Gauri Khan was spotted at Mumbai airport by the paparazzi, and once again, the interior designer has proved that she's got all the right fashion moves.

Gauri opted for a casual look - a black blazer, paired with a white top, basic blue denims, and thigh-high black boots for the outing. Doesn't she look gorgeous? If you're planning to upgrade your wardrobe with something similar, take a cue from Gauri to wear it in the best way possible and ace the airport look, or even a casual one, like a fashionista. 

Gauri Khan/picture courtesy: Yogen Shah

Black blazer: You can buy Ambrosial women single breasted formal blazer at the discounted price of Rs 649 only. Get Gauri Khan's airport look without burning a hole in your pocket. Shop here.

White top: Buy Acanthus Women's V Notch Front Scallop Trim Top at the discounted price of Rs 399 only. Shop here.

Blue denim: Raiter Super Skinny Jeans for Women and Girls Size will help you flaunt your legs! Get your pair at the discounted price of Rs 499 only. Shop here.

Black boots: Buy Kotak Sales Stylish Knee Length Boots at the discounted price of Rs 795 only. Shop here.

Tote bag: Get Kanvas Katha Women's Handbag at the discounted price of Rs 531 only. Shop here.

Also Read: Here's how you can get Malaika Arora's monochrome gym look right

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Aiming to disrupt India's mid-segment smartphone market, Samsung is set to launch four new smartphones -- two each in Galaxy "A" and Galaxy "J" series -- this month.

The upcoming Galaxy A6 and Galaxy A6+ smartphones could be priced between Rs 20,000 and Rs 25,000 while the devices in Galaxy "J" series could cost customers Rs 15,000 to Rs 20,000, industry sources told IANS on Friday.

Two of the four smartphones in the upcoming line-up would come with dual camera set-up, the sources added.

All of them will be made at the company's Noida facility. The smartphones will feature Samsung's super AMOLED "Infinity Display" -- bezel-less screen that creates an immersive viewing experience.

Notably, Samsung's flagship smartphones such as Galaxy Note 8 and Galaxy S9 series feature the "Infinity Display". Now, with the upcoming devices, the display feature would be introduced at lower price points in the Indian market.

The South Korean giant first introduced the "Infinity Display" in Galaxy S8 series in 2017.

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Representational picture

In India, gaming is considered as a hobby and was less than inclined towards gaming from the get- go. But the scenario is slowling changing. Looking at the growth of the industry over the years, we have finally come to a point where families have started being supportive of this career choice. Rather than opting for a 9-to-5 job, more and more gamers have started taking their careers seriously and are transitioning into professional esports athletes and streamers.

So what is gaming? Gaming is a form of entertainment which is consumed via interaction, participation and viewership. It encompasses PC gaming, mobile gaming and console gaming and is multi-billion dollar industry globally. This industry comprises of gamers who can be a casual or an enthusiast, an amateur or a professional, a player or a viewer. Gaming can be as simple as picking up your mobile and launching some birds at hostile pigs in a castle, or as complex as dedicating years to learning and mastering a game and competing against other similarly dedicated players globally with millions of dollars at stake.

The term 'esports' seem new but the concept isn't. Esports is the part of gaming that’s competitive, where various genres of games are played competitively against other players, on different platforms. From fighting against your friend at the local arcade with a barrage of virtual punches and kicks to being seated together and connected to 100s of other gamers and being the last person alive in a perilous deserted island. Esports is as old as gaming is. The only difference we see nowadays, is the higher stakes and the dedication gamers put in to reach the top. With prize pools running in the millions and a loyal audience who travel halfway across the globe to watch their teams play, esports has become a global phenomenon with major brands investing heavily in the industry and corporations building stadiums larger than conventional sports stadiums.

Professional athletes train their body and mind, regularly to stay at the best of conditions and are supported with the state-of-the-art facilities and a salary for playing their game. Another term people might be unfamiliar with is "video game live streaming”. Streaming is a form of online video broadcast on specialised platforms where you play games and entertain your viewers. A viewer might be engrossed by your playstyle or your witty humour. There can be thousands of players watching you at a point of time and cheering for you. Streaming has become a full-time job for a lot of people with them earning a comfortable six-figure income monthly by just regularly entertaining their viewers. Brands sponsor these streamers to advertise and endorse their products on their stream.

The global gaming industry is still growing at a rapid pace with a valuation of $108.9 billion and a YoY growth of 7.8% in 2017. The Asia Pacific region contributes to 47% of this with India ranked 17 th globally valued at $818 million with an 11.14% CAGR. Gaming in India is still nascent with a lot of scope for growth and recognition. Esports plays a huge part in gaming with $696 million market and whopping 385.5 million viewers watching their favourite teams and players fight for glory. That’s thrice as many subscribers Netflix has.

So how far has India come? India is slowly catching up with the rest of the world. We have 253.2 million gamers in India with 81% of them in the age group of 16 – 30. We have professional teams in India who compete globally against other teams. We have people who have taken up streaming as their jobs. Rather than pursuing a regular career like your average John and Jane, we have emerging brave souls who want to stand out and make their dreams come true. And the space is filled with brands who want to work hand in hand with these people, empowering and enabling such a career into reality.

Insight of target audience by COBX games

Gaming in India has been given a boost in the recent years with the advent of 4G and FTTH. Prices have grown more competitive which has helped not only companies but also gamers across India. We have seen a spike in mobile gaming with 4G being introduced in India and will play a major role in the industry. FTTH, which is already being deployed in tier-1 cities, provides high-speed internet connection over optical fibre directly to your home from the ISP which has increased the quality of service. In tier-2 cities, gaming cafés and colleges act as hotspots for gamers and most tournaments are hosted in these colleges, due to the presence of stable infrastructure which, in turn, promotes the growth of gaming.

Esports is on the rise in India with multiple tournaments being announced with unprecedented prize pools. Esports is dynamically changing the industry with numerous brands joining in and helping the space flourish. Monthly tournaments provide a scope for professional gamers to sustain a living and also provides growth to multiple domains attached to esports like cosplayers, shoutcasters, and analysts and so on. From small tournaments in cafés and college labs to huge events filled with gamers, esports has come a long way in India. 2018 saw numerous companies invest heavily in esports by announcing multiple tournaments with prize pools of over Rs 1 crore.

Mujahid Rupani, Co-founder & C.E.O of COBX Gaming says, "We are also expecting an increase in VR and AR gaming in India. VR gears are being readily accessible to people and families are opting in for the virtual reality experience. Mobile phones are growing powerful every day and proving to be effective AR devices. New games are being launched every day which take advantage of augmented reality and taking use experience to a whole new level. Mobile gaming is also on the rise in India due to the ease of entry and affordable and stable internet connection. With the amount of time people invest on mobiles, a lot of developers are shifting their focus to mobile games and catering to a big chunk of gamers who prefer mobiles over expensive PCs and consoles as their gaming gear. With the number of game development studies in our country, the next big title might be from India."

With the ecosystem growing and evolving every year, the future for gaming in India is bright. Gaming in India is an incipient industry and has a long way to go. We hope to see more professional players, more streamers and more parents supporting their kid’s dream. There was a time when you would idolise a sportsperson, the day is here when kids idolise their favourite professional gamer or streamer. We have a generation of parents who are gamers too and encourage their kids and help them balance gaming along with other life priorities. We hope to see more companies and brands invest their time and resource in the gaming industry and maybe one day, a kid who wants to grow up and be a professional gamer.

Also Read: Hrithik Roshan: Gaming In India Gaining Exponential Popularity

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Samsung Galaxy Note 9. Pic courtesy/YouTube

South Korean electronics giant Samsung has confirmed that its flagship Galaxy Note 9 would have a new version of company's Airtificial Intelligence (AI)-powered assistant "Bixby 2.0".

Speaking to The Korea Herald, Gray G. Lee, Head of the AI Centre Under Samsung Research, revealed that the Galaxy Note 9 will be the launch device for "Bixby 2.0", Forbes reported.

Lee said that "Bixby 2.0" would be more than just a personal assistant.

It would be an 'artificial intelligence platform' which enhances the performance and user experience across the phone.

Bixby itself would also have enhanced natural language processing, improved noise resistance capability and faster response times.

According to the executive, Samsung now has a 1,000-strong AI workforce and would consider merger and acquisitions of promising AI businesses.

He also revealed Samsung expects Bixby to be running on 14 million Samsung devices by the end of 2018.

The German research firm GfK has revealed that Samsung became the leader in the Indian flagship smartphone market, garnering 49.2 per cent share in the first quarter of 2018.

In the full financial year (April 2017-March 2018), Samsung registered 55.2 per cent market share in the Rs 40,000 and above price segment, said GfK that reports final consumption of the devices and not only shipments.

In March alone, the South Korean giant registered a massive 58 per cent market share in the flagship segment, riding on the success of Galaxy S9 and S9+ smartphones that were available for sale in India from March 16.

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A still from Marvel Studio's Avengers: Infinity War

Maybe because they thought I was some angrez-type, dissing one after another loads of films being dished out in the early 2000s - inevitably, a film producer or the other would proudly remind me back then, about how India (in this case, Bollywood) was absolutely the only movie market in the world where Hollywood, or the appearance of a Spielberg or George Lucas film in theatres, made no difference to the lives of local filmmakers, Subhash Ghai, Yash Chopra, if you may.

This was true for India, up until a decade ago; and yes, not true for anywhere else. Still, since the names mentioned to me were of filmmakers (no doubt, well-known/mainstream), I argued, this had a lot more to do with the reliably desi, nearly mythological star-system, that movies pivoted around and audiences lined up in cinemas for. You need a face to build a following (for anything). Any branding intern will tell you that. Hollywood had its own star-system. Few filmmaking cultures, apart from India and the US, did.

So sure, the handsomely paid Tom Cruise or Julia Roberts, or for that matter Superman/Batman, were huge in India as well. But, their films merely ran at exclusive cinemas for English films in bigger cities (say Chanakya, Sterling in South Delhi/Bombay).

Did the cash-rich Hollywood not wish to partake in the desi star, plus song, mainstream movies that enchanted millions? By late 2000s, American studios began setting up offices in Mumbai, cheekily over-paying Bollywood's lead cast, getting into lopsided deals favouring local producers, to make a direct entry into Indian markets, at last.

Bollywood films, more or less, remained the same, in terms of scale. For they weren't here to change the status quo. It suited them. The budgets (for them) were pocket-change, anyway. Major Indian filmmakers continued to feel safe in the face of a captive audience. In about a decade though, one region, small-town at a time, the American studios, having deepened a desi distribution network, began to spread out the release of their own global blockbusters that none in India could potentially compete with. The economics simply wouldn't match.

Spiderman first spoke to its audience in Bhojpuri in 2007. Ronald Emmerich's 2012 (2009), with the Taj Mahal in a shambles in the promo, with no such scene in the picture, had curious villagers walk over to nearest theatres to catch the end of the world. By 2012, even Ang Lee's deeply meditative, Life Of Pie, collecting R90 crore, had thumped the Akshay Kumar masala picture, Khiladi 786 (releasing around the same time), by a R20 crore margin!

Woah. Did desis stop loving their super-stars? Nope. They still do. Here's what happened. Hollywood altogether destroyed its own, entire 'star-system' instead - making films not about actors (or even directors, for that matter), but relentlessly concentrating their massive might/resources/energy on propping up super-heroes (several for the price of one), gigantic disasters, and dazzling 3D/IMAX special effect, to effectively conquer the earth while, sometimes, saving it on the big screen.

Perhaps 2015 was a turning point, when up until mid-year, three out of India's top five hits had emerged from Hollywood (rightly subtitled in English, even in their English versions). Fast & Furious 7 (basically racing cars) was the first film to hit R100 crore mark. Avengers: Age of the Ultron, and Jurassic World, had wholly crowded out domestic competition on the opening weekend.

These movies may have lacked a singular creative voice/vision, but they were fail-safe in the boardroom's understanding of markets, and shares. As is expectedly the case with the latest, stupendous success of Marvel's Avengers: Infinity War (having grossed over a record-breaking R200 crore, already) - where nothing exceeds like excess!

The global fan-boy pressure to get off on this pic (like many others), made critic-proof by critics themselves, is such that you simply don't want to be that guy pooping on everyone's parade. It's like being the first fellow to suggest the whisky being served from a Blue Label bottle at the boss's house-party tastes suspiciously like Aristocrat Premium: "Kya baat kar raha hai?" Naah, don't wanna be that guy!

Curiosity is irresistible. There's nothing to call out. Conditioning is complete. Indians can probably see in Thanos's quest for 'infinity stones' their own uncles, who wear similar rings for inter-planetary changes! Balance of the universe sounds a lot like 'srishti ka santulan' from Abhishek Bachchan's Drona.

The film itself being a Bollywood multi-multi-starrer, where in the end, Amrish Puri wins, and if you wonder how dead superheroes might stage a comeback-hey, Ekta Kapoor's been spinning this for decades. The premise of so many avengers, guardians, and devils, all in one, is lost on no one who devours Hindu mythology, with 330 million gods anyway. Yeah, this is desi entertainment. I say this listening to actor Ranveer Singh's voice in the Hindi trailer of Marvel's forthcoming Deadpool 2 go: "Kitna traas dega, Thanos." Sach mein, bro!

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).

Shiv Sena may have discovered a way to bend the BJP its way. The political precision with which the party snapped up the disgruntled son of a late BJP parliamentarian for fielding in the Palghar Lok Sabha bypoll has taken Uddhav's resolve of outsmarting the saffron frenemy to a decisive level. Uddhav wants to fly solo, escape BJP's trap for emerging as the single largest party in the state next year.

Palghar, a testing lab, may decide the fate of the strained relation between the two partners, which the Sena is using to try and carve a niche for itself by playing a detractor within and outside the government.

Uddhav has a spring in his step, as Sena prepares to run Palghar, and the guts to ask the BJP to withdraw from the race. It would be interesting to see who blinks first in a barter proposed by Uddhav. The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).

But will they reach a compromise? The possibility of the two parties backing out seem remote. There are others in the fray who too want the BJP defeated. The BJP has fielded a former Congress junior minister, Rajendra Gavit, who had started his political career with Janata Dal. Gavit came in amid high drama after Sena's nomination of BJP's late MP Chintaman Wanga's son Shrinivas surprised all. Gavit had lost two Assembly elections in a row for the Congress, and before that, he was unceremoniously asked to pull out for a BVS candidate in 2014 Lok Sabha polls.

'Well played, Sena'
The BJP camp does not admit it openly, but insiders say the Sena was tactically much superior this time. Sena explored the emotional turmoil in the Wanga family, which felt ignored by the BJP. The family members accused the BJP high command, including the CM, of not giving them audience. In response, Fadnavis blamed the poaching on Sena. He said it was unexpected of the ally, and that the BJP would win, with or without Sena.

The Palghar bypoll is important for the BJP to reaffirm its influence in the tribal belt. In the 2014 Lok Sabha elections, four out of the 48 seats were reserved for Scheduled Tribes, of which all went to the BJP, an unprecedented result. BJP had been contesting Dahanu (delimited and named Palghar) for many decades but with limited success.

In the Assembly, 25 of the 288 seats are reserved for STs. Of these, BJP won 11, followed by Congress's five, NCP's four, Sena's three and one each by CPI(M) and Bahujan Vikas Aghadi (BVA).

The results of Lok Sabha bypolls in Maharashtra should measure BJP's influence in the four years of government. Sena hasn't fielded in Gondia-Bhandara because its poor strength will never secure it a prominent place. Knowing his weakness in the region well, Uddhav paid an impromptu visit to Nagpur last week. Again, his was an attempt to create some nuisance for the BJP, where they expect BJP and NCP to fight straight.

Other factors in Palghar
For Sena, Palghar has turned out to be a sharper tool to cut the BJP to size. Uddhav has nothing lose in a skirmish that will be four-way in case some candidates don't pull out, while a victory would be a shot in the arm for Sena.

Former allies Congress and influential local outfit, led by Hitendra Thakur, BVA are also in the fray. BVA's role will be significant in splitting votes because it had won the LS seat in 2009, and lost the next to BJP, despite having its vote share of 30 per cent intact. In 2014, BJP increased its vote share by a whopping 25 per cent. BJP and Sena were together then, while Congress had withdrawn Gavit (now BJP's candidate) for supporting Thakur's candidate. BVA continues to be a big player in two urban Assembly segments of Vasai and Nalasopara, which Thakur and son represent.

If it were to ensure BJP's defeat, will Congress withdraw the candidature of former MP Damu Shingda this time? Congress insiders say supporting BVA may not be a good idea, and instead, the party should have a tacit understanding with the Sena for beating the BJP at the hands of the ally. But will that be acceptable to Congress, which is working to emerge as a strong alternative to BJP?

All eyes will be on developments taking place on Monday, the last day of withdrawal of candidatures.

Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com

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Just months after the newly revamped Kamala Nehru Park reopened, a little girl was left with a crushed thumb after she fell from a broken swing in the handicapped section. While the girl's parents alleged that the play area is not maintained properly, the authorities claim that the handicapped section was off bounds and the parents ignored the guards' warnings.

The park was reopened on February 23 this year, a little less than a year after it shut for a makeover. While the main section of the park was being renovated, the handicapped section remained shut. When the park was opened again, the children's facilities earned high praise. However, in mid-day's report on Saturday, a few parents came forward to say that the swings and see-saws were not well-maintained either.

Let us put the accent on quality at our parks. We have to remember that given the paucity of outdoor play venues for kids, there is a great rush to use parks that are available, and equipment is stretched thin because of the sheer traffic of children.

From the very beginning, the authorities need to focus on play facilities with endurance. They must also ensure that the rides are kept in top order, leaving no risk of such horrific accidents. Park authorities must keep a medical kit with basic supplies.

Having said that, children and their parents, too, need to respect park rules. They must follow instructions issued by the park officials and security. Parents must also ensure that facilities meant for differently abled kids are not used by everyone, as that defeats the purpose. Guardians have to remain alert and stop their wards if they try to access parts of the park that are not meant for them.

Blame games are counterproductive. Only quality rides, maintenance, security and respect for rules can ensure a great outdoors experience.

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Mayor Vishwanath Mahadeshwar, the first citizen of Mumbai, recently visited Metro III construction sites, and a front-page report in this paper has already highlighted how he blamed the wrong agency (Mumbai Metropolitan Region Development Authority rather than the Mumbai Metro Rail Corporation) for the possibility of flooding in the city.

While that was one aspect of the mayor's tour, it was his answer to our reporter's question about his view about the Metro work, that is cause for concern. The mayor said that although the BMC is the main planning authority of the city, the Metro authorities did not take permission from them before starting the Metro 3 work. They allegedly did not even take the civic body into confidence before beginning the project.

The mayor's answer was especially disturbing, considering the damage caused by the work to BMC's stormwater drains and sewerage lines. Because of this, there will be flooding if there is a rainfall of more than 300 mm. The state government will be responsible for the same, said the mayor.

Citizens are tired of the blame game that seems to have ensued even before the monsoon. They do not care which agency has done what, they only want to see that there is no major flooding this monsoon. If there is, the authorities need to work swiftly to ensure it is dealt with. Other service arms have to work to ensure the city does not go off the rails.

Every authority must be geared to if not prevent, then at least combat, all the challenges that the monsoon is sure to bring with it. We want to hear and see actions that reassure the public, rather than discouraging finger-pointing and statements loaded with ominous portent.

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Yakuza 6 is the final chapter in the Kazuma Kiryu saga and the debut of a new engine for the game. For those who have never played Yakuza before, there is a handy back story that you can read through complete with choice visuals from the previous game. Even without the story mode, the game is self-sufficient and you won't feel like you are missing something. It plays out like a melodramatic Japanese movie — there are lots of cut-scenes and it will be a while before you go around breaking bones and destroying property. Fortunately, the story is decent enough to keep you engaged, considering it is around 30 hours long.

For the uninitiated, you play Kazuma Kiryu, a yakuza, who is part of the Japanese mafiosi. The idea of the game is to go around completing the tasks assigned in the story mode. However, you are also in Japan, which means there are many fun distractions to while away time. In the past, these distractions have been many and made Yakuza a game that you could play forever. In Yakuza 6, however, the side activities are few, but they are well made. Some choices are playing mahjong, working out, playing baseball, visiting a hostess bar or a cat café.

The biggest addition to the side activities is the Clan Creator mini-game, where you direct gang members in a top down view of a brawl. You can add special characters to your clan, by defeating them in combat. This mini-game is a lot of fun, even though defeating your foes is often too easy. The overall combat in Yakuza is also super easy. Kiryu is capable of handling multiple thugs with just a few basic moves. You can pick up anything off the street and use it as a weapon. Building rage can trigger special moves, which is essentially just beating people senseless with whatever you have in your hand. The simplicity of combat makes it easy to learn, but it can get repetitive after a while.

Visually, the new engine shows off the cut-scenes and characters really shine through. The motion is seamless and once you are in an area, the game never stutters. Japan is recreated beautifully, it is like you are roaming the streets of the country. You can enter stores, narrow lanes and explore anything that is on the map. The game is a fitting end to the story of Kazuma Kiryu. The top-notch storytelling and the graphics more than do justice to the Yakuza series. More side activities and layered combat could have kept the game interesting beyond the main storyline, but despite all of this, Yakuza manages to entertain.

Yakuza 6: The Song of Life
Rating: 4/5
Developer: Sega
Publisher: Sega
Platform: PS4
Price: Rs 2,999

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Pics/Gautam Benegal

The setting of Gautam Benegal's A1 Chiken Sope cartoons is largely familiar to those who get their meat from the local market. The air is thick with down feathers, and dismembered bits of chicken scattered about, with butchers being none too fussy about our sensitive nerves. In Benegal's hands, however, this scene is turned into a humorous commentary of our contemporary socio-political scenario.

A1 Chiken Sope series, where we meet a butcher named Salim Bhai and his rather chatty coop of chicken, has been one of Benegal's longest series. The National Award-winning animation filmmaker and cartoon first invented A1 Chiken Sope in 2006 for the supplement of a newspaper, after a bird flu scare, when people had stopped consuming chicken. The poultry business was evidently suffering. A minister smuggled in a tandoori chicken leg into the Lok Sabha, and started eating it to prove that it was perfectly safe. "I drew a cartoon of a chicken shop where one bird boasts to another, showing the headlines, 'Hey guys check this out, my second cousin, twice removed, made it to the Lok Sabha'," says Benegal, 52. In 2009 A1 Chiken Sope found more takers, the year when Benegal joined Facebook.

Having made nearly a thousand cartoons in this series, he says, "On social media, you can post a rough sketch and it becomes a mass pool of conversation with several people contributing to it, which is not the case with mainstream media," he says. The chicken, or chiken as Salim Bhai's shop terms them, play the role of both the naive public and the court jester. In one cartoon, the chicken bid adieu to their former coop-mate, bundled in a black bag, as Salim Bhai hands it over to a customer. "There goes Sonu... recruited into the militia," says one hen. "The chicken's work is to get slaughtered. They are a captive population, but a large percentage is happy at being kept. There is a person who is their benefactor, and is selling them out. We are all chicken," he says, adding, "There is an existential angle to this. The only way to escape is to stop being chicken," he says.

About 35 of these cartoons will be shown at Chemould Prescott Road, Fort, starting May 25, for 10 days. You may want to pay close attention to Benegal's caricatures, where the strength of these cartoons lies. Rather than state the obvious visually, Benegal thrives on allusions and references. Everything is an open secret. "I draw a lot from the earlier part of the century, when cartoons were couched in symbolism and stylised references. The latter is true in my case — it's like guerrilla warfare. You won't be able to put your finger on it, but everybody knows and everybody smiles about what they are seeing," says the cartoonist, whose first brush with the art was as a 15-year-old with Satyajit Ray's children's magazine, Sandesh.

There is a certain rawness to them, with a lack of standardisation that we may see with daily cartoons in mainstream media. And Benegal is not interested in polishing them up either. His taste in cartoons, for that matter, is very James Thurber, the American cartoonist who was featured regularly in The New Yorker, and the late Abu Abraham, whose worked for several publications, including Punch and The Observer. "We are used to a very gentle form of cartooning in India, be it themes or visuals. I wanted A1 Chiken Sope to be very ad hoc, much like how politics in India is," he says.

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When the first State of Decay came out, it was unique in the way that it focused on the survival aspect of a zombie apocalypse rather than the all-out destruction and gore of killing countless zombies. With the new game, the developers have focused their attention on the community aspect of survival.

Right from the start, you get to choose two characters instead of one and each group and character has their own strengths, skills and background. Like the previous game, you can make your posse and build a base of operations complete with a farm and fortification. There are three open world maps — each the size of the map in the original game.

This huge world is littered with empty cabins, new places to build outposts and gather resources. Risky as it may be, the game forces you to explore resources simply because weapons break and you can run out of fuel, food and medical supplies. Venturing out also helps you meet new people to add to the community. State of Decay 2 really hits you home with all the death — losing a built-up human resource can be painful. You can die by getting killed in combat or by way of infection.

Dying in combat is also rare as the AI-controlled characters do a good job of handling themselves, while you take care of business. The only real time you are in danger is when you encounter morbidly obese super zombies that can tear you apart. These guys are tough, but they are the most fun combat you will face in the game, second only to running over zombies with a car, which could have been better if the cars handled better.

Plus, it pays to remember that fuel is a limited resource that you might want to save. Scavenging for resources is fairly simple — if you need fuel, you can raid a gas station; if you need food, find a convenience store or abandoned encampment. Gathered resources can be used to build up, upgrade and fortify your own camp. While there is a ton of stuff to do in the camp and in the surrounding areas, State of Decay 2 does have a main story.

The story mode is a great way to learn about the game and experience various situations as you search for plague hearts to destroy. Plague hearts are throbbing masses of flesh, and it is what produces the infectious plague zombies, identifiable with their glowing eyes. To reduce their numbers, you need to find and destroy the hearts. While the story mode is fulfilling, the camp building and exploring is where the game's strength lies.

We played an advanced copy of the game and the final game will be released on Tuesday. State of Decay 2 still has a lot of bugs, which hopefully will be ironed out soon. Some bugs we encountered on the PC version of the game were floating zombies, breaks in rendering and freezing. This is not a big issue and the developers are sure to patch this over time. And, while the game is very competitively priced, we would recommend waiting for a future bug-free version before jumping in.

State of Decay 2
Rating: 3.5/5
Developer: Undead Labs
Publisher: Microsoft
Platform: PC, XBOX
Price: Rs 1,924

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Eat with your hands, please," Lloyd Braganza who runs one of Goa's most popular restaurants, tells us, rolling up the sleeves of his floral shirt, revealing a koi fish tattoo. We are at Copper Leaf, one of the best fish thali destinations at Porvorim, and for company we have chef and restauranteur Braganza, his wife Nerissa and their seven-year-old son Naethan. Llyod stops talking when the thali arrives. A mound of rice and a crispy fillet of matzo are skirted by coconut curry, clams masala, kismuri (dried fish and coconut salad), bhindi fry, gulab jamun, sol kadi and banana.

"This is Goa's most authentic thali, and locals as well as tourists come here for their fill," Marissa tells us. The fish has a sweet freshness, and the curry is hearty. The meal switches on our sussegad mood. But, there's more to this stop than indulging in gluttony. Six years after enticing Goans with delicious meals at his eatery, House of Lloyd, the family is set to open shop in Mumbai and ahead of its launch, the Braganzas are happy to give us a tour of their Goa-inspired menu.

The pork chops

Fish Market: The next stop is the Malim jetty where most of the fresh catch of the day coming in from along the coast is sold. Scenes of women haggling over prices, to fishermen unloading their catch and slicing the guts, greet us. We see ribbon fish, ponies and sole fish drying in the sun, apart from mud crabs piled in open crates.

Yeast Ecpected, Poie: We are at a nameless bakery. We enter a small room that opens into a dungeon-like opening with a woodfire oven burning a crimson orange. In a corner, a mixer is folding dough. One of the bakers, Gajanand Naik, shows off a basket full of poie. "At midnight, we start making poie. The dough is mixed for 30
minutes and left to rest for three hours," says Naik. Made from husk and wheat, the art of poie has lost a prominent ingredient — the toddy. When the Portuguese introduced the bread in Goa, they replaced yeast with locally available toddy.

Plum and white chocolate with vodka

Rassa Omelette: Our next stop is, again, an unnamed snack stall. "You are known by your product. There's no need for a name," Braganza laughs. A server puts a fat chunk of omelette on a plate and drowns it in rassa. We tear a piece of poie, that soaks up the gravy. The fluffy omelette and poie do little to douse the spice notes from the Kashmiri chillies and garam masala giving the curry its kick.

Fruit Cocktails Pork chops and Serradura: Our final stop is at House of Llyod, situated on the veranda of his 150-year-old ancestral home. Braganza has thrown over a chef's coat over his shorts and is busy behind the bar. Christmas seems to have come early as we alternate between a green jalepeno-passion fruit cocktail and a vodka-spiked plum and white chocolate. No sugar, juice or additives, the cocktails are blitzed on order. Braganza's food sings a melodious tune, one whose lyrics have been written over years oscillating between struggle and success. In 1996, his first venture was Chopsticks, a Chinese restaurant at Baga, which put him on the Goa culinary map. "I had no culinary degree and brought on board a chef from Royal China in Mumbai, to help. By 25, I had money and luxury cars. Then, I had to shut shop because of losses, " says Braganza. He began at the lowest rung, again, as waiter. In 2003, he opened Lloyds, a five-table Goan and barbeque restaurant in Calangute. Partners drove his business to closure in 2011. "Nerissa coaxed me to give it one more try. It would be my last one, I told her," Braganza recalls. The same year, together they rebuilt the restaurant on the current premise — a tile-roof open-air tent that gives the feel of a garden setting overlooking the heritage property. She took charge of the front of the house, and he revisited his childhood to master family recipes with his mother.

The Juhu outpost. Pic/Ashish Raje

Soul Food: Goan food, says Branganza, is meant to be consumed two days after it has been cooked. The gravies thicken from concentration of flavours. We understand this when we dip a garlic poie into a bowl of bloody red sorpotel. The spares have merged with the spices and transformed the curry with meaty flavour. This dish is one of the most tedious to make, Braganza says. "First, you boil the meat, dice it, and fry the parts separately. After frying the onions, you add the meat that will hold the masala," says Braganza. While it is best served three days later, chef has a serving reserved for himself that is two years old. For the Mumbai outlet, all the house curries and sauces, along with poie, will come from Goa. The most awaited dish — the barbeque grilled pork chops — makes an entry. "This takes me back to my heydays. At Lloyd's, when I fired the grill, people would follow the aromas to order the dish that was smelling so delicious," says Braganza, falling silent when the dish arrives. The meal ends with Marissa's serradura, a classic cream and biscuit pudding. The dry powder is soothed by the creamy condensed milk mush and we lick our spoons clean. We can't wait to have the next serving back home. Mr and Mrs Braganza, welcome to Mumbai.

Chef Lloyd Braganza with wife Nerissa and son Naethan

Also read - Mumbai Food: Chef Raji Gupta's pop up offers flavours from Kerala to Goa

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Representational picture

Washington D.C.: Gaybourhood, or traditionally gay neighbourhood, still face a subtle form of discrimination from 'straight' people. According to a study conducted by the University of British Columbia, straight people living in such neighbourhoods, say they support gay rights in theory, but many interact with their gay and lesbian next-door fellas on the street in ways that contradict those sentiments.

"There is a mistaken belief that marriage equality means the struggle for gay rights is over," said Amin Ghaziani, the study's senior author. "Prejudice and discrimination still exist- it's just more subtle and difficult to detect."

The researchers interviewed 53 straight people, who live in two Chicago gaybourhoods - Boystown and Andersonville.

They found the majority of residents saying that they support gay people. However, the researchers found their progressive attitudes were misaligned with their actions.

While many residents said they don't care if people are gay or straight, some indicated that they don't like gay people who are "in your face".

When asked about resistance from LGBTQ communities to the widespread trend of straight people moving into gaybourhoods, some of the people interviewed responded with accusations of reverse discrimination and described gay people who challenged them as "segregationist" and "hetero-phobic."

Some said they believed they should have open access to cultural gay spaces, and were surprised that they felt "unwelcome" there.

"That feeling of surprise, however, exemplifies a misguided belief that gay districts are trendy commodities when they are actually safe spaces for sexual minorities¿, added Ghaziani.

When the researchers asked residents if they had done anything to show their support of gay rights, such as marching in the pride parade, donating to an LGBTQ organization, or writing a letter in support of marriage equality to a politician, the majority said they had not.

Many also expected their gay and lesbian neighbours to be happy and welcoming of straight people moving into gaybourhoods, expressing sentiments like, "you wanted equality- this is what equality looks like."

With gay pride celebrations fast approaching around the world, Adriana Brodyn, the study's lead author, said it is important to pause and reflect on the state of LGBTQ equality.

"I hope that our research motivates people against becoming politically complacent or apathetic," she said. "If we do not motivate ourselves to be aware of this subtle form of prejudice, then it will just continue to perpetuate."

The study appears in the journal City and Community.

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The eight-year-old's name floats about in your head like a fly - not so long ago, buzzing around insouciantly - fallen into a cup of tea gone stale and cold. A child, who would have perhaps stared at you with demurred confusion were you to read the chargesheet for her abduction, rape, and murder to her. "Myean beyni! Emuk matlab kya chu may wann te (My sister! Tell me what does that mean)," she would have asked in Kashmiri. The case sparked widespread national outrage, and social media was taken by storm. However, amid much of the hammering that has taken place after the Kathua rape, a relatively quieter means of dissent surfaced in the form of art on Instagram. Meet its makers.

Orijit Sen,
A veteran artist based in Delhi
"I had been hearing things but I was busy with deadlines so I wasn't aware of all the details until I took a break. When I read about the case and the chargesheet, it made me sick, but then I saw her photograph and it left a deep impact. It haunted me. I added the horse because I read that she had been abducted when she was out herding horses.

It was like her guardian spirit. The wildflowers in her hand signify flowers she may have collected and the meadows around, because I read that playing in the meadows was her favourite thing to do. The shadows on her face are to obscure her identity and in all, I was just trying to capture the vulnerability and innocence of a child her age. I think to me, the image portrays a child of the meadow, returned," he explains.

Abhilash Menon,
visual artist and illustrator from Mumbai
"When the agony gets too much, the voice inside me takes over. The hands of a criminal are always eager to touch flesh, with insane brutality. Such criminals don't shy away from wearing the mask of cast, creed, colour, religion or politics - as depicted by the five fingers in the image - but when the masks come off, they are all the same.

The five fingers here are in the shape of the male genitalia, establishing the mindset of such criminals - decadent and unbeknownst to human values and pain. Irrespective of their background, they should be delivered the harshest common punishment, so that others abhor an act such as this. Punish these delinquents and bring peace to the soul of that little girl."

Sourabh Basu,
Student and Kolkata-based graphic designer
"My illustration focuses on the multiple thoughts running through her head in the moments before her death. She might have cried, struggled in pain, the pitch of her voice might have been unbearable. She might have cried out for her mother, hence the text 'Ma'.

But it also depicts that she was in a temple, a goddesse's shrine, which to most of us is also an abode of the mother. In those last minutes, she must have been filled with hatred toward the world and its cruelty."

Satish Acharya,
Well-known Kundapur-based cartoonist
"I couldn't believe that people could be so cruel to an eight-year-old. Her thoughts started haunting me. I was saddened to see that some people were shamelessly defending the rapists. I did a series of three cartoons. The first one was about how the little girl is receiving so much love from us, but what she deserves more is justice.

The next two panels are about how nothing has changed since the brutal Delhi gang rape. In spite of a revised law named after the victim, rapes continue to be used as a tool to scare and hurt women, to settle political scores, to impose age-old gender biases and caste hierarchy. What was also worrying was how divided the country was unlike in the case of Nirbhaya which was protested in one voice."

Saira Khan,
Toronto-based Health Studies and Psychology student
"This artwork is not only dedicated to the eight-year-old, but to every child who has been a victim of rape and physical and psychological harm. The news of the Kathua rape reminded me of Zainab, a six-year-old Pakistani girl who was raped and murdered in January.

The illustration is that of a faceless and nameless girl and the hashtag #Justicefor, has been left incomplete to depict that in a society where rape and violence against women is ingrained, one name can soon be replaced with another. The shards represent brutality and crimes against women and children. The use of red paint is to depict the urgency of the message," she explains.

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There are many single parents in India. Not too long ago, a single parent was equal to a woman raising her kid/s. But this is changing. We already have three friends who are single dads - not just divorced - and they wholly look after their kids.

And the best way to know that single dadhood is no longer an aberration is the fact that we now have souldads.com in India. The brainchild of Chetan Shah, it intends to be an online support channel for single parents, especially fathers. Shah shares his experiences and challenges, and invites readers to participate in the conversation. The blog posts dwell on education and parenting, and the emotional challenges of relationships and parenting. While the blog claims to post solutions to overcome them, we didn't see any. A revisit to a site would only happen if it provides solutions. And Souldad.com does not.

Single dads, like moms, need to work full-time to support the family, and it would be great if (like babychakra.com) an online community answers practical and logistic concerns, such as:

• As a father, where can I find nanny/daycare, governess/companion for my children?
• Does anyone offer babysitting services for a day/week/short period?
• Do you have lists or agencies that provide cooks or dabba facilities; as a package, or otherwise?
• What do I do on festivals? I want my kid to be in touch with their roots, and I have no clue.
• I need to travel out of the country for work; what do I do?
• Where do I find tutor lists?
• Kids have a tough time after their parents separate. What do I do if I think my kid/s may need hand-holding or a counsellor?
• What are the safe and clean places I can send my kid/s to play under a nanny's supervision?
• In cities where nuclear families are a norm, daily firefighting is part of any working parent's life. For single parents, even more. Perhaps, it is because they have just started off, but souldads.com needs to address any or more of the above issues if they intend to be a must-see, must-visit online space for single dads.

Log on to: www.singledad.com

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(From left) Muazzam and Rizwan

While most Indian music aficionados consider Rahat Fateh Ali Khan as legendary Pakistani Sufi singer Nusrat Fateh Ali Khan's only successor, his nephews Rizwan and Muazzam are also making a mark across the world. The Rizwan-Muazzam Qawwali Group, which comprises the brothers (lead singers), five secondary vocalists, two harmonium players and a tabla player, performed at the recently concluded Gold Coast 2018 Commonwealth Games.

To take their family's five-century-old legacy forward and shoulder the responsibility of being Nusrat Fateh Ali Khan's nephews is no mean feat for the musician duo. "Nusrat saab's music was great. The expectations motivate us to work hard and keep up with his legacy," says Muazzam, as he talks about their greatest learning from their uncle-guru, Khan. "The fact that we can perform in front of a huge audience and impress them with our recitals is because of him. His teachings have helped us master the art of ghazals and qawwalis. Besides being an amazing artist, he was also an amazing teacher and person. Whatever we are today is because of his teachings."

Nusrat Fateh Ali Khan

Though they perform different genres, their specialisation lies in qawwali and ghazals. "We also perform spiritual and contemporary music, and collaborate with musicians from across the world, but qawwalis and ghazals are our first love," says Rizwan.

While Rahat has explored Hindi film music and enjoys a huge fan base in India, the duo is also keen to do more work here. "We enjoyed visiting India a couple of years ago for a multi-city tour. We performed in seven cities, including Mumbai. It was an enriching experience as the audience in every city was warm," says Rizwan, adding that the duo counts Ustad Zakir Hussain, Ranjit Barot, Sivamani and L Subramaniyam among their favourite Indian musicians.

Expressing their wish to venture into Hindi film music, Muazzam says that they would love to collaborate with Indian composers. "Since Bollywood welcomes budding artistes warmly and gives them opportunities, we want to explore Hindi film music soon. In fact, Pritam da reached out to us and expressed an interest in getting us on board for his films. We are looking forward to working with him," he says.

Meanwhile, they are currently exploring the indie music space in India and working on an independent track with an Indian artist — they won't tell us who. "We are also in talks with a few music labels in India," says Muazzam.

Also Read: Rahat Fateh Ali Khan Backs Out Of Recording Fearing Pakistan Backlash

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Caroline (Laura Mishra) pours out her fears about her rocky marriage to the governess Ms Chacko (Pooja Nair)

All the world's a stage, but that doesn't make all of us actors, as we discovered after three long hours of watching an adaptation of Agatha Christie's Go Back For Murder by the theatre group, Making Noise. The play follows the protagonist Chloe Miranda (played by director Laura Mishra), on her journey to prove her mother innocent of her father's murder.

The catch is, the murder happened 15 years ago, and her mother is no longer around to defend herself, having passed away in prison. So, Chloe joins hands with her lawyer Filip Calisto (male lead essayed by Navin Talreja) to piece together who really killed her father. They track down friends and family members who were present on the day of the murder. Everyone returns to the scene of a crime in Goa to recreate the events leading up to the murder.

True to form, the tight plot devised by the queen of crime writing keeps the audience guessing until the very end when the killer is finally revealed in the denouement.

Unfortunately, there is another murder that needs to be addressed — that of the play itself. The warning signs appeared from the very beginning: Actors stumbling over their words, even forgetting their lines at times; lacklustre delivery was a problem throughout the play. Direction was, dare we say, missing. Actors killed a ridiculous amount of time milling about on stage, unable to hold still even during conversations with other characters. As a result, even though the advertised run time was two hours and 15 minutes (including the interval), the audience was trapped for an extra 45 minutes. The delay did not go unnoticed by the director, who apologised for having taken up so much time.

It would not be an exaggeration to call the performance a snoozefest; many in the audience had nodded off within the first half hour, while others gave up and left the auditorium midway.

Actor-director Laura delivered one of the few believable performances but failed to draw out the same from her cast. There were other peculiar directorial calls, such as one of the characters holding the same cigarette to his mouth for over two hours. In all the scenes with multiple characters, several actors had visibly zoned out on stage while the lead actors droned on. A theatre aficionado who accompanied us said it was like a "school play", hardly the kind of fare one would expect to see at St Andrew's Auditorium.
When: May 27, 7.30 pm
Where: St Andrews Auditorium
Entry: Rs 200-Rs 1,000
Contact: 26410926

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A major fire broke out at a Big Bazaar outlet in Matunga West area on Monday afternoon. As per reports, the fire broke out in a ground-plus-one building housing. However, no casualties have been reported so far.

Several Fire Brigade personnel, one ambulance and a Quick Response Vehicle reached the spot to douse the flames. Five fire engines have also been deployed at the spot, said the officials.

All the people inside the store at the time of the fire were reportedly were to rushed out to safety and no casualty has been reported as yet. Firefighting operations were continuing.

A similar incident occurred last week in South Mumbai. According to reports, a fire broke out at the famous Crawford Market area. Reports also state that four fire engines were immediately rushed to the spot.

The fire engines are currently making efforts to douse the flames at Crawford Market. No casualty was reported in the incident, he said.

The blaze erupted around 10.50 am at the shopping centre located behind a mosque on Abdul Rahman Street and spread rapidly in the complex, the official said.

Several electronic goods, plastic, stationery items and electric installations were gutted in the fire, he said.

Four fire engines, as many water tankers, and a quick response vehicle were rushed to the spot, he said. The fire brigade personnel managed to extinguish the flames after hectic efforts for about an hour, he said.

Also Read: Mumbai: Major fire at a chemical plant in Dombivli MIDC

The exact cause of the blaze was yet to be ascertained, the official said, adding that a probe was on into the incident.

(With inputs from PTI)

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Mumbai: Bollywood actor Kangana Ranaut has said Indians were, in the past, enslaved by an 'Italian government', in a veiled jibe at the Congress party. The 32-year-old, while speaking to reporters after casting her vote at a polling station in Khar area in Mumbai on Monday, said, "This (polling day) is a very important day for us, it comes only once in five years. I feel India is gaining independence today in real sense. Earlier, Indians were slaves of British, Mughal and Italian governments. Please exercise your Swaraj (independence) and vote."

The 'Italian government' remark is an apparent reference to UPA chairperson Sonia Gandhi, who was born and raised in Italy. Gandhi was the president of the Congress party for nearly two decades before handing over responsibilities to her son Rahul Gandhi in December 2017. Kangana went on to say that the situation that prevailed in the country was the worst during Congress' government at the Centre.

"The political leaders used to chill in London and the country used to suffer from an array of issues like poverty, pollution, rapes etc. The situation in our country was worst when Congress was in power. Now that our time has come, we should vote in large numbers," she added.

Polling was held on Monday for 72 seats across nine states including five seats in Bihar, one in Jammu and Kashmir, three in Jharkhand, six each in Madhya Pradesh and Odisha, 13 each in Rajasthan and Uttar Pradesh, eight in West Bengal and 17 in Maharashtra. An overall voter turnout of 64.05 per cent was registered in the fourth phase of polling. Seven-phase elections will end on May 19, and results will be declared on May 23.

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Illustrations/Ravi Jadhav

Girgaum, Kamat Chawl Thakurdwar
Celebrating the festival for the last 122 years, simplicity is key for Kamat Chawl residents. And they are happy to share tales from the forgotten pages of history and freedom struggle. Here, they do not follow the concept of themed decor and celebrate the festival in an absolute traditional manner. The idol is made of eco-friendly material called shadu. Following the spirit of why the festival was started in the first place, the pandal is built by the residents and each one volunteers to manage the space and the stage area.

Khetwadi, Tulsi Building Sarvajanik Ganeshotsav Mandal
This is the 75th year of the pandal and, like each year, the Ganesh idol is made up of different things, mostly edible. For instance, dry fruits, cereal and pluses, chikki, and stationery and diamond have been used. This year's focus is on kids and the theme is Disneyworld. The idol is made of Cadbury chocolate and the children cannot wait to see their favourite sweet take the shape of their favourite deity.

Malad, Shree Sai Darshan Mitra Mandal
For the last 11 years, this eco-friendly Ganesha has been a hit with devotees. Made from paper and cardboard, the organisers use various concepts including football erasers, pencils and cars. This year, Bappa is giving a shout out to nostalgia as the idol is made of old coins of 1 paise, 10 paise and 20 paise. The mandal's focus is to create awareness and education, especially about global warming.

Ghatkopar, S G Barve Nagar Sarvajanik Ganeshostav Mandal
Since 1966, the pandal's idols, one large and one small, have been luring devotees to this suburb. This year's theme is a dreamy fusion of a golden pillared palace, the religious oeuvre of Om Ganapataya namah and the galaxy. A daily bhandara of rice, dal, chole, bhaji, papad, pickles and gulab jamun feeds a thousand people. A blood donation drive along with free blood test and blood group check is done during the 10 day period.

Fort, Fort Vibhag Sarvajanik Ganesh Utsav Mandal
Celebrated since 1956, this is one of the biggest fully centralised pandals in the city. This year, they have invited special artists from Rajasthan to create a palace setting. Their finesse and specially crafted artwork adds to the grandeur of the pandal. While you are here, you can easily spot a celeb or two. The maha aarti, especially for the police department, is scheduled for tomorrow.

Thane, Narvir Tanaji Mitra Mandal
For the last 38 years, this pandal has been not only known for its large murti and grand themes but also for reaching out to those in need, especially in rural areas. Bappa will happily rest in the grand Rajasthani Palace and overlook the tasks the members of the mandal will take up. Medical camps and a beautifully curated cultural programme that will see participants sing, dance and create beautiful flower arrangements and rangolis are in store for the Utsav.

Tilak Nagar, Sahyadri Krida Mandal
For the last 41 years, this pandal has been dedicatedly putting up themes on social awareness. This year, their theme is 'Jai Jawan, Jai Kisan, Jai Vigyan' and will include artworks illustrating places from Kashmir to Kanyakumari, highlighting important destinations like the Himalayas and Madurai's Meenakshi Temple. These will be interspersed with reproductions of the metro, rail space research, army personnel and agricultural families to show how they co-exist to form an integral part of society.

How do you improve on a 1998 game that is so good it is still played today? Not many games can make that claim but Starcraft can with legions of fans and stadium level competitions not bad for a 20-year-old game.

The original Starcraft is free and so anyone with a battle.net account can potentially download and play it, no fancy hardware required. The remastered version, however, costs $15 and it is worth every penny. The game's graphics and sound have had a major update, you can also play multiplayer online complete with leaderboards.

While the new game is friendly to first-time players the online multiplayer is brutal. Prepare to die in minutes. Unfortunately, there is no system in place to train players in the complexity of multiplayer battles in a game that people have been potentially been playing for 20 years.

For fans of Starcraft there is everything that you would ever want in the game. The original game mechanisms are untouched which means everything plays as it should.

Starcraft Remastered
Rating: 4/5
Developer: Blizzard Entertainment
Publisher: Blizzard Entertainment
Platform: PC, Mac
Price: $14.99 (Rs 960 approx)

Uncharted has dropped its latest installment and it is significant simply because there is no Nathan Drake, the protagonist of the previous Uncharted games. Instead, this time, you get to play with Chloe Frazer backed with Nadine Ross, who are in India searching for the Tusk of Ganesh. We don't know if Naughty Dog planned this, but a game featuring a Ganesh related artifact releasing just around the time of Ganpati Utsav is pretty good timing.

The game unfolds in the mountains of India during a civil war, with everything you would expect, in an Uncharted game — lots of fast paced gun play, spectacular ancient ruins, overgrown jungles and easy to solve puzzles. It is a formula that has worked well for the series in the past and why would you mess with something that works.

You may find both Chloe and Nadine familiar if you have played Uncharted before, they have appeared in the previous games. Chloe as a sidekick in two games and Nadine as the antagonist of the last Uncharted. To get the artifact that leads to the Tusk of Ganesh, Chloe infiltrates the war-torn city dressed in a kurta, she looks very Indian in the outfit. This is very different from any other Uncharted game because it deals with claustrophobic, garbage-filled city streets instead majestic jungles the game is used to. It's a nice change but a short one, once you manage to find the relic it is straight off to the jungle for you.

The Lost Legacy is a lot like Uncharted 4, it plays almost similar, some of the guards look familiar and even some of the ruins. The game is comfortable with what it is and there aren't any new surprises that push the gameplay forward. What it excels at is the ride and that is an action-packed ride that would put Indiana Jones to shame. What you can do is enhance the experience with their new photo mode, it makes everything a little more fun. The photo mode lets you change the expression of Chloe's face temporarily. This, of course, can be used to take hilarious screengrabs.

The game looks amazing on the PS4 Pro, the jungles and the ruins are grand to say the least, enough to make you want to go a nearby forest in search of ancient picturesque monuments. It's a nice use of local mythology to create a brilliant fantasy world.

Uncharted: The Lost Legacy is great for newbies. Since it doesn't require you to have previous knowledge of the characters or any hard to play sections, it is pretty much a no-brainer for any gamer.

Uncharted: The Lost Legacy
Rating: 4/5
Developer: Naughty Dog
Publisher: Sony
Platform: PS4
Price: Rs 2,499

The Escape Room

U/A: Drama, Mystery, Sci-Fi
Director: Adam Robitel
Cast: Taylor Russell, Logan Miller, Deborah Woll, Jay Ellis, Tyler Labine
Rating: 

These so-called 'live' reality game movies occupy a sub-genre of their own and Hollywood has been churning out quite a few of them following the Young Adult's obsessive fixation with material that encompasses it in entirety. But they are not all as thrilling or compelling as the first few that made it to hit franchise levels.

'Escape Room' is basically a set-up to get rid of six nondescript lone survivors through a series of life-threatening puzzles designed to test their survival instincts. And why pray does that have to happen? There's not much explanation here for that. Just swim with the tide, is all they ask. Unfortunately, it's not that easy for the audience because the viewer has to constantly suppress the disbelief that springs up every time the participants go through haranguing moments that willy-nilly put their lives in peril.

Check out the trailer here:

This is a far more perilous version of the more recent spurt of high-risk Telly games and since we don't get to know or understand the participants' motives (other than the 10,000 dollar prize money) it's difficult to empathize or find a reason to pay attention to their trauma. The writers also use some uninteresting physics theory to justify the random six players' participation in a largely predictable schema of disjointed thrills. They are made to go from intense heat to intense cold, then to a gas chamber, a space crusher and a few more vicarious routines before the winner can be decided.

While the production design is vivid, there's not much holding it together. Nik Dodani as nerd Danny, Jason Ellis as irritating yuppie Jason, Tyler Labine as trucker Mike, Deborah Ann Wolf as the tough, capable war vet Amanda, Logan Miller as a young alcoholic Ben and Taylor Russell as a withdrawn college student Zoey put in imminently indistinct, forgettable performances. The writing is largely formulaic too and the helming lacks serious edge. There's really nothing here to hold your attention for the near 100 min runtime.

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Ek Ladki Ko Dekha Toh Aisa Laga
U/A: Drama, Comedy, Romance
Director: Shelly Chopra Dhar
Cast: Sonam Kapoor, Anil Kapoor, Juhi Chawla, Rajkummar Rao
Rating: 

Towards the film’s climax, Rajkummar Rao, who plays playwright Saahil Mirza in the film, tells those watching his play to do so ‘from the heart’. It’s imperative that we follow this instruction, because, like with every Bollywood film, it’s easy to dismiss this one on many technical frailties. But, what you can’t fault, is its intention to depict a love story for what it truly is — a love story. Why does it matter if it is about a woman falling in love with another woman?

Written beautifully by the prolific Gazal Dhaliwal, Ek Ladki Ko Dekha Toh Aisa Laga breaks perceptions to introduce to us what normal truly implies — being compassionate about one another’s uniqueness. The point, in this case, isn’t to merely celebrate homosexuality and treat it as the regular. It attempts to reiterate that even personal choices, like those of marriage, career, or love, must be respected. Being rendered claustrophobic shouldn’t be the outcome of accepting an emotion that goes against the tide of societal norms. The narrative’s tapestry is woven with care and compassion; it evidently comes from a personal space, for Dhaliwal.

Watch the trailer here...

The film kicks off with a play about love in the age of Tinder. Leading lady Sonam K Ahuja’s Sweety brutally criticises this as “upar-upar ki love story”. Sweety is forced to live a life of shame. A closeted lesbian, she struggles to come to terms with her own orientation. Her family’s unwillingness to acknowledge it, a brother who pressurises her to ‘fix’ herself, and persistent loneliness, makes her journey cumbersome.

Sonam plays Sweety with charm and earnestness, and is yet uninhibited when she must be fierce. It takes courage to back a script of this nature, and she gets full marks for doing so. Rao’s Saahil shows compassion in his scenes with Sweety. Another cast-member, Anil Kapoor is affable. Given that he is as closeted as his daughter in the film — Anil’s character is a chef at heart who is stuck in a business of garment — the final scene of acceptance seems to come from a place of empathy.

What doesn’t work, however, is director Shelly Chopra Dhar’s constant ploy to whip up mystery around Sweety’s orientation. Her big revelation comes with orchestrated music, a futile attempt given that the title and trailer are revealing of the plot. There is also a latent desire to underplay the theme. Sweety’s partner, Kuhu (played beautifully by Regina Cassandra) gets a mere 15 minutes of screen time. Yet, it doesn’t particularly take away from the final product.

Commendably, Dhar manages to keep the film from becoming preachy. But, what she achieves with this feat, she instantly loses when Sweety says Saahil must be a saviour for others like her. It is offensive, given that it treats heterosexuals as the all-powerful, while the unique as those who need rescuing. Despite the faltering and the flaws, this one is a hit for every romantic. It’s never too late to celebrate love without labels, right?

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Gully Boy
U/A: Drama
Director: Zoya Akhtar
Cast: Ranveer Singh, Alia Bhatt, Siddhant Chaturvedi
Ratings: 

What does it take to so gently bottle up an overflowing volcano like Ranveer Singh, into a completely subdued bloke like Murad? Who is yet someone with such seething anger within, wholly internalised, that you can almost sense his brain inhaling life and surroundings, and exhaling potent words of poetry, in response? It's the script/story, Gully Boy, of course.

Kya bolta hai, bhaay! Lead actor Singh, like this newspaper, grew up in the city this film is set in. He's perhaps, for the first time, playing a character so close to home, and yet so far. For it's also a city that so perennially lives in the cross-section of classes, that all it takes for you to see Bombay and Mumbai at once, is to draw your curtains wide, from any point in the bustling metropolis.

Singh's leading man Murad operates from right at that casual intersection - a college-going temp driver during day (or night), and an amateur rapper, 24x7. There's, on the one hand, plush interiors of high-rise Bombay. And, on the other, stuffy squalor of the city's lower-deck (worthy of poverty tourism), shot by Jay Oza, in a natural gold-dust palette - almost like a dream.

Around these two natural extremes, and with several layers between, Gully Boy is foremost a befitting tribute to Bombay - among very few places in the world where popular art has traditionally existed as possible exit-route for someone born into rags, or resigned to fate/naseeb.

A lot of the times, it's taken a full chawl/slum to raise a star (lyricist, composer, actor, name it). Besides, Internet has made showbiz redundant, making it possible for anyone to pole-vault into stardom, with growing hits, likes, and shares on social media - a fact that was equally well tackled, around a Baroda girl, in Advait Chandan's recent Secret Superstar (2017). And it's the same Internet providing access to inspirations, worldwide.

This is in that sense a global story with a Mumbai heart - totally bereft of any obvious, on-screen self-awareness. Only fair that it should come from director Zoya Akhtar (Luck By Chance, Zindagi Na Milegi Dobara) who, if I'm not mistaken, first developed deep interest in filmmaking through Mira Nair's iconic Salaam Bombay! (1988).

Not one to make gender distinctions among directors, or indeed actors (talent's talent, of course), but I do feel it is Akhtar's deft touch that allows for the female lead character (25-year-old Alia Bhatt: astoundingly amazing, almost as always), and her life's story and insecurities, to take root, and equally flower within a film that is essentially centred on two Mumbai, local, raapchik Rap artistes.

And there's as much to be said about the fact that while the film entirely belongs to Singh, it's his co-rapper (brilliant debutant Siddhant Chaturvedi), who gets to walk around with all the swag instead. It's the interplay between the main and minor characters, spot-on twang, dialogues (by Vijay Maurya), and indeed a superb play-list (put together by Ankur Tewari) that truly makes this movie, the food of love - at 155 minutes, very much a long main course, too.

Maybe because I watched Gully Boy among an altogether Mumbai audience, or perhaps it would the same anywhere: Never have I observed folk at a press preview periodically break into loud claps during key dramatic sequences, especially given that the scenes have been quite subtly staged, in fact. This is a new kind of 'Angry Young Man' movie, in effect - seamlessly merging sub-culture with pop mainstream.

Also Read: From Scarlet Macaw to Unicorn - Ranveer Singh's flora and fauna inspired clothes are hilarious

People in my hall, or indeed outside it, would have first heard about a booming, Mumbai Rap/Hip-hop underground scene, with open-mic nights, and proper gigs at venues like Anti-social (also referenced in the pic), only a few years ago. It's almost at the same time that stand-up comedies in the city began to draw totally untested, raw greenhorns concentrating on the all-important self-expression - or content (which can't be taught) - and then, delivery (which can be learnt).

Rap, or Rhythm and Poetry, you can tell, similarly opens lines of (a very visceral form of) communication - between heartfelt (often antsy) words, thumping beats, and the crowds that instantly relate to both.

This film, as per its opening slate, is a "shout-out" to budding Mumbai stars Naezy (Naved Sheikh) and Divine (Vivian Fernandes). Their story, and of desi rap itself, is still unfolding, as we speak. When it's written in hindsight, I'm pretty sure, this film will be considered, the high-point, if not the turning point, for the genre, after all!

Also Read: Exclusive: Naezy on Gully Boy: People are looking at us like we're pioneers of Indian hip hop

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Badla
U/A: Thriller
Dir: Sujoy Ghosh
Cast: Amitabh Bachchan, Taapsee Pannu, Amrita Singh
Ratings: 

Sujoy Ghosh takes us back to the basics with his latest offering. Badla, as the title suggests, is a revenge-drama loosely based on the Spanish thriller, The Invisible Guest. Like with the original, it's not too difficult to decipher the end a good while before we get there.

Yet, Badla isn't predictable. What it certainly does lack, though, is the smarts that could be expected. Ghosh designs this film as more than just a whodunit. He lays out his cards neatly, unfolding one incident after another. So, it's all about cracking codes in the wobbly story, narrated by Naina (Taapsee Pannu), a top-notch businesswoman embroiled in a murder case.

She was found injured in a hotel room, with her lover lying dead on the floor. There is no sign of anyone else entering or leaving the room. Naina maintains, she didn't kill her lover. The film revolves around a single meeting with her potential lawyer, Badal Gupta.

Badla soars because of its unpredictability before we arrive at the end. The key lies in the names of its lead characters - Naina (eyes), a play on how truth depends on whose point of view is being considered. There is an inherent Rashomon philosophy in the narrative. Badal's name is a play on the film's title itself. Ghosh uses these props to confuse his viewers, create mirages that they are frequently misguided by in their tryst to keep the guessing game going.

At one point in the midst of this rigmarole, we look towards the screen and wonder why Bollywood doesn't exploit the terrific Amrita Singh enough. As Bachchan and Pannu battle it out in a verbal duel, it's Singh who does the emotional heavy lifting. Of course, both Bachchan and Pannu are terrific actors, but Pannu's Naina is played in a rather single note. Naina wins awards, is intoxicated by power, and is guilty about her affair. But the required nuances demanded by the narrative are missing from Pannu's act. There are a few genuine shockers, but it is largely a simplistic tale put together in a complicated fashion.

As admirers of thrillers, we are not failed by Ghosh. The tapestry of tension that he weaves is unparalleled. The camerawork by Avik Mukherjee deserves a mention. Set in Glasgow, the setting plays a part that's as essential as the characters. I was sold to the ride that Badla took me on; but, does it live it up to the thrill of Ghosh's Kahaani? Nah, that will need cleverer writing. Yet, this is worth a watch.

Also Read: Exclusive - Taapsee Pannu on Badla: I am a very vindictive person by nature

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Avengers: Endgame
U/A:  Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

Avengers: Endgame, undoubtedly the most anticipated film of recent year's, lives up to most expectations. This film is a befitting finale for the decades-old, 21 films, Marvel Cinematic Universe that heralded the likes of Iron Man, Captain America, Thor, Hulk, Black Widow and Hawkeye. Together they formed the original Avengers team while the newer allies and villains added more power to subsequent outings. This may not be a non-stop action spectacle. Instead, what we get is a well- proportioned, engagingly structured narrative that spreads out its content and thrills in momentous expansiveness, End game basically posits a finale worthy of the superhero characters it promotes. Marvel's time-travelling sci-fi adventure saga throws up a few surprises too along the way.

The story is rather basic - After the devastating events of Avengers: Infinity War (2018), which ended with Thanos getting all of the six Infinity Stones and then using them to wipe out half of existence, including beloved heroes like Black Panther, Star-Lord, and Spider-Man. The surviving heroes go through a period of self-recrimination, hopelessness, heartache and self-doubt before they take the necessary steps to reverse Thanos' actions, they're fatalism keeps us grounded.  

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

The script by Christopher Markus, Stephen McFeely among others, is surprisingly inventive, fraught with emotion and funny. The performances live up to the iconoclastic expectations of the fans while the CGI and effects lend whole new meaning and dimension to quantum physics and chaos theory. The film is a sort of nirvana for the thousands of people who sweated night and day to make such a unique and unprecedented experience come good. Endgame has a much slower, deliberate pace allowing for deeper character development and strong motivations while developing intensity and attachment all the way through. A major portion of the action happens only towards the last half hour of a nearly 3-hour runtime – yet, doesn't feel bloated or unnecessarily expanded.

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

This film incorporates beloved elements from earlier outings and recalls character beats, origins, and sub-plots while adding texture and complexity to the inter-galactic drama envisioned as homage to the never-say-die superhero spirit. Alan Silvestri's amazing background score elevates the intensity and involvement. The helming by the Russo brothers is also quite remarkable – creating a well-sprung of entreaty that is truly an event!

Also Read: Avengers Endgame release: A look at how Avengers films fared at the Indian box office

Check out the Avengers: Endgame trailer here:

Also Read: Critics review Avengers: Endgame, say it's 'everything you want it to be and more'

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Avengers: Endgame
U/A: Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

How does one put together words about a film that, for all practical purposes, anything and everything you write, is likely to be misconstrued/diagnosed as a spoiler?

Suffice it to know that this expectedly dramatic conclusion of Marvel's three-part Infinity Saga is a relatively internalised, deep and sober film, concerned more with the motivations of super-heroes, the choices before them, and what they should pick, in order to take on super-villain Thanos—of course.

For one, the earth is a much quieter place, since as you're aware, its species have been annihilated, decimated by Devil Thanos, ever since he got his hands on the infinity stones, and went on to execute the bizarre plan of supposedly ethical ethnic cleansing—randomly ridding planets of half its populations, to make them more sustainable, by restoring balance of sorts, as it were.

Of course, there will be survivors. And Iron Man or Tony Stark (Robert Downey Jr), to start with, is thankfully rescued or reunited with the human family back home. So is Hawkeye (Jeremy Renner). Both of them, like all the others, seem to be somberly dealing with the aftermath of a universal tragedy.

Surely, you have your own favourites from this cinematic universe (and how can Iron Man not top that list?). But there's something about the inherent cuteness of Hulk (Mark Ruffalo) that saves this franchise's final installment from turning into a complete depresso—left to be downed over rounds of espresso, what with the screen-time running three hours plus.

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

Indians might thank their theatres for the usually hated interval. I caught it without one, but didn't miss it either. There's enough material here to keep you engaged, even if to wonder, on occasion, if some of it makes any sense. You may or may not be impressed with the long drawn explanations, but you're only too happy to go with it.

Frankly, I'm no Marvel fanboy/fanatic—if the movie-world is indeed divided into two types, then more the DC demographic. That said, there is an infectious verve and energy that multiple super-heroes bring to this cinematic universe that is hard to not be swayed by, even if an individual or sub-set, Guardians Of Galaxy in particular, may be difficult to appreciate on their own.

Check out the Avengers: Endgame trailer here:

Avengers: Endgame does a fine job of navigating a reasonably cogent script without over-populating the screen. Avengers: Infinity War seemed more overwrought in comparison. I re-watched portions of the 2018 prequel on my phone (for quick revision), which of course means I didn't watch it at all.

For, at the end of the day, battle sequences and pyrotechnics is the point of it all, isn't it? Endgame, despite all the philosophy, is not an exception. It shines gloriously as 3D spectacle on the IMAX screen, ideally viewed from the third-row, from the back—and if you're not on IMAX, then the third row from the front—for a stunningly immersive experience, with such depth of field that the points where the camera focuses on a river, the ripples flowing towards you, you almost feel like you can wade through the frickin' water!

I know, don't need to put in a word (spoilers be damned). Suffice it to know that seldom has the excitement of audiences entering a theatre, matched by those exiting, after a hugely hyped pic. Endgame equals its astounding anticipation. And that's saying a whole lot!

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

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The Maharashtra cabinet has reiterated its recommendation, that Chief Minister Uddhav Thackeray be made a member of the legislative council from the governor's quota, which has two vacancies. The cabinet had requested this to the Raj Bhavan following a decision taken on April 9, but the delay has created a political tussle between the Bharatiya Janata Party (BJP) and Maha Vikas Aghadi at a time the state needs a stable government.

It is necessary for Thackeray to become a member of either house within six months of taking charge of the CMO (before May 26). The elections to the council were postponed because of the pandemic, and the CM was left with no option but to seek a seat in the governor's quota. The term of the vacant post will end in the first week of June, but that will save the CM's resignation, because he could be in the office without being a member of the either house till he gets elected in the rescheduled upper house polls.

In a stunning statement some days ago, Shiv Sena MP Sanjay Raut had accused the Raj Bhavan of being part of a political conspiracy. In view of the tussle, the cabinet met on Monday under the chairmanship of Deputy Chief Minister Ajit Pawar, to pass a resolution to send Governor Bhagat Singh Koshyari the recommendation again. Since Pawar's authority of chairing cabinet meetings in the absence of the CM was challenged before the high court on the ground that the Dy CM position had no constitutional validity, and the CM had not authorised him to conduct the cabinet meeting, Tuesday's reiteration is considered as making the state's case stronger. But a minister said Pawar was authorised by the CM on April 9 and the MVA detractors were making false claims. The cabinet has decided to tell the governor that the state government was fighting the pandemic with all its might and teamwork.

"The pandemic is intensifying and in such a grave health crisis the state needs a stable government," said its statement.

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The Palghar pot is boiling with the Communist Party of India Marxist (CPI-M) saying they are going to file defamation cases against a couple of BJP leaders for defaming CPI-M, by making baseless claims against them for the lynching of the two priests and their driver in Gadchinchale village. Mumbai's Ashok Dhawale, Central Committee member, CPI-M said, "We will file the case shortly. When the CPI-M says something, it always goes ahead and never backwards."

The roots
Dhawale explained that the Communists have had their imprint in the whole of Dahanu and Talasari tehsil. "It has been our base since 1945 when Comrade Godavari Parulekar led the revolt of the tribals against landlordism and bonded labour. This is how deep our roots go into this land. We have the MLA seat in Dahanu, with the dashing Vinod Nikole defeating the BJP sitting MLA in 2019."

Work done
On accusations that it is the Communists and this party that foment violence, leading to mob frenzy and agitation, Dhawale shot back, "We have worked for drinking water and water for irrigation. We drive movements for uplifting the health infrastructure in the region, we have schools, colleges and hostels in Talasari district. We have worked for women's issues, rations..."

Long march
Dhawale added as a Mumbai example, "It was the CPI-M that was at the forefront of the long march of farmers from Nashik to Mumbai in 2018. One of the demands was better implementation of the Forest Rights Act. There was no violence on that march, not a single car window was smashed. It was during this time that a BJP leader spoke about Urban Naxals and that term has stuck."

Bullet train
Another name swirling in the Palghar blame game is that of the Kashtakari Sanghatana. Dhawale said, "The Kashtakari Sanghatana and the CPI-M have had a prickly relationship.

However about three years ago, we came together to galvanise people in the area against the Bullet Train project. We have buried the hatchet so to speak, since."

Parliamentary process
In the end, Dhawale said that the CPI- M was totally against the Maoist violence in fringe pockets, "We have always been part of the Parliamentary process, right from Independence. We have unequivocally condemned the Palghar lynching; for the right wing to link it to us, to defame us, is simply nonsensical."

Go and file
Mumbai's Shriraj Nair, national spokesperson Vishwa Hindu Parishad (VHP), slammed the CPI- M saying, "If any villager is innocent we support him. We are for tracking down the culprits of this crime. For years though, the CPI-M has been brainwashing villagers and conducting anti-Hindu activities. They are also anti-development."

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Social distancing and lockdown may have impacted each one of us mentally, emotionally and psychologically but it is the children and teenagers who have had to cope with sudden closure of schools, cancellation of exams and a prohibition of face-to-face interaction with their friends and teachers.

Anusha Manjani, Manager, Counseling Services at Akanksha Foundation, says, "Children are acutely aware of the sudden changes and panic in the environment around them. Younger children can feel confused, uneasy and scared; older children express feelings of anxiety, sadness and helplessness."

She added, "The uncertainty and chaos of the pandemic impacts all aspects of children's lives- it is not just a threat to their physical health- but to their learning, their home environment, their interaction with peers, their emotional well-being. Moreover, economic hardships, the overcrowding in homes, the lack of access to resources in low income communities can lead to higher incidence of neglect, violence and abuse- making staying at home itself a risk to some children's safety."

In such a time, it is crucial that children have support of their parents and teachers to help them in having a routine and structure to their day. Anusha says, "Parents and teachers can be key caregivers and anchors during this time to support the mental well-being of children- by reassuring them of their safety, creating a space to share feelings and using art, play, fun learning activities to engage with them."

Akanksha Foundation has started a helpline number called 'The Listening Space' for all the stakeholders such as students, teachers and parents to express themselves or just discuss about what's happening. While younger children have more questions about whats happening outside, older  children are venting out their frustration, their anxiety about their parents etc.

Parents and teachers are also coming up with interactive tasks and new ways of learning. Worksheets are sent to the students everyday and once the child solves it and shares it, the teacher reverts with the corrections as well. 

It is not just academics that are taken care of amid lockdown, things such as maintaining gratitude journals and 'doing a good deed everyday' are also being imbibed in the children to maintain their mental and emotional health.

A creative snakes and ladders

"At Akanksha, teachers, counsellors, social workers and parents are working together to support the children- whether it is checking in for the child's well being, spreading awareness of safety measures, encouraging learning through low-cost tech or doing parent-child activities- we are keeping the lines of communication and connection open and strong to navigate these difficult times together," says Anusha.

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With the tourism industry at a complete standstill across the country, a number of domestic animals associated with it have been severely impacted. In the Raigad district of Maharashtra, too, a number of these animals are a common sight, especially at the tourist spots like Matheran, Raigad fort and the beaches. Horses, donkeys, monkeys and stray dogs at all these places have been left without any food to eat. These places, usually frequented by hundreds of tourists every day, have seen barely any visitors over the last month and a half. The tourists would offer food to the animals who are now left to fend for themselves. Even the locals who have pets are finding it tough to manage without much income.

Given the grim situation, the district animal husbandry department along with a few do-gooders have now taken upon themselves to feed the animals and provide them ample drinking water.

Donkeys given dry grass at Raigad Fort

Dr Shubash Mhaske, district deputy commissioner, Animal Husbandry department, informed mid-day that the district, known for its farmhouses, hill stations, forts and beaches, has around 1,200 horses and ponies, of which nearly 460 are reared at Matheran hill station and the rest at the beaches around the districts. With the forest cover in Raigad district, monkeys too are found in large numbers here. "These are often fed by commuters en route to their destinations but that has stopped for over a month now," Mhaske said.

Dr Mandar Patel, Livestock Development Officer, Roha, therefore, visited the ghat areas on Roha-Nagothane road a couple of days ago with his team to feed some monkeys. Similarly, a team even visited Matheran to arrange food and water for the monkeys there.

Animal lovers step up in Pen
Hundreds of stray dogs and 40 cows are also being fed daily by a few animal lovers in and around Pen in Raigad.

"Cimaa Punmiya has come up with an innovative concept of Animal Food bank, where any animal lover can donate food. Kumar Deshpande provides a liquid diet for the strays. The Animal Husbandry department has arranged for medicines," Dr Mhaske said.

Donkeys of Raigadwadi starving
Another animal hit by the lockdown is the donkey. Around 90 donkeys reside around RaigadWadi, foothills of Raigad Fort. Dr Dattatray Sonawale, veterinary assistant commissioner of Animal Husbandry, Mahad Taluka, informed mid-day that the restoration work of Raigad Fort is on for the past couple of years and nearly 250 donkeys were being used to take up repairing material.

"Most of the donkeys had come from nearby areas and only 90 are still at the spot. They are owned by six-seven families who are still staying at the foothills of the fort," said Sonawale. These people along with their donkeys have been having a tough time sustaining due to the lockdown as "the donkeys are not allowed to roam around in the fields making it difficult for them to manage fodder or dry grass," the doctor added.

Prabhakar Sawant, a Raigadwadi resident, said that most of the donkeys are hired by contractors of restoration work.

After the district collector's directives, Sonawale and his team approached a few NGOs requesting them to provide dry grass, rice bran, wheat bran and medicines required for treating some injured donkeys. "Accordingly, potable water of 1,000 liters has been provided at the spot," he said, adding that the effort will continue to provide feed and dry grass to the donkeys till they are "in our jurisdiction and ration kits will be given to their owners."

'Everyone will be taken care of'
Nidhi Choudhari, district collector, told mid-day that the collector's office was doing everything to reach out to migrant workers and underprivileged people by providing ration kits and organising community kitchens with help from NGOs and corporates. "Directions have also been given to the Animal husbandry department to ensure that animals and strays are taken care of. Many animal lovers too have volunteered to help," Choudhari said.

1,200
Approx no. of horses/ponies in Raigad district

460
No. of horses/ponies at Matheran

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Early on Wednesday morning, 27 students and six parents from Raigad district, who were among the 2,000 Maharashtra residents stranded in Kota, Rajasthan, arrived at the Gram Vikas Bhavan in Kharghar in a special private bus arranged by the district administration.

Fifteen of the students are from Panvel, three from Karjat, three from Pen, one from Pune, two from Thane and five from Alibaug, among others. They had enrolled at coaching institutes to prepare for NIIT, IIT and medical entrance exams.

According to the students, who are now in home-quarantine, exams were scheduled for April first week. For medical students, they were scheduled in the first week of May. Both exams have been postponed amid the Coronavirus lockdown.

The returnees inside the private bus

"Around 2 lakh students were staying in hostels and studying at a single institute in Kota. While most states have taken their students back, around 6,000 from Jharkhand and Bihar are still stranded," said Gauri Mayekar, a student from Alibaug who aspires to study medicine.

"I enrolled at my institute last April to prepare for my medical entrance examination. I had scored 78 per cent in PCMB (physics, chemistry, maths, biology) during HSC. My mother joined me in January and we were to return in March. We had to extend our stay due to the lockdown," Mayekar added.

Some parents from Raigad had approached the district's Guardian Minister Aditi Tatkare to help bring their kids back. Tatkare wrote to Chief Minister Uddhav Thackeray and deputy Chief Minister Ajit Pawar. District Collector Nidhi Choudhary spoke to her counterpart in Kota and special permissions were issued to allow the bunch to travel in a specially arranged bus.

Another student Gaurav Maurya, 18, a resident of Pen, said that his common entrance exam for NIIT, which was to begin in April first week, has been postponed.

"I had got a scholarship and joined a well-known private institute in Kota. My parents had paid R56,000 for the whole term. My initial plan was to appear for the exam in Kota and then return home. But now I have asked for the centre to be shifted somewhere near my home," Gaurav said.

Amit Sanap, tehsildar, Panvel said, "We arranged for the students and parents to get a medical checkup at Gram Vikas Bhavan, Kharghar. Sub-district hospital doctors checked the students' temperature at the entrance. None of the arrivals showed symptoms of novel Coronavirus. Each of them was stamped for the 14-day home quarantine. All were happy to be home after being stuck in Kota since the lockdown."

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The police remand of the 101 accused arrested in the barbaric killing of two priests and their cab driver in Palghar district last month, was extended for another 14 days on Thursday in connection with the attack on police officers on April 16.

They were produced before the Dahanu Magistrate court in the afternoon as their police remand expired on Thursday. Magistrate O B Kulkarni sent all the accused to additional police remand of 14 days. They have been charged with attempt to murder for attacking the cops while they were headed to the lynching site.

Lawyers headed by advocate Parmanand Ojha appeared before the court on behalf of deceased Chikne Maharaj, 70, Sushil Giri, 35, and driver Nilesh Tilghate, 30.

The police had on April 17 apprehended 110 people and arrested 101 of them, and sent them in police remand in connection with the murder of the three men. The nine other accused are juvenile and currently at Bhiwandi juvenile home. "Since the 14-day police remand ended on Thursday, I requested the court not to grant them bail instead send them into judicial custody," said Ojha.

Police search for others involved in the lynching at Gadchinchale village. File pic

The CID officials requested that the accused be sent to police remand for the murder attempt on cops and obstructing the work of police officials. None of the advocates appeared on behalf of the accused.

Advocate Ojha alleged that the trio became victims of a huge conspiracy against them. "There was no rumour before the incident and the priests and the driver were well aware of the internal routes to Gujarat from Mumbai. But their vehicle was turned back at a check post bordering with Dadra and Nagar Haveli," he said.

But crucial eye-witness Sonudaji Borsa told mid-day that a rumour of a child lifting gang was doing the rounds of the village. "Two nights before the incident, people gathered at our forest check post and forced me to step out saying a child lifting gang was active in the area. People often used to shout 'chor ayaa, chor ayaa' unnecessarily to trigger panic among villagers who would gather in large numbers," Borsa said.

Not the first mob attack

Sources said incidents of villagers creating unrest to raise their voice against government officials are very common here. "In December 1998, a mob in Gadchinchale village attacked forest officials and a State Reserve Police Force (SRPF) team acting against timber smugglers. Two men were caught but they screamed for help and a large number of villagers surrounded the forest officials and SRPF personnel," said an officer from Palghar police. The mob assaulted the officials and snatched the rifle of SRPF constable Vikram Valvi.

One of the priests killed in the April 16 incident. File pic

"Regional forest officer Digambar Manohar Dahibhavkar had registered an FIR against the mob at Kasa police station on December 22, 1998. Four people including Lohu Kanoja, Sonu Pilena, Tulja Pilena and Madu Kanoja were named in the FIR," said the officer. After the case was registered, all the villagers abandoned their homes just like they have done now. "The police later managed to arrest five absconders," said the officer. They also recovered the snatched rifle. "The four accused named in the FIR were arrested on August 9, 2012. Several accused are still at large," said the officer, adding that there have many such incidents that reveal the aggressive nature of Gadchinchale residents who have no fear of the law.

"The villagers clearly say 'yaha mehnat karke khana milta hai aur jail me bina mehnat ka' (here, we have to work for food, but in jail it's for free)," said the officer.

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A fire broke out at near Ganesh talkies in Lalbaug on Saturday evening.

Fire fighters rushed to the spot and extinguished the fire using three fire jets. So far no casualties have been reported and the cause of fire is yet to be ascertained

The fire was confined to electric wiring, electric installation, wooden furniture, steel furniture, Ganesh idol making fibre frames, raw material, oil, washing machine, clothes, chairs, Ganesh idols, wooden base, scrap material, mattress, cement sheet and tarpuline sheet etc. 

Why do movie stars matter so much to us? May be, because cinema amplifies and engages with not the timidities of rational logics, but the boldness of the senses. Its hyperkinetic tangle of conventions and innovations, speaks to our urges, desires, emotions and intellect, allows us to be all this and also several people at one time, fluid, unlike the rigid identities of law, society, political correctness. Movie stars communicate these libidinal energies of cinema through a bodily presence. Star and audience, mirror and remember each other, in an intimate, mysterious embrace.

The three stars who died recently, each represented a specific era in this ongoing relationship.

Nimmi died in March, at 88. A major star of the studio era, she acted in India's first technicolour film (Aan, 1952). Often the feisty village belle, the unbound girl in the garden, she made heavy-lidded eye-contact with audiences in songs that yearn for love. Born Nawab Banoo, she was one of the last star-heroines from the tawaif communities. Practitioners of the sensual courtesanal arts—dance, music, poetry—tawaifs were erased from performing arts via colonial laws and rising nationalism, both squeamish about eroticism and pleasure. They transitioned to films, as producers, directors, actors, contributing to Bombay cinema's defining aesthetic—stylised eroticism through song, heightened emotive ada-kari, androgynous appeal, glimpsed in figures like Nighar Sultana and a focus on pleasuring the audience. With each filmic embrace we surrender to, each dance move we mimic, each song we sing, these aesthetics become part of us: a queer form of memory, bodily, but ephemeral.

Rishi Kapoor, who died at 67 last week, carried forward the sensuality through his dance and romance persona. His bodily vivacity fluidly merged masculine and feminine, past pleasures like qawwali and more contemporary pop enjoyments, even as parallel cinema's realism and masculine-centered Bachchan films began dominating. His beauty was delicate—androgynous pleasures—and he often paired with women whose attractiveness was more robust. Love was freedom, frolic, khullam khulla, yet luxuriously intimate, hum tum ek kamre mein.

Maintaining traditional cinema pleasures, he also replaced their stylised nature with a modern, casually stylish manner, pre-figuring later realist commercial film, into which he flowed with energetic ease, bridging two cinematic worlds.

Irrfan, who just passed away at 53, was an iconic figure in the post-globalisation emotional realist cinema with its cross-over films, less interested in symbolic storytelling, making room for more everyday characters. Some of this cinema believes in what I call aspirational realism, which considers older conventions of emotional and ornamental excess—like songs—as lesser. But, in fact, quite apart from his acting skills, what made Irrfan a star was the sexual intensity
of his presence—carrying forward that desi quality of emotional and sensual excess, something larger than life, yet intimate, to connect directly with the audience.

This is why I believe he was most compelling in films where he had a romantic track—Maqbool, Life In A Metro, Piku—and underserved by anaemic works like Lunchbox.

Critical culture sometimes favours a real estate mentality: location, yaniki cinema category, determines value and meaning. So it is, that too little has been said of Irrfan's cinematic, libidinal intensity, not enough about Rishi Kapoor's virtuosity. And barely anything about Nimmi. The artistes themselves defied categorisations.

Through cinema they straddled the cusp of worlds always changing, for better and worse simultaneously, just like us, helping us to flow with the flux.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at aromita.vohra@mid-day.com

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Soon after Maharashtra government directive allowing standalone liquor shops to open in COVID-19 red zones (except the containment areas), AIMIM Lok Sabha MP Imtiaz Jaleel has said if liquor shops are opened in Aurangabad, he would force their closure, adding that it is not a time to sell alcohol and create problems for women.

"Government decides to open liquor shops even in red zone! If shops in Aurangabad open we will break lockdown restrictions and forcibly close these shops. Will make many women come out on the streets. This is not time to sell liquor and create problems for mothers and sisters," the Aurangabad lawmaker tweeted in a series of tweet.

Lambasting the Maharashtra government, he further asked what is the hurry to sell liquor in this difficult time. He further stated if this is the case then why not allow selling everything, why this "privilege only to liquor shops".

The state government had on Sunday issued a list of activities that will be allowed in different zones of the State during the lockdown."The state government has decided to allow standalone shops including liquor shops to open in red zone also except the containment zones. Though there is no restriction in the number of essential shops that can be opened, only five non-essential shops can be opened in each lane," the government order stated.

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Thousands of migrants working in the power looms at Bhiwandi set out on foot for their villages hundreds of kilometres away earlier this week. While these migrants face an enormously difficult journey with almost zero resources, those who have stayed back are also on the brink of starvation.

The Maharashtra government has been assuring of help for migrant workers should they stay back amid the COVID-19-caused lockdown. Though the Bhiwandi-Nizampur City Municipal Corporation (BNCMC) is offering food packets, the power loom workers say the quality of the food is inferior.

"The municipality has been giving khichdi for 15 days and the ingredients are rice and turmeric powder. Sometimes they mix vegetables in it. But the food quality is absolutely inferior, it cannot be eaten by any human being. Being a labourer does not mean that we will eat toxic food. The food smells and makes us nauseous," said Manzar Alam, a native of Bihar.

"It is the month of Ramzan and most of us are fasting. But after eating bad quality food, some of us vomited and had to break the fast," said Alam, adding that power loom owners are not helping either and that many are breaking their fast only with water.

"The power loom owner does not respond to our calls. He either switches off his mobile phone or blocks our number," said Mohammad Sahid, a native of Ambedkar Nagar district, Uttar Pradesh.

Raw ration only for state residents
Another power loom worker, Jalaluddin Ansari said workers get food once a day. "We have not been given raw ration by the state government. In this crisis, we have to wait in long queues for langar distributed by social workers," said Ansari.

There are seven lakh registered power looms in Bhiwandi

"There was a queue of nearly 200 workers on Monday. By the time my turn came, food was over. So, I rushed to another langar half-a-kilometre away and stood in another queue. But here too, the food finished," said Ansari, who did not eat anything on Monday.

"On Tuesday, I got food but it was not very little. This is the reality of many workers who did not dare to walk home. The state government is providing raw ration to only those who are from Maharashtra. We are not given any ration," said Ansari, whose co-workers Abdul Ali and Mohammad Younus echoed his views.

Workers say they are being given khichdi - the ingredients of which are usually rice and turmeric — in the food packet for the past 15 days

A few workers from Jharkhand, Bihar and Uttar Pradesh tried to go home in a truck recently. "A truck driver agreed to transport us to our native place. He took R2,500 from each worker. We started our journey a few days ago, but police at Karjat stopped the vehicle and caned the driver badly. We were forced to return to hell with no food," said Ali.

Nearly 3,000 workers rushed to the State Transport bus depot in Bhiwandi on Tuesday. mid-day spoke to a few of them and asked if they had any idea about when they would return to Bhiwandi to resume work: "Humlogo ke paas aur kya hai kamane ke liye?" said Yashpal, a native of Faizabad in Uttar Pradesh.

"It is a pandemic and the whole world is reeling under a financial crisis. We don't know what will happen to us as I have heard that big companies are downsising. We are not sure if the owners of power looms will downsize too," said Sahil.

A ray of light
There is confusion among workers regarding how and where they can get registered to travel home in trains. However, a power loom owner Parvez Alam Ansari has been helping his employees.

"I have told my workers not to panic. I have been providing them with ration, vegetables, etc. and they have been preparing meals for themselves. The power loom is shut but these workers are our assets. I cannot afford to keep them stranded amid a crisis," Ansari said.

Civic body's help mismanaged
"There are seven lakh registered power looms employing around three to four lakh migrant labourers. As per our estimate, more than one lakh people want to leave the city as they don't have work and are not getting food. We are doing our best to provide food but it's been more than a month now and the assistance provided by the local corporation is mismanaged. Now our priority is to help those who want to go to their home states, such as Uttar Pradesh, which is not cooperating with Maharashtra," said local MLA Rais Shaikh.

'We resolved all complaints'
According to Pravin Ashtikar, the chief of BNCMC, initially, there were a lot of complaints regarding food quality and its supply, but all have been resolved. "We are not denying that complaints were received from people but I must tell you that we listen to them and now things have improved in the past week. There have been no complaints about the food as far as quality and supply are concerned. There are several NGOs working with us and we are supplying 80,000 food packets daily. The migrants who want to leave just want to go home because the lockdown has been extended. Most of the migrants have been taken care of by us and their employers," said Ashtikar.

Ashtikar added that so far there are 20 cases of Coronavirus in Bhiwandi city, of which two have recovered and 290 are in institutional quarantine. "We started preparing for COVID-19 in the second week of march — we procured equipment for disinfecting and started sanitising the area much in advance. As you see the result, all positive cases in Bhiwandi have come from other areas. We have successfully stopped community transmission despite a high population. Currently, Bhiwandi has a population of over 8 lakh. We started door-to-door screening last week, targeting the most vulnerable people, and 75 per cent of the survey is complete. So far, 1,011 people are found to be vulnerable as they are suffering from other ailments and we are taking care of them," Ashtikar added.

80K
Food packets Bhiwandi civic body claims it is providing

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What started as an effort to get treatment for his diabetic father suspected to have contracted COVID-19 soon turned into a horror story for a 29-year-old who discovered bodies wrapped in plastic on beds in Sion hospital's emergency and COVID-19 ward, while his breathless father was made to share the bed with other patients. A video of the man's experience on April 20 went viral on social media and BJP leader Nitesh Rane tweeted it late on Wednesday.

The video shows bodies wrapped in black-coloured plastic kept on beds right next to patients and their relatives in what is supposed to be a ward in Sion hospital, which has set up a committee to probe the matter.

Screenshot of video taken by kin showing wrapped bodies

The Chembur resident had taken his 63-year-old father to Lokmanya Tilak Municipal General Hospital (commonly known as Sion hospital) after he complained of fever and weakness. "My father was having difficulty breathing. I did not want to take him to a government hospital but I had no choice except to go to Sion hospital," he said.

At 1.30 pm at Sion hospital, the man was asked to take his father to the emergency ward. "After an X-ray, the doctor said my father has pneumonia and they were almost certain that he had COVID-19. They cleared a bed and asked him to lie on it. Soon, another woman was told to lie next to him and a senior citizen was told to sit near his feet," the man said. His father was given an oxygen mask to help him breathe.

The video went viral on social media on Wednesday and was tweeted by BJP leader Nitesh Rane

Just when the man was certain he did not want to keep his father at the hospital, he noticed a bed behind a curtain. A closer look revealed a body covered in plastic on the bed. "I was horrified and my father started to panic. The doctors kept saying that they will admit him and shift him to another ward but nothing was happening. Then, a friend of mine arranged a bed at Seven Hills Hospital," he said.

The man was asked to go to ward no. 5 — supposed to be a COVID-19 ward — to sign discharge papers. "Patients' relatives were inside with them in the ward, which is not allowed. I saw at least three beds with bodies piled on them and patients being treated right next to them. We had always heard about how bad government hospitals are. But I never imagined this," he said.

The man took his father to Seven Hills in an ambulance at 6.45 pm, where he is currently being treated and was taken off ventilator support on Wednesday.

Rane has also complained to Maharashtra's Governor and said the hospital has admitted the video is authentic. "The enquiry is pointless since the hospital is aware of what it is doing. This enquiry is a farce. Hospital authorities say that relatives are not collecting bodies and they have no idea about proper disposal of COVID-19 affected bodies. The state has failed to deal with the situation and the Centre should step in," said Rane. He added that the issue is arising from the lack of proper guidelines on the disposal of bodies of COVID-19 patients.

BJP leader Kirit Somaiya complained to the Indian Council of Medical Research (ICMR) on Thursday. "Currently, bodies are being wrapped in plastic due to the shortage of bags for disposal. Relatives and not ready to take the bodies due to which they are kept in the ward. I have asked ICMR to address this issue," he said.

'Enquiry to verify'

Dr Pramod Ingle, acting dean of Sion hospital said, "From the look of the tiles and hallway, it seems like Sion hospital. However, an inquiry will have to verify. A local committee of Sion hospital officials has been set up on Thursday and they have been given 24 hours to submit a report," said Dr Ingle.

Mayor Kishori Pednekar said that the bodies were accumulating since relatives of patients were delaying in collecting them.

"Relatives are not taking bodies. However, if they give permission, the corporation will dispose of the bodies. But now, the bodies will be stored outside the wards," she said.

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Encouraging everyone around him to stay indoors, Mayur Jadhav himself has been visiting various containment zones in Lokhandwala and Oshiwara wearing a PPE suit for three to four hours daily. A frontline worker, Jadhav does the risky job of collecting bio-medical waste from residential buildings and COVID-19 quarantines.

Amid the Coronavirus-caused lockdown, people are asked to put household waste in black bags and bio-medical waste — gloves, masks and items touched by COVID-19 patients, staffers at a quarantine facility — in yellow bags.

Like Jadhav, conservancy workers dealing with bio-medical waste are trained for the task. Jadhav, 30, resides at Durgadevi Chawl, Vakola and after weeks of practice, he is comfortable with the job. "Initially, I was worried as I had heard many were getting sick. But once we get the hang of it, we do the work without problems. Every day, we put sanitiser and spray disinfectant on the yellow bag and wait for five minutes before loading it on the vehicle meant only for yellow bags," he said. In K West ward, there are over 650 COVID-19 cases and over 300 containment zones.

'Made wife understand'

Rishikesh Dhotre, 43, is among the workers residing far from his workplace and spends over 10 hours outdoors. He leaves his Nalasopara residence 4:45 am for Worli and returns home around 3:30 pm. "I was nervous as we were visiting places everyone was asked to avoid. My wife would fight and ask why I am the one to go. But gradually, I understood the precautions we have to take and explained them to my wife. She is worried but understands the importance of the job," Dhotre said.

While Dhotre is glad to have access to fresh PPE kits every day, he also has to contend with how hot it gets during the three-hour collection.

Worried about family

Conservancy workers constantly worry about their family members, especially senior citizens at a higher risk of infection. Sarthak Chandramani, 29, works in G North ward comprising Dharavi. He takes extra precautions once he reaches home as he has a two-and-a-half-year-old daughter and 63-year-old father.

"I don't touch my phone after wearing the PPE and I call my family before I reach home. They have strict instructions to leave the house and keep a bucket of hot water and soap near the door. They are only allowed to enter after I have soaked my clothes in the bucket and gone for a bath," he said.

Chandramani often picks up medical waste falling out of the garbage bags with his hands. "People often overstuff garbage bags and then they can't be tied. Waste falls out from overflowing bags and we have to disinfect it, put back in the bag and disinfect the bag again," he said. Chandramani lives in BDD chawl, another high-risk area.

After the recent death of a civic official on food-distribution duty in Dharavi due to COVID-19, the BMC is screening all staffers. Kiran Dighavkar, assistant municipal commissioner, G North ward, said, "We have around 900 labourers collecting waste and there are 200 containment zones in this ward. We conduct screening once a week and check for fever with infrared thermometers. We have also counselled staffers to immediately report symptoms," he said.

Where is biomedical waste taken?

Medical waste is taken to a biomedical facility managed by the Maharashtra Pollution Control Board at Deonar. Amar Supate, principal scientific officer with MPCB said that since March 29, the facility has processed 11 tonnes of COVID-19 waste from Containment Zones and other biomedical waste.
"The yellow bags are directly put into the incinerator. Other kinds of plastic waste, glass vials, injections or syringes and scalpels are sterilised with sodium hypochlorite and then shredded for recycling," Supate said.

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The issues regarding hospitals that are treating COVID-19 patients continue to increase. Patients at one of the dedicated facilities for COVID-19 treatment in Mumbai, Seven Hills Hospital, claim they are not getting tested and are even neglected. They have also been complaining of lack of medicines and cleanliness.

A 35-year-old woman, a dialysis patient, was taken to Seven Hills Hospital on April 12. "I tested positive for COVID-19 and within seven days I tested negative. But after another seven days I again tested positive. This is because there is no provision to isolate positive patients from suspected ones. All are in the same ward," she said.

The patient further stated, "After finally testing negative, I was not discharged as there was some spelling error in my report. I am stuck in the hospital with positive patients around me," she said.

Other patients also recalled the horror in the 'posh' hospital. "The bed sheets haven't been changed for the past 5 days, we don't get breakfast on time. Some patients are taken for dialysis at 9 am, but many times they don't undergo it. The plates are never picked up after meals," said another patient.

"The nursing staff is so scared that they don't come forward to help. A couple of days ago a patient fell in the bathroom, when she tried to get off her wheelchair after waiting for an hour for help. Patients helped her," said yet another patient. Another male patient who fell had the same experience.

Official speak

When asked about the patients' allegations, the administration said they will look into them. "Till now, we have received good reviews about the hospital administration and management, except for few instances. But, this is sad. This should not happen with anyone. I will get the information and act accordingly," said Dr Daksha Shah, deputy director of the BMC health department.

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The Maharashtra government on Friday announced a compensation of Rs 500,000 to the next of kin of all the migrants who were run over by a goods train near Aurangabad. Expressing deep anguish over the incident which killed 16 migrants, Chief Minister Uddhav Thackeray said that all the expenses for the treatment of all those injured in the mishap will be borne by the state government. "We are in constant touch with the Centre to make arrangements for running as many trains as possible for the migrants to return to their homes. I appeal to them not to give up hopes," Thackeray urged.

The Chief Minister said that the victims were working for a steel company in Jalna and were proceeding along the railway lines, apparently to their homes in neighbouring Madhya Pradesh. At night they slept on the railway tracks but early Friday a goods train ran over them, killing 16 and injuring many others.

Thackeray said in the past 4-5 days around 100,000 migrants have reached home safely and more trains are being organized, including from Mumbai, to send the other stranded workers to their respective states.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Former don Arun Gawli's daughter Yogita married Marathi actor Akshay Waghmare in a simple traditional ceremony at their Dagadi Chawl residence in central Mumbai on Friday amid the COVID-19 lockdown.

The bride and the groom, along with their families were seen wearing masks during the wedding ceremony. Due to the lockdown in place, they restricted their guest list to only three-four people from both families.

Arun Gawli

The family had informed the Agripada police about the ceremony and only three to four guests each from both families who were attending the wedding, an official told PTI. The families had also assured the police that they will follow the lockdown rules while conducting the wedding rituals, he said.

The wedding was reportedly scheduled to take place on March 29, but was postponed due to the lockdown, a source from the family told PTI.

Gawli, who is serving a life sentence in the 2007 Kamlakar Jamsandekar murder case, has been out on parole.

(With inputs from PTI)

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'Videsh se log flight se laye ja rahe hain, aur gareeb patri par mar rahe hain (People are being brought back from abroad on flights and the poor are dying on railway tracks)," said a migrant, who was walking on the tracks to reach his hometown in UP, about the tragic incident at Aurangabad. Most migrants are aware of it, but choose to walk on the tracks to avoid police action on the highways.

They fear they will be stopped from walking home and beaten and quarantined by the police. Speaking to mid-day, many of them said they don't have a choice.

mid-day has been reporting about the plight of the migrants who claim the government is not helping them with food and have also spent all their money since the lockdown began as they have been out of work. Many of them also claimed they decided to walk home as despite giving all required documents to board the special trains, local authorities are not telling them of the next procedures. Some of them decided to walk as they don't have the required documents. After the disturbing sight of hundreds of migrants walking home on highways, comes another such sight of them walking on railway tracks.

Tukaram Kuldip and his friends are walking from Mumbai Central to UP

Tukaram Kuldip, a resident of Basti, Uttar Pradesh, started walking from Mumbai Central on Thursday night, and by Friday morning had reached Thane. "We are a group of 30 people going to Basti. We submitted relevant documents at Nagpada police station to board the special trains, but there is no response. We are starving. Sarkar theek hai achche ke liye band kiya hai, lekin ham gareebon ka kya ? Videsh se log flight se laye ja rahe hai aur gareeb patri par mar rahe hai. (It's good the government has implemented the lockdown, but what about us poor people? People are being brought back from abroad on flights and the poor are dying on the railway tracks) We heard about the Aurangabad incident. Nobody wants to die like that but we have no options left. Ghar par hamare log bhi hain. (We have family at home)."

'Should we starve here?'

Another group of 30 migrants was walking on the railway tracks near Mulund railway station. A member of the group, Jalaluddin Khan, told mid-day. "We know it's dangerous. So should we starve here? Should we get beaten up by the police? Nobody knows what we are going through since the past one month. We are given half-cooked rice by the local civic corporation to eat once a day. We just want the government to take us home." This group belongs to Basti, Uttar Pradesh.

"Our group members submitted the forms at the concerned police station for the special trains but they got rejected. We don't know why. No one told us anything. We will see if there are any arrangements in Thane, otherwise we will continue walking," Khan said.

Udaybhan Yadav and his family are walking to Basti 

Another migrant worker, Udaybhan Yadav, a resident of Basti, started his journey from Mulund along with his wife and eight-year-old child. Yadav used to work at a hotel in Mumbai. "My parents are worried about us as we have no money and are not getting enough food here. We don't know when things will return to normalcy."

Railway speak

"We have been on alert since the lockdown was announced. The gateman and the keymen have been briefed to alert us about the movement of migrants. We have been counselling and taking action against those walking on the tracks," said Atul Pathak, IG Central Railway Mumbai division.

Inputs by Vishal Singh

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Forced to agree to discounts due to the aggressive policies of delivery platforms, the National Restaurant Association of India (NRAI) and its member had started the #Logout campaign last August in protest. While the campaign turned out to be successful to an extent with aggregator platforms forced to change their predatory pricing policies, the NRAI decided to put a definitive plan into action to find a way out. The association has now announced plans to launch an alternative discovery and delivery platform, which will come into force by August-September.

"We realised that this is the new way of doing business [online aggregators] and we cannot ignore it, so let's make it better for us. With this platform, the customer data will be ours, discounts will be decided by the restaurants, and services will be unbundled. Every individual restaurant that gets the order will own the data; NRAI is not the owner of the data. Existing aggregators had become digital landlords. We are not saying that the app will replace the current players overnight, it's just another choice which will be available," says Anurag Katriar, president of NRAI; CEO and executive director of deGustibus Hospitality Pvt Ltd.

The project had been in the works months before COVID-19 hit the industry and all members were of the opinion that a marketplace cannot decide what the buyer and seller should do about the price. The high rate of commission is another concern. Restaurants are also forced to compulsorily buy the full bouquet of services by the platform, for example restaurants cannot use their own delivery fleet despite having one. One of the biggest issues for restaurateurs is that the customer and transaction data is the sole property of the aggregator, something that platforms started utilising to launch and promote their own properties.

Gauri Devidayal, restaurateur

Members of the F&B industry feel positive about the move. "These aggregators have used every situation to their advantage. Even now these guys are trying to raise the commission at a very high percentage. We are more than happy that the organisation is launching this platform which will help us work on a lower commission and reduce our expenses, especially now," said Ryan Tham, owner, The Good Wife, Koko, Foo.

Gauri Devidayal, Co-founder The Table, Magzine Street Kitchen, Iktara, Mei13, Mag St. Bread Co, saod , "The commissions and discounts offered by them were not at all viable for restaurants. This platform will also smoothen the ordering process and remove the need for us to organise a rider when delivering out of our radius."

Meanwhile, NRAI has already collaborated with a tech company to work on this platform, and the money for the platform is also being pumped in by the company; Katriar is tightlipped about the name for now.

Ryan Tham and Avik Chatterjee

Avik Chaterjee, founder, Hoppipola, Episode One, admits that everyone in the industry is in survival mode during lockdown: "Anything that will make us bear lower expenditure will be the best service for us. NRAI is not putting in money in this; this may change in the future. This hasn't been done to spite anyone, it is to protect what's best for our trade and take control of our own business decisions," he says.

Smaller restaurants will benefit the most from this as the platform will allow the owners to accept orders as small as R20 and use their salaried employee for delivery. NRAI is also working on two other tech projects, a loyalty programme, and a platform for transactions which might run parallel to the aggregator platform.

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Around 16 migrant workers sleeping on rail tracks were crushed to death by a goods train at Satana village in the limits of Karmad police station near Aurangabad district at around 05.30 am on Friday. Of the total 16 deceased, 14 died on the spot while two others died on their way to the hospital.

According to the local police, a group of around 20 migrants started walking from Jalna district to Bhusawal in Madhya Pradesh which is around 170 Kms.

"They were exhausted due to the walk and decided to take rest, but soon they dozed off with 16 of them sleeping on the tracks while the other four slept adjacent to it. Of the four who survived, one has suffered injuries while the other three are in a state of shock. We are speaking to them to verify other details," Mokshada Patil, SP, Aurangabad said.

"During early hours today (Friday) after seeing some labourers on track, loco pilot of goods train tried to stop the train but eventually hit them between Badnapur and Karmad stations in Parbhani-Manmad section. Injured have been taken to Aurangabad civil hospital and an inquiry has been ordered," the Railway Ministry tweeted.

According to a statement by the Ministry of Railway, the survivors left Jalna at 07.00 pm on Thursday. They walked till Badnapore by road and then went onto the track towards Aurangabad. After walking for about 36 km, they decided to take rest in which 14 sat on the tracks, while the rest sat adjacent to it.

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Taking serious note of the report in mid-day about a green activist writing to Chief Minister Uddhav Thackeray regarding illegal chopping of trees and encroachments in Aarey Colony, the CEO office of Aarey visited the spot and began the procedure of filing an FIR against the culprits.

On May 7, mid-day had reported how a environmentalist Stalin D wrote to Uddhav requesting the forest department and Thane forest circle to monitor Aarey Colony against encroachers during the lockdown.

In his letter to Thackeray, Stalin D also highlighted the fact that on an average, at least 30 trees were being chopped down daily inside Aarey.

"Slum-dwellers are expanding encroachments, building illegal temples, clearing the vegetation regularly ever since the lockdown was imposed. We have time and again raised the alarm and intimated the authorities concerned.

But, the Aarey police have not acted on any of the complaints and instead have chosen to beat up citizens who send them proof of tree chopping and expanding encroachments," the letter stated.

Stalin D told mid-day that he also received a response to the email from Chief Minister Uddhav Thackeray's office stating that he letter had been sent to the department concerned to take necessary action.

CEO of Aarey Milk Colony Nathu Rathod told mid-day, "We have taken serious note of the illegal encroachments and alleged cutting of trees in Aarey and will be taking the help of the police to book those responsible. Our teams have visited the spot and the procedure of filing the FIR is in progress."

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A case has been registered against office-bearers of Bandra Gymkhana in the city for violation of lockdown after a video purportedly showed members celebrating its completion of 85 years despite the lockdown restrictions.

A lawyer filed a complaint saying that a video on social media showed Gymkhana members singing and dancing during the celebration of completion of 85 years of the club, a police officer said.

A case under IPC sections 188 (defying public servant's order) and 269 (act which may spread infection) was registered against office-bearers and some members, he said, adding that probe was on.

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Dear Diana,
I am 33 and single. Six years ago, I was in a relationship with a guy in the neighbourhood. We had got engaged too, but later we broke off. His family felt I was not suitable for their son and they then relocated to Surat. Ever since my engagement broke off, I have not had any guy on the scene. My parents have now registered me on a marriage website. They feel I should settle down. But I believe that I will never get married due to my broken engagement. Will I ever find someone who will love me? Someone who will not ask unwanted questions about my past? I have become a recluse after the break up. My parents are worried about me.
— Rasika

Dear Rasika,
A broken engagement does not mean that you will not find love again. So do not lose heart. You could be second time lucky. Just think that this guy was not meant for you. You needed someone better. Let the engagement break up remain where it is — in the distant past. There is no point brooding about it and crying over it. After the break up, you have cut yourself from the social scene. There is no reason to do so. Hang out with your pals, you never know when and where you will meet Mr Right. Your parents are concerned about you and want you to be happy. Let them register you on a matrimonial website. I am sure they will find the best for you. At the same time, do not put pressure on yourself to get hitched. You cannot go looking for love, it just comes your way.