Scary Stories to Tell in the Dark is a clever and well-crafted adaptation of Alvin Schwrtz's ubiquitous horror series of three books of short stories.

Batla House combines all the essential tropes of mainstream Bollywood films in remarkably entertaining fashion, and make you sit and notice the fluidity of the narrative.

Akshay Kumar's Mission Mangal recounts the story of this mammoth event in the tried and tested, personal anecdotal style.

'Once Upon a Time in Hollywood' may not be Quentin Tarantino’s best, but it’s a laidback, change-of-pace offering that delivers many unexpected pleasures.

Mission Mangal is enjoyable and entertaining. With Akshay Kumar and Vidya Balan, director Jagan Shakti delivers a space movie that lifts off and frequently soars.

Batla House is a fascinating premise, and an especially unlikely character for John. But the film can’t decide what it wants to be – a melancholic character piece, or a thriller with chases and shootouts.

On the technical front, the film is astutely mounted with all the trappings of an A-grade action film. The fight sequences are brilliantly choreographed, picturised and layered.

If you’re in the mood for guilty pleasure, 'Crawl' is not a bad way to spend an evening. Read our review of 'Piranha 3D' director's new creature flick here.

The impressively staged but ultimately exhausting action sequences take up the bulk of screen time, but they can’t salvage this soulless film that has all the depth and emotional wallop of a video game.

Chhichhore is all about its characters, frankly, and the hoops they're made to jump. In them you'll likely find traces and memories of your own youth.

Shraddha Kapoor and Sushant Singh Rajput bring a touch of glamour and of course, the much sought after romance to campus life.

This film is another example of how filmmakers lose grip on the story in the sequel. IT Chapter 2 is a letdown, and isn’t worth your penny.

Dream Girl will surely entertain the film going audiences while sparking off an important conversation on gender constructs in Indian cinema.

For most part of it, Section 375 keeps you confused about the possible outcome of the case, and that’s a moral victory the director can claim.

In Dream Girl, Ayushmann plays Karam, an unemployed young man in Gokul, Mathura, who takes a job at a call centre. Read our review of the film here.

Section 375 is a well-made film with a persuasive argument that is nevertheless disturbing. read our review of the film here.

Fortune favours the brave and this one with all the talent it's equipped with plus 'The Zoya Factor' certainly seems to hold the promise of box office success. Read our full review below.

Sonam Kapoor and Dulquer Salmaan's The Zoya Factor is not an unwatchable film by any measure. But it squanders the opportunity to say something about the world we live in, and our reliance on luck as both a crutch and an excuse.

Bulbul Can Sing unfolds unhurriedly, as if matching the pace of life in a small village. It can get testing especially in the later half, but stay with it.

Director Todd Phillips has borrowed from many neo-noir Hollywood films for Joker. Joaquin Phoenix's performance has made it an excellent film.

Coming at a time when graphic and lurid on-screen violence are being questioned and and even condemned, Asuran would appear needlessly falling back to the old formula.

Having an almost picture perfect cast can sometimes get in the way of a natural storytelling style but this family scores well on that front.

The Children of the Sun talks about how differences in religion and caste lead to an unimaginable and needless crisis of identity.

At no point in the film, the audience gets a grip of the story or why it’s told one more time. Directed by Ang Lee, Gemini Man stars Will Smith in the lead role.

Downton Abbey, is a reboot of the television series of the same name. The film picks up the saga of the Crawley family and their mostly loyal servants in 1927, a year and a half after the series ended.

In 'Laal Kaptaan', Saif Ali Khan's performance suffers for want of a tighter script. Read our full review of the latest Bollywood film below.

It may not appear more than an extension of the original sleeper hit, but it’s mostly meant for fans. You won’t get some jokes if you don’t remember what happened in the first film.

Mistress of Evil never manages to justify the return of all its characters and it delves deeper into its fantasy world.

'Upstarts' is very contemporary and contemplative take on our times. Read our review of the new Netflix film below.

The simple storytelling is well aided by with an upbeat background score and competent production design that faithfully recreates the simple, village setting.

Kaithi plays at multiple levels. Karthi's Dilli is a murder convict out on parole to meet his 10-year-old daughter whom he has never seen.

Had there not been Akshay Kumar, it would have become a really painful watch. He has barely managed to stop Housefull 4 from becoming another Tees Maar Khan.

'Saand Ki Aankh' is based on the amazing true story of two of the oldest sharpshooter champions in the world-- Chandro and Prakashi Tomar. Read our full review of the latest Bollywood film below.

Rajkummar Rao and Boman Irani's characters in 'Made in China' sell Magic Soup to men suffering from performance issues. Read our full review of the Diwali 2019 release below.

Despite maverick filmmaker James Cameron on board as writer and producer, Dark Fate relies only on set-pieces. The script never goes beyond the obvious.

Despite a meaty premise, there are too many missed opportunities in 'Ujda Chaman'. Read our full review of the movie below.

The film is mounted with ace production values. The era is aptly recreated by production designer Jan Roelfs and captured by cinematographer Chung-Hoon Chung.

The problem is that this whole thing is an idea in search of a script. There’s just not a lot to work with.

Bala starring Ayushmann Khurrana, Bhumi Pednekar and Yami Gautam, certainly gets your attention but does not manage to sweep you off your feet.

Ayushmann Khurrana, who’s cornered the market when it comes to playing flawed, insecure men with confidence issues, continues his winning streak with Bala.

Last Christmas may not be remembered as one of the great holiday rom-coms – it’s no Love, Actually – but it’s a perfectly satisfying one-time watch.

House Arrest, the way we generally understand the term, is really not a nice word, and connotes horror in its most basic form.

'Motichoor Chaknachoor' could have been a blockbuster comedy. But alas, with its ambling laidback storytelling style, it falls short. Read our full review of the latest Bollywood film below.

Blame it on our perception but it seems Sidharth Malhotra needs more time to come out of his decent boy next door image.

Watching 'Marjaavaan', the stench of creative bankruptcy is hard to miss. Read our full review of the latest Bollywood film below.

Overall, the film, while speaking about "girl power", is wildly entertaining despite not letting you get emotionally invested. Read our full review of the latest Hollywood film below.

The new film takes some warming up to (pun unintended) before you become invested in the story. Read our full review of the latest Hollywood offering below.

The script does subsequently veer down a predictable path, but the tone remains upbeat. Read our full review of the film below.

In the cinematic world run by superheroes, it is increasingly difficult for the audience to be impressed by the exploits of regular, on-screen heroes.

In the face of it, The Irishman is Scorsese's final farewell to those immigrant hitmen who ruled suburban America in the 1950s.