In this Interlull episode we chat about the Arsenal players who have been on international duty, including Bukayo Saka who has returned home after picking up a small injury with England. There's discussion of Martin Odegaard amid rumours of a set-back, a little chat about a difficult week for Arsenal Women, and Graeme Souness's comments about Arsene Wenger. Then in part two we answer questions about over-saturation of football, the introduction of half-time interviews from next season, more legal wrangling, and because it's an Interlull there's an abundance of other nonsense involving James' dramatic reading of song lyrics, sandwiches, sweetcorn, wormholes, and lots more.

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In this episode we look back at Saturday's 2-0 defeat to Bournemouth. We start with discussion of the starting XI, before moving to the big incident which saw William Saliba sent off for apparently denying a goalscoring opportunity. There's chat about that decision and how Mikel Arteta reacted and reshaped his team, Gabriel Martinelli's miss, the goals we conceded, the delay in making a change when we went 1-0 down, and Ethan Nwaneri's cameo. Then there are listener questions about officiating/PGMOL, how we set up against Liverpool next weekend without Saliba, how heightened expectations impact how we feel about losing games, and lots more.

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In this episode we look back at Sunday's 2-2 draw against Liverpool. We chat about the impact on Bukayo Saka on his return to the team, with an outstanding goal, and Arsenal's response to the Liverpool equaliser. Mikel Merino gave us a deserved lead at the break, but in the second half the performance levels dropped a bit so we analyse the reasons for that, key of which was the loss of Gabriel, as well as finishing the game with a very makeshift back-four. We also discuss the second Liverpool goal, some of the officiating decisions, and how to view the result in the context of the season so far. Then there are questions about what kind of team to pick for the Carabao Cup, media narratives, the framing of Mikel Arteta's style as a manager, and lots more.

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In this episode we look back at Saturday's disappointing 1-0 defeat away at Newcastle. We discuss the team selection, the lack of any kind of attacking threat after we went behind, and try to understand why collectively and individually we had such a bad day. Has all the juice been squeezed from the lemon? And where does this leave the team with more difficult away games this week? We also take listener questions about the reported departure of Edu from his role as Sporting Director, whether the team needs more pace, and lots more

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In this episode we look back at Sunday's 1-1 draw with Chelsea at Stamford Bridge. We chat about the return of Martin Odegaard and his influence on the team, going ahead and letting the lead slip again, tight offside decisions and missed chances, how to view a point away from home in the context of the game, and well the season so far. We also discuss the analysis of the team and the way it has played this campaign, with lots of issues to deal with but also plenty of room for improvement. Then there are listener questions about the future of Gabriel Jesus, whether Odegaard should play for Norway during the Interlull, the amount of goals we're conceding, the January window, and lots more.

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The Leonid meteor shower peaks in North America overnight from Nov. 17 to 18, with fast-moving fireballs possible in US skies.

There is a 50% chance that global warming will consistently exceed 1.5 degrees Celsius in the next six years, according to a new report.

Google has warned that a security flaw impacting its Android operating system has come under active exploitation in the wild. The vulnerability, tracked as CVE-2024-43093, has been described as a privilege escalation flaw in the Android Framework component that could result in unauthorized access to "Android/data," "Android/obb," and "Android/sandbox" directories, and their respective

Tactics, techniques, and procedures (TTPs) form the foundation of modern defense strategies. Unlike indicators of compromise (IOCs), TTPs are more stable, making them a reliable way to identify specific cyber threats. Here are some of the most commonly used techniques, according to ANY.RUN's Q3 2024 report on malware trends, complete with real-world examples. Disabling of Windows Event Logging

We'll know soon enough who won the 2024 general elections for president, Congress and other important positions. But we don't have to wait a second longer to find out this year's FactCheck Award winners.

The post The 2024 FactCheck Awards appeared first on FactCheck.org.

The new 2024-25 COVID vaccines are available, so FunkyPlaid and I got ours on Friday. Because we went to a pharmacy, my health insurance didn’t cover them, so I had to use funds from my HRA. (We could have waited until our medical provider had appointments, but that would have been late September or early October — and with travel coming up soon, I was unwilling to wait.)

It is bizarre and enraging to see how agencies supposedly dedicated to public health are flailing in this moment. I’m extremely fortunate to have a job that provides health insurance, an HRA, and sick leave, and I can afford KN95 masks and rapid antigen tests. What about people who are uninsured or underinsured?

I know it’s a bummer to read this, but it’s a bigger bummer to try to survive during yet another COVID surge. Let’s take care of our health, for ourselves and for our communities.

Concentrating on

This time of year is Planner Season, when the 2025 planners are released and people like me (and maybe you too) gobble them up and then spend the rest of this year hoping that next year we have lives exciting enough to plan.

Ever the optimist, my planner line-up for 2025 is:

• For my personal planner, daily log, habit tracker, reading journal, and commonplace book, I’ll be trying the Sterling Ink Common Planner in their new N1 size, which fits inside a Traveler’s Notebook. I’m currently using a Hobonichi Weeks, which is 95mm x 186mm; the N1 size is 110mm x 210mm.
• For my work planner, the Wonderland 222 A5 Weekly Planner has been working well for me this year, so I’ll try it again in 2025.

Cultivating

✍???? Drafting two stories, one for performance (I hope ????????) and one for a collection.

???? Still knitting that gift for someone.

???? Food I made that was yummy:

• Peperonata with peppers from a coworker’s CSA box, plus peppers from our own CSA box. CSA boxes are great!
• Gluten-free vegan apple crisp. I am not a huge fan of apples in their primary form; I prefer them as a cinnamon delivery device. So this recipe from Minimalist Baker, apples chopped up and baked with oats and sugar? That works.
• Sliced heirloom tomatoes on toast spread thinly with mayonnaise. Truffle salt if you’re feeling fancy. (I was.)

???????? Learning Italian with Duolingo.

???? The workweek was short because of the holiday on Monday, but also long because of everything. I’m still trying to create better boundaries around that.

Consuming

????️ One of my planner pals shared a sample of Bungukan Kobayashi’s Yagentoshiro Reflex Violet, a dusky blue with iridescent purple shimmer.

???? “girlfriend” by Hemlocke Springs is on repeat on my brain radio.

???? You don’t need to be a Rolling Stones fan to enjoy the “I Can’t Get No Legal Action” episode of the Judge John Hodgman podcast.

???? Still working my way through the crossword puzzle books I’ve hoarded and enjoying the daily Cross|word on Puzzmo. Also, Minute Cryptic is quite humbling.

???? One last episode of “Fargo” to go, then we’ll start the latest season of “Slow Horses”.

???? What I’m reading and quoting:

• “The Mountain in the Sea” by Ray Nayler: “The great and terrible thing about humankind is simply this: we will always do what we are capable of.”

Some links

From “What would an adequate COVID response look like?” by Julia Doubleday:

Right now, state representatives are deliberately avoiding mention of COVID, while propagandizing the safety of infection and/or the end of the pandemic by refusing to mask. It is hard to imagine how successful a pandemic response might be if public officials were actually trying to end the pandemic. We quite literally have public health and political and media figures working to hide three pieces of critical information: public knowledge of the virus, public knowledge of mitigation measures that would reduce viral spread, and public knowledge of the severity of the virus (which would motivate desire to reduce viral spread).

Other links:

• NaNoWriMo Shits The Bed On Artificial Intelligence (Chuck Wendig)
• Why Goblin Mode Is the New Self-Care Routine (Cleveland Clinic)
• 2024 Winners of the 17th Annual iPhone Photography Awards

One more thing

Today I’m journaling about this quote from Seneca: “Life, if well lived, is long enough.”

Look at this absolutely good girl: my canine sister, Willa.

Concentrating on

Rest, relaxation, and quality time with loved ones! We’re visiting family in Pennsylvania this week and attending a wedding in Kentucky on Friday.

When packing, I restricted myself to three notebooks and three pens because I tend to overpack and then immediately regret as I am schlepping around a stationery store in my backpack.

Cultivating

✍???? Drafting two (very different) stories. I’m looking forward to time off work to let my creative writing brain percolate.

???? Food I made that was yummy:

• Pork chops in garlic mushroom sauce, with mashed potatoes and salad on the side. I am not a huge fan of pork chops, but I got them in our CSA box, so I looked for a recipe that incorporated other things I am a huge fan of, like garlic and mushrooms.

???????? When my brain is full of Italian, I switch over to music lessons in Duolingo. It’s fun!

???? No.

Consuming

????️ Only three pens means only three inks: De Atramentis Charles Dickens, Sailor Manyo Hinoki, and Robert Oster Sydney Lavender.

???? I heard “White Gloves” by Khruangbin for the first time in a while and forgot how much I enjoy their music.

???? Recently FunkyPlaid and I tried to watch the show “Kaos” and lasted about ten minutes. I had listened to the Pop Culture Happy Hour episode on the show and thought I might enjoy it.

???? No time for games this week. I’m looking forward to some Puzzmo!

???? We started watching “My Brilliant Friend”, the adaptation of Elena Ferrante’s Neapolitan quartet, which I read last year and loved.

???? What I’m reading and quoting:

• “The Mountain in the Sea” by Ray Nayler: “How we see the world matters — but knowing how the world sees us also matters.”

Some links

• I love Tracy Durnell’s latest weeknotes post. I’m not even mad at how it makes me feel like I’ve done absolutely nothing in comparison. ????
• Neither Elon Musk Nor Anybody Else Will Ever Colonize Mars (Albert Burneko)
• Firefly Atlas: I’m eager to see fireflies while I’m here, so I’m doing some research.

One more thing

I was a bit anxious to travel during a COVID surge, so in addition to getting the new vaccine as soon as I could, I invested in a Flo Mask Pro to wear in airports, planes, and any other crowded spaces. I’m so glad I did; it was very comfortable to wear all day, once I got used to how it felt. My glasses didn’t fog up at all, which is a minor miracle. I did get some looks (you know the kind) but that was a small price to pay for a greater chance of avoiding Covid and/or Long Covid. I only saw a handful of other people masked.

B3ta newsletter 927, out now "ASCII NEWSLETTER FLASHES SIDE-BOOB AND REVEALS PERKY URLS" This Week: * QUEEN RESPECTS - how your fave brands paid them * JUST OUT OF SHOT - image challenge * SHANNON MATTHEWS THE MUSICAL - on your telly

Goodbye Legless Sorry to share this news - from the email: "Hi B3ta. Bit of sad news, Joe Thompson aka Legless passed away last week. Thought you might want to post something, better coming from you instead of some random lurker. The funeral will be webcast. Whack it in /links for a suitably tasteless send off :)" If you want to leave a comment - stick it on the thread.

B3ta newsletter 928, out now "FRANKIE SAYS EX-LAX: SHART THE UNEMPLOYED" This Week: * ARE HOLIDAYS GOOD? - find out now * IMAGE CHALLENGE - sitcom monster mashup results * CONTROL PACMAN - with your own face, at last

B3ta newsletter 929, out now "ONCE AGAIN THE HAM MARKETING BOARD REJECT OUR SLOGAN: SNORTY BUT SLICED" This Week: * LOST CONSONANTS - legendary B3ta challenge back * PRIME NUMBER PROJECT - can you count? Then count * OFFICIAL AMSTRAD NOSTALGIA SITE - thanks Alan

Voting registration rates among Princeton undergraduate and graduate students have more than doubled largely thanks to the program.

Throughout the year, the OTW Finance team has continued its work of ensuring that the organization's bills are paid, tax returns filed, and all standard accounting guidelines and financial compliance requirements met. Preparation for the audit of 2023 financial statements continues!

The team has also been diligently working on the 2024 budget update and are happy to present it here: (access the 2024 budget spreadsheet for more detailed information):

2024 Expenses

Archive of Our Own (AO3)

• US$250,381.02 spent so far out of US$416,441.01 total this year, as of September 30, 2024.
• 55.1% of the OTW's expenses go towards maintaining the AO3. This includes the bulk of our server expenses—both new purchases and ongoing colocation and maintenance—website performance monitoring tools, and various systems-related licenses, as well as costs highlighted below (access all program expenses).
• This year's projected AO3 expenses also include US$120,000 to purchase new servers, as well as US$15,000 in additional server related equipment to increase the capacity of existing servers to handle expected site traffic growth through the year.

Open Doors

• US$6,899.70 spent so far out of US$9,344.33 total this year, as of September 30, 2024.
• Open Doors' expenses consist of hosting, backup, and domain costs for imported fanwork archives, as well as an allocated share of various OTW-wide productivity tools (access all program expenses).

Transformative Works and Cultures

• US$3,488.74 spent so far out of US$5,444.70 total this year, as of September 30, 2024.
• Transformative Works and Cultures' expenses are the journal's website hosting, publishing, and storage fees, as well as an allocated share of various OTW-wide productivity tools (access all program expenses).
• Additionally, the University of Amsterdam provided £1,000 (US$1,061) to Transformative Works and Cultures in 2023, which will be used to help fund the Fans of Color Research Prize.

Fanlore

• US$13,986.47 spent so far out of US$24,160.27 total this year, as of September 30, 2024.
• Fanlore's expenses are its share of allocated server hardware, maintenance and colocation costs, as well as its portion of various OTW-wide productivity tools (access all program expenses).

Legal Advocacy

• US$304.50 spent so far out of US$2,892.15 total this year, as of September 30, 2024.
• Legal's expenses consist of registration fees for conferences and hearings and funds set aside for legal filings if necessary, as well as an allocated share of OTW-wide productivity tools (access all program expenses).

Fundraising and Development

• US$107,433.57 spent so far out of US$152,399.47 total this year, as of September 30, 2024.
• Our fundraising and development expenses consist of transaction fees charged by our third-party payment processors for each donation, thank-you gift purchases and shipping, outreach work by volunteers at various fan conventions, and the tools used to host the OTW's membership database and track communications with donors and potential donors, as well as an allocated share of OTW-wide productivity tools (access fundraising expenses).

Administration

• US$111,698.97 spent so far out of US$147,099.75 total this year, as of September 30, 2024.
• The OTW’s administrative expenses include hosting for our website, trademarks, domains, insurance, tax filing, and annual financial statement audits, as well as productivity, management, and accounting tools (access all admin expenses).

2024 Revenue

• The OTW is entirely supported by your donations—thank you for your generosity!
• We receive a significant portion of our donations each year in the April and October fundraising drives, which together will account for about 33.8% of our income in 2024. We also receive donations via employer matching programs, royalties, and PayPal Giving Fund, which administers donations from programs like Humble Bundle and eBay for Charity. If you'd like to support us while making purchases on those websites, please select the Organization for Transformative Works as your charity of choice!
• Thanks to your generosity in previous years, we have a healthy amount of money in our reserves, which we can use to pay for larger than usual purchases and keep on hand for legal contingencies. As mentioned previously, we plan to continue to upgrade the capacity of the Archive's servers, which significantly increases server equipment and server hosting expenses. As the Archive and other projects of the OTW grow, we also spend more on tools and technology to support our volunteers, such as the tools used by various committees to communicate with and aid users and to track internal projects, further increasing expenses.
• US$651,741.98 received so far (as of September 30, 2024) and US$762,433.91 projected to be received by the end of the year.

Got questions?

If you have any questions about the budget or the OTW's finances, please contact the Finance committee. We'll get back to you as soon as possible!

To download the OTW's 2024 budget update in spreadsheet format, please follow this link.

Do you remember that one fanfic that kept you reading until dawn for the very first time? Or the fan art or video that led you to dig out all the works its creator shared? Have you ever tried to look into the stories of the authors who wrote fics before you were even born? You can find all this and more on Fanlore - the wiki for fanworks, fan creators, and fannish history!

Fanlore is a project run by the Organization for Transformative Works (OTW) with the goal of providing fans a place to record and share their histories, experiences and traditions. Fanlore records both the history and current state of our fan communities – fan works, fan activities, fan terminology, individual fans and fannish-related events. You can read about what fandoms were like in the olden days and document memorable events in your own fandoms, all on Fanlore! Check out the wiki’s New User Portal or join the Fanlore Discord server to connect with other editors and users.

We would not be able to preserve these cherished pieces of fandom history without the generous donations of our fellow fans and volunteers who work tirelessly behind the scenes to keep all our projects running. As always, we have some shiny new donation gifts!

You can choose to display your love for fandom with some of our new thank-you gifts. For a US$40 donation, we have a new sticker set featuring popular AO3 tags. You can show off a bumper sticker saying "my other car is a ship" for a donation of US$50. For a donation of US$75 or more, you could carry home your groceries with a white and red shopping bag or you can announce your love for AO3 with our rainbow kudos pin.

You can also set up a recurring donation and save towards the gift of your choice. Select the gift you want, and if the total for that donation doesn't reach the amount needed for the gift you selected, future donations will be applied to the gift you’re saving for. Those of you in the U.S. might also be able to double your contribution via employer matching: contact your HR department to find out if this is an option for you.

A donation of US$10 or more will also allow you to become a member of the OTW. OTW members can vote for the Board of Directors – the OTW’s governing board. Donating now and checking the “I wish to be a member” box will make you eligible to vote in the 2025 OTW Board Election.

We hope that many of you will take this opportunity to donate and become a member to support projects like Fanlore, Open Doors, Legal Advocacy, Transformative Works and Cultures, and the Archive of Our Own. Your contributions help keep our projects successful for new and long-time fans alike!

The Organization for Transformative Works's October membership drive is over and we are delighted to say that we are finishing with a total of $214,698.86 raised. We are particularly pleased that 6020 donors chose to either take up or renew OTW membership with their donation, far exceeding our goal of 4,500 members.

These donations came from 6,955 people in 86 countries: thank you to every single one of you, as well as to all of you who posted and shared the news about the drive! The OTW would not exist without its users all around the world, and your continued support for us is our absolute pride and joy! We are so glad to know that our ongoing mission to support, protect, and provide access to the history of fanworks and fan culture continues to resonate with the people that matter most of all: the fans themselves.

If you were intending to donate or join and haven't yet done so, don't worry! The OTW accepts donations year-round, and you can always choose to become a member with a donation of US$10 or more. Memberships run for one calendar year from the date of your donation. If you donate now, you'll be able to vote in next year's OTW Board election, which will take place in August 2025. Our exclusive thank-you gifts are also available whenever you donate!

The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, Transformative Works and Cultures, and OTW Legal Advocacy. We are a fan-run, entirely donor-supported organization staffed by volunteers. Find out more about us on our website.

I. AO3 TERMS OF SERVICE UPDATE

Policy & Abuse, Legal, and Accessibility, Design & Technology have been hard at work regarding an update to the AO3 Terms of Service. Among other things, this update involves clarifying wording in both the Content Policy and the "Underage" Archive Warning. This update will not affect what fanworks are allowed or not on AO3, nor will it affect how this Archive Warning is enforced.

In conjunction with Communications, a public call for feedback was posted and comments will be accepted until November 18. Please refer to the news post and Policy & Abuse's proposed changes for more detail.

II. OCTOBER MEMBERSHIP DRIVE

Development & Membership worked with Communications to announce the October membership drive! With the help of Translation, the news posts were translated into 28 languages. Finance also posted the 2024 Budget Update in anticipation of the membership drive.

The October membership drive raised almost $215,000 USD from 6,995 donors, 6,020 of whom chose to be members! Development & Membership is now verifying addresses, packaging premiums, and heading to local post offices with the help of their new regional shipping specialists.

III. ELSEWHERE AT THE AO3

In September, Support and Systems were handling issues related to downtime and site slowness. Systems has posted a post-mortem of events and analysis on their official AO3 account, which details the causes and effects of some of the issues.

Due to downtime and other factors, Support received 4,151 tickets in September, around double their usual monthly count. They ask for your patience as they work through the high volume of tickets.

Policy & Abuse received 2,264 tickets in September. They also have an incoming class of new volunteers and look forward to training them.

Also in September, Tag Wrangling volunteers wrangled over 430,000 tags, which amounts to over 1,000 tags per tag wrangler. They also finished their last recruitment round of the year and began inducting their latest batch of volunteers.

Open Doors announced the import of older works from due South Seekrit Santa, an exchange devoted to the Canadian television series due South. They also finished the last details from the West of the Moon archive import, an archive for hobbit-centric gen fanworks. They continue to work on other import projects and documentation for the AO3 Fanzine Scan Hosting Project.

IV. VARIOUS OTW ACTIVITY

Communications is happy to see their email delivery service has been steadily gaining followers since its launch. The service recently passed 1,000 subscribers and now has about 1,100 subscribers!

Fanlore ran a Video Game-themed month in October! You can check out featured articles on their Tumblr.

Development & Membership's convention outreach division organized a table for Confabulation Fan Convention at Chicago, USA. OTW volunteers had a blast talking about their experience volunteering, fan vidding, and exploring world landmarks!

Legal has responded to a number of user queries this month, including queries about YouTube counter-notices, shadowcasting, UK legislation, and academic research on fandom. They also dealt with some apps that are confusing users into believing they’re associated with the AO3.

TWC has been preparing two special issues: Centering Blackness in Fan Studies and Sports Fandoms to be released in the coming months.

V. GOVERNANCE

Board and the Board Assistants Team (BAT) organized Board's fourth quarter public meeting on September 29. They had 55 attendees and answered 9 questions. The official minutes for this meeting were voted on and published on the OTW website.

Official Board turnover happened on October 1, and incoming Board members are getting settled in.

Board and BAT have been participating in several projects and policies related to the OTW Organizational Culture Roadmap. BAT has also been working on procurement documentation, OTW website updates, and various cross-committee tasks. They’ve been assisting the Board on several ongoing projects, including Whistleblower Policy FAQ documentation and responding to external questions directed at the Board.

Strategic Planning is working on compiling internal sustainability plans from all committees as part of the plan’s internal sustainability goal. They're also reaching out to the committees responsible for the Paid Staff goal as those implementation goal dates approach.

VI. IT'S ALL ABOUT THE PEEPS

Volunteers & Recruiting has been hard at work training their new recruits and getting them settled in, saying farewell to one of their chairs, Cyn, and welcoming Eevee as the new co-chair. They also conducted recruitment for 3 committees in October: AO3 Documentation, Elections, and Fanlore.

From September 22 to October 22, Volunteers & Recruiting received 149 new requests and completed 135, leaving them with 62 open requests. As of October 22, 2024, the OTW has 924 volunteers. o/ Recent personnel movements are listed below.

New Committee Chairs: Eevee (Volunteers & Recruiting)
New Communications Volunteers: 1 TikTok Team Lead
New Development & Membership Volunteers: 1 Shipping Specialist
New Fanlore Volunteers: 3 Discord Moderators
New Open Doors Volunteers: Brianna Dardin (Senior Technical Volunteer) and 1 Administrative Support Volunteer
New Policy & Abuse Volunteers: Emka, iwasnttrainedforthis, megidola, Trinity, and 3 other Volunteers
New Translation Volunteers: AnneHelena, Aquiles T. M., hans, Helpi K, Jaya, Luki, tritongue, and 2 other Translators
New Volunteers & Recruiting Volunteers: Alisande and 1 other Volunteer

Departing Directors: Kari Dayton and Michelle Schroeder
Departing Committee Chairs: Cyn (Volunteers & Recruiting)
Departing Board Assistant Team Volunteers: 1 Volunteer
Departing Fanlore Volunteers: 1 Policy & Admin Volunteer and 1 Graphics Designer
Departing Open Doors Volunteers: SonoSvegliato (Import Assistant), Brianna Dardin and 2 other Technical Volunteers; 1 Administrative Volunteer
Departing Strategic Planning Volunteers: Arly Guevara
Departing Tag Wrangler Volunteers: Eevee (Supervisor role only), Lysippe, and 7 other Tag Wranglers
Departing Translation Volunteers: Elintiriel (Volunteer Manager role only) and 1 other Volunteer Manager; Nachali, Parul Hunnargikar, Summerfanreader, and 4 other Translators

For more information about the purview of our committees, please access the committee listing on our website.

The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, Transformative Works and Cultures, and OTW Legal Advocacy. We are a fan-run, entirely donor-supported organization staffed by volunteers. Find out more about us on our website.

tataata has added a photo to the pool:

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.

The Program in Visual Arts presents an exhibition of recent work created by students in the fall course, "Painting I," taught by Pam Lins and Colleen Asper. Gallery Hours: Weekdays, 7 AM-8:30 PM; Weekends, 9 AM-8:30 PM.