Stickers can be fun, but how eco-friendly is this new craze for decorating walls? We have found two brands that claim their vinyls to be eco-chic, and some even come with decorative eco-reminders; very clever! Hu2 in the UK has just

Eating seaweed is healthy, but how is it harvested? For one Maine seaweed harvester, the job is a meditation on life.

Though conventional 'deathcare' is hardly green, thanks to the use of embalming chemicals, concrete vaults and non-biodegradable caskets, burials are getting greener each year with various eco-friendly options and smarter

Wendell Berry is a fount of wisdom and inspiration, so it was great to see that Bill Moyers spoke with the farmer, poet, eco-philosopher about the role of activism and spirit in creating positive change.

Another great example of compost poetry that celebrates the magic in our muck.

Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets. So come and join us by […]

Parvaaz, a four-member outfit, believes in spreading the message of peace through their progressive rock music with guitar-driven compositions. With their Urdu lyrics and the familiar sound of chimes, the soundscape is a refreshing change. Now, they are back in the city for a gig that promises to be about the coming together of western guitar techniques and Indian elements, making them one among a handful of true-blue fusion indie bands today.

Parvaaz, which translates to "flight", came together in 2010 when childhood friends Khalid Ahmed and Mir Kashif Iqbal (both on vocals and guitar), reconnected in Bengaluru over their shared love for blues rock melodies, and were joined by Sachin Banandur (drums and percussions) and Fidel D'Souza (bass). But they only started developing their own sound two years later. "We were playing at competitions and winning, which was a great boost. We felt confident enough to make original music, and our sound shifted towards progressive and classic rock of the '60s and '70s," says Ahmed, quoting Pink Floyd, Led Zeppelin, The Doors, and Indian Ocean and Avial, as their influences.

It was a process of trial and error till they found the best way to let all their individual influences flow while jamming, which is when the Urdu lyrics also came in, the natural form of communication for two members at least. "Hindi and Urdu come naturally to us. Singing in English would have just not flowed with the music. Besides, the sound of the fusion that comes out of a merging of different styles of music is what our goal has been. It is the sound that guides most of our writing," says Ahmed.

Their lyrics primarily talk about the human nature and comprise metaphorical poetry, like their song Beparwah, which talks about man's dependence on materialistic objects, and Shaad, which is about loss and regret.

Khalid Ahmed

But lyrics are the last thing that get added onto their music, and that too if they deem it necessary. "A lot of our jams just end up being instrumental, and hence our seven minute-long songs," reasons Ahmed.

They will also be playing some new songs from their upcoming album that they have been putting together for four years, and will be releasing later this year. For fans who like to sing along, they will also perform songs from their first EP and debut album, including Ziyankar and the achingly serene Itne Arse Ke Baad, which echoes a longing to go back home. Home, for Ahmed and Iqbal, is a sensitive issue now, since both hail from Kashmir, which is still trying to heal from the Pulwama attack. Both were reluctant to comment, and as they say, prefer to let their music do the talking.

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Smeetha Bhaumik

The poet-artist, for whom this is the second Glo/NaPoWriMo attempt, says, "Platforms like these are precious to a poet, because of the sense of community and writing in unison that they offer. Writing to new prompts every day is a challenge in itself, and an exciting one; I say this because I have seen unexpected beautiful verses emerge out of my pen [or mouse]." For Bhoumik, it's tough to pinpoint where her tryst with poetry began, "I have grown up with poetry as a background motif in an environment of science and engineering that dominated my Bengali household. So, its aesthetics have been with me all along. Though I took up writing much later, it was as if I had written it all my life. It just flowed," she says.

Moonlit haibun writes itself,
silver crescents that speak to silence
often.
On the walls trellises of poetry,
On the night:
Shadows
Of poems
To come

Ritu Poddar

A NaPoWriMo novice, Poddar says for her, the takeaways are many. "This has been the most productive and creative month of my life so far. I learnt that passion alone cannot take you anywhere but, passion combined with discipline can," she shares. Speaking of the challenges she faced, Poddar says, "There were days when I would easily find inspiration or an idea to write about. But on others, even the prompts could not help. I have stayed up all night to ensure I don't break the chain of writing continuously."

Collecting from every corner of my body
Debris of past heartbreaks,
Stench of hoarded guilt,
Leftovers of repeated mistakes,
Scraps of untreated anguish
Digging hard to pull out weeds of hurt
Rooted deep into the memory bed.
Cutting cobwebs of relations I weaved,
Which had turned into fetters.

When Washington-based poet and publisher, Maureen Thorson began the National Poetry Writing Month (NaPoWriMo) in 2003, little did she realise that it was going to turn April into the busiest month for poets across the world? The objective is to pen down 30 poems in 30 days — spurred on by prompts (available on the official NaPoWriMo blog) and a general camaraderie that allows you to find the much sought-after inspiration writers are constantly pining for. Today, this has become a global community, with most preferring to call it Glo/NaPoWriMo. It has found its way into the lives of many Indian poets.  We speak to four of them as the month comes to an end.

Rakhee Panth

Panth quit her job as a school teacher to pursue writing full time. This was her first NaPoWriMo attempt and she says the experience was exhilarating. She began writing when she was 11 and published her first short story at 14 in Children's World Magazine. "Writing is a lonely profession. This forum encourages writers across the world to stay inspired and motivated as a community [albeit virtual]. It is believed that creativity often follows its own graph but NaPoWriMo pushes you to harness your creative energy every day and expand your horizon in a guided manner — something that many writers are hungry for in our country. It helps inculcate discipline and is a creative and fun alternative to structure your writing process," she says.

When rain finally falls
And takes with it
The earth's sorrow,
Winnows its way
Into her heart
And stays,
I will call to you then

When eternity stops
And time stands still
I shall have dissolved you in me

Aashish Vaidya

The blog, which is maintained by Thorson features a participant every day. Aashish Vaidya was one of the few Indians to be named. Originally from Vadodara, Gujarat, Vaidya says that his foray into poetry was encouraged by his grandfather, and began with their affinity for Hindi ghazals. "Ghazal singing is that beautiful confluence of good poetry, good singing and good music. I wrote poems and articles sporadically in high school, and in college, for newsletters and community magazines. But, I can relate to Picasso's quote 'Every child is an artist. The problem is how to remain an artist once we grow up.' So for many years, the desire to write lay dormant, as the proverbial life happened," he says. Vaidya, who is participating in the challenge for the fourth time, believes its significance is manifold. "It provides this huge nudge to write. And if you tap into the NaPoWriMo blog community, you can also find other individuals around the globe, who are writing. And in many cases, they are struggling to write, like you, at this maddening pace." he says.

But, talking anything rational with them is more
Like 'burning daylight,' or 'whistling up the wind.'
I mean it takes a special someone with,
'Too many cobwebs in the attic,' to believe someone who is
'Slicker than a slop jar or a boiled onion.'
I mean, come on y'all, howdayya believe someone who,
'Knows more ways to take your money than a roomful of lawyers.'

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The dim light of candles engulfs Andheri's Harkat Studios in a warm glow. A 25-member audience settles on the mattresses around an elevated gadda under a spotlight. The mushaira's (poetic symposium) setting is perfect. Before seven Urdu shayars begin the performance, Devroop Sharma of Irshaad poetry collective acquaints the audience with the basics: Say 'mukarrar' for an encore and 'waah waah' as applause.

(Clockwise from top) Artistes Devroop Sharma, Khan Faisal Barkaati and Ashwani perform at the mushaira held last weekend. Pics/Tanvi Phondekar

For the next two hours, the fragrance of Urdu fills the room as the shayars - including 20-year-old Khan Faisal Barkaati, and Ashwani, who recites poetry in a Haryanvi accent - share original nazms on love, heartbreak, politics, education and motherhood. They make it interactive, asking the audience to complete a misra (a couplet line). They also ensure the guests aren't overwhelmed by the language, by explaining the meaning of lesser-known words like ilm (knowledge) and baa-safaa (chaste) before narrating the verses. Some members in the audience repeat the words under their breath to savour their taste. One of them, Sankalp Rawal, tells us after the show that was held last Saturday, "I understood 70 per cent of what was recited but still enjoyed the performance."

Shamir Reuben and Hussain Haidry

For Sharma, that's an achievement. "The idea isn't to spoon-feed but help expand your vocabulary. When you don't understand a word, you look it up and then, enjoy the shayari more. It stays with you even after the performance," says the 29-year-old poet and salsa dance teacher, who launched Irshaad six months ago, to promote regional language poetry.

Mohammed Sadriwala

Urdu takes the centre stage
Recent months have seen a spurt in groups supporting the language. Earlier this year, Studio Tamaasha kicked off Urdu Readings, a series of dramatic readings of Urdu short stories, conceived with the help of academic Aslam Parvez. Its finale will be held on October 28.

The Poetry Club (TPC) introduced Mehfil, where members discuss popular Urdu poets, besides Hindi and English. "We wanted to challenge the notion that Urdu is difficult to understand. We use words from it in everyday conversation without realising it. Like, darwaza," says Ankita Shah, co-founder of TPC, which will host the next session in November at G5A.

Write and learn
Workshops that help you hone Urdu poetry skills are also finding takers. Last month, Karan Talwar, curator at Harkat Studios, collaborated with Sharma to present a ghazal-writing workshop. Led by college professor Abhishek Choudhary, it deconstructed the form to drive home the point that every ghazal uses the same kind of metre. "The idea was to help the participants realise that a ghazal isn't difficult to master, if you know the math of it," says Talwar. On October 27, the duo is also collaborating for Kissagoi, comprising theatrical readings of original Urdu stories by three young poets.

Meanwhile, a Hindi and Urdu spoken word masterclass, titled Lafzon Ki Kaarigari, saw 15 participants aged 18 to 40 in attendance. Held last Sunday, it was curated by YourQuote, a mobile app for writers to share original poetry. The 25-year-old poet Mohammed Sadriwala, who conducted it with fellow poet Rakesh Tiwari, says he was impressed at the turnout. "When I started out in 2014, I saw eight out of 10 poets performing in English at open mics. Today, over 50 per cent use Urdu in their performance. It's more expressive. There's also a certain pride in performing in your own language," he observes. Another masterclass is scheduled for next month.

"Of the 2.5 lakh Indian users of our app, 35 per cent [87,500] prefer writing in Hindi and Urdu. That's also because today, more content consumed online is in regional languages," says the app's co-founder Harsh Snehanshu.

Case in point: 31-year-old Indore-born, Mumbai-based Hussain Haidry's poem, Hindustani Musalmaan, which went viral as soon as Kommune launched it on its platform in February, and at last count had seen 5 lakh views. "People are more receptive and attentive to Urdu. Credit goes to [Delhi-based] organisations such as Rekhta Foundation, which are responsible for reviving and preserving the language," says Haidry, a go-to artiste to add to the line-up at Hindustani poetry performances. He also narrated his poems at The Urdu Exhibit, a launch event for Design Fabric's latest issue featuring artworks themed on the language.

Haidry will perform next on October 12 at a Hindi-Urdu poetry open mic at The Cuckoo Club, curated by Kommune as a prelude to their debut spoken word festival. "We've also prepared a list of new, young poets writing in the language. A pure Urdu poem may be difficult to understand but the younger poets are mixing it with Hindi to make it conversational and audience-friendly. It also has a greater impact when used to make a political and social commentary. While at it, they are keeping Urdu alive," says Shamir Reuben, member of the storytelling collective.

Poetry meets activism
Talwar adds that celebrating Urdu is important in today's political scenario. "Recently, at a curatorial workshop in Delhi, I learnt that India doesn't have an Islamic art gallery. That's strange considering it's an integral part of our culture. At a time when Islamic influences in Indian art and culture are being underplayed, curating Urdu-focused events is our shot at activism, where we try to rediscover the language in a safe space."

Siddhant Chaturvedi is an actor, who apart from his acting, is also known to be an adept writer. He uses simple words to convey meaningful messages and impactful messages which is what makes his poetry so relatable. He usually shares his poetry on his social media in the captions of his pictorial posts.

The actor shared an intriguing teaser video titled 'Dhup' on his social media. The teaser had an engrossing animation and calming music which provides a beautiful perception about sunlight in it. The full verse of Dhup will be out now!

 

 

 

View this post on Instagram

Dhoop - In search of hope.â Â€â Â€â Â€â Â€â Â€| 𝐒 | #MyNotes brought to life. Visuals by @patranimacchi

A post shared by Siddhant Chaturvedi (@siddhantchaturvedi) onMay 2, 2020 at 12:09am PDT

The actor shared the teaser on his social media for his fans. Siddhant Chaturvedi's talents really know no bonds and his word really shine brightly in this teaser! Siddhant made his debut in 2019 as Mc Sher in Gully Boy and has been on a roll ever since.

On the work front, Siddhant will next be seen in Bunty Aur Babli 2 followed by Shakun Batra’s next.

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The reticent Bobby Deol is hogging the limelight due to the poem, Chand roz ki baat hai yaaron, which he has recited in a music video. Written by Sanjay Masoomm, it appreciates the efforts of the Corona warriors.

The actor shares, "I was taken in by its simplicity. It resonated with me. It makes me happy to be associated with this positivity, and I appreciate the way this situation has made us all join hands and come together."

 

 

 

View this post on Instagram

we will win this war ... let’s be kind and appreciative of all the efforts put in by our #COVIDWarriors ... thank you @sanjaymasoomm for writing such beautiful words and making me a part of it ... #StayAtHomeIsStillSafe in this #Lockdown3.0 let’s be careful and not go out unless necessary, ये सब हमारी भलाई के लिए ही किया जा रहा है! 🙏🏻 #SaveLives #IndiaFightsCorona #StayHome #Lockdown #Covid19 #Coronavirus @my_bmc @cmomaharashtra_ @mumbaipolice

A post shared by Bobby Deol (@iambobbydeol) onMay 4, 2020 at 3:04am PDT

According to a report in IANS, Bobby Deol shared, "It makes me very happy to be associated with this positivity, and I appreciate the way this situation has made us all join hands and come together. Who knew that social distancing could bring people together, with all of us checking up on one another and being there for people emotionally, if not in person."

Sanjay Masoomm said, "When I wrote the lines, I wanted someone whose voice will add weight to them. I have worked with Bobby Deol in several films and I know he's not only got a powerful voice but also a heart of gold. He's a very emotional man and his voice will help this ode reach out to more people. Bobby has read it out wonderfully with all the feeling and emotions."

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Eminent Kannada poet and writer K.S. Nissar Ahmed passed away here after prolonged illness, an official said on Sunday. He was 84. "Ahmed died at his residence in the city's south-west suburb after prolonged illness due to age-related complications," a state information department official told IANS here.

Kannada poet Professor KS Nisar Ahmed passes away at his residence. He was 84 years old. (File pic) pic.twitter.com/i7hadMxVhE

— ANI (@ANI) May 3, 2020

Born on February 5, 1936 at Devanahalli on the city's northern outskirts, Ahmed was a prolific writer in Kannada and penned poems, plays, short stories and novels.

A post-graduate in geology, Ahmed worked in the mines and geology department of the state government at Gulbarga in the state's northern region in the 1950s-60s before moving to Bengaluru to teach the subject (geology) at the state-run central college in the city centre and later at Chitradurga and Shimoga in the state's Malnad region during the 1970s.

"Ahmed is a recipient of several awards and honours, including Padma Sri and Sahitya Academy award in 2008 and state awards like Pampa in 2017, Nadoja in 2003 and Rajyotsava in 1981," the official recalled. Kuvempu University at Shimoga awarded honorary doctorate to Ahmed in 2010.

Ahmed is well known for his poems "Nityotsava" and other popular works such as "Manasu Gandhi Bazaru", "Sanje Aidara Male" and "Manadondige Mathukathe".

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Union Textiles Minister Smriti Irani on Wednesday penned down a poem paying tribute to the legendary lyricist and poet Gulzar thanking him for making lives happier with his magical work even during the lockdown.

Irani took to Twitter to share that she had a conversation with the poet and also posted the poem.

The poem ended with Smriti thanking Gulzar for making everybody's lives 'Gulzar' or a beautiful garden.

Irani who is also a former actor incorporated Gulzar's famous works like the iconic songs 'chappa chappa charkha chale' and 'chhaiya chhaiya.'

"Jinki kalam se gilehri key jhoothe matar ka swaad aajaye muh mei, jinhone chappe chappe mei charkha chalvaaya shabdo ka," read the minister's post.

"Jinki ek lakeer pe bade se bada sitaara chhaiya chhaiya karta hua, rail ki raftaar ki tarah dil se dil ko chhoo jaaye, unko salaam," her post further read.

She ended the post by saying that it is due to the senior poet's art that lives of many is still full of happiness even during the testing times of coronavirus crisis. "Kyunki unki kalam se corona mei bhi, zindagi kahi na kahi gulzar hai," Irani's poem further read.

The Amethi MP further complemented the 'Tujhse Naraz Nahi Zindagi' lyricist in her caption and shared the details of her conversation with him.

"There are many in our lives who impact us unknowingly... their lives, their works inspire millions & touch many a chords," she wrote.

"today I asked one such person "sab khairiyat Sir?". I've had the privilege of being inspired by his craft over the years. Say thank you to those who help us get over our corona blues ... jinki wajah se aapki zindagi Gulzar hai," her post further read.

 

 

 

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There are many in our lives who impact us unknowingly... their lives , their works inspire millions & touch many a chords.. today I asked one such person “ sab khairiyat Sir ?“. I’ve had the privilege of being inspired by his craft over the years. Say thank you to those who help us get over our corona blues ... jinki wajah se aapki zindagi Gulzar hai 🙏❤ï¸Â

A post shared by Smriti Irani (@smritiiraniofficial) onMay 6, 2020 at 1:17am PDT

One of the most senior songwriters of the Indian cinema, Gulzar has given several marvels to music and poetry lovers.

A national award-winning lyricist, Gulzar has penned down songs for many iconic films like 'Dil Se,' 'Saathiya,' 'Masoom', and others.

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What's common between rapper Sofia Ashraf, filmmaker Fathima Nizaruddin and Urdu-Kashmiri poet Mohammad Muneem Nazir? Besides a form of expression, they use their art as a tool of resistance. Next week, they will come together at Godrej India Culture Lab for Performing Protest, an evening that explores how art works with hunger strikes and marches to help create change. "The idea is to highlight alter-narratives [alternative narratives]. Young India is protesting in a number of ways — through candle-light marches, online petitions and flash mobs. Art is also one of them," says Lab head Parmesh Shahani.

A still from Nuclear Hallucinations

Fathima Nizaruddin

Ashraf will share more on the causes she supports through her music — the viral hit Kodaikanal Won't, protested against the mercury poisoning due to Unilever's thermometer plant, and Dow Vs Bhopal: A Toxic Rap Battle, appealed to the White House to help bring Dow Chemicals to bring justice for the Bhopal Gas Tragedy. "Today, the culture of dissent is looked down upon and those practising it are shown in a bad light, as the powers that be clamp down with terms like anti-national. So, it's important to stress on art's role in dissent," says Ashraf, who will also showcase the tongue-in-cheek music videos she creates under the series, Sista From the South.

Sofia Ashraf. Pic courtesy/Pretika Menon

Mohammad Muneem Nazir

Delhi-based Nizaruddin, currently pursuing practice-based PhD from London's University of Westminster, will showcase Nuclear Hallucinations. The 54-minute film on the anti-nuclear struggle against the Kudankulam Atomic Power Project in Tamil Nadu, highlights cases of sedition and war against the state that have been filed against the protestors. "Cases are even filed against grandmothers running coffee shops. The film questions the totalitarian nature of pro-nuclear assertions in the form of a satirical documentary. Instead of conducting interviews, I asked the villagers to wear masks and stage impersonations," shares the director, who will also present a performance before the screening.

Parmesh Shahani

Nazir will perform Urdu poetry that reflects the turmoils in the Valley. "My music appeals to people to be compassionate," he says. The trio will come together for a panel discussion about their work process.

ON: October 27, 5 pm
AT: Godrej One, Vikhroli East.
RSVP: indiaculturelab@godrejinds.com

Randall Swingler served in the 1939-45 war and went on to publish two postwar collections

Brooding subject matter meets richly detailed music in the British rapper’s fifth album

Spoken word is a form of poetry usually written to be performed in front of an audience, and often associated with hip hop culture. In recent years its popularity has soared in the UK – and now, as part of the London Literature Festival, the Southbank Centre is hosting the final of “Shake the Dust”, a national poetry slam for teenagers. So, what’s the difference between “page” and “stage” poetry? Does spoken word have a political bent? And can poets hope to change anything? Jan Dalley puts these questions to the poet, rapper and playwright Kate Tempest; poet and artistic director of the “Shake The Dust” Jacob Sam-La Rose; and critic Suzi Feay. Produced by Griselda Murray Brown  

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He's the multitalented musician who is currently in a relationship with chart-topping pop star Miley Cyrus. 

He just released his new book of poetry, titled Prince of Neptune. 

If the Glastonbury festival ever staged a Shakespeare, it might look like this.

Jonathan Bate has penned a biography about the life of poet William Wordsworth. Author says William who was born in Cumberland did his best work after meeting Samuel Taylor Coleridge.

This collection shows that although a man may abandon his Muse for years, she'll tag along like a faithful wife

The gold-leafed volume by famous Persian poet Hafez was recovered by Arthur Brand. It had vanished from an antique collectors home after he died in 2007, along with other works.

Antony Gormley has the honour of having created a work of art much more famous than he is.

SEBASTIAN SHAKESPEARE: Far from enjoying a tranquil lockdown at his home in Berkshire, Richard Ingrams today finds himself on the receiving end of a spirited spoof.

On daughter Maryam's 3rd birthday, actor Dulquer Salmaan took to Instagram to pen a poem for the 'big girl' and asked her to 'slow down' and not grow up too fast.

Women Poet Saints of the Bhakti Movement broke free of the draconian Hindu code of life prescribed by Manu to find their religious and spiritual freedom.

Emily Hale eventually developed feelings for TS Eliot, but the poet writes that, as time went on, he realised "more and more how little Emily Hale and I had in common".

Guru Ravidas was an Indian Mystic and poet who played a prominent role during the Bhakti Movement, a theistic devotional trend that was led during the 15th century. The movement is said to be later revolutionised the Sikhism. Guru Ravidas was

Rabindranath Tagore, a popular Bengali-poet, artist, musician, Ayurveda researcher and polymath was born on 7 May 1861. He is often referred to as Gurudev, Kabiguru and Biswakabi by his admirers. During the late 19th century and early 20th century, he extensively

It is alleged that the book written by him is more of fiction than giving a true picture of the great Maratha warrior-king Chhatrapati Shivaji Maharaj.

Basingstoke : Palgrave Macmillan, 2014.

New York, New York : Palgrave Macmillan, 2014.

Cham, Switzerland : Palgrave Macmillan, [2019]

New York, NY : Oxford University Press, 2019.

Portuguese poet Ana Luísa Amaral will participate in a conversation and reading from her new book of poems What’s in a name? (New Directions, 2019) translated by Margaret Jull Costa. Amaral is one of Portugal’s most exciting poets whose work has been described as “small hypnotic miracles […] reminiscent of Szymborska and of Emily Dickinson”. This event will include a display of special editions of authors that have shaped Amaral’s literary work and scholarship, like Emily Dickinson, William Shakespeare, and Sophia de Mello Breyner Andresen. Sponsored by the Hispanic Division in collaboration with Instituto Camões and the Department of Spanish and Portuguese at Georgetown University. 

Free tickets available via Eventbrite:
https://www.eventbrite.com/e/poetry-reading-conversation-with-ana-luisa-amaral-tickets-58858781199

Click here for more information.

Portuguese poet Ana Luísa Amaral will participate in a conversation and reading from her new book of poems What’s in a name? (New Directions, 2019) translated by Margaret Jull Costa. Amaral is one of Portugal’s most exciting poets whose work has been described as “small hypnotic miracles […] reminiscent of Szymborska and of Emily Dickinson”. This event will include a display of special editions of authors that have shaped Amaral’s literary work and scholarship, like Emily Dickinson, William Shakespeare, and Sophia de Mello Breyner Andresen. Sponsored by the Hispanic Division in collaboration with Instituto Camões and the Department of Spanish and Portuguese at Georgetown University. 

Date and time: Monday, April 8, 2019 / Book display (4:00-5:00 p.m.) / Reading and Conversation (5:00-6:00 p.m.)
Location: Hispanic Reading Room (LJ-240), Thomas Jefferson Building (2nd floor), Library of Congress.

Free tickets available via Eventbrite:
https://www.eventbrite.com/e/poetry-reading-conversation-with-ana-luisa-amaral-tickets-58858781199

Click here for more information.

Rotch Library - N6537.M3947 R53 2019

Online Resource

Hayden Library - PQ7297.A8365 Z46 2016

Hayden Library - PQ7389.G84 Z536 2016

Hayden Library - PQ7084.M244 2017

Hayden Library - PQ6613.A763 A2 2017

Hayden Library - PQ8097.N4 Z6167 2017

Hayden Library - PQ7557.E5 O84 2016

Online Resource

Online Resource

Online Resource

Online Resource

Hayden Library - PN1995.9.D6 W25 2018