 35-submission cap applying to the contributions of freelance journalists, editors, and photographers. When the bill was being negotiated, a coalition of writer and photographer groups, including the Authors Guild, was able to get an exception for freelance writers. Unfortunately, Assemblywoman Lorena Gonzalez, who sponsored the bill, added a cap of 35 pieces per company—meaning that once a freelance journalist or editor submits 36 articles or jobs for the same company in one year, the freelancer must be treated as an employee and the employer must pay California State unemployment and employee insurances.

Many full-time writers today patch together a living from different sources—and they want to keep it that way. Because of AB-5, California freelance journalists writing 35 or more pieces for a single company fear losing clients to writers in states with laxer laws. Indeed, some publications have already stated that they will not hire California freelance writers because of the new law. 35 articles might seem like a lot, but there are plenty of writers who write more than that. Writing a short weekly blog piece for a client could easily put a writer over this limit.

Another problem with treating writers as employees and not freelancers is that employee-writers do not own the copyright in their work; instead, the employer is considered the “author” under copyright law and automatically owns the copyright in its creation. Of course, as most major publications today insist on an assignment of copyright anyway, the practical effect, unfortunately, is the same: the writer gives up copyright. Still, freelance writers who assign copyright can reclaim it after 35–40 years, which is a benefit that employee-writers lack.

Does AB-5 Apply to Book Contracts?

Authors have raised alarm that AB-5 will apply to book writers as well. The Authors Guild has been reviewing the bill from that perspective since it was first introduced. We were assured by those working on the bill that trade book authors are not covered, and we do not see a basis for disagreeing since the bill clearly states that AB-5 applies only to “persons providing labor or services” and authors provide neither “labor” nor “services” under standard book contracts—they instead grant copyright licenses or assignments. Additionally, royalties—even in the form of advance payments—are not considered wages. It is difficult to imagine how a court would conclude that a typical book contract is for labor or services.

Writers with Service-Like Obligations Should Get a Legal Opinion

There are, however, some book-writing agreements that could be considered service agreements and arguably would fall under AB-5, such as work-made-for-hire agreements and contracts where the author has ongoing obligations and the publisher has greater editing ability or control over the content. Authors and writers working under multi-book contracts are most likely to encounter such a situation. These authors’ contracts should be reviewed by an attorney to determine whether they are subject to AB-5. Publishers and authors who want to be certain to retain a freelancer relationship should be careful to make sure the contracts are written as simple license grants and not as services agreements. For instance, the agreement should be written as a copyright grant of a defined work without interim or ongoing obligations, and remuneration should be in the form of royalties and advances against royalties. The writer should also have full control over their work and use their own workspace and tools. As a general rule, it is also recommended that freelance editors and journalists have written contracts that allow them to work when and where they want with no oversight other than approval of the finished work product.

If you have such a contract and are an Authors Guild member, remember that we do review members’ contracts for free. You can send us the agreement using our online form, and our legal team will get you comments and let you know if you need to revise the agreement.

UPDATE 1/16/20: Washington (State, not DC) is contemplating a bill like this as well. From the comments, below:

WA should be on your watchlist, too. An AB5-like bill was just re-introduced in the Senate there, even though it had been defeated last year. It, too, requires writers and other freelancers and independent contractors be hired as employees when their works contribute to the normal business of their clients. The bill ignores a study of independent contractors that was prepared by the Dept of Commerce after the bill's defeat. The study documents that 3/4 of the independent contractors in WA don't need or want the employee benefits touted by the bill's advocates. Between their own efforts and those of their families and friends, they're doing fine. Read the study yourself then write to Sen. Karen Keiser about your opposition to being made employees against your will.

The study: https://app.leg.wa.gov/committeeschedules/Home/Documents/26113?//20902
Senator Keiser: karen.keiser@leg.wa.gov

A similar law may be in the works in Illinois.

UPDATE 1/20/20: This article from Digiday explores the negative impact that AB-5 is already having on freelancers and publishers in California.

My home office, with feline assistant.

Posted by Victoria Strauss for Writer Beware®

I rarely make personal posts on this blog. But, as I don't need to remind anyone, these are scary times.

My husband and I are physically fit and in general good health, but we are both 64 and he has an underlying health condition. Based on everything we're seeing and reading, we've concluded that our best covid-19 strategy is either a) not to get sick, or b) to delay getting sick as long as possible in hopes of more treatment options or at least less hospital crush.

Our social distancing began last weekend. We've completely withdrawn from face-to-face social interaction, and are ordering non-perishables and household items online. No more routine doctor or dentist visits. No more stores, library, restaurants, or gym (we're in Massachusetts, where a lot of things are shut down anyway). I'm still on the fence about careful, non-peak hour grocery shopping for fresh produce--but I certainly won't be going while shelves are bare from people's absurd panic buying (some of the same people, probably, who are still having parties and crowding into bars *eyeroll*).

Sarah, my other assistant. Kittehs are a comfort.

We're acutely aware that this is MUCH easier for us than it is for most. We both already work from home. We have decent financial resources. We don't have kids. Elderly relatives are all dead. Family and many friends are geographically distant, so we're already socially distanced there. We can still go out for walks and runs. I can still garden (one of my major passions).

So the changes to our routine are relatively small, compared to many. It's tougher for my husband than for me--the majority of my social life is online, but he is a gregarious person with a wide circle of friends, colleagues, and peers. But there's always Zoom and Skype, and he's making use of both.

For us as for many, stress and fear are daily companions. This is not the zombie apocalypse; there will be a vaccine eventually, and civilization will survive, as it survived the flu pandemic of 1918. But...how bad will it get? How long will it last--will we have to live this way for a year? More? What will happen to friends and family? What will happen to the people who are thrown out of work by widespread (and, I'm guessing, soon nationwide) business closures? The people who have no insurance? The people in prisons and ICE jails, the immigrants packed together at the border? And what about the election? I didn't think, back in innocent December, that that could become more crucial. But, as I stand in horror before the shitshow happening in Washington, it's clear to me that it has.

These and other questions haunt me on a daily, sometimes an hourly, basis. I suffer from depression--have done since childhood--and one of my fears is that I'll sink into a clinical episode. I can feel that possibility stalking around the edges of everything now. I am doing my best to resist. My husband, thank goodness, is more resilient. We work to keep each other's spirits up.

At a time like this, ordinary activities--like maintaining this blog--start to feel irrelevant. But they're not. Life goes on, even in the face of catastrophe. I seriously doubt that covid-19 will put a dent in the volume of schemes and scams that target writers who will still be writing, still seeking agents, still publishing. And one of the most important strategies for resisting helplessness and depression is work, for those of us who are still lucky enough to be able to do it.

Emily: Why are you taking my picture _again_?

So Writer Beware will go on. I'll continue to be active on Facebook and Twitter. As much as possible, I'll post here as I usually do--not always weekly, but as often as I find things to write about. And I urge you to continue to email me with your questions, concerns, reports, and complaints. Please, keep the emails coming.

And: wash your hands.

Don't touch your face.

Cough or sneeze into your elbow,.

Keep your distance: 6 feet is optimal.

Stay home if you can, especially if you're sick (I know this is tough for many to do).

Check on your elderly neighbors (from a distance).

Resist panic buying.

Don't share health information unless you're sure it comes from a reputable source (Facebook, oh my God).

Be safe.

I'll be seeing you.

Roshan Bhondekar's The Shoes in association with Envision Film Studio production wins big at the Global Film competition in San Diego (California), the USA for recognition for Liberation/ Social Justice/Protest and also got an official Selection in F5: FPP Financial Focus FilmFest, Florida - the United States for Audience Choice Award.

Roshan is a well-known author from a small village in Maharashtra, India who started off as a blogger has now gained global recognization for his huge body of work. His journey from a small town in India to Spain has been a total inspiration. Owing to his impeccable writing skills, The Shoes went ahead to win audiences' hearts and has bagged accolades internationally for its soul-touching storyline.

Shot completely in Spain, The Shoes is a story based on a child's right to have a dignified and secure life. The short film throws light on the global child education and poverty and going by the current coronavirus pandemic, it is essential to take the right measures to cope up with poverty and lack of child education, especially girl child education.

Roshan has also written books like The Frame: An Art of Optimism and Love - The Key to Optimism: Path Towards Happiness. He is best known as an International Author, Columnist, Speaker & Creative Director.

Back in 2017, Roshan was the Vice President of Hope India NGO. Also known for his prime responsibilities at the NGO were to drive the initiatives for skill development, women empowerment, human rights, and education at the national level.

Not only The Shoes but Roshan Bhondekar's Hausla Aur Raste, an Indian short film, too won prestigious awards during International film festivals, one during the Delhi Shorts International Film Festival as 'Special Festival Mention', in India and another one as 'Best 1st Time Filmmaker' Award during Mediterranean Film Festival Cannes.

It has always been a delight to witness Roshan's craft of work and the world is looking forward to seeing more such inspiring content in the coming years.

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As singer Adele made a comeback on social media with a picture of her svelte physique on her birthday, Bollywood's fashion diva Sonam Kapoor lauded the transformation.

Sonam who also had to shed off kilos before making her Bollywood debut with the film 'Saawariya' took to Instagram and shared the latest post of the singer on her story.

"What a transformation...So commendable. Love you @adele cannot wait for your new music," Kapoor wrote along with the picture.

Earlier in the day, the 'Hello' singer made a stunning comeback on social media for marking her 32nd birthday.

She further dedicated the post to the frontline workers who are fighting off COVID-19.

Adele's new music is expected sometime in 2020 and would be her first album since '25', released in 2015, which followed earlier releases '21' and '19'.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

What started as a passion project for Aamir Khan in 2017, has grown into an initiative that is changing the landscape for budding writers in the Indian film industry. The second edition of Cinestaan India's Storytellers Script Contest, a nationwide hunt for scripts where the five winners take home a total cash prize of Rs 50 lakh, was launched this February. Over the past three months, the four-member jury — consisting of Khan, Anjum Rajabali, Juhi Chaturvedi and Rajkumar Hirani — sifted through numerous entries to choose five compelling stories that can be taken to the screen. While the on-ground event to announce the winners has been cancelled due to the current scenario, the superstar will unveil the new talent on social media today.

Excited to be part of an endeavour that celebrates screenwriting — an aspect he considers the backbone of every successful film — Khan urges budding writers to not let the prevailing situation dampen their creativity. "Budding scriptwriters should continue writing with more enthusiasm, especially during these times. Every filmmaker needs a good script," says the actor.

California-based NRI Sejal Pachisia has bagged the top prize of a whopping Rs 25 lakh for her story, On the Boundary. The second and third prizes have been won by Digant Patil and Soumil Shukla for Guilt and Laakh Maavla respectively. The prize is financed by Cinestaan Digital, an internet media firm focussed on building cinema-related products for Indian audiences. The chosen scripts will become part of its story incubator programme.

Screenwriters Anjum Rajabali and Juhi Chaturvedi

Rajabali, jury chairperson, says the contest was designed to provide a platform to new talent, thus helping deserving outsiders to gain a toehold in the industry.

"It's important that we raise the standard of our scriptwriting so that the quality of our cinema improves," he states.

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There have been reports that have suggested that the She-Hulk series at Disney + is in works! Now, the confirmation has come from the makers that the scripting is completed for Disney+ series is complete.

She-Hulk writer Dana Schwartz took to Twitter on May 6 and wrote, "The She-Hulk room ended so if you happen to be a showrunner looking for a writer who makes jokes and writes books and knows a lot of historical fun facts, hit me up!!!!"

The She-Hulk room ended so if you happen to be a showrunner looking for a writer who makes jokes and writes books and knows a lot of historical fun facts, hit me up!!!!

— Dana Schwartz (@DanaSchwartzzz) May 5, 2020

Recently, Mark Ruffalo confirmed that he was in early talks with She-Hulk makers to return as Bruce Banner/The Hulk. “There’s nothing completely at a place where it’s a done deal,” the actor told Variety recently. “There’s some talk of having Banner/Hulk show up in [the Disney Plus series] ‘She–Hulk.’ If we come up with something good, that would be really interesting. Right now that’s about it. That’s all there is on the table.”

According to the comics, lawyer Jennifer Susan Walters developed Hulk-like abilities when she received a blood transfusion from her cousin Bruce Banner. Now, it seems like this might be a great segway for the actor to return to the Marvel universe. The character first appeared in the comics in the 1980s as a member of the Fantastic Four.

ALSO READ: Mark Ruffalo reveals he had turned down the role of Hulk in The Avengers, has an idea for standalone movie and speaks about She-Hulk series

In 2017, Aamir Khan started a project to boost budding writers in the Indian film industry. The second edition of Cinestaan India's Storyteller Script Contest, a nationwide hunt for scripts where the five winners take home a total cash prize of Rs. 50 lakh was launched this February. From the past few months, the four-member jury consisting of Aamir Khan, Anjum Rajabali, Juhi Chaturvedi and Rajkumar Hirani has gone through numerous entries to choose five compelling stories that can be taken to screen. 

However, this time instead of the on-ground event to announce the winners, Aamir Khan will unveil the winners on social media. Meanwhile, Khan is urging writers to not let the prevailing situation dampen their creativity. He said that budding writers should write with more enthusiasm, especially during these times. 

Says Rohit Khattar, Chairman of Cinestaan Digital, “I am grateful to our esteemed jury in working with us to bring Indian storytelling talent to the forefront especially during these surreal times. Thank you to the thousands of writers who had applied. The quality of the work was stellar and we would like to congratulate the winners who are truly deserving and wish them success.”

Speaking about the winners, Anjum Rajabali, the Jury Chairperson said, ‘We started this contest with the larger objective of attracting more people to write scripts. It’s very important that we improve the quality of our scriptwriting so that the quality of our cinema goes up. The caliber of scripts in this edition was better than last year and it’s heartening to see that the talent is developing. Thank you to the jury members for giving their valuable time in reading and assessing the scripts. Truly appreciate the Cinestaan team’s hard work. I have not seen this kind of unconditional support and generosity before, with the only reward being to encourage good writing in this country.’

Juhi Chaturvedi says, ‘As a writer, I understand the joy of being appreciated, especially on a big platform like this which motivates us to write more. Congratulations to the winners. I’m very happy that through this contest I was able to be a small part of your journey.’

Raju Hirani while congratulating the winners said, ‘I’m happy that the objective with which this contest was started, to inspire scriptwriters and give them a platform to send their scripts from all parts of the country - slowly and steadily we are moving towards our goal. The caliber of scripts this year has been better than last year.’

All the entries of the second edition of the contest went through a transparent and stringent process of evaluation at various levels. The shortlisted synopsis were asked to send in a complete script which were then assessed and then the winners selected by the jury. All scripts have been registered by the contestants with the Scriptwriters Association and other similar recognized bodies to ensure that the writers' content is completely protected.

‘Cinestaan India’s Storytellers Script Contest’ was launched by Cinestaan Digital Pvt. Ltd. and is India’s biggest Script Contest. The winners of the contest are awarded cash prizes worth Rs. 50 lakhs.

ALSO READ: Aamir Khan dismisses distributing money to the poor in wheat bag, says “Robin Hood doesn’t want to reveal himself”

Pic Courtesy/Saffron and Pearls, Harpercollins India

As a 20-year-old, when Sarina Kamini first learnt that her Australian mother was suffering from Parkinson's, a part of her own Indianness, which her mother had so devotedly brought to the kitchen table at their home in Torquay, died. In a new book, titled Spirits in a Spice Jar (Westland Books, Amazon), Kamini says, it's possibly then that she had "stopped eating Indian food". It's ironic that while she attributes her Indian heritage to her father — he was Kashmiri — it was through her mum that she learnt the traditional family recipes, who in turn learnt how to cook Indian food from her mother-in-law, fondly known as ammi. Cooking these recipes would eventually be a way to heal, helping her make sense of the resentment she felt towards her mother's condition.

If Spirits in a Spice Jar traces the arc of a woman, coming to terms with the illness, another book, Saffron and Pearls: A Memoir of Family, Friendship and Heirloom (HarperCollins India) by Delhi-based Doreen Hassan, recounts how the author, who belonged to a Goan Catholic family, warmed up to her Hyderabadi husband's family and his rich food legacy. Last year, US-based Pakistani writer Bisma Tirmizi revisited her favourite dishes from the subcontinent through a journey of self-discovery of a young, obese girl, in the novel, Feast: With A Taste of Amir Khusro (Rupa Publications).

Doreen Hassan. Pic Courtesy/Saffron and Pearls, Harpercollins India

More writers are now exploring narratives around food, while showing how recipes too, are important to great storytelling. "I set out to tell the story of me, because I was so confused about who I was. I quickly realised that I couldn't understand mum unless I understood her connection to India. From my point of view, the connection was a mix of the material and the mystic [she loves the fashion as much as she appreciates the stories of faith], and food within our family is a real representation of that. Food ties my family to Hinduism through offerings and stories. So I had to write about Kashmiri food. Spices, for me, became the axis point where I could draw all of these thoughts together," says Australia-based Kamini.

Doreen says she started writing the book, with the intention of sharing heirloom recipes she had inherited after marrying her husband, Peter Toghrille Hassan, who is honorary Counsel General for the Russian Federation in Hyderabad. But, as she started work on the book, she "thought it might be interesting for people to know where the recipes came from". "That's how it turned into a memoir along the way," she says. Doreen believes that Hassan family's history is deeply influenced by food, and hence, it was crucial to the memoir too. "When people marry into a family, they often bring their own food traditions with them. It's fascinating to understand it," she says.

Sarina Kamini. Pic Courtesy/Kristy Jane Hoghton

In the book, she writes about the time she struggled with learning to cook, after she and her husband moved to Delhi from Hyderabad, with their two children. She, eventually went back to Hyderabad, and "met Peter's aunt, Zehra Alambardar, whom we called Phuppu Jani, and said, 'Please teach me how to make a few dishes.' She told me that she cooked by andaaz, or instinct. 'Beta, you have to watch and learn. I will make the dishes in front of you, and you write them down.'" That was how Hassan was indoctrinated into cooking.

She remembers the time when her husband invited the famous Pakistani singer Mehdi Hasan, to their home for dinner. "He was to sing at our home, and there would be 100 guests in attendance. I decided to make a Salim bakra, which is an entire goat, stuffed with eggs," she writes. Kamini says her fondest food memory is associated with paneer. "I'd always make sure I was close by when mum or dad began chopping the fresh paneer into pieces; I became adept at stealing bites," she says. Adding, "When I began cooking it for my own two boys, I, too, would have to shoo them away from the chopping block as they made attempts to sneak away with it. This kind of emotional continuity around food is what cements recipes into our hearts."

The Salim Bakra stuffed with chicken and eggs, and served with rice, which Doreen prepared for ghazal singer Mehdi Hasan

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Ref: 24738584
Summary: Description Publication Writer Job Description: Development & review of manuscripts, review articles, posters, abstracts, encore abstracts, letters to editors of Medical journals etc. Manage the project of respective....

Company: Saveetha Medical And Educational Trust
Experience: 1 to 6
Salary: 2.10 to 3.50
location: Chennai
Ref: 24823869
Summary: Content Writer responsibilities include conducting thorough research on industry-related topics, generating ideas for new content types and proofreading articles before publicationThis....

Online authority implies that you are not only a thought leader on a particular topic, but also spend time on translating the knowledge in an expressive way. Establishing yourself as a legitimate, resourceful and credible source of...

Company: Sellcraft Global Solutions Private Limited
Experience: 1 to 6
location: Chennai
Ref: 24827602
Summary: Job Description Hiring forUnderwriting - Commercial/Residential (US Only) in Chennai Location Exp - 1 to 10 yrs location Chennai Excellent communication skills. Notice period should be less than 30 days. Skills - US ....

Company: Nanu India Recruitment Co
Qualification: Bachelor of Commerce (B.Com)
Experience: 0 to 2
Salary: 1.70 to 3.70
location: Hyderabad / Secunderabad, Kolkata
Ref: 24828323
Summary: We have Requirement for Part Time || Accountancy || Academic Writer || Work From Home. Freshers also can apply.

Imports of Typewriters & Word Processing Machines in Mexico increased to 35 USD THO in March from 2 USD THO in February of 2020. Imports of Typewriters & Word Processing Machines in Mexico averaged 23.94 USD THO from 2014 until 2020, reaching an all time high of 95 USD THO in May of 2016 and a record low of 0 USD THO in July of 2016. This page includes a chart with historical data for Mexico Imports of Typewriters & Word Processing Machines.

Imports of Typewriters Parts & Accessories in Mexico decreased to 633129 USD THO in March from 790398 USD THO in February of 2020. Imports of Typewriters Parts & Accessories in Mexico averaged 577426.34 USD THO from 2014 until 2020, reaching an all time high of 969258 USD THO in October of 2019 and a record low of 361107 USD THO in February of 2015. This page includes a chart with historical data for Mexico Imports of Typewriters Parts & Accessories.

Imports of Typewriter Or Similar Ribbons in Mexico increased to 5551 USD THO in March from 5124 USD THO in February of 2020. Imports of Typewriter Or Similar Ribbons in Mexico averaged 6435.75 USD THO from 2014 until 2020, reaching an all time high of 9617 USD THO in September of 2015 and a record low of 5074 USD THO in January of 2016. This page includes a chart with historical data for Mexico Imports of Typewriter Or Similar Ribbons.

The versatile Monty Python star who sided with the underdog

Books that give creative inspiration and comfort during isolation

‘Robot and Frank’ paints a benign picture of silicon-based life-forms. But the film’s ‘near-future’ setting is one that often wrong-foots screenwriters  

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Her bestselling novel showed South Korea’s everyday sexism — and struck a chord around the region

Recent books by Matthew Engel, Edward Luce and Anne-Marie Slaughter

Before the world went into lockdown, Rebecca Watson found herself in a very different kind of confinement

American literary and journalistic iconoclast who Norman Mailer said was the hardest working writer of his time

After what Bernie Taupin called a, '52 year old marriage,' Elton John and his longtime songwriter Taupin have finally won an award together.

A Chinese website has angrily mocked rugby union and league star Sonny Bill Williams for speaking out against the Communist superpower's treatment of its Muslim Uyghur minority.

This piece from our legendary writer Ian Wooldridge, who followed Jimmy Greaves's career closely, first appeared in Sportsmail on February 21, 2001...

JEFF POWELL: It defies belief that now, 30 years later, relatives of the 96 victims are still bereft of the closure which might apply some spreading of balm upon their grief.

Siya Kolisi succeeds Ireland fly-half Johnny Sexton as holder of the Pat Marshall Memorial Award after being recognised at the RUWC's annual dinner in central London.

Clare Mackintosh is currently reading The Giver Of Stars by JoJo Moyes. The British thriller writer revealed that she would take Life After Life, by Kate Atkinson to a desert island.

Robert Webb is currently reading Carrie Fisher's Wishful Drinking. The British novelist revealed he would take Hitchhiker's Guide To The Galaxy stories by Douglas Adams to a desert island.

Amanda Owen is currently reading The Bolter: Edwardian Heartbreak And High Society Scandal In Kenya by Frances Osborne. The British writer would take Swaledale to a desert island.

Emily Gunnis is currently reading Elizabeth Is Missing by Emma Healey. The British writer would take The Wicked Wit Of Winston Churchill to a desert island.

One of Melbourne's most influential football reporters for more than two decades has revealed he knew Dean Laidley was a cross dresser for up to 12 years. 

Star Wars fans have been speaking out about Kelly Marie Tran's beloved character Rose Tico being underused in The Rise of Skywalker and now one of the writers is speaking out.

The talented twosome's top secret project will be set on the Sith planet Exegol, but it's unclear if it's destined for the big screen or for streaming on Disney+

The pop legend, who is 61, sat down at her typewriter to deliver a stirring account of her time in isolation via a black and white Instagram video Tuesday.

Ed Solomon, the writer of the 1997 blockbuster Men in Black, took to Twitter Tuesday to tell about a rather awkward exchange with an unknowing pair of friends.

The singer was interviewed by Abby Aguirre, who admitted in the story that she normally brings questions to an interview but didn't have time to prepare one this time.